Home Fall 2012

THE HOME OBSERVERBUCK WILD ON THE UPPER EAST SIDE ■ PRETTY GRITTY TOILE ■ HOW GRAND! ARMY PLAZA GETS A MEIER

FALL 2012

SMART, SOPHISTICATED,HANDSOME

BACHELORPAD

most eligible

Robert Passal brings curated style and masculine scale to an apartment on Union Square.

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E V O L U T I O N O F T H E B R M I L I T A R Y W A T C H

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T I L E S T O N E M O S A I C W O O D

BOSTON CHICAGO NEW YORK PALM BEACH NAPLES SAVANNAH CALIFORNIA

[email protected] 1.888.845.3487 www.parisceramicsusa.com

New York Showroom A&D Building 150 East 58th Street, 7th Floor 212.644.2782

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Historic HQ - 101 Washington Street Paterson, NJ 973-279-3000 (140,000 sq. ft. Showrooms and Workrooms)

Country Mile House - 1105 Mt. Kemble Ave. Rt. 202 Morristown, NJ 973-425-5500 (7,500 sq. ft. Showroom)

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f i n e f u r n i s h i n g s , i n t e r i o r d e s i g n , a n d d e c o r a t i o n s i n c e 1 9 5 2

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6 the home observer fall 2012

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Contents

Features36 Most Eligible

With an eye toward contrast and scale, Robert Passal conjures up a thoroughly modern bachelor pad on Union Square.

42 Color-Coated

Christopher Coleman creates an amazing technicolor dream home for a young photographer in the East Village.

48 Bucking Convention

Deborah Buck’s Carnegie Hill co-op challenges the color code—and wins!

52 Hamptons Headliner

Alison Brod’s family home in Bridgehampton is making news.

60 Out of the Box

A renovated loft in a former cardboard box factory retains classic SoHo style.

66 Prospective Perspective

John Beckmann brightens up a condo in Richard Meier’s Brooklyn tower.

4858

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CliCk it! The Home Observer

is available as a hyperlinked online

issue atobserver.com/

nyohome.

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Columns13 In the Shops

Coming out on top: Marianne Rohrlich’s tabletop picks for fall.

14 Shop Locally

Treasuring hunting for gently worn furniture across the boroughs.

16 Off the Wall

Pretty & Gritty: Toile de Jouy gets an urban twist.

18 Native New Yorker: Elizabeth Pyne

An Upper East Side lifer, she’s bringing a contemporary twist to McMillen, Inc.

22 On the Shelves

Who needs fairy tales? Design books always have a happy ending.

72 Drink It In

It’s still sippin’: A Solo cup for a one-of-a-kind city.

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From Miles Redd: The Big Book of Chic

Questions about products featured in this

issue? Email us at home@

observer.com

20

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THE MANHATTAN ART& ANTIQUES CENTERWWW.THE-MAAC.COM

1050 SECOND AVENUE, AT 55TH STREET, NEW YORK, NY 10022TEL: 212.355.4400 | FAX: 212.355.4403 | E-MAIL: [email protected]

Tiffany & Co., sterling silver tea infuserAmerican, late 19th century. L. 5.75".

IRIS ROSENTHALGALLERY 34 | TEL: 201.615.7917

E-mail: [email protected]

Gucci, 18k gold link bracelet with large lobster clasp,Italian, c. 1980's. L. 7"; W. 1.5".

JOSIE AT PLACE, INC.GALLERY 36 | TEL: 212.838.6841


Yellow and green porcelain dragon vase,Chinese, c. 1850. H. 11".

SAKAI ANTIQUES, INC.GALLERY 9 | TEL: 212.486.8900

www.sakaiantiques.com

Jade carving and stand,Chinese, 19th century. H. 6.5".

DRAGON TREASURES ANTIQUES LTD.GALLERY 50B | TEL: 212.813.9089

www.dragon-treasure.us

One of a pair of porcelain octagonal vases and covers, Chinese, 20th century. H. 20".

ANGELA & J GALLERYGALLERY 53 | TEL: 212.888.3246E-mail: [email protected]

Silver compote by D.C. Jaccard & Co.,American, c. 1860-1870. H. 8"; Dia. 10".

LILLIE KOMENTGALLERY 19 | TEL: 212.751.0098


New York Observer:Fall 2012 9/28/12 4:53 PM Page 1

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editor in chief Rebecca MoRse

art director scott DvoRin

production director eD Johnson

photo editor PeteR lettRe

copy editor eRicka Mccabe

advertising/production coordinator lisa MeDchill

on the coveR handsome! robert passal creates a smart and sexy bachelor pad for client Bradley Kraus on union square. in the dining area, contrasts abound: the elica acrylic dining table with black glass top is pared with a custom banquette in a classic klismos shape upholstered in a dualoy leather. the gold laredo chair is from southampton’s Bespoke global, and the 19th century swedish side chair was purchased at noonan antiques in hudson, new york and upholstered in duralee’s onyx patent leather; the varenne paille seagrass-wrapped chair is by casamidy. photography by peter Murdock.

the home observer

MaRianne RohRlich DebRa scott

Jay ackeRManJeffRey

bRanDsteDaRiaDna bufichRis cooPeR

PhiliPPe chengRaeanne

giovanni-inoueeRica leone

Dana MeiliJsonPeteR MuRDock

observer media group

oBserver Media group

puBlisher JaReD kushneR

president chRistoPheR baRnes

executive vice president baRRy lewis

vice president sales & MarKetingDaviD guRsky

classified ad director ken newMan

director of MarKeting and events ZaRah buRstein

MarKeting directorDeboRah bRunDy

v.p. circulation kRatos vos

circulation alexanDRa enDeRle,PeteR PaRRis,

caRlos RoDRigueZ

the neW yorK oBserver321 West 44th streetnew york, ny 10036

212.755.2400www.observer.com

puBlisher, the hoMe oBserver

betty shaw leDeRMan

account Managers

sales assistants Danny heRMan

contriButing Writers

contriButing photographers

MaRtin MooRMichelle MoRgan

John tuRckDaviD wolff

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13 FALL 2012 THE HOME OBSERVER

In the SHOPS

It’s that time of the year again: Entertainers, take stock of what pieces are in the cupboard for fall and winter get-togethers. Many

households have the essentials but could use a new piece, like a serving bowl or water pitcher, to freshen up the tabletop—without

breaking the bank. A touch of gold or a splash of color can givean entirely new look to last year’s place settings.

BY MARIANNE ROHRLICH

1 LEAFY The Verena white porcelain dinner plate, 10¾ inches, isdecorated with green botanicals; $14.95; other sizes and shapes available from crateandbarrel.com,(800) 967-6696.

2 TWIGGY Twig and Leaf stainless steel servers for pasta or salad are $48 at C. Wonder, cwonder.com.

3 PRICKLY A set of two ceramic Artichoke Salt & Pepper Shakers is $24.95at Williams-Sonoma, williams-sonoma.com, (877) 812-6235.

4 DEEP The extra large ceramic Sintra bowl is 15 inches indiameter. It is available in white or blue; $48 at Canvas Home Store,canvashomestore.com,(212) 372-7706.

5 SOUPY Beast’s Feast Tureen is a stoneware serving piece made in Italy. The claw-footed tureen is $148 at Anthropologie, anthropologie.com, (800) 309-2500.

6 THIRSTY The Amethystglass water pitcher by William Yeoward is $125 at GraciousHome, gracioushome.com,(800) 338-7809.

7 THORNY The four-inch ThornCactus Napkin ring by Deborah Rhodes is $36 at Barneys NY,barneys.com, (888) 222-7639.

8 GOLDEN Dahlia Gold, a placemat by Chilewich, is madeof pressed vinyl; $10 eachat MoMA Design Store,momastore.org,(800) 793-3167.

crateandbarrel.com,

Twig and Leaf stainless Twig and Leaf stainless steel servers for pasta or salad are

cwonder.com.

williams-sonoma.com, (877) 812-6235.

The extra large ceramic

COMING OUT ON TOP

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households have the essentials but could use a new piece, like a

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serving bowl or water pitcher, to freshen up the tabletop—without breaking the bank. A touch of gold or a splash of color can give

an entirely new look to last year’s place settings.


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< RePoP Williamsburg143 Roebling Street, (718) 260-8032, repopny.com

Russell Boyle (above) owns RePOP, one part thrift shop, one part boutique, which stocks everything from taxidermy to modern furniture; a 1950s picnic suitcase is fitted with Bakelite flatware settings for six and is $120.

< white tRashEast Village304 East 5th Street (212) 598-5956 whitetrashnyc.com

Stuart Zamsky’s White Trash is a store in the East Village that specializes in well-priced mid-century modern goods, including furniture and lighting; their website is updated frequently.

> DÉcoR NYcChelsea159 West 25th Street (212) 488-4977 decornyc.com

Bruce Tilley’s high-end consignment shop offers finds from show houses, custom pieces that decorators reject and consignments from private residences. There are period pieces as well as contemporary ones, like a signed Karl Entwurf black-and-white vase for $50.

