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Transcript of Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94....
![Page 1: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/1.jpg)
http://csdll.cs.tamu.edu:8080/picasso/
![Page 2: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/2.jpg)
Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.
![Page 3: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/3.jpg)
Picasso, Drawing after Velazquez’s Las Meninas, 1897-98. Museo Picasso, Barcelona.
![Page 4: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/4.jpg)
Picasso, copy after a Capricho by Goya, 1898. Museo del Arte, Barcelona.
![Page 5: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/5.jpg)
Portrait of Gertrude Stein, 1906, (oil on canvas,100 x 81.3 cm), The Metropolitan Museum of Art, New York
![Page 6: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/6.jpg)
Autoportrait à la palette (Self-portrait with palette) Paris, summer~fall, 1906.
(oil on canvas. 92 x 73 cm.)The Philadelphia Museum of Art.
![Page 7: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/7.jpg)
1906 1907
![Page 8: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/8.jpg)
Les Demoiselles d'Avignon, 1907, (oil on canvas, 243 x 233.7 cm),Museum of Modern Art, New York
![Page 9: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/9.jpg)
Les Demoiselles d'Avignon, Study, 1907, (drawing [pencil and pastel] 47.7 x 63.5 cm), Kupferstichkabinett, Basel.
![Page 10: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/10.jpg)
Picasso, Study for Demoiselles d’Avignon, 1907
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Picasso, Portrait of Ambroise Vollard, 1910, (oil on canvas 91.5 x 59 cm), Pushkin State Museum of Fine Arts, Moscow
![Page 12: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/12.jpg)
R: Portrait of Ambroise Vollard, 1915, (pencil drawing, 46.7 x 32 cm), Metropolitan Museum of Art, New York
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"Ma Jolie". Paris, winter 1911-12. Oil on canvas, 39 3/8 x 25 3/4" (100 x 64.5 cm), Museum of Modern Art, New York
Analytic cubism
![Page 14: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/14.jpg)
“Picasso’s new method made it possible to ‘represent’ the form of objects and their position in space instead of attempting to imitate them through illusionistic means. With the representation of solid objects this could be effected by a process of representation that has a certain resemblance to geometrical drawing. This is a matter of course since the aim of both is to render the three-dimensional object on a two-dimensional plane. . . . [H]e can show it from several sides, and from above and below.”
—Daniel-Henry Kahnweiler, 1920
"Ma Jolie". Paris, winter 1911-12. Oil on canvas, 39 3/8 x 25 3/4" (100 x 64.5 cm), Museum of Modern Art, New York
![Page 15: Http://csdll.cs.tamu.edu:8080/picasso/. Picasso, Sketch of Parthenon Pediment Cast, 1893-94. Reproduced in Zervos, 6, Supplement 1-5.](https://reader036.fdocuments.net/reader036/viewer/2022062308/56649d965503460f94a7fba2/html5/thumbnails/15.jpg)
Guitar, March 1913, Cut and pasted newspaper, wallpaper, paper, ink, chalk, charcoalAnd pencil on colored paper. 26 1/8 x 19 ½” - MoMA
Synthetic cubism
“At this point Braque’s introduction of undistorted real objects into the painting takes on its full significance. When ‘real’ details are thus introduced the result is a stimulus which carries with it memory images. Combining the ‘real’ stimulus and the schemer of forms, these images construct the finished object in the mind.”
—Daniel-Henry Kahnweiler, 1920
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Picasso, Guernica, oil on canvas, 1937, cm 349 x 776 (137 x 305 in) Madrid, Museo Nacional Reina Sofia