Hgb Aeolus Programm Engl 2015

7/21/2019 Hgb Aeolus Programm Engl 2015

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Organizer of the Aeolus International Competition for Wind Instruments isthe Sieghardt Rometsch-Stiftung.It is the mission of the Sieghardt Rometsch-Stiftung to support talentedyoung musicians.

While there is general awareness in our society for the need to fosteryoung scientific talent, the same is not true for encouraging highly talen-ted young artists. This foundation aims to make a contribution towardsredressing the balance between scientific and artistic education. To thisend, the foundation focuses on the discovery and support of musical

talent in young people, so that Man shall not neglect himself, as Schillerdemanded in his letters of aesthetic education. For music addresses thesoul, mind and body in equal measure. It promotes intelligence and self-confidence as much as social behaviour.

The Aeolus International Competition for Wind Instruments is at thecentre of the foundations strategy to encourage the gifted youth. Itintends to encourage wind musicians to exceptional achievements, tocreate for them a yardstick for performance standards, and finally to offerthem a platform for public performance.

Partners the Robert Schumann Hochschule in Dsseldorf the Dsseldorfer Symphoniker and Deutschlandfunk, Cologne | Radiostation

Organizer

Partners


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Jury

Philippe BachChair

Since 2011 Philippe Bach has been the chief conductor andartistic director of the traditional Meininger Hofkapelle and ofthe Sdthringische Staatstheater Meiningen.

Philippe Bach was born 1974 in Saanen, Switzerland. He studiedhorn at the Music Academy in Bern and at the Conser vatorie

de Geneva and thereafter conducting at the Music Academy inZuerich with Johannes Schlaefli and at the Royal Nor thern Collegeof Music in Manchester with Sir Marc Elder.

He has attended master courses with Sir Collin Davis, DavidZinman, Vladimir Jurowski, Prof. Ralf Weikert and others. In2005 he was the recipient of a fellowship from the prestigiousAmerican Academy of Conducting at the Aspen Music Festival.

Past orchestral engagements include the Tonhalle Orchester in

Zuerich, the London Symphony Orchestra, the Royal LiverpoolPhilharmonic and Bournemouth Symphony Orchestra, Sdwest-deutsche Philharmonie and others.

Washington BarellaOboe

Born in 1965 in Pira Cicaba, Brasil. He studied from 1984 to 1986 at the Musik-hochschule in Hannover with Ingo Goritzki and from 1988 to 1990 at the HarttSchool of Music, Hardford (USA), with Humbert Lucarelli.

Washington Barella has gained major international recognition through a seriesof competition prices in Europe, the United States and his native Brasil. Hailedby the New York Times for his rich toned lyricism and full-power virtuosity he was

a price winner of the ARD music competition. In the USA Mr. Barella won the firstprice of the 1991 concert artists Guild New York competition. Brasilian awardsinclude prices on the national Piracicaba and Eldordo competitions.

He was solo oboist in the symphony orchestra from Campinas, Brasil, from 1981 to1983 and from 1987 to 1988. From 1990 to 1992 he was solooboist at the AtlanticSinfonietta in New York (USA). Barella is member of the Albert Schweitzer Octett.He has been giving solo concerts with the Bayerische Rundfunksinfonieorchester,the SWR Sinfonieorchester, etc. Since 1992 he was solo oboist at the SWR Sinfo-nieorchester.

Since 2012 Mr. Barella is professor at the Music Academy Universitt der Knstein Berlin.


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Jury

Arno Bornkamp Saxophone

Born in Amsterdam in 1959 is a Dutch classical saxophonist and is considered as one of the greatsaxophone soloists equally at home in the traditional and in the contemporary repertoire. He isone of the great teachers and professor at the Sweelinck Conservatorium van Amsterdam since1995. Arno Bornkamp has won many awards including Silver Laurel of the Concertgebouw andthe Netherlands Music Prize among the most noteworthy. The latter enabled him to go abroadstudying in France with Daniel Deffayet and Jean-Marie Londeix as well as working with composers

such as Luciano Berio and Karl-Heinz Stockhausen.

Since 1982 he has been part of the Aurelia Saxophone Quartett where he plays tenor saxophone.He has given many masterclasses across the world.

Richard Galler Bassoon

Born in Graz he has got his first bassoon lessons at the conser-vatory Johann-Benisch in Graz. From 1984 to 1988 he studiedwith Professor Milan Turkovic at the music academy Mozarteumin Salzburg.

He has won numerous competitions such as Jugend musiziert,Musiker juventutis, C.M. v. Weber competition in Munich etc.

Since 1987 he has been solo bassoon of the Wiener Sinfoniker.