GeNtlY woRNBy Marianne Rohrlich Photography by Jeffrey Brandsted

The hunt is the best part of used furniture shopping, though treasure may not be easy to find in a store that looks, at first glance, like a giant jumble. If you enjoy the chase, these stores sell some pieces that are move-in ready and others that are fixer-uppers.

Shop LoCALLY

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< FURNISH GREENMidtown1261 Broadway(917) 583-9051furnishgreen.com

Nathan Hescock (left, center, with the Furnish Green team) is the owner of this used furniture gallery that’s in the same buidling as his ballroom dance studio (after buying a hutch, whether rustic, mid-century modern or gothic in the under $500 range you can cha-cha yourself down the hall).

SCOTTY’S OLD AND NEW FURNITURE >Harlem5 Hancock Place212-865-3500

Scotty’s has been selling used furniture (like the plastic lamp, right, $75) in Harlem for decades. It’s hard to attach a label to this store’s style except to say shopping there is a veritable treasure hunt. Scotty himself owns the store and is pictured here with his daughter Dianne Scott.

THE FURNITURE MARKET >Queens2208 Astoria Blvd(718) 545-3935

This well-stocked warehouse, managed by Pedro Gonzalez (right), sells furniture for every room, like a 1970s orange molded plastic chair ($60), as well as accessories, like a vintage white ceramic elephant ($75). It’s the sort of place frequented by television set designers and stylists. Prices are fair for good quality pieces (and supposedly negotiable).

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Protect YourFurnishings and Art CollectionFrom Fading

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16 THE HOME OBSERVER FALL 2012

PRETTY & GRITTY

PARK BENCH Chinatown Toile byDan Funderburgh for Flavor Paper. $150/roll, fl avorpaper.com.

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O� THE WALL

Toile de Jouy’s gone street! New wallcoverings replace the pattern’s traditional French pastoral scenes with vivid New York scenes. The devil’s in the details here, from Duane Reade bags on Flavor Paper’s Chinatown Toile to water towers and hubcaps on a paper designed for Williamsburg’s Wythe Hotel. A ghostly Notorious B.I.G. fl oats on a toile designed by Beastie Boy Mike D. for his own Brooklyn home. Whether a take on social stereotypes—like Sheila Bridges’ Harlem Toile—or a trade classic like Schumacher’s New York, New York skyline print, these urban toile wallpapers know how to hang.

PIGEONS AND RATS Fire hydrants dot Flavorpaper’s City Park paper (shown left in yellow and below in chocolate brown). It’s also available in a rat-free version for the faint of heart. $150/roll at fl avorpaper.com.

NOTORIOUS B.I.G. Flavor Paper’s Brooklyn Toile. $150/roll. Availableat fl avorpaper.com.

HUBCABS & WATER TOWERSFlavor Paper’s Wythe Toile. $150/roll, fl avorpaper.com.

BOOMBOX Sheila Bridges’ Harlem Toile. $150 per roll at sheilabridges.com.

RUSH HOUR Schumacher’s New York, New York paper. To the trade, (800) 523-1200.

HIPSTERS Dia de Dumbo wallpaper from Flavor Paper. $150/roll, fl avorpaper.com

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NATIVE NYer

Elizabeth Pyne

MIXING PAST AND PRESENT is all in a day’s work for Elizabeth Pyne: She’s car-rying on the tradition at McMillen, Inc., the country’s oldest continuously operat-ing interior design fi rm, in a thoroughly

modern way. McMillen was founded in 1924 by Eleanor McMillen Brown, who created great American interiors (like President Johnson’s private rooms at the White House and Sister Parish’s fi rst married home on Gracie Square) and great American designers (like Mark Hampton and Albert Hadley, who both trained at McMillen). Brown’s successor Betty Sherrill took over McMillen 1972 and led for three de-cades; she is still chairman of the board, making it a real family affair—she’s also Pyne’s grandmother and Ann Pyne, Sherrill’s daughter, is a McMillen designer too. With all that good taste in its genes, it’s no wonder that McMillen’s offshoot McMillen Plus, led by Elizabeth, has been celebrated for bringing clas-sic chic to contemporary young families in perfect style. In the words of McMillen founder Mrs. Brown: “If you do it right the fi rst time, you don’t have to do it over.”

Where do you live?I live on the Upper East

Side in a pre-war apartment.

What do you love most about your New York residence?

Most of the buildingsbelow me are landmarked townhouses, so from7:00 a.m. until early after-noon my apartmentis fi lled with sunlight.

Where in New Yorkdid you grow up?

580 Park Avenue,ten blocks from whereI am now!

You are a nativeNew Yorker. How doeshaving grown up in New York inform your processin designing city spaces?

I think that because I live in New York I often see things that I fall inlove with fi rst, and then I try to incorporate them into the space. I imagine that if I lived in thecountry, I would start more from the concepts.

In New York you get tiny apartments that cost a for-tune. The hard part about that is realizing we can’t fi t everything that we want. The easy part is, you can make it look better for less


QUICK ANSWERSALWAYS IN YOUR BAG Tape measure

FAVORITE FALL FLOWER FOR A CENTERPIECE Roses—at least through September!

BEST COFFEE IN NEW YORKBel Ami on East 68th Street

GO-TO HOSTESS PRESENT Macaroons from Macaron Café. Everyone loves maca-rons, and you don’t have to worry about the hostess’ décor.

FAVORITE PAINT COLORFOR FALL Purple—I am

especially crazy about Benjamin Moore’s Crocus Petal Purple.

FABRIC YOU’RE LOVING FOR FALL The new Scion

fabrics from Harlequin. They are young and fun and extremely well-priced.

BEST “APP” Houzz Interior Design Ideas by Houzz Inc.

PIECE OF FURNITURE EVERY-ONE SHOULD HAVE An 84-inch sofa, and a trestle table that can be used as a desk or for dining.

BEST “INSTANT FIX” Aside from the obvious can of paint and a roller, buy a pair of bold lamps (and re-examine old lamp shades) or a sisal rug that’s well-proportioned to the room, if not wall-to-wall.

PIECE OF FURNITURE EVERY-

Three generations of design at McMillen, Inc.: from left,

Elizabeth Pyne, Ann Pyne and Betty Sherrill.

FAVORITE PAINT COLORFOR FALL

especially crazy about

Crocus Petal Purple.

FABRIC YOU’RE LOVING FOR FALL

THO_Fall2012_FOB_NativeNYer.indd 18 10/4/12 3:40 PM


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money because thereare fewer things that haveto be bought.

Also, New York, for all it’s cutting edge design, is trend-proof. I remember someone outside of New York tell-ing me that wallpaper was “over.” I was amazed—Ijust don’t think that way.No one in New York could think that way!

Unfortunately New York has spoiled me. Because of the accessibility we have to upholsterers, artisans, auc-tion houses, and antique shops, I am used to being able to see, to feel, and to try most everything before the client does. It’s defi nitely made the “catalog culture” more diffi cult for me to embrace. I’m still not com-fortable with ordering a sofa before I’ve sat in it, or buying a table lamp with-out picking it up to see how heavy it feels.

How has workingalongside your motherand grandmotherinfl uenced your designperspective and process?

Both of them love beauti-ful things.

They have taught me that there really are “rights” and “wrongs” in decorating, and

that “if it’s a little off, it’s a lot off!” For instance, the fi nesse of knowing just how deep a valance should be in a certain room.

Both my mother and grandmother are fl exible, especially my grandmother. To my grandmother the cli-ent is always right; I can’t tell you how many times I’ve heard her say, “If they want it, just let them do it; as long as they’re happy, who cares.” That’s an important mantra for me to remember!

How are you inspiredby McMillen’s history?

During the Great Depression, Eleanor McMillen Brown created a Miniature Rooms Exhibition, “The Interiors of Tomorrow,” which toured the country from 1932-1935. This project, to me, embodies the spiritof the fi rm: instead ofpanicking and shutting down, Mrs. Brown put her staff to work makingminiature rooms andminiature furniture.

What’s your general aesthetic?

I like things that are bright and crisp. For themoment, anyway, I am not into the “muddy” look.

A A Nina Campbell fabric drapes thewindows in Pyne’s Upper East Side home.



Modern-day challenge?Often people have hired

contractors without an over-all plan in place. By the time they hire me, the changes are irreversible. People my age are rightfully tempted to hire the cheapest contractor they can find, which can lead to trouble, i.e., spending a lot more money! For instance, in one job, the contractor had put a big air conditioner return off center, half-way down the main wall!

What are you working on now?

I am working on two proj-ects for young families, both of which are outside of New York City! I am doing a lot of “Coca Cola Tests” on fabrics and rugs.

What’s the first step in your thought process when de-signing a room? What’s your favorite part of a project?

I make several f loor plans (changing walls, etc.) to make sure that the obvious one is really the best one. This is something I’ve learned from my mother and grandmother. My favorite part is the mo-

ment the furniture plan is set, and I can start filling it in with things I’ve seen and love!

