OPERATION MANAGEMENT AT HARD ROCK CAFÉ Case Study: Hard Rock Cafe.
How to Play Hard Rock and Heavy Metal
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Transcript of How to Play Hard Rock and Heavy Metal
GUITAR DVD 1
SIXTIES/SEVENTIESINTRO
RHYTHM GUITAR:HEAVY SINGLE-NOTE RIFFSE MINOR PENTATONIC SCALE
FIG. 1 OPEN POSITION
FIG. 2 EXTENDED POSITION
FIG. 3 XII (12TH) POSITION
A MINOR PENTATONICFIG. 4 V (5TH) POSITION
FIG. 5 EXTENDED POSITION
THE YARDBIRDSFIG. 6 A LA HOWLIN’ WOLF
FIG. 6 SLOW
JIMI HENDRIXFIG. 7FIG. 7 SLOW
POWER CHORD RIFFSFIG. 8FIG. 9 THE YARDBIRDS, A LA “STROLL ON”
FIG. 9 SLOW
THE E BLUES SCALEFIG. 10 OPEN POSITION
FIG. 11 EXTENDED POSITION
FIG. 12 XII (12TH) POSITION
A BLUES SCALEFIG. 13 V (5TH) POSITION
FIG. 14 EXTENDED POSITION
POWER CHORDS W/ SINGLE-NOTE RIFFSBLACK SABBATH TRITONE
FIG. 15FIG. 15 SLOW
LED ZEPPELINFIG. 16FIG. 16 SLOW
CREAMFIG. 17FIG. 17 SLOW
AEROSMITHFIG. 18FIG. 18 SLOW
TWO-NOTE POWER CHORDS W/RIFFSFIG. 19 TED NUGENT, A LA “CAT SCRATCH FEVER”
FIG. 19 SLOW
FIG. 20 RICHIE BLACKMORE/ DEEP PURPLE, A LA “BURN”
FIG. 20 SLOW
HARMONIZED MINOR PENTATONIC LICKSFIG. 21 AEROSMITH, A LA “SWEET EMOTION”
MOVING TRIADS W/PEDAL TONEFIG. 22 TRIADS
VAN HALENFIG. 23
FIG. 23 SLOW
PETE TOWNSHEND/JIMMY PAGEFIG. 24
FIG. 24 SLOW
METAL ROOTSFIG. 25 LED ZEPPELIN, A LA “THE IMMIGRANT SONG"
FIG. 25 SLOW
FIG. 26 QUEEN, A LA “STONE COLD CRAZY”
FIG. 26 SLOW
SOLOINGBUILDING BLOCK MINOR PENTATONIC LICKSFIG. 27 A MINOR PENTATONIC IN V POSITION
FIG. 28 LICK #1
FIG. 29 LICK #2
FIG. 30 LICK #3
FIG. 31 LICK #4
FIG. 32 LICK #5
FIG. 33 LICK #6: JOHNNY WINTER/JIMMY PAGE
FIG. 33 SLOW
BUILDING BLOCK BLUES SCALE LICKSFIG. 34 A BLUES SCALE IN V POSITION
FIG. 35 LICK #1
FIG. 36 LICK #2
FIG. 37 LICK #3
FIG. 38 LICK #4
HARMONIZED SOLOSFIG. 39 A BLUES SCALE MELODY
FIG. 40 A DORIAN MODE
FIG. 41 HARMONIZED LICK
FIG. 42 A MAJOR PENTATONIC
FIG. 43 A MAJOR HEXATONIC
FIG. 44 A MAJOR PENTATONIC HARMONIZED W/A MAJOR HEXATONIC A LA THIN LIZZY
FIG. 44 SLOW RHYTHM GTR.
FIG. 44 SLOW MELODY
FIG. 44 SLOW HARMONY
EIGHTIES/NINETIESDETUNINGONE HALF STEP DOWN
ONE WHOLE STEP DOWN (A LA “MACHINE GUN”)
ONE AND A HALF STEPS DOWN (A LA“SUPERNAUT”)
How To Play
Hard rock & Heavy Metal GUITaR
coNteNtS
COVER: ANNA DICKSON INSETS: PAGE: RETNA; WYLDE: CLAY PATRICK McBRIDE/RETNA; DIMEBAG: LFI; SHADOWS FALL: LFI; HAMMETT: KELLY A. SWIFT/RETNA; IOMMI: VAN IPEREN/RETNA
2 GUITAR DVD
RHYTHM GUITARHEAVY RIFFS W/POWER CHORDSFIG. 1 F# AEOLIAN MODE
FIG. 2 RANDY RHOADS, A LA “CRAZY TRAIN”
FIG. 2 SLOW
FIG. 3 F# PHRYGIAN MODE
FIG. 4 GEORGE LYNCH, A LA “MR. SCARY”
FIG. 4 SLOW
FIG. 5 METALLICA, A LA “MASTER OF PUPPETS”
FIG. 5 SLOW
FIG. 6 MEGADETH, A LA “HOLY WARS”
FIG. 6 SLOW
SYNCOPATED POWER CHORDS W/SINGLE-NOTE RIFFSFIG. 7 AC/DC, A LA “HIGHWAY TO HELL”
FIG. 7 SLOW
FIG. 8 RANDY RHOADS A LA “FLYING HIGH AGAIN"
FIG. 8 SLOW
TWO-NOTE POWER CHORDS W/PEDAL TONESFIG. 9 A LA IRON MAIDEN
FIG. 9 SLOW
FIG. 10 A LA JUDAS PRIEST
FIG. 10 SLOW
FIG. 11 OZZY/JAKE E. LEE A LA “BARK AT THE MOON”
FIG. 11 SLOW
POWER CHORDS W/ SINGLE-NOTE RIFFSFIG. 12 A LA “BARK AT THE MOON”
FIG. 12 SLOW