Chamber music plays an important role in his musical life. Hehas worked with the Vienna Bassoon Quartett, United Soundsof Bassoon, etc.

His artistic carreer as a soloist has brought him to Germany,Switzerland, Portugal, England, Norway, USA, Japan etc. Hehas been working together with conductors such as Rafael Frh-beck de Burgos, Wolfang Sawallisch, Leopold Hager, Vladimir

Fedosejev.

He has been giving regularly master classes. Since March 2004Richard Galler is university professor at the university for musicin Vienna, thereby succeeding Milan Turkovic.


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Jury

Dag Jensen Bassoon

Dag Jensen was born in Horton, Norway, and began bassoon lessons at the ageof 11 with Robert Rnnes. He was principal bassoonist at the Bamberg SymphonyOrchestra from 1985 to 1988 and held the same position at the Cologne RadioSymphony Orchestra from 1988 to 1997.

Dag Jensen won the 1st prize at the Norwegian Youth Music Competition and

twice won the Coveted ARD Music Competition in Munich in 1984 and 1990.

His numerous solo appearances with renowned orchestras has taken him through-out Europe, the United States and Japan. 2003 he was principal bassoonist in thenewly founded Lucern festival orchestra under Claudio Abbado. Seiji Ozawa askedhim to join the Saito Kinen Festival Orchestra as principal bassoonist.

Chamber music plays an important part in his musical life and he his a memberof the Sabine Meyer Wind Ensemble and the Ensemble Villa Musica and is aregular guest at several music festivals national and international.

His artistic career is well documented on CD. Dag Jensen has been professor atthe Hannover Academy of Music and Theatre since 1997. Many of his studentshave won prizes of national and international music competitions.

Since 2011 he is professor for bassoon at the university for music and performingarts in Munich.

David Walter Oboe

Born in Paris in 1958 David Walter has pursued an original carreer:after obtaining first price in oboe and chamber music at the Conser-vatoire Nationale Suprieur de Musique de Paris he quickly obtainedrecognition outside of France by winning five international oboe com-petition one after the other in Ancona, Prague, Munich, Belgrade andGeneva. Despite this impressive record he did not choose to pursuea solo career and preferred to focus on chamber music and teaching

which he deems richer in human values.

David Walter was only 29 years old when, owing to his enthusiasm anddedication to teaching, he was appointed the youngest ever oboeand chamber music professor at the renowned Paris conservatoire.He has also taught at the Guild Hall School of Music and Drama since1997 and gives regularly numerous master classes all over the world.

David Walters experience of group performance has lead him naturallyto conduct small orchestras and ensembles.

He also is the artistic director of two collections with the music publi-shers Billandot and contributes also to the recently founded Notissimopublishing company.


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Jury

Raimund Wippermann

Raimund Wippermann studied music teaching, sacred music and choirmasterat the University of Music in Cologne and Duesseldorf. Postgraduate studiesat the conservatory in Stockholm followed (amongst others with ProfessorEric Ericson); several years engagement as church musician; 1991 appoint-ment as Director of Music at the dome in Essen where he was entrusted withthe direction of the dome choir and the formation of the girls choir.

Since 1997 is Raimund Wippermann professor for choir conducting at theRobert Schumann Hochschule in Dsseldorf where he already started asa teacher in 1990. A special emphasis of his work as professor is the choirmaster teaching of students of sacred music.

Since August 2004 he has been the director of the Robert Schumann Hoch-schule in Dsseldorf.

Raimund Wippermann is the founder and artistic director of the chamberchoir Cantemus. From 1995 until September 2000 he was also choir masterof the Stdtischer Musikverein in Dsseldorf.

He has been a price winner of the German choir competition with his cham-ber choir Cantemus in 1990 in Stuttgart and the first price in the 8th Germanchoir competition 2010 with his girl choir of the Dome in Essen.

Christian Wirth Saxophone

Christian Wirth was born in 1970 in Mulhouse (France).Graduate and post-graduate from the ConservatoireNational Suprieur de Musique et de Danse de Paris,he founded in 1993 the Habanera Saxophone Quartet,one of the leading saxophone quartet actually in theworld.

Following numerous international prizes, in solo or inquartet (first prize-winner of the International AdolpheSax competition of Saint-Nom La Bretche, and eightfirst prizes at international chamber music competitions(Osaka, Bordeaux ), he has recorded for the labelDeutsche Grammophon and Alpha Productions,and he is now saxophone solo from the Orchestre dela Garde Rpublicaine in Paris.

Professor recognized, he gives master-classes aroundthe world (Japan, China, Spain, Germany, Switzerland,

Ukrainia, Poland, Hungary, Austria, Tawan), and teachesat the Maurice Ravel Conservatory of Paris.