Which design websites or blogs do you and your team frequent or enjoy?

The Peak of Chic, Style Beat, An Aesthete’s Lament, and Lonny magazine. But nothing is

better than magazines and books!

Great design has become accessible. Are there any catalogs or large chain home furnishing stores you find particularly inspiring or well done?

Visual Comfort has great alternatives to expensive mid-century lighting; Restoration Hardware is great for bath-room fixtures. I love the Werstler four-drawer dresser and Pagoda White Nightstand from Worlds Away. And who can beat Bungalow 5?!

Best advice for choosing a color scheme for an apartment?

Choose colors that you love and that make you happy—don’t ever do something because you think it’s “hot.”

Native NYer

A McMillen-designed room in Southampton, New York, is dressed in a chic chocolate-and-white chintz.

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On the shelves

alWaYS a HaPPY ENDINGDon’t believe in fairly tales? Let Miles Redd be your Price Charming, trade your glass slipper for a slipcover, lacquer your castle walls red and curl up with this fall’s design book offerings instead.

“This is a book about dreams coming true,” writes Atlanta-born Miles Redd in his irresistible The Big Book of Chic. And big and chic it is: bursting with images of shiny yellow dutch doors, black-and-white tile, over-ripe magnolia flowers, mirrored dining rooms, women in ballgowns playing Ping-Pong, zebras on wallpaper, glamorous quotes from the best books (Madame Bovary, Willy Wonka and the Chocolate Factory) and the best people (Vreeland, Lagerfeld, Capote, Proust). It is a book to give even the most strident minimalist the mer-est breathless moment of wishing that she could live that way too. It might take hiring Miles Redd to do so though, and it might just be worth it. Special, inspi-rational, aspirational and destined to be a classic, just like Redd.

Make a beeline for Linda O’Keeffe’s Stripes: Design Between the Lines, a straight take on an iconic pattern. “Stripes have the theatrical ability to glorify, demean, enliven, dichotomize, identify, move, amuse, deceive, heighten, widen, and solidify anything and everything they adorn,”

says O’Keeffe. Especially her lat-est book! With riotous images including stripe-lined interiors

from Christopher Coleman, Todd Oldham, Robert Couturier, Mary

McDonald, it’s easy to read between the lines here: from Bendel boxes to zebra print, stripes are a classic; O’Keeffe walks the line with style.

The Big Book of ChiC

Miles Redd Assouline,

$75

sTripesLinda O’Keeffe

Monacelli, $50

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*83373-5*

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Untitled-24 1 9/26/12 11:18:54 AM

Visitors to Soho’s Crosby Street Hotel can’t help but note its fabulous and timely interior design—the work of Kit Kemp. With lush photographs by Simon Brown, in A Living Space

Kemp shares her advice on creating interiors that teem

with deep comfort and original style by layering genres and eras. “I don’t

want to create a pastiche of the past,” says Kemp, “but

instead find little touches—like using a kerosene can, instead of classically cut crystal, as a lamp base in a romantic bedroom—that make a room say ‘now.’” Check in to Kemp’s unique look.

On the ShelveS

A voyeuris-tic glimpse into homes from uptown to upstate, the Stoelties’ New York Interiors “demonstrate[s] the rich multipicity of the city,” says Kenneth Jay Lane, who wrote the foreward. The haunting layouts include Gil Shafer’s Greenwich Village townhouse, Lane’s own low-er Park Avenue co-op, and Stephen Sills’ country house (which Karl Lagerfeld once described as “the chicest house in America”—coming from him, not bad!).

Need a short break in the country? Look no fur-ther than your bookshelf. In La Formentera, Juan

Montoya presents four seasons of beauty in oversized photographs of his divine property and house in Garrison, New York. Over the course of 40 years, Montoya has created a spiritual refuge from a former commune. “The property was acquired, but I do not own it,” he says. “I borrow it. I am sim-

“The only downside to flow-ers is that they don’t last,” writes Carolyne Roehm in Flowers, her lastest tome on elegant living. Roehm’s own breathtaking images of flow-ers don’t fade though (and make an even better hostess present than a bouquet!). Set at her exquisite Litchfield County estate, Weatherstone, the photographs are in-terspersed with advice, thoughts and wisdom on living with flowers.

la formentera

Juan MontoyaMonacelli,

$65

american beauty

by Thom Filicia Clarkson Potter,

$45

white light:

Bernt Heiberg & William Cummings

Monacelli, $65

new york interiors

by Barbara & Rene Stoeltie

Flammarion, $49.95

flowersCarolyne Roehm Clarkson Potter,

$85

a living spaceKit Kemp

Hardie Grant, $49.95

Found two men in your bathtub? It’s all right (and probably all white): it’s the design duo Bernt Heiberg and William Cummings. Based in Oslo and New York, the two bring a Scandanavian flair to their commissions, from SoHo lofts to Westport man-

sions and Hamptons beach houses. With neu-

tral colors, antiques and international finds, their Danish direction infus-

es their third book, White Light: Heiberg

Cummings Design, which features their hand-written design notes, graphic black-and-white photography, and image upon image of cool (but never chilly) rooms.

Thom Filicia had an affair with a house too! The Queer Eye for the Straight Guy alum is today better known for his clean, classic and gorgeous New American rooms, which he has created for stars like Jennifer Lopez and Tina Fey. In American Beauty: Renovating and Decorating a Beloved Retreat, he describes being his own client after he fell in love with a wreck in Skaneateles Lake, New York, and spent an impassioned two years renovating and de-signing his own dream home.

24 the home obServer fall 2012

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FALL 2012

A collection of turn-of-the-century Chinese export pottery sits below a Julien Van Vlasselaer tapestry in Deborah Buck’s Carnegie Hill co-op.


THE HOME OBSERVER

THO_Fall2012_WellOpener.indd 27 10/4/12 3:48 PM


Most Eligible

With an eye toward contrast and scale, Robert Passal conjures up a totally seductive

bachelor pad: sophisticated, handsome and smart (and nary a leather sofa in sight!).

by Rebecca MoRse

photogRaphy by peteR MuRdock

AppeArAnces cAn be deceiving: the dark glass building looming above downtown Manhattan’s busiest square may look like a shiny new development, but one layer underneath lies

a time capsule-hint of 19th century New York. From 1870 to 1905 (more than a century before Perkins Eastman sheathed the structure in black zinc and glass) the building was home to Tiffany & Co.; today the jewels inside are a handful of ex-traordinary condominiums that feature original cast iron columns and arched windows that look onto views of a very 21st century city below.

That tension in design was reflected in the vision of an owner of one of the apartments. “I didn’t want a ‘bache-lor pad,’” says Bradley Kraus, an investor who purchased a one-bedroom after the building, Amalgamated Bank’s headquar-ters until 2007, was converted to residences. Nonetheless, he says, “It was hard to picture what it would look like when it was all white walls.” Robert Passal to the rescue: Kraus’ real estate agent had referred him to the designer known for his dramatic but time-less interiors. “He was coming from a rental,” says Passal of his client, “with the typical leather sofa and lots of chrome.” His new home would need to be glamorous enough for a chic dinner party but

A thoroughly modern man cave: robert passal designed the living room’s custom gesso chandelier and the floating walnut cabinet. The equis cocktail table was purchased at casamidy. pierre Frey sofa and fabric; vintage 1970s polished chrome “optic light.” A photograph from robert polidori’s versailles series hangs above the television. passal papered the recessed ceiling above the foyer in an iridescent phillip Jefferies’ paper from Holly Hunt.

union square

THO_Fall2012_Feat_USW.indd 28 10/4/12 2:22 PM

29 fall 2012 the home observer



comfortable enough for Super Bowl Sunday. Passal approached the challenge with an eclectic mix of shapes, textures and scale, like in the dining area, where a leather banquette in a classic klismos shape is paired with an Italian acrylic and glass table. “I love the tension that the two create,” says Passal. “I think that’s what we did throughout the space.” In the bedroom, high meets low with a geometric Room & Board four poster bed customized with a headboard up-holstered in a Zoffany damask. A custom storage solution took the idea of contrast a step further. “We took a very modern form,” says Passal of the wall unit of drawers and shelves that he designed, “very geometric and lots of squares—but we used horsehair, which is a very traditional material, as the insert. You have this contrast in material and in timeline: a very modern piece of furniture with an application that’s more traditional.”

Kraus, a Colorado native, also wanted his New York home to be evocative of his roots: “I didn’t want to forget where I

was from,” he says, without anything too ob-vious: “I didn’t want a ski lodge.” Passal’s nod to the Rockies was done through use of deep color. “Most people are intimidated by dark-er tones and darker colors,” says the designer, “but it’s the contrast that works.” Wood veneer wallcovering was installed in the master bed-room, where aubergine velvet drapes so dark

they appear black at night frame the massive arched windows. Aubergine was used on the apartment’s interior doors, too, with lacquer so heavy it appears almost mirrored.

