HSO Program Book 1

2010/11 SEASON | HARRISBURG SYMPHONY ORCHESTRA

October 2|3PULL OUT ALL THE STOPSwith Jeffrey Biegel & Eric Riley

October 30|31MANCINI & MOONLIGHTwith Teri Dale Hansen & Nat Chandler

NoNovember 13|14SHARON ISBIN PLAYS RODRIGOwith Sharon Isbin

Masterworks Performances:Pull Out All The Stops Oct 2-3Sharon Isbin Plays Rodrigo Nov 13-14Catch a Rising Star Jan 15-16La Bohème in Concert Feb 26-27Symphonic Revelations Mar 26-27Mahler’s Majestic Landscapes Apr 16-17Brahms Brahms & Brahms! May 14-15

Capital BlueCross Pops:Mancini & Moonlight Oct 30-31

Simply Swingin’ Jan 29-30Dave Bennett Returns Mar 12-13Franc D’Ambrosio’s Broadway

Apr 30/May 1

3

Board of Directors ........................6

HSO Staff.......................................6

Pre-Concert Lecture Series ..........8

Letter from Board Chair& Executive Director .................. 14

Annual Fund Contributors ......... 40

HSO Corporate Sponsors ......... 46

HSO Musician Roster ................. 47

Masterworks I Program............. 16

Masterworks I Program Notes ... 18

Pops 1 Program .......................... 24

Masterworks II Program............ 28

Masterworks II Program Notes .. 30

Harrisburg Symphony Society .. 35

Volunteer Recognition ................ 37

Advertisers’ Index ...................... 49

17Pull Out All The Stops(Masterworks I)Jeffrey Biegel and Eric Riley delight audiences with a sonic festival of keyboards...piano and organ (the Forum’s 3,841 pipe organ!)

26Mancini & Moonlight(Pops I)Guest artists Teri Dale Hansen and Nat Chandler take a stroll down lover’s lane with this program full of dancing and romancing.

29Sharon IsbinPlays Rodrigo(Masterworks II)Acclaimed multiple Grammy Winner Sharon Isbin is the reigning diva of classical guitar and the winner of Guitar Player Magazine “Best Classical Guitarist.”

10Stuart MalinaMusic DirectorMalina’s ease on the podium, engaging personality, and insightful interpretations have thrilled audiences wherever he has worked. Learn more about his exciting career and many accomplishments.

12Tara SimoncicAssistant ConductorAssistant Conductor to Maestro Malina and Youth Symphony Music Director, joined the HSO in July 2010 from an appointment as Music Director of the Norwalk Youth Symphony in Norwalk, Connecticut.

4

HSO STAff

yOuTH SyMPHOny

Stuart MalinaMusic Director

Tara Simoncic Assistant Conductor

Jeff WoodruffExecutive Director

Susan KlickDirector of Operations and Orchestra Personnel

Kim IsenhourDirector of Marketing,

Public Relations and Graphic Design

Alice Anne SchwabDirector of Education and Office Manager

Jocelyn BowmanEndowment Campaign Manager

Carlin LuzPatron Services Manager

Debra TocksFinance Manager

Sherry AndersenDevelopment Assistant

Linda farrellLibrarian

Tom AcriStage Manager

Pasquale feraAssistant Stage Manager

Tara Simoncic Music Director/Conductor, HSYO

Keith RichardsonManager

Marie WeberConductor, HJYSO

Kristofer KimmelOrchestral Coach, HJYSO

ChairJoe Lewin

Vice-ChairNancy Dering Mock

Vice-ChairWilliam Lehr, Jr.

SecretaryCol. Walter Tibbetts

TreasurerBruce Darkes

Assistant TreasurerJames Smeltzer

Symphony Legal CounselRonald M. Katzman

Immediate Past ChairWilliam Murray, M.D.

Chair, Harrisburg Symphony SocietyPatricia Ferris

Michael MerendaPhyllis Mooney

Kim S. Phipps, Ph.D.Alexander RocaJune ShomakerKaren ShughartWilliam WarrenThomas Wright

Nancy Zimmerman

Randy AiresMarion C. Alexander

Raphael AronsonKevin Curtis

Thomas Davis, M.D.Wayne DietrichJames Grandon

Ellen Brody HughesTed Kleisner

Dr. Stephen C. MacDonald

BOARD Of DIRECTORS

800 Corporate Circle, Suite 101Harrisburg, PA 17110Phone: 717.545.5527

HarrisburgSymphony.org

The Harrisburg Symphony Orchestra is supported in part by a grant from the Commonwealth of Pennsylvania Council on the Arts, a state agency, which is supported by the National Endowment for the Arts,

a federal agency.

The official registration and financial information of the Harrisburg Symphony Association may be obtained from the Pennsylvania

Department of State by calling toll free, within PA, 1-800-732-0999. Registration does not imply endorsement.

6

Carley’s Ristorante and Piano Bar features traditional rustic Italian specialties, including homemade pastas, pizzas, veal dishes and whole fish entrees. Original, restored brick walls from the 1800’s as well as dark, rustic wood, and hundreds of candles make a perfect setting for an Italian restaurant. The restaurant and bar are completely smoke-free.www.carleysristorante.comMon-Thurs: 5pm - 10pm / Fri-Sat: 5pm - 11pm / Sunday: 4pm - 9pm

204 Locust Street909-9191

HSO and Market Square Concerts Patrons simply show your ticket,

ticket stub or program book the day of your concerts and receive

20% OFF your meal (excluding adult beverages).

469 Eisenhower Blvd564-4448

Lancaster Brewing Company brews beer in the heart of Lancaster County with great respect for the old traditions of brewing. Their Hbg location exudes the rustic charm of a historic ale house, but with a clean, sophisticated, contemporary flair. LBC has great micro-brewed beer and great tasting American cuisine. www.lbcharrisburg.comMon-Thurs: 11:30 am-10 pm / Fri 11:30 am-11 pm / Sat 4-11 pm / Sun 12-9 pm

272 North Street233-7358

Mangia Qui offers an ever-changing menu based on seasonal items and the whimsy of Chef Qui Qui Musarra. The bar hosts an impressive lineup of spirits, grappas, sherries, and specialty cocktails. Experience a taste of Europe. Suba, the Spanish Tapas bar located on the second story, offers a variety of Spanish Tapas as well as select entree features. The bar hosts house made sangria, herbal and fruit infusions and Spanish and Portuguese wine and spirits. www.mangiaqui.comDinner Tues-Sat 5pm - 10pm / Sunday: 10am - 2pm

S. 3rd St & Chestnut St724-0222

BRICCO takes patrons on a sensory excursion through Mediterranean flavors, a union of local Pennsylvania produce and Tuscan-style inspirations. Their menu rotates seasonally to deliver rustic, soulful dishes, a culinary nod to the South of France, Italy, Greece and Spain. Enjoy impeccable food (even vegetarian), service and presentation! Excellent selection from appetizers to wine! www.briccopa.comDinner Mon-Sat: 5:30pm - 10pm / Sunday: 4:30pm - 10pm

211 North Second Street233-6699

Stocks on 2nd is the most urban restaurant in its attitude, décor, atmosphere, and mix of people. The cuisine is American with an eclectic flair that includes Asian and Southeastern influences. The restaurant features high ceilings, an exhibition kitchen, and beautiful mahogany woodwork. The beautiful granite bar features Harrisburg’s first martini bar, serving the best cocktails in town. www.stocksonsecond.comDinner Everyday at 5pm

HARRisbuRg sympHony oRcHestRAand mARket squARe conceRts

7

Pre-Concert Lectures – Why not increase your knowledge of the evening’s concert repertoire? Special 30-minute Pre-Concert Conversations before all Masterworks performances are designed to enhance your enjoyment of the concert by providing insights into the music and music-makers on the program—bringing you “inside” the music. Our roster of speakers includes a variety of music professionals and experts who will bring different viewpoints and approaches to their conversations about the music.

Program notes are provided in this program. Concert-goers can read about the drama, the passion, and the inspiration behind the music they will hear in the concert hall. Check out our website www.HarrisburgSymphony.org for program notes and audio samples to all HSO Masterworks performances.

Pre-Concert Lectures are FREE and open to all concert tickets holders.

Saturdays at 7 pm Sundays at 2 pm

Masterwork Concert Weekends Section 208 of the forum Auditorium.

Post-Concert “Talk-Backs” – Stuart Malina is joined by musicians from the orchestra and other concert participants for an informal, free-wheeling Q&A session with the audience, immediately following each Masterworks performance.

Dr. Timothy DixonDirector of Orchestral Activities and

Associate Professor of Music Messiah College

Masterworks I Lecturer

Dr. Truman BullardProfessor Emeritus of Music

Dickinson CollegeMasterworks II Lecturer

BEHIND THE MUSIC

8

YourCommunity

YourArts

YourTurn

The Cultural Enrichment Fund is the capital region’s united arts fund. It provides fi nancial support to Central Pennsylvania’s art and cultural organizations through

an effi cient and effective annual fundraising campaign.

The Board of Directors of the Cultural Enrichment Fund salutes these donors, whose leadership support made the 2009-2010 united campaign for the arts a success!

John Crain Kunkel Foundation

Donald B. & Dorothy L. Stabler Foundation

McCormick Family Foundation

G. R. & Grace M. Sponaugle Charitable Foundation

Bill & Marion C. Alexander

PO Box 12084 | Harrisburg, PA 17108 | 717.233.1694 | www.culturalenrichmentfund.org

9

Stuart MalinaHARRISBURG SYMPHONY MUSIC DIRECTOR & CONDUCTOR

Maestro Stuart Malina has an ease on the podium, engaging personality, and insightful interpretations that have thrilled audiences from masterworks and grand opera to pops. Now in his 11th season as Music Director and Conductor of the HSO, Stuart Malina has also held appointments at the Greensboro Symphony Orchestra (Music Director, 1996-2003), and the Charleston Symphony Orchestra (Associate Conductor, 1993-97).

Maestro Malina debuted at Carnegie Hall in February 2007, conducting the New York Pops in an all-

Gershwin tribute including Rhapsody in Blue. During the 2009/10 season, he performed with symphony orchestras

in Hong Kong, Naples, FL, New Mexico, Tampa/St. Petersburg, Charleston and Greensboro. Maestro Malina has had multiple engagements with the Indianapolis Symphony Orchestra, as well as the Eastern Music Festival, at which he conducted the world premiere of Billy Joel’s Symphonic Fantasies for Piano and Orchestra. In 2006, he debuted with the Pittsburgh Symphony, and in 2007 with the Naples Philharmonic, and returned for concerts in 2008 and 2009. He has twice led the Shippensburg Festival Orchestra at the Luhrs Center, the second time performing with violinist Joshua Bell and broadcast on Pennsylvania Public Television. He has also appeared with the Chautauqua Institution Orchestra, Detroit Symphony, Buffalo Philharmonic, the Orchestra of St. Luke’s (NY), the Kansas City Symphony, the Youngstown Symphony, AIMS Festival Orchestra (Graz, Austria), the North Carolina Symphony, the Louisville Orchestra and the Queens Symphony.

Maestro Malina, in June 2003, won the prestigious TONY award for orchestration with Billy Joel for the musical Movin’ Out, which Malina helped create with director/choreographer Twyla Tharp. An accomplished concert pianist, Maestro Malina has frequently been engaged for the Market Square Concerts series in Harrisburg, as well as Music for a Great Space in North Carolina.

Stuart Malina holds degrees from Harvard University, the Yale School of Music, and the Curtis Institute of Music, where he studied

conducting with Otto-Werner Mueller. He studied piano with Drora and Baruch Arnon and with Keiko Sato.

10

Strike the harp and join the chorus

The Harrisburg Youth Symphonyand its new Music Director, Tara Simoncic, ring in the

holiday season at this annual concert.The region’s brightest young musicians

and high school choirs present a selection opresent a selection of

exciting orchestral repertoireand holiday classics.

HOLIDAY SPECTACULARSUNDAY | DEC 12 | 3 PM

HarrisburgSymphony.org

11

Tara SimoncicHARRISBURG SYMPHONY ASSISTANT CONDUCTOR

Phot

o: M

ark

Pyne

s, Pa

trio

t-N

ews

Tara Simoncic, Assistant Conductor to Maestro Malina and the new Youth Symphony Music Director, joined the HSO in July 2010 from an

appointment as Music Director of the Norwalk Youth Symphony in Norwalk, Connecticut. While with the NYS, she founded and conducted the Chamber Orchestra and collaborated with the Greenwich Ballet Academy.

During her time as Music Director of the Norwalk Youth Symphony, she built the program from four orchestras to six, adding a very successful mid-level orchestral winds training ensemble as well as a top level chamber orchestra.

