Harpers Bazaar February 02 2013
226
+ WHAT’S IN WHAT’S OUT JENNIFER LOPEZ FASHION SPECIAL PREVIEW TH E COLOR NEW RULES RUNWAY TRENDS FOR SPRING NEED PIECES YOU SHOE BAG & TO BUY THE SECRETS STAR B E A U T Y
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Transcript of Harpers Bazaar February 02 2013
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WHAT’S IN
WHAT’S OUT
JENNIFER LOPEZ
FASHION
SPECIALPREVIEW
THE
COLORNEW
RULES
RUNWAY TRENDS
FOR SPRINGNEED
PIECESYOU
SHOE BAG &
TO BUY
THESECRETS
STARBEAUTY
©20
12 C
arti
er
Available at select Cartier boutiques - 1-800-cartier
ENNIFERJLOPEZ
EMBODIES
JET-SET
GL A MOUR .
TA K E
OFF
INTO
THE
SPECTACUL A R
NE W
SE A SON
IN
ST Y LE .
Photograph by Katja Rahlwes
2222
Off the chain. Dress, necklace,
$2,650, and belt, $1,645, Versace.
888-721-7219.
FASHION EDITOR: Jodie Barnes
este
elau
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All the things that make our heart beat faster
WELCOME TO THE ISSUE
THIS ICON DENOTES ITEMS TO BUY ON SHOPBAZAAR.COM
Hermès scarf, $450. hermes.com.
Paul Andrew sandal, $995. shopBAZAAR.com.
L’Wren Scott dress, $2,350. shopbop.com.
3.1 Phillip Lim shirt, $350. shopBAZAAR.com.
Bobbi Brown Nail Polish in Valentine Red, $18. bobbibrown.com.
Céline shoes, $4,750. 212-535-3703.
Gianvito Rossi sandal, $685. Barneys New York; 888-8-BARNEYS.
Emilio Pucci bag, $5,760. 212-230-1135.
Louis Vuitton coin purse, $470. 866-VUITTON.
M.A.C. Lipstick in Russian Red, $15. maccosmetics.com.
Céline shoes, $4,750. 212-535-3703.
L
AAR.com.
L’Wren Scott dres
He
ss, om.
3.1 Phillip Lim shirt, $350.
ss
è scarf $450
at fas
Louis Vuitt86
ton coin purse, $470. 66-VUITTON.
L
212 230 1135
C Lipstick in Russian Red $15
rown Nail P
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J12 Chromatic watch in titanium ceramic, a new highly scratch-resistant material. Its unique color and shine are obtained by the addition of titanium to ceramic and diamond powder polishing.
54 diamonds (~1.4 carat). Self-winding mechanical movement. 42-hour power reserve. Water-resistant to 50 meters.
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Chloé clutch, $2,450. 212-717-8220.
This season’s choice accessories are all about
heavy metal, with shiny hues and chrome details
popping up everywhere (page 114). As for color
combos you’ll want to try, we’ve assembled a
collection of pinks and corals as a fresh duo
(page 92) and shimmering golds and blues for
maximum opulence (page 94). Plus, new ladylike
extras prove that everything is coming up roses
(page 82). Shop like an editor with Bazaar.com’s site
director, Joyann King, who shares her must-have list
for the months ahead (page 78). And explore the
best bang-for-your-buck buys in “The Well-Spent
Dollar” (page 96), a vintage Bazaar column we’ve
resurrected and updated for today’s fashion-forward
(and shop-smart) woman. Want to make a statement
for spring? Stand out in high-contrast mod black
and white (page 172), or choose a chic all-white
ensemble (page 180). A crop of diaphanous styles
also offers a feminine take on warm-weather florals
(page 194). Get ready to spring into action. ■
W H A T W E L O V E
All of our favorite pieces for spring, here in one place
FebruaryMUST-HAVE
JEFF
REY
WES
TBR
OO
K/S
TUD
IO D
42 Fendi shoe, $1,065. Similar styles available at shopBAZAAR.com.
THE NEWS Dior’s new New Look, plus designer denim
THE BAZAAR Pink meets coral, and other chic combos
THE LIST 24 hours with Roberto Cavalli
THE BEAUTY BAZAAR Haute hair and makeup trends, straight from the shows
RUNWAY REPORT A flurry of white, the thrill of the frill, and more of the latest looks
FEBRUARY 2013
CONTINUED ON PAGE 46
HIGHLIGHTS
JEFF
REY
WES
TBR
OO
K/S
TUD
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ruby jean photographed by juergen teller
marc jacobs stores worldwide www.marcjacobs.com
Lanvin camera bag, $2,280. 310-402-0580.
46
CONTINUED ON PAGE 50
FEBRUARY 2013
FASHION
GRAPHIC IMPACT 172 Photographs by Gregory Harris
WHAT’S WHITE NOW 180 Photographs by Paola Kudacki
THE FUTURE OF THE FUTURIST: NICOLAS GHESQUIÈRE 192
By Elisabeth Quin Illustration by Charis Tsevis
A FRESH TAKE ON PRINTS 194 Photographs by Hiro
ALL ABOUT AUDREY 200 By Pamela Fiori
JENNIFER LOPEZ 204 By Laura Brown
Photographs by Katja Rahlwes
DOES VALENTINE’S DAY MATTER? 208 By Jackie Collins
Photograph by Victor Demarchelier
HERMÈS HERITAGE 210 By Robert Murphy
Photographs by Julian Broad ATHENA’S KINGDOM 214
By Christine Whitney Photographs by Christopher Sturman
FEATURES
RUNWAY REPORT 121
BLACK IS THE NEW BLACK 126By Jennifer Alfano
MEGYN KELLY: FOX’S LADY 136 By Julia Reed
Photographs by Jennifer Livingston
MY MOTHER, C.Z. 140 By Cornelia Guest
JEFF
REY
WES
TBR
OO
K/S
TUD
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50
COVER LOOKS
Givenchy by Riccardo Tisci shoe, $2,950. Barneys New York; 888-8-BARNEYS.
On the newsstand cover: Jennifer Lopez, photographed by Katja Rahlwes, wears a Paco Rabanne dress. pacorabanne.com. On the subscriber cover: Dress, $9,990, Fendi. 212-759-4646. Cuff, $2,050, Roberto Cavalli. 212-755-7722. Sandals, $3,850, Tom Ford. shopBAZAAR.com. To get Jennifer’s look, try
True Match Super-Blendable Makeup ($10.95), True Match Super-Blendable Blush in Spiced Plum ($10.95), Infallible 24 HR Eye Shadow in Bottomless Java ($7.95), Telescopic Shocking Extensions Mascara in Black ($9.95), Brow Stylist Custom Brow Shaping Pencil ($8.99), and Infallible 8 HR Le Gloss
in Red Fatale ($9.99). All, L’Oréal Paris. See Where to Buy for shopping details. Fashion editor: Jodie Barnes. Hair: Lorenzo Martin; makeup: Mary Phillips for L’Oréal Paris.
THE STYLEWhere Fashion Gets Personal 103
THE EXTRASFifty Shades of Beige 113
Moody Blues 114
White Out 116
THE NEWSWhere Fashion Meets Culture 129
The Escape 134
THE BEAUTY BAZAARBright Focus 151
Beauty News 156
Get Younger-Looking Skin 160
Celebrity Beauty Secrets 162
IN EVERY ISSUEWelcome to the Issue 36
What We Love 38
Editor’s Letter 64
Horoscope 144
Fabulous at Every Age 147
Where to Buy 218
ShopBAZAAR.com Index 219
How Bazaar 220
THE LIST67 The List
68 The A-List 78 Wish List
80 Wait List 82 The In/Out List
84 Mr. Blasberg’s Best-Dressed List
87 My List By Roberto Cavalli
THE BAZAAR91 Tan Lines
92 Haute Hues94 Blue Angels
96 The Well-Spent Dollar
FEBRUARY 2013
JEFF
REY
WES
TBR
OO
K/S
TUD
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52 FEBRUARY 2013CONNECT WITH BAZAAR
FRONT-ROW SEAT Get instant reviews of the latest collections, plus the top runway looks and daily street-style fashion.
FASHION WEEK
FEBRUARY’S TO-DO LIST
LIVE FROM THE FALL 2013 SHOWS
THE BEST OF THE SEASON
ANYWHERE ON YOUR FAVORITE TABLET
STAY ON TOP OF WITH THE DAILY BAZAAR REPORT CHECK OUT THE CHICEST
WITH EXCLUSIVE ROUNDUPSSHOP OUR
Awards season is
upon us, and we’re on alert for
gorgeous gowns.
The Globes, where a con-
stellation of stars from the
silver screen and television
shines, kicks things off.
Follow us to see who wore
it best. ➤
Golden Girl Our cover star, Jennifer Lopez, took time out from her world tour to pose for Bazaar in Istanbul. Photographer Katja Rahlwes captured the superstar in the most lustrous looks from the spring collections, and we caught it all on tape. Go behind the scenes with our video and get a sneak peek at the glitz Jenny always brings to the party, beyond the block.
RED CARPET
EXCLUSIVE VIDEO
GOLDEN GLOBES
J. LO GLAMCAM
Dress, Paco Rabanne. paco
rabanne.com.
Balmain,Spring 2013
bangle. stephenrussell .com.
sandal. 800-550-0005.
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HOW TO GET ASLEEK BLOWOUT
Beauty Awards A winning dress and jewels are nothing without a flawless face. Find out who hit the right notes from the neck up.
D.I.Y. ’DO Nary a blow-dry bar in sight? It’s time to take your locks into your own hands. Our step-by-step guide shows you how—using the latest in hair dryers and brushes—to get the perfect (but not too perfect) just-from-the-salon style without having to book an appointment.
Inside Scoop Follow our intrepid beauty editor, Jessica Prince, as she gives the lowdown on the hottest hair and makeup looks. Get artists’ tips, models’ secrets, how-tos, and more.
THE BEST HAIR AND MAKEUP FROM THE GOLDEN GLOBES
BACKSTAGE BEAUTY FILES: FALL 2013
FEBRUARY 2013CONNECT WITH BAZAAR
RED CARPET
FASHION WEEK
HAIR SPECIAL
Angelina Jolie
Versace,Spring
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CONNECT WITH BAZA
T3 Featherweight 2
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Jäneke hairbrush, $29.99. boyds
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COOMI.COM (866)867-7272
Editor in Chief GLENDA BAILEY
Creative Director STEPHEN GAN
Executive Managing Editor ANDREA ROSENGARTEN Editor at Large BRANA WOLF
Senior Fashion Editor MELANIE WARD Design Director ELIZABETH HUMMER
Special Projects Director LAURA BROWN Beauty Director ALEXANDRA PARNASS
Fashion Market & Accessories Director NICOLE FRITTON Photography & Bookings Director STEPHANIE HUGHES
Style Director JOANNA HILLMAN Features Director ELISA LIPSKY-KARASZ Managing Editor CARLA SHACKLEFORD
FASHION Executive Fashion
& Beauty Editor AVRIL GRAHAM
Executive Accessories Editor SAM BROEKEMA
Senior Accessories Editor AMANDA WEINER
Associate Market Editor SARAH CONLY
Fashion & Retail Credits Editor
BRITTANY HOAG
BEAUTY Beauty Editor
JESSICA PRINCE
ADMINISTRATION Executive Assistant to the
Editor in Chief AARON LYLE LETH
Associate Editor LISA M. LUNA
Editorial Business Manager LISHA VIALET MANNING
Assistant Editor ROMY OLTUSKI
FASHION FEATURES Fashion News/Features Editor CHRISTINE WHITNEY
ART Associate Art Director GARY PONZO
Designer MELISE SENAYDIN
Design Assistant AMBER VANDERZEE
PHOTO Senior Photo & Bookings Editor ASHLEY CURRY
Photo Researcher KARIN KATO
COPY & RESEARCH Copy Chief VICTORIA PEDERSEN
Senior Copy Editor DIANE STEGMANN
Research ChiefJIL DERRYBERRY
BAZAAR.COM Site Director
JOYANN KING
Web Editor KERRY PIERI
IMAGING Digital Imaging
Specialist LEON W. BROWN
INTERNATIONAL EDITIONS
Arabia, Argentina, Australia, Brazil, Bulgaria, China, Czech Republic,
Greece, Hong Kong, India, Indonesia,
Kazakhstan, Korea, Latin America,
Malaysia, Romania, Russia, Singapore,
Spain, Taiwan, Thailand, Turkey, Ukraine, United
Kingdom, Vietnam
EDITOR AT LARGE/ FASHION FEATURES DEREK BLASBERG
CONSULTING CREATIVE DIRECTION ROBIN DERRICK AT SPRING
CONTRIBUTING FASHION EDITORS JENNY CAPITAIN, ANN CARUSO, MARY ALICE STEPHENSON, JULIA VON BOEHM
CONTRIBUTORS JENNIFER ALFANO, CASSIE ANDERSON, SARAH BAILEY, JENNY BARNETT, JULIE L. BELCOVE, SUSAN BOYD, SARAH CRISTOBAL, HEATHER EVITTS, TRENT FARMER, JACQUI GETTY, RAE ANN HERMAN, CATHERINE HONG, MEENAL MISTRY, KARI MOLVAR, MARY-CLANCEY PACE, RAVEENA PARMAR, JENNIFER PASTORE, CHRISSY RUTHERFORD, TATIANA SOROKKO, TRUDIE STYLER, RITA WILSON
60
Hermès bracelet, $10,300. hermes.com.
RIC
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JCH
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K/S
TUD
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© 2
012
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Klei
n C
osm
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62
Published at 300 W. 57th St., New York, NY 10019; (212) 903-5000; advertising fax: (646) 280-4553. For subscription orders and inquiries, log on to service.harpersbazaar.com or write to Customer Service Department, Harper’s Bazaar, P.O. Box 6000, Harlan, IA 51593. Printed in the USA.
Direct Response Advertising DANIELLE O. HENDERSONSenior Advertising Services Manager SHANON TULI
Advertising Services/Office Manager MERRILL DIAMONDExecutive Assistant to the Publisher ERIK HOLSTEN
Advertising Assistants JESSICA BUCHTA, CAITLIN DUNN,
CARA JACOBS, MALLORY MCCARRON
Vice President/Publisher/Chief Revenue Officer CAROL A. SMITH
Associate Publisher/General Manager ANNE WELCH
Advertising Director MICHAEL KRANS
Advertising Director, Beauty
CONNIE LIVSEY
Executive Director, Brand Development & Integrated Marketing WENDY LAURIA
Sales Development Director
THERESA SECLOW
International Fashion Director SHANE GLASS
Executive Director, Fashion & Luxury MARA GREDICK
Beauty Director NESLIHAN
ERKMENOGLU
Fashion & Retail Director
ERIN POLLARD
Executive Director, Advertising
ELIZABETH KELLICK
PRODUCTION AND ADMINISTRATION
Vice President, Consumer
Marketing Director BETH IFCHER
Group Production Director
CHUCK LODATO
Group Production Manager
HARRY YEE
Associate Production Manager
KAREN NAZARIO
Ad Systems Manager CARRIE M. WILLIAMS
PUBLISHED BY HEARST COMMUNICATIONS, INC.
Executive Vice Chairman &
Chief Executive Officer FRANK A. BENNACK, JR.
President & Chief Operating Officer
STEVEN R. SWARTZ
CLIENT SERVICES Marketing &
Client Services Director LISA RIPKO
Associate Director, Integrated Merchandising
LISA PIANA
Merchandising Editor MICHELLE FAWBUSH
Integrated Merchandising Manager ANNE MCGILLICUDDY
Events Associate TYLER WATSON
Marketing Services Coordinator MARGAUX DE CONDÉ
CREATIVE SERVICES Creative Services Director
SAMUEL C. GRIFFIN
Art Director THEA KARAS
Senior Designer LAUREN DARLING
Special Projects Manager LINDSEY WAKEMAN OFFICER
INTEGRATED MARKETING Integrated Marketing Director
RONNIE SHANKLAND
Senior Manager, Integrated Marketing JOANNA NOWACK
Research Manager JULIET M. GORDON
E-COMMERCE Executive Director PAMELA S. KRUSEMerchandising Editor MEGAN REYNOLDSArt Director JULIANE KIMPhoto Editor SONJA GEORGEVICHSample Manager NICOLE BEATTY Consumer Experience Manager/ Style Adviser CAMILLE DAVIS Web Producer MELISSA SHAPIROJunior Designer HWAYOUN LEE E-commerce Assistant KEALY BOWERS
ADVERTISING OFFICES Midwest/Detroit Director ABBY BURDICK (312) 984-5149; fax (312) 251-5306West Coast Director STACY MACKLIN (310) 664-2870; fax (310) 664-2962West Coast Account Manager SONIA WILSON (310) 664-2871; fax (310) 664-2962Dallas STACI YUSPEH FERBER (214) 526-3800; fax (214) 526-1475Milan LUCIANO BERNARDINI DE PACE, MILO ANTIMI 011-39-02 79-64-51 fax 011-39-02 76-00-81-56Geneva DANIELLA ANGHEBEN ILEANA FIORE-DONNO 011-41-22 71-65-600France MAGALI RIBOUD 011-33-1 42-56-33-36 fax 011-33-1 42-56-33-31
HEARST MAGAZINES DIVISION President DAVID CAREY President, Marketing & Publishing Director MICHAEL CLINTON Executive Vice President & General Manager JOHN P. LOUGHLIN Editorial Director ELLEN LEVINE Publishing Consultants GILBERT C. MAURER MARK F. MILLERHEARST MAGAZINES INTERNATIONAL President/CEO DUNCAN EDWARDS Senior Vice President, CFO & General Manager SIMON HORNE Senior Vice President/Director of Licensing and Business Development GAUTAM RANJI Senior Vice President/ Publishing Director JEANNETTE CHANG Senior Vice President/Editorial Director KIM ST. CLAIR BODDENExecutive Director/Editorial ASTRID O. BERTONCINICreative Director PETER YATESExecutive Editor TONY GERVINOFashion & Entertainment Director KRISTEN INGERSOLL
Dior necklace, $1,880. 800-929-DIOR.
COU
RTE
SY D
IOR
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64
EDITOR’S LETTER
Glenda Bailey on what’s fabulous I
G L E N D A ’ S M U S T - H A V E S
Marc Jacobs shoe, $995. 212-343-1490. Proenza Schouler bag,
$1,575. 212-585-3200.P S h l b
Saint Laurent Paris tassel necklace
Balenciaga by Nicolas Ghesquière rings
often think about the people I most admire in the
fashion industry, and every time I remember the late
Jean-Louis Dumas, the executive chairman of
Hermès. Like so many others, I’ve always desired everything the
company has dreamed up: In the Hermès world, each piece is destined to become an
icon. One of my fondest memories of Jean-Louis was when Hermès
celebrated the year of the child. I like to believe it’s
never too late for a happy childhood, and Hermès keeps that sense of wonderment alive.
Enter Jean-Louis’s son, Pierre-Alexis, the subject of a profile in this month’s issue, who has assumed
creative direction of the brand with great aplomb. When I first met him, he walked
into the room bearing a gift, jam made of fruit from the pear trees in
the Paris headquarters’ rooftop garden, just as his father used to do. There’s certainly
never been a more precious Hermès item. And this first fils has definitely inherited Jean-Louis’s
creativity. For our story, we photographed him juggling in his office, which is
exactly what he has done at Hermès, balancing the company’s legacy with a
fresh vision for the future; he’s always on the ball. Speaking of on the ball, it’s time for Bazaar’s
annual Fabulous at Every Age contest. All year we present the world’s
most beautiful and talented women, and now we’d like to honor
our equally stylish readers. Women of all ages from across the country are invited to
submit their personal-style photos and show us what fashion
and beauty mean to them. The winners will be
celebrated at a VIP event in New York. And
what’s more fabulous than that?
BA
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67
LISTThe This month’s objects of desire
A cuff that’s knotty but nice.
