HEROIC

HEROIC THE MOST POWERFUL FREEDOM

STRUGGLE OF INDIAN INDEPENDENCE

Written by

KASHISH

SYNOPSIS

HEROIC

During the second world war Japan captured British Indian

soldiers. Ajit and Akbar were two prisoners soldiers who too

joined INA in the leadership of Subhash Chandra Bose. Ajit and

Akbar did not like to join British army but they joined it since their

father insisted them to do so . INA entered in Burma and attacked

on British Army. While fighting in a battle Ajit & Akbar received

bullet injury. There was only one life saving injection left. Without

information Ajit, Akbar injected it to him and sacrified his own life

for Ajit. Britain won the war. All other soldiers of INA were made

prisoner of war. All INA’s soldiers faced trials in Red Fort and

they were sentenced to life imprisonment. Seeing outraged public

British Government cancelled the execution and soldiers were

freed.

CHARACTERS

1. Ajit Tiwari (26), a soldier in INA. He is very energetic and enthutiastic. He was

also a English Soldier captured be Japan. He had joined British Army because

he was insisted by his father. He did not like to join British Army. He is Savita’s

Husband & son of Ramlagan.

2. Akbar Razzak (24), a soldier in INA. He is unmarried. He is very brave. He was

also a English Soldier captured by Japan. He is very emotional man. For

collecting some amount of money to spend in sister’s wedding, he joined British

Army.

3. Savita (18), year old women. Ajits wife and daughter of Shyam Narayan.

4. Razia (17) year old girl. His father Shaukat Ali Khan is a politician.

5. Netaji Subhash Chandra Bose :

We know

Rasbihari Bose → An Indian revolutionary working against British Govt. in

Japan. He is above 50.

Shyam Narayan → A farmer in mid forties and father of Savita. He wears

Dhoti

& Kurta.

Ramlagan → A farmer in Midfifty and father of Ajit. He chews tobacco all the

time. He wears Dhoti & Kurta. He appreciates British Govt.

Imran Razzak → Imran Razzak is in early forties. He has a long beard. He is

lying on his bed and smoking hukka.

SCENE 01 / INT. CONGRESS OFFICE / DAY CHARACTER :

SUBHASH CHANDRA BOSE MAHATMA GANDHI SARDAR PATEL SIX OTHER LEADERS

JAN –1 939

Scene opens with S.C. Bose is presiding a meeting of congress S.C. Bose asks

other congress leaders for a mass action to throw off the British Government, if Second

World War occurs.

Gandhiji and other senior leader are discussing and finally they do not agree they

differs in their ideologies Netaji wants violence while Gandhiji wants nonviolence.

SCENE 02 / EXT. CONGRESS OFFICE / DAY CHARACTERS :

SUBHASH CHANDRA BOSE FEW STAFF MEMBERS FEW WEEKS LATER

Netaji is heading towards congress office. He enters the office & resignation letter (from

presidentship of Congress) to a staff member. Netaji comes out of the office.

SCENE 03 / INT. NETAJI’S HOUSE / DAY CHARACTERS :

SUBHASH CHANDRA BOSE SUBHASH CHANDRA BOSE’S FOLLOWERS

Netaji enters in room. Netaji’s followers are sitting beside him on chairs. After lot of

discussion Netaji decides to form a party called “Forward Block”.

(Thus Netaji Founded Forward block in May 1939)

SCENE 04 / EXT. BIG GROUND / DAY CHARACTERS :

SUBHASH CHANDRA BOSE PUBLIC

MARCH 1940 Netaji is appealing to a crowd. He is insisting on noncooperation with British

Government in second world war. He also predicts “That Day Is Not Far Away When

They British Govt. Will Be Thrown Away From India”

SCENE 05 / INT. NETAJI’S HOUSE / DAY CHARACTERS :

SUBHASH CHANDRA BOSE TWO SEPOY VAN DRIVER (SEPOY)

SOUND OF KNOCKING OF DOOR

Netaji opens the door. Two sepoy appears in front of the door. Netaji asks their

intention. One of the repay says that they are ordered to arrest him.

Netaji asks the reason. The sepoy replies, “YOU ARE AGITATING PEOPLE

AGAINST BRITISH GOVT.”

Netaji sits inside police Jeep.

Driver drives the Jeep.

SCENE 06 / INT. JAIL / DAY CHARACTERS :

SUBHASH CHANDRA BOSE ALL SEPOYS

Netaji (S.C. Bose) is standing behind bars. To force his release Netaji goes on hunger

strike. His health deteriorates day by day.

SCENE 07A / NETAJI’S HOUSE / DAY CHARACTER :

62 POLICEMAN

The Government compelled to release him and puts Netaji under house arrest. 62

policeman are there, all the time, keeping a strict watch on him.

SCENE 07B / NETAJI’S HOUSE / DAY

17TH JAN 1941 MORNING

One Sepoy shouts “BOSE IS NOT IN HOUSE”

SCENE 08 / INT. VARIOUS PRINTING PRESS/ DAY CHARACTER :

NEWS PAPER VENDOR

Printing M/C’s are printing news

That “SUBHASH BOSE DISAPPEARED”

“SUBHASH CHANDRA BOSE GAYAB”

Newspaper vendor shouts

“SUBHASH CHANDRA BOSE LAAPATTA”

SCENE 09 / INT. ROOM / DAY CHARACTERS :

SUBHASH CHANDRA BOSE APRIL 1941 GERMANY, BERLIN,

On Azad Hind Radio Netaji is appealing to Indians all over the world to fight against

British Govt., with arms and ammunition if they want to free India.

SCENE 10 / EXT. MALLAYA (JOHORE STRAIT) / DAY CHARACTERS :

ARTHUR PERCIVAL ARMY OF BRITISH INDIAN SOLDIERS SOME BRITISH SOLDIERS

25 Jan, 1942 Arthur percival gives order for a general retreat across the Johore strait to the Island of

Singapore, Few days later thirty thousand British soldiers surrender to Japanese Army.

All soldiers are putting down their gun.

SCENE 11 / INT. OFFICE / DAY CHARACTERS :

A JAPANESE LEADER RASBIHARI BOSE DESCRIPTION OTHER BRITISH INDIAN SOLDIERS JAPANESE OFFICERS (CAPTAIN)

Rasbihari Bose (mid fifties) meets a Japanese leader. Bose persuades the Japanese leader

to form INA (Indian National Army)

Japanese Govt. agrees to help Indians in their freedom struggle.

SCENE 12 / INT. PRISON / DAY CHARACTERS :

RASBIHARI BOSE THOUSAND BRITISH INDIAN SOLDIERS

Rasbihari Bose asks British Indian Soldiers to form INA. But soldiers are disagree.

ONE SOLDIER : Is mein Humein kya milega.