HARMONIZED SINGLE-NOTE LINESFIG. 13 IRON MAIDEN, A LA “THE TROOPER”
FIG. 13 SLOW “GALLOPING” RHYTHM
FIG. 13 SLOW LEAD GTR. 1
FIG. 13 SLOW LEAD GTR. 2
TWO-NOTE POWER CHORDS W/RIFFSFIG. 14 MOTLEY CRUE, A LA “GIRLS GIRLS GIRLS”
FIG. 14 SLOW
FIG. 15 GUNS N’ ROSES, A LA “PARADISE CITY”
FIG. 15 SLOW
THRASH/SPEED METALFIG. 16 ANTHRAX, A LA “CAUGHT IN A MOSH”
FIG. 16 SLOW
FIG. 17 SLAYER, A LA “ANGEL OF DEATH”
FIG. 17 SLOW
DEATH METAL/GRINDCOREFIG. 18 A LA CANNIBLE CORPSE
FIG. 18 SLOW
FIG. 19 CARCASS, A LA “BURIED DREAMS”
FIG. 19 SLOW
SEVEN-STRING GUITARFIG. 20 MORBID ANGEL, A LA “GOD OF EMPTINESS
FIG. 20 SLOW
BLACK METALFIG. 21 VENOM, A LA “BLACK METAL”
FIG. 21 SLOW
HEAVY METALFIG. 22 WHITESNAKE, A LA “STILL OF THE NIGHT”
FIG. 22 SLOW
FIG. 23 PANTERA, A LA “FIVE MINUTES ALONE”
FIG. 23 SLOW
SOLOINGFIG. 24 E AEOLIAN
FIG. 25 IRON MAIDEN, A LA “THE TROOPER”
FIG. 25 SLOW
FIG. 26 MODAL LEGATO LINES, A LA RANDY RHOADS “MR. CROWLEY”
FIG. 26 SLOW
HARMONIZED MODAL SOLOSFIG. 27 D AEOLIAN HARMONIZED
FIG. 28 HARMONIZED SOLO IN THIRDS, A LA RANDY RHOADS
UNISON BENDS FIG. 29 BASED ON E DORIAN
FIG. 30 A LA IRON MAIDEN “RUN TO THE HILLS”
FRETBOARD TAPPINGFIG. 31 OVERVIEW
FIG. 32 EDDIE VAN HALEN STYLE
TAPPING W/PICK
FIG. 33 A LA RANDY RHOADS “FLYING HIGH AGAIN”
FIG. 33 SLOW
21ST CENTURYSEVEN-STRING DOWN ONE WHOLE STEPKORNFIG. 1 A LA “SHOOTS AND LADDERS”
FIG. 1 SLOW
FIG. 2 UNUSUAL OVERDUBS
DROP D DOWN ONE WHOLE STEPSYSTEM OF A DOWN FIG. 3 A LA “SPIDERS”
FIG. 3 SLOW
ZAKK WYLDE/BLACK LABEL SOCIETYFIG. 4 A LA “SUICIDE MESSIAH”
FIG. 4 SLOW
KILLSWITCH ENGAGE FIG. 5 A LA “FIXATION ON THE DARKNESS”
FIG. 5 SLOW
SHADOWS FALLFIG. 6 A LA “INSPIRATION ON DEMAND”
FIG. 6 SLOW
FIG. 7 D AEOLIAN MODE
FIG. 8 HARMONIZED SOLOING
FIG. 8 SLOW
DROP D DOWN ONE AND A HALF STEPSSLIPKNOT FIG. 9 A LA “WAIT AND BLEED”
FIG. 9 SLOW
DROP D TUNINGLAMB OF GODFIG. 10 D HARMONIC MINOR SCALE
FIG. 11 PHRYGIAN DOMINANT SCALE (FIFTH MODE OF HARMONIC MINOR)
FIG. 12 A LA “ASHES OF THE WAKE”
FIG. 12 SLOW
TRIVIUMFIG. 13 A LA “A GUNSHOT TO THE HEAD OF TREPIDATION”
FIG. 13 SLOW
DOWN TWO WHOLE STEPSIN FLAMESFIG. 14 HARMONIZED GTRS. A LA “EPISODE 666”
FIG. 14 SLOW
GUITAR DVD 3 1
3
55 (5) 7 (7)
0XXXX
XXXX
XXXX
XXXX
77
99
9
8
1/4
7 (7) 9 79 7
(9)5
1/4
77 (7)
0
FIGURE 7 Jimi Hendrix, a la “Purple Haze”
Moderately = 100(E7 9)
7 99
8
1/4
7 (7) 9 79 7
(9)
1., 2.
5
1/4
77 (7)
0XXXX
XXXX
XXXX
XXXX
FIGURE 5 extended position
53 5 7
5 75 7 9
8 108 10 12 15 17
FIGURE 6 The Yardbirds,
Moderately = 138 w/Triplet Feel
(E7)
0
a la “Smokestack Lightning”
0
0 3
1/2
2
0
0
2 4 2
(play 4 times)
02 0
FIGURE 3 12th position
12 1512 14
12 1412 14
12 1512 15
(A C D E G), 5th positionFIGURE 4 A minor pentatonic scale
5 85 7
5 75 7
5 85 8
Heavy single-note riffs
FIGURE 1 E minor pentatonic scale
Rhythm Guitar
Sixties/Seventies:
0 30
(E G A B D), open position
20 2
0 20 3
0 3
FIGURE 2 extended position
0 3 5 75 7
5 7 97 9
8 10 1210 12
4 GUITAR DVD2
FIGURE 11 extended position
0 3 5 6 75 7
5 7 8 97 9
8 10 11 1210 12
E Blues Scale (E G A B B D)FIGURE 10 E Blues scale, open position
0 30 1 2
0 20 2 3
0 30 3
(0)
A5
57
57
57
5
B5
7 7 5 7 5 3 5 3 2
E5
0 35
P.M.