Show off your frilly side in stiletto booties.
A leather clutch keeps things sleek.
This season’s bag is a fringe fest.
Get in line with an architectural choker.
The new standard in heels.
Shape up with geometric earrings.
Show of
hoker.
f that’s kno
ason’s bag i
n line wi
The ne
gh
A
Jack Vartanian earrings, $2,100.
jackvartanian .com.
Bottega Veneta bag, $6,650. bottega veneta.com.
Balenciaga by Nicolas Ghesquière shoe, $835. Bergdorf Goodman; 212-753-7300.
Céline cuff, $730. Nordstrom; 800-695-8000.
Givenchy by Riccardo Tisci clutch,
$1,335. Neiman Marcus; 888-
888-4757.
Delfina Delettrez necklace, $975. opening ceremony.us.
Dior pump, $930. 800-929-DIOR.
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LISTThe A- Jennifer Lopez’s favorite things
in 2000. As for beauty, Jennifer
prefers L’Oréal Paris products (“especially
Voluminous False Fiber Lashes
mascara”) and a naturally sexy
look. (Her go-to lip? ChapStick.) On her
constant travels, she always finds
time to shop. Milan’s 10 Corso Como
is her favorite boutique, and she
recently picked up Raquel Allegra
sweaters in Hong Kong. But even on
the road, Jennifer keeps her loved ones
close: “I invested in a Louis Vuitton
steamer trunk to stay organized and keep all of my
favorite clothes in one place.”
On the concert stage or the red
carpet, Jennifer Lopez radiates
glamour. “I love all things sparkly,”
she says, like the yellow Balmain
minidress she wore for her
Bazaar shoot, and “silver and gold nail
polishes.” For a wardrobe bold
enough to match her confidence,
Jennifer turns to Christian Louboutin,
Zuhair Murad, Rick Owens,
Valentino, Chanel, and Tom Ford.
But she will forever be linked with Versace. “I’ll never
forget the Versace moment,” she says of the deep-V
palm-print dress she wore to the Grammy Awards
J E N N I F E R ’ S M U S T - H A V E S
Fendi dress.Roberto
Cavalli bracelet.
Louis Vuitton steamer trunk. 866-VUITTON. Christian Louboutin
shoe, $1,195. christianlouboutin.com.
L’Oréal ParisVoluminous False Fiber Lashes Waterproof Mascara, $8.95. lorealparisusa.com.
L’Oréal ParisColour Riche Nail Color
in Because You’re Worth It, $5.99.
lorealparisusa.com.
Tom Ford bag, $2,190. 212-359-0300.
LOPE
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by Rafael
800-223-2277 for your nearest fine retailer.Designed and Handcrafted in platinum in New York.
78
LISTAn editor’sstyle picks
Wish
9
I love the prismic look of this silver-and-enamel
tiered necklace from Bottega Veneta’s latest jewelry
collection. The combination of delicate and strong
elements hits just the right note (1). The jean jacket is
having a renaissance, and Rag & Bone’s cool leather-
sleeved version is a great update of my old denim
standby (2). After a year of red-lip overload, I’m
keen for a change. My new go-to hue is officially
electric pink, a.k.a. Shiseido Perfect Rouge Lipstick
in Fuchsia (3). I’m never without sunglasses, and
this mod pair by Illesteva will put me in a groovy
mood on my way out the door (4). I’m not sure
which is cuter, J. W. Anderson himself or his way
with colorful graphic knits. This high-fashion
take on the sweatshirt is a winner (5). These
stackable rings are by the new designer Jessica
Biales. The design is sculptural, and they can be
personalized by layering. I’d wear them every
day (6). I’m craving all things transparent at
the moment. This Fendi tote is perfect for
showing off my type A organizational skills (7).
I’ve worn Child roll-on perfume since I was in
high school. Why? The guys love it (8)! My
heart skipped a beat for this Dries Van Noten
spring look; the plaid-on-plaid combo is the ideal
mix of insouciant and put together (9). Every
good digital editor needs to personally test-drive the
latest Apple products, and I’m happy that the iPad
mini will slip easily into more of my purses (10).
Pierre Hardy’s holographic pumps are like the secre-
tary shoe gone to outer space. They’ll add a futuristic
touch to my uniform of black jeans and a blazer (11).
Bazaar.com site director Joyann King shares her must-haves
1
2
3
4
6
7
8
9
10
11
5
1. Bottega Veneta necklace, $6,350. 212- 371-5511.
2. Rag & Bone jacket, $575. 212-219-2204.
3. Shiseido Perfect Rouge Lipstick in Fuchsia, $25. us.shiseido .com.
4. Illesteva sunglasses, $260. shop BAZAAR .com.
5. J. W. Anderson sweater. j-w-anderson .co.uk.
6. Jessica Biales rings, $600– $2,700. jessica biales.com.
7. Fendi bag, $2,810. Similar styles available at shopBAZAAR .com.
8. Child roll-on perfume, $59. child perfume.com.
9. Dries Van Noten, Spring 2013
10. Apple iPad mini. Starting at $329. apple .com.
11. Pierre Hardy shoe, $755. 646- 449-0070.
THIS ICON DENOTES ITEMS TO BUY ON SHOPBAZAAR.COM
KIN
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80
WaitLISTThe piece to covet
F A N C Y F E E TTod’s dazzling couture loafers are hot to trot
A year ago, the Italian luxury-leather-goods company
Tod’s introduced a couture take on its iconic D-Bag
collection. The bespoke bags were serious business,
seducing celebrity fans like Catherine, Duchess of
Cambridge, Nicole Kidman, and Charlize Theron, to
name a few. This season the bags are back, and with
them a fleet of loafers made from the same fine
materials. The theme of this year’s collection? Rock
Princess. Hand-embroidered with crystals in a choice of
six shapes, the calfskin shoes can also be customized by
color. (The fluorescent-enhanced version, shown here, is
a highlight.) These stone-studded slippers, made in Italy
by expert artisans, are the pride of the company—and
soon to be the star of your closet! ■
Tod’s loafers, by special order. 212-644-5945.
DO
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The season’s new hues
Mini bags
W H A T ’ S I N : B L A C K , R E D &
F L O R A L
1. Jumbo satchels2. Multistrands of pearls3. Chandelier earrings
4. Satin clutches5. Bowling bags6. Slouchy boots7. Mary Janes8. Small hoops
Chunky collars
Furry footwear
W H A T ’ S O U T
DiorNoir chokers
Ornate earrings
Flower power
Poppy pouchettes
Haute sneakers
Ralph Lauren Collection
bag, $3,950. ralphlauren.com.
Natalia Brilli necklace,
$620. gravity pope.com.
Gucci necklace,
$3,450. gucci.com.
Chanel sneakers,
$1,725. 800-550-
0005.
Prada bag. prada.com.
Céline sandals, $895. Nordstrom; 800-695-8000.
Noor Fares earrings, $325. shopBAZAAR .com. .
The Row bag, by special order. therow.com.
SEA
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84
LISTMr. Blasberg’s Best-Dressed
A look at this month’s chic set
By Derek Blasberg
WHILE THE REST OF THE WORLD is adjusting to a new year on the calendar, the
fashion industry is adjusting to what seems like a whole new generation. The year 2012 was
one of seismic change at some of the biggest brands: Hedi Slimane in at Saint Laurent Paris, as it shall now
be known; Nicolas Ghesquière out at Balenciaga and Alexander Wang in. As we all remember,
the first to switch driving seats at a major label was Raf Simons. His final show
for Jil Sander, which left many of my coldhearted editor friends weeping
(I didn’t know they could do that!), paved the way for his new gig at the
helm of Dior. Simons’s debut was a well-received couture show last summer,
and I’ve thoroughly enjoyed watching his designs emerge from the runway
onto the red carpet. I was particularly drawn to the darker tailored
ensembles, like the flouncy number with cigarette pants Emma Watson
wore to the London premiere of The Perks of Being a Wallflower
and the vampy strapless dress Rachel Weisz donned for the
New York premiere of The Bourne Legacy. And how could I not love
the drama of the is-it-long-or-is-it-short slit-up-to-there ensemble
Marion Cotillard wore to the Rust and Bone premiere in L. A.?
Late 2012 may have had its
fashionable moments, but it wasn’t
all glamour for us East Coasters when Hurricane Sandy thundered
into New York. (A shout-out to the aforementioned
Watson: She’s chic and charitable. In the wake of the hurricane,
Emma and I delivered hot food to affected residents with
Citymeals-on-Wheels. Go to citymeals.org for more info on
the nonprofit.) Fortunately, the parade of colorful
frocks that popped up before and after the storm provided a
welcome diversion. Emma Stone’s shocking pink Valentino made
me smile, and Emily Blunt and Rosie Huntington-
Whiteley’s halter dresses were pure fashion fantasy. And
Cameron Diaz served up a double whammy, rocking
a canary-yellow Gucci dress that
showed off her killer pins.
With the start of a new year comes my pursuit of fashion’s
newest faces. Someone who’s already caught my eye is the
impossibly beautiful Bella Heathcote. The Aussie stunner,
who came to the U.S. after winning her homeland’s Heath Ledger
Scholarship, first used those big blue eyes to woo
American audiences when she played Johnny Depp’s love interest in
the vampire flick Dark Shadows. Just how stunning is she? She’s back
in theaters with Not Fade Away, in which she plays the
ultimate good-time girl. The role apparently wasn’t much of
a stretch. The first time we met, she confided that her Down Under peers
know how to have a good time. In fact, she credits a couple of cocktails
with getting her through what she called a Hunger Games–esque
media tour while promoting Dark Shadows. (That’s where I first
noticed her savvy fashion choices, like the lacy Emilio Pucci
dress she wore to the film’s London premiere.) A gorgeous girl who
knows her way around a bar? I think I’m in love.
DIOR GALORE
ALL ABOUT BELLA
FOLLOW BLASBERG’S WEEKLY
BEST-DRESSED LIST AT BAZAAR.COM/BESTDRESSED
ON THE BRIGHT SIDE
Emma Watson
In Chanel
Cameron Diaz
Emily Blunt in
Alexander McQueen
Rachel Weisz
At the Women in Hollywood event
In Emilio Pucci
Emma Stone
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FOLLOW BLASBERG’S WEEKLY LL
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87
Cavalli with his German
shepherd, Lupo
LISTMy
tweets a dayto
Roberto Cavalliin 24 hours
The designer’s life by the numbers
drops of Roberto Cavalli fragrance at bedtime; no pajamas
9:00 A.M. I wake
up at nine o’clock. I never, never wear
pajamas in my life. I always feel I cannot sleep
when I am dressed. I have to be naked. I am like
Marilyn Monroe: She said five drops of Chanel No. 5;
I tell you 10 drops of Roberto Cavalli fragrance. I’ll tell you
something else. A few times in my life when I went to the
hospital for some reason, very silly, it was complicated for me,
because they asked me to wear pajamas. When I wake up, my Ger-
man shepherd, Lupo, jumps on the bed and starts to kiss me. He is
a fantastic son. I also have a cat. She is tiny but she eats everything.
Then I have my bird, a parrot, a big yellow-and-blue parrot, in the living
room. Maybe she says hello to me. I go to her with a small cake and she
eats it. I have many different pets: two dogs, the cat, parakeets, an iguana,
a blackbird, and two aquariums full of fish. I especially love exotic fish.
They have been an inspiration and are featured in my collections. I used to
have a small tiger and a monkey but not anymore. The monkey was mean.
9:15 A.M. The first thing I do is take a shower. I don’t use many products.
When I come down, I make some sketches. I prepare my breakfast and tea.
Then I go to the computer and read all the magazines and the Herald Tribune.
9:30 A.M. I don’t go to work naked. I go to work all the time in my jeans.
I have a minimum of 50 pairs of jeans—all Cavalli! I have three or four that
are my favorites. One light black sweater. Cavalli panties, something zebra, leopard. Very tight. I put on Cavalli
socks. I have 40 pairs of Cavalli cowboy boots—black, all the same. That’s my personality. I have a very old
Cavalli bag in denim and croco—dark blue. It is almost destroyed, but I love it and I can’t change—it’s part
of me now. For big occasions, I have a beautiful gray silk shirt and one black tie. Today I am in Australia
going to the Victoria Derby in Melbourne, where the guests will be Prince Charles and Camilla, and
Nicole Kidman will be there, and, of course, Roberto Cavalli! I like to travel. I went to Papua New
Guinea a couple of years ago and met one of the last cannibal tribes existing on the planet. Very
exciting! 10:00 A.M. I enjoy many forms of transportation. I love my boat. The hull’s paint
has a wonderful ever-changing color, obtained with special paint that I also used to paint
my helicopter. The paint is iridescent, so when the sun is bright, the boat is a golden-
purplish color, and when the sun goes down, it becomes navy blue. I used to ride a
Segway around Florence in the summertime, but now I prefer to walk.
I also have many big cars. I have a Ferrari, but in the last six months,
I discovered the small electric car. I put Lupo in my
car and drive to my office in Florence.
I listen to
helicopter
0
➤
COU
RTE
SY R
OB
ERTO
CAV
ALL
I
88
I cannot sleep dressed. … I am like Marilyn Monroe.
music in the
car. I love Duran
Duran, Lenny Kravitz, the
Rolling Stones, and so many
others. They are all amazing artists
but also personal friends, so listening to
their music is very special to me. If not,
I make phone calls. I have a very old Nokia
Communicator telephone. Compared to the
new ones, it is like a museum piece. I say good
morning to all the people I love. In the future I will
say hello to you! 10:30 A.M. We go to my office,
where I have to sign papers. An important man should
do that every day. I have about 10 girls who work for me.
They come to me to show me their work. I also create—it is big work because I have to create for Roberto Cavalli
and for Just Cavalli. Everything that is design, everything that is part of my collections, comes from my heart, my mind,
my stomach. Then I go one floor up to the style studios to speak with the designers. I start to mix the shapes with the
prints and study them downstairs. It is part of my DNA. Honestly, I don’t have appointments in my office in Florence. I
don’t want to speak with people because sometimes they interrupt my creation. Usually, when I have any appointments,
I go to Milano, where I have another office. 1:30 P.M. My lunch is a small lunch. I don’t go to the gym, but I try to eat
healthy and light. I like to sit with the people I love and have lunch. I like mozzarella, a healthy salad, so I don’t feel too
heavy in the afternoon. 7:00 P.M. I finish work around seven. I stop in the center of Florence, near my store, where I
have a very small bar, Caffè Giacosa. It’s very cool, and many people go there for aperitifs between seven and eight o’clock.
9:00 P.M. I don’t like to go out at night that much. I have to attend many events for my work, so when I can, I enjoy spend-
ing time at home. The only two places where I really like to go when I am off duty are my two restaurant-clubs in Milano
and Dubai. I drink only red wine, mostly Cavalli Tenuta degli Dei. If I dine at home, I prefer to cook. I do a very good bran-
zino al sale. But most of my time is spent designing, looking through my camera. I have so many cameras. I have almost
every kind that exists; sometimes they are given to me before they are in stores. I am crazy about photos. I have many
crystal balls in my house. My wife loves to collect them, and I also love them because they are mysterious, which
is why I decided to create some for my home collection. And I like all the women. Femininity is my biggest
source of inspiration. 12:00 A.M. I go to sleep very late. It’s very late because I have my Roberto Cavalli
blog. I spend every night writing on it. Then I go on Twitter. I have two Twitters. One is for Roberto
Cavalli, the designer—I speak and give advice to my fans. The other is Roberto Cavalli on politics:
Uniti per un sogno, “Together for a dream.” It is in Italian because the situation in Italy is cata-
strophic. On Twitter I write what I think, what I feel. I make a lot of tweets, maybe 20 to 35.
1:30 A.M. My bedroom, it is very beautiful, very modern. There is a big window by
my bed. On the right I have portraits that were painted by my grandfather.
That is my bedroom. When I go to bed, oh, my God, it is very pri-
vate. It is very private because there are a lot of fantasies.
As told to Christine Whitney
tropical fish
crystal balls
Cavalli’s studio
00 pairs of cowboy boots
MAT
TIA
TA
CCO
NI
B O U T I Q U E SNEW YORK • BEVERLY HILLS
BAL HARBOUR • BOCA RATON • LAS VEGASPALM BEACH • ST THOMAS • ATLANTA
Tel. 1 800 536 0636
Boa Bang Gold Brown. Chronograph in 18K red gold adorned with
baguette-cut andalusites, smocked and transparent quartz. Python-print dial set
with 8 diamonds. Rubber and python strap. Limited edition of 250 pieces.
twitter.com/hublot • facebook.com/hublot
N e w Y o r k . L o s A n g e l e s . S a n F r a n c i s c o
w w w . j o i e . c o m
91
1. Cut 25 by Yigal Azrouël dress, $595. shopBAZAAR .com.
2. Maiyet necklace, $1,750. maiyet.com.
3. Lanvin bracelet, $770. Barneys New York; 888-8- BARNEYS.
4. DKNY skirt, $295. Neiman Marcus; 888-888-4757.
5. Theory vest, $325. Saks Fifth Avenue; 877-551-7257.
6. Reece Hudson bag, $495. barneys.com.
7. Givenchy by Riccardo Tisci clutch, $1,335. Bergdorf Goodman.
8. Fendi bootie, $1,295. shopBAZAAR .com.
9. Tibi blouse, $375. shopBAZAAR .com.
10. Manolo Blahnik for Victoria Beckham sandal, $1,075. 212-582-3007.
11. Monique Péan cuff, $5,360. Jeffrey, NYC; 212-206-1272.
12. 10 Crosby Derek Lam sweater, $325. Barneys New York.
STYLIST’S TIP
A contrast heel, like this
lace-up bootie, is an easy way to put the look
into full effect—and
add a few inches!
The
TAN LINESBlack, white, and beige make for an effortlessly chic combo
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THIS ICON DENOTES ITEMS TO BUY ON SHOPBAZAAR.COM
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5
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STYLIST’S TIP Color-blocked rose and coral make a dynamic duo; a dash of black adds edge.
2
11
Emily Baker, photographed by
Daniel Jackson
Coral and pink now have a not-so-sweet side
HAUTE HUES
THIS ICON DENOTES ITEMS TO BUY ON SHOPBAZAAR.COM
1. Jenni Kayne blazer, $750. 310- 860-0123.
2. Delfina Delettrez bracelet, $450. shop BAZAAR .com.
3. Proenza Schouler bag, $1,575. 212- 585-3200.
4. J. Crew skirt, $128. jcrew.com.
5. Chanel ring, $450. 800- 550-0005.
6. Prabal Gurung dress, $1,895. Atrium, Houston; 713-520-0206.
7. Diego Dolcini sandal, $370. diego dolcini.it.
8. 3.1 Phillip Lim dress, $1,450. shop BAZAAR .com.
9. Paper London shorts, $320. paperlondon .com.
10. Calvin Klein Collection top, $1,350. 212-292-9000.
11. Givenchy by Riccardo Tisci bag, $2,435. Neiman Marcus; 888- 888-4757. ST
ILL
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: DO
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BLUE ANGELS
Azure looks and accessories hit a
boho high note
94
GELS
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STYLIST’S TIP White and indigo make a country-strong pairing that’s hard to top.
BLUE
Azand ac
bohSTYLIST’S TIP White and indigo make a country-strongpairing that’s hard to top.
The 1
2
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Ymre Stiekema, photographed by
Paola Kudacki
1. Tory Burch dress, $695. toryburch.com.
2. Bea Valdes necklace, $3,188. couture lab.com.
3. Just Cavalli jacket, $1,295. Neiman Marcus; 888-888-4757.
4. Elizabeth Locke ring, $3,225. Neiman Marcus.
5. BCBG Max Azria dress, $298. Saks Fifth Avenue; 877-551-7257.
6. Aquazzura by Edgardo Osorio sandal, $995. Bergdorf Goodman; 888-774-2424.
7. Carolina Herrera top, $1,690. 212- 249-6552.
8. Altuzarra pants, $3,860. Bergdorf Goodman.
9. Isabel Marant necklace, $405. 212-219-2284.
10. AGL sandal, $210. agl.it.
11. Juicy Couture jacket, $278. juicy couture.com.
12. Versus bag, $775. 888-721-7219. ST
ILL
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SEE WHERE TO BUY FOR SHOPPING DETAILS
zales.com/VeraWang
© 2
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96
BRIGHT PRINTS1. J. Crew jacket. jcrew.com.