OTHER SOLDIER : Humein khamokhaan jaan dene ka shauk nahin hai.

THIRD SOLDIER : Ismein British sarkar waalah rutbaa nahin hai.

RasBihari Bose appeals to them to form INA by singing a song.

SCENE 13 / EXT. GROUND / DAY

CHARACTERS :

JAPANESE OFFICER RASBIHARI BOSE BRITISH INDIAN SOLDIERS

All Indian soldiers are doing exercises according to instruction of Japanese army officer.

All soldier are tired. Now they leave the ground. Rasbihari bose is looking at INA’s

soldiers with enthusiasm.

SCENE 14 / EXT. GROUND (SINGAPORE) / DAY CHARACTERS :

AJIT TIWARI AKBAR RAZZAK INDIAN SOLDIERS SAVITA

Soldier are doing different kind of military exercise like push – up, running, jumping,

rope – climbing etc.

AJIT TIWARI (26) is a typical HinduBrahmin. He is married. His father forced him to

join british army.

AKBAR RAZZAK (24)is a muslim. He is fiancé of Razia khan. To get some money for

marrying his sister he joined the British Govt. Akbar and Ajit are doing Pushup. When

Ajit is lying wife Savita is lying below him on the ground.

A whistle blows soldiers are allowed to take rest.

Ajit and Akbar are walking with their hands on each others shoulders. While walking Ajit

talks to Akbar, both are breathing heavily.

AJIT “JAB BHI SAPAAT LAGAATA HOON TO MUJHE SAVITA KI YAAD AATI

HAI”

AKBAR “TUMHEIN YAAD TO AATI HAI KAM SE KAM. MERI TO SAGAAI HUI

THI JALDI HI.”

AJIT : AKSHA HAI. MERE LIYE

TOH WHO HAMEINSHAA

PARESHAAM REHTI HOGI.

AKBAR : BADI MOHABBAT KARTEIN HAIN AAP BHABHIJAAN SE.

AJIT : BHAGWAN KHEL HI KUCH AISA KHELTA THA.

Akbar smiles and slightly nods his head and closes his eyes. Akbar is speaking something

to Ajit but it is not audible world.

SCENE 15 / EXT. MARRIAGE CEREMONY / NIGHT CHARACTERS :

AJIT SAVITA PRIEST BRIDE BRIDEGROOM

OTHERS LAKHANPUR VILLAGE

FLASHBACK BEGINS Younger Ajit of 18 years. Priest is chanting mantra. Ajit & Savita are attending the marriage of their close friends. Priest : KANYA KA HAATH DULHE KE HAATH MEIN DIJIYE. Bride and bridegroom performs the ritual.

Ajit is looking at Savita amorously. One of Savita’s friend tells her that Ajit is looking at

her amorously Savita is a Sixteen year old girl. She is unmarried she is good looking and

talks freely and sometimes indulge herself in altercation.

Savita glances at Ajit and suddenly turns away his face. Savita too turns her face with

annoyment. Priest is chantering mantra.

Again Ajit is looking at Savita. But this time Ajit and Savita exchange glances. Now Ajit

bends his head a little.

Priest is chanting mantra, Savita is starting at him. Ajit looks at Savita. They exchange

glances and Ajit is embarrassed. Savita also smiles.

SCENE 16 / INT. BRIDE’S HOUSE / NIGHT CHARACTERS :

AJIT SAVITA BRIDE BRIDEGROOM OTHERS

Savita and Ajit are accompanying bride and bride groom. There are many girls from

Brides sides and few boys from Bridegrooms side.

Savita and Ajit exchange glances.

A “PARAAT” filled with milk is placed.

A ring is dropped in it.

Bride and Bridegroom dips their hand.

After searching few seconds bride finds the ring. Savita raises her eyebraces with pride.

Savita raises her eyebraces with pride.

Savita asks bridegroom to sing a song but the bridegroom refuses.

Savita starts teasing all boys that they are good for nothing.

Then Savita asks any guy from bridegroom side to sing.

Ajit sings a song and later all guys start singing with Ajit.

SCENE 17 / INT. BRIDE’S BEDROOM / NIGHT CHARACTERS :

AJIT SAVITA BRIDE BRIDEGROOM ALL GIRLS

Bride is heading towards bed along with Savita and other girls. New Bride is on a bed.

SAVITA (to all girls) : CHALO CHALO SAIYAANJI

KA INTJAAR KARNE

DO INHEIN.

All girls laugh. All girls along with Savita are going outside the room.

Bridegroom along with Ajit is heading towards bedroom. Savita stops. With playful

mood and smile on her face Savita asks Ajit. :

SAVITA : KYA TUMHEIN BHI

ANDER JAANAA HAI

All girls laugh and go away.

Ajit leaves bridegroom.

SCENE 18 / INT. BRIDE’S HOUSE / DAY CHARACTERS :

AJIT SAVITA BARATEES OTHERS

NEXT DAY All “baratees” are standing outside the house.

Ajit is entering in House. Savita is going quickly outside the house.

Ajit and Savita collides with each other.

SAVITA

(rasing her eyerows) : SARAIGRAM KE MARDON KI

AANKHEIN FOOTI HAIN

KYA (Slight Pause)

AJIT : MOTORGADI KI TARAH

CHALEINGI AUR DOSH

HUMKO DENGI.

SAVITA : KAAHEIN NAA DEIN

KSHMAA MAANGIYE HUMSE.

AJIT : KSHMAA DEVIJI. GALTI HO GAYEE AAP AISE HI

TEJI SE CHALIYE HUM

SAARE BARAATIYON SE KEH

DETEIN HAIN KE JIS SE

AAP BHIDEIN VO SAB

AAP SE KSHMAA MANGEIN.

Savita blushes and runs away outside the room.

SCENE 19 / EXT. BRIDE’S HOUSE / DAY CHARACTERS :

AJIT SAVITA SHYAMNARAYAN (SAVITA’S FATHER) BARATEES

Ajit and Savita are talking to each other “Shyamnarayan a farmer in his mid – forty

wearing kurta and dhoti is seeing Ajit and Savita”.

Savita goes inside the house and Ajit joins “Baaraatis” standing infront of the house.

Shyamnarayan also joins “Baaraatis”

Shyamnarayan asks Ajit about him. Ajit tells him without hesitation.

Brides father gives farewell to all “Baaraatees” Finally the marriage comes to an end.

Ajit and Savita parts away.

SCENE 20 / INT. AJIT’S HOUSE / NIGHT CHARACTERS :

AJIT VILLAGE SARAIGRAM

Ajit is lying on bed all memories of Savita are recurring in his mind.

Meanwhile Ajit frequently turns his side.

SCENE 21 / INT. SAVITA’S HOUSE / NIGHT CHARACTERS :

SAVITA LAKHANPUR VILLAGE

Savita is lying on bed.