In addition to her NYS position, she was also the Music Director and Conductor for the Histoire Chamber Orchestra, Conductor of the Flexible Orchestra (in NYC),

Cover Conductor for the Manhattan School of Music (NYC), and Pre-Concert Lecturer and Assistant Conductor for the

Greenwich Symphony Orchestra (Greenwich, CT).

Originally from Stockton, California, Ms. Simoncic grew up in a musical family. Her father a composer and her mother a flautist, Tara was encouraged to study several instruments, but chose to focus on the trumpet at the age of six. Tara was bitten by the conducting bug while pursuing her Bachelor of Music degree in trumpet performance at the New England Conservatory of music. There, she founded the Stravinsky Septet, an ensemble which toured New England with a staged production of Stravinsky’s L’Histoire du Soldat and other works with similar instrumentation that were commissioned by the ensemble. Deciding to further her studies in conducting, she received her Masters of Music degree in orchestral conducting from Northwestern University.

Her conducting training extended to Europe, where she has studied at the Canford Summer School of Music (England) and with the Bohuslav Martinu Philharmonic (Czech Republic), the West Bohemian Symphony Orchestra (Czech Republic), the Adygeya Republic National Symphony Orchestra and the Astrakhan Symphony Orchestra (Russian Republic). She studied

with Zdenec Macal, David Gilbert, Iloh Yang, Victor Yampolsky, George Manahan, George Hurst and Kirk Trevor.

12

Stuart and Marty Malina invite you to Ashford CastleDon’t miss this unforgettable journey with Stuart and Marty Malina to Ireland’s spectacular Ashford Castle in Mayo, situated in picturesque western Ireland near the city of Galway.

Ashford Castle has been described as a “romantic wonderland.” Conde Nast magazine has rated it Europe’s 2nd fi nest resort. First class accommodations, fabulous dining, unparalleled sight-seeing, tantalizing shopping, and a range of recreational and musical activities will be included in the itinerary. The tour will depart from Harrisburg on May 18, 2011 and return on May 25.

The tour is being organized by Irish-born Mari Atchason of Travel Professionals in Lemoyne. Space is limited.

For more information call Travel Professionals at 717.233.5641 or visit HarrisburgSymphony.org

13

Stuart & Marty Malina

Welcome to the historic Forum and the Harrisburg Symphony’s 81st season. Highlights of the fall schedule include season-opening performances of Saint-Saëns’s thrilling “Organ Symphony,” in which audiences will be treated to the mighty Forum organ in all its glory. Also on that program, pianist Jeffrey Biegel returns to Harrisburg to perform works by Chopin and 70s rock icon Keith Emerson, the driving force behind Emerson, Lake & Palmer. The opening Pops concerts will feature music by the immortal Henry Mancini, and then, in November, the celebrated guitarist Sharon Isbin makes her long-awaited Harrisburg Symphony debut performing Joaquin Rodrigo’s ever-popular Concierto de Aranjuez, one of the great concertos of the 20th century for any instrument.

This season the Harrisburg Symphony Youth Orchestra welcomes new leadership with the arrival of new music director, Tara Simoncic. Ms. Simoncic brings impressive credentials and infectious enthusiasm to her new post here in Harrisburg. She has ambitious plans for both the Youth Symphony and the Junior Youth String Orchestra. We wish her well as she works to develop the amazing and inspiring talent of our community’s young musicians.

On the social front, we hope that you will be with us for our big fall gala, entitled “Picture Yourself in Paris…at the Moulin Rouge,” scheduled for Sunday, November 7 at the Hershey Lodge. Immerse yourself in a night of Parisian ambiance with wonderful French cuisine, music and art, all to benefit the Symphony. C’est magnifique! More information is available at HarrisburgSymphony.org.

Stuart & Marty Malina invite you to join them on an unforgettable journey to Ireland’s spectacular Ashford Castle next May. Situated in picturesque western Ireland near the city of Galway, Ashford Castle offers first-class accommodations, fabulous dining, unparalleled sightseeing, tantalizing shopping, and a range of recreational and musical activities. The tour will depart Harrisburg on May 18, 2011 and return on May 25. The trip is being organized by Irish-born Mari Atchason of The Travel Professionals in Lemoyne. Please contact Mari at 233-5641 for more information.

As always we wish to thank our sponsors and all those who make this outstanding orchestra possible through their generous financial support. Most of all, we thank you for being with us in the Forum today. Enjoy the concert…

Harrisburg SymphonyJOE LEWIN, CHAIRMAN | JEFF WOODRUFF, EXECUTIVE DIRECTOR

14

The Harrisburg Symphony is the recipient of a generous bequest from the Estate of Marie Graupner Elias. The funds are to be used to bolster the Symphony’s endowment and to support the Masterworks Concert Series and other programs. Mrs. Elias and her late husband, David, were lifelong residents of Harrisburg. While both were from families that enjoyed status in the city, neither David nor Marie ever took what they had for granted. While working together in their business known as General Machinery, they continued to give back to the community they loved. After David’s death, Marie continued to work with various non-profits, supporting her church, and fundraising for many civic organizations.

in memory of

David A. Elias, Jr. and Marie Graupner Elias

15

Toccata and fugue in D minor, BWV 565 Johann Sebastian BachTranscribed for Orchestra (1685-1750)by Leopold Stokowski (1882-1977)

Andante spianato and Grande Polonaise brillante frédéric Chopinfor Piano and Orchestra in E-flat major, Op. 22 (1810-1849)

Piano Concerto no. 1 Keith Emerson (b. 1944) Allegro giocoso Andante molto cantabile Toccata con fuoco

............. InTERMISSIOn .............

Symphony no. 3 in C minor, Op. 78, “Organ” Camille Saint-Saëns (1835-1921) Adagio — Allegro moderato — Poco adagio Allegro moderato — Presto — Allegro moderato — Maestoso — Allegro

Saturday, October 2, 2010 at 8:00 p.m.Sunday, October 3, 2010 at 3:00 p.m.

STuART MALInA, ConductingJEffREy BIEGEL, Piano

ERIC RILEy, Organ

In Memory of David A. Elias, Jr. and Marie Graupner Elias

Mus

ic in

Rea

l Tim

e MASTERWORKS I

The Steinway & Sons concert grand pianois furnished by Reifsnyder’s Piano and Organ of Lancaster

As a courtesy to the performers and fellow audience members, please turn off all cell phones and pagers. Photography and video of any kind is not permitted at HSO Concerts.

16

Eric R. Riley is Director of Music and Organist at Market Square Presbyterian Church in Harrisburg, PA. As an organist, Riley has performed throughout the Northeast and Southern United States and in Italy. His festival appearances in Italy include performances for the Festival dei Due Mondi in Spoleto, the Festival of World Music in Perugia, the International Festival of Choral Singing in Castillione del Lago, CoroFest Umbria, the Assisi Music Festival and VOCI E ORGANI DELL’APPENNINO in Bologna. Riley is a FIRST PRIZE winner of the Arthur Poister Memorial Scholarship Competition and two-time winner of the Poister Prize awarded to outstanding organists at Syracuse University.

Eric Riley holds the Master of Church Music degree in choral conducting and organ from Scarritt Graduate School (Vanderbuilt University) in Nashville, TN and the Bachelor of Music degree in organ performance from Syracuse University. His organ teachers include Will O. Headlee, Wilma Jensen, Robert Parkins and Karel Paukert. Riley resides with his wife, Christine, in Hummelstown, PA.

Jeffrey Biegel has created a multi-faceted career as a pianist, composer and arranger. His electrifying technique and mesmerizing touch has received critical acclaim and garners praise worldwide. Known for his standard-setting performances of the standard repertoire, Mr. Biegel stepped in on short notice in 2009 to perform Tschaikowsky’s Piano Concerto no. 1 with the Orquesta Filarmonica de Bogota in Colombia, with Muhai Tang conducting. His recent recordings include Leroy Anderson’s ‘Concerto in C’, conducted by Leonard Slatkin, ‘Classical Carols’, as well as the Complete Sonatas by Mozart. Richard Danielpour composed a new concerto for Mr. Biegel, which will be premiered with the Pacific Symphony Orchestra in February, 2010, Carl St. Clair conducting. During the 2010/11 season, he premieres William Bolcom’s ‘Prometheus for Piano, Orchestra and Chorus’. Mr. Biegel is currently assembling a global commissioning project for Ellen Taaffe Zwilich’s next work for piano and orchestra. Leonard Bernstein said of pianist Jeffrey Biegel: ‘He played fantastic Liszt. He is a splendid musician and a brilliant performer.’ He studied at The Juilliard School with Adele Marcus, herself a pupil of Josef Lhevinne and Artur Schnabel.

Until the age of 3, Mr. Biegel was unable to hear nor speak, until corrected by surgery. The ‘reverse Beethoven’ phenomenon can explain Mr. Biegel’s life in music, having heard only vibrations in his formative years.

Mr. Biegel is currently on the piano faculty at the Brooklyn Conservatory of Music at Brooklyn College, at City University of New York (CUNY), and at the Graduate Center of the City University of New York (CUNY). He resides outside New York City with his wife, Sharon, and his sons, Craig and Evan. For more information visit his web site: www.jeffreybiegel.com

17

Toccata and fugue in D minor, Johann Sebastian Bach

BWV 565 (ca. 1708) Born March 21, 1685 in Eisenach, Germany Died July 28, 1750 in Leipzig

Transcribed for Orchestra (1927) by Leopold Stokowski (1882-1977) Bach’s magnificent Toccata and Fugue in D minor, written around the time of his appointment as Organist and Chamber Musician at Weimar in 1708, juxtaposes two of Baroque music’s least-related forms. The genre of the toccata was essentially a written-down improvisation whose history traces back to Italy almost two centuries before Bach. The title is one of those slippery 17th-century terms whose meaning is often elusive, but seems to have come from the Italian word “toccare” — “to touch.” The toccata indicated a “touching” with the fingers on the keyboard to create great roulades of sound — sweeping scales, colossal harmonic progressions, dazzling figurations and so forth — usually presented as unconnected episodes. The fugue, on the other hand, is music’s most tightly integrated structure, growing from a single theme that threads through each of the voices and dominates the seamless piece from beginning to end. Bach brought to this marriage of musical antitheses a flying virtuosity (this work is probably similar to the test pieces he used when trying out new organs) and an unerring sense of impassioned drama.

Leopold Stokowski transcribed some three dozen of Bach’s works for large orchestra. Among the first and most famous of this group was the Toccata and Fugue in D minor, dating from 1927. The London-born Stokowski first came to public notice as an organist, when he was appointed to the position at St. James’s Church, Piccadilly at the age of nineteen, in 1902. The D minor Toccata and fugue was his favorite showpiece, and parishioners still recalled his performances a half-century later. His love of Bach’s works continued after he became conductor of the Philadelphia Orchestra in 1912, and his transcriptions were an important way in which he shared this wonderful music with his audiences. His arrangements created

Masterworks I: October 2-3, 2010

by DR. RIC

HA

RD E. RODDA

18

a wide interest in these largely unknown compositions. (The Toccata and Fugue was the first piece of music Stokowski and Walt Disney chose for the film Fantasia.) Stokowski wrote of the Toccata and Fugue in D minor, “It has a power and majestic intensity that is cosmic in scope. One of its main characteristics is immense freedom of rhythm and plasticity of melodic outline. In the sequence of harmonies, it is bold and path breaking. Its tonal architecture is irregular and asymmetric. Of all the creations of Bach, it is one of the most original. Its inspiration flows unendingly. In spirit it is universal, so that it will always be contemporary and have a direct message for all men.”

Andante Spianato and Grande Polonaise frédéric Chopin

Brillante in E-flat major, Op. 22 Born february 22, 1810 (1831, 1834) in Zelazowa-Wola, Poland. Died October 17, 1849 in Paris.

The Andante Spianato and Grande Polonaise Brillante is a joining of two separate works. The Polonaise dates from 1830-1831, when Chopin had just left his native Poland to make his fame and fortune as a touring virtuoso pianist. At that time, concert conventions demanded that the soloist perform both alone and with the orchestras in the cities he visited. He was expected to provide a work of his own composition, and this Polonaise with orchestral accompaniment was written to fill that need, as were both of his concertos. In 1834, he added the Andante Spianato as an extensive introduction for piano solo to the Polonaise, and premiered the entire work at a benefit concert at the Paris Conservatoire on April 26, 1835. Despite the success of his performances, Chopin confided to his friend Franz Liszt, “I am not fit for public concerts. Crowds intimidate me. I feel poisoned by their breath, paralyzed by curious glances, and confused by the sight of strange faces.” The 1835 concert was Chopin’s penultimate public appearance. After it, he withdrew to the intimate ambiance of the salon, appearing only one more time outside the privacy of an aristocratic home — when he played a duet with Liszt as part of the latter’s Parisian “farewell” concert on April 9, 1836.