2. Thakoon Addition jumper, $490. Kirna Zabête, NYC; 212- 941-9656.
3. Tory Burch bag, $295. tory burch.com.
4. Lulu Frost bangles, $95 each. lulu frost.com.
5. Marc by Marc Jacobs shirt, $328. 212-924-0026.
6. Gap cardigan, $49.95. gap.com.
7. Figue scarf, $225. figue.com.
8. Tod’s slippers, $465. Similar styles available at shop BAZAAR .com.
9. Tory Burch shirt, $395
10. Stella Jean skirt, $544. stella jean.it.
11. Kate Moss for Longchamp bag, $610. longchamp .com.
Shopping Buy now,love forever
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WHERE FASHION GETS PERSONAL
103
WWWHEGGETS
PATTERN UPWhether bright
florals, jazzy geometric motifs, or a novel take on paisley, the latest printed pieces are
destined to turn heads. Work the look with a standout shoe. ➤
BOLD PRINTS
1. Longchamp dress, $570. longchamp
.com.
2. Proenza Schouler
dress, $4,950. 212-585-3200.BR
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STOREKEEPCLASSIC
WAYFARERSNEON
CAT’S-EYES
WHAT TO BUY
ROSE-COLORED GLASSES
Protective-eyewear-inspired sunglasses are the unexpected stars of the season.
Michael Kors’s translucent neon-hued
shades are sure to be the next big thing on
the boardwalk.
NOT GARDEN-VARIETYDesigners showed off their green thumbs this season, coming up with bags that bloomed for spring. Chanel’s 3-D version, a veritable petal party, and Prada’s furry iteration, sporting ’60s-style poppy motifs, were the best of the bunch. ➤
A COAT FOR ALL SEASONS Nothing adds impact to a wardrobe quite like the perfect rouge jacket. Choose a sharp silhouette and make it memorable by wearing the jacket with fun printed pants. Dress it down with sneakers or up with a great pair of heels.
RED HAUTE
MADCAP MOMENTS Chunky-heeled shoes in bold colors and mixed materials are the trophy pieces right now. Go for a wild-style pair like Nicholas Kirkwood’s rococo snakeskin-and-Lucite sandal or Fendi’s futuristic loafer.
STATEMENT SHOES
BAG BOUQUET
Red on the move
Fendi
Chanel
Kenzo shoe, $495. sole struck.com.
Nicholas Kirkwood shoe, $1,695. shop BAZAAR.com.
Victoria Beckham coat, $3,250. victoriabeckham.com.
J. Crew pants, $545. jcrew.com.
Michael Kors goggles, $209. Similar styles
available. 866-709-KORS.
Prada bag. prada.com.
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INTO THE BLACK
KEEPING IT SIMPLE Take another page from Weiss’s playbook and wear a crisp white jacket with your black bag. Blazers and collarless moto styles are recommended. Then up the palette quotient with the addition of chic black pants.
Emily Weiss
HIGH NOTE There’s no easier way to hit the mark than with a
classic black bag. Follow blogger Emily Weiss’s lead and
wear it with a neutral heel.
WHITE LIGHT
SNAKE ONE ON Serpentine skins continue to steal the show. The update? Pick pieces in contrasting patterns and unconventional cuts, like stylist Vanessa Traina’s black-and-white zippered asymmetrical skirt. ■
SERPENT SLEEK
Vanessa Traina
IN THE CLEARThe shoe of the
year is clearly the single- sole pump.
The latest interpretation
of this timeless style features see-through
plastic panels.
TRANSPARENCY ISSUE
Jason Wu jacket, $1,795. Savannah, Santa Monica, CA; 310-458-2095.
Giorgio Armani bag, $2,100.
212-988-9191.
Preen dress, $2,380.
net-a-porter.com.
Christian Louboutin shoe, $695. christian
louboutin.com.
Manolo Blahnik shoe, $645. Neiman
Marcus; 800-937-9146.
Chanel shoe, $850.
800-550-0005. BR
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50 SHADES
OF BEIGE1. Saint Laurent
by Hedi Slimane cuff, $2,635.
212-980-2970.
2. Christian Louboutin
sandal, $795. 212-396-1884.
3. Givenchy by Riccardo Tisci
tote, $1,025. Bergdorf
Goodman; 888-774-2424.
4. Chloé necklace, by special order,
$995. 212-717-8220.
5. Hermès bag, $5,050. hermes.com.
6. Vhernier ring, $7,550. Saks
Fifth Avenue, NYC; 212-753-4000.
7. Pierre Hardy sandal, $975. shop BAZAAR.com.
8. Emporio Armani bag, $765.
212-988-9191.
9. Jerome C. Rousseau
sandal, $695. Saks Fifth Avenue; 877-551-7257.
10. SW1 bag, $995. shopsw1.com.
11. Carlo Pazolini shoe, $125.
212-792-5855.
12. Verdura bracelet. 212-
758-3388.
13. Reed Krakoff bag, $590. shop
BAZAAR.com.
14. Coach bag, $498.
coach.com.
15. Paul Andrew sandal, $1,095.
Barneys New York; 888-8-BARNEYS.
16. Fendi sandal, $525.
shopBAZAAR .com.
17. Marina B rings, $1,500 each.
Neiman Marcus; 212-840-1200.
18. Prada bag. prada.com.
50DES
EIGEurentmane 2,635. 2970.
istian outin $795. -1884.
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MOODY BLUES1. Jimmy Choo clutch, $1,925. jimmychoo.com.
2. Proenza Schouler sandal, $1,895. 212- 585-3200.
3. Knights of New York necklace, $300. knightsofny.com.
4. Chanel bag, $3,100. 800-550-0005.
5. Derek Lam sandal, $398. Similar styles available at shop BAZAAR.com.
6. Bottega Veneta ring, $820. bottega veneta.com.
7. Giorgio Armani iPad case, $2,380. 212-988-9191.
8. Givenchy by Riccardo Tisci bag, $2,810. Barneys New York; 888-8-BARNEYS.
9. Versus shoe, $675. 888-721-7219.
10. Hermès bag, $11,800. hermes.com.
11. Stuart Weitzman sandal, $285. 212-759-1570.
12. Patricia Von Musulin cuff, $3,600. patricia vonmusulin.com.
13. Tibi sandal, $365. shop BAZAAR.com.
14. Gianvito Rossi boot, $1,305. gianvitorossi.com.
15. Reed Krakoff cuff, $490. reedkrakoff.com.
16. Dries Van Noten clutch, $1,445. Barneys New York.
17. Lotocoho ring, $295. lotocoho.com.
18. Brian Atwood clutch, $1,575. brianatwood.com.
19. Karma El Khalil earrings, $2,125. roseark .com.
20. Barbara Bui shoe, $640. 212-625-1938.
4b8
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WHITE OUT1. Jen Kao earrings, by special order, $1,540. jenkao.com.
2. Alexander Wang sandal, $725. shop BAZAAR.com.
3. Dominique Denaive necklace, $145. denaive.com.
4. Tommy Hilfiger shoe. Similar styles available at Tommy Hilfiger, NYC; 212-223-1824.
5. Akris bag, $1,990. Similar styles available at shopBAZAAR .com.
6. Balenciaga by Nicolas Ghesquière bag, $1,045. 212-206-0872.
7. Georg Jensen bangle, $1,100. georgjensen.com.
8. Giorgio Armani shoe, $696. 212-988-9191.
9. Hermès shoe, $1,300. hermes.com.
10. Gucci sandal, $695. Similar styles available at shopBAZAAR .com.
11. Ippolita ring, $750. ippolita.com.
12. Jil Sander bag, $1,550. shop BAZAAR.com.
13. Pono by Joan Goodman necklace, $145. femmegems.com.
14. Calvin Klein Collection clutch, $950. 212-292-9000.
15. Max Mara sandal, $555. 212-879-6100.
16. Marc Jacobs shoe, $795. marc jacobs.com.
17. Chanel bag. 800-550-0005.
18. Gianvito Rossi sandal, $995. gian vitorossi.com.
19. Tacori earrings, $230. tacori.com.
$
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121
RUNWAY REPORT
N E W M O DSharp black and white is the statement for spring, with designers like Stella McCartney and Marc Jacobs going for the bold.● Stripes are in this season, but they’re not your mother’s pinstripes. Bigger is better as far as we’re concerned—walk a wide line with high-waisted Balmain pants or a graphic Dolce & Gabbana sundress. ● Break it up with a two-tone look by Jil Sander or Chanel. Chiaroscuro styles are sure to turn heads. ➤
Jil SanderBalmain Chanel
Narciso Rodriguez Lanvin
Dolce & Gabbana
Stella McCartney
Marc Jacobs 121
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Bottega Veneta
122
W H I T E L I G H TWhite, that warm-weather staple, is going strong this season, with styles that ranged from lacy sweet at Valentino to downtown tough at Alexander Wang. Embrace the blank slate with the right white.● Blanc on blanc is a surefire recipe for a superchic look, as evidenced by the pairings at Carolina Herrera and Missoni. ● This achromatic tone works well with a silver shoe, as seen in Burberry Prorsum’s collection. ● More foolproof accessories? Lucite heels are all the rage right now, and nothing looks sleeker than a clean shoe with a crisp white dress. ● White and beige also make a killer duo. Mix it up with an embellished tan blouse à la Bottega Veneta or a neutral shoe from Reed Krakoff.
Runway REPORT
Marc Jacobs
Lanvin
Dior
Miu MiuAlexander Wang
Roberto Cavalli
Carolina Herrera
Missoni ValentinoReed Krakoff
Burberry Prorsum
Michael Kors
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C O L O R C O D EThough black and white continued its reign, many designers also brought a rainbow of bright hues to the table. Orange, the color of confidence, was big at J. Mendel and Akris, while enviable green stole the spotlight at Etro.● Wear head-to-toe color. It may seem like a daring move, but the results, as proved by allover looks at Gucci and Saint Laurent Paris, are flawless.● Get short. The top-and-skirt or culottes combo is a slightly less intense take on tone-on-tone dressing.● Pastels can work as a neutral when paired with primary colors. Follow Fendi’s cue and throw on a jacket in a slightly sweeter shade to offset the brights. ● Plastic is fantastic this season, with see-through accessories adding the ideal accent to colorful clothes. ➤
Gucci
FendiDerek Lam
HermèsAlexander McQueen
Michael Kors
J. Mendel
Stella McCartney
EtroSaint Laurent Paris Akris
Michael Kors
Burberry Prorsum
124 Prada
Runway REPORT
124
G O E A S TDesigners looked to the Orient, with Asian-inflected prints making the rounds at Emilio Pucci, Peter Pilotto, and beyond. Kimono cuts kept things cool at Etro, and Japanese silhouettes and geisha-inspired shoes walked the runway at Prada. ● Red is right, everywhere from Proenza Schouler to Hermès. Fire up the season with the color of passion. ● The same goes for accessories—statement pieces in hot colors are perfect for warmer months. Oversize earrings, sculptural shoes, and showstopping collars are your best bets. ● Neutrals are your secret weapon to balance out all that brightness. Pair with a simple coat or pant, or pick pieces that incorporate earth tones.
Gucci
Alexander McQueen
Etro
Brood Akris
Proenza Schouler
Aquilano.Rimondi
Emilio Pucci
Miu Miu
Peter Pilotto Hermès
Etro
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125
Balenciaga by Nicolas Ghesquière
F R I L L & C A G EThe runways were rife with ruffles, notably the flamenco-inspired renditions at Balenciaga and Ralph Lauren. Cagey looks were popular as well, with sheers at Dior and Alberta Ferretti, among others. ● Frills are no longer limited to skirting. Ruffled collars and sleeves made a splash at Chloé and Givenchy, and more traditional below-the- belt versions were fresh at Ralph Lauren and Balenciaga. ● Windowpane looks are a portal to the sartorial soul. The daring can venture into peekaboo pieces from Louis Vuitton, while those who don’t want to bare all can try an opaque iteration from Giorgio Armani. ● Add oomph with a graphic extra like a patterned bag. ■
Chloé
Givenchy by Riccardo Tisci
Ralph Lauren Collection
Proenza Schouler
Marc Jacobs
Dries Van Noten
Louis Vuitton
Calvin Klein Collection Dior
Alberta Ferretti Céline
Giorgio Armani
I t became as clear as black and white (and a smidge of
navy) to me last fall during New York’s Spring 2013
collections. I was attending a breakfast at Lincoln Center,
and while nibbling on a croissant, I looked out the win-
dow, mesmerized by the parade of fashion editors. They
were prancing past in such a hodgepodge of colors and
prints and textures, the effect was almost dizzying.
Then I focused back on my breakfast mates, who stood out dressed
in black and navy. They looked sleek and confident. And strangely
cutting-edge. Strangely because when was the last time that wearing
black was considered fashion forward? The answer is now.
Some of the most stellar collections this season—Céline, Lanvin,
Alexander Wang, Calvin Klein, Narciso Rodriguez—were almost
singularly limited to a palette of black and white. Fashion is a cyclical
beast by nature, so it makes sense. “There’s been such an abundance of
color and print for a few seasons, black and white is acting like a pal-
ate cleanser,” says Sarah Rutson, fashion director of Lane Crawford.
In the past few years, prints—helped by new techniques for digitally
manipulating and distorting images—have come to the forefront. As
a result, designs from Mary Katrantzou to Balenciaga to Proenza
Schouler have created memorable fashion moments.
Yet for those of us who are more Alexander Calder in our mind-set
than, say, Claude Monet, recent seasons have felt somewhat confin-
ing. I love prints, but I am keener on the architectural aspects of a
piece of clothing, which stand out best when delineated in black and
white. While I’m not likely to be seen wearing the midriff-baring
cutout looks from Alexander Wang and Balenciaga, I am signing up
for the sleeveless tuxedo jackets from Céline and Lanvin. “There is
something counterintuitive and slightly shocking about wearing
black in warmer months,” notes Linda Fargo, a senior vice president
at Bergdorf Goodman.
I like the idea of dressing against the grain. But I’m also not turning
color-blind come spring. I have my eye on a searing-orange sheath
from Narciso Rodriguez, because the freshest way to delve into color
is in a single intense, traffic-stopping dose. Fargo agrees: “It feels like a
new nod to mod when it’s done all the way, like at Michael Kors or
Gucci.” As standout as these colors are, this season you may make more
of a statement by going back to black. ■
BLACKBLACK
But this season it’s far from basicBy Jennifer Alfano
Céline
AlexanderWang
Lanvin
Balenciaga by Nicolas
Ghesquière
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Over 20 delicious f lavors without the guilt.
FOR EVERY SHADE OF YOU
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WHERE FASHION
MEETS CULTURE
DIOR’S NEW NEW LOOK In his much anticipated ready-to-wear debut for Dior, Raf Simons sent waves across the fashion pond. The designer’s fluid ball-gown skirts in iridescent fabrics made a big statement, and his sharply tailored suits and dresses have already been spotted on the red carpet, with Marion Cotillard, Jennifer Lawrence, and Kristen Stewart all rocking the venerable house’s latest styles.
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JEAN-IUS COLLABS It’s a great day for denim duos: Mary Katrantzou brings her digital motifs to the designs of Current/Elliott’s Serge Azria; J. Crew and Goldsign deliver a dose of laid-back cool for spring; and Liberty London mixes its classic prints with AG’s perfectly fitted pieces.
JEAN-IUKatrantzou bAzria; J. CrewLiberty Lond
130
HOT SWIM-WEAR
Terry Richardson by Damien Florébert Cuypers
R13 jacket, $1,450.
Barneys New York;
888-8- BARNEYS.
R13 jacket,
$2,995. Bergdorf
Goodman; 888-774-
2424.
T M-AR
CULT JEANS BRAND DOES OUTERWEAR Denim aficionados have long been tuned in to R13, a label favored by
such fashionables as model Rosie Huntington- Whiteley and blogger Elin Kling. This season,
fans will have something more to look forward to, as the company is coming out with equally
edgy jackets. It’s not just in the jeans.
THE ILLUSTRATORFrench artist Damien Florébert Cuypers is quickly making a name for himself with his humorous one-minute crayon portraits of the hopelessly chic.
Rosie Huntington-Whiteley in
R13 jeans
We’re obsessed with Aussie label
We Are Handsome’s splashy animal-print
suits. In other aquatic news, Hervé Léger is launching its first fleet of sexy,
pool-ready swimwear.Signature Léger bandage
styles abound.
Mary Katrantzou
and Current/Elliott
Liberty London
and AG
J. Crew and
Goldsign
T he Paris-based street-style
starlet (and Swiss-born styl-
ist) gives us a serious case of
sartorial envy. Here, Bazaar
gets the lowdown on her
brand of offbeat elegance.
FIRST DESIGNER ITEM YOU
EVER BOUGHT? Miu Miu
pink plastic heels. FAVORITE
DESIGNERS? I love old Jean Paul Gaul tier, weird things
from Miguel Adrover, and new stuff from Balenciaga.
TRENDS YOU’RE TIRED OF? Shorts with tights and
high heels. IF YOU COULD TRADE WARDROBES WITH
ANYONE, WHO WOULD IT BE? The girlfriend of the
beautiful vintage boutique Quidam de Revel’s owner.
ANY NONFASHION OBSESSIONS? Surfing. WHEN YOU
GOOGLE YOUR NAME, WHAT POPS UP FIRST IS A TUM-
BLR CALLED WE LOVE URSINA GYSI. WHAT DO YOU
THINK? I love Ursina Gysi too. Raveena Parmar
STYLE CRUSH:URSINA GYSI
Mary Katrantzou
Leggings, $245.
agjeans.com.
Hervé Léger by Max Azria swimsuit,
$780. bcbg.com.
We Are Handsome swimsuit,
$236. shop bop.com.
Leggings, $245.
agjeans.com.
Jeans, $268. jcrew.com.
Jeans, $388. saks.com.
Jeans, $358. forward
forward.com.
Jeans, $218. jcrew.com.
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Ursina Gysi
UrsinaGysi
BULGARI FETES A CLASSIC
Famed jeweler Bulgari is celebrating its iconic Serpenti
watches with an exhibition opening this month at its
New York flagship and a book dedicated to the house’s
snake-inspired styles. (Fans have included Marisa Beren-
son and Elizabeth Taylor.) And new pieces, like the
elbow-length version (above) of the Serpenti Tubogas watch, which
clients have been snapping up since the ’40s, are also being intro-
duced. This is definitely the year of the snake. Christine Whitney
Marisa Berenson in Bulgari
Bulgari Serpenti Tubogas watch. bulgari .com.
JASON WU & LA PERLA Lace enthusiast Wu teamed up with luxe lingerie
legend La Perla to outfit the models for his Spring 2013 show. “If you’re going to see lingerie, it really
needs to be the best,” the designer says. The bandeau bra (right) will be available exclusively
at La Perla’s Madison Avenue boutique.
Ursina Gysi
LA erie ring ally he y .
LISTEN UP! Dolce & Gabbana has
partnered with Grado Labs to make handcrafted mahogany headphones. Sounds good!
Dolce & Gabbana headset, $1,250. 877-70- DGUSA.
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TATE LIVERPOOL returns to the ’70s with “Glam! The
Performance of Style,” a multimedia exhibition featuring
works by David Hockney and glitter’s front man, David Bowie.
London’s National Portrait Gallery unveils “Man Ray Portraits.”