All memories of Ajit are recurring in her mind.

Meanwhile Savita turns her side & smiles.

SCENE 22 / SAVITA’S HOUSE / DAY CHARACTERS :

SAVITA SHYAMNARAYAN

Savita is sitting still and sweeping the floor at the same spot from long time. Savita is lost

in another world.

Shyamnarayan enters the room and looks at Savita.

SHYAMNARAYAN

(without looking at Savita) : AAJ JHADU LAGAANE MEIN ITNEE DERI

KYON LAG RAHI HAI.

Savita shudders and smiles.

SCENE 23 / EXT. AJIT’S HOUSE / DAY CHARACTERS :

SHYAMNARAYAN (SAVITA’S FATHER) RAMLAGAN (AJIT’S FATHER) A BOY (15 YEARS) FEW DAYS LATER

Shyamnarayan reaches Ajits House.

Ramlagan is father of Ajit. He is in mid – fifty. His two daughters are married. He feels

that British Govt. is doing a good job. He is a farmer and habituated to chew tobacco.

Ramlagan is sitting on bed in veranda, rubbing tobacco in his left hand with thumb of

right hand.

Shyamnarayan greets Ramlagan.

SHYAMNARAYAN : PRANAM MAIN

LAKHANPUR KA RAHNEINWALLA

HOON

A 15 years old boy brings water and gud.

After a long conversation.

RAMLAGAN : RISHTAA PUKKA

Shyamnarayan and Ramlagan hugs each other.

SHYAMNARAYAN ACHHA AB CHAL JAAY

Shyamnarayan leaves the place while Ramlagan enter in his house.

SCENE 24 / INT. AJIT’S HOUSE / DAY CHARACTERS :

AJIT SHANTI DEVI

Ajit enters in his house

Her mother Shantidevi is 50 years old. She is well dressed.

Shanti Devi greets Ajit with delight.

SHANTI DEVI : AJIT TUMHARI

SHAADI TAIN HO GAYEE BETA.

Ajit has no expression on his face.

Shanti devi looks at Ajit and she is going in other room while saying

SHANTI DEVI : BAN TO AISE

RAHAA HAI JAISE KOI

KUSHI HI NAHIN HUI

Ajit enters in his room.

He is walking in room worriedly.

Moments with Savita are recurring in his mind.

He sits on bed. Finally Ajit decides he will not meet Savita again. Since he is not

knowing that Savita’s father Shyamnarayan had came for engagement.

SCENE 25 / INT. SAVITA’S HOUSE / DAY CHARACTERS :

SHYAMNARAYAN SAVITA

Shyamnarayan enters in his house.

He calls Savita.

Savita is in Kitchen.

SAVITA : AAYEE BABUJI

Savita reaches near Shyamnarayan.

SHYAMNARAYAN : SAVITA, MAINE

TUMHARI SHAADI TAIN KAR

DI HAI.

SAVITA

(with disappointment) : “ACHHA HI KIYA”

Savita goes in her bedroom, lies on bed, and starts crying. Finally she decides that she

will never meet Ajit.

She thinks that now she will not marry Ajit but somebody else since she don’t know that

her father engaged her with Ajit.

SCENE 26 / SHAADI’S MANDUP / NIGHT CHARACTERS :

SAVITA AJIT PRIEST OTHER BAARAATEES

Marriage ceremony is going on.

Priest is chanting mantras. Priest asks the Bridegroom to fill “Sindoor” in Brides head.

Savita’s face is covered with Ghoonghat (Veil). Ajit fills sindoor without seeing her face

properly. Finally they complete “Varmala Ceremony” All Baaraatees are enjoying the

ceremony.

SCENE 27 / INT. BEDROOM (DECORATED) / NIGHT CHARACTERS :

SAVITA AJIT

Savita is sitting on bed. Her face is covered with “ghoonghat” (veil)

Ajit comes in the room. He is quite hesitating while moving towards bed. He reaches to

the bed when he unveils the bride his mouth opens with shock on his face.

He thinks that he is so fond of Savita that the bride too seems like Savita. (Ajit is unaware

that the girl is Savita).

Savita lifts her eyebrows and her face gets a smile.

Now Ajit smiles too but hesitatingly.

Their smile turns out into a laughter

AJIT : SAVITA directs her finger towards Ajit with hesitation &

surprised.

SAVITA : AJIT

They hug each other. Ajit reduces the flame of lantern and they starts love making.

SCENE 28 / INT. AJIT’S HOUSE / DAY CHARACTERS :

POSTMAN AJIT RAMLAGAN

After few months

Ajit hears the knocking of door.

Ajit opens the door. Postman handle a letter to Ajit. He opens the letter. He reads. He

heads towards another room. Ajit tells Ramlagan.

AJIT (fretfully) : PITAJI MAIN YEH BRITISH SARKAR KE NAUKARI

NAHIN KAROONGA.

RAMLAGAN : YEH NAUKARI

TUMHEIN KARNI HOGI.

AJIT : YEH GULAMI HAI

RAMLAGAN : ISSE JO SAMJHO

AJIT : YEH DESH KE HIT

MAIN NAHIN HAI.

RAMLAGAN : BAND KARO YEH

BAKWAS NAUKARI NAHIN

KARNI HAI TO PARIWAAR

KE SAATH GHAR SE NIKAL

JAO.

Ajit is sitting on a chair. He is looking annoyed.

AJIT (V.O.) : KAISE SAMJHAAON KI YEH BRITISH SARKAR

HAMAARE DESH KO KHAA RAHI HAI.

INKI FAUZ MEIN AGAR RAHAA BHI TO INHEIN

BARBAAD KAROONGA.

SCENE 29 / ARMY GROUND / DAY CHARACTERS :

BATTALION OF SOLDIER AJIT TRAINING OFFICER

Ajit is under training of army.

Soldiers are shouting, running, jumping, crawling, with gun below fenced wire, climbing

rope etc.

All soldiers are doing parade.

SOUND : LEFT RIGHT LEFT

SOUND OF TRUMPET

Ajit shoots with gun at target.

SCENE 30 / EXT. BATTLEFIELD(MONTAGES) / DAY CHARACTERS :

HITLER MUSSOLINI FRANKLIN D. ROOSERVELT WINSTON CHURCHILL

POLAND A tank fires.

Wings of zooming aeroplanes drop bombs.

Guns are roaring.

MONTAGES

“II World War begins” gets the headline of newspaper all over the world.

Great leaders of all over the world are giving speeches

1. Hitler

2. Mussolini

3. Franklin D. Roosevelt

4. Winston Churchil

SCENE 31 / EXT. BIG GROUND / DAY CHARACTERS :

OTHER BRITISH INDIAN SOLDIERS AJIT OTHER BRITISH SOLDIER

SINGAPORE 25th JAN, 1942 British Indian Army under Arthur Percival (55 years) surrenders in front of Japanese

Army.