“Spianato” in Italian means “level” or “smooth.” The Andante Spianato is music of lovely, halcyon character in Chopin’s inimitable mature style, marked by harmonic sophistication and rich figuration. Of this section, James Huneker wrote, “It is a charming, liquid-toned, nocturne-like composition, Chopin in his most suave, most placid mood: [it is] a barcarolle, [in which] scarcely a ripple of emotions disturbs the mirrored calm of this lake.” The Andante spianato is linked to the Polonaise by a fanfare from the horns and a brief orchestral transition. The music of the Polonaise, the first of the work’s two sections to be composed, is in the virtuoso, bravura style that characterizes Chopin’s early works immediately after he left Poland. This is music of pronounced nationalistic spirit, filled with flashing filigree and buoyant spirits.

19

Piano Concerto no. 1 (1977) Keith Emerson

Born november 2, 1944 in Todmorden, West yorkshire, England

English keyboardist and composer Keith Emerson, born in 1944 in the West yorkshire town of Todmorden, started playing piano by ear at age four but his formal training in music was confined to the few years of private lessons he began at eight. By fourteen, Emerson was playing in dance halls and accompanying at his aunt’s ballet studio. He soon moved to London and toured Europe backing T-Bone Walker, a time when he also immersed himself in the music of such jazz greats as Fats Waller and Oscar Peterson and such classical composers as Bach, Copland, Rachmaninoff, Bartók and Ginastera. In his twenties, Emerson formed a band called The Nice, which played a unique fusion of jazz, blues, classical and rock that pioneered the use of electronic keyboards. Some of The nice’s recordings were adaptations of classical music, and in 1968 Emerson was commissioned by the newcastle City Arts Council to write a composition for rock band and orchestra that was released as The five Bridges Suite. In 1970, Emerson dissolved The nice and formed the now-legendary Emerson, Lake & Palmer with singer, songwriter, bassist and guitarist Greg Lake and drummer Carl Palmer, which achieved instant fame with a live rock version of Mussorgsky’s Pictures at an Exhibition at their Isle of Wight Festival debut. ELP released five albums within four years, all of which went platinum.

In 1979, ELP disbanded, and two years later Emerson released his first solo LP, Honky, which he recorded with backup musicians from the Bahamas. Between 1980 and 1989, he composed for films, including music for Nighthawks (starring Sylvester Stallone and Billy Dee Williams), the Japanese animated Harmegedon (whose recording went gold), The Best Revenge, Inferno, Murderock and The Church. Emerson, Lake & Palmer regrouped, toured and recorded for several stretches during the 1980s and 1990s, an activity that culminated in 1992 with the release of Black Moon, their first world-wide tour in thirteen years, and the broadcast and video Emerson, Lake & Palmer Live at the Albert Hall. In the 1990s, Emerson composed for the Iron Man TV cartoon series and released The Christmas Album. Widely regarded as the most technically accomplished keyboardist in rock history, Emerson has frequently won the Overall Best Keyboardist award in the annual Keyboard Magazine readers’ poll and has been honored by the Smithsonian Institution for his pioneering work in electronic music.

After their triumphant 1974 international tour, Emerson, Lake & Palmer agreed to take sometime off to rest and pursue their individual creative interests. To mark the band’s return in 1977, they decided to record an ambitious two-LP set — Works, Vol. 1 — in which the first three sides would be devoted to solo pieces created and performed by each musician and the fourth to new works by the ELP band, one of which was their rock interpretation of Aaron

20

Copland’s fanfare for the Common Man. Emerson’s contribution to the set was his Piano Concerto no. 1, which he recorded early in 1977 with the London Philharmonic Orchestra and conductor John Mayer (who collaborated with Emerson on the work’s orchestration). Of it, the composer wrote, “The Piano Concerto no. 1 was born out of a series of variations inspired by the English countryside, particularly the home I had at that time, which was grand early Tudor and formerly owned by Sir James Barrie (author of Peter Pan). An annex to the main house presented a huge barn studio, where my nine-foot Steinway concert grand awaited, always demanding an attention I could not resist. The piano’s sonorities would ring out, inspiring me while attracting wild birds to nest in the beams. I incorporated many techniques into the Concerto, such as a twelve-tone scale with Baroque ideas in fugal style. Presented in traditional form, the work tells a story of nature’s cycle — its joy, its destruction, and, in the block chords of the third movement, its optimistic triumph.”

Symphony no. 3 in C minor, Op. 78, “Organ” (1886) Camille Saint-Saëns

Born October 9, 1835 in Paris.Died December 16, 1921 in Algiers.

The Paris in which Saint-Saëns grew up, studied and lived was enamored of the vacuous stage works of Meyerbeer, Offenbach and a host of lesser lights in which little attention was given to artistic merit, only to convention and entertainment. Berlioz tried to break this stranglehold of mediocrity, and he earned for himself a reputation as an eccentric, albeit a talented one, whose works were thought unperformable, and probably best left to the pedantic Germans anyway. Saint-Saëns, with his love of Palestrina, Rameau, Beethoven, Liszt and, above all, Mozart, also determined not to be enticed into the Opéra Comique but to follow his calling toward a more noble art. To this end, he established with some like-minded colleagues the Société nationale de Musique in 1871 to perform the serious concert works of french composers. The venture was a success, and it did much to give a renewed sense of artistic purpose to the best Gallic musicians.

Saint-Saëns produced a great deal of music to promote the ideals of the Société nationale de Musique, including ten concertos and various smaller works for solo instruments and orchestra, four tone poems, two orchestral suites and five symphonies, the second and third of which were unpublished for decades and discounted in the usual numbering of these works. The last of the symphonies, no. 3 in C minor, is his masterwork in the genre. Saint-Saëns pondered the work for a long time, and realized it with great care. “I have given in this Symphony,” he confessed, “everything that I could give.”

Of the work’s construction, Saint-Saëns wrote, “This Symphony is divided into two parts,

21

though it includes practically the traditional four movements. The first, checked in development, serves as an introduction to the Adagio. In the same manner, the scherzo is connected with the finale.” Saint-Saëns clarified the division of the two parts by using the organ only in the second half of each: dark and rich in Part I, noble and uplifting in Part II. The entire work is unified by transformations of the main theme, heard in the strings at the beginning after a brief and mysterious introduction. In his “Organ” Symphony, Saint-Saëns combined the techniques of thematic transformation, elision of movements and richness of orchestration with a clarity of thought and grandeur of vision to create one of the masterpieces of french symphonic music.

©2010 Dr. Richard E. Rodda

Every performance has a nEW PROGRAM BOOKPlease help us RECyCLE. Put your program in the RECyCLInG BInS in the LOBByafter the performance. HACC picks them up and RECyCLES THEM!

22

MAnCInI & MOOnLIGHT

ACT ITheme from The Pink Panther MAnCInI

I Won’t Dance/A fine Romance KERn/fIELDS Miss Hansen and Mr. Chandler

Blues In The night MERCER/ARLEnMiss Hansen

That Old Black Magic MERCER/ARLEnMr. Chandler

I Only Have Eyes for you/In The Still Of The night PORTER Miss Hansen and Mr. Chandler

Bolero (Excerpt) RAVELBaby Elephant Walk MAnCInI

The Days Of Wine and Roses MAnCInIMr. Chandler

Moon River MAnCInIMiss Hansen

It Had Better Be Tonight MAnCInIMiss Hansen and Mr. Chandler


STuART MALInA, ConductingTERI DALE HAnSEn, Vocalist

nAT CHAnDLER, Vocalist

Mus

ic in

Rea

l Tim

e Capital BlueCross Pops 1

We gratefully acknowledge the Pops Series Sponsor


24


STuART MALInA, ConductingTERI DALE HAnSEn, Vocalist

nAT CHAnDLER, Vocalist

Mus

ic in

Rea

l Tim

e Capital BlueCross Pops 1

ACT IITheme from Peter Gunn MAnCInI

Let yourself Go/Steppin’ Out With My Baby BERLIn Miss Hansen and Mr. Chandler

Two for The Road MAnCInIMiss Hansen and Mr. Chandler

Charade MAnCInI

Dear Heart MAnCInIMiss Hansen

Laura MERCERMr. Chandler

Trio On fire! MAnCInIMr. Chandler

Victor Victoria Medley MAnCInIThe Shady Dame from Seville/Crazy World/you and Me/Le Jazz Hot!

Miss Hansen and Mr. Chandler

Teri Dale Hansen & nat Chandler appear by arrangement withBroadway Pops International

780 Riverside Drive Suite #10 G new york, ny 10032 Phone: (347) POP-8126 fax (212) 253-4297

www.broadwaypops.com I [email protected]

We gratefully acknowledge the Pops Series Sponsor

Guest Artist Accommodations have been underwritten in part by the Harrisburg Hilton

25

nat Chandler has played leading roles in a broad spectrum of American musicals and operetta across the country, including A Little Night Music, Carousel, Oklahoma! South Pacific (with Howard Keel), Cinderella, Cabaret, The Most Happy Fella, Show Boat, Candide, Trouble in Tahiti, Desert Song, The Merry Widow and Kismet in such famous theatres as Boston’s Huntington, Colonial, and Wang Center, St. Louis MUNY, The Fox of Atlanta, Detroit and St. Louis, New Orleans’ Saenger Theatre, Sacramento CLO, Pittsburgh’s Heinz Hall, Meyerson Symphony Hall of Dallas, The Jackie Gleason of Miami Beach, The Kennedy Center in Washington, DC, Chicago’s Auditorium Theatre, Philadelphia’s Forrest and Walnut Street Theatres, and many more.

Nat received two Barrymore Award nominations for Best Actor in a Musical for his performances as the Phantom in the Kopit/Yestin Phantom! and Lancelot in Camelot at the Walnut Street Theatre. As a concert performer, Nat has appeared as soloist with such renowned American symphonies as The National at Wolftrap, Minneapolis, Indianapolis, St. Louis, Colorado Springs, Tucson, Kansas City, Utah, Arizona, Oregon Symphony and more. Visit www.natchandler.com for performance schedule and recordings.

Teri Dale Hansen began her career starring as “Magnolia” in London ‘s West End in Harold Prince’s Tony Award winning production of SHOW BOAT. Miss. Hansen stars as “Rose” on the BRAVO channel as part of their Bravo On Broadway series in the film version of STREET SCENE, a film which has received international acclaim. She reprised this role for the premiere production in Berlin at the Theatre Des Westens. Miss. Hansen made her Broadway debut in 2002 in THE BOYS FROM SYRACUSE and in that same year began concertizing with Marvin Hamlisch worldwide. She has appeared numerous times at City Center with ENCORES! And starred off Broadway as “Jessica Gatewood” in SPLENDORA. Her debut solo CD, “Into Your Arms, Love Songs Of Richard Rodger’s” was released in 2003. Miss. Hansen toured nationally as “Marian Paroo” in THE MUSIC MAN (2005) and starred as “Guenevere”, opposite Robert Goulet (as Arthur), in the national tour of CAMELOT (2004).

Internationally recognition for her versatility, Miss. Hansen has sung leading roles with the Houston Grand Opera, Theatre in Pfalsbau, Glimmerglass Opera, Theatre des Westens, Orlando Opera, Salle Esse, Florida Grand Opera and the Opera De Toulon. She has performed under the baton of Julius Rudel, Rob Fisher, John DeMain, Richard Hayman, Christoph Eschenbach, Don Pippin and Toshi Shimada.

Miss. Hansen is a Kennedy Center Irene Ryan Award nominee as a leading Actor for her performance in Bertolt Brecht’s THE CAUCASIAN CHALK CIRCLE and a proud graduate of Florida State University and alumnae of the Houston Opera Studio.

26

Cap

ital B

lueC

ross

Pop

s

At first glance, mechanical contractors andengineers may not look like they have much in common with orchestral musicians.But at Enginuity, our talented professionalsare dedicated to creating the best indoorenvironments that allow people to reachtheir most productive and creative potential.So at your next concert, the musicians don’t play – they soar.

Now that’s music to our ears.

KNOWSusic is Good

for the Soul

www.innovationrightnow.com

M

P roud sponsor of the Harrisburg Symphony Orchestra.

Enginuity_SymphonyAd.indd 1 8/30/10 1:58:41 PM

27

Symphony No. 5 in B-flat major, D. 485 franz Schubert (1797-1828) Allegro Andante con moto Menuetto: Allegro molto Allegro vivace

Concierto de Aranjuez for Guitar and Orchestra Joaquín Rodrigo (1901-1999) Allegro con spirito Adagio Allegro gentile

............. InTERMISSIOn .............