And the work of painter Aleah Chapin, the first American
woman to win the National Portrait Gallery’s BP Portrait
Award, is at the Royal Albert Memorial Museum in Exeter.
O N E X H I B I T
GOOD READS Mary Blume’s The Master of Us All
sheds light on the inner world of revered designer Cristóbal Balenciaga. In Mrs. Lincoln’s
Dressmaker, Jennifer Chiaverini imagines the first lady’s most private affairs through the eyes of an unlikely confidante. Jamaica Kincaid’s See Now Then considers a family’s struggle with the passage of time.
Which young designers will be the next global tastemakers?
The new tome Pattern highlights 100 names (including Ohne Titel and Suno) currently shaping fashion. But couture’s roots haven’t been forgotten: Xavier Girard’s Paris in the
1920s with Kiki de Montparnasse pays tribute to an icon of that era, and Paris Haute Couture
offers a sartorial-history starter course.
From Paris Haute Couture, a House of Worth
cape, 1898–1900
A bold Damir Doma look from Pattern
Aleah Chapin’s Auntie, 2011
Le Violon
d’Ingres,
1924, by Man Ray
David Hockney’s Mr. and Mrs. Clark
and Percy, 1970–71
COFFEE-TABLE PICKS
QUEEN BEE Finally, Beyoncé
indulges our craving for an inside look at
her colossal existence, with a self-directed documentary that
debuts February 16 on HBO. (She shot
some of the footage on her laptop.)
WEATHERMAN By manipulating light and humidity, the Dutch artist Berndnaut Smilde can make any day a cloudy one. Catch his surreal photo-graphs this month at London’s Ronchini Gallery.
TREASURE HUNT The crown jewel of the antiquing season, the Original Miami Beach Antique Show (January 31 through February 4), includes Art Deco finds like this Ayre & Taylor diamond bracelet.
Ayre & Taylor bracelet
Beyoncé exposed
Two Berndnaut Smilde
cloud works
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134
TheESCAPEDorado
Beach, a Ritz-Carlton
Reserve
Andaz Amsterdam,
Prinsengracht
Banyan Tree Kerala
SEE WHERE TO BUY FOR SHOPPING DETAILS
HAUTE HOTEL: This winter the Ritz-Carlton
opened a superluxe Reserve property, Dorado Beach,
on three miles of beachfront a half hour from San
Juan. Model Joan Smalls shares her favorite nearby
haunts. SIGHTS: I love walking around Old San Juan
and visiting El Morro Fort. And El Yunque rain forest
near Luquillo is so spectacular, you can hike to the
waterfalls and become one with nature. I also go to
the coffee plantation, Hacienda Buena Vista, in Ponce.
Coffee from Puerto Rico is really good! EAT: The
Parrot Club in Old San Juan for mofongo, one of my
favorite dishes.
JOAN SMALLS P U E R T O R I C O
HAUTE HOTEL: Located on the scenic Prince’s
Canal, the new Andaz hotel is an ideal base for
exploring Amsterdam. Model Doutzen Kroes tells
us where to go from there. EAT: Homemade
or Gartine for organic high tea, Burgemeester
for the best organic burgers, and the bar at the
Conservatorium Hotel. DRINK: Vesper Bar,
Suzy Wong, and Paradiso. SHOP: Van Raven-
stein for Dries Van Noten and Balenciaga, Rika
for her own cute line and the best of Alexander
Wang and Proenza Schouler, and Carmacoma, the
only shop in Holland that sells Azzedine Alaïa.
DOUTZEN KROES A M S T E R D A M
HAUTE HOTEL: The idyllic new villa resort
Banyan Tree, on India’s southwest coast, is a perfect
spot to relax amid the bustle. Cecilia Morelli Parikh,
cofounder of the chic concept store Le Mill in
Mumbai, offers tips on must-sees. EAT: In Mumbai,
try Britannia, an old Parsi cafe where the founder’s
son, a wonderful man of 90-plus, still takes your
order. SEE: The Golden Temple in Amritsar, a site
of Sikh worship. BUY: My fave finds are En Inde
jewelry—beautiful architectural pieces—and
Kashmir Loom shawls for my family.
CECILIA MORELLI PARIKHI N D I A
134
TheESCAPEWHERE TO GO NOW
Lisa Marie Fernandez swimsuit, $360. Similar styles available at shop BAZAAR .com.
Giuseppe Zanotti Design
sandal. 212-650-0455.
Equipment blouse, $198. shopBAZAAR .com.
Helmut Lang leather
leggings, $920. helmut
lang.com.
Soigne K necklace, $375. soignek .com.
Amedeo Canfora
sandal, $180. canfora.com.
Gucci sunglasses.
800-234-8224.
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It’s exactly a week after the election, and
Megyn Kelly is in her office at Fox News
Channel in Midtown Manhattan, a small-
ish space in which the personal effects
are limited to a handful of family photos
and a rack of designer shoes. Having
emerged from hair and makeup perfectly
coiffed and heavily lashed, Kelly is busy
preparing for the next installment of the
her top-rated program, America Live. On
this particular afternoon, the show will focus almost
entirely on David Petraeus’s abrupt resignation as direc-
tor of the CIA in the wake of revelations involving his
extramarital affair. Among the topics are the military’s
actual laws against adultery (who knew?) and why the
attorney general didn’t tell the president what was up.
“And here we thought the week after the election we’d
have nothing to talk about,” she notes wryly.
It’s an ever-expanding story, and Kelly is clearly
pumped, but she is also, she says, torn. “This guy saved
thousands of American lives running a successful surge
in Iraq, and there’s something discomfiting about boot-
ing him out over a personal indiscretion. But I under-
stand the other argument, which is that when you’re
in a position like the one he had, you have to give up
certain things. It’s like Princess Kate: You want to be
queen? You can’t take off your top and sunbathe. Life’s
a trade-off.” At that she leans back and breaks out in
peals of laughter over her armchair analysis: “Pearls
of wisdom from Megyn Kelly.”
Prior to November, Kelly, a 42-year-old
former lawyer, was already one of Fox’s fastest-
rising stars, famous for both her leggy, Hitchcock-
blonde persona and her brains, specifically an
ability to cut quickly to the heart of complex
issues and a willingness to jump in and talk over
blabbermouthy guests. But after election night,
Kelly’s profile skyrocketed. For those living under
a rock, here’s the recap: During Fox’s prime-time
coverage, analyst and would-be Republican
kingmaker Karl Rove challenged the network’s
own projection that President Obama would
win the linchpin state of Ohio. Kelly didn’t
miss a beat, adding some nick-of-time
humor to the potentially embarrassing
proceedings (“AWK-ward!” she
injected) and embarking on a now
legendary on-camera walk out
of the studio to Fox’s decision
desk, where she questioned the
number crunchers herself about their
(correct) call. And it wasn’t her only push-
back with Rove. During his earlier speculation
on the possibility of a Romney win, she asked,
“Is this just math that you do as a Republican
to make yourself feel better or is this real?”
While Kelly deftly credits her boss Fox News
chief Roger Ailes with the idea of doing the deci-
sion desk interview (“I wouldn’t have made that
trek if it hadn’t been for him”), in the days that
followed she was showered with kudos. Media critic
Howard Kurtz wrote a Daily Beast column in which
he reiterated his assessment of Kelly as a “breakout
star” and reminded network brass that her contract
would be up this summer. Such an unlikely fan as The
New Republic’s Noreen Malone praised her ability to
“control the spin.” Bill Hemmer of Fox’s America’s
Newsroom, Kelly’s onetime coanchor, references what
he calls “her greatest asset as a TV partner—the Megyn
Kelly curveball. She always brings an element of
surprise. It’s as if a record is spinning and it gets
stopped midsong by Megyn’s hand.”
Lately her hand seems to have the golden touch:
Fox’s election-night ratings were the highest in
the network’s history, and her two-hour weekday
show was the most watched on all of cable pro-
gramming in its time period during the month
of November. The numbers are all the more
remarkable given that she has been in the business
for less than a decade.
Kelly, who grew up outside Albany, New York,
in a “very middle-class” family—her mother was
a nurse, and her father was a college professor
who died of a heart attack when she was 15—
had wanted to become a journalist ever since
a 10th-grade aptitude test suggested she had a
talent for the field. But after being rejected by
The outspoken Fox News anchor suffers no fools, gladly
By Julia ReedPhotographs by Jennifer Livingston
136
M E G Y N K E L L Y
FOX’S
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acknowledge that part of your personality publicly, then it’s somehow
an affront to women,” she told GQ in 2010. An insider at Fox News
explained her election-night walk to New York magazine by saying, “Any-
time there’s a chance to show off Megyn Kelly’s legs, they’ll go for it.” And
she’s the subject of countless YouTube videos, with titles that range
from “Megyn Kelly Hot Pantyhose and High Heel Shoe
Play” to “Megyn Kelly tight white dress.” Her clothing
choices, while not necessarily tight, are usually
figure-flattering shifts by the likes of Ralph
Lauren Black Label and Michael
Kors. “I remember thinking
that I’d never
show my arms
on TV, but over time
you loosen up,” she says.
Kelly’s confidence is palpable;
she is also secure in her second
marriage, to novelist Douglas Brunt,
a former Internet-security entrepreneur.
They met in 2006, after she joined Fox
and divorced her first husband—two
moves, she says, that were not unrelated.
“Once I found professional happiness, it
gave me time to think about other areas in my
life in which I wasn’t happy. The next obvious candidate
for introspection was my marriage.”
She and Brunt live in Westchester County (with three-year-old son
Yates and daughter Yardley, almost two), where the couple eschew most
of the trappings of her job. “There are lots of people who are red-carpet
types, but that’s not me. On a Friday night, I’d rather be watching Homeland.”
Kelly calls her current work schedule “perfect for motherhood,” but
in a postelection column, Kurtz pointed out that “she is clearly too big a
talent to remain marooned at 1 p.m.” Speculation about her next step is
already rampant. “I can imagine her on a broadcast network,” Kurtz tells
me, “but I think she’ll be reluctant to leave Fox because of her gratitude
toward Roger Ailes.” Kelly herself says her plan is the same as it’s always
been: “Just keep working hard and doing a good job, and hopefully what-
ever door I need to be open will be open when I get there.” ■
Syracuse University’s journalism school, she decided to study political
science there instead. She then went to Albany Law School, graduating
with honors and a pile of debt, and nailed a “big law” job in Chicago to
pay it off. “In the beginning, you’re doe-eyed,” she recalls. “I’d never been
in circles of power before, and I’d certainly never had any money,” but
she grew to hate the grind. “Before I knew it, eight and a half years had
passed, and I realized I was pretty unhappy.”
Still cognizant of her high school dream, Kelly began auditing journal-
ism classes and asked a sought-after cameraman to help make a résumé
tape. “Everybody wants to be on TV,” he said at their first meeting, but
she didn’t back down. “I think I’d be good at it,” she told
him. When he challenged her to tell him a story in a
minute or less, she did an impromptu piece on Robert
Chambers, the “preppy murderer” who’d just been released
from prison. His reaction? “You’re gonna be on TV.”
When Kelly and her first husband, an anesthesiologist,
relocated to the D.C. area, she sent her tape to all the local
news outlets. After almost a year of working—free—at
the local ABC affiliate, she was made a real offer, but she’d
already set her sights higher. Brit Hume, then Fox’s Wash-
ington managing editor, had seen Kelly’s new, improved
audition tape, and he was blown away. “Megyn’s a rare com-
bination,” Hume says. “She’s smart, she’s curious, she
has enormous energy, and she’s cheerful. Sometimes
serious people come across as too combative. Megyn
doesn’t, though she’s as serious as they come.”
The network had no openings at the time, but Ailes
agreed with Hume, and Kelly was hired as a Washing-
ton-based reporter in 2004. She soon demonstrated her
talent for breaking news while covering the Virginia Tech
shootings and was among the first to point out holes in
the prosecution’s case against the Duke University lacrosse
players accused of rape. But she’s not immune to controversy of
her own. Shortly after the launch of America Live in 2010, Kelly went on
a weeks-long tear over the Justice Department’s dismissal of a lawsuit
against members of the New Black Panther Party involving alleged voter
intimidation, at one point clashing with one of Fox’s liberal contributors,
Kirsten Powers, and threatening to cut off her mike. Kelly has said she
later apologized to Powers, and when Rove made his own, ungrounded
charges of voter suppression regarding Obama’s victory, she shut him
down, reminding him firmly that the president had won, period.
“She treats her studio as more of a newsroom than a soapbox,” Kurtz
says. And though Kelly has said she firmly believes the mainstream media
has a tendency to lean to the left, she says she keeps a “healthy distance
personally” from political debates. “I think it helps my reporting not to
make too many assumptions about either side.”
Plenty of assumptions have been made about Kelly, mostly about
her looks, but she takes the criticism in stride and says that feminist is
not a word she likes. “There is a message that if you are sexy and you
I remember thinking I’d never show my arms on TV, but over time you loosen up.”
138
140
M Y M O T H E R , C . Z .
W h e n y o u ’ r e t h e d a u g h t e r o f a s t y l e i c o n , t h e i n fl u e n
MY MOTHER NEVER EXPLAINED STYLE; you just saw how she
did things. She collected T-shirts, for example, cute little ones that she would
wear with scarves. She hated high heels—they make you look like a pros-
titute, she would say. She liked a flat, flat shoe, not even a half-inch heel.
And when we played tennis, she would always make me put a sweater on
afterward. It could be 100 degrees out and we would still have on our
cardigans. She was just of a completely different generation: To her, an
informal Thanksgiving was a skirt and cashmere sweater. And until she was
much older, flying somewhere meant wearing a skirt.
When I was little I hated to get dressed, and my mother and I would
fight about it. My father used to warn her, “Be careful, C.Z.! If she sets her
jaw, she will not listen to you.” I hated the smocked dresses she would make
me wear—they itched, and nobody I knew wore them.
While she had her rules, there was never anything
pretentious or over-the-top in our house. My parents
received everyone the same way, from the Duke and
Duchess of Windsor to Andy Warhol. They were just
very welcoming and kind, and dinner was always fun. Jerry Zipkin visited all the time and people
were constantly coming in from Europe, like Alexis de Redé, who was my godfather. When Mrs.
Vreeland came for the weekend, I would sit on her bed in awe while she did her makeup. As a child
I was just fascinated by her white cuffs, her red nail polish, the way she put on her rouge, and the
way she spoke. I don’t recall exactly what we talked about, but I remember she used to say that every
child’s favorite color is red because it reminds you of a lollipop. I never wanted to leave her side.
My mother was 43 when she had me. My father, Winston, was 14 years older than my mother,
and it was his second marriage, so a lot of their friends, like Ernest Hemingway and
Truman Capote, were his from beforehand. People loved to talk to my father because
he wasn’t on the party circuit, and in a sense he was a little bit of an enigma. A
dashingly handsome man, he had been a 10-goal polo player and was best friends
with Hemingway—he is “Wolfie” in Hemingway’s writings. As for Truman, he
was a sweetheart. He used to take me to lunch at the old Le Cirque, and he would
come with me to the horse shows in Southampton. One year when he and
Francesco Scavullo came to see me ride, I fell off the horse. They were so panicked,
the ambulance guy thought he would have to take them to the hospital. After
that, Truman said he’d never watch me at another horse show.
Truman’s Black and White Ball was “adorable,” my mother used to say, and later on in life she loved
to go dancing with him and her good friend Mingo at Studio 54. Even though she couldn’t really
dance—Dad used to say she had two left feet—disco was a lot easier than doing a waltz. She also loved
to go to Regine’s, on Park Avenue, which was huge at that time.
I remember after I came out at a cotillion at the Waldorf, we all went to Studio 54 with Truman,
Andy, and Jerry—a hysterical cast of characters. This was 1981, and I was wearing a beautiful white dress
that Carolina Herrera had made me, and my mother had a strapless red velvet dress—Adolfo or Oscar,
I don’t remember which. It was around Christmastime, and there was fake snow on the ground like
they used to do at Studio 54. And somehow I fell. My mother turned to Truman and said, “Look,
Clockwise from top: C.Z., Halston, Steve Rubell, and Cornelia in 1985; C.Z. and the Duke of Windsor in the early 1960s; C.Z. with Truman Capote at Studio 54 in 1978. Right: Poolside in Palm Beach, 1956.➤
What she cared most about was that things
looked beautiful and were done a certain way.THIS
PA
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From top: Cornelia and C.Z. at Templeton, their home in Old Westbury, New York, 1983; C.Z. and husband Winston Frederick Churchill Guest in 1953.
We did lock horns; I think there’s not a mother-daughter relationship in the world where things aren’t dicey 90 percent of the time.
Cornelia’s being pulled by a sleigh!” The next day, both our dresses
were covered in fake snow. The dry cleaners called and said, “What
were Mrs. Guest and Cornelia doing? We can’t get any of this stuff
out!” They spent six months trying to clean those dresses.
My mother used to say I was always on the go. She hated travel-
ing with me because I wanted to see how much we could do. She,
on the other hand, liked to take a nap during the day. She would
come in from tennis and have a little siesta. Now, I’ve always been
an early riser, but my mother liked me to be awake even earlier. One
of her favorite things to do in the summer was to rouse me with the
garden hose. I used to sleep with my bedroom window open, and she
would just nail me through the window! Sometimes I’d get her with the
hose—I would pretend I was giving the dog a bath and then let her have
it. She’d be like, “Goddamn you!” And I’d say, “Mommy, I am so sorry.
I was just giving the dog a bath.” She’d say, “The hell you were!”
The hose spraying was mostly playful, but it was serious too. We did
lock horns; I think there’s not a mother-daughter relationship in the
world where things aren’t dicey 90 percent of the time. She had short
hair and I had long hair, which she was forever trying to cut. I wore Mary
Janes as a child, but the minute I could put my foot into a high heel
I was out the door! At the same time, so much of her is ingrained in me.
For instance, with riding. We were a tidy bunch, and she always made
sure I tucked my shirt in my breeches. I sort of cringe today when I see
these kids who don’t wear a choker and look a mess with their shirt open.
And we shared a passion for the garden. She was a country girl at heart,
and she had a gardening column for many years. Of course, she was not
maintaining our orchids herself; she had a retinue of gardeners to do that.
But I love getting my hands wet, and I love getting in the soil. I don’t
wear anything special, just whatever I have on. And I think my mother
would say it was wonderful. What she cared most about was that things
looked beautiful and were done a certain way. Maybe we get there a
little bit differently today, but the tradition is still there. ■
Cornelia Guest is an event planner, handbag designer, and author of the cookbook
Cornelia Guest’s Simple Pleasures.FRO
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OP:
HA
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BEN
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/CO
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144
Van Cleef & Arpels clip. vancleefarpels.com.
HOROSCOPEYour
GEMINIMAY 22–JUNE 21
A sudden burst of enthusiasm this month
will help you make your mark in an impor-
tant professional or financial area. But don’t
lose sight of a close relationship with some-
one who prefers that you take a more light-
hearted approach to life and won’t settle for
second-best. MOTTO OF THE MONTH:
A lack of knowledge is darker than night.
CANCERJUNE 22–JULY 23
LEOJULY 24–AUGUST 23
TAURUSAPRIL 21–MAY 21
Anyone who warns you not to speak too
highly of your achievements is doing you
a disservice. Be confident about presenting
a positive picture of yourself to influential
people interested in what you’re able to
do. You can be self-assured without boast-
ing. MOTTO OF THE MONTH: Even the
sharpest knife cannot carve its own handle.
A collaborative venture will appeal to you in
February. But one minute you’ll feel hugely
optimistic, and the next, serious doubts will
arise. Don’t rush to make any final deci-
sions; someone’s sound advice will start to
filter through. MOTTO OF THE MONTH:
The bridge may be built of stone, but
you must still be cautious before crossing.