Ajit also drops his gun.

SCENE 32 / EXT. ARMY GROUND SINGAPORE / DAY CHARACTERS :

AKBAR AJIT OTHER SOLDIERS

FLASHBACK GETS OVER.

Ajit is lost in another world.

AKBAR : LAGTAA HAI YAADON MEIN

KHO GAYE HAIN JANAAB

Ajit sighs heavily.

AJIT : HAAN AUR KYA KAR

SAKTEIN HAIN

Akbar nods his head with smile.

AJIT : AUR AAP

APNE BAARE MEIN KUCH

NAHIN BATAAYEINGE

Akbar smiles.

AKBAR : JI KYA BATAAYEIN

KISSA BHI TO HONA

CHAAHIYE SUNANE KE LIYE

AJIT : JOOTH NA BHI BOLIYE

INSAAN MOHABBAT KAR NE

KE LIYE TO AATA HAI

Akbar Blushes.

AJIT : JO AAP NA KEH PAAYE

WHO AAP KA CHEHRA

KEH DIYA

Akbar is speechless.

AJIT (pause) : TO AAP KISI KO DEKHEIN HAIN

ABHI SHAADI NAHIN HUI HAI

Akbar’s huge smile turns into mild laugh.

AKBAR : HAAN

Ajit turns his face at Akbar and smiles.

AKBAR

(slight pause) : OONKA GUSSAA NAAK PAR TURANT

CHADHTAA HAI

TURANT OOTARTA HAI

Few soldiers are listening to the conversation of Ajit and Akbar from behind.

ONE SOLDIER: AREY BHAI HAMEIN

BHI BATAAIYE KAISE HAIN

AAP KE BEGUM.

Akbar tells all soldiers by a song about his beloved, that she is shorttempered, romantic,

beautiful possessive.

SCENE 33 / INT. RASBIHARI’S HOUSE / DAY CHARACTER :

RASBIHARI BOSE

A pen is moving on a paper held in a hand.

A Aman is writing a letter.

Rasbihari Bose is writing a letter.

Letter depicts

MAANNIYAA SUBHASH BABU

MAINE JAPAN KE BANAAYE BANDI BHARTIYA SAAINKON KE EK SENA

BANAYEE HAI.

SCENE 34 / INT. NETAJI’S ROOM / DAY CHARACTER :

SUBHASH CHANDRA BOSE

S.C. Bose is reading a letter.

(It is written in letter)

MERI AAP SE VINTI HAI KE AAP JAPAN

AA JAAIYE AUR INA KA NETRITVA KIJIYE.

AAPKA

RASBIHARI BOSE

S.C. Bose fold the letter and keeps it inside his skirt pocket.

SCENE 35 / INT. FUHRER’S OFFICE / DAY CHARACTERS :

S.C. BOSE

FUHRER

S.C. Bose enter Fuhrer’s office. He greets fuhrer and ask for his help to reach Japan.

Fuhrer agree to help S.C. Bose.

8th FEB, 1943

S.C. Bose is going by submarine through Medagascar where he enters in Japanese

V.Boat which takes him to Salong (Sumatra)

COMMENTRY :

Hitler is reluctant to listen S.C.Bose. But when Hitlers European ally & Italian Supremo.

Benito Mussolini, agrees to give all help to Netaji and Hitlers own foreign Minister

Rebbentrop evinced great devire to help the Indian cause. Hitler gives in. He meets

Subhash Chandra Bose after over fourteen months long wait. Hitler wants to improve the

position with Netaji’s presence in Japan. Hence takes the decision to transfer him through

submarine.

SCENE 36 / EXT. AIRPORT (TOKYO) / DAY CHARACTERS :

RASBIHARI BOSE S.C. BOSE PUBLIC AT AIRPORT

A plane lands. Netaji comes out of it. Rasbihari Bose greets Netaji. They hug each other.

R.B. BOSE : ACHHA HUA APP AA GAYE

MAIN SOCH RAHA THA

AAP AYENGE BHI YAA NAHIN

S.C. BOSE : JAB EK HINDUSTANI DOOSARE HINDUSTANI KO

BOOLAAYEGA TO AANAA HI HAI. GERMANY

MEIN BADI GHUTAN SI HO RAHI THI. YAHAAN AA

KAR SUKOON MILA HAI.

SCENE 37 / EXT. SINGAPORE ARMY GROUND / DAY CHARACTERS :

S.C BOSE

AJIT

AKBAR

RASBIHARI BOSE

OTHER INA SOLDIER

SINGAPORE

S.C. Bose reaches Singapore by plans. Netaji takes supreme command of INA on

25th Aug, 1943

S.C. Bose is delivering a speech to INA soldiers

S.C. BOSE : WE SHOULD BE PROUD OF BEING AN INDIAN

THAT DAY IS NOT FAR AWAY WHEN INDIA WILL

REGAIN ITS SUPERIORITY OVER ALL OTHER

NATIONS.

MY WELL WISHES ARE WITH YOU.

AB HAMAARAA BAS EK NAARAA “DILLI CHALO”.

JAI HIND.

SCENE 38 / EXT. SHIP / DAY CHARACTER :

INA SOLDIERS AJIT

INA soldier are going by ship and lands on seashore.

SCENE 39 / EXT. TERRAIN REGION / DAY CHARACTER :

INA SOLDIERS AJIT

INA soldier are going through helicopter. They are landing in Jungle through rope.

SCENE 40 / INT. ARMY CAMP / DAY CHARACTER :

ARMY OFFICER (A.O) AKBAR BRIDGADIERS

A head officer is presiding a meeting with all brigadiers. He is showing one map of

Burma region (near Assam). He is telling about the way to attach.

A.O. : Brigadier Akbar

AKBAR : Yes. Sir,

A.O. : You to Capture peak 391.

AKBAR : Yes, Sir.

H.O. : Here is a river which you have to cross. You have to make least

movement while crossing through river. You have to crawl bridge

to cross.

A.O. : You have to make this movement at 6.00 P.M. in the evening,

Because I Want a surprise attack on British Army.

NEXT MORNING.

Take initiative as I always told. If you last the initiative changes of loosing the battle will

increase.

SCENE 41 / EXT. TERRAIN REGION NEAR RIVER / EVENING CHARACTER :

10 20 SOLDIERS AKBAR

A river is following swiftly between two giantly rocks. Two soldiers are fixing pole at

one side.

Few soldiers are tying rope around them wooden logs to make bridge. One soldier is

going downward from huge rock to land in river. His legs are tied with rope from one end

and the other end is tied to big rock at top. He swims across the river. Finally he reaches

on another side of river. He looses the rock from his leg. He ties the rope around the rock.