Symphony No. 5 in E-flat major, Op. 82 Jean Sibelius (1865-1957) Tempo molto moderato — Allegro moderato (ma poco a poco stretto) Andante mosso, quasi allegretto Allegro molto

Saturday, november 13, 2010 at 8:00 p.m.Sunday, november 14, 2010 at 3:00 p.m.

STuART MALInA, ConductingSHAROn ISBIn, GuitarM

usic

in R

eal T

ime

MASTERWORKS II


Sharon Isbin appears by arrangement with Columbia Artists Management, LLC.

Guest Artist Accommodations have been underwritten in part by the Harrisburg Hilton

28

RICHARD & nAnCy ZIMMERMAn MASTERWORKS SERIES

Sharon Isbin is acclaimed for her extraordinary lyricism, technique and versatility. As a multiple GRAMMY Award winner she has been hailed as “the pre-eminent guitarist of our time”. She is also the winner of Guitar Player magazine’s “Best Classical Guitarist” award. She has given sold-out performances throughout the world in the greatest halls including New York’s Carnegie and Avery Fisher Halls, Boston’s Symphony Hall, Washington D.C.’s Kennedy Center, London’s Barbican and Wigmore Halls, Amsterdam’s Concertgebouw, Paris’ Châtelet, Vienna’s Musikverein, Munich’s Herkulessaal, Madrid’s Teatro Real, and many others. She is a frequent guest on national radio programs including All Things Considered and Garrison Keillor’s A Prairie Home Companion. She has been profiled on television throughout the world, including CBS Sunday Morning and the A&E Network, and was a featured guest on Showtime Television’s international hit series The L Word. On September 11, 2002, Ms. Isbin performed at Ground Zero for the internationally televised memorial. In November 2009, she performed a concert at the White House by invitation of the President and First Lady. She performed as featured soloist in the soundtrack for Martin Scorsese’s Academy Award winning film, The Departed. She has been profiled in periodicals from People to Elle, The Wall Street Journal and the New York Times, as well as on the cover of more than 40 magazines. Ms. Isbin’s catalogue of over 25 recordings—from Baroque, Spanish/Latin and 20th Century to crossover and jazz-fusion—reflects remarkable versatility. Recently signed to SONY Masterworks as an exclusive recording artist, her 2010 GRAMMY Award winning CD, Journey to the New World includes guests Joan Baez in songs, and Mark O’Connor in the world premiere of his folk-inspired suite for violin and guitar. Ranked as the #1 best-selling classical CD and is a fixture on the top Billboard charts. Her Dreams of a World soared onto top classical Billboard charts, edging out The 3 Tenors, and earned her a 2001 GRAMMY Award for “Best Instrumental Soloist Performance”, making her the first classical guitarist to receive a GRAMMY in 28 years. Her world premiere recording of concerti written for her by Christopher Rouse and Tan Dun debuted as #6 on the Billboard charts and received a 2002 GRAMMY Award, as well as Germany’s prestigious Echo Klassik Award. She received a 2005 Latin GRAMMY nomination for “Best Classical Album” and a 2006 GLAAD Media Award nomination for “Outstanding Music Artist” (alongside Melissa Etheridge) for her Billboard Top 10 Classical disc with the New York Philharmonic of Joaquin Rodrigo’s Concierto de Aranjuez, and concerti by Mexican composer Manuel Ponce and Brazilian Heitor Villa-Lobos. Born in Minneapolis, Sharon Isbin began her guitar studies at age nine in Italy. In her spare time, Ms. Isbin enjoys trekking in the jungles of Latin America, motorcycling through Greek islands, cross-country skiing, snorkeling and backpacking.

29

Symphony No. 5 in B-flat major, D. 485 (1816) franz Schubert

Born January 31, 1797 in ViennaDied there on november 19, 1828

Schubert kept a perfunctory diary for a few months during 1816. Among the scraps of home-spun philosophy (“Man resembles a ball, to be played with by chance and passion.” “Happier he who finds a true man-friend. Happier still he who finds a true friend in his wife”) is an entry for June 17th: “Today I composed for money for the first time. Namely, a cantata for the name-day of Professor Watteroth. The fee is 100 florins.” Schubert, age nineteen, had metamorphosed into a professional composer. At least he thought that there was sufficient reason at the time to leave his irksome teaching post at his father’s school in order to live the life of an artist. Thus began the bohemian existence of his last dozen years — living by the gladly proffered aid of friends, daily climbing up to Grinzing to haunt the cafés, avoiding society for dislike of buying and wearing good clothes. And music, always music. He composed incessantly. Out of bed shortly after dawn (sometimes he slept with his glasses on so as not to waste any time getting started in the morning), pouring out music until early afternoon, then off to who-knows-where for a bit too much Heuriger wine and a few pipes of cheap tobacco. Compositions filled his head all the while, sometimes scratched out on napkins or envelopes if they could not wait until the next morning. Evenings were spent making music. His devoted band of friends were delighted to sing and play what he wrote. franz von Hartmann recorded of one of these Schubertiads, “There was a huge gathering [including] Gahy, who played four-hand piano music gloriously with Schubert, and Vogl, who sang almost thirty splendid songs.... When the music was over there was grand feeding and dancing. At 12:30 [we went] home. To bed at 1 o’clock.”

Masterworks II: November 13-14, 2010

by DR. RIC

HA

RD E. RODDA

30

Supplementing the songs and piano works for these Schubertiads was a growing collection of orchestral pieces composed for other amateur musical soirées. A family string quartet, comprising his brothers ferdinand and Ignaz on violins, his father on cello and franz on viola, attracted other players and soon evolved into a small orchestra. They rehearsed at first in the Schubert household, but as the membership grew new quarters had to be found for their activities, and they moved in 1816 to the apartments of Leopold von Sonnleithner. It was for one of those informal evenings that Schubert composed the sparkling B-flat Symphony.

The Symphony opens with a delicate curtain of woodwind harmonies. The violins present the main theme, a gracious melody built on the notes of the common chords. A shadow passes quickly over the music (technically, a brief excursion into the minor key — an expressive device Schubert learned from Mozart) before the main theme is repeated and extended (more shadows) as transition to the second theme. The compact development begins with a decorated version of the opening woodwind harmonies; a discussion of the decorating figure ensues. The main theme is recapitulated not in the tonic key of B-flat, but in the brighter tonality of E-flat. This bit of harmonic legerdemain allows the second theme to reappear in the “proper” key of B-flat with virtually no alteration of the music from the exposition. A brief, lively coda brings this buoyant movement to a close.

The lovely Andante not only breathes the sweet Mozartian air, but may even derive its melodic inspiration from that composer’s Violin Sonata in f, K. 377. The movement is built on two extended themes: the first (in E-flat) is given immediately by the strings; the second (in C-flat) is also played by the strings, with obbligato phrases from the oboe and bassoon. Eschewing a development, the second half of the movement is simply a restatement of the two themes. Though the third movement (G minor) is marked “Menuetto,” in tempo and temperament it is truly a scherzo. The bucolic central trio, in which the bassoon figures prominently, is in G major. The closing movement recalls the vibrant finales of Haydn in its clear melodic structure, rhythmic vivacity and witty use of dynamics.

Concierto de Aranjuez for Guitar and Orchestra (1939) Joaquín Rodrigo Born on november 22, 1901 in Sagunto, Valencia Died on July 6, 1999 in Madrid

The small town of Aranjuez, thirty miles south of Madrid on the River Tagus, is a green oasis in the barren plateau of central Spain. In the mid-18th century, a palace,

31

set amid verdant forests and parks, was built at Aranjuez as a summer retreat for the Spanish court. Generations of Spanish kings thereafter settled into Aranjuez every spring, when the countless nightingales would serenade them from the cedars and laurels, the court ladies would promenade in the cooling shade, and the men would hone their equestrian skills with the famous cream-colored Andalusian horses bred nearby. When Rodrigo sought inspiration for a new concerto in the difficult, war-torn year of 1939, it was to the elegant symbol of by-gone Spain represented by Aranjuez that he turned. “Having conceived the idea of a guitar concerto,” he recalled, “it was necessary for me to place it in a certain epoch and, still more, in a definite location — an epoch at the end of which fandangos transform themselves into fandanguillos, and when the cante and the bulerias vibrate in the Spanish air.” He further stated that he had in mind the early decades of the 19th century when composing this Concierto de Aranjuez. Of the work’s mood and the character of its solo instrument, the composer wrote, “Through the veins of Spanish music, a profound rhythmic beat seems to be diffused by a strange phantasmagoric, colossal and multiform instrument — an instrument idealized in the fiery imagination of Albéniz, Granados, falla and Turina. It is an imaginary instrument that might be said to possess the wings of the harp, the heart of the grand piano and the soul of the guitar.... It would be unjust to expect strong sonorities from this Concierto; they would falsify its essence and distort an instrument made for subtle ambiguities. Its strength is to be found in its very lightness and in the intensity of its contrasts. The Aranjuez Concierto is meant to sound like the hidden breeze that stirs the tree tops in the parks, as dainty as a veronica.”

In his Concierto de Aranjuez, Rodrigo adapted the three traditional movements of the concerto form to reflect different aspects of the soul of Spanish music — the outer movements are fast in tempo and dance-like, while the middle one is imbued with the bittersweet intensity of classic flamenco cante hondo (“deep song”). The soloist opens the Concierto with an evocative, typically Spanish rhythmic pattern of ambiguous meter that courses throughout the movement. The orchestra, in colorful fiesta garb, soon enters while the guitar’s brilliant, virtuoso display continues. The haunting Adagio, among the most beautiful and beloved pieces ever written for guitar, is based on a theme of Middle Eastern ancestry, given in the plangent tones of the English horn, around which the soloist weaves delicate arabesques as the music unfolds. The finale’s lilting simplicity (one commentator noted its similarity to a Spanish children’s song) serves as a foil to the imposing technical demands for the soloist, who is required to negotiate almost the entire range of the instrument’s possibilities.

32

Symphony No. 5 in E-flat major, Op. 82 (1915) Jean Sibelius

Born December 8, 1865 in Hämeenlinna, finland Died September 20, 1957 in Järvenpää, finland

for the three years after he issued his brooding fourth Symphony in 1911, Sibelius was largely concerned with writing program music: The Dryad, Scènes historiques, The Bard, The Océanides, Rakastava. He even considered composing a ballet titled King Fjalar at that time, but rejected the idea. As early as 1912, he envisioned a successor to the fourth Symphony but did not have any concrete ideas for the work until shortly before he left for a visit to the united States in May 1914 to conduct some of his compositions at the norfolk (Connecticut) Music festival. (The Océanides was commissioned for the occasion.) He returned to finland in July; war erupted on the Continent the next month. In September, he described his mood over the terrifying political events as emotionally “in a deep dale,” but added, “I already begin to see dimly the mountain I shall certainly ascend.... God opens the door for a moment and His orchestra plays the fifth Symphony.” He could not begin work on the piece immediately, however. One of his main sources of income — performance royalties from his German publisher, Breitkopf und Härtel — was severely diminished because of the war-time turmoil, and he was forced to churn out a stream of songs and piano miniatures and to undertake tours to Gothenburg, Oslo and Bergen to pay the household bills.

Early in 1915, Sibelius learned that a national celebration was planned for his fiftieth birthday (December 8th), and that the government was commissioning from him a new symphony for the festive concert in Helsinki. He withdrew into the isolation of his country home at Järvenpää, devoted himself to the gestating work, and admitted to his diary, “I love this life so infinitely, and feel that it must stamp everything that I compose.” He had to rush to finish the work for the concert in December, even making changes in the parts during the final rehearsal, but the Symphony was presented as the centerpiece of the tribute to the man the program described as “finland’s greatest son.” Sibelius’ birthday was a virtual national holiday, and he was lionized with speeches, telegrams, banquets, greetings and gifts; the fifth Symphony, conducted by the composer’s friend and artistic champion Robert Kajanus, met with great acclaim. The concert was given three additional times during the following weeks.