Money matters will dominate this month,
so when somebody close reminds you that
life is meant to be fun, you may want to
escape. Even so, you’ll have to take respon-
sibility for a transaction that has your name
on it. The impression you make now will
set you up for the long term. MOTTO
OF THE MONTH: Wish well, stay well.
Renewed hope will arrive along with
encouraging news about a long-held ambi-
tion or aspiration. However, be sure to take
into account the restraints imposed by
those who think they can run the show.
Being prepared is everything. MOTTO
OF THE MONTH: If you climb up a
tree, you must climb down the same one.
ARIESMARCH 21–APRIL 20
FOR YOUR DAILY HOROSCOPE, GO TO BAZAAR.COM/HOROSCOPESFEBRUARY PREDICTIONS BY PETER WATSON
Initially you may think that the ideas of others are
unworkable, but you’ll come to realize that with a few tweaks, you could all be
cooperating on similar plans. Don’t be too proud
to admit that your judgment may have been hasty.
MOTTO OF THE MONTH: Beauty without virtue is
like a flower without perfume.
JANUARY 21–FEBRUARY 19
AQUARIUS
SAGITTARIUSNOVEMBER 23–DECEMBER 21
Avoid making promises that you can-
not keep. Midmonth, it may be tempting
to embark on an ambitious project, but it
will prove to be impractical. If you work
within your limits, however, you can still
create something pleasing and impressive.
MOTTO OF THE MONTH: Learning is a
treasure that will follow you everywhere.
Issues between you and a loved one will
need clarifying, so try to start a meaning-
ful discussion. Until then, though, you’ll
have a good chance of getting across
how you feel. Just keep in mind that it’s
often better to describe than to explain.
MOTTO OF THE MONTH: To the grate-
ful individual, give more than is asked for.
VIRGOAUGUST 24–SEPTEMBER 23
SCORPIOOCTOBER 24–NOVEMBER 22
Ongoing commitments have distracted
you lately from a close attachment. This
month you’ll start to reinforce your most
important relationships, and your pri-
orities will soon change. MOTTO OF
THE MONTH: The reason anger
is so destructive is that it causes the
tongue to work faster than the mind.
You don’t have to bolt for cover just because
someone wants you to show your charita-
ble side. At first you may feel cornered by
responsibilities that don’t fall within your
purview. But you’ll be expected to con-
tribute very little, so there’s no need to
panic. MOTTO OF THE MONTH: A buy-
er needs a hundred eyes, a seller just one.
A situation involving your home or fam-
ily has been in flux recently, and this month
you’ll want to change the dynamic. Strive to
open up communication lines rather than
force your views on those involved, and
make it clear that if anyone feels slighted,
you’ll call time. MOTTO OF THE MONTH:
The architect of the future is the present.
CAPRICORNDECEMBER 22–JANUARY 20
LIBRASEPTEMBER 24–OCTOBER 23
PISCESFEBRUARY 20–MARCH 20
Because you feel compelled to speak your
mind in certain situations, you may be
afraid of reprisals this month, but those
concerned are too sophisticated to
bear a grudge. Remember that when
the truth is being sought, you can’t deliver
anything less. MOTTO OF THE MONTH:
No medicine provides a cure for hatred.
DO
N P
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FO
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HO
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Some discounts, coverages, payment plans and features are not available in all states or all GEICO companies. Motorcycle coverage is underwritten by GEICO Indemnity Company. Homeowners, renters, boat and PWC coverages are written through non-affi liated insurance companies and are secured through the GEICO Insurance Agency, Inc. GEICO is a registered service mark of Government Employees Insurance Company, Washington, D.C. 20076; a Berkshire Hathaway Inc. subsidiary. GEICO Gecko image © 1999-2012. © 2012 GEICO
AUTO HOME RENTERS MOTORCYCLE RV BOAT PWC
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1-800-947-AUTO (2886)or call your local GEICO agent
You spent weeks looking for those perfect pumps.
Fortunately, it only takes 15 minutes to see how much you could SAVE WITH GEICO.All of us have one. You know, that perfect pair of pumps in the closet that took you forever to fi nd, but makes you feel (and look) just right. Fortunately, it only takes 15 minutes to get your insurance right with GEICO. Be careful, though. Th ose pumps might get a little envious.
147147
FABULOUSat Every Age
THIS ICON DENOTES ITEMS TO BUY ON SHOPBAZAAR.COMAZ
black and white.Strike a contrast in 20s
Balenciaga by Nicolas
Ghesquière
Dree Hemingway
Kirsten Dunst
Emilio Pucci
Earthy neutrals keep it natural. ➤
30s
1
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e.rast in
6
1. Efva Attling necklace, $550.
shopBAZAAR .com..
2. Brood dress, $2,190. Barneys
New York; 888-8-
BARNEYS.
3. Chanel bag, $2,400. 800-
550-0005.
4. Elin Kling for Marciano
top, $138. ekfor marciano.com.
5. Marc Jacobs shoe, $995.
marcjacobs.com.
6. Campbell ring, $285.
fredsegal rocksandsilk
.com.
7. Michael Kors skirt, $795.
866-709-5677.
8. BCBG Max Azria blazer, $228. Similar
styles available at shop
BAZAAR .com.
1. Pilar Olaverri necklace,
$1,500. By special
order at Derek Lam, NYC;
212-929-1338.
2. Altuzarra sweater. joseph
altuzarra.com.
3. Giorgio Armani shoe,
$1,025. 212- 988-9191.
4. Sissi Rossi pouch,
$266. shop .sissirossi.it.
5. Rag & Bone jacket, $795.
212-219-2204.
6. Jenni Kayne skirt, $495.
shopBAZAAR .com. .
7. Vince Camuto
bracelet, $78. vincecamuto
.com.
CLO
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FABULOUS at Every Age
Proenza Schouler
GucciL’Wren Scott
Lisa Eisner
1
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2
4
5
5
6
7
2
3
3
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6
7
Cause a roar in bold patterns.40s
black and blue.Set the mood in
50s 1. Lady Grey necklace, $275. anthem wares.com.
2. 3.1 Phillip Lim blazer, $725. 31phillip lim.com.
3. Jill Stuart skirt, $378. 212-343-2300.
4. Andy Lifschutz ring, $428. andylifschutz .com.
5. Vera Wang Collection dress, $1,995. 212-382-2184.
6. Giorgio Armani bag, $2,590. 212-988-9191.
7. Alejandro Ingelmosandal, $1,295. alejandro ingelmo.com.
1. Phillips House necklace, $3,200. junesimmons jewelry.com.
2. M Missoni top, $495. 212-431-6500.
3. Belstaff pants, $595. 212-897-1880.
4. Roberto Cavalli bag, $2,300. 212-755-7722.
5. Coach sandal, $198. coach.com.
6. Marc Jacobs dress, $1,400. Similar styles available at shopBAZAAR .com.
7. Lynn Ban cuff, $2,000. lynnban.com.
CLO
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149
70+ Step out in cool blues.
60sMix petal pinks
with gold touches.with gold touches.
SEE WHERE TO BUY FOR SHOPPING DETAILS
Nina Ricci
Marisa Berenson
China Machado
Fendi
1
1
3
5
6
7
2
2
3
4
5
6
7
8
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1. Irene Neuwirth necklace. Jeffrey, NYC; 212-206-1272.
2. 3.1 Phillip Lim blazer, $650. Saks Fifth Avenue; 877-551-7257.
3. J. Crew pants, $225. jcrew.com.
4. Benedetta Bruzziches bag, $750. Legacy, NYC; 212-966-4827.
5. Marc Jacobs sweater, $995. 212-343-1490.
6. Larkspur & Hawk earrings, $7,000. blue treenyc.com.
7. Tabitha Simmons for Peter Som shoe, $845. shopBAZAAR .com.
1. Boss blouse, $275. hugoboss.com.
2. Eddie Borgo earrings, $150. fortyfive ten.com.
3. Carelle ring, $1,875. 212-997-1156.
4. Preen by Thornton Bregazzi skirt, $1,541. net-a-porter .com.
5. Longchamp sandal, $480. longchamp .com.
6. St. John dress, $995. 212-755-5252.
7. Escada blazer, $1,225. 877-206-4135.
8. Rauwolf clutch, $1,710. rauwolfnyc .com.
CLO
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1511511
1. Bobbi Brown
Creamy Matte Lip Color in Heart, $24
2. Clarins Rouge Eclat
Lipstick in Juicy
Clementine, $24.50
KTZ for Linda Farrow
Projects sunglasses,
$355. lindafarrow
gallery.com.
RED POWER POUTS
Sophisticated rouge hues on
the runways at Prada,
Missoni, and Jonathan Saunders
ranged from orange-based
to wine-infused.
Anything goes this spring,
whether you prefer a high-
shine or a matte finish.
Keep the color from bleeding
by first lining your lips with
a pencil.
BRIGHT FOCUSRunway Report: An insider’s guide to the season’s top trends, with easy pro tips
and must-have products. By Jessica Prince
1
2
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CHIC MATTE LIPS Notice-me lips once again stand out for spring, but this time they’re often opaque and matte. “The moment shine is added to the lip, it becomes more girly,” says makeup pro Lucia Pieroni, who created the pink pouts at Giles. To get the look, dab your lips with concealer before applying liner and lipstick. Keep the rest of your makeup minimal.
WINGED EYELINER Flirty lined lids complemented the feminine pieces at Dolce & Gabbana. Makeup artist Pat McGrath traced black liquid liner along the upper lashes and a chocolate pencil over lower lash lines for a graphic yet soft eye. ➤
LONG AND LOOSE WAVESOne of the season’s most sought-after styles is the unfussy, naturally occurring waves seen at Isabel Marant and Diane von Furstenberg. Try it your- self: Let hair air-dry, then add texture with Oribe Après Beach Wave and Shine Spray ($35).
TIGHT VS. TOUSLED BUNSBuns are anything but ordinary right now. Glossy chignons balanced dramatic ruffles at Gucci, while Valentino’s twists were as romantic as the clothes. Chanel’s texturized knots topped with a pearl became an instant favorite.
Smashbox Paint Pen Eye Liner in Jet Black, $24
Burberry Prorsum
Isabel Marant
Diane von Furstenberg
Givenchy by Riccardo Tisci
Gucci
Valentino
Giles
Dolce & Gabbana
WIlids Dolctraclashline
SmaLancôme Khôl in Love eyeliner in Deepwater Blue, $26
Maybelline New York Color
Sensational Vivids lipstick in Fuchsia
Flash, $7.49
Nars Duo Eyeshadow in Bouthan, $34
Laura MercierCrème Eye Liner in Violet,$22
Chanel Rouge Allure Luminous
Intense Lip Colour in
L’Eclatante, $34
Chanel
Peter Som
Donna Karan New YorkDior
POPS OF COLOR Rainbow shades decorated eyelids and even hair on major runways including Dior and Peter Som. “Adding color to your lids brightens your entire complexion,” says makeup artist Charlotte Tilbury, who brainstormed the magenta lashes at Donna Karan. Apply a thin swipe of colored liner or a sheer wash of pink shadow for everyday. B
AC
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Makeupup ararra tistisstit trytrytr by Charlarlotte Willer.©2013 MayMayybebebelelb lininline LLC.C
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MODERN FRENCH TWISTSHigh-volume 1960s-inspired updos are back. The key, says hairstylist Guido, is to “back-comb the hair to achieve shape,” which is exactly what he did at Louis Vuitton with the help of Redken Quick Tease 15 spray ($18).
SMOLDERING LIDS Smoky eyes remain a fashion staple. At Dsquared2, Tilbury created an “almond shape to intensify the eyes,” she says, while at Lanvin, McGrath “smudged with a focus on the lower lash line,” she explains. Black and charcoal shadows flatter all eye colors; take it up a notch by adding a touch of gold or silver.
SLEEK STYLES Slicked-back strands have become a go-to among hair experts like Orlando Pita, the man behind the manes at Carolina Herrera and Michael Kors. Hair can be worn half up or pulled back, but the secret to pulling off this stick-straight texture is to use a good flat iron. We like Sultra the Seductress iron ($210).
Physicians Formula
Custom Eye Enhancing Kohl
Kajal Eyeliner Trio in Smoky
Eyes, $11.95
Kevyn Aucoin the Sensual Skin
Tinted Balm, $48
Gucci
Carolina Herrera
Tom Ford
Louis Vuitton
Michael Kors Etro
DKNY
Dsquared2
19upbacksays hGuido, i“back-comthe hair to achieve shapwhich is exactly what he did at Louis Vuitton with the help of Redken Quick Tease 15 spray ($18).
r lash lplains. Black a
harcoal shadows flattall eye colors; take it up anotch by adding a touch of gold or silver.
FLAWLESS COMPLEXIONThe fresh faces at DKNY and Ralph Lauren are a low- maintenance alternative to spring’s made-up looks. To get the lit-from-within glow seen here, take your cue from makeup artist Charlotte Willer, who used Maybelline New York Dream Fresh BB cream ($7.44), or try Kevyn Aucoin’s tinted foundation. ■
Tom FordEye Color Quad in Titanium Smoke, $75
Sephora Collection False
Eye Lashes, $8
Lanvin
154
Sephora Collectionctio False
Eye Lashes, $8e Lashes,
LUXE LASHES To bring her vision of “bold lashes” to life at Gucci, McGrath layered 10 coats of CoverGirl Clump Crusher by LashBlast Mascara ($6.99) on each model, plus falsies. Avoid clumps by starting at the base of upper lashes and wiggling the mascara wand upward. Last step: Fill in brows to frame your eyes.
Guerlain Cils d’Enfer
Maxi Lash Mascara in
Noir, $30SEE WHERE TO BUY FOR SHOPPING DETAILS
FOR MORE TOP BEAUTY TRENDS,
GO TO BAZAAR.COM/SPRINGBEAUTY
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BEAUTYNEWS
What you need, what you want, and what really works
SEE WHERE TO BUY FOR SHOPPING DETAILS AND GET
DAILY BEAUTY NEWS AT BAZAAR.COM/BAZAARREPORT
MUST-HAVE CHANELJasmine, pear, and grapefruit intertwine beautifully in Chanel Les Exclusifs 1932 ($210), a new fragrance created in honor of the year Coco Chanel launched her fine-jewelry collection. Spritz on the sparkle!
TRIED & TESTEDWe love L’Oréal Paris Colour Caresse Shine Stain, and so does model Lara Stone, the brand’s newest ambassador. She tells Bazaar, “I’m addicted. It goes on like a gloss but stays put for hours.”
THE PERFECT COVER-UPBenefit Fake Up ($24) is genius: A vitamin E– spiked hydrating ring surrounds a concealing core; together they make a silky finish.
By Alexandra ParnassT
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PRETTY IN PINKTo accent the elegant shades of pink on spring runways, try Dior Vernis nail polish in Rosy Bow ($24). And set the scene with Diptyque’s Rose Duet candle ($65), which radiates femininity.
HOW TO LOOK FLAWLESS Intimidated by foundation? Go the easy route: Spread a dollop of Aerin Fresh Skin Tinted Moisturizer Broad Spectrum SPF 15 ($45) over your face and neck, then use Aerin’s luxe Kabuki Brush ($48) to blend loose powder over your T-zone. Voilà!
MUCHJasmgrapbeauChan1932fraghonChfinS
Lara Stone
RalphLauren Collection
Etro
L’Oréal Paris Colour Caresse Shine Stain in Infinite Fuchsia, Pink Rebellion, and Coral Tattoo, $9.99 each
Chanel Fine Jewelry brooch. 800-550-0005.
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worldwildlife.org Join us
Be the
for those who have no voice
voiceG E T Y O U N G E R -L O O K I N G S K I NFive new face-savers promise results with zero irritation
ANTIAGING PLANCheck out 7 Years Younger, a new book that offers easy-to-follow beauty, diet, and fitness advice. Find out more at 7yearsyounger.com.
FIRM AND SMOOTH If you’re looking for an all-in-one antiaging powerhouse, consider Clarins Double Serum Complete Age Control
Concentrate ($85). Packed with 20 pure plant extracts and Survixyl IS (a high-tech peptide), this silky serum claims to boost collagen production by
915 percent, which is on par with prescription-only superhero Retin-A.
INCREASE ELASTICITY In your 20s, your skin starts to lose the supporting elastin fibers that help keep it looking taut. The upshot: sagging,
wrinkles, and enlarged pores. To combat this, Kiehl’s Powerful Wrinkle Reducing Cream ($50) contains copper and calcium PCAs to improve
elasticity by up to 32 percent. Smoothness ensues at every age.
SEAL IN MOISTURE Think of Fresh Lotus Youth Preserve Face Cream ($42) as the velvety-soft equivalent of a suit of armor for your complexion. The cream, infused with antioxidant-rich lotus-flower extract and blended
with blue-green algae and hibiscus- and fig-fruit extracts, protects your face from dehydration and wrinkles and increases moisture for up to 24 hours.
REDUCE WRINKLES Origins Plantscription SPF 25 Anti-aging Cream ($55) will literally help your skin help itself look younger. Formulated with
raspberry-plant stem cells and the extract of an African tree bark known for its healing properties, this rich cream encourages skin cells to regenerate,
resulting in fewer lines and improved texture and radiance.
ERASE CROW’S-FEET Smile lines around your eyes are one of the first signs of aging. Clinique Repairwear Laser Focus Wrinkle Correcting Eye
Cream ($43.50), which contains vitamins C and E, whey protein peptide, and black tea ferment, banishes up to 54 percent of lines as well as crepey lids and that irritating under-eye crosshatching that’s impossible to cover up.
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162
GET KATE’S GLOWOF HOLLYWOOD
beauties, Kate Bosworth
is known to cause serious
skin envy, so it’s no surprise
SK-II has tapped her to
be its new face. Her go-to?
“I love doing the SK-II
Facial Treatment masks
[$90 for six] a few times
a week, especially when
traveling. They instantly
tighten and brighten my
skin.” And when she
needs an extra boost,
Bosworth calls her
facialist, Faith Tatro,
at Touch of Faith Aes-
thetics in Los Angeles,
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LATEST CLEANSE CRAZE Longtime juicing fan Salma Hayek’s Cooler Cleanse, a company that boasts nutritious detoxes that aren’t miserable to do, has become popular among designers like Rachel Zoe and Peter Som. “Once the shows end, I like to do it to get my body back on track,” says Som. And to ease beginners into two days each of pre- and post-cleanse, there are raw-food options from top vegan chefs. ➤
CELEBRITYBEAUTYSECRETSExperts share the inside scoop on how Hollywood’s A-listers
maintain radiant skin, glossy locks, and toned bodies
LONG-LASTING VOLUME It’s not luck that keeps the hairstyles of actresses like Jessica Biel and Jessica Alba looking good all night. “I switch off using hot and cold air during the blow-dry process,” says hair pro Oscar Blandi. “Cold air holds the hair’s shape and keeps the roots lifted for eight to nine hours.”
LOOK LUMINOUS When Georgia May Jagger and Claire Danes need to look fresh-faced and dewy, makeup artist Matin Maulawizada mixes Laura Mercier’s iridescent Repair Eye Serum with gold powder eye shadow. “I apply it to the tops of their cheekbones,” he says. “The combination lasts all day.”
Jessica Biel
Kate Bosworth
Georgia May
Jagger
Salma Hayek
Claire Danes
Laura Mercier
Flawless Skin
Repair Eye
Serum, $80
Laura Mercier Eye Colour in Gilt, $22
SK-II Cellumination Essence EX, $150
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SOFIA VERGARA
Lashes styled with lash inserts
loadson thevolume
combsout the clumps
©2
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P&G
The new curved brush crushes clumps as it builds volume!
Take the No Clump challenge at youtube.com/covergirl
new clump crusher BUILD THE VOLUME, NOT THE CLUMPS.
MORE VOLUME.
ZERO CLUMPS!