Even a small powder room got a dramatic treatment. “We used reflective surfaces to really bring light to it,” says Passal of the tight, dark space (it was paneled in ebonized wood). A stain-less steel toilet and sink reflect the shine from the Tracy Kendall newsprint wallcovering Passal applied to the ceiling. A dollop of sex appeal was added with artwork: Alex Guofeng Cao’s oversized chromographic print of Brigitte Bardot eyes visitors to the powder

The custom Sherle Wagner fixtures in the kitchen, a developer’s detail, were designed by Vicente Wolf. The two bronze industrial barstools were purchased at ABC Carpet & Home. Dunes & Duchess’ column lamp sits next to Aero Studios’ antique wood horse on a metal stand.



CloCkwise from left: A lacquered aubergine door opens into the powder room, where Alex Guofeng Cao’s Brigitte Bardot vs. Catherine Deneuve After Avedon (2010) casts a seductive eye on visitors. Millenium pendant from Gracious Home. A Stephen Antonson goat leg Gesso console table sits below a vintage beveled brass frame mirror from the 1980s, found at M.A.D.E. Miami In the dining area, the custom banquette, in a classic klismos shape, was upholstered in Dualoy leather. The ebonized antique convex mirror is from Harborview Antiques; the Laredo chair is from Bespoke Global in Southampton. Bradley Kraus at home. James Nares’ Blue Stroke hangs in the kitchen.



room. The large-scale print, found at Chelsea’s Dean Project gallery, was one of many purchases Passal and his client made together to start a col-lection that includes photographs from Reinhard Görner and Robert Polidori, Oskar Zieta’s steel Blow Up chair, and a Hans Kotter light box. “Brad and I did a lot of shopping, lots of art shows,” says Passal. “We tried to collect things that he would not tire of—some pieces that are quiet and some pieces with true impact.” Some art hangs not on the wall, but on a rod, like the graphic black-and-white hand-painted canvas curtains that frame the living room windows. ”I thought that incor-porating the almost-graffiti-like curtains was a way to build the space without making it too serious,” says Passal, who commis-sioned a local artist to design them. That whimsical detail with an avant garde edge is emblematic of the whole look. “Brad wanted a space he could grow with, which is something that we empasize with all our clients,” says Passal. It’s all about timelessness: like the original details of the old Tiffany building, which still inspire cen-turies later, “the sign of good interior design,” says Passal, “is when you can go back in ten or fifteen years and it still looks great.” h

Above: a vintage Milo Baughman chaise longue by the arched window frames of the 19th-century Tiffany building. Passal commissioned local artist Johnny Vendiola to hand paint the graffiti- style canvas curtains. The vintage Drip Lamp was purchased at Irwin Feld Designs in Stamford. right: Matthew Cox’s Femur with Gurney Buckle embroidered medical X-ray hangs above a custom walnut cabinet.



Above: Passal added a custom headboard, upholstered in a Zoffany damask, to Room & Board’s steel four poster bed. The wood veneer wallcovering by Innovations in Wallcoverings creates a cozy chamber in the master bedroom. The vintage Erton armchair was upholstered in a fabric by Paul Smith for Maharam. The custom screen behind the bed was inpired by the work of Louise Nevelson. Reinhard Görner’s Enfilade, Bode Museum, Berlin (2005) hangs on the wall. Left: Oskar Zieta’s steel Blow Up chair sits in the wet room of the master bath.


PhotograPhy by Dana Meilijson Portrait by erica leone

Signature Christopher Coleman color defines Erin Kornfeld’s apartment in the East Village. The curvy pink sofa in the living room is by Vladimir Kagan, and the Eureka hanging chair is from Property in Soho. Game tables from Usona Home. Right, Erin Kornfeld.

THO_Fall2012_Feat_CooperSq.indd 34 10/4/12 11:22 AM


-Color- Coated

Christopher Coleman creates an amazing technicolor dream home for a young photographer

on Cooper Square. BY MARIANNE ROHRLICH

east village

NEAR THE COOPER UNION, the newly bus-tling Bowery corridor and St. Mark’s Place, stands a 1926 building that was home to the Carl Fischer music publishing company un-til 2001, when the 12-story structure was

developed into condominiums. Known still as the Carl Fischer Building, a music note remains emblazoned on the side of the building. Erin Kornfeld, 30, and her boy-friend, Charles Schultz, also 30, live there in a loft that has been divided into a two-bedroom apartment.

“They are a young, bohemian couple,” says Christopher Coleman, the interior designer who created a casual, madly colorful space for Ms. Kornfeld. “They really use the place; it’s not for show,” he says.

“We chose some of the colors,” Ms. Kornfeld says, “al-though my mother, who is really creative, worked with Christopher and we let her go crazy,” she adds, refer-



The master bedroom’s color scheme takes direction from the painting above

the bed, which hung in Kornfeld’s childhood home. Coleman purchased

the bed’s quilt from a catalog.



ring to the bold mix of orange, turquoise, green and other in-tense hues.

The place is a signature colorful-Coleman interior; there are two blue-tiled bathrooms. “Amazingly, the tiled master bath was there when we start-ed,” Mr. Coleman says. “We did the second bath to coordinate with that one. Those walls are covered in a turquoise patent-leather wall covering by Stark.”

The orange guest room has ombred walls that were painted by two women from the Isabel O’Neil Foundation, a school on the Upper East Side devoted to teaching the art of painted fin-ishes. That room had a built-in Murphy bed that Mr. Coleman kept, but had painted along with the walls. He added a cable bookshelf system, a small floating daybed, and a lacquered vin-tage chair covered in colored tapes that he found in a Miami shop. “Keep your eyes open and buy what you like,” Mr. Coleman says. He claims to shop everywhere; “I even walk up and down 34th Street and comb the discount shops, including Conway, for colors, fabrics and patterns I like. Don’t be preten-tious about where you shop,” he says, “you never know what

Above: Students from the Isabel O’Neil Foundation, a school on the Upper East Side devoted to the art of painting, ombred the walls of the guest bedroom in Benjamin Moore’s Yellow Marigold. The “C” table is from CB2; Coleman painted it blue. The tape-covered chair is vintage. Right:

The turquoise guest bathroom.



you’ll find on 34th Street.” In fact this apartment exemplifies the

designer’s philosophy. There are pieces from very high end showrooms like the Vladimir Kagan curved pink sofa in the living room. The wing chairs that flank the ends of the dining table are from Restoration Hardware, but were re-up-holstered in Lee Jofa fabric. “I always look everywhere,” Coleman says. “I go from high end showrooms to mass mar-ket retailers.”

Mr. Coleman says he enjoys tweaking things—he might buy a table at CB2 and have it spray painted a bright color by an automobile painting shop or find a vin-tage chair and re-upholster it in fabric he’s been keeping in his storage space for just the right moment. The décor for the master bedroom was dictated by a paint-ing that hangs over the bed, a piece that Ms. Kornfeld has had since childhood that has great sentimental value to her. “I took my cues from the many colors in the painting and decorated the room from those,” Mr. Coleman says. The comforter on the bed is a piece from a catalog that he has been storing for years waiting for just the right spot. “I buy from catalogs at the end of seasons and store the mer-chandise. I always find a home for the stuff at some point, but I can’t always find the pieces if I don’t buy them when they come out.”

“We love the apartment,” Ms. Kornfeld says. “It’s light, bright and definitely ‘home’. It’s open and contemporary and feels more ‘California’ than New York,“ she says, referring to the large windows that let lots of sunshine in. “We particu-larly love the wall in the sitting area that is covered in paper by Tracy Kendall, a London designer.” In fact, everyone who visits is encouraged to write something on the handmade three-dimensional wallcovering. “It’s become a personal and special art piece,” she says. h

Above: Industrial-style stools at the kitchen counter are from Restoration Hardware. The kitchen’s mahogany cabinets were stained green. right: Fork wallpaper by Tracy Kendall hangs in the kitchen.



CloCkwise from left: The master bath. Restoration Hardware wing chairs, upholstered in a Lee Jofa fabric, pull up to each end of the dining table; the orange acrylic planter is by Christopher Coleman. The wheeled bar cart was a gift from Kornfeld’s parents. The paper wall covering in the sitting area was handmade by Tracy Kendall, a London artist; The custom sofa is by Spiaggia Furniture in Miami.



Bucking Convention I

’m really a treasure hunter,” says artist, designer, Buck House proprietor, sometimes chef and one-time televi-sion personality Deborah Buck. “I bring them into my life and they either get along with everyone else who is there or they

have to go.” Luckily, most of her treasures become fast friends with “everyone else” in the sprawl-ing Carnegie Hill co-op Buck calls home, where pieces from all around the world and every dif-ferent era happily co-exist amidst the whoops of color splashed throughout—on upholstery, cur-tains, carpets, pillows, pottery, walls and the art that hangs on them. “My eye is very restless and I’m constantly being influenced with new forms,” says Buck, who gathers her finds large and small

on her travels, whether in Buenos Aires, Scandanavia or the Paris marchés aux puces. The variety of provenances and styles in her apartment—from a Chinese Art Deco rug to midcentury Gio Ponti walnut and leather chairs to a Tommi Parzinger brass chandelier

from the ‘60s —is echoed in its vast range of color. “You put a color in a space and if you’re really pay-ing attention then that color influences the entire environment and every color around it.”