Theorists have long debated whether Sibelius’ fifth Symphony is in three or four movements; even the composer himself left contradictory evidence on the matter. The contention centers on the first two sections, a broad essay in leisurely tempo

33

and a spirited scherzo, played without pause and related thematically. The opening portion is in a sort of truncated sonata form, though it is of less interest to discern its structural divisions than to follow the long arches of musical tension and release that Sibelius built through manipulation of the fragmentary, germinal theme presented at the beginning by the horns. The scherzo grows seamlessly from the music of the first section. At first dance-like and even playful, it accumulates dynamic energy as it unfolds, ending with a whirling torrent of sound. The following Andante, formally a theme and variations, is predominantly tranquil in mood, though punctuated by several piquant jabs of dissonance. “There are frequent moments in the music of Sibelius,” wrote Charles O’Connell of the Symphony’s finale, “when one hears almost inevitably the beat and whir of wings invisible, and this strange and characteristic effect almost always presages something magnificently portentous. We have it here.” The second theme is a bell-tone motive led by the horns that serves as background to the woodwinds’ long melodic lines. The whirring theme returns, after which the bell motive is treated in ostinato fashion, repeated over and over, building toward a climax until it seems about to burst from its own excitement — which it does. The forward motion abruptly stops, and the work ends with six stentorian chords, separated by silence, proclaimed by the full orchestra. ©2010 Dr. Richard E. Rodda

34

As we are all back at work and school, so are the musicians of the Harrisburg Symphony back in performance on the stage of the Forum for the October and November Masterworks , and POPS concerts. Our reward for hard work and study!

Harrisburg Symphony SocietyPATRICIA FERRIS, HARRISBURG SYMPHONY SOCIETY BOARD PRESIDENT

In support of the music-making the HSS board is also back to work with fundraising plans for the season. Most of this activity will take place in the “second semester” of the season beginning with a Musicale at the home of Messiah College President Kim Phipps in January. This Musicale will feature the winner of the “Catch a Rising Star” competition, pianist Yen Yu Chen . Later in the season, the “Hidden in Harrisburg” scavenger hunt event will be presented on Friday May 13, 2011. You will have a head start in the hunt if you can come up with a little known Harrisburg Symphony superstition for our clues committee!

Finally the HSS board and members offer a warm welcome to our new HSO Assistant Conductor and Harrisburg Symphony Youth Orchestra Music Director Tara Simoncic. This thoroughly musical artist has already brought a wealth of ideas for additions to the HSYO. If you have the opportunity, please also welcome her to Harrisburg.Welcome to the 2010/11 HSO concert season!

Patricia FerrisHSS Board President

Harrisburg Symphony Society Past-Presidents

(L. to R.)

Julie RyanShirley MillerJean Grandon

Patricia Ferris (current)Jan Fetters

Karen ShugartJudy KnuppEllen Warren

35

Harrisburg Symphony Youth Orchestra Young, aspiring musicians receive practical training and develop invaluable life skills as members of this

disciplined, audition-only ensemble.

Master ClassesAuditioned participants refine their performance skills during interactive sessions with Symphony

musicians and featured guest artists.

The Sound Foundation ProgramThe Symphony offers students accompanied by

their parents or teachers significantly reduced ticket prices to the full Masterworks Series, making music affordable to all of our community’s young people.

Young Person’s ConcertsMaestro Malina and the HSO offer a series of school-day concerts specially designed for young people. The

YPC’s are made possible through a generous grant from the Hathaway Family Foundation.

Musicians in the SchoolsMusic clinics, artists in residence, and student mentoring

give area students the opportunity to learn from our Symphony musicians during one-time or recurring visits.

Family ConcertsThe children of our region and their families enjoy concerts that vary from all-orchestral programs to

collaborative productions which feature dance, the spoken word, puppetry, mime, singing, and other

concert enhancements.

36

37

Harrisburg Symphony Volunteers

Linda AppoloniaMarie AshberryJohn & Louise BartoSusan BartoPatricia BaughmanCarol BeamesderferTatyana BenoudizRichard & Paula BergstrasserMichelle BlessingShelly BloomJeanne BobenageJoyce BoughnerMargaret BowerDonna Brandmeyer & Bob DavisColleen BrashearFrank & Donna BreinerStephen BrindamourLorraine BuchinskiJessie BurrowsBarbara CammackJim & Marilyn ChastekLesa CloseInge CoulterKathy CreolaEllen CromptonKaren DavisClay DawsonMaryann DemagallSharyn DenhamJane DerrCarl & Susanne DonmoyerJane EarleWilliam O. FisherBradley FlinchbaughJoEllen FristMarie FurjanicJonathan GilletteJerry & Susan GoodMichael GruberWalter & Mary HaferJean HagerBeverly HeadleyAndy Herring

Kathy HerringMary HinesKristy HolmesJohn HopeKaron JonesCathy KehlerAngeline KenneyRachael KettererLeanne KileMary-Kate LeeRobert LomickyAnnie LuToni MajorAnn MalinakJill MarinaroKen & Marylou MartzIda MaxwellLois McKeonDoris MercierTammy MillerJocelyn MillerJudy MislitskiArlean MitchellEric & Mary MuirTerry MurphyWilliam MurphyTeresa NeubaumMolly NewberryIle NewkamAdam PankakeNancy PatrickLoisJean PetersCharles & Sandra PowleyRose PrutzmanIra RappaportJoshua RappaportPeter & Nancy RekusJackie RichardsonAdam RineerJim RineerHelga RistRosemarie RitterEvelyn Rixey

Pat RossettoBarbara RoyChristle RushoeWayne & Paula SagerNurgul SalliMelissa SalliUgur SalliJem SalliBetty SaltzerDoris SiebenerRichard & Louise SisDon SnyderNancy SnyderHaerin SonMichael SorboJohn SponeybargerMike & Joyce StahleMichael StricklerMary Ann SwartleyHope SwensonShari TaylorDebra TobiasAudrey TrussellWard VerHageCynthia VonSchlichtenElinor WagnerCheryl WalkerDavid & Marjorie WaltmanJennifer WatkinsBarbara WeaverDebra WilkinsonSybil WilliamsMarie WilliamsonGrace WilsonBev WitmerCaitlin WitmerSid WitmerBoyd WolffDee WoodsGail Yost

The Board and Staff of the HSO wish to thank our volunteer ushers and ticket-takers for their time and dedication. Your support is greatly appreciated!

HSO Concert Volunteers as of 9/22/10

38

A copy of the official registration & financial information for Keystone Partnership may be obtained from the Pennsylvania Department of State by calling toll free 1-800-732-0999. Registration does not imply endorsement.

Metro Bank

Join us for a Sweet Weekend!

TicketsFor

Chocolatefestgo on sale

November 2010

Both events are held at

The Hershey Lodge

Keystone Human Services 124 Pine St., Hbg, PA

717-232-7509 www.keystonehumanservices.org

David A Smith Ad

39

Annual Fund Contributors

40

The Harrisburg Symphony Association expresses sincere appreciation to a group of dedicated donors who have joined together to ensure that the HSO continues to provide the finest orchestral music in Central PA.

Box Office receipts cover only about one-third of the HSO’s operating costs, donor support allows us to attract world-class artists and, at the same time, keep ticket prices accessible to all. It is only with the support of our donors that the HSO can continue.

We greatly appreciate all gifts to the Annual Fund. This listing recognizes gifts of $50 or more from individuals to the HSO Annual Fund made between July 1, 2009 - September 22, 2010.

We make every effort to be accurate and thorough. Please contact the

HSO Development Office at (717) 545-5527

to report errors or omissions.

Crystal Circle$50,000 and aboveHarrisburg Symphony Society

Diamond Circle$10,000 and aboveMrs. Gerald HallMr. Robert HallBill and Beverlee LehrDr. and Mrs. William M. MurrayElsie W. SwensonLeRoy and Mary ZimmermanMr. and Mrs. Richard A. Zimmerman

Maestro Circle Platinum$5,000 and aboveRandy and Ginny AiresBeverly and Bruce ConnerLois Lehrman GrassMargaret B. MastersMr. and Mrs. James M. MeadWalter and Wendy Tibbetts

Maestro Circle Gold$2,500-$4,999Marion C. and William AlexanderMr. and Mrs. Dennis P. BrenckleThomas S. Davis, M.D.Wayne and Mary DietrichPatricia and Rolen FerrisRay and Mandy FisherJohn and Ginny HallDrs. Madlyn and Michael HanesMrs. E. Louise HepschmidtNicholas and Ellen HughesJulia Groh JohnsMrs. Marilynn R. KanensonRonald M. KatzmanMr. and Mrs. Ted KleisnerDee and Joe LewinDr. Stephen MacDonald and Mary WarnerNancy Dering MockFrank M. Masters, Jr. and Elizabeth S. GaultMichael J. MerendaJames and Karen MilesJim and Phyllis MooneyDr. and Mrs. Thomas PheasantMessiah President Kim and D. Kelly PhippsMr. and Mrs. William ReinhardtAlexander and Claudette RocaJune L. ShomakerLyle and Karen ShughartHilary and Jerry SimpsonJames A. and N. Jill SmeltzerDr. and Mrs. Melvin StrockbineThomas Wright and Pamela RussellEllen and Bill WarrenJeff and Susan Woodruff

Maestro Circle Silver$1,000-$2,499Eleanor M. AllenBarbara M. ArnoldKaren Diener BestBarbara BistlineJane M. Brown and Albert SchmidtDeanne and Ernest Burch, Jr.Elsie L. BurchDr. and Mrs. Bennett Chotiner

Rodger and Karen ClarkKatherine and J. Frederic Cox IILeesa CrnogoracJoan and Jerry CroteauBruce Darkes and Sheryl SimmonsDorothy and David DisneyElaine DyeEd and Carol EngererJoan and Bill FlanneryDonald S. GingrichMr. and Mrs. Charles W. GoonreyNorma GotwaltFrieda and Ray GoverJames and Jean GrandonMr. and Mrs. John G. HatfieldDerek and Margaret HathawayHoward E. HecklerLena and Clarence HeimbaughDavid R. Hoffman & Charles R. PegueseCol. and Mrs. John P. Kiley, USMC (Ret)Mr. and Mrs. Jon F. LaFaverKen and Karen LehmanAnita and Michael MalinaJoel and Nancy Corwin MalinaStuart and Marty MalinaArley and Shirley MillerNevin J. Mindlin and Jean H. CutlerJohn A. and Mary Anne Morefield - Fund # 2 of TFECDr. Robert C. and Mrs. Darlene K. MorrisLarry and Sandy PikeMr. and Mrs. N. David RahalBill and Sue RothmanLee and Elaine SchillerMarjorie M. ShermanRon and Maryann SkubeczBill and Pat SolomonDr. and Mrs. Jonathan B. TocksKathy Widmer and Pete ResslerNan and John WisotzkeyAnne J. Yellott

Concertmaster Circle Platinum$750-$999Pete and Carole DeSotoRobert E. Feir

Bold font: current season gift to 2010/11 FundItalicized Bold: current and prior season giftRegular font: gifts to the 2009/10 Fund

41

Robert and Sharon HerrSally A. LiedHal and Phyl MoweryMartin L. and Lucy Miller MurrayKenneth and Jean RoyerMr. and Mrs. Clifford Wengert

Concertmaster Circle Gold$500-$749Dr. Raphael and Dorothea Aronson Auchincloss Family Fund of TFECPam and Dave BarrowsMargaret M. BechtDr. Edward and Mrs. Esther BeckMr. and Mrs. Melvin J. BrownoldLenore S. CaldwellJay and Carol CarrRuth D. Dunnewold & David A. SalapaAllen and Jean FasnachtPeter and Patricia Foltz, Trustees Ralph and Dorothy Reese FoundationMr. and Mrs. Larry R. FreedmanBob and Lisa Gothier, Sr.Drs. Anand Jagannath & Wendy SchaenenDean and Beth JuryEvelyn Gray KnippleSusan and Ron LenchPam and Bill LordJay MaiselJosh Millman and Debby AbelMoffitt Heart & Vascular GroupWayne and Susan MountzChristine Mummert—The Earl & Christine Mummert Fund of TFECDr. and Mrs. Brent O’ConnellMary Osbakken & William Lynn HolmesSondra S. OslerBrenda and Tony PascottiAllen RosenShalom Staub and Ellen Kramer AdlerAlicia and Joe StinePat and Paul StricklerLincoln and Marilyn Warrell

Concertmaster Circle Silver$250-$499Robert and Sherry AndersenBetty A. BakerGordon and Martha BergstenMiriam G. BernsteinRoz and Mick Borger