200o/o
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To get ladies like Reese Witherspoon camera-ready, Beverly Hills nutritionist Haylie Pomroy recommends East West Essentials 5 Day Optimal Cleanse supplements ($134), which promise to help users shed up to a pound a day. Jennifer Lopez does it once a month “for the nutrients and metabolism boost,” says Pomroy, adding that other famous names prefer East West’s Optimal Fatty Acid Blend gel caps ($48). The pills burn fat, balance hormones, fight inflammation, and promote collagen. To keep her devotees looking lean, not gaunt, Pomroy whips up protein-powder smoothies with cow colostrum to “lower cortisol and stimulate lean-muscle production.” ➤
FAT-BUSTING
GURU
INSTANT FACE-SAVER In-demand skin docs are known for booking up months in advance—not exactly ideal when you wake up with a blemish that calls for emergency attention. Enter Clear Clinic, a new treatment center conceived by New York dermatologist- to-the-stars Eric Schweiger. The clinic welcomes walk-ins for quickie cortisone injections with immediate acne- busting results.
PERFECT PRIMER Cult-favorite skin-care product La Mer the Concentrate ($275) is a quick skin soother that’s loaded with reparative marine and plant ingredients. “But apply it as a primer,” says makeup artist Troy Surratt, a trick he often uses on Brit singing phenom Adele. He massages the formula into the skin to “eliminate puffiness around the eyes and increase circulation,” adding that “it creates a smooth canvas for foundation that allows makeup to last for hours.”
PERFECT PRIM
ULTRASHINY HAIRTIM ROGERS, CREATIVE DIRECTOR of Living Proof (the hair-care company
that Jennifer Aniston now co-owns), swears by the old-school Spornette boar-bristle
brushes ($10 to $39) and his Sedu Revolution Pro 6000i Dryer ($160) to create high-
luster styles for clients Blake Lively and Kate Hudson. “Unlike metal and nylon, boar-
bristle brushes don’t tear the cuticle apart,” he explains. “And the Sedu dryer nozzle is
great for concentrating air in one spot, which is crucial for achieving megawatt shine.”
TIM ROGERS, CR
that Jennifer Anisto
brushes ($10 to $3
luster styles for cli
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FACE-LIFT FACIAL British skin pro Nichola Joss is luring celebs across the pond for her signature Active Reverse Facial (around $280). The treatment involves an inner-mouth massage to stimulate lymphatic drainage for an “instant face-lift,” says Joss, who keeps Scarlett Johansson’s and Gisele Bündchen’s complexions looking pristine.
Adele
Reese Witherspoon
Blake Lively
Kate Hudson
Scarlett Johansson
Jennifer Lopez
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INTRODUCING SOFIA VERGARA
singer, songwriterJANELLE MONÁE
Janelle is wearing Jumbo Gloss Balm in Coral Twist and Outlast Stay Brilliant Nail Gloss in Coy Coral. ©2
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PETAL SOFT LIPS IN A TWISTsheer color, soft shine, soft lips!
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GO TOPLESS!
P!NK’s Ombre nails created with Black Diamond, Perfect Penny, and Midnight Magic.
INTRODUCINGP!NK
color with built-in top coat
HIGH GLOSS COLOR! NO TOP COAT NEEDED!
AS LONG AS A WEEK OF
newoutlast™
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SLIMMING SECRETHeidi Klum and Anne Hathaway work their butts off at the gym, but when they need to look tight and toned in a pinch, trainer David Kirsch suggests his Thermo Bubbles drink packets ($39.99 for 10); they “burn fat, enhance energy, and jump-start the metabolism.” Thanks to a blend of vitamins, herbs, and minerals, a few glasses help “suppress the appetite and build lean-muscle mass.” CLEVER HAIR COLOR A good hair
colorist has the power to brighten your eyes and your complexion with the right hue. To bring Emma Stone back to blonde, Marie Robinson says she “mixed champagne blonde into her hair to highlight the natural pink flush in her skin.” Try Clairol Perfect 10 Medium Champagne Blonde ($10.99) for a similar effect at home.
LUXE-LASH TRICK Mascara wands are often too bulky to properly coat your lower lashes, which is why makeup artist Angela Levin uses a flat, angled eye-shadow brush on clients like Michelle Williams and Jennifer Aniston instead. Dip it in mascara, then “start at the roots to create an on-the-spot eye-opener,” Levin says. ■
NAIL POLISH MUST-HAVE Gray nail polish is still the neutral shade of the moment and was recently spotted on Jennifer Lopez and Beyoncé. Two popular choices: Essie Nail Polish in Power Clutch and L’Oréal Paris Colour Riche Nail Color in Greycian Goddess.
UPDO HOW-TO
IT TURNS OUT THAT DRY SHAMPOO, not hair spray, is the way
to stop your style from collapsing. “I spray my bobby pins with Dove
Refresh+Care Invigorating Dry Shampoo [$3.76] before placing them
in the hair,” says coif pro Mark Townsend, the man behind Jennifer Law-
rence’s mane. “The starch in the product creates a small amount of friction
between the hair and the pin, giving it extra hold.” We like Goody Colour
Collection Blonde Metallic Bobby Pins ($4.29).
Emma Stone
Beyoncé
Jennifer Lawrence
Jennifer Aniston
Michelle Williams
Heidi Klum
Anne Hathaway
Essie Nail Polish in Power Clutch, $8
L’Oréal ParisColour Riche Nail Color in Greycian Goddess, $5.99
Chanel Le Volume de Chanel Mascara, $30
Chanel Angled Eyeshadow Brush, $32
SEE WHERE TO BUY FOR SHOPPING DETAILS
By Jessica Prince
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makeup meets skincare
+
PERFECTING MAKEUP + OLAY HYDRATING SERUM
2 miracles in 1!
TONE REHAB 2-IN-1 FOUNDATION
©20
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1 pump covers discolorations.1 bottle helps improve skin tone over time!*
*by hydrating
Ellen is wearing Tone Rehab 2-in-1 Foundation in Ivory.Get your shade at covergirl.com/tonerehab
171171171171
Modern black-and- white looks are stealing
the show for spring
G0 BOLD
Jackets in high contrast work overtime. Jacket and skirt, Hermès. 800-441-4488.
Photograph by Gregory HarrisFA
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GRAPHIC
IM PA CTPhotographs by Gregory Harris
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Yikes, stripes! These new pieces are banded and brazen. THIS PAGE: Coat, top, and pants, $1,090, Saint Laurent by Hedi Slimane. 212-980-2970. OPPOSITE PAGE: Top, $795, and shorts, $675, Dolce & Gabbana. 877-70-DGUSA. Shoes, Prada. 888-977-1900. Tights, stylist’s own.
FASHION EDITOR: Tony Irvine
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Walk the line in optical suiting and dresses. THIS PAGE: Jacket, $1,895, and pants, $1,295, Michael Kors. shopBAZAAR .com. Shirt, $1,295, Michael Kors. 866-709-KORS. OPPOSITE PAGE: Dress, $995, and skirt, $995, Marc Jacobs. 212-343-1490. Shoes, $625, Alexander Wang. Similar styles available at shopBAZAAR.com. BEAUTY BAZAAR Enhance your hair’s health with Pantene Pro-V Age Defy Shampoo ($7.99).
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Sixties-inspired motifs are mod all over. THIS PAGE: Coat, bra, and shorts, Prada. 888-977-1900. Boots, $1,250, Jil Sander. shopBAZAAR.com. OPPOSITE PAGE: Dress, $895, Moschino. 212-243-8600. Helmet, Alexander Wang. 212-977-9683. BEAUTY BAZAAR Don’t be afraid to show some skin. Try Olay Total Effects 7-in-One Advanced Anti-Aging Body Lotion ($8.99).
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Style in high definition. THIS PAGE: Dress, $2,145, Chanel. 800-550-0005. Vintage sunglasses, $1,250, André Courrèges. antiquedress.com. Boots, $1,200, Alexander Wang. shopBAZAAR.com. OPPOSITE PAGE: Dress, Louis Vuitton. 866-VUITTON. Shoes, $625, Alexander Wang. shopBAZAAR.com. Tights, stylist’s own. See Where to Buy for shopping details. Model: Marte Mei van Haaster; hair: Akki; makeup: Pep Gay for Chanel; manicure: Casey Herman for Chanel; production: henstoothpro.com.
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HAT’SWHITE
NOW
T H E L AT E S T
I N F L U X O F AC H R O M AT I C
L O O K S I S
A B R E AT H O FF R E S H
A I R
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Photographs by Paola Kudacki
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Update all-white with extra volume and feminine detailing.
THIS PAGE: Blouse, $3,575, and skirt, $3,270, Roberto
Cavalli. 212-755-7722. Shoes, $625, Alexander Wang.
Similar styles available at shopBAZAAR.com. OPPOSITE
PAGE: Jacket, $1,922, and pants, $800, Etro. 212-317-9096.
Shoes, $625, Alexander Wang.
FASHION EDITOR: Tony Irvine
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White moves. Opt for sheer or something more covered
up. THIS PAGE: Coat, $13,000, Salvatore Ferragamo. 800-628-
8916. Shoes, $625, Alexander Wang. OPPOSITE PAGE: Jacket, $1,020, and dress, $1,935, Stella
McCartney. shopBAZAAR.com. Shoes, $625, Alexander
Wang. Similar stylesavailable at shopBAZAAR.com.
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Discover spring’s new crop of knee-length dresses. THIS PAGE: Dress, $2,795, Chloé. neimanmarcus.com. Boots, $1,250, Jil Sander. shopBAZAAR.com. OPPOSITE PAGE: Dress, $2,995, Calvin Klein Collection. 212-292-9000. Boots, $1,145, Rochas. Similar styles available at Barneys New York; 888-8-BARNEYS. BEAUTY BAZAAR Top off a minimal ensemble with a playful scent like See by Chloé Eau de Parfum ($98).
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Dust up in soft ruffles and sleek suiting. THIS PAGE: Dress, $2,998, Ralph Lauren Collection. ralphlaurencollection.com. Boots, $1,145, Rochas. Similar styles available at Barneys New York; 888-8-BARNEYS. OPPOSITE PAGE: Jacket, $2,695, vest, $995, and pants, $1,425, Giorgio Armani. 212-988-9191. Shoes, $625, Alexander Wang. Similar styles available at shopBAZAAR.com. BEAUTY BAZAAR Get glowing skin with Dior Hydra Life Youth Essential Concentrated Sorbet Essence ($56).
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It’s no mirage—ladylike lace and minimalist silhouettes define modern elegance. THIS PAGE: Dress, $8,900, Valentino. 212-772-6969. Sandals, $365, Stella McCartney. stellamccartney .com. OPPOSITE PAGE: Top, $595, and shorts, $595, Vera Wang Collection. 212-382-2184. Boots, $1,250, Jil Sander. shopBAZAAR .com. BEAUTY BAZAAR Safeguard your hair color by washing locks with Vidal Sassoon Pro Series Color Protect Shampoo ($3.49).
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Pearlescent pieces light up the stark futuristic landscape. THIS PAGE: Dress, and boots, $1,250, Jil Sander. shopBAZAAR .com. OPPOSITE PAGE: Top, $1,440, and skirt, $3,400, Louis Vuitton. 866-VUITTON. Shoes, $625, Alexander Wang. Similar styles available at shopBAZAAR .com. See Where to Buy for shopping details. Model: Juliana Schurig; hair: Rita Marmor; makeup: Sil Bruinsma for Diorshow; production: Matthew Shattuck; Utah production: stevencurrie.net. Special thanks to Amangiri, Canyon Point, Utah (amanresorts.com).
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By Elisabeth Quin Illustration by Charis TsevisW hat an oddity. Writing a piece on someone who happens to be the
most discreet, invisible, flashbulb-and-paparazzi hater—my friend Nicolas
Ghesquière. To add to the difficulty of the exercise, this Frenchwoman is writing in English.
I need precision; I need subtlety to illuminate this man’s qualities and idiosyncrasies. So why
am I doing it? Well, in the early days of November, despair and hysteria overwhelmed the fashion planet as
the news broke that Nicolas was leaving Balenciaga. (As I write this, I realize it may sound a
little dramatic or ironic, but fashion people do have a tendency for hyperbolic
reactions. After all, in January 1958, when Yves Saint Laurent presented his Trapèze
collection for Christian Dior, observers said, “France is saved. It’s Joan of Arc,” and women cried from
sheer emotion. Nothing has changed.) Over the past 15 years, Nicolas has brought his futuristic, architectural
vision to fashion. He transformed women into amazons protected by his extraordinary graphic clothes,
and he proved that you can work in this frenzied industry while safeguarding your ethics and
principles. With some exaggeration I would say that he was the Naomi Klein of prêt-à-porter—
“No logo” could have been his secret motto. And the man is exactly like his creations:
uncompromising. When I met him 10 years ago, more or less, I was a cinema critic completely outside
the fashion world. During an opening at the Centre Pompidou, his PR introduced me to a guy who
looked like a beaux arts student, who smiled wickedly and had scintillating blue eyes.
Instantly, I loved his way of giggling and his warmth. His laughter was so refreshing, so
genuine, so normal. As was his wit, very sharp. Nicolas has a way of seeing somebody’s flaws
or ridiculous aspects and summing them up with a ballistic zinger. He could be a caricaturist; he sees
everything. But what is most endearing is his sense of self-deprecation. Even 10 years ago, film and
all visual arts interested him immensely: sculpture, architecture, land art, contemporary art, Arte Povera,
performing arts, video, design. I discovered that he was devoured by a passion for art. Not in
a trophy-collector way; in an artist’s way. Therefore, I was not so surprised by the
announcement of Balenciaga and him parting like a wise couple after a decade and a half of
fruitful wedlock, because Nicolas is more and more an artist and maybe less just a fashion designer. Four
years ago, I spent the summer holidays with him and some friends in Italy, on the Tuscan coast.
Nicolas was crazy about the location, beloved by glitterati since the 1950s: the
landscape, the pine trees, the rose-and-ocher houses, the blend of old Riviera spirit and
Italian chic. Inimitable. But what excited him even more was talking about the latest
project he was undertaking with installation artist Dominique Gonzalez-Foerster. This
well-regarded artist, who has shown at London’s Tate Modern and the Guggenheim,
collaborated with Nicolas on the design of several Balenciaga boutiques. Nicolas experienced a very
special and exhilarating feeling throughout his partnership with her—they were in
osmosis. Creative osmosis. When he talked about it, I remember smiling to myself
and wondering how long it would take for him to make the jump, to cross the river
and allow himself to become truly, full-time, an artist. Seeing exhibitions, meeting artists concentrated on the
meaning of identity like Cindy Sherman, learning—Nicolas has been doing that all this time. I recall viewing
one of his collections, three years ago, at the Hôtel de Crillon. The flooring he chose for the runway reminded me
of the minimalist artist Carl Andre’s grid-based floor sculptures, but the luminous white tiles were also a clin d’oeil—a
wink—to a Piotr Uklanski installation at the Palazzo Grassi, the contemporary art museum in Venice owned by
François Pinault, the majority shareholder of PPR, which owns Balenciaga. As I looked at the collection,
I ruminated on its visionary dimension, almost a laboratory for the future way of dressing for empowered
women; simultaneously, the collection was like an installation of contemporary art.
And I told him so, during the postshow dinner that evening, at Julien’s. And he
smiled. And here we are, the winter of 2013—the winter of our
discontent? For some, to be sure. But not for my friend Nicolas, the artist. ■
T H E F U T U R E O F T H E F U T U R I S T
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Caftan, Just Cavalli. Earrings and cuff, Patricia Von Musulin. Shoes, Proenza Schouler. FASHION EDITOR: Joanna Hillman
Photographs by Hiro
FA NTA STIC FLOR A LS
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Play with pattern in languorous looks. THIS PAGE:
Dress, Missoni. Necklace, Saint Laurent by Hedi
Slimane. shopBAZAAR.com. Cuff, Saint Laurent by
Hedi Slimane. Sandals, Christian Louboutin.
OPPOSITE PAGE: Dress, earrings, and necklace, Gucci.
BEAUTY BAZAAR Beforeapplying color, perfect your lip shade with Estée Lauder Double Wear Stay-in-Place
Lip Pencil in Red ($21).
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The new crop of clothes is rife with petal pushers. THIS PAGE: Jacket, blouse, pants, earrings, and sandals, Etro. OPPOSITE PAGE: Dress, Emilio Pucci. Necklace, Lanvin. See Where to Buy for shopping details. Models: Erjona Ala and Alana Zimmer; hair: Peter Gray for Wella Professionals; makeup: Kabuki (kabukimagic.com) for Diorshow; manicures: Dawn Sterling for Chanel; production: Peita Carnevale.
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In glorious motion, Audrey Hepburn races past
Winged Victory and down the Louvre’s magnificent
Daru staircase in a strapless Givenchy gown, her silk wrap
billowing behind her. Like a rare and delicate bird about to
take flight, with her white-gloved arms stretched overhead, she
shouts, “Take the picture! Take the picture!” Freeze frame, et voilà! This
iconic fashion-muse-meets-movie moment is captured in Funny Face, the
1957 musical based loosely on photographer Richard Avedon’s early career. For
20 years, Avedon was the principal fashion photographer for Harper’s Bazaar under its
wildly eccentric fashion editor, Diana Vreeland. In the film, the magazine is Quality, a thinly
veiled Bazaar; the photographer’s name is Dick Avery; and the young model who inspires him is
played by Hepburn, who was Avedon’s real-life muse. Art imitates life. Funny Face was released when
Avedon, arguably the greatest fashion photographer of his generation, was approaching the pinnacle of his
career. Professionally, he cultivated several women, including Suzy Parker, her sister Dorian Leigh, and Dovima,
but it was Hepburn who most inspired him. Waif-thin, she stood five feet seven inches tall and was blessed with high
cheekbones and doelike eyes. Add to this a lilting voice with an aristocratic accent, a radiant smile, and a sense of style
second to none, and she was impossible to resist. It has been 20 years now since the actress’s death, in January 1993, at her home
in Switzerland, but the handful of covers and stories she worked on with Vreeland and Avedon remain among the most charming
in the magazine’s history. Hepburn’s association with the photographer was similar to the one she shared with Hubert de
Givenchy, according to Robert Wolders, Hepburn’s companion in the last years of her life. “Audrey trusted Dick
completely,” he says. “And once she trusted someone, she’d do anything. She often said that working
with him was like having a conversation with a good friend.” For Avedon’s first Hepburn
cover for Bazaar, in April 1956 (a year before Funny Face was released), she is peeking
from beneath a floral-print scarf and a straw hat, as fresh as a flower. A few months
later, they teamed up again for the cover, this time with Hepburn in dramatic
red lips and zebra stripes. Inside, the actress (who was then starring in War and
Peace alongside her husband, Mel Ferrer) was a vision in feathers, so many
of them that all you could see were her wide eyes and beaming smile. ➤
By Pamela Fiori
Photograph by Richard Avedon Audrey Hepburn, dress and stole by Galanos, September 2, 1961
ALLAUDREY
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RICHARD AVEDON
Other collaborations followed, but the ultimate Avedon–Hepburn partnership for
Bazaar appeared in the September 1959 issue. The 20-page portfolio that Avedon
“directed” was more like a scripted film than a fashion story. Shot primarily in
Paris, it starred Hepburn, Ferrer, Buster Keaton, Zsa Zsa Gabor, and a white cat
named Simone. The opener was all type; the title, “Paris Pursuit.” Outfits came
from 13 French houses, including Chanel, Christian Dior, Pierre Cardin, Jean
Patou, Madame Grès, and Nina Ricci. (Oddly, nothing was from Givenchy.) Start-
ing at the Gare du Nord, the plot moved to the Ritz, the streets of Paris, Maxim’s
restaurant, and the Eiffel Tower before ending high in the Italian Alps.
The last Harper’s Bazaar story with Hepburn came 22 years later, in
September 1981, photographed not by Avedon but by Jacques Malignon.