0 35
P.M.
0 0 35
35
0 35
0
A5
(0) 0 57
0 57
0 0 57
57
0 57
0
E5
(0) 0 35
P.M.
0 35
P.M.
0 0 35
35
0 35
0
FIGURE 9 The Yardbirds, a la “Stroll On”Moderately Fast = 160
E5
0
G5
35
P.M.E5
0
G5
35
P.M.
0 0
sim.
35
35
0 35
0 (0) 0 35
P.M.
0 35
P.M.
0 0 35
35
0 35
0
Power Chord RiffsFIGURE 8 power chords
A major scaleroot(A)
5 74 5
fifth(E)
7
= A5(root/fifth)
57
577
A5(fifth/root)
77
A5(root/fifth)
79
A5(fifth/root)
910
+
GUITAR DVD 53
3
D5
023
G5
3X003
3
003
000
3 0
A5
022
0 3 03 0
D5
023
G5
3X003
3
003
000
3
1/4
A5
022
XXX
FIGURE 18 Aerosmith
Moderately = 96D5
023
G5
3X003
3
003
000
3
1/2
A5
022
00 3
02
D5
023
sim.
G5
3X003
3
003
000
3
1/4
0
A5
022
XXXX
XXXX
3 3
FIGURE 17 Cream
Moderately = 112
C5
810
D5
1012
1012 12 11 10
1., 2., 3.
(10) 8
10 (10) 1012 10
12 10
4.
(10) 8
10 12 1012 10
12 1010
FIGURE 15 Black Sabbath tritone
Power chords w/single-note riffs
Slowly = 66
0
N.C.(E5)
79
B5
68
B 5
57
A5
46
A 5(play 4 times)
35
G5
FIGURE 16 Led Zeppelin
Moderately Slow = 84
022
A5
33
0 1 2
(play 4 times)
3 0
FIGURE 14 extended position
53 5 6 7
5 75 7 8 9
8 108 10 11 12 15 17
FIGURE 12 12th position
12 1512 13 14
12 1412 14 15
12 1512 15
FIGURE 13 A blues scale (A C D E E G)
5 85
5th position
6 75 7
5 7 85 8
5 8
6 GUITAR DVD4
Gtr. 2
5 7 7 75 7 5 7 9
79 7 5
7 0 5 7 7 75 7 5 7
4 5 6 7
Harmonized minor pentatonic licksFIGURE 21 Aerosmith, a la “Sweet Emotion”
Gtr. 1
Moderately Slow = 78N.C.(A5)
3 5 5 53 5 3 5 7
57 5 3
5 0 3 5 5 53 5 3 5
2 3 4 5
33
22
00
55
55
Th
3
33
1/4
00
33
22
00
55 0
0
FIGURE 20 Richie Blackmore/Deep Purple, a la “Burn”Moderately Fast = 168
*
*Chord name represents implied harmony.
33
G5
22
00
55
55
**(fret w/thumb)**Th
3
33
1/4
33
00
55
Th
3
33
22
00
33
0 0
D5/A
77
0
C5
55
1/4
0 055
B5/A
44
A5
022
022
57 6 5
8
1/2
5 (5)
Two-note power chords w/riffs
FIGURE 19 Ted Nugent, a la “Cat Scratch Fever”
Moderately = 112
N.C.(A5)
0
D5/A
77
0
C5/A
55
55
055
B5/A
44
A5
22
22
75 7
GUITAR DVD 75
FIGURE 25 Led Zeppelin, a la “Immigrant Song”
Metal Roots
Moderately = 104N.C.(F m)
4
2 2 0 2 2 2
4
2 2 0 2 2 2
4
2 2 0 2 2 232333
C9
2
0101010
0
C
1098
D
121110
121110
*repeat previous chord
*
0 0
G/A
0121212
0
D/A
0121110
0121110
0
F/A
0101010
0101010
0
C
1098
D
121110
121110
121110
A
0765
1
FIGURE 24 a la Pete Townsend/Jimmy Page
Moderately = 120
Asus4
0775
0
A
0765
0765
0
Gsus4/A
0553
0
G/A
0543
0
D/A
0423
0 0 0
Dsus4/A
0121210
0
D/A
0121110
0121110
0
F/A
0101010
1 2
D/A
423
0
P.M.
0 0
F/A
321
C/A
201
D/A
423
0
P.M.
0 0
F/A
321
C/A
201
3 2
FIGURE 22 key of A
Moving triads over a pedal tone
7
1 (root)
6
ma3rd 5th
5
765
A major triad:
FIGURE 23 a la Van HalenModerately = 100
0765
A
0
P.M.
0 0543
G/A
0
P.M.
