HR Ocampo Presentation

download HR Ocampo Presentation

of 7

Transcript of HR Ocampo Presentation

  • 8/12/2019 HR Ocampo Presentation

    1/7

    H. R. OCAMPOAyala Museum

    Lee | Laririt | Madamba | Poblete | Rivera

  • 8/12/2019 HR Ocampo Presentation

    2/7

    Hernando Ruiz Ocampo (1911-1978)

    It has been said that he made the most original Filipino paintings because he was self

    taught and he never went overboard.

    He quoted that the strongest influence on my paintings are the things that I see around

    me everyday.

    Set in the direction of abstract.

    A short story writer, editor, and screenwriter.

  • 8/12/2019 HR Ocampo Presentation

    3/7

    Hernando Ruiz Ocampo (1911-1978)

    EXAMPLE WORKS AS A WRITER:

    SCENES AND SPACES during the post-war period about the imperialism of the United

    States.

    RICE AND BULLETS (1937) story about the protagonist Tura, joining his fellow peasant

    in a protest against rice hoarders but eventually shot and killed during the clash with the

    police.

  • 8/12/2019 HR Ocampo Presentation

    4/7

    H. R. OCAMPOs WORKS

    He was the painter of Imelda Marcos monument in the Cultural Center of

    Philippines.

  • 8/12/2019 HR Ocampo Presentation

    5/7

    H. R. OCAMPOs WORKS

    PLANTSADORA

    -presents the hardwork of a Filipi

    ironing mens top clothing and how ha

    was considering the material of theclothing and the type of iron she was

    using.

  • 8/12/2019 HR Ocampo Presentation

    6/7

    H. R. OCAMPOs WORKS

    TATLONG LARAWAN

    -presents Jesus Christ dying on

    the cross in between the two

    sinners, and also the piece where

    Fernando Amorsolo told Ocampo

    that he is already a Painter.

  • 8/12/2019 HR Ocampo Presentation

    7/7

    TECHNIQUE

    He had a basic grasp of the principles of modernist color theories, and intuitively derived

    techniques based on a unique personal sensibility. He used color not as a static

    compositional element; by skilfully exploiting completion and juxtaposition, he directed the

    viewers eye movement. He meticulously wielded the fine end of a palette knifeblunt brush to create tone and texture. He also favoured dynamic shapes and forms that

    motivated his color values. He produced paintings that pulsate.