Another man is crossing the river but by climbing rope. He is also carrying other tools

with him like pole, hammers, etc..

Finally construction of bridge completes.

All soldiers face brim with smile.

Darkness surrounds the area

SCENE 42 / EXT. TERRAIN REGION NEAR RIVER / MORNING CHARACTER :

INA SOLDIERS AKBAR BRITISH SOLDIERS.

A battalion of soldiers headed by Akbar are passing through the bridge by crawling . All

soldiers cross the river. Now soldiers are in terrain region where rocks and trees are

occupying most of the place. Soldiers are changing their position cautiously. Akbar is

looking through binocular. He spots a British Army Camp. He orders his soldier to take

their position and move cautiously. They reach at striking distance of British Camp. They

fights with British soldier and win the battle.

SCENE 43 / EXT. BURMA JUNGLE / MORNING CHARACTER :

INA SOLDIERS AJIT BRITISH SOLDIERS.

Soldiers are cautiously changing their position. Now Ajit and his battalion is at striking

distance of British Camp. Ajit wins the battle and thus they capture mawdoc in Assam by

crossing IndoBurma border.

One Soldier rubs the soil on his head. Tears glisten from eyes with happiness.

SCENE 44 / INT. AJIT’S HOUSE / DAY CHARACTER :

SAVITA OTHER WOMEN

The news that INA Soldiers intrude in India travel’s to Ajit village.

Savita is rinsing cloths in water. Somebody tells Savita that the soldiers captured by

Japanese are intruded in India.

Savita face brims with joy and her heart starts breathing quickly. She leaves the cloth in

bucket. She come closer to the girl. She asks her about Ajit but the girl says that she only

has this much information. She starts telling this news to all her friends.

SAVITA : MUJHE MALOOM HAI

AAP AAYENGE

SCENE 45 / EXT. ARMY CAMP / NIGHT CHARACTER :

AJIT

Ajit is lying on a folding led.

AJIT (V.O) : AANAA KITNA MUSHKIL

HAI TUMHARE PAAS.

SOUND : WHISTTING OF CRICKET.

SCENE 46 / INT. ARMY CAMP (MOWDOC) / DAY CHARACTER :

AJIT A.O (ARMY OFFICER) AKBAR

Few days later Battallian of Ajit and Akbar unites. An army officers giving instruction to

Ajit and Akbar.

ARMY OFFICER : HUM APNE WATAN MEIN KADAM RAKH CHUKE

HAIN AUR AB LADAAI JYAADA LAMBI NAHIN

HAI. EK BAAR HUM CULCUTTA PAHUNCH JAAEIN

TO BRITISH SARKAR KO DESH CHOD KE BHAGNA

PADEGAA. MAGAR ISSE PEHLE HAMEIN IMPHAL

PE KABZA KARNAA HOGA. MUJHE MAALOOM HAI

AAP SABHI IS KAAM KO ANJAAM DENE KE LIYE

BEKARAAR HAIN. AB HUMEIN KUCH CHOTIYON

PE KABZAA KARNA HAI.

ARMY OFFICER

TUM TO AKBAR

A.O. : AKBAR APP KABZAA KAREIGE KAREINGE

PEAK NO. 571 & 579

Army officer shows it in map.

AKBAR : YES SIR.

A.O. : TURNS TO AJIT

A.O. : AJIT, AAP CHOTI NUMBER 565 AUR 564 PE KABZA

KARENGE.

AJIT : YES SIR (in energetic voice)

A.O. : USKE BAAD AAPKO APNI BATTALLION MILAANA HAI.

AAP DONO EK DOOSARE SE PANCH MILE KI DOORI PE

HONGE PHIR AAP DONO KO 561 PEAK PE KABZA KARNA

HAI.

AJIT & AKBAR (together in energetic voice)

YES SIR.

SCENE 47 / EXT. ROCK TERRAIN REGION / DAY CHARACTER :

AJIT AKBAR AJIT’S BATTALLION AKBAR’S BATTALLION

Ajit and Akbar are wishing each other for victory and well being. Ajit & Akbar move

with their battalion in different direction.


AJIT BATTALLION

Ajit is leading his battalion. He is reminding their soldiers about fighting strategy. They

are crossing river. They are passing through terrain region. They lie on rock to take rest.

Now Akbar is standing on a big rock. He tooks through binacular. He spots a British

Army Camp.


AJIT BATTALLION

A binocular magnifies the British Army camp, there are movements in British Camp.

Akbar instructs all soldiers to move cautiously by taking hiding positions. Behind rock

and trees. Finally they reaches at the striking distance of British Army. Akbar orders to

take positions again.

SCENE 50 / EXT. BRITISH ARMY CAMP / DAY CHARACTER :

BRITISH OFFICERS AKBAR BRITISH BATTALLION

A British officer asks soldiers to take position, while British Soldiers are going to take

position guns roaring and British soldier are a receiving end. Akbar is throwing bomb.

Guns are firing (roaring) INA’s soldiers are changing position. Gun is roaring.

SCENE 51 / EXT. PEAK NO. 565 / DAY CHARACTER :

AJIT INA BATTALLION BRITISH BATTALLION

Gun is roaring. British soldiers and INA’s soldiers are dying. Soldiers are moving here

and there, taking positions, firing with gun and throwing handbombs.


AKBAR INA BATTALLION BRITISH BATTALLION

Two British soldier are left. One British soldier dies. Another one is firing. After some

time an INA soldier shoots that British soldier. All INA’s soldier and Akbar are

expressing their happiness. Some are shouting slogans like “BHARAT MATA KI JAI”.

“VANDE MATARAM”

“DILLI CHALO”

ETC..

Some are dancing and raising their guns. Tears comes out of Akbars eyes. He wipes it

with right hand.


AJIT INA’s BATTALLION

Same atmosphere is here too. INA’s soldiers are shouting, dancing raising their gun,

hugging each other. They are also chanting slogans. “BHARAT MATA KI JAI” “DILLI

CHALO” “VANDE MATARAM” “HINDUSTAN ZINDABAD PHIRANGI

MURDABAD” “VANDE MATARAM” etc..

SCENE 54 / INT. AKBAR’S CAMP / NIGHT CHARACTER :


Akbar is sitting among his battalion.

AKBAR : HUM SAB IS CHOTI PAR FATEH PAA LIYE HAI AUR KAL

PAU FATTE HI PEAK NO 579 PAR KABZA KARNE KE LIYE RAVAANA HONA

HAI.

AKBAR (Chants) “DILLI CHALO”

All soldiers in chorus shouts “VANDE MATARAM”

Everyone salutes Netaji’s Photo hanging inside the camp above Akbar.