0 0
+ + =
8 GUITAR DVD6
3 33
FIGURE 29 lick #2
8 55
gradually increase speed
8 55
(repeat previous beat)8 5
58 5
5
3 33
FIGURE 28 lick #1
7
full
55
gradually increase speed
7
full
55
(repeat previous beat)
7
full
55
7
full
55
FIGURE 27 A minor pentatonic scale, 5th positionBuilding-block minor pentatonic licks
Soloing
5 85 7
5 75 7
5 85 8
244
B5 A5/B
222
222
B5
244
244
A5/B
222
2
(play 3 times)
42
9 79 8 7 5
7 5
1
N.C.(G5)
3 3 3 3 3 3 35 4 3 1
3 1
FIGURE 26 Queen a la “Stone Cold Crazy”Fast = 220
N.C.(G5)
1 3 3 3 3 3 3 3 3 3 3
B 5
133
133
GUITAR DVD 97
FIGURE 34 A blues scale in 5th position
Building-block blues scale licks
5 85 6 7
5 75 7 8
5 85 8
3 3 3 3 3 3 3 3 3 3 3
3 5 3 53
53 5 3 5 7 5 7
57
5 7 5 75
75 7 5 7
57
5 8 5 85
85 8
3 3 3 3 3 3 3 3 3 3
FIGURE 33 Lick #6, a la Johnny Winter/Jimmy Page
8 58
58 5 8 5
75
7 5 7 57
57 5 7 5
75
7 5 7 58
58 5
3 3 3 3 3 3
FIGURE 32 lick #5
8 58
58 5
gradually increase speed
8 58
58 5
8 58
58 5
8 58
58 5
5
FIGURE 31 lick #4
7
full
55
8 5
gradually increase speed
7
full
5
5:4
58 5
7
full
55
8 5
3 33
FIGURE 30 lick #3
58 5
gradually increase speed
58 5
(repeat previous beat)5
8 55
8 5
10 GUITAR DVD8
(harmony)Gtr. 2
7
1/2
(7) 8 7 58 7 5
77 5
7 57 6 5
78 8
FIGURE 41 harmonized A blues scale/Dorian lick
(melody)Gtr. 1
Fast = 172A
8
full
(8)5
8 58 7 5
1/4
77 5
1/4
7 57 6 5
8 5 5
FIGURE 40 A Dorian mode (A B C D E F G)
5 7 85 7
4 5 74 5 7
5 7 85 7 8
FIGURE 39 A blues scale melody
Harmonized solos
8
full
(8)5
8 58 7 5
1/4
77 5
1/4
7 57 6 5
8 5 5
3 6 6
FIGURE 37 Lick #3
75
gradually increase speed
7 85 8
8 7 57
77
5 7 85 8
8 7 57
77
5
3 3 3 3
FIGURE 38 Lick #4
gradually increase speed
5 7 57 5 6 5
8 5
5 7 57 5 6 5
8 5
gradually increase speed
fingering:
FIGURE 35 Lick #1
233
7
full
111
5
111
5
334
8
111
5
334
8
233
7
111
5
FIGURE 36 Lick #2
gradually increase speed
75
58 5
8 7 57
77
5
GUITAR DVD 11 9
(rhythm)Gtr. 3
022
(repeat previous measure)
244
022
(harmony)Gtr. 2
2 42 2 (2) 2
2 2 42 2 (2) 2
2 2 42 5 (5) 5
2 2 42 2
1/2
(2)4 2
FIGURE 44 harmonized A major pentatonic/hexatonic lick, a la Thin Lizzy
(melody)Gtr. 1
Fast = 172A5
2 42 2 (2) 2
4 2 42 2 (2) 2
4
B5
2 42 4 (4) 2
4
E5
2 42 4
full
(4) 24 2
FIGURE 42 A major pentatonic scale
52
(A B C E F )
42 4
2 42 5
2 5
FIGURE 43 A major hexatonic scale
52 4
(A B C D E F )
52 4
2 42 3 5
2 5
12
1/2
(12) 13 12 1013 12 10
1212 10
12 1012 11 10
1213 13
13
Dfull
(13)10
13 1013 12 10
1/4
1212 10
1/4
12 1012 11 10
13 10 10
10
1/2
(10) 11 10 811 10 8
1010 8
10 810 9 8
1011 11
11
Cfull
(11)8
11 811 10 8
1/4
1010 8
1/4
10 810 9 8
11 8 8
12 GUITAR DVD10
5 7 5 7 99
9
8
1/2
9
05
1/2
70
5 7 5
1/2
77
3
(notes sound one whole step lower than written)Down one whole step (low to high: D G C F A D)
N.C.(E5)
0 3 0
G5
35
35
N.C.(E5)
0 3
1/2
0 0 2 03
03 0
2
0
75 7
3
14 12 1012
1212
1012
10
1/2
0
1215
full
3 3
Bends and Vibratos
15
(Em)
full
(15)
full
15 (15) 15 1214 12
1/2
1414
12 14
full
14 (14) 1214 12
1412
3
00 3
0 2 03 0 3 0
3 2 02
2 3 2 02
2 02
20 (2)
3 3 3
(notes sound one half-step lower than written)Down one half step (low to high: E A D G B E )DetuningEighties/Nineties:
FreelyN.C.(E5)
0 3 5 5
full
(5) 3 0 3 0 75 7
5 7 57 5
75
7 5 3 5
full
(5) 5 3 0
3
full
3
full
3
full
3 (3)
GUITAR DVD 1311
(Em7)
70
7X78
7
78
97
(D5)
5 (5)7
full
(7) 5
1/2
(Em7)
7
78
Em7
7X78
97 (7)
97 5 (5)
D5
57
G5
55
D5
57 7
full
(7) 5
(Em7)
70
7X78
7
78
97
(D5)
5 (5) 5 0 5
D5
57
75
0
a la “Supernaut”
(notes sound one and one half steps lower than written)Down one and one half steps (low to high: C F B E G C )
Moderately = 100Em7
7X78
97 (7)
97
D5
57
57
55
G5
57
D5
57 7
full
(7) (7) 5
3 3
12
1/2
1414
12 14
full
14 (14) 1214
12 14
full
(14) 1214
12 1412
12
14
full
5 70
0 (2)
03
full
15
full
(15)
full
15 (15)
full
15 (15) 1214
14 GUITAR DVD12
1 2
FIGURE 5 Metallica, a la “Master of Puppets”Moderately Fast = 196
N.C.(E5)
0
all downstrokes
12
0 15
0 14
0 13
0 1
B 5
31 4
0 1
B 5
13
13
FIGURE 4 George Lynch, a la “Mr Scary”Moderately = 116
N.C.(F m)
0 2 2 2 2 3 2
4
2
P.M.