Elizabeth Taylor graced the cover, and Hepburn was one of 11 women
over 40 (and “Sensational!” a headline proclaimed). She wore Givenchy
and, while more mature, was no less beautiful or glowing.
Hepburn’s son Sean Hepburn Ferrer says that growing up in the Swiss village of Tolochenaz in the ’60s, he
had no idea of his mother’s fame. She stopped making films for a period, and except for catching the occa-
sional glimpse of her in a movie on their small black-and-white two-channel television, Sean says, he never
saw his mother as the actress Audrey Hepburn. “It wasn’t until I was 14,” he says, “that I finally saw her films.
We found an old 16-millimeter projector in the attic, put up a bedsheet—I ironed it myself—and watched
reels that were given to her by Paramount. In those days, stars weren’t given fancy DVD players and DVDs
after a film wrapped; they got a 16-millimeter copy. But it was fantastic to see those movies with the wonder-
ful sound of the old projector in the background. That was when I first saw Funny Face. I remember being
mesmerized by Love in the Afternoon, with Gary Cooper. As a big Ernst Lubitsch fan, I felt that particular
movie [directed by Billy Wilder] was the most ‘Lubitschian’ to me in its urbanity. I also was deeply touched
by The Nun’s Story because it was the first time I saw my mother in something other than a romantic comedy.”
Hepburn’s younger son, Luca Dotti, was born in 1970 during the actress’s marriage to the Italian psy-
chiatrist Andrea Dotti. Like Sean, Luca never regarded her as a movie star: “Until her last day and for all her
life at home with us, she was never ‘Audrey Hepburn,’ just ‘Mama.’ For most people, their mother is just their
mother, and questions never arise. For us, it was just like that. Only later did we find out about all the love
and admiration her life and career had been able to inspire.”
When the Dottis lived in Rome, the family kept pretty much to themselves. If Hepburn took the boys
for a stroll, they were often hounded by paparazzi. Sometimes it was too much. “In a way she was relieved
that Hollywood was part of her past,” says Luca, whose book about his mother, Audrey in Rome, will be
published in the spring. (It contains almost 200 photographs, many never previously published, of the actress
both on and off film sets in the city.) “Being a full-time mother was the career I knew her for. Having a
family was the center of her real ‘success’ after the frenzy of her career.”
Hepburn may have looked as if she never ate a morsel, but the reality was quite the opposite. “Food was
always important, as it was the reason to sit together and listen to our stories,” Luca recalls. “She just loved
that—to listen, as if her own life wasn’t such a big deal. Cooking and sharing recipes with friends were part
of the victory of being able to lead a private life.”
And though the actress was born in Brussels and raised in the Netherlands, her appetite was distinctly
Italian. “Mum had three favorite dishes: pasta, pasta, and pasta,” he says. “She couldn’t have enough of a
“I am, and forever will be, devastated by the gift of Audrey Hepburn before my camera.”
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Continued on page 213
Above, from left: A scene from
Funny Face; Hepburn and
Fred Astaire on the film set; with Richard Avedon
at the CFDA Awards in 1989;
the “Paris Pursuit” shoot,
in September 1959’s Bazaar;
on the cover of the April 1956
issue of Bazaar.
simple spaghetti al pomodoro, so much so that friends were always amazed at just how much she could eat.
At restaurants she often begged for her favorite dish, as if she were asking a great favor. And she sometimes
traveled with what she called her ‘lifesaving kit’: a few boxes of spaghetti, olive oil, and Parmesan. We used
to grow our own tomatoes in Switzerland, and before the season was over, she deep-froze them whole. Our
cook still recalls how much the combination of tomato and basil reminded her of the smell of summer and
made her, and all of us, very happy.”
In the late 1970s, Italy was terrorized by the Brigate Rosse (Red Brigades), a radical group notorious for
assassinations and kidnappings of prominent people and their children. After the group’s failed attempt to
seize Sean and Luca, Hepburn dispatched Sean to the safety of a Swiss boarding school while she and Luca
remained in Rome with Dotti. During this time the couple’s marriage became increasingly strained, and in
1980 they formally separated.
E arly that year, Hepburn made a trip to Beverly Hills to see her closest friend, Connie Wald, the
widow of the movie producer Jerry Wald. It was there that she became acquainted with Robert
Wolders, a Dutch-born actor. His wife, the actress Merle Oberon, had died a couple of months
before, and he was in no mood to see anyone, much less meet someone new. “I was in an unhappy
period and was content to do nothing more than walk on the beach,” he says. Connie called and
asked him to come over for dinner, saying it would be “just family.” “I assumed that meant
Connie and her two sons,” Wolders recalls. “I didn’t realize she’d invited William Wyler and Billy
Wilder [both of whom directed Hepburn in movies] and, to my surprise, Audrey.
“We’d met a few times before on social occasions but never to talk,” he says. “Knowing I came from
Holland, she spoke to me in Dutch—the most palatable Dutch I’d ever heard. We made a connection that
night, but I thought it was just that. And I certainly didn’t realize she was in an unhappy marriage.”
That spring, Wolders was headed to New York for an auction of Oberon’s jewelry at Christie’s. Wald told
him that Hepburn, who was shooting the Peter Bogdanovich film They All Laughed, would be there too,
staying at the Pierre, and urged him to call. “I didn’t,” he admits, “because I thought it would be intrusive.”
However, the day before he was to return to California, Wald telephoned and insisted that he contact
Hepburn. “When I did, she answered the phone and said, ‘Hello, Robbie.’ That touched me very deeply
because the only people who called me Robbie were my family. I asked her if she’d like to have a drink,
although I had promised friends I’d meet them at a party. She suggested the café at the Pierre. Three hours
later, we were still there. Obviously I missed the party.
“She asked if I’d mind if she had a small bite to eat, whereupon she ordered a huge plate of pasta,”
Wolders continues. “Maybe I kissed her on the cheek at the end of the evening, I don’t even remember.”
He called her three days later, and for the next four months they spoke almost daily. The pair then began
traveling back and forth between Europe and the States to see each other. “Finally, in 1985, I moved to
Switzerland to be with her.”
Although Hepburn and Dotti divorced in 1982, she and Wolders never married; they didn’t feel as if they had to.
With Wolders she spent some of the most contented days of her life, peacefully tending to her garden in
Switzerland. She might have stayed there had she not found yet another calling. In 1988, she applied to become
an International Goodwill Ambassador for UNICEF. As she explained in her application, she had never forgotten
the deprivations of wartime that she and her family had suffered in Holland after the German invasion
and she remembered clearly the relief provided by the Red Cross and UNRRA
204
I’M
Photographs by Katja Rahlwes
A SINGER.
I’M A DANCER.
I’M A
PERFORMER.
I’M AN
ACTRESS.”
FOR
JENNIFER
LOPEZ,
ALL
THE
WORLD’S
HER
STAGE.
By Laura Brown
Sailing. Lopez by Istanbul’s Bosporus Strait. Dress, $4,250, Tom Ford. 212-359-0300. Sandals, $1,495, Jimmy Choo. jimmychoo.com. BEAUTY BAZAAR Finish your look with Forever Glowing by JLo ($49).
FASHION EDITOR: Jodie Barnes
206
Jennifer Lopez is standing on the terrace of the
Ciragan Palace hotel in Istanbul, shooting the cover
of Bazaar. It’s an incredibly grand palace, and she’s
in an incredibly grand Versace. But she’s goofing
around, doing the robot and various girl-on-the-go
catalog poses. “We’re losing the moment!” laments
the photographer. But then, boom: Lopez shakes
her shoulders and fixes her with a sexy laser stare.
J. Lo™ has arrived. “Oh, honey,” she says soothingly,
“I’ve been doing this for 20 years.”
The next night, Lopez is on a yacht on the Bos-
porous, on her way to the 32nd concert date of her
world tour (which overlapped a 24-date American
tour with Enrique Iglesias). She’s trying to remember the shoulder thing, but
with her four-year-old twins, Max and Emme, running around and an
entourage that includes her boyfriend, Casper Smart, and her mother,
Guadalupe, it’s not happening. Instead, in stage makeup, sweats, and an epic
cashmere scarf, she’s absorbed with a studded Hermès cuff in a magazine.
Rocks Jenny’s got? “No,” she says, giggling. “Rocks I wanna get.”
Even when she’s swaddled in sweats, you can’t take the glamour out of
this girl. And while she’s in the middle of an absolutely brutal tour schedule,
Lopez, 43, is the soul of calm, which the family unit traveling with her has
everything to do with. Her mom, a former schoolteacher and general fire-
cracker who tutors Max and Emme on the road, lands on the boat. “These
people were like, ‘You know J. Lo?’ ” she cackles. “I made J. Lo!”
Guadalupe keeps her daughter going. “Last night I was so tired, and hav-
ing to do a concert was daunting, you know?” Lopez says. “But Mom just
said, ‘Close your eyes,’ and she held my hand the entire way over.” As for Max
and Emme, “they are used to being around a lot of people. They’re open,
happy, curious, smart, loving, affectionate. They’re”—Emme tumbles over
the couch—“rambunctious.”
When it comes to Smart, her personable dancer-choreographer beau,
who is balancing Max on his lap, she says, “He’s fantastic; he’s like my best
friend. I can tell him everything, when I’m feeling down, when I’m feeling
good. He gives moral support, endless love and support.”
That said, you have to wonder why Lopez does this—pulling 16-hour
days and flying to a new country every day or two. She could have cruised
through a third season on American Idol (she reportedly made more than
$35 million for the first two seasons) or lain around at her home “spa” until
the end of her days. “But I’m not a judge for a living,” she explains. “I’m a
singer. I’m a dancer. I’m a performer. I’m an actress. That’s what I’m supposed
to be doing. It makes me a better parent, a better person.” As for the demented
schedule, “I think I can just handle more than the average bear, you know?”
When Lopez gets her J. Lo on, it’s as if she has an inbuilt wind machine.
The machine around her is massive too: Along with her family and her
longtime manager, Benny Medina, she has assistants, hair and makeup,
security, a trainer, tour managers, and on and on. “I like the whole idea of
traveling, of looking good, and doing it well,” she says. “I make it as simple
and as beautiful as I can because my life is kind of big. So I pack my luggage,
or dress myself, or comb my kids’ hair, pick up their clothes—that makes
our life beautiful, you know? There’s something very elegant in that.” Lopez
is also very disciplined: She doesn’t drink or smoke (“I’m on a natural high,
baby”), avoids sugar and salt (apart from sour-cream-and-onion chips), and
tries to get eight hours of sleep a night.
Still, Lopez’s legendary tour-and-shoot rider remains an eye-popper.
Among other requests, there’s one for a “white love seat.” But this list does
Lopez a diva-like disservice. She doesn’t care if there’s a love seat or not—in
fact, she bursts out laughing when you bring it up. “Oh, was there a love
seat?” Nope. “I didn’t notice!” As for minions carting tons of white candles
around the world? “No, never. That’s an old myth.”
LOpez describes herself as “philosophical, you know,
now that I’m 25.” Wry chuckle. “When I turned
40, I was like, huh. I accept myself more now. It
was much more comforting.” She characterizes
her mental age as “16 to 18. That’s when I became
the person that I am. Even though I didn’t realize the whole journey I would
go on, I still feel all that youthfulness.”
But now that she’s a grown-up, she recognizes the best and worst of
herself. “The worst is when I’m tired. It’s the overworking, which I’ve learned
to say no to. I’m not my best self. I’m at my best, I think, when I’m giving
love. I feel my best, I am my best, I need my best.”
After the tour ends, there will be more time for all of it—home to Los
Angeles (“watching TV at 8 p.m., bed at 9!”), and soon after, the premiere
of her new film, Parker, a Taylor Hackford–directed action flick in which
she stars alongside Jason Statham. “It’s one of those action movies that’s kind
of cooler, you know? It recalls Out of Sight a little bit.”
Lopez is pondering what to wear on her next red-carpet outings, par-
ticularly the Golden Globes. Her most successful looks—’60s-style mint-green
Valentino, ivory Zuhair Murad, a peachy Marchesa mini—have in common
a sensational but graceful glamour. Over the past two decades, she has evolved
from a “boyish, hip-hoppy sensibility: big hoops, sneakers, tank tops, and my
big curly hair. When I got into the business, I developed a love of mono-
chromatic looks.” But then she “added that sexy element to it. Then it was
classic things, movie stars, Jackie O. And now,” she says, exhaling, “all of these
things mixed together, that’s my style.”
J. Lo fashion talk inevitably turns to the notoriously racy palm-print
Versace she wore to the Grammy Awards in 2000. “I have that at home,”
she says. “The other day, my housekeeper put it on a mannequin in my spa,
where I get my hair and makeup done. She sent me a picture. She was like,
‘You like this dress?’ Um, yeah, but I don’t know if I like it out in the house!”
Smart, who has been diligently on kid watch, pipes in. “But it’s famous! It’s
the most famous dress you’ve ever worn.” (Joke that Emme can wear it in
a few years and he looks horrified: “Oh, God, no!”)
Of course, there is no one who could have worn that Versace but
Jennifer Lopez. Because when J. Lo™ walks into the room, it’s boom.
“That’s right, baby,” she says with a smile, grabbing Smart’s hand to leave
the boat. “Boom.” ■
‘‘I pack my luggage, or dress myself, or comb my kids’ hair, pick up
their clothes—that makes our life beautiful, you know?”
207
Rich in tapestry. Dress, Balmain. balmain.com. Earrings, $475, Tom Binns. tombinnsdesign.com. Boots, Giuseppe Zanotti Design, by special order. giuseppezanottidesign .com. See Where to Buy for shopping details. Hair: Lorenzo Martin; makeup: Mary Phillips for L’Oréal Paris; production: Mervan Ayberk and Bahadir Tumayan for Photo Production Service Turkey; lighting: Gaffer-D. Special thanks to Ciragan Palace Kempinski, Istanbul, Turkey.
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By Jackie CollinsPhotograph by Victor Demarchelier
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My favorite story about Valentine’s Day goes like this: One very beautiful
Hollywood wife—married to a man 20 years older than she—is having
an affair with a hunky young actor who’s just hit it big on a TV show.
Valentine’s Day is approaching, and both men want to buy her something
substantial. “An important piece of jewelry,” offers her husband, fired up
with Viagra. “Whatever you want,” says her young lover, fired up with
testosterone. The Hollywood wife thinks about this. Surely she has been
presented with an opportunity to score big-time? Advantage must be
taken, so she visits a fancy jeweler, picks out an exquisite yellow diamond
cocktail ring, and proposes to the jeweler a deal: Her husband buys the
ring for her, paying full price. Then her boyfriend “buys” the same ring,
except that the jeweler gives 90 percent of the price to the wife without
anyone knowing. So now both men have bought the same ring, and not
only does the Hollywood wife get the bauble but she gets to wear it with
either man because each is under the impression that he gave it to her as
a special Valentine’s Day gift. She’s happy, with plenty of extra spending
money. Hunky lover is delighted he gave her such a magnificent present.
So is cuckolded husband. And the jeweler walks away with a handsome
profit. Satisfaction all around. Valentine’s Day, Hollywood-style!
Consider who the winners are on Valentine’s Day. The candy stores
with their lurid-purple heart-shaped boxes of overpriced chocolates? The
cardmakers with their over-the-top messages and flowery designs?
The florists, who are busy trying not to get their deliveries mixed up?
(Are the exotic orchids for the wife or the mistress? One divorce coming
up!) And let’s not forget the restaurants. A waiter friend at a Bel Air hotel
once told me that all the waiters who worked room service would fight
to deliver Valentine’s goodies to a curvaceous movie star who checked
in every February 14 for a mani-pedi and a full-body massage. She was
partial to a club sandwich or two, and when the waiter delivered, she
would be lolling in a chair totally nude. Little wonder the staff was
fighting! My good friend David Niven Jr. used to throw the Hollywood
Valentine’s Day party. The dress code for men was black tie; for women,
red or white. The ladies—everyone from Farrah Fawcett to Alana
Stewart to Jaclyn Smith to Sherry Lansing—pulled out all the stops and
looked incredibly glamorous. It was one of those annual parties that if
you weren’t invited, you stashed your car in the garage and pretended to
be out of town! Ah, Hollywood…the land of hype.
Writing about Valentine’s Day makes me think of one of my characters,
Lucky Santangelo. She sums up love like this: “Falling in love is like get-
ting hit by a large truck and yet not being mortally wounded. Just sick
to your stomach, high one minute, low the next. Starving hungry but
unable to eat. Hot, cold, forever horny, full of hope and enthusiasm, with
momentary depressions that wipe you out. It is also not being able to
remove the smile from your face, loving life with a mad, passionate inten-
sity, and feeling 10 years younger.” Yes. Love is special. Love is an all-year-
round thing. So do we need Valentine’s Day? I’ll leave it up to you. ■
D O E S V A L E N T I N E ’ S
D A Y M A T T E R ?
True romance. Dress, $2,495, Vera Wang. 212-382-2184. Headband, $930, Piers Atkinson. piersatkinson.com.
FASHION EDITOR: Joanna Hillman
2092020200099999
210
By Robert Murphy Photographs by Julian Broad
Hermès’s Pierre-Alexis Dumas juggles its legacy with a new vision for the luxury-goods empire
A collection of Hermès Editeur scarves. Right: Dumas in his Paris office.
HERMES
HERITAGE
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212
When Pierre-Alexis
Dumas, the chief artistic director of Her-
mès, was growing up in Paris, he was
determined not to join the prestigious
family firm headed by his father, Jean-
Louis. He dreamed of being an inventor.
“So be it—be an inventor,” Dumas recalls
his father instructing him. “I had no desire
to join Hermès. It took me a long time
to mature to the idea.”
Dumas came to the U.S. to study at
Brown University, graduating in 1991 with
a degree in visual art, then went to work
for an Italian fabric manufacturer. There
he had an epiphany. “I loved everything I
was doing,” he says. “I was designing pat-
terns for ties, for companies like Versace,
for fashion fabrics. And I suddenly recog-
nized the link between the art I’d studied
at Brown and fashion. I knew then that I
had to work at Hermès.
“I knew my father was worried that
people would accuse him of favoritism
regarding his son,” continues the lean and
elegant Dumas, 46, seated in his cluttered
office at Hermès headquarters, on Rue du
Faubourg St.-Honoré in Paris. “I also knew
that secretly he wanted me to work with
him. People were hypnotized by my father;
he was very charismatic. To be the son of
Jean-Louis was very intimidating,” he
adds.“But what interested me at Hermès
was making things.”
By 1992, the pull of family tradition had
won out. Dumas spent his first decade at
the company in business roles, managing
overseas branches, including ones in China,
Hong Kong, Taiwan, and the U.K. Then
Jean-Louis, who was in frail health, asked
him to return to France. But Dumas wasn’t
quite ready to fall into step, so he insisted
on a year’s sabbatical. He enrolled in art
school in London, worried that the acuity
of his eye was dulling. “I loved that year,” he
says. “It allowed me to re-center and recon-
nect with my creativity.” And, he adds, to
prepare himself for the prodigious task ahead.
Even though Dumas had rejoined Her-
mès in 2005 as an artistic director, he knew
he still had to invent his own role there.
Jean-Louis was one of the biggest names
in luxury, famed for the panache with
which he had turned the leather-goods
company, founded in 1837 as a saddlery,
into a global fashion powerhouse. After he
stepped down in 2006 and died in 2012,
at the age of 72, it was clear that Dumas
fils was not only marked to carry on the
family business but would put his own
imprint on Hermès’s legacy. One thing
was certain: He wouldn’t be his father.
“My father was really an entrepreneur,
a businessman,” Dumas says, adding that his
cousin Axel Dumas is gradually taking over
the role of CEO from Patrick Thomas. “I
think that certain personality traits of my
father’s are split between Axel and me. Axel
is financial and very charismatic, more like
my father, with a strong commercial vision.
I am free to concentrate on the creation of
the collections and links with the art world.”
Art and artisanship have become bywords
for Dumas’s tenure at the company’s helm.