SCENE 55 / INT. AJITS CAMP / NIGHT CHARACTER :


Netaji’s framed photo hanging inside the camp over Ajit.

Ajit is sitting in front of his battalion.

AJIT : AAJ JITNE BAHADURI SE AAP SABHI NE IS CHOTI PE KABZA

KIYA HAI ISSE MALOOM HOTA HAI KI WHO DIN JYAADA DOOR

NAHIN KI JAB HUM ANGREZI HOOKOOMAT KI EENT SE EENT

BAJAA DENGE. HUM SABHI AAJ YAHAAN AARAAM KAREINGE

AUR KAL PEAK NO. 564 PE HUMLAA KAREINGE.

MUJHE UMEED HAI KI HUM SAB MIL KAR NETAJI KE SAPNEY

KO SAAKAR KAREINGE.

Ajit chants “DILLI CHALO” “JAI HIND”

All soldiers chants it in chorus.

Flames of lanterns are reduced.

Everybody is sleeping.

SOUND : Whistling of Cricket.

SCENE 56 / EXT. AJIT’S CAMP / DAY CHARACTER :

AJIT INA’S BATTALION

Sun rises in Vshaped mountain. Soldiers are doing different jobs like cooking, removing tent, etc. AJIT : DIN NIKAL AAYAA HAI AUR BINA DERI KIYE HAMEIN

PEAK NO.579 KI TARAF KOONCH KARNA HAI.

Soldiers are moving in a row towards peak no. 579. SCENE 57 / EXT. AKBAR’S CAMP / DAY

CHARACTER :

AKBAR INA’S BATTALION

AKBAR : MERE BAHADUR SAINIKON, MERE HUMVATAN AB DIN

JYAADA NAHIN REH GAYE. JAB HINDUSTAAN AAZAAD

HO JAAYEGA. IN KUCH DINO MEIN AAJ KA BHI DIN

SHAAMIL HAI AUR YEH DIN HUMEIN BAHUT YAAD

AAYEGA. JIS BAHADURI SE KAL JUNG JEETEIN HAIN USI

BAHADURI SE HAMEIN AAZ KI BHI JUNG JEETNI HAI.

JAI HIND

Akbar shouts the slogan

“DILLI CHALO.”

Soldiers move towards peak number 564 in a row.

SCENE 58 / EXT. PEAK NO. 579 / DAY

CHARACTER :

AKBAR INA’S BATTALION BRITISH ARMY OFFICER BRITISH SOLDIERS

Akbar and his battalion are arrived near peak no. 579 AKBAR (instructs his soldiers) :

AB HAMIEIN SAAVDHAANI SE AAGEY BADHNA HAI.

DUSHMAN KABHI BHI GOLABARI KAR SAKTAA HAI. SAARE

JAWAAN PACHAAS METER KI DOORI TAIN KAR KE APNI APNI

POSITION LE LEINGE. BINA JAAN JUNG JEETNI HAI. MERE JAANBAAZ

SIPAAHIYOH AAGE BADHO.

All soldiers move towards peak. They take position. Some are standing

behind rocks, some are hiding behind trees. Some are in crouching position. One

soldier is camofledged in bush (which he planted on himself) moving on his knees

slowly towards British Camp. Akbar orders to start firing.

Firing starts. One soldier camofledged in movable bush is killing many

British soldiers one by one. Some are playing hide and seek.

SCENE 59 / EXT. NEAR PEAK NO.564 / DAY

CHARACTER :

AJIT INA’S BATTALION RAM PRASAD

Ajit’s battalion is moving towards British soldiers already take their position. Before Ajit

orders to fire, British soldiers starts firing. Till evening Ajit looses most of his soldiers.

He is planicking. Darkness surrounds the region. He asks subedar Ramprasad to meet

Akbar for help. Guns are silent. Wind is wispering. A heavy torrential rain occurs.

Subedar Ramprasad is going towards peak no. 579.

SCENE 60 / INT. AKBAR’S CAMP (PEAK NO. 579) / NIGHT

CHARACTER :

AKBAR INA’S SOLDIERS RAZIA

One of the soldier turn on the radio.

Akbar hears the news on radio that Saukat Ali Khan’s daughter Razia is wedded with

great politician Mustaq Ansari.

Hearing this news Akbar is shocked. Few soldiers are looking at him sympathetically. He

is lying on bed but his eyes are wideopen.

Razia’s face appears on his mind. His mind flashes back in Dec 1938. Thunder and

lightening occur with rain.

SCENE 61 / EXT. GARDEN / DAY

CHARACTER :

AKBAR

RAZIA Razia and Akbar are sitting in a garden. She is wearing burqua. She removes her vail.

RAZIA (to Akbar) : DEKHIYE MAIN APNE ABBUAMMI KI

IKLAUTI BETI HOON. MERE ABBU EK

SIYAASAT DAAN (POLITICIAN) HAIN. WHO

KABHI NAHIN CHAAHEINGE KI EK BRITISH

FAUZ KE SIPAAHI SE MERI SHAADI HO.

AKBAR (helplessly) : BUS THODE DIN KI BAAT HAI. DEKHO

MUJHE BEHAN KI SHAADI KARNI HAI. IS

MAHINEY BUS AUR. PHIR LAAT MAAR

DOONGA.

RAZIA (with annoyment) : YEH NAUKARI CHOD DO YA MUJHE CHOD

DO.

AKBAR (with anger) : AREY MAIN DONO SE TANG AA GAYAA

HOON.

Akbar breaths out with sigh.

AKBAR (gets serious) : KYA MERI BEHAN KOONWAARI HI RAHEGI.

Razia is speechless.

SCENE 62 / INT. AKBARS HOUSE / DAY

CHARACTER :

AKBAR RAZZAK IMRAN RAZZAK

AKBAR RAZZAK (fretfully) : ABBU MAIN YEH NAUKARI NAHIN

KAROONGA. FIRANGIYON NE

HUMEIN HUMEISHA LOOTA HAI.

Imran Razzak is in early forties. He has a long beard. He is lying on his bed and smoking

hukka.

IMRAN RAZZAK

(calmly and with confidence) : ANGREZI SARKAR KI NAUKARI

NAHIN KAROGE TOH KYA KAROGEY.

IMRAN RAZZAK

(with little emphasis) : LOG TOH ANGREZI NAUKARI KO

BAHUT RUTBEYWAALI NAUKARI

SAMAJHTEIN HAIN.

IMRAAN RAZZAK

(looks in Akbars eyes and speaks

with more emphasis) : AKSHEY RISHTEY AAYEINGE

TUMHARI BEHAN KE LIYE.

Akbar listens quietly.

SCENE 63 / EXT. PUKKA ROAD / DAY

CHARACTER :

AKBAR RAZIA TONGAWALLAH TWO PASSENGERS ON TONGA

Akbar is going with his luggage on Tonga. Razia is standing at some distance from

Tonga.