Mr. and Mrs. C. A. BrockmanBeth and Truman BullardShirley BurnsMr. and Mrs. B. T. Burson, IIIJudge and Mrs. William W. CaldwellDrs. Thomas P. Carey & Janet M. SloandRon and Donna ChronisterMr. and Mrs. James G. CochranJohn and Beverly ClementsDrs. Jane and William Cowden Don and Cheryl DahlbergRev. and Mrs. David DearingChuck and Madeleine DeHartCol. and Mrs. Clifton H. Deringer, Jr.David and Elaine Eskin George and Mary Linn FariesRick and Linda FarrellJackie and Jess FosselmanMr. and Mrs. S. Walter Foulkrod IIIL. Robert GerberichMr. and Mrs. Richard S. GoldsmithRobert and Mimi GoodlingDr. and Mrs. Raymond C. GrandonJoy and Bill GrantReva and Josh GreenbergDr. Roger and Mrs. Joyce GustavsonEstelle HartranftPat HartranftBarbara S. HawleyDent and Lona HawthorneDr. and Mrs. Webb S. HerspergerDr. and Mrs. Frank HerzelMichael and Carol HublerDavid and Sandra HukillJack and Charlotte HyamsJacqueline B. Jackson PhD.Dr. and Mrs. David E. Jenkins, Jr.Doris H. KuderBetsy Leisher-BleckerBud and Nancy LemmonsRoger and Diann LevinWarren and Penny LewisDr. Linda T. LittonDr. Barbara and Mr. Ben LymanBob and Pat MarkelDr. and Mrs. Robert McInroyShirley and John McKeeMr. and Mrs. Charles F. MerrillDenis J. Milke, MD & Kristen Olewine MilkeGil Mitchell

Mr. and Mrs. Walter MorrisHelen and Donn MoweryWilliam F. MurpheySusan and James OverfieldConrad and Kathryn PearsonDr. Louis D. PoloniJane Carter PomerantzSandra K. PrahlEllen and Harold RabinDr. and Mrs. William F. RailingMarion and Michael RayeurDr. and Mrs. Victor RohrerAlan and Caren ScheinMarie and Carl SchleicherDick, Sue, and Michelle SchulzeMr. and Mrs. Arthur SconingAndrew and Lynne ShapiroCarol ShetterMr. and Mrs. Conrad SiegelMark Silver and Pam InnersDr. Anita SimonMatthew D. Smith & Lisa M. BrinerWilliam and Carol SpahrAlyce and Morton SpectorAl and Toppy SpeersHarriet S. SteeleDr. and Mrs. Clifford N. Steinig TEAM Financial ManagersMr. and Mrs. John S. & Roni Trogner, Jr.Chuck and Lynn UlmerSue and Eric UngerBob and Donna WagonerGordon and Barbara WeinbergMarvin and Donna WhiteJack F. WiermanJoanne B. Winger Jean and David WinterGeorge and Charlotte WirtDr. and Mrs. Norman M. WoldorfDr. and Mrs. Charles S. YanofskyDr. and Mrs. Thomas A. YoungMrs. John B. ZerbeMr. and Mrs. Christ Zervanos

Principals $100-$249Anonymous (1)Dr. and Mrs. Arthur B. AbtDr. J. L. AckermanRobert and Carole AckermanWard and Ruby Adams

Carol and Alan AdelmanGeorge and Betsy AllanSheila and Larry AltakerDr. and Mrs. Domingo T. AlvearCraig, Patricia, & Davin AndersonEdna S. AndrewsMargery D. AndrewsKaren M. AppelMadge and Gene ApplebyDave and Linda ArmitageKaren J. ArnoldEleanor C. BaileyBob and Mary BakerJohn H. BarnesCarol Bashore & Richard MitchellPriscilla and Larry BashoreKersti and Floyd BaturinMr. and Mrs. Paul E. BaumMerlin C. BeachellJoan and Dan BechtelJoyce and George BeckerJane E. BennettRick and Barbara BentzRoberta BerdofeBen and Phoebe BernerNeil and Renee Singer BernsteinDr. Paul and Nan BiebelDaniel and Karin BisbeeKatherine Bishop Judy and Ross S. BlustDrs. Richard and Danielle BoalW. Franklin BohnRobert and Marjorie BonnerMr. and Mrs. Duane BotterbuschRuss and Joan BowerRosalie and Ken BowersRobert H. BowersoxC. Grainger & Sandra L. H. BowmanMary M. BraxtonRon and Carol BrennanLouis and Flora BrennerLaurence and Patricia BrodischJoyce A. BrownJames and Barbara BullockBarbara and Dennis ByrnePatricia N. CalleyPatricia Carey and Robert SchmidleinMartin and Alice CarlsonRon and Marge CarlsonJan and Kent CarterJohn and Mary Jane CassattSara Jane CateRoger and Anne ChappelkaJim Chon <Seung Ho>Judith L. Chronister & Thomas L. Lupkie

Grace Ann ChuhinkaCharles and Nancy CladelBarbara and Robert ClayCynthia and Jim ClippingerMr. and Mrs. Jeffrey S. CohenGerald and Ann ColePaul and Alison Coppock James L. CowdenBert and Louise CraftRobert C. CraumerChristine Myers CristMr. and Mrs. Kevin C. CurtisBarbara and Harvey DanowitzDennis and Lila DarlingJonelle Prether DarrRobert and Mary DaubCol. (Ret.) and Mrs. Jethro J. DavisMr. and Mrs. Roy T. DebskiMr. and Mrs. Nick Dell’AquilaRaymond and Laura DeloDanielle DersinJames Stuart DicksonRusty Diamond and Gary SmithMr. and Mrs. Ralph E. DillenShirley DisendEric DonleyRichard and Kay DowhowerDr. and Mrs. Benjamin DukeSue and Arthur DymJane EbersoleGuy and Barbara EdmistonMarian EichingerIrvin W. EshenourJoan A. EvansJoe and Deb FaciniArthur and Dolores FarrArlene and Bob FarverFathom StudioAnn Sherman FeiermanLawrence FeinbergMr. and Mrs. Leon J. FeinermanGeorge Ferrey and Cay PickardRobert and Nancy FiererMr. and Mrs. Rodney S. FirestoneMarsha G. FisherJudy ForsheeDrs. John and Pam FosterMr. and Mrs. Charles FradkinMr. and Mrs. Gary S. FreemanMr. and Mrs. Selwyn FriedlanderPhilip Friedrich and Jane WilburneRoy and Doris Frysinger

Susan H. FulginitiRobert S. FullerE. Margaret GabelKathy and John GablerDr. and Mrs. Frank J. GalliaMartin and Amy GanglSusan and Gerald GarberMaryann Gashi-ButlerMr. and Mrs. Rudolf GassnerJames and Kathy GatesMrs. Teresa R. GavinMr. and Mrs. James GeorgeJimmie and Rosalie GeorgeJudith Gibble-KippJoAnn and Steve GinterRichard and Katherine GippleRichard T. GlavianoMark and Susan GlessnerDavid and Suzie GloecklerMarlyn and Jean Gohn, In memory of Jean B. RoyerJeanne B.GoodwinLouise and Fred GoudySheldon and Florence GrasleyPat and Henry GreenawaldLea GreenwoodLillian GriecoJack and Jennifer GrimPeggy A. Grove, Rosewein Realty Inc, PresidentCarlene S. HackRev. and Mrs. Walter L. HaferEleanor and Thomas HammHilary and Stan HarrisLarry and Elizabeth HartmanMr. and Mrs. Todd J. HartmanNancy Bowman HatzDan and Cheryl HaywardMrs. Max C. HemptLeah and Homer HenschenShirley E. HertzDr. Gerald and Jan HessCharles and Patricia HeuserG. June HochMr. and Mrs. Joel E. HoffmanDr. Jeffrey HoltzmanMr. and Mrs. Charles HoneywellDouglas and Joyce HoskinsHoward and Elinor HuestonCarlton and Shirley HughesMr. and Mrs. Paul Hungerford Harold and Ileane HurwitzCapt. and Mrs. John A. JaminetDr. and Mrs. William B. JeffriesBradish and Pamela Johnson

42

Bold font: current season gift -- 2010/11 FundItalicized Bold: current and prior season giftRegular font: gifts to the 2009/10 Fund

43

Jim JohnsonMaryLouise JohnsonCarol JonesDr. James and Sandra JonesWilliam & Dora K. Kanarr Fund of TFECRobert and Dorothy KendraPearl H. KentRose M. KesslerCol. and Mrs. A. R. KittsMr. and Mrs. Thomas KitzmillerMr. and Mrs. Richard KleimanNancy and Art KleinSally and Joe KleinRaymond S. KleinJane W. KohnLeah KuhnsJohn and Connie KuntzEdie KushnerKathleen LamayMary L. LandisPat and Barb LantzMr. and Mrs. William S. Law Joseph and Jane LawrenceDavid and Gwen LehmanM. Kent and Kay Packer LeidUrs and Paula LeuenbergerMarie and Fred Le VanFangqiu LiuNancy and Brian LockmanJohn and Barbara LongDr. & Mrs. Edward E. LongabaughElma LongnakerRichard and Marsha LorenzCheryl and George LoveLois and Don LowryDiane and Jim LubereckiMr. and Mrs. Howard J. LuninSteve and Cindy LymanAnthony and Margaret MaasLouis A. and Janet A. MarchioniEnrique Martinez-VidalJane and Ron MassottMike and Kay McClurkinNelson and Shirley McCormickJane and Robert McCutcheonHarold A. B. McInnesDavid and Margaret MessnerRandolph MichenerDebra MilakovicJanet C. MillerMichael and Maronetta MillerRichard J. and Gretchen Z. MillerRichard S. MillerDr. and Mrs. Thomas L. MoffettDr. and Mrs. John C. Morton

Doris A. MowreySteve and Glenda MurphyCharles Murray & Robert RichardsonJo Ann MusselmanAlvin M. MyersDave and Gerry MyersHelen and Spencer NaumanChuck and Joletta NebelHarvey and Gladys A. NelsonKatharine F. NelsonRoy and Grace NewsomeJohn NinoskyDr. Sandra M. NovotniHerb and Donna NurickMr. and Mrs. Louis O’BrienCarole and Bill O’DonnellGerald and Judy OppenheimJoseph OrtylJohn and Mary Ellen OsuchTed and Stephanie OttoSallie and Shel ParkerAlfred and June PecukonisBob and Jackie PendrakYolanda Perez-RiveraJean PlawskyRon and Tracey PontiusRev. Donald E. PotterRobert C. PowerJuliana M. PulitiPatricia PursellBob Rains and Andrea JacobsenIra and Joshua RappaportMary Louise RauchTed and Lori ReeseLou and Elaine ReisBob and Marianne RempeRev. and Mrs. Daniel D. RessetarNicholas RessetarHerbert and Anne Reynolds Mr. and Mrs. Paul R. RiceChristine and Eric RileyWilliam Dan Roberts, Ret. USAFCynthia and Walter RospendowskiBill and Xenia RoyerBernard and Kathleen RyanSusan E. SandersMr. and Mrs. Louis F. SantangeloDr. and Mrs. Joseph A. SavastioGlenn and Ruby SchaefferAlex and Joyce SchamrothMr. and Mrs. John W. SchelhasAlice Anne Schwab & Bob Garrett Phyllis V. SchweizerMichael and Nicole SheedyMr. & Mrs. Christopher Sherbocker

Ken and Linda ShuttsDr. and Mrs. Roger SiderDeborah SimsPhyllis and Stan SingerMr. and Mrs. John SistoEdward and Donna SlabyWes and Doris SmedleyJessie L. Smith and D. George ParrMarilyn L. SmithCurtis Sober and Gail PerezDr. Herbert I. and Carol R. SollerDonna J. SpradleyMr. and Mrs. John L. SproatRussell and Joann SteinerGloria StewartDr. and Mrs. Richard P. StewartThe Stoner FamilyJack and Nancy StruckRichard R. and Marianne T. SullivanMr. and Mrs. Lee C. SwartzDr. Michael Tickner & Ms. Betty Simmonds Rev. Martin and Connie TrostleDan and Gail TunnellRobert and Carole UngerCol.(R) & Mrs. H. L. Van BrederodeLeah van OldenArland and D’arcy WagonhurstDan and Kathy WalchakMarian M. WardenGregg and Rita WarnerDoug and Lisa WatersLisa H. WeltyMr. and Dr. Jon WhittleGeorge and Connie WilliamsElizabeth W. WintersMelvin H. and Joan S. WolfJames and Mary WolpertJoseph J. WuenstelMildred YezdimirCharles and Ann YoungRichard and Sally ZainoRobert R. ZeiglerDean and Linda Zirkle

Patrons $50-$99Joe and Stephanie AcriGeorge and Phyllis AllisNancy AmmonsDr. and Mrs. Robert G. AtnipFred and Helen AtwoodJoan AufieroRev. George and Mrs. Suella BartoDr. Robert C. BeattyJoseph and Patti Bednarik