It would be hard not to pay attention to the in-fluence of color in Buck’s house, where room after room sports a jumble of hues—from orange to char-treuse to purple and red (and that’s all in the living room). “It’s painting and it’s color theory,” explains Buck, who paints at home in a studio carved from

Buck’s House: Artist and treasure hunter Deborah Buck’s Carnegie Hill home challenges the color code—and wins.

this page: a sofa and ottomans in a Clarence house cotton velvet leopard print sit below roger Brown’s the Other side of Wichita. the Chinese carpet dates to the 1940s. the contemporary glass lamps were custom made in murano, Venice, in Buck house blue.

BY ReBecca MoRse photogRaphY BY chRis coopeR

Upper east side

THO_Fall2012_Feat_UES_BuckV2.indd 40 10/4/12 11:45 AM


The stacked ottoman is from the Buck House Collection and upholstered in an unknown fabric. “I frequently buy odd lots of fabric, as then I know I won’t see it everwhere!” says Buck. Eva Struble’s Untitled hangs above a sofa upholstered in Schumacher’s Carlyle cotton velvet; the pillows are covered in Deborah Buck’s own Wish fabric. The Venini red lamps, purchased in Venice, are from the ‘60s.


“If you look at that living room,” says Buck, “there’s no reason it should work.” But it does: the Knoll couches were upholstered in an aubergine cotton velvet. The pillows are covered in a striped African tribal cotton. The poufs were upholstered in an “unknown” fabric, “bought at a discount house,” says Buck. The draperies are a Quadrille silk damask. The orange Jules Leleu chairs from the 1940s were purchased in Paris.




a trio of former maids’ rooms, of the way her unexpected colors work together in beautiful harmony. “If you look at that living room, there’s no reason why that should work, and if you were a decorator doing it, maybe it wouldn’t, but that’s the difference. When an artist does it, it’s color composition.”

One constant part of that composition? Turquoise blue. “It’s in my veins,” she says of the bright hue. “It’s a color that I’ve always loved. For me it was like a shaman kind of color: it just seemed mag-ic. It’s my little cheerleader of a color.” Indeed, turquoise leads its cheer throughout the home: a collection of turquoise pottery atop a cabinet in the kitchen, Susan Hamburger’s turquoise dyptique Lyer Lyer on the soft pink walls of the dining room, and a linen turquoise stripe on the master bed’s Pierre Frey cotton duvet.

It unifies the space that Buck first saw with her husband in 1999, on the eve of school admission day for her son Sam, now in college. “We saw the apartment, and we knew that the letters were coming out from the Dalton school the next day. Dalton was our first choice so we decided that if Sam got in, we’d buy the apart-ment.” The acceptance came and the contract was signed. During the two years of designing and building that followed, said Buck, “I became very excited about working with certain

CloCkwise from left:

Deborah Buck poses in front of Brian Ulrich’s Powerhouse Gym (2008). Buck’s collection of yellow Chinese export pottery sits in front of a Belgian tapestry from Van Vlasselaer. A Pierre Frey printed linen (the duvet piped with a Buck House blue linen stripe) cozies up the bedroom.



The dining room walls are painted in Benjamin Moore’s Ballerina Pink. A Buck House Collection chair is upholstered in a Scalamandre silk velvet.



craftsmen—metal workers, tile makers.” In the process, she realized that years of working alone in the

confines of a studio had made her miss working collaboratively with people. “I had always wanted to have kind of a design lab,” she says. When she found a space for rent on Madison Avenue, she seized upon it, giving herself a year to give it a try. Buck House, the turquoise-and-magenta striped shop where Buck offered some of her unqiue brand of treasures for sale, was a stalwart in Carnegie Hill for 11 years. It closed last month.

“The retail environment as it was for me at East 93rd and Madison became really difficult,” says Buck. A new incarnation of Buck House bricks-and-mortar is in the works, but until then, Buck is focused on two forthcoming books and a fabric line (avail-able in early 2013) inspired by her paintings. “My paintings are the fount from which all of my creative endeavors originate. There are things that repeat, like circles, chains, feathers,” she says. “I think

of them as markers and they are frequently the touchstones that I use for patterns in the fabric. I look for the strongest elements and let them tell me if they would be happy repeating themselves and which other designs they might want to play with.” The results are patterns as distinct, multi-faceted and mostly, good fun, as is Buck herself. h

This page, above: A turquoise-accented Venetian chandelier hangs in Buck’s own

hall of mirrors. Opposite page: Buck’s oil-on-canvas Football Flower hangs on

a Clarence House bamboo paper. The Danish walnut chair upholstered

in Buck’s own Unbroken Chain fabric.

DO sit On the art

Buck’s line of fabrics is inspired by her paintings.

Her painting Arch Day (above) informed her

fabric Unbroken Chain, shown here on a Danish

walnut chair.


48 THE HOME OBSERVER FALL 201248 THE HOME OBSERVER FALL 201248 THE HOME OBSERVER FALL 2012

Renowned Sag Harbor architecture fi rm Bates Masi designed the Brod family’s Bridgehampton residence. Paul Masi created a resortlike atmosphere by linking six glass and wood boxes (each representing a distinct function for the home) in a stylish example of form meeting function. The poolside chaise longues are from Richard Schultz’s 1966 Collection for Knoll.

Boxy is beautiful! Public relations powerhouse Alison Brod’s family home in Bridgehampton is making news. BY DEBRA SCOTT

HAMPTONS HEADLINERNORTH FORK

THO_Fall2012_Feat_BridgehamptonV2.indd 48 10/4/12 11:25 AM

49 FALL 2012 THE HOME OBSERVER 49FALL 2012 THE HOME OBSERVER 49 FALL 2012 THE HOME OBSERVER

Boxy is beautiful! Public relations powerhouse Alison Brod’s family home in Bridgehampton is making news. BY DEBRA SCOTT

HAMPTONS HEADLINER



New yorkers speNd a lot of time under florescent lights and air conditioning vents, so when it’s time to get away, it’s all about getting outside. Fittingly, nature is the dominant decorative ele-

ment in Manhattanites Alison and Andy Brod’s Bridgehampton weekend home, a Lego assemblage of six glass cubes designed by Sag Harbor architecture firm Bates Masi.

The couple (she’s a PR honcho with 60 in staff and clients from Judith Leiber to KMart; he’s an investment manager) is famous for their back deck pizza parties that make use of a built-in pizza oven, where guests like Donny Deutsch, Katie Lee and Jason Binn spill over into the pool area. With its muscular angularity, neutral hues and clean lines, the house is the antithesis of Alison’s city work offices, the pink walls

and Pucci prints of which were immortalized on the televi-sion reality show The City.

If the house looks a bit like a high-end Asian hotel, it’s no mis-take. Alison, who claims that the only time she can relax is at an Aman Resort property, wanted “Zen-like glass boxes to wrap around a courtyard.” Each box allows for discrete functions—a master suite, luxurious guest quarters and a kid kingdom for their two sons, Austin, 5, and Spencer, 6. What connects the boxes is the continuity of three prevailing materials that create a sense of serenity: wood, metal, stone.

To offset the potential coldness posed by all that glass, the house is enveloped in mahogany, its many variations of warm coloration covering surfaces from floors to walls. With its lush pigmenta-tion and strong character, it provided Alison with the drama she



OppOsite: Masi cut and bent bronze sheets into small pieces to create a sort of metal shingling on the fireplace, which expanded the shingle motif and created cohesion among the elements of the house. The wraparound built-in sofa is from Roche Bobois’ Echoes Collection. A custom bronze Terzani chandelier hangs over the dining table, which was designed by Brod’s father; the butterfly painting is by Hunt Slonem. this page, frOm tOp left: A detail of the bronze fireplace “shingles.” Stools from BDDW pull up to the kitchen counter; the banquettes are upholstered in an Elizabeth Dow fabric. Signature Hardware’s Lucina Tub punctuates the master bath, and the tile is Walker Zanger’s Chelsea Art Glass. Sliding glass doors blur the boundaries of outside and in; the orange outdoor chaise longue and ottoman are from Paola Lenti. The bunk beds in the boys’ room are from Room & Board.


GROUND FLOOR

1. Entry2. Dining Room3. Living Room4. Family Room5. Kitchen6. Powder Room7. Pantry8. Mudroom/Laundry9. Garage

10. Outdoor Shower11. Storage12. Stair13. Mechanical Room14. Guest Bedroom15. Guest Bath16. Closet17. Master Bedroom18. Master Closet19. Master Bath20. Patio

UPPER FLOOR

1. Dining Room2. Living Room3. Children’s Bedroom

4. Children’s Bath5. Closet6. Stair7. Guest Bedroom8. Guest Bath

THE PLANSGlass boxes create a resort-like vibe.