Razia is looking at him. Tears are coming out of her eyes.

Akbar smiles at her. Razia’s eyes are hopeful that Akbar will come back.

SCENE 64 / EXT. GARDEN / DAY

CHARACTER :

AKBAR RAZIA FEW MONTHS LATER

RAZIA (enthusiastically) : AB TO BEHAN KI SHAADI HO GAYEE. AB

KYA IRAADA HAI? AKBAR (pleadingly) : SAARE PAISE BEHAN KI SHAADI MEIN

KHARCH HO GAYE. EK MAHINE AUR NAUKARI KAROONGA TO KUCH AUR PAISE AA JAAYEINGE APNI SHAADI KE LIYE.

RAZIA (with annoyment) : JO MARJI AAYE WOH KARO. AKBAR (pleading meanwhile understanding Razias annoyment) : JAISE ITNE DIN BEETE VAISE KUCH DIN

AUR .

SCENE 65 / EXT. (MALLYA) JOHORE STRAIT / DAY

CHARACTER :

AJIT BRITISH INDIAN ARMY

World war starts. A tank fires. Akbar and whole British army are putting their guns down. SCENE 66 / INT. AKBARS CAMP PEAK NUMBER 579 / NIGHT

CHARACTER :

AKBAR INA’S SOLDIERS RAMPRASAD

SOUND : Rain is falling. Akbar’s eyes are wide open. Other soldiers guess the reason for Akbar’s

disappointment correctly. All soldiers are looking at him smpathetically. Subedar

Ramprasad appears near Akbar’s camp. He is fully wet. Due to darkness his face is not

very clear in lanterns light which is little far away. He enters inside Akbars camp. He

asks for help as he is instructed by Ajit. Akbar and his battalion pack everything and

march towards Ajit’s camp inspite of heavy rainfall.

SCENE 67 / EXT. NEAR PEAK NO. 564 / NIGHT

CHARACTER :

AKBAR AJIT AKBAR’S BATTALION AJIT’S BATTALION (10 SOLDIERS)

There is pitch darkness. Rain is falling heavily. Akbar and his battalion reaches near peak

564. Light flashes on Akbar’s face. Akbar talks to Ajit. They make plan for next day (in

darkness). All soldiers start making movement in night itself. Ajit flashes the torch on his

watch and it reads 4:00 A.M.

SCENE 68/ EXT. PEAK 564 / DAY

CHARACTER :

AJIT AKBAR INA’S BATTALION BRITISH BATTALION

Sun rises.

Ajit, Akbar and rest of INA’S soldier already take their positions. Some are

behind trees, some are crouching behind rocks and some are camofledged in bushes.

Since last night there was a torrential rain British Army is unaware of the situation. INA

attacks on British army surprisingly. The battle takes shape of dogfight and skirmish.

Meanwhile Ajit gets bullet injury on his leg. Ajit is groaning with pain but he is fighting

too.

Finally Ajit and Akbar taste victory. All soldiers are shouting various slogans in

chores –

“Vande Matram”

“Bharat Mata Ki Jai”

“Dilli Chalo”

“Hindustan Zindabad”

Darkness surrounds the terrain region of peak 564.

SCENE 69/ INT. CAMP (PEAK 564) / NIGHT

CHARACTER :

AJIT AKBAR INA’S BATTALION

Ajit is wounded.

Bullet is taken out from his leg.

An injection is injected in his thigh by one of the soldier.

Ajit is lying on a bed, groaning in very low voice. Ajit turns towards all soldier sitting

beside him.

AJIT : MAIN PEAK NUMBER 561 PAR NAHIN

JAAONGAA. MERI HIMMAT JAWAAB DE

RAHI HAI.

SUBEDAR RAMPRASAD : AAREY AAP NAHIN RAHEINGE TO

HAMAARAA OOTSAAH GHAT JAAYEGAA.

AKBAR (looking at Ajit) : IMPHAAL JYADAA DOOR NAHIN HAI.

AAPKO CHALNAA HI HOGA.

Other soldiers in chorus “HAAN HAAN AAPKO CHALNA HI HOGA”.

SCENE 70/ EXT. PEAK 564 / DAWN

CHARACTER :

AJIT AKBAR INA’S BATTALION

Nearly thirty INA’S soldiers are marching over a terrain region.

Ajit stumbles while going Akbar holds Ajit. After covering long distance.

Akbar asks all INA’S soldier to stop. He looks through his binocular. He spots the British

Army camp.

Sun Rises.

SCENE 71/ EXT. PEAK 561 (FOOTHILL) / DAY

CHARACTER :

AJIT AKBAR INA’S BATTALION (30)

Ajit, Akbar and his battalion reach near peak 561.

AKBAR : MERE JAWAANO HUM BAHUT JYAADAA LOG NAHIN

REH GAYEIN HAI. BRITISH SENA KI TAADAAD JYAADA

HAI ISLIYE HAMEIN GORILLA YUDH KARNA PADEGA.

AAP SAB LOG APNIAPNI POSITION LE LIJIYE.

All soldiers run and take their position behind tree, rock, brushes.

SCENE 72/ EXT. BRITISH CAMP (PEAK NO. 561) (HIGH ALTITUDE) / DAY

CHARACTER :

AJIT AKBAR INA’S BATTALION BRITISH SOLDIER BRITISH SOLDIER

British officer asks British soldiers to take their position.

Guns start roaring.

Soldiers are dying.

Some are changing their position. Some of them are moving forward.

Till evening guns roar.

Ajit receives a bullet injury in his arm. Darkness surrounds the area while Akbar receives

a bullet injury in his thigh. Only they are left now. Ajit and Akbar are groaning. Now

they are at high altitude. They are looking tired. Akbar looks at British Camp and finds

British Few soldiers are left now.

SCENE 73/ EXT. PEAK NO. 561 (100 FEET DOWN) / NIGHT (EVENING)

CHARACTER :

AJIT AKBAR RAZIA

Whistling of Cricket

AJIT (while groaning) : MUJHE BAAJU MEIN GOLI LAG GAYEE HAI.

MERE PAAS (ATS) INJECTION NAHIN HAI. MUJHE INJECTION LAGAA DO.

AKBAR : ACHHA AJIT : BAHUT DARD HO RAHAA HAI. Akbar takes out the first –aid box from his bag and opens it. [Sound of opening an aluminium box] Akbar injects the injection in Ajit’s thigh. Finally Ajit sleeps on a huge rock. Akbar is also lying on a huge rock but his eyes are wide open. Razia’s face appears on his mind. Moon appears in sky. Akbar looks at the moon. AKBAR : BEWAFA KAHIN KA. AREY JAB JAANAA HI HAI TO AAYA KYON HAI?