2
2
2
P.M.
2
5
0 2 2 2 2 3 0
2 04 2 0
4 2 0 2
FIGURE 3 F Phrygian mode (F G A B C D E)
2 3 52 4 5
2 4 52 4
2 3 52
2
P.M.
22
2
P.M.
42
P.M.
52
P.M.
25 4 2 0
2
E5
FIGURE 2 Randy Rhoads, a la “Crazy Train”
Moderately = 156
N.C.(F m)
2
P.M.
22
2
P.M.
42
P.M.
52
P.M.
42
P.M.
22
P.M.
4 25 4
FIGURE 1 F Aeolian mode (F G A B C D E)Heavy riffs w/power chordsRhythm Guitar:
2 4 52 4 5
2 41 2 4
2 3 52
GUITAR DVD 15
13
FIGURE 8 Randy Rhoads, a la “Flying High Again”Moderately = 132
A5
022
D5
023
3
1/2A5
022
022
3
1/4
022
3
1/4
022
D5
023
3X0
G5
2 3
D5
023
023
3023
1 2
3
003
D5
023
0
023
Csus2
3X03
3
003
D5
033
0
023
3
A5
022
FIGURE 7 AC/DC, a la “Highway to Hell”Moderately = 136
A5
022
D5
023
0 3X003
G5
3
003
023
D5
0
G5
3X003
3
1/2
(3)
A5
022
D5
023
0
G5
3X003
2.
10 70 0 0 0
5 7
B 5
68
A5
57
52
G5
35
4.
B
76
B
56
65
A
54
3
1/2
0
E5
022
FIGURE 6 Megadeth, a la “Holy Wars”Moderately = 156
N.C.(E5)
10 70
P.M.
0 0 05 7
0
P.M.
0 0 0 0 0 0 0
1., 3.
10
sim.
70 0 0 0
5 70 0 0 0
B 5
68
D5
57
16 GUITAR DVD14
N.C.(A5)
77
55
77 5
5
0 077
55
77 5
555
55
0
(0)77
55
77 5
5
0 0 0
C5
35
G5
35
A5
022
FIGURE 10 a la Judas PriestModerately Fast = 182
0
N.C.(A5)
(0)77
55
77
P.M.
55
0
P.M.
077
55
77 5
555
55
0
1 2
577
5 7 57 5 6 5
8
55
577
5 7 57 5 6 5
8
7 (7)
FIGURE 9 a la Iron MaidenTwo-note power chords w/pedal tones
Moderately = 162
55
N.C.(A5)
55
77
0
P.M.
0 0 0 0 055
55
77
0
P.M.
0 0 0 0 0 0
C5
35
G/B
25
25
0
D5
577
3 3 3
023 1 0 1 0
0 2 0 0 2 00 2 0 0 2 0
3
1/2 A5
000
GUITAR DVD 17 15
D
54
C
32
32
32
32
0
C5
3355
D5
5577
5577
5577
0 5577
E5
7799
FIGURE 12 a la “Bark at the Moon”Power chords w/single note riffs
Moderately = 156E5
02
02
3
1/4
02
0
D5
023
023
5
P.M.
7 75 5
5 55 5
4 45 5
2
3
1
N.C.
0 1 03 1 0 1 3
1
A5
022
1F5/A
356
0 0 0 0 0 0 0 0 0 0
F( 5)/A
346
0 0 0 0 0 0 0 0578
G5
FIGURE 11 Ozzy/Jake E. Lee, a la “Bark at the Moon”Moderately = 156
G5
578
A5
7910
0
P.M.
0 0 0 0
P.M.
0 0 0 0
P.M.
0
sim.G5/A
578
0 0 0 0 0 0 0 0 0 0
(0)77
55
77 5
5
0 355
G5
355
C5
355
A5
022
18 GUITAR DVD
16
3355
577
3 3
(9)
8 7 8 79
7 87
8 (8) 8 7 8 79 7 9 7
9
3 3
C5
(7)9 7 9 7
107 9
79 (9) 9 7 9 7
10 9 10 9
D5
7
(“galloping” rhythm)Gtr. 3
7799
3 3
2nd time
1st time(harmony)Gtr. 2
(9)
8 7 8 79
7 87
8 (8) 8 7 8 79 7 9 7
9
3 3
FIGURE 13 Iron Maiden, a la “The Trooper”
Harmonized single-note lines
2nd time
1st time(melody)Gtr. 1
Moderately = 158
E5
(7)9 7 9 7
107 9
79 (9) 9 7 9 7
10 9 10 9 7
GUITAR DVD 1917
1
P.M.N.C.(G5)
2 3 3 3 3 1 2 3 3
C5
355
N.C.(G5)
1
P.M.
2 3 3 3 3 1 2 3 3
B 5
133
1
sim.
2 3 3 3 3 1 2 3 3
F5
133
FIGURE 15 Guns ’N’ Roses, a la “Paradise City”Moderately Slow = 104
1
P.M.N.C.(G5)
2 3 3 3 3 1 2 3 3
C5
355
N.C.(G5)
1
P.M.
2 3 3 3 3 1 2 3 3
B 5
133
35
G5 F 5
24
N.C.(Em7)
055
55
77
55
55
0 3 4
2X00
E5
G5
35
F 5
24
N.C.(Em7)
055
55
77
55
55
0 3 4 02
3 4 0
35
G5 F 5
24
N.C.(Em7)
055
55
77
55
55
0 3 4
2X00
E5
All notes and chords sound one whole step lower than written.Tune down one whole step (low to high: D G C F A D).