ABOVE: the pool house (which also functions as a crash pad “for the bachelors,” says Brod) seems to fl oat above glowing Noce Travertine slabs. LEFT: the Brod family: Alison, Andy, Spencer (left), 6, and Austin, 5.



desired; With its durability (mahogany’s oils enable it to be used outside as well as in), it provided architect Paul Masi with a mate-rial “reminiscent of the fine woodworking on old boats.”

Noce Travertine, the nutty-hued stone used throughout, was available in large enough slabs to use on the living room floor, but could also be cut down in sheets thin enough to be used as shingling, a witty reference to the shingle-style homes which have commanded the Hamptons beachscape for more than a century. Bronze was the metal of choice, not solely because of its wide range of patinas, but also because of its malleability. Masi bent and cut it into small pieces to create a sort of horizontal bronze shingling on the fireplace, a way of expanding the shin-gle motif to create cohesion among the elements.

The metal also finds its way into a sculptural Terzani chan-delier with two miles of intricately-draped bronze chain and the base of an Art Deco-inspired Plexiglass coffee table. The base, which weighs more than a thousand pounds, was made by Alison’s father Alan Friedman, a veteran dealer of Renaissance antiques in Florida, who has transitioned into designing bronze and iron furniture at his West Palm Beach shop, the Incurable Collector.

The house raises the concept of “uncluttered” contemporary

to a new level. Cabinets and sliding doors close to hide every-thing from the bar to the fridge to toys. A pair of Masi-designed custom bar carts are tucked neatly in slots beneath each end of the kitchen island and are wheeled out to be used as serving pods at the couple’s fêtes. There is nothing extraneous, and very little furniture, mostly built-ins. “People are amazed that we have no dressers,” says Brod.

The new house is nonetheless familiar for the family: the Brods have lived on the same property for 13 years. In 2009 they razed the white contemporary they had lived in for ten years and spent two years building the new house. Even so, the house is not yet complete. Brod laughs about the empty walls. “The first model Paul made of the house, I approved,” she says. “But I’m still struggling over artwork, and it took me three years to pick out a rug.”

The outdoor area is fully realized though, with comfort-able entertaining spaces abounding amidst an orchard of hydrangea bushes and a bamboo border. When the sun gets too high in the sky, the Brods need merely flip a switch and a portion of roof rolls out over the outside table to block out offending rays. Sometimes even New Yorkers need a break from the natural elements. h

The platform bed was designed by Bates Masi and built by Ciuffo Cabinetry. A custom leather wall references the bronze-shingled fireplace in the living room.



W E MOVED INTO OUR LOFTon Thompson Street when SoHo was a neighborhood inhabited by artists, living in

large, mainly unfi nished industrial lofts,” said Linda Miller, who has been in her loft with her husband Steve, since 1979. In fact in order to live and work there in those days, a tenant had to be certifi ed as an artist by the city, and then a sign that read “A.I.R.” (Artist in Residence) was installed outside the building entrance. That was SoHo in the 1970s, before the area was gentrifi ed, and before the renovated cast iron industrial buildings had amenities like doormen and gyms. Yes, it was a neighborhood of artists living and working in large open spaces—lofts—with brick walls and either tin or exposed wood-beam ceilings. In 1973 the area was given Landmark designation as the SoHo Cast Iron Historic District. These days, when a building is renovated its inte-rior bears much resemblance to traditional apartment buildings on the Upper East Side; far from the original live/work spaces used by the city’s creative class, many lofts have been re-confi gured into classic three bed-room apartments with marble baths and concierges in the lobbies.

The Millers bought the 2,800-square-foot space for $125,000 in 1979 as a place to live, and as a studio for Linda, an artist who also runs a gallery there called Kilim, where she sells antique and vintage rugs. At that time Mr. Miller was an executive with the


PHOTOGRAPHY BY RAEANNE GIOVANNI-INOUE

Linda and Steve Miller at the marble-topped

kitchen counter in their SoHo loft. The painting

on the back wall is by Mrs. Miller. The Patrocio glass

table lamp designed by Gae Aulenti in the 1970s is from Artemide. ABOVE:

the shared studio.

OUT OF THE BOX

SOHO

Linda and Steve Miller update their loft in a former cardboard box factory without losing any classic SoHo fl avor. BY MARIANNE ROHRLICH

THO_Fall2012_Feat_LindaMillerV2.indd 54 10/4/12 11:58 AM

55 fall 2012 the home observer 55 fall 2012 the home observer

French doors open to a seating area on the

cedar-decked patio. The large terracotta urn is

from Morocco; the vase on the French bistro

table is Italian; the chair is by Mies van der Rohe.



DuPont Corporation. They did not divide the space then (the bed was hidden behind a small partition); the loft was configured as it originally was when it housed the Shuttleworth Box Company. After 15 years of living together in the open space, the Millers separated. Soon after, Mr. Miller moved to Germany; Mrs. Miller remained on Thompson Street in the un-renovated loft where she continued to work on her art, and sell rugs. Then miraculously, af-ter 15 years apart, the couple reunited and as a way of rekindling their marriage, and celebrating their new life together, they de-cided to renovate and divide the loft into a one bedroom apartment with two bath-rooms, an office, a kitchen, dining room, large living room/rug gallery and a studio for Linda and Steve, who had by then left the corporate world to become a sculp-tor (he works in steel). They also added a 200-square-foot outdoor terrace with

floor to ceiling French doors. The Millers worked with Jack Ceglic, a New York de-signer responsible for the original design of Dean & DeLuca, to make the most effi-cient, comfortable and stylish use of their loft space. Interestingly, the result of the $250,000 renovation is a home that still resembles the SoHo of yesteryear: “We decided to keep it as raw and authentic as possible, “ Mrs. Miller said, “by leaving the wood beam ceilings open and keeping the brick walls.” There are many modern touches, she admitted, like central air- conditioning, beautifully tiled bathrooms, a limestone floor in the bedroom, and closets (noticeably lacking in original lofts). “Jack was able to accomplish a graceful flow and balance in the space,” Mrs. Miller said. “He made the loft feel larger by creating sepa-rate spaces that also gave us privacy.” A proper bedroom was created with a large sitting area next to it, which Mr. Miller is

able to use when there are clients in the rug gallery. “The place functions whether we’re alone, or people are coming in and out,” Mrs. Miller said. Both use the studio in the front of the loft, as well as the office. “We entertain a lot and I need my surfaces clean at all times,” Mrs. Miller said of the immaculate apartment. There is a well-cu-rated collection of artworks, found objects and accessories, like vases with perfectly chosen posies throughout the loft. There is storage in the basement and Steve keeps some of his sculptures there. “We recently had a party for 100 guests and there were people everywhere—inside and outside—but it felt so spacious,” Mrs. Miller said. “The artists are mostly gone now,” she added. “A few of us are left. But mostly the neighborhood has changed to accommo-date a lot of people in finance.”

She added, “We’re so fortunate—it feels like we’re part of history.” h

The living room/rug gallery has a white lacquer Saratoga chair by Massimo and Lella Vignelli; a Caori coffee table designed by Vico Magistretti in 1962 and a chair covered in pony skin designed by Chrisophe Pillet in 1997. The antique kilims are all from Mrs. Miller’s gallery. At right is a Senufo wood bed from the Ivory Coast. The steel sculptures are by Mr. Miller.


CLOCKWISE FROM TOP: The cedar-planked terrace outside the dining room and kitchen with a sculpture by Mrs. Miller. The bathroom has brick walls and English fi xtures by Perrin and Rowe. The bedroom has a Mushroom chair by Pierre Paulin and antique wood stools from Nigeria and Ghana.


58 THE HOME OBSERVER FALL 201258 THE HOME OBSERVER FALL 2012

It’s Grand! With help from Axis Mundi’sJohn Beckmann, a Prospect Heights couplegets a new view of Grand Army Plazafrom atop Richard Meier’s glass tower.

PROSPECTIVEperspectıveBY REBECCA MORSE

PHOTOGRAPHY BY ARIADNA BUFIPORTRAIT BY SCOTT DVORIN

BROOKLYN

THO_Fall2012_Feat_GAPMeierV2.indd 58 10/4/12 11:49 AM


PROSPECTIVEperspectıve

Low and lean, Poltrona Frau’s Kennedee sectional anchors the living area. Vitra’s Slow Chair sits on Carini Lang’s Coco Drum carpet. Flexform’s Vito marble cocktail table; Missoni throw and pillows. The Santa & Cole Tripode Lamp is from YLighting.