44

Sandra BellBetty, Donna, Jean, and BettyJames and Barbara BistlineJean M. BittleMr. and Mrs. Gerald D. BoozMary Anna BorkeMr. and Mrs. Fred BottiniDr. and Mrs. William J. BoydJoan and Jim BoytimDick and Elizabeth BreachMr. and Mrs. Edward BrezinaMrs. Wesley R. BurnsJohn K. and Shirley R. BushMrs. Joseph H. CaplanDr. and Mrs. Keith ChengMr. and Mrs. Ronald H. ConardDave and Sallie CrossRobert and Linda CrossonMichelina DaylorRodney and Mary Ann DeHaasBonnie and Steven DiakJim and Mary DodrillMr. and Mrs. Ralph E. EckertMrs. Richard EnglehartJim and Leona FickelLibby FleischerMs. Henny FreedmanEstelle C. FriedWilliam and Melissa GallagherGates, Halbruner, Hatch & Guise, PCJean B. GeorgeNancy J. GeorgeGail M. GetzPatti and Tel GilroyMr. and Mrs. Frederick W. GoltzNancy and Mike GotwaltKathy and Paul GouldyL. R. GranitzArletta and C. Richard GreggDiane B. GriffithsPeggy and Bob GrimmFrancis and Joan HaasBarry and Mary HanniganLinda and Skip HardyGreg and Lois HarrisDonna and Wilmer HenningerLewis and Linda HermanClarence and Marianne HodgesAnn HollerMr. and Mrs. B. Michael HollickStewart and Mary Jean HolmesChristy Nye HooverDrs. William and Patricia HortonSteve and Patsy HorvathLinda Mohler Humes

Ellen HuntMr. and Mrs. George L. JacksonAlfreda A. JohnsonJoanne M. KambicJoan KazlauskasDr. and Mrs. James KeiterMr. and Mrs. Frank L. KellerLinda W. KellyErnest KepnerJohn and Slava KerryMarian H. KingMr. and Mrs. Paul F. Klinefelter IIIEd and Alice KnutsenMr. and Mrs. John KolakowskiMelvin and Roberta KriegerMr. and Mrs. Ronald W. KutzLewis and Bonnie LernerDr. Ruth LeventhalMr. and Mrs. Robert LichliterDoris and Robert LipmanBetty Lee LittleEsther L. LongGeir MagnussonStephen W. MagyarElizabeth MaslandAnnette MathesDawn Ann McCollumPhyllis M. McKitrickBishop and Mrs. Charlie McNuttJane and Mark MendlowMr. and Mrs. Dennis MinnichNaomi S. MosesJames R. NaceKate NadlerBarbara J. NagleLt. Col. (Ret.) Phyllis J. NagleMr. & Mrs. Lawrence D. OlejniczakDr. and Mrs. Herbert ParnesHelen Parshall PhD. & Frank ParshallDr. and Mrs. David PeisnerJack and Babs PhillipsMarie and Louis PintoElizabeth L. PowersDorothee M. RaboldClara and William RaderJulia M. ReeseCraig and Theresa ReiterMr. and Mrs. David J. RemmelMr. and Mrs. Rowland C. RichardsonHelga E. RistJohn and Joanna Roe

John and Susan RogersVirginia Reynolds RogersJames H. and Kate A. RossRosette and Steven RothRose Marie SalterDonna E. SaxonAda Mae SaxtonGary and Susan SayersPat and Chuck SchaalMr. and Mrs. Ronald SchafferPhyllis SchellCory SchneiderSuzan SeitzCharles and Jane SellerPatricia SellsToni A. SemankoMelvin P. ShenkRod and Crystal ShieldsConstance D. ShoverJanet L. SibbersenMr. andMrs. Lawrence SinowayDouglas and Audrey SizeloveDiana SlotznickMr. and Mrs. Ray H. SmallenA. Lucille SnowdenLee M. SpitalnyKerwin and Kay StetlerTom and Susan StewartKarin Stork-WhitsonSusan J. StuckeyBob and Cynthia SussmanFrank and Joan SwetzJohn L. and Carol TaylorMr. and Mrs. Charles E. Thomas, Jr.Nancy TravitzMr. and Mrs. Donald UhaziePat VanceMr. andMrs. William VeithCarole and Nathan WardAlbertine and Leonard Washington, Jr.Mr. and Mrs. George WeimerRobert E. and Barbara J. WeissSam and Susan WilderMr. and Mrs. Allan R. WilliamsArlene B. WilliamsPenny WilliamsWalter and Donna WinchJeff and Jean WolfeMr. and Mrs. Kenneth WoodringBob and Janet WrightstoneMr. and Mrs. Ralph H. WrightstoneJody YoffeJacqueline M. YoungCharles and Margaret Zeiders

Bold font: current season gift -- 2010/11 FundItalicized Bold: current and prior season giftRegular font: gifts to the 2009/10 Fund

HSO ANNUAL FUND, 800 Corporate Circle, Suite 101, Harrisburg, PA 17110. Secure Online Gifts can be made at HarrisburgSymphony.org

45

THE HARRISBURG SYMPHONY ORCHESTRA wishes to thank the following corporations and foundations

who have supported us during the 2009/10 and 2010/11 concert seasons.

abc27/WHTMAEGIS Security Insurance Co.Bieber Transportation GroupBobby Rahal Automotive GroupCapital BlueCrossCarlisle Digestive Disease Associates, Ltd.Carlisle Summerfair Committee Carlisle SynTecChanges Salon and Day SpaCultural Enrichment FundCumberland Design & Building Company, Inc.Cumberland Golf Club, CarlisleDauphin County CommissionersdeRamon Plastic Surgery InstituteDelta Development GroupEckert Seamans Cherin & Mellott LLCEnginuity, LLCF&M TrustFirst National Bank, MifflintownGoldberg Katzman, P.C.Graystone Tower BankGreenWorks Development, LLCHarrisburg Symphony SocietyHershey Entertainment & Resorts Co.Hershey Trust CompanyHighmark Blue ShieldHoffman-Roth Funeral Home & Crematory, Inc.Hilton Harrisburg & Towers Hunter Myers Redus FoundationKiwanis Club of HarrisburgLand O’Lakes, Inc.L.B. Smith Ford Lincoln MercuryLebanon Valley CollegeLemoyne BoroughM&T BankMcInroy-Sheffer People Trust McKonly & Asbury LLPMcNees Wallace & Nurick LLCMessiah CollegeMetro BankMilton S. Hershey Medical Center

Novinger’s Inc.Orrstown BankPA Council of the ArtsPA Dept of Community & Economic Development PA Housing Finance AgencyPost and Schell, P.C.PNC Finacial Services Group Radisson HotelR.S. Mowery & Sons, Inc.Saul Ewing LLPStoken OphthalmologyStorage DepotStrickler AgencyThe Boyd FoundationThe Carlisle SentinelThe Fdn for Enhancing CommunitiesThe Garden PathThe Glatfelter Family FoundationThe Getty FoundationThe Hall FoundationThe Hathaway Family FoundationThe Holmes FoundationThe Hoverter FoundationThe Heuser Group, Inc.The JDK GroupThe Kline FoundationThe McCormick Family FoundationThe Stabler FoundationThe Wells FoundationTravel Professionals, Inc.URL Finacial GroupUtz Quality Food, Inc.White Circle Club, Lodge No. 1 WITF 89.5 FM

Educational funding Through EITC:AEGIS Security Insurance CompanyFulton BankM&T BankMetro BankPNC Finacial Services Group

For more inFormation on how you can establish a gift annuity to benefit the HSO and provide a guaranteed life income,

contact HaRRISBURG SYMPHonY DeveloPMent oFFIce, at 717.545.5527. All inquiries are strictly confidential.

MAking tHe MuSic lASt

46

47

Masterworks I Musicians

VIOLIn IOdin Rathnam, Concertmaster frank M. Masters, Jr. Chair in Memory of frank M. and Margaret Wilson MastersFrancisco Salazar, Associate Concertmaster Charles A. and Elizabeth Guy Holmes foundation ChairCarl Iba, Assistant Concertmaster Bill and Beverlee Lehr ChairConnie TrachKatie KresekEvelyn EstavaShelby HarrisEverhard Paredes Adda KridlerMichael AvaglianoTammy SeymourDjeina HarutaBoris Corchesco

VIOLIn IINicole Diaz, Principal Randy and Ginny Aires ChairMinyoung Baik, Assistant Principal Chaerim Kim SmithClifford BernzweigFunda CizmeciogluRachel SchenkerLisa WeltySusan AquilaSarah ZunChala YancyBruno Pena Lauren Paul

VIOLA Juius Wirth, Principal Donald B. & Dorothy L. Stabler foundation ChairKatie Overfield-Zook, Assistant PrincipalAdriana LinaresMugurel RaduYa-Chin PanBarbara DownsAlice BishRebecca RothermelMarka StepperDavid GoldMihaela Matei

CELLOFiona Thompson, Principal Dr. and Mrs. William Kanenson ChairIgor Zubkovsky, Assistant PrincipalDaniel PereiraElyssa GilmarJennifer DeVoreErik JacobsonSheldon LentzAnamaria AchiteiNatalie Naquin

BASSDevin Howell, Principal Highmark Blue Shield ChairPeter Paulsen, Assistant PrincipalDuane BotterbuschPaul KlinefelterChristopher FinetRyan Koehler

fLuTEDavid DiGiacobbe, Principal Endowed in perpetuity In memory of David A. Elias, Jr. and Marie Graupner EliasMary HanniganPICCOLOKaren Botterbusch

OBOEAlicia Chapman, Principal The Hershey Company ChairThomas RoweEnGLISH HORnChrista Robinson

CLARInETJanine Thomas, PrincipalLinda FarrellBASS CLARInET Christopher Cullen

BASSOOnRose Vrbsky, Principal The Kline foundation ChairYe Chi WangCOnTRA BASSOOnRichard Spittel

HORnIan Donald, Principal Metro Bank ChairLeise BallouIan ZookLisa BontragerJason Sugata

TRuMPETPhil Snedecor, Principal Capital BlueCross Chair honoring James MeadScott McIntoshKevin Gebo

TROMBOnEBrent Phillips, PrincipalMark LuskPhil McClelland

TuBAEric Henry, Principal Harrisburg Symphony Society Chair

TIMPAnIMark Latimer, Principal Elsie W. Swenson Chair

PERCuSSIOnAdrian Stefanescu, Principal Jerry and Hilary Simpson family Chair in Memory of Rodney J. SawatskyBarry Dove

KEyBOARDTerry Klinefelter, PrincipalRichard Roberson

HARPRebecca Kauffman Elizabeth J. Dunlap Chair

LIBRARIAnLinda Farrell

STAGE MAnAGER Tom Acri

ASSISTAnT STAGE MAnAGERPasquale Fera

CELEBRATE THE HOLIDAYS WITH US

It is not to early to start thinking about having your Holiday Party at the Radisson. We can accommodate groups from 5 to 1,200. Our staff will provide the service needed to make your event perfect.

Contact our Sales Office at 717-433-9737

Visit our website to see our Holiday Party Menu

Radisson Penn Harris Hotel & Convention Center 1150 Camp Hill Bypass, Camp Hill, PA 17011 Sales 717-433-9737 Hotel 717-763-7117 Fax 717-763-7120 www.radisson.com/camphillpa [email protected]

GREAT MEMORIES START HERE

48

49

Harrisburg SymphonyABC27-WHTM ................................................... 2Allenberry Playhouse ......................................78Amtrack ..............................................................70Bethany Village ................................................64Bieber Transportation Group .........................85Bobby Rahal Automotive Group ...................66Carlisle Country Club ......................................22Capital BlueCross .............................................23Central Pennsylvania Food Bank ...................82Central Pennsylvania Youth Ballet.................59Changes Salon and Day Spa ........................34Comfort Keepers ..............................................77Concertante .......................................................53Concert at Negley - Lemoyne .......................71Cornwall Manor ...............................................70Cultural Enrichment Fund................................... 9David A Elias, Jr. and Marie Graupner Elias .......................15David A. Smith Printing ...................................39Enginuity.............................................................27Eric Mintel Quartet ..........................................60Fashionable Canes and Walking Sticks .......66Gallery Blu ........................................................62Gehman & Co. ..................................................68Gretna Music ....................................................79Hamilton & Musser, P.C. ..................................72Harrisburg Choral Society..............................73Harrisburg Hilton ..............................................57Heritage Medical Group ................................56Highmark ...........................................................52Homeland Center .............................................64HSO Education Outreach ...............................36James E Fegley .................................................72J.C. Snyder Florist .............................................71Juliana’s Italian Restaurant .............................56Keefer Wood Allen & Rahal, LLP ..................62Keystone Human Services ...............................38L.B. Smith Ford Lincoln .....................................50Live at Rose Lehrman .......................................76Luhrs Center ......................................................83Market Square Concerts ................................75Messiah College School of the Arts .................. 63Messiah Village ................................................65Milton Hershey School .....................................60Moffett Dental Center .....................................67 Mountz................................................ Back Cover