SCENE 74/ EXT. PEAK NO. 561 / NIGHT

CHARACTER :

AJIT AKBAR BRITISH SOLDIERS

Sunlight falls on Ajits face. He wakes up suddenly. He starts looking hear and there to

find Akbar but Akbar is nowhere. He sees a rope tied in a tree. Now he is climbing along

rope with two bags. He is moving cautiously and timidly reaches at the top of the peak.

He finds that many British soldiers are dead and Akbar is lying on bed. Ajit pokes Akbar.

But Akbar is still. Now Ajit shakes him with bath both hands and then he realizes that

Akbar is dead. Tear glistens from Ajit’s eyes. Ajit is alone on the peak. Ajit mind flashes

back.

SCENE 75/ EXT. PEAK NO. 561 / NIGHT

CHARACTER :

AJIT AKBAR

Flashbackbegins. Darkness covers the face of Ajit and Akbar. AKBAR (to Ajit) : MERE BAG MEIN EK TIRANGA HAI

KAL SUBAH USSE FAHRAANAA HAI. AKBAR (confidence in voice) : BRITISH SIPAAHI AB KUCH HI HAIN.

SCENE 76 / EXT. PEAK NO.561 / DAY

CHARACTER :


Flashback ends.

Ajit’s opens Akbar’s bag. Ajit pulls the flag from inside the bag. While pulling

the flag first aid box comes out of the bag. The first aid box gets open, since last night

Akbar did not closed it properly due to darkness.

Ajit turns towards the first aid box and he finds out that there is no injection.

Ajit’s mind flashes back again .


CHARACTER :

AJIT AKBAR

Ajit again remembers Akbar’s words.

Darkness is covering the face of Ajit and Akbar.

AKBAR (groaning) : MERE BAG MEIN EK TIRANGA HAI SUBAH USSE

FAHRAA DE………..

AKBAR (pauses) : FAHRAANAA HAI.

AKBAR(voice shivers): FAHRAANAA HAI.


CHARACTER :


Ajit realises that Akbar sacrificed his life for him.

Tears comes out of his eyes.

He hoists the flag and salutes Akbar. Rain starts falling heavily. Now he pulls the dead

body of Akbar inside the tent. He is lying on bed. He is shivering and suffering from

fever and cold.

Rainfall takes place through out the day.

SCENE 79 / INT. TENT (PEAK NO.561) / NIGHT

CHARACTERS :

AJIT AKBAR 4 BRITISH SOLDIERS

Rainfall stops in night.

A lantern is producing dim light inside the tent.

Ajit is sleeping.

Suddenly a touch flashes on his face and four British soldiers captures Ajit forcefully.

Ajit hands are in shackle.

SCENE 80 / EXT. GROUND / DAY

CHARACTER :

INA’S SOLDIERS

COMMENTRY :

Finally remaining INA soldiers surrender to British Army in Burma.

All INA’S soldiers are putting down their gun in a row.

SCENE 81 / INT. INDIAN PRISON / DAY

CHARACTER :

AJIT, BRITISH CONSTABLES (POLICE) INA’S SOLDIERS

Sound of whipping and groaning coming out of prison.

British constables are beating INA’S soldiers.

Ajit is also one of them. Soldiers are chanting.

“Vande Matram”

“Bharat Mata Ki Jai”

“Hum Aazaad Ho Ke Raheinge ”

BRITISH CONSTABLE : TUMKO AAZAADI KABHI

NAHIN MILEGA.

ONE INA’S SOLDIER(In Bhojpuri accent): AAZAAD HO GAILEEN TEI

TUHEIN DAUDA KE MAARAB

The prison echoes with laughter.

British officer do not understands what the prisoner said BRITISH OFFICER (going

outside the prison) : CRAZY INDIAN !

SCENE 82 / INT. COURT (RED FORT) / DAY

CHARACTER :

AJIT FEW OFFICERS OF INA JUDGE BRITISH LAWYERS INDIAN LAWYERS FEW PUBLIC

A court is going on.

An Indian lawyer is defending.

INA prisioners.

(indicating his hand towards soldiers & looking at judge)

INDIAN LAWYER : SIR, THEY ARE INNOCENT.

THEY WERE CAPTURED BY

JAPAN SO THEY WERE FORCED

TO JOIN INDIAN NATIONAL

ARMY.

BRITISH LAWYER(looking at judge) : IT’S A CASE OF TREASON MY LORD. NO ONE SHOULD BE SPARED FOR WAGING WAR AGAINST IT’S OWN GOVERNMENT.

Finally judge gives his decision. JUDGE : FINALLY, THIS COURT

REACHES TO THE CONCLUSION THAT IT’S A SERIOUS CASE OF TREASON SO ALL THE SOLDIERS ARE SENTENCED TO LIFE IMPRISONMENT.

SCENE 83 / EXT. PUBLIC PLACE / DAY

CHARACTER :

COMMON PEOPLE The judgement leads to agitation throughout the nation.

People are doing campain against British Government.

People are giving antiBritish Government slogan.

SCENE 84 / INT. OFFICE / DAY

CHARACTER :

LORD MOUNT BATTEN SOME BRITISH OFFICERS

Lord Mount Batten is presiding a meeting with British Police Officers.

LORD MOUNT BATTEN

[with grim and serious face] : THERE IS AGITATION ALL OVER INDIA SO I

DECIDED TO SUSPEND THE LIFE

IMPRISONMENT OF SOLDIERS AND TO

RELEASE THEM.

SCENE 85 / INT. PRISON / DAY

CHARACTER :

AJIT ALL INA SOLDIERS

The prison’s gate opens.

Sound of opening of prison gate.

All soldiers are coming out happily.

ONE SOLDIER (very typical hindu) : SUNA HAI NETAJI CHAL BASEY.

ANOTHER SOLDIER (very typical muslim) : UNKO PAKAD PAANE KI AUKAT TOH HAI

NAHIN. NAHIN PAKAD PAAYE TO AFWAAH

FAILAA DIYE KI MAR GAYE. HUMARI

HIMMAT KUM KARNA CHAAHTEIN HAIN

YEH PRIRANGI.

SCENE 86 / INT. AJIT’S HOUSE (KITCHEN) / DAY

CHARACTER :

SAVITA AJIT OTHER FAMILY MEMBERS

Savita is busy in making chatni in kitchen. Ajit peeps from outside the kitchen.

Savita is coming out of kitchen with chatni.

Ajit holds Savita from behind seeing Ajit, Savita overwhelms with joy. Shantidevi

is seeing Savita & Ajit from outside the kitchen. When Savita sees her motherinlaw,

she blushes and tries to get away from Ajit but her efforts goes in vain. Finally she smiles

while Ajit is unaware.

THE END

God you are great!

HEROIC

Education

Transcript of HEROIC