FIGURE 14
Riffs with two-note power chords
G5
35
F 5
24
N.C.(Em7)
055
55
77
55
55
0 3 4 02
3 4 0
20 GUITAR DVD
18
79
E5
0
P.M.
0 0 0 0 0 57
A5
68
B5
0
P.M.
0 810
C5
79
B5
0
P.M.
068
E 5
79
79
E5
0
P.M.
0 0 0 0 0 57
A5
68
B5
0
P.M.
0 810
C5
79
B5
0
P.M.
068
E 5
79
E5
0
P.M.
0 0 0 0 0 57
A5
68
B5
0
P.M.
0 810
C5
79
B5
0
P.M.
068
E 5
FIGURE 16 Anthrax, a la “Caught in a Mosh”Thrash/Speed Metal
Fast = 216N.C.(E5)
0
P.M.
0 0 0 0 0 0
A5
57
68
B5
0
P.M.
0 810
C5
79
B5
0
P.M.
068
E 5
GUITAR DVD 2119
0
N.C(E5)
0 0 0 0
B 5
68
0 0 0 0 0
G5
35
0 0 0 0 0
G 5
46
F 5
24
F5
13
C/E
03
F5
31
All notes and chords sound one whole step lower than written.
Tune down one whole step (low to high: D G C F A D).FIGURE 18 a la Cannibal CorpseDeath Metal/Grindcore
0
N.C(E5)
0 0 0 0
B 5
68
0 0 0 0 0
G5
35
0 0 0 0 0 46
G 5 A5
57
B 5
68
B5
79
C5
810
0
N.C.(E5)
0 0 0 0 0 0
G 5
46
0
N.C.(E5)
0 0 0 0 0 0 0 0 0 0 0 0 24
F 5
35
G5
35
0
N.C.(E5)
0 0 0 0 0 0
G 5
46
0
N.C.(E5)
0 0 0 0 0 0 0 0 0 0 0 0 35
G5
68
B 5
68
0
N.C.(E5)
0 0 0 0 0 0
G 5
46
0
N.C.(E5)
0 0 0 0 0 0 0 0 0 0 0 0 24
F 5
35
G5
35
All notes sound one whole step lower than written.
Tune down one whole step (low to high: D G C F A D).FIGURE 17 Slayer, a la “Angel of Death”
Fast = 196
0
*N.C.(E5)
0 0 0 0 0 0
G 5
46
0
N.C.(E5)
0 0 0 0 0 0 0 0 0 0 0 0 35
G5
68
B 5
68
22 GUITAR DVD20
1
1/2
(1) 2
1/2
(2) 1 3 1 0
All notes and chords sound one half step lower than written.
Tune down one half step (low to high: B E A D G B E ).FIGURE 20 Morbid Angel, a la “God of Emptiness”Seven-string guitar
Slowly = 76
N.C.(B5)
7X9
8
10
7
9
6X8
0
G5
810
C 5
24
D5
35
F
65
E
54
54
0
N.C.(B5)
0 0 0
3
N.C.(E5)
011X13
010X12
013X15
14X16
0 0
G 5
46
G5
35
B 5
68
3
N.C.(E5)
011X13
010X12
014X16
13X15
0 0
G 5
46
G5
35
B 5
68
3
N.C.(E5)
011X13
010X12
013X15
14X16
0 0
G 5
46
G5
35
B 5
68
3 3
All notes and chords sound two and one half steps lower than written.
Tune down two and one half steps (low to high: B E A D F B).FIGURE 19 Carcass, a la “Boxed Dreams”
Moderately = 124
N.C.(E5)
0 0
G5
35
F 5
24
F5
3
N.C.(E5)
011X13
010X12
014X16
13X15
0 0
G 5
46
G5
35
B 5
68
1
GUITAR DVD 2321
E Aeolian mode (E F G A B C D), 12th position
12 14 1512 14 15
12 1411 12 14
12 13 1512
FIGURE 24 E minor pentatonic scale, 12th position
Soloing:
12 1512 14
12 1412 14
12 1512 15
Add: ma2nd(F )
14
6th(C)
15
All notes and chords sound one whole step lower than written.
Tune down one whole step (low to high: D G C F A D).FIGURE 23 Pantera, a la “Five Minutes Alone”
Moderately Slow = 88
N.C.(E5)
0 0 0
G5
35
A5
57
G5
35
35
N.C.
6 1 78
7 67
6 5
A5
57
G 5
46
46
G5
35
35
F 5
24
24
F5
13
E5
02
1 2
FIGURE 22 Whitesnake, a la “Still of the Night”Heavy Metal
Moderately Slow = 88
N.C.(F m7)
22 3 4
22
3 2 0 2 3 2 02
2 02 0 2 2 2
4
20
A5
02
E5
02
2 2 2
4
2 0
E5
02
A5
02
F 5
24
All notes and chords sound one and one half steps lower than written.