After 20 yeArs in a Park Slope brownstone, Sandra Schpoont and Steve Axelrod found them-selves with an empty next—a really empty nest. With their children grown, they had watched a

glassy Richard Meier-designed condominium rise above Prospect Park and took the plunge. That plunge was the only thing they took, though. “When we moved into the building we threw all of our furniture out,” she says. Schpoont, an at-torney, wanted something totally different than townhouse living, both functionally and aesthetically. “I don’t like the Victorian look,” she says. “I kept trying to make our brown-stone look modern, but I never wanted to rip out any of the original details” that would enable that style. When her mod-ern vision was ready to be realized, “I had this vision of living in a high-end hotel,” she says. “I didn’t want a cookie cutter modern apartment. I wanted something a little more unusu-al.” Though she knew what she wanted (and what she didn’t want), she admits, “I didn’t really know what it would end up looking like.”

John Beckmann did. Beckmann, the founder of New York-based design firm Axis Mundi, is known for his in-tegration of design and architecture. “The first thing he showed us was the Kennedee sofa,” says Schpoont, “and that became the anchor of the apart-ment.” Not, however, the apartment that Beckmann had originally intend-ed it to anchor: since starting work on the project, the couple had traded up from a midfloor apartment to one nearer the top with substantially more

from top left: A Dirk de Bruycker oil painting in the apartment’s foyer was found in a santa fe gallery. Knoll Bertoia bar stools in the richard Meier-designed kitchen are clad in orange leather. right, steve Axelrod and sandy schpoont (with Barley) perch on white emu Heaven stools on their terrace overlooking Prospect Park’s Grand Army Plaza.



Vistosi’s Giogali chandelier floats above the Saarinen dining table and chairs, all from Design Within Reach.



Glass walls partition Axelrod’s office off the living room. Vitsoe Shelving System; Eames Aluminum Group desk chair.



square footage and a terrace with a jaw-dropping view of the Manhattan skyline.

The change didn’t mean jettisoning the plan they had en-visioned. Beckmann’s focus remained on decoration rather than renovation: “The bones are great,” he says of the three- bedroom layout, with a master bath boasting a decadent view of the Manhattan skyline from the tub. In a building like Meier’s, says Beckmann, “you have to respect the architecture.”

That respect would be paid with a neutral base, one that nonetheless accomodated his clients’ wish for something lively. Beckmann grounded the apartment in midcentury classics in graphic black and white. Having traded the orig-inal Kennedee sofa for a larger sectional, he added a black Saarinen table and black-and-white Saarinen chairs. Pops of color were added in the form of the orange leather seats on Bertoia stools, Missoni pillows, and vibrant art. To main-tain a sleek, clutterfree look, Beckmann added storage with a Poliform unit in the master suite and created a shelf-lined office for Axelrod by partitioning off a small area of the living room with glass walls.

The glass walls of the office echo those of the building which glimmers anachronistically above Grand Army Plaza, designed by Frederick Law Olmsted in the 19th century. “It’s a beautiful building,” says Beckmann of Meier’s work. “I think it brings a new vitality to that neighborhood. “

“It’s a different vantage point for us,” agrees Schpoont. A vantage point that feels, as she hoped, like a hotel? “Not ex-actly. There’s no room service, and we still have to make the bed. But it’s really nice—on Friday night, we come home and have martinis and sit out on the balcony.” Now that’s better than room service. h

Top: The Zuma bathtub in the master bathroom has a view of Prospect Park and the Manhattan skyline, as well as Dogon ladders from the Hemingway African Gallery. The leather bed is Boss; Missoni linens; Artemide’s Tolemeo bedside lamps. The Venetian Plaster walls were done by Jeff Leonard. A photograph by Magda Biernat hangs above the bed.


64 the home observer Fall 2012

HOME Gallery

For over 60 years Elgot has been Manhattan’s premier source for kitchen and bath design, remodeling and major appliance sales and installation. That’s why discerning New Yorkers rely on Elgot for quality, service and experience. Our staff is always happy to help you choose energy efficient and eco-friendly products to allow you to support green living in Manhattan. From too-tight spaces and arcane building codes to co-op regulations, we’ve seen and done it all!

Elgot937 Lexington Avenue (68th/69th Sts.)New York, NY 10065212-879-1200, www.elgotkitchens.com

For the past 60 years, Greenbaum InterIors has built its distinguished reputation and dedicated customer base by selling quality furniture with classic lines that remain in style decades later. The once small furniture store is now an entire network of artisan studios, custom workrooms and a 140,000-sq-ft showroom. Practicing a true personal shopper approach, a member of the design staff will even visit homes to assess individual needs. And at Greenbaum, professional excellence doesn’t have to be expensive—the elegance is affordable.

Greenbaum Interiors101 Washington Street, Paterson, NJ 07505(973) 279-3000www.greenbauminteriors.com

Historic HQ - 101 Washington Street Paterson, NJ 973-279-3000 (140,000 sq. ft. Showrooms and Workrooms)

Country Mile House - 1105 Mt. Kemble Ave. Rt. 202 Morristown, NJ 973-425-5500 (7,500 sq. ft. Showroom)

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abC Carpet and Home offers a diverse selection of globally sourced products at the cutting edge of design, beauty and sustainability. Dynamic, beautiful, and inspiring, the curated assortment includes furniture handmade by local artisans, globally sourced vintage & antiques, indigenous designs and exclusive one of kind, rugs, furniture, and accessories.

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For 137 years, the art students LeaGue has provided affordable studio-based art education of the highest quality to anyone interested in learning the language of art. Monthly registration and low tuition make it easy to try out a class in drawing, painting, sculpture or printmaking. Visit our exhibition Celebrating the Line: Outstanding Illustrators, Designers and Cartoonists of The Art Students League of New York, October 10-November 7. 215 West 57th Street. [email protected] or 212-247-4510; www.theartstudentsleague.org

People constantly ask, What is the difference between CarLyLe sleepers & sofas compared to various other high-end competitors? 1. Competitors will not reupholster their own product for various reasons. 2. We are reupholstering many sofas and sleepers that we crafted over 30 years ago. By starting with the finest materials and methods available our pieces are designed to last for generations. They last so long our mantra is always to order it exactly the way you wish.

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Observer_11_2012rev 10/3/12 8:42 AM Page 1

Kravet InC., established in 1918, is the industry leader in to the trade home furnishings distributing fabrics, furniture, wall coverings, trimmings, carpets and accessories. The family’s commitment to innovation for more than four generations has helped the company transform from a small fabric house to a global leader, representing brands and designers from all over the world. With locations in North America and worldwide, Kravet Inc. offers the highest level of customer service, quality products and web technology for today’s design professional.

www.kravet.com

“dom” —from the Latin “domus”— means “home.” The company, specializing in kitchens and appliances, was launched in 1999. Since then, Dom has evolved from a concentrated hub into a fast-growing network in North America. DOM is committed to ecological well-being and the environment— without aesthetic compromise—through great design. The company works with an international array of architects and designers on individual residences as well as multi-unit projects, and offers complementary design assistance to homeowners and end-users. Our lines include Valcucine, Alpes, Arflex, Davide Groppi, Demode, Edilco, Fiam, Horm, Kristalia, Max Fire, MisuraEmme, Rimadesio, Steel Time, Tacchini and Toscoquattro.

66 Crosby St.New York, NY www.dominteriors.com

Combining traditional materials and craft with innovative, fresh design, color and fiber combinations makes Custom CooL a refreshing presence in the Textile industry. Our original designs are on the leading edge of color and style trends. Custom Cool products are manufactured to the highest ethical standards, ensuring no child labor is involved in the making of our products.

Customcoolrugs.com

306e61 – InterIor desIGn buILdInG, which houses 19 spacious showrooms, is the leading New York destination for decorative arts from the 18th, 19th & 20th Centuries, including bespoke collections. Featuring modern furniture, textiles and accessories. The building is located at 306 East 61st Street, (between 1st & 2nd Avenues), in New York City.

DIrectory Fall-2012_.indd 64 10/4/12 10:31:18 AM

The Fine Art of Radiators

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For more information or a dealer near you, please call 1-800-526-2621

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BISQUE COLLECTION

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Runtal Showroom in Haverhill, MA

Runtal Family of Heating ProductsRuntal offers an array of radiator designs for hot water, steam and electric heating systems.

Hot Water (Hydronic) Steam Electric

Runtal.indd 1 4/9/12 3:25:54 PM

HOME Gallery

Opened in 1975, The MANHATTAN ART & ANTIQUES CENTER is New York’s oldest established emporium for antiques. It houses 100 galleries on three levels with a wide variety of collections from all six continents. The Center offers silver, jewelry, tapestries, furniture, porcelain, clocks, paintings, sculpture and many other rare and beautiful objects of art. Linked by elevators and a dramatic spiral staircase, The Center has been an important resource for collectors, interior designers and antique buffs for the past thirty-seven years.The Manhattan Art & Antiques Center1050 Second Ave. between 55th and 56th StreetsOpen to the public: Monday thru Saturday from 10:30AM to 6PM.Sunday, 12 Noon to 6PM.Tel: 212-355-4400 Fax: 212-355-4403www.the-maac.comEmail: info@ the–maac.com

PARIS CERAMICS introduces an entirely new concept of modular wood fl oors available in a range of fi nishes, sizes, colors and different species. Additionally, Paris Ceramics is introducing a new line of liquid metal-faced stones including pewter, bronze, copper, and many more, that can be applied to any stone texture or moldings.Learn more about Paris Ceramics, the premier supplier of antique reclaimed fl oors and beautiful limestone from all corners of the world, www.parisceramicsusa.com, 1.888.845.3487.

