How Europeana came to embrace openness

20
How Europeana came to embrace openness PAUL KELLER, CREATIVE COMMONS SUMMIT 2015, SEOUL

Transcript of How Europeana came to embrace openness

Page 1: How Europeana came to embrace openness

How Europeana came to embrace openness PAUL KELLER, CREATIVE COMMONS SUMMIT 2015, SEOUL

Page 2: How Europeana came to embrace openness
Page 3: How Europeana came to embrace openness
Page 4: How Europeana came to embrace openness
Page 5: How Europeana came to embrace openness
Page 6: How Europeana came to embrace openness

Unmarked All Rights Reserved UnknownCreative Commons Public Domain

Page 7: How Europeana came to embrace openness

Europeana’s strategy for open access

Page 8: How Europeana came to embrace openness
Page 9: How Europeana came to embrace openness
Page 10: How Europeana came to embrace openness
Page 11: How Europeana came to embrace openness
Page 12: How Europeana came to embrace openness

Cultural Heritage Institutions in the digital environment

Page 13: How Europeana came to embrace openness

The primary purpose of cultural heritage institutions in the digital environment should be to maximize access to their collections.

Page 14: How Europeana came to embrace openness

Restricting access and reuse will not give institutions more control over the material in their collections…

… becoming the most attractive online source will do.

Page 15: How Europeana came to embrace openness

Restricting access to collections is not a sustainable business model…

… giving the public the best possible online experience is.

Page 16: How Europeana came to embrace openness

Claiming copyright over works in the Public Domain is not how institutions will manage to get credit for the preservation work they are doing…

… it is by sharing their collections that they will achieve this.

Page 17: How Europeana came to embrace openness

Advocating for better copyright rules

Page 18: How Europeana came to embrace openness

We also need better copyright rules that make it easier for cultural heritage institutions to provide access to works that are in copyright but out of commerce

Page 19: How Europeana came to embrace openness

That is why Europeana is advocating for an update of the exceptions in the EU copyright directive benefitting cultural heritage institutions.

CC BY (wikipedia user tpholland)