Six-string guitar tuned down one and one half steps (low to high: C F B E G C ).FIGURE 21 Venom, a la “Black Metal”
Moderately = 165
5
N.C.(A5)
3 0 5 3 0 5 3 0 5 3 0
E 5
68
(play 3 times) slight P.M.N.C.(E5)
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
24 GUITAR DVD22
E5
19 15 17 1517
15 19 15 17 1517
15 19 15 17 1517
C5
15 19 15 17 1517
15 19 15 17 1517
15 19 15
3 3
D5
13
full
13
full
13 1214 12
14
A5
12
14 12 1012
G5
1012
Gtr. 1
E5
15
Gtr. 2 repeats Rhy. Fig. 1 three times
1212
12 15 12 15 1212
12 15 12 15 1212
12
C5
13 1212
12 13 12 13 1212
12 13 12 13 1212
12
577
577
355
end Rhy. Fig. 1
D5
1012
1212
10 12 12
full
(12)
A5
12 1012
G5
10 (10)
(rhythm)Gtr. 2
799
Rhy. Fig. 1
355
3 3 3 3 3
FIGURE 25 Iron Maiden, a la “The Trooper” solo
(lead)Gtr. 1
E5
15
full12
15 1214
full
1212
C5
15 1214
full
14 1214
1414
1214 12
14 12
GUITAR DVD 25 23
Harmonized modal solosFIGURE 27 Melody
Moderately = 112
Dm
52 3 5
2 3 53
3 52 3 5
3 5 65
133
022
577
6 6 3 3
B 5
1 3 51 3 5
2 3 51 3 5
2 3 52 3 5 7
5 6 85 6 8 9
A5
55
6
D5
577
Gtr. 2 (rhythm)
577
355
355
133
FIGURE 26 modal legato lines, a la Randy Rhoads’ “Mr. Crowley” solo
Gtr. 1 (lead)
Moderately = 112D5
52 3 5
2 3 53
G5
6 33 2 3
C5
30 2 3
0 2 30
F5
13 2 0 2
3 3 3
D5
17
full
17 (17)12
15 12
A5
14
full
1212
1514
full
(14)
G5
12
w/bar
0
3 3 3 3 3 3 3
E5
19 20 17 1920
1719 20 17 19
1917
C5
17 19 16 1719
1617 19 16 17
D5
17 1517
15 19 15 17 1517
15 19 15 17 1517
15
A5
20
full hold bend
20
G5
20
26 GUITAR DVD24
799
577
799
E5
1210
full
1210
full
1210
108
full
108
53
full
53
full
53
75
full
75
D5 E5
Gtr. 2 (rhythm)
799
577
FIGURE 29 a la Iron Maiden’s “Run to the Hills”
(lead)Gtr. 1
Moderately = 126E5
1917
full
1917
full
1917
1715
full
1715
1614
full
1614
full
1614
1412
full
1412
D5
FIGURE 29 E Dorian mode (E F G A B C D), starting on GUnison bends
0 2 4 6 7 9 11 12 14 16 18 19 20
full
42
full
53
full
75
full
97
full
108
full
1210
full
1412
full
1614
full
1715
full
1917
full
Gtr. 2 (harmony)
3 52 3 5
3 5 62 3 5 7
5 6 75 8
FIGURE 28 harmonized solo in thirds, a la Randy Rhoads
Gtr. 1 (melody)Dm
52 3 5
2 3 53
3 53 3 5
3 5 65
GUITAR DVD 27 25
688
244
355
6 6
ET
16 11
T
16 11 8 11
FT
16 11
T
16 11 8 11
G
101212
Gtr. 2 (rhythm)
355
688
6 6
FIGURE 33 tapping w/edge of pick, a la Randy Rhoads, “Mr. Crowley” solo
(lead)Gtr. 1
Moderately = 157G5T
15 10
T
15 10 7 10
B 5T
15 10
T
15 10 7 10
6 6 6 6 6 6 3
FIGURE 32 Eddie Van Halen-style tappingT
8 5 7
T
8 5 7
T
8 5 7
T
8 5 7
T
9 5 7
T
8 5 7
T
9 5 7
T
9 5 7
T
9 5 7
T
9 5 7
T
9 5 7
T
9 5 79 5 7
T
8 5 7 5 3
6 6 6
T
12 7 4 0
(Esus4)
5 7
T
12 7 5 0
(E)
4 7
T
12 7 4 0 4 7
T
12 7 4 0 0
3 3 3 6
silent tap/pull off:
T
(12)
gradually increase speed
4 7
T
12 4 7
T
12 4 7
T
12 4 7
T
12 7 4 0 4 7(play 4 times)
3 3 3 6 3 3
Fretboard tappingFIGURE 31 overviewtap sounds first:
(Am)*T
*Tap string w/pick-hand finger.
8 5 7
T
8 5 7 0 5 7
Tune down one half step (low to high: E A D G B E ).All notes and chords sound one half step lower than written.
T
8 7 5 0 5 7
T
8 7 5 0
(E)T
12 4 7(repeat previous beat)
28 GUITAR DVD26
Drop-D down one whole stepFIGURE 5 Killswitch Engage, a la “Fixation on the Darkness”
Moderately = 104N.C.(D5)P.M.
0 05
0
P.M.
6 30
P.M.
3 6 3 00
P.M.
0
G 5
44
33
F5 A 5
66
0
E 5
11
F5
33
E 5
11
FIGURE 4 Zakk Wylde/Black Label Society, a la “Suicide Messiah”
Drop-D down one whole step
N.C.(D5)
3 50 0
A 5
66
G5
55
33
F5
00
D5
00
5 3 05 3 0
5 3 0
Gsus2
555 7
G5
555
555
0
Fsus2
333 5 (5)
F5
333
0 111
E 5
FIGURE 3 System of a Down, a la “Spiders”
All notes sound one whole step lower than written.Six-string guitar in drop-D tuning down one whole step (low to high: C D C F A D).
Moderately = 80N.C.(D5)
07X9
8
10
010X12
12
14
010X12
08X10
8
10
07X9
8
10
012X14
13
15
012X14
010X12
08X10
1714
40
gradual bend and releasefull
40
FIGURE 1 Korn, a la “Shoots and Ladders”
All notes and chords sound one whole step lower than written.Seven-string guitar, tuned down one whole step (low to high: A D G C F A D).