GE MONOGRAM. Luxury for real life. In the world of high-end appliances, Monogram stands out with its own brand of luxury. Refi ned but not rarefi ed, it’s the kind of luxury that makes a statement of quality and timeless elegance. Monogram luxury is also appealing in that it makes sense in people’s lives. Award-winning technology makes it possible to cook faster, clean easier and enjoy more time relaxing with family and friends. And there’s nothing more luxurious than that.

LIEBHERR, a global leader in premium refrigeration, is a family-owned company based in Germany. With over 50 years of experience in cooling, the manufacturer sets the pace with continuous product innovation and a proactive approach to responsible manufacturing. Liebherr brings fresh, European design to the North American marketplace, providing outstanding built-in, freestanding, and fully integrated refrigeration, an extensive selection of wine storage units and a new cigar humidor.

Visit www.liebherr-appliances.com to view Liebherr’s full product line.

METROPOLITAN LIGHTING FIXTURE COMPANY was established in 1939 and has been illuminating the fi nest interiors for over 60 years. The showroom offers a comprehensive collection of lighting design from antique reproductions thru the contemporary style of George Kovacs. Located in the New York Design Center, Metropolitan Lighting is one of the largest showrooms in the New York area catering to the design trade.

200 Lexington Ave., Suite 512New York, NYwww.minka.com

RUNTAL ELECTRIC BASEBOARD – Runtal unveils their new electric panel radiators. This revolutionary patent pending technology combines high outputs and low surface temperatures with the fi ne design and outstanding quality that one expects from Runtal. Available in either 208 or 240 volts in 100 colors.

www.runtalnorthamerica.com1-800-526-2621

Does your home or offi ce have a great view? Why not explore it and enjoy it as much as possible with OBERWERK LONG-RANGE BINOCULARS AND BINOCULAR TELESCOPES? Highest quality optics provide stunning clarity and sharpness at surprisingly affordable prices. See us online at www.giantbinoculars.com

For free catalog, call 866-623-7937 or email to [email protected] OBERWERK CORPORATION 866-623-7937. www.giantbinoculars.com.

Applied to the interior surface of your windows, SUNSHIELD ENERGY CONTROL’s invisible coating offers high tech protection of fi ne furnishings, fabrics and artwork from the destructive effects of sunlight. Their proprietary preservation products are utilized in the world’s fi nest homes and most prestigious museum environments. Energy conservation benefi ts are additionally realized through solar heat and glare reduction. Sunshield’s knowledge and expertise will ensure that your valuable investments will remain safe for future generations to enjoy.

Sunshield Energy Control Systems“The Intelligent Solution to Solar Control”129 Union Avenue New Rochelle, NY 10801

TOTO is the largest plumbing manufacturer in the world. For nearly 100 years, the TOTO Global Group has been the recognized leader in innovation and precision engineering in elegant, high-design products that enhance the bath space. The company’s Americas Division, TOTO USA, Inc., is reinventing the exclusive bath experience with its revolutionary People First approach to product innovation. TOTO continues to raise both industry standards and consumer expectations, as its name is synonymous with beauty, performance, quality, and value.

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A Pair of Ormolu Mounted Gu Form Rock Crystal Lamps | 36 in/H.

219 East 60th Street New York, NY 10022 | (212) 759 - 1153 | [email protected]

Phoenix Antiques

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68 the home observer Fall 2012

HOME Gallery

Zarin Fabrics is the largest resource of discounted designer fabrics and custom upholstery and window treatment services in New York City. Since 1936, Zarin Fabrics has covered windows and furniture with the most beautiful fabrics in countless homes of the most discerning New Yorker’s. As with our founder, Harry Zarin, the third generation is focused on the highest level of customer satisfaction. From window fashions to custom upholstered beds and everything in between, Zarin Fabrics.

Wittus – Fire by Design has the finest selection of European contemporary indoor and outdoor fireplaces, stoves, and accessories.

40 Westchester Ave., POB 120, Pound Ridge, NY 10576 914-764-5679 www.wittus.com

Since 1985, Wald real estate is the most personalized brokerage firm in New York representing the most discerning sellers and buyers of Coop, Condominium and Townhouse properties. We have the most comprehensive listings database and marketing strategies to meet the demands of the marketplace. Please call us at 212-750-WALD.

Founded in 1980, Valcucine produces kitchen cabinetry and accessories. Valcucine is dedicated to providing the best product possible with a focus on aesthetics and creativity. They work to apply technology to increase the product life, reduce the consumption of raw materials and ensure that all the products they produce can be reutilized or recycled. They are committed to sourcing materials that meet the most stringent standards for the release of volatile organic compounds.

66 Crosby St.New York, NY www.valcucine.com

the White cabinet. My late mother, Hilda Glasgow, was a top fashion illustrator of the mid 20th century. Her clients included Vogue, Saks Fifth Avenue, Bonwit Teller and the like. Her pen and ink drawings had been hidden away for over 50 years in a white cabinet in her Manhattan apartment. I wanted the world to see them again, and so started an online store offering her work as custom prints, giftwrap, notecards and more.

Enhance Your Beautiful View

High Performance Optics for Earth and Sky

866.623.7937giantbinoculars.com


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Your brand will feel right at home

in the next Home Observer

dedicated to home furnishings and luxury living.

Reserve space now!

For more advertising information please contact

Home Observer Publisher Betty Shaw Lederman

212-407-9359 or [email protected]

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FISKEROFGREATNECK

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“ The coolest thing about my Karma,is that it is so cool.” -Jeff G.

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NYObserved

Drink it inStill sippin’: a Solo cup for a one-of-a-kind city

IT HAS SPAWNED a million ceramic imitators, sold in museum shops and gift emporiums na-tionwide, but for purists, there’s only one original Anthora container: paper, with a plastic lid and fold-back, tear-off tab.

The Anthora cup was designed by Leslie Buck, a mar-keting director at the Sherri Cup Company: not an artist, but a salesman with an idea about how to market a paper cup to the Greek immigrants who owned diners, coffee shops and coffee carts across New York in the 1960s. The blue-and-white design invoked the colors of the Greek flag and its message—We Are Happy To Serve You—was print-ed in a Greek-style font above steaming coffee cups and a Greek key border. Sales of the Anthora reached 500 mil-lion cups a year in the mid-90’s.

But changes were brewing in coffee culture. With the disappearance of many of the Greek-run establishments, so too faded the concept of a small coffee and the New Yorker’s lingo for ordering it (before the days of a grande

half-caf mochaccino, a “regular coffee” got you a drip cof-fee with milk and sugar). Starbucks replaced the diner, lattes replaced the beverage, and a grande cup replaced the small container.

The Solo Cup Company, which purchaed Sherri Cup in 2005, still manufactures the Anthora upon request (call 1-800-FOR-CUPS), but only in large quanities; those need-ing just a little sip of the old days can order the container in packages of 100 from the New York First Co. “There are New Yorkers everywhere,” says Jeff Turback, who owns New York First with his brother Michael, “and it’s a con-nection for people.” And for a city: “They’ll film a movie in Hollywood or in Canada, and you stick that cup in your hand, and you’re in New York.” (The Scorsese Company, says Turback, buys on a regular basis).

So if tearing back that lid opens up a container of mem-ories, drink up, even if it’s just at home: the one place in New York where everything still remains pretty much just the way you liked it. —R.M.

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Client:

Project:

Campaign:

Creative:

AE:

Kravet - 298813

2012 Ad Work

Macaroon

Macaroon

SL

Publication:

IO #:

Issue:

Ad Type:

Proofs:

New York / Home Observer

None

2012-10(Oct)

P4CB

B: = 8.625” x 11.25”

T: = 8.125” x 10.75”

S: = 7.625” x 10.25”

1

Ship Info: New York / Home Observer

The New York Observer

321 West 44th Street. 6th Floor

New York, NY 10036

Attn: Betty Lederman

T: 212.407.9359

E: [email protected]

Contact Jane Fidler with any questions regarding these materials.ph: 646-230-1946 email: [email protected]

33 East 17th Street, New York, NY 10003 • 646-230-1900

K100 K75 K50 K25 C100 C75 C50 C25 M100 M75 M50 M25 Y100 Y75 Y50 Y25 R100 R75 R50 R25 G100 G75 G50 G25 B100 B75 B50 B25PAPER

inspired. kravet

FA B R I C S F U R N I T U R E T R I M M I N G S C A R P E T S K R AV E T. C O M

®

Bkgd: c:44 m:100 y:18 k:20 KK: c:36 m:84 y:10 k:4 Accent: c:30 m:10 y:70 k:2

S:7.625”S:10.25”

T:8.125”T:10.75”

B:8.625”B:11.25”

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