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Compulsory Programme for Bassoon

Compulsory Programme for Oboe

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First Round, to last no longer than 15 minutesa) Franz Berwald: concert pieceb) Martial Solal: Seul contre tous pour Bassoon (Ed. Salabert)

First Round, to last no longer than 15 minutesa) Georg Phillip Telemann: one of the 12 Fantasias for flute

solo, of own choiceb) Klement Slavicky: Suite for Oboe and Piano (1959/60),

1st and 2nd movement

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Second Rounda) Pierre Max Dubois: Sonatine Tango

orIvan Erd: Sonata Milanese (Ed. Doblinger)

b) a contemporary solo piece composed after 1980c) Camille Saint-Saens: Sonate op. 186 pour Bassoon et PianoorCarl Maria von Weber: Andante and Rondo Hungarese

It must be ensured that the total length of the selected worksdoes not exceed 30 minutes.

Second Round, to last no longer than 30 minutesa) a contemporary solo piece composed after 1968b) Antonio Pasculli: Gran concerto su temi dallopera

I Vespri Siciliani di Verdic) Henri Dutilleux: Sonate pour Hautbois et Piano

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Benjamin Britten: Temporal VariationsIt must be ensured that the total length of the selectedworks does not exceed 30 minutes.

Third Rounda) Andre Jolivet: Concertob) Antonio Vivaldi: Concert C-Dur F. VIII13

orconcert e-minor, F. VIII 6orconcert g-major F. VIII 30

Third Rounda) Antonio Vivaldi: a concert for oboe of own choice

Concerto in g-minor (op.11 n 6, Leduc)orConcerto in d-minor (FVII n 1, Ricordi)orConcerto in a-minor (RV 461/PV42, Schott)

b) Wolfang Amadeus Mozart: concert for oboe KV 314

The concerts of Antonio Vivaldi and WolfgangAmadeus Mozart are to be played from memory.The jury reserves the right to have the requiredpieces played whole or in part.

The concerts of Wolfgang Amadeus Mozart andRichard Strauss are to be played from memory.The jury reserves the right to have the requiredpieces played whole or in part.

The Final and prize winners concertWolfgang Amadeus Mozart, Konzert KV 191

The Finale and prize winners concertRichard Strauss: concert for oboe and small orchestra


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Terms and Conditions

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Each applicant who will be admittedto the competition will receive awritten confirmation of registrationno later than 31 May 2015.

Applicants and their accompanistsare responsible for their own travelarrangements to and from the com-petition.

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Piano accompanists will be pro-vided to applicants free of charge.Personal accompanists are allowedat the applicants expense. The

name of the accompanist must befilled in the application form.

The organiser of the competition reserves the rightto record each performance, all rounds, and thefinal concert of the competition both acousticallyand optically. The records may subsequently beused for publicity purposes. The organiser alsoreserves the right to grant approval to radio andTV stations to broadcast and to record each per-formance, all rounds and the final concert of thecompetition. The applicants are not entitled toclaim any financial compensation for the broadcast

and/or recording of their performances.

Registration fee is EUR 70,00. After the applicant has receivedthe confirmation of registration, the registration fee must be transferredby the applicant until May 31st, 2015 to the following:

HSBC Trinkaus & Burkhardt AGIBAN: DE48 3003 0880 0296 0580 09BIC: TUBDDEDDaccount name: Sieghardt Rometsch-Stiftung

reason for payment: Aeolus Competition/name of applicant.

All payments must be made free of charge. If the fee is to be paidby a person other than the applicant, ensure that the applicantsname is clearly indicated. The registration fee is entirely nonrefundable.A late payment will result in expulsion from competition.

By submitting an application, the applicant agreesnot to accept any engagements, that would conflictwith the date and time of the competition.

Applicants are responsible for their board and lodging,and that of any persons accompanying them.

The winners agree to perform in the final concertwith no claim of monetary compensation.

The organiser of the competition is not liable for anylosses or material damage to the applicants instru-ments and personal belongings. By submitting theapplication, the applicants agree to these conditionsincluding these of the compulsory programs and the

competition schedule.The English version is for convenience purposes onlyand is not legally binding. In case of doubt, please referto the German version, which is binding.


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Preview 2016

Preview 2017

Contact

The Aeolus International Competition for Wind Instruments inTrombone, Trumpet, Tuba | 13th to 18th September 2016

The Aeolus International Competition for Wind Instruments inFlute, Horn, Clarinet

Sekretariat Aeolus WettbewerbRobert Schumann HochschuleFischerstrasse 11040476 Dsseldorf, Germany

Phone +49 (0)211 4918 [email protected]

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