21st Century:
Moderately = 84N.C.(D)
2 3 3 3 3 43 4
3 4
A 5
46
G5
35
E 5
46
D5
35
FIGURE 2
85
85
85
1714
GUITAR DVD 29
27
FIGURE 10
Drop-D tuning (low to high:
0
(D E F G A B C )
2
D harmonic minor
D A D G B E)
3 50 1 4 5
FIGURE 11
0
A Phrygian-dominant(A B C D E F G)
1 4 52 3 5 7
5
D Phrygian-dominant(D E F G A B C)
64 5 7
3 5 7
1 2
FIGURE 9 Slipknot, a la “Wait and Bleed”All notes and chords sound one and one half steps lower than written.Drop D tuning down one and one half steps (low to high: B F B E F C ).
Moderately Fast = 158
00
D5
11
E 5
00
D5
00
11
E 5
00
D5
6X6
3
3
00
D5
11
E 5
00
D5
00
11
E 5
00
D5
6X6
9
9
00
00
3X3
10
10
10X10
(harmony)Gtr. 2
8 10 129 10 12
10
10 129 10 12
10 119 10 12
10 11 1310
1210 11 13
10 12 13 15 13
FIGURE 8 Harmonized solo, a la Shadows Fall’s “Inspiration on Demand”
(melody)Gtr. 1
Moderately = 108
12
Dm
9 10 1210 11 13
9 10 1210 11 13
10
1210 11 13
10 12 1311 13 15
12 13 15 17
1/2
(17) 17
FIGURE 6 Shadows Fall, a la “Inspiration on Demand”Drop-D down one whole step
Moderately Fast = 158N.C.(D5)
0 0 33
F5
55
G5
00
D5
88
B 5 A5
77
0
F5
33
55
G5
33
F5 E 5
11
11
(play 4 times)D5
00
FIGURE 7 D Aeolian mode(D E F G A B C)
129 10 12
10 11 1310
30 GUITAR DVD28
810
79
57
4 5 74 5 4
C5
810
B5
79
A5
57
N.C.
5 74 5 7 5
Gtr. 2(harmony)
54
P.M.
0 0
97
P.M.
0 0
77
P.M.
0
sim.
97
0 0
77
0 0
775
0
FIGURE 14 harmonized guitars, a la In Flames’ “Episode 666”
Tune down two whole steps (low to high: C F B E G C).All notes sound two whole steps lower than written.
Gtr. 1(melody)
Moderately = 150N.C.(Em)
75
P.M.
0 0
54
P.M.
0 0
97
P.M.
0
sim.
54
0 0
97
0 0
77
0
3
6X6
P.M.
0 0
G5
55
F5
33
P.M.
0 0 33
E 5
11
P.M.
0 0 11
D5
00
P.M.
0 0 0 0
3
FIGURE 13 Trivium, a la “Gunshot to the Head of Trepidation”Moderately = 130
N.C.(D5)P.M.
0 0 0 0 07X9
8X10
P.M.
0 05X7
4X6
P.M.
0 0 8X8
7X7
P.M.
0 0 7X7
3 3
FIGURE 12 Lamb of God, a la “Ashes of the Wake”Moderately . = 100
N.C.(D5)P.M.
0 0 0 0
1 4 1 02 3 2 0
P.M.
0 0 0
01 0
4 1 0
1 0 1 02 2 3 2
3 2
GUITAR DVD 31
29
count: “1
dotted quarter note
G
320033
and 2 and
320033
*tied rhythms
*Don’t rearticulate notes in parentheses
3
320033
and
hammer-on
4
02
and
3
legato slide
1
1
ee
2
and
0
pull-off
2
1
ee
0
and
3
tie
3
3
4”
count: “1
dotted quarter note
022
and 2 and
(repeat previous chord)
3 and 4 and uh 1
0222
2
half rest
3 4”
count: “1
dotted half note (held for three beats)
A
0222
2 3
quarterrest
4” “1
eighthrest
and
eighthnote
2
2
16thnotes
2
ee
2
and
2
uh
2
3
16threst
ee
2
and
2
uh
2
4
2
and”
quarter notes (held for one beat each)
E
let ring
02
2100
count: “1
C
eighth notes
3
and
2
2
0
and
1
G/B
3
2
and
0
4
0
and”
3
*string
*String 1 is the thinnest string; 6 is the thickest.
Numbers on the lines indicate frets (0 = open string).
123456
“tablature clef”
time signature
whole note (held for four beats)
N.C.(E)
0
Notation Guide
D
half notes (held for two beats each)
0232
A
0222
32 GUITAR DVD30
3 3
tremolo picking
0 2 3 5 7
*
*
sweep picking (also known as “raking”)
10
= downstroke
98
7 7
= upstroke
89
10
staccato (short) notes
7 7 7 7
trill (quick succession of hammer-ons and pull-offs)
7 9
palm muting (picking hand)
E5
P.M.
02
02
02
02
02
02
fret-hand muting
G5
355
*
*Loosen grip on strings so that
XXX
they no longer touch the fretboard.
XXX
XXX
XXX
355
*
XXX
XXX
XXX
XXX
*natural harmonicsN.H.
*Lightly touch string directly over fret, then pick
1212
1212
77
*pinch harmonic (note fretted)
P.H.
*Harmonic sounded with picking hand
5
count: “1
15
full
2 3 4”
full
*pre-bend and release (also known as “reverse bend”)
*Bend string before picking.
8 (8) 8
count: “1
bend and release in time(whole-step bend)
7
full
and
(7)
2
(7)
and
5
3
vibrato
7
4” “1
grace-notebend
15
full
2
grace-noteslide
14
3
15
and
12
4
15
full
and”
15