NRG Energy Center Harrisburg ....................68Open Stage ......................................................84Pennsylvania Regional Ballet .........................77Pennsylvania Retina Specialist, PC .................65PennLive.com .....................................................69Penn State Hershey Milton S. Hershey Medical Center ..............51Plastic Surgery Center, Ltd. ............................55Radisson Penn Harris Hotel and Convention Center ..................48Reifsnyder’s .......................................................56Rhoads & Sinon, LLP ........................................63Rite Aid ..............................................................56Roof Advisory Group, Inc ................................. 1Saul Ewing, LLP .................................................86SF& Company ...................................................34Shops of Strawberry Square ........................67Strand Capitol ..................................................80Susquehanna Chorale .....................................74Susquehanna Internal Medicine Associates ...68Theatre Harrisburg ..........................................81The Foundation for Enhancing Communities ...61The Harrisburg Singers ...................................72The Phillips Group ............................................61Trinity Lutheran Church ....................................58Visiting Nurse Association ...............................71Wegmans ..........................................................70

Schedule Subject to Change

YOUR CLASSICAL MUSICAND NPR NEWS STATIONWITF 89.5 LANCASTER 99.7

WITF.ORG

CLASSICAL AIR Timeless, enduring classics — the greatest music ever written! Weekdays 10 am–3 pm

WITF PRESENTS Regional classical concerts, recorded by WITF. Sundays 8–9 pm

FROM THE TOP with Christopher O’Riley Fresh faces classically inspired and trained. Too young to be so talented — but they are! Sundays 7–8 pm

THE MUSIC BOX with Loran Fevens Pre-1800 classics. Sundays 9–11 pm

MUSIC THROUgH THE NIgHT Classics for night owls. Mondays–Fridays 8 pm–5 am Saturdays 5 am– 8 am Sundays 11 pm–5 am

ECHOESwith John Diliberto Not exactly “classical” but certainly classic. Saturdays 9 pm–Sundays 8 am

2010-11 SeasonRose Lehrman Arts Center at HACC

Friday, September 24, 2010 at 8 pmMozart: Quintet for Clarinet and Strings in A major, K. 581

Messiaen: Quartet for the End of Time

Friday, November 12, 2010 at 8 pmCelebrating the 200th Anniversary of Schumann’s birth!

Schumann: Piano Quartet in E-Flat Major, Op. 47Schumann: Piano Quintet in E-Flat Major, Op. 44

Friday, February 4, 2011 at 8 pmMozart: Divertimento in E-Flat Major, K. 563

Brahms: String Sextet No. 2 in G Major, Op. 36

Friday, March 11, 2011 at 8 pmHaydn: Sinfonia Concertante in B-Flat Major

Shulamit Ran: String SextetBrahms: String Quintet in F Major, Op. 88

Friday, May 6, 2011 at 8 pmProkofiev: Sonata for Two Violins in C Major, Op. 56

Gabriela Lena Frank: HypnagogiaTchaikovsky: Sextet in D Minor, Op. 70 Souvenir de Florence

Tickets: (717) 730-9285 or [email protected]

53

56

Rite Aid is proud to support the

Harrisburg Symphony Orchestra.

Schoolof the ArtS

2010–2011 Season

Messiah college

visual art I music I theatre

for other events and for more information, visit messiah.edu/schools/artsor call 717-796-5045 to request a season brochure.

From our fall season:

Scenes From Civic Life: Mata Ortiz Carl Socolow, PhotographyRuns through October 20, Aughinbaugh Art Gallery

Messiah College Symphony OrchestraWorks to include Brahms’ Symphony No. 1October 15, 8 p.m., Miller Auditorium

On the VergeA play by Eric OvermyerNovember 11–14, 18–21, Miller Auditorium

Messiah College Christmas Concerts December 5

4 p.m.8 p.m.

63

Whether you’re looking for a new restaurant, live music, nightlife, movies, or

theater and arts, PennLive.com connects you to everything Central Pennsylvania

has to offer. Search local event listings by category, location, and date. Get out

on the town, post reviews, upload photos, and let everyone know what’s hot and

what’s not at pennlive.com/entertainment.

PennLive.com is the online home of The Patriot-News.

news weather sports entertainment interact jobs autos real estate

No oNe kNowslocal eNtertaiNmeNt

like peNNlive.com.69

For tickets and informationCall 233-1005 or visit www.harrisburgsingers.org

BROADWAY

DeCember 3, 20108:00 PM

Faith Presbyterian Church, Harrisburg

DeCember 4, 20107:30 PM

Trinity Lutheran Church, Camp Hill

December 5, 20103:00 PM

Mechanicsburg Presbyterian Church

April 29, 20118:00 PM

Faith Presbyterian Church, Harrisburg

April 30, 20117:30 PM

Trinity Lutheran Church, Camp Hill

mAy 1, 20113:00 PM

Mechanicsburg Presbyterian Church

2010 2011 ConCert SeaSonSusan Solomon Beckley, Artistic Director

72

2010 - 2011 SeasonDr. Robert Hart Baker, Music Director

Messiah Sing-along

Holiday Cheer!

5th Annual Madrigal Dinner

Of Faith and Fate

The WellsFoundation

Resident Company of Whitaker Center

Hearts and Voices Raised in SongHearts and Voices Raised in Song

Est. 1895 Part of Musical History

Sing with us on the choruses or simply enjoy listening

Featuring Rutter Magnificat and much more

Haydn Mass in Time of War plus Brahms and Kodály

73

Linda L. Tedford, Artistic Director, Founder & Conductor

susquehannachorale.org717-533-7859

Annual Youth Choral FestivalSunday, November 21, 2010, The Forum, Harrisburg, 4:00 p.m.Candlelight ChristmasFriday, December 17, 2010, Leffler Chapel, Elizabethtown, 8:00 p.m.Saturday, December 18, 2010, Market Square Presbyterian Church, Harrisburg, 8:00 p.m.Sunday, December 19, 2010, Trinity Evangelical Lutheran Church, Camp Hill, 4:00 p.m.

Legends Among UsSaturday, May 21, 2011, The Forum, Harrisburg, 7:00 p.m.

Additional performances:The Harrisburg Symphony OrchestraLa BohemeThe Susquehanna Chorale, February 26 & 27, 2011

Symphony #3, MahlerThe Susquehanna Children’s ChoraleApril 16 & 17, 2011

2010–2011 Season

74

www.LiveatRoseLehrman.orgBOX OFFICE: 717-231-ROSE (7673)

RIOULT

THUR | OCTOBER 7 | 7:30 PM

Ball in the House

THURS & FRI | NOVEMBER 4 & 5 | 8 PM

FRI | DECEMBER 3 | 8 PM

DAV

ID B

ALA

KRIS

HN

AN

vi

olin

MIK

E M

ARS

HA

LL

man

dolin

MA

RK S

UM

MER

ce

llo

JERE

MY

KITT

EL

viol

a

MA

DS

TOLL

ING

vio

lin

CYRU

S CH

ESTN

UT

pia

no76

Classical Ballet Training...with Contemporary Vision

PennsylvaniaRegional Ballet

Sandra Carlino, Artistic Director

Resident Ballet Company, Ned Smith Center for Nature & Arts Amphitheatre

December 4 & 5, 2010TheNutcrackerfeaturing the Pennsylvania Regional Ballet OrchestraScottish Rite Theatre Saturday 2:00 & 7:30; Sunday 2:00 PM

March 19, 2011Spring Gala ConcertRose Lehrman Arts Center/HACC7:30 PM

June 11, 2011The Summer ConcertRose Lehrman Arts Center/HACC4:00 & 7:00 PM

Pre-School through PreprofessionalBallet, Modern, Tap, Jazz, Adult Ballet, Daytime Professional ClassYear-Round EnrollmentTicket & School Information717-732-2172www.prballet.org

77

Allenberry Playhouse Boiling Springs, PA

September 15-October 10 November 3– December 23 October 13– October 30

www.allenberry.com

Allenberry’s Murder Mystery Weekend

78

Gretna Music @ Elizabethtown College Leffler Chapel and Performance Center

Dinner and a Concert! Join us in the gallery adjacent to the hall for a scrumptious dinner buffet before each concert.

Fantastic acoustics! Free Parking!

717-361-1508 • www.GretnaMusic.org Purchase multiple concerts for a savings of 5–20%

Imani is Swahili for Faith. And that’s the perfect name for this gifted group dedicated

to exploring the intersection of classical, folk, jazz & pop, in the passionate belief that

music has no borders.

Imani Winds Sat, Mar 5, 2011

With its high spirited, good- humored, pops-flavored classics done with inimitable flare, Boston Brass is a first rate musical grin machine.

Boston Brass Sat, Nov 20

These four gifted ladies perform a very special holiday concert that shows just why music was central to the bond of worship and celebration 1000 years ago, just as it is today.

Anonymous 4 Sat, Dec 18 Christmas Concert

Four players bursting at the seams one moment, and the next whispering with the rapture of the blest. Bela Bartók’s six string quartets indeed cast an unparalleled emotional net. Fortunately, we’ve secured the services of LA’s finest, the Cal-der String Quartet. When it comes to playing Bartók’s hyper-expressive, hyper-demanding masterworks, they’re absolutely perfect.

Essential

Listening The Complete Bartok String Quartets

performed by the Calder Quartet Fri, April 8 & Sat, April 9, 2011

79

Al Jarreau*

Vicki Lawrence and Mama*

In association with BRE Presents

Get the Led Out

Forever Plaid

Capitol Steps*

In association with BRE PresentsAn Evening with Jethro Tull’sIan Anderson

In association with BRE Presents

Kansas

Boyz II Men

The Travelin’McCourys*

Mamma Mia!

Christmas with John Tesh

Bill Engvall*

Messiah

* Ask about our pre-show dinner/party!

“Didn’t get yer tickets yet? Well, Good Lord,

why not?!?”

Mama Look-alike contest... details online!

See complete schedule at strandcapitol.org

80

The New High-Energy, Dance-Filled Musical Comedy with Incomparable Songs by George & Ira Gershwin…

Who Could Ask For Anything More?

FEBRUARY 3 – 20, 2011

The Funny Tune-Filled Tribute to the Girl Groups of Television’s Early Days…

A Non-Stop Hit-Parade of Popular Songs from the Fabulous ‘50s

SEPTEMBER 17 – 26, 2010

The beloved musical tale of the legendary enchanted kingdom, Lancelot, Guenevere, King

Arthur and the knights of the round table NOVEMBER 4 – 21, 2010

Request a 2010-2011 Season Brochure at email@theatreharrisburg .com717.232.5501

theatreharrisburg.comTheatre Harrisburg is the

Resident Theatre Company of

The Popular Romantic Comedy That Follows One Couple On an Emotional

24-Year Journey Called Life

APRIL 1 – 10, 2011

The Classic Show Business Fable with Iconic Characters, an Unforgettable Score and the

Mother of All Stage Mothers…One of the Greatest Musicals Ever Written

JUNE 2 – 19, 2011



FEBRUARY 3 – 20, 2011



SEPTEMBER 17 – 26, 2010








APRIL 1 – 10, 2011



JUNE 2 – 19, 2011



FEBRUARY 3 – 20, 2011



SEPTEMBER 17 – 26, 2010








APRIL 1 – 10, 2011



JUNE 2 – 19, 2011

81

rd32

82

MA

INS

TA

GE

WH

ITA

KER

STA

GE

[title of show] Music and Lyrics by Jeff Bowen, Book by Hunter Bell Oct 8 to Nov 6

August Wilson’s THE PIANO LESSONFebruary 4 to 26

Charles Dickens’ A CHRISTMAS CAROL Adapted by Edward Alsedek at Whitaker Center December 2, 3, 4, 5

AUGUST: OSAGE COUNTY by Tracy LettsApril 15 to May 8

2011 FLYING SOLO FESTIVAL A Singularly Sensational Event! Our 12th annual festival of solo performersJune 2 to 25

THE DIARY OF ANNE FRANK by Frances Goodrich and Albert Hackett,Adapted by Wendy Kesselman at Whitaker Center March 12 & 13

OUTSTANDING LIVE THE ATRE . . . just 180 mile s off Broadway!

FOR TICKE TS, CALL 717-232-1505OR VISIT www.openstagehbg.com

Sponsored by Capital BlueCross

Sponsored by Char Magaro, Gerald McKee,Kristin Scofield and Jim Scheiner

Sponsored by The Quandel Group and Pyramid Construction Services

25ANNIVERSARY

th

84

Go Motorcoach! Go Bieber!Located at 1061 S. Cameron St. Harrisburg, Pa

biebergroup.comTravel Well with Bieber!

85

HSO Program Book 1

Documents

Transcript of HSO Program Book 1