In 2008, he launched Hermès Editeur, a col-
laboration with artists to create collections
of limited-edition silk scarves. Participants
have included the foundation of Bauhaus
master Josef Albers, conceptual artist Daniel
Buren, and photographer Hiroshi Sugimoto.
The arts initiative Fondation d’Enterprise
Hermès, another Dumas creation, is one
of his greatest points of pride. “My father
dreamed of having a foundation dedicated
to the métiers de la main, or work done by
hand,” he says. What makes the foundation
unique is its focus on handwork, as well as
a mentoring program in which established
artists work with younger ones on projects
at Hermès’s many satellite manufacturers,
from the silversmith Puiforcat to the glass-
maker Saint-Louis. Sculptors Richard Dea-
con and Giuseppe Penone are among those
who have participated as “godfathers” for
emerging artists. “We have 35 manufactures
and 3,900 artisans in France,” Dumas says.
“I need to bring life to those manufactures.
Young artists bring excitement.”
The importance of craftsmanship at
Hermès is legendary. Its artisans construct
each bag like a puzzle, piecing it together in
a process that can take up to 25 hours for
one Birkin. Devotees collect the coveted
bags, sometimes waiting up to a year to
procure their dream style. Creating the
classic silk scarves is equally intensive; each
requires months of labor as designs are
engraved, one color at a time, on print-
ing screens. If a design has 30 colors, for
instance, the engraving can take up to 600
hours to complete. While many companies
cut corners, Hermès’s almost stubborn
dedication to craft is what makes it a major
force in the luxury market.
Dumas continues to build on the brand’s
reputation for quality and integrity with
his own vision. He has organized the cre-
ative teams, hiring Christophe Lemaire to
design the women’s ready-to-wear collec-
tions and entrusting designer Bali Barret
to oversee women’s products.
With projects that include the reissue of
furniture by Art Deco designer Jean-Michel
Frank, Dumas has also ramped up Hermès’s
home division. “My role is to harmonize,”
he explains. “To set the tone and to assure
that the totality of creations is in the spirit
of the house of Hermès; to be the guaran-
tee of a certain level of elegance.”
He has no shortage of ideas on how to
achieve that. Some of his best inspiration
comes to him at night, when Dumas, who’s
married with three children, wakes up to
HERMÈS COLLABO-RATIONSFrom top: A Josef Albers scarf; a Hiroshi Sugimoto scarf; a Jean-Michel Frank chair; a Daniel Buren scarf; and an Atsunobu Kohira crystal sculpture.
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213
LITTLE -KNOWN FACTS ABOUT HERMÈS
jot ideas in a notebook he keeps on his
bedside table and ones that come to him
in the shower. Often he asks his secretary
to clear his schedule to allow him time to
comb galleries and museums. Recently he
spent four hours contemplating a Christian
Bonnefoi painting on view in Orléans, out-
side Paris. “I’ve always envisioned life as a
big treasure hunt,” he says.
But it’s at the family firm where Dumas’s
efforts have met the greatest success. In the
seven years since Jean-Louis left the com-
pany, Hermès has experienced record
growth. In 2011, it had its best year ever,
reporting sales of 2.8 billion euros (approx-
imately $3.9 billion). For Dumas, this suc-
cess is more than financial. He has also, he
says, “fulfilled my duty” to his father. It
represents a special connection with his late
mother as well; Rena Dumas was an archi-
tect who designed Hermès stores and fur-
niture. “What is important is that I have
worked in communion with two people—
my father and mother—who worked for
Hermès. I think about them often.”
Yet Dumas is quick to add that he hasn’t
measured himself against his father for
some time. “Now I am working for the
superior idea of the house of Hermès and
to make it contemporary,” he says. “The
game is to stay true to our roots and at
the same time to evolve.” ■
(the United Nations Relief and Rehabilitation
Administration, a forerunner of UNICEF). It
was a position that suited her maternal instincts
perfectly. “This is for me an immense privilege
and an answer to my longing to help children in
whatever small way I can,” she wrote.
Over the next four years, Hepburn, accom-
panied by Wolders, traveled to remote corners
of Asia, Central and South America, and Africa,
meeting victims of famine, disease, and war.
For these trips she wore a uniform of jeans and
Lacoste shirts, no makeup and her hair pulled
back. “Her career can be split into two chap-
ters,” her friend Leslie Caron wrote in 1993.
“In the first part she received all the glory she
could hope for, and in the second part she gave
back, in spades, what she had received.”
Before her death from colon
cancer in 1993, Hepburn had
taken on very few films and
shied away from Hollywood
events. But in January 1989,
she appeared in New York to
present her dear friend
Richard Avedon with a Lifetime Achievement
Award from the Council of Fashion Designers
of America. “For Richard,” she told the audi-
ence, “I’ve happily swung through swings, stood
in clouds of steam, been drenched with rain,
and descended endless flights of stairs without
looking and without breaking my neck. … Only
with Richard have I been able to shed my in-
nate self-consciousness in front of the camera.
Is it his sweetness? Is it his sense of fun? The
assurance that you know you’re going to end
up looking the way you wished you looked?”
Avedon later paid the compliment in return.
“I am, and forever will be, devastated by the
gift of Audrey Hepburn before my camera. …
I cannot lift her to greater heights. She is al-
ready there. I can only record, I cannot inter-
pret her. There is no going further than who
she was. … She has achieved in herself her ul-
timate portrait.” ■
Audrey in Rome, by Luca Dotti, Ludovica
Damiani, and Sciascia Gambaccini, will be pub-
lished in April 2013.
AUDREYHEPBURNCONTINUED FROM PAGE 203
1 The length of thread necessary to make 1,000 Hermès carrés (scarves) is equal to the distance between the earth and the moon. One silk moth yields one scarf.2 The Kelly bag is made with 36 pieces of leather and 680 hand stitches.3 A silk colorist works with a chart of 75,000 hues to create new color schemes each season. 4 The leather ateliers receive more than 600,000 skins per year. Each skin has a bar code to keep track of its origin and specific treatment.5 Hermès’s start in fine jewelry came from working with silver to trim saddlery—the house’s first clients were horses, of course!
214
A BDDW credenza and an antique railroad bench. Right: Calderone in her living room. Gown, 3.1 Phillip Lim. 31philliplim.com. The artworks are by Lucien Smith, Wes Lang, and Alex Perweiler, and the custom-made coffee table is by Monk Designs.
FASHION EDITOR: Roxane Danset
A T H E N A ’ S K I N G D O MInterior designer Athena Calderone opens up her chic Brooklyn penthouse
By Christine Whitney Photographs by Christopher Sturman
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215
216
A thena Calderone is one of
those rare birds who do not
dread moving. On the con-
trary, she relishes the oppor-
tunity to relocate and reinvent
her home landscape. “We’re
kind of serial movers,” says
the interior designer and blog-
ger. “We tend to move every
three years.” Her latest project, the penthouse she shares
with her husband, the music producer and DJ Victor
Calderone, and their nine-year-old-son, Jivan, is a testament
to her zest for decor. The apartment, in Brooklyn’s Dumbo
neighborhood, overlooks the East River and features
über-high ceilings and the minimalist-chic aesthetic that
Calderone balances with personal, homey touches.
In the living room, a Dunbar tufted velvet sofa and a
duet of Arne Norell rosewood-and-leather safari chairs
(all eBay finds) cohabit with a custom-made bronze cof-
fee table, a piece that Calderone created in collaboration
with Vallessa Monk of Monk Designs. A bright splattered
canvas by Lucien Smith serves as a focal point, flanked by
a collage from Wes Lang and a minimalist work by Alex
Perweiler, as well as a glitzy painting from William J.
O’Brien, an artist she discovered at Art Basel in Miami.
“There was a sculpture by him that I loved and my
husband hated,” says Calderone. “The artist broke up
with his boyfriend, and he took all of his crap, like his
underwear and his shirts, and he tied it up in string and
then dipped it and covered it in glitter. Victor was like,
‘The energy behind that is all wrong; I don’t want that
in my home.’ But he did this series with glitter, and we
agreed on them. We actually have three.” A zebra skin that
Calderone has “had forever” stretches across the floor, add-
ing an element of the wild, along with a bowl of turkey
feathers and a vase of porcupine quills that her mother
brought back from Africa.
Calderone found her way to design later in life, after
working with a friend, former Bergdorf Goodman store
designer John Rawlins, to decorate one of her apartments.
“I was going down the acting path and was unhappy,” she
recalls. “It wasn’t the right fit for my personality at all.”
Rawlins intuited her passion for design and urged her to
pursue it professionally. After studying at Parsons and
interning later, Calderone joined forces with Rawlins to
start their own firm; projects have included her Amagan-
sett beach house and the Ric Pipino salon in NoLIta.
“I definitely feel like I came into my own in the past five
years,” she says of her career change. “It happened so
organically, it just felt really right.”
Her design sensibility dovetails nicely with her other
passions—food and fashion. “I absolutely love food,” Calde-
rone says. “When I’m in a rut or feeling sad, I love to cook.
It lifts my spirits. It’s not so different from design: layering
things that are unexpected but work well together.” (One
specialty is roast pumpkin with sage or fennel offset with
nuts and a touch of spice.) “I feel like I can’t live without
my Susie Homemaker side, baking and cooking, but I also
can’t live without fashion.” It’s plain to see in her sartorial
choices. On a recent weekday, she sported studded Chloé
ankle boots, a Céline bag, and sculptural jewelry from local
favorites Anndra Neen and Pamela Love. (Her closet also
boasts an impressive collection of five- to six-inch heels,
and she professes love for such labels as Saint Laurent,
Balenciaga, and Alexander Wang.) Calderone’s fashion sense
and decor style have even rubbed off on her skateboard-
enthusiast son. “He has strong opinions about design and
fashion,” she asserts. “If I wear my shirt buttoned up all the
way, he’s like, ‘Mom, I don’t like that.’ ”
On her blog, Eye-swoon.com, which she launched
about a year ago, Calderone has a venue for sharing all
the things she loves. “I have this wealth of information. I
wanted to share the images that inspired me and let other
people find how that inspires them.” She also goes into
the homes of friends whose style she admires to photograph
and interview them in their natural habitats. “I’m such a
curious person,” she says. “I always want to know: What
did you eat for breakfast? What’s your favorite food? What’s
the recipe you can make with your eyes closed? What’s
your favorite place to shop?”
Calderone is also quick to declare that she’s just as happy
staying home baking cookies with her family for weeks
at a time as she is to be out and about “having a little bit
of a wild side.” Nights out generally involve specific
ingredients—a sleepover for Jivan and a flask of Don Julio
1942 tequila—and a recent evening on the town ended
with a ride on her son’s zip line in the Hamptons. “I like
that maybe I break the rules,” she says with a smile. ■
Above:Calderone with son Jivan in his bedroom. Preen dress. Christian Louboutin shoes. Right: The photograph in the master bedroom is by Eric Cahan.
217
In the living room, a Lucien Smith painting and a Dunbar
tufted sofa
We’re kind of serial movers. We tend to move every three years.”
Calderone assembled the light fixture from a Lindsey Adelman design. Peter Pilotto dress. Hervé Van Der Straeten necklace and cuff. Pierre Hardy sandals. See Where to Buy for shopping details.
The dining area’s light is by Lindsey Adelman
A 1950s Sputnik-style chandelier
In the kitchen, Thomas O’Brien pendant lights with stools from Organic Modernism
218
Harper’s Bazaar (ISSN 0017-7873), February 2013, issue no. 3610, is published monthly with a combined issue in June/July and December/January (10 times per year) by Hearst Communications, Inc., 300 West 57th Street, New York, NY 10019 U.S.A. Frank A. Bennack, Jr., Executive Vice Chairman and Chief Executive Officer; Catherine A. Bostron, Secretary; Ronald J. Doerfler, Senior Vice President, Finance and Administration. Hearst Magazines Division: David Carey, President; John P. Loughlin, Executive Vice President and General Manager; John A. Rohan, Jr., Senior Vice President, Finance. © 2013 by Hearst Communications, Inc. All rights reserved. Harper’s Bazaar is a registered trademark of Hearst Communications, Inc. Periodicals postage paid at NY, NY, and additional entry post offices. Canada Post International Publications mail product (Canadian Distribution) sales agreement no. 40012499. Edito-rial and Advertising Offices: 300 West 57th Street, New York, NY 10019-3797. Subscription prices: United States and possessions: $9 for one year. Canada and all other countries: $29 for one year. Subscription Services: Harper’s Bazaar will, upon receipt of a complete subscription order, undertake fulfillment of that order so as to provide the first copy for delivery by the Postal Service or alternate carrier within four to six weeks. From time to time, we make our subscriber list available to companies who sell goods and services by mail that we believe would interest our readers. If you would rather not receive such mailings, please send your current mailing label or an exact copy to Mail Preference Service, P.O. Box 6000, Harlan, Iowa 51593. Should you have any problem with your subscription, please log on to service.harpersbazaar.com or write to Customer Service Dept., Harper’s Bazaar, P.O. Box 6000, Harlan, Iowa 51593. Harper’s Bazaar is not responsible for unsolicited manuscripts or art. None will be returned unless accompanied by a self-addressed stamped envelope. Canada BN NBR 10231 0943 RT. POSTMASTER: Send all UAA to CFS (see DMM 707.4.12.5); NONPOSTAL AND MILITARY FACILITIES: Send address corrections to Harper’s Bazaar, P.O. Box 6000, Harlan, Iowa 51593. Printed in the U.S.A.
Beauty News Page 156 Chanel Fine Jewelry brooch, price upon request. Go
Bold Page 171 Hermès jacket and skirt, prices upon request. Graphic Impact Page 172 Prada shoes, price upon request. Page 173 Saint Laurent by Hedi Slimane coat and top, prices upon request. Page 176 Prada coat, bra, and shorts, prices upon request. Page 177 Alexander Wang helmet, price upon request. Page 178 Louis Vuitton dress, price upon request. A Fresh Take on Prints Page 195 Just Cavalli caftan, $1,980, Saks Fifth Avenue; 877-551-7257. Patricia Von Musulin earrings, $825, Stanley Korshak, Dallas; 214-871-3600. Patricia Von Musulin cuff, $2,800, Bergdorf Goodman; 888-774-2424. Proenza Schouler shoes, $950, similar styles available at Proenza Schouler, 212-585-3200. Page 196 Gucci dress, $2,990, earrings, $1,050, and necklace, $3,570, gucci.com. Page 197 Missoni dress, $2,330, missoni.com. Saint Laurent by Hedi Slimane necklace, $1,495, shopBAZAAR .com. Saint Laurent by Hedi Slimane cuff, $2,635, 212-980-2970. Page 198 Etro jacket, $2,697, blouse, $667, pants, $1,348, earrings, $383, and sandals, $675, 212-317-9096. Page 199 Emilio Pucci dress, $3,790, 212-230-1135. Lanvin necklace,
Covers Newsstand Paco Rabanne dress, price upon request. Internal Cover Versace dress, price upon request. Table of
Contents (Web) Page 52 Cartier bangle, price upon request. Chanel sandal, price upon request. The A-List Page 68 Louis Vuitton steamer trunk, price upon request. The In/Out List Page 82 Prada bag, price upon request. The Well-Spent Dollar Page 96 J. Crew jacket, price upon request. The
Style Page 104 Prada bag, price upon request. The Extras Page 113 Verdura bracelet, $18,500. Prada bag, price upon request. Page 116 Chanel bag, price upon request. The News Page 131 Bulgari watch, $155,000. The Escape Page 134 Givenchy by Riccardo Tisci bag, price upon request. Giuseppe Zanotti Design sandal, price upon request. Gucci sunglasses, $345. Megyn Kelly Page 136 Maison Martin Margiela jacket, $1,890, 212-989-7612. Giorgio Armani blouse, $1,775, 212-988-9191. David Yurman earrings, $1,100, davidyurman.com. Christian Louboutin pumps, $625, christianlouboutin.com. Horoscope Page 144 Van Cleef & Arpels clip, price upon request. Fabulous at
Every Age Page 147 Altuzarra sweater, price upon request. Page 149 Irene Neuwirth necklace, price upon request.
WHERE TO BUY
$2,490, Marissa Collections, Naples, FL; 239-263-4333. Jennifer Lopez Page 207 Balmain dress, price upon request. Athena
Calderone Page 215 3.1 Phillip Lim gown, $975. Page 216 Preen dress, $1,669, net-a-porter.com. Christian Louboutin pumps, $795, 212-255-1910. Page 217 Peter Pilotto dress, $1,820, Curve, Miami; 305-532-6722. Hervé Van Der Straeten necklace, $1,400, and cuff, $1,450, Neiman Marcus; 888-888-4757. Pierre Hardy sandals, $975, 646-449-0070.BEAUTY Aerin, aerin.com. Benefit, benefitcosmetics.com. Bobbi Brown, bobbibrowncosmetics.com. Chanel, chanel.com. Chloé, chloe.com. Clairol, clairol.com. Clarins, clarinsusa.com. Clinique, clinique.com. CoverGirl, covergirl.com. Dior, dior.com. Diptyque, diptyqueparis.com. Dove, dove.us. East West Essentials, eastwestessentials .com. Essie, essie.com. Estée Lauder, esteelauder.com. Fresh, fresh.com. Goody, goody.com. Guerlain, guerlain .com. Jäneke, boydsnyc.com. Jennifer Lopez, kohls.com. John Frieda, johnfrieda .com. Kevyn Aucoin, kevynaucoin.com. Kiehl’s, kiehls.com. La Mer, cremedelamer .com. Lancôme, lancome-usa.com. Laura Mercier, lauramercier.com. L’Oréal Paris, lorealparisusa.com. Maybelline New York, maybelline.com. Nars, narscosmetics.com. Olay, olay.com. Oribe, oribe.com. Origins, origins.com. Pantene Pro-V, pantene.com. Physicians Formula, physiciansformula .com. Redken, redken.com. Sedu, ulta .com. Sephora Collection, sephora.com. Shiseido, shiseido.com. SK-II, sk-ii.com. Smashbox, smashbox.com. Spornette, spornette.com. Sultra, sultra.com. T3, t3micro.com. Tom Ford, tomford.com. Vidal Sassoon, sassoon.com. ■
219
Alexander Wang shoes, $625.
Page 190
Tom Ford boots, $3,850.
Subscriber cover
Stella McCartney jacket, $1,020, and
dress, $1,935. Page 183
Saint Laurent by Hedi Slimane
necklace, $1,495. Page 197
Jil Sander dress, $1,520, and boots, $1,250. Page 191
Alexander Wang shoes, $625.
Page 181
Alexander Wang boots, $1,200.
Page 179
Alexander Wang shoes, $625.
Page 178
Jil Sander boots, $1,250.
Page 176
Alexander Wang shoes, $625.
Page 175
Michael Kors jacket, $1,895, and pants,
$1,295. Page 174
Fendi shoe, $1,295. Page 91
Pierre Hardy shoe, $975.
Page 113
Equipment blouse, $198.
Page 134
Paul Andrew shoe, $995.
Page 36
Tibi blouse, $375. Page 91
Derek Lam sandal, $398.
Page 114
Efva Attling necklace, $550.
Page 147
3.1 Phillip Lim shirt, $350.
Page 36
Delfina Delettrez bracelet, $450.
Page 92
Tibi sandal, $365. Page 114
BCBG Max Azria jacket, $228.
Page 147
Fendi shoe, $1,065. Page 42
3.1 Phillip Lim dress, $1,450. Page 92
Akris bag, $1,990. Page 116
Jenni Kayne skirt, $495.
Page 147
Illesteva sunglasses, $260.
Page 78
Tod’s slippers, $465.
Page 96
Alexander Wang sandal, $725.
Page 116
Marc Jacobs dress, $1,400.
Page 148
Fendi bag, $2,810. Page 78
Nicholas Kirkwood shoe, $1,695.
Page 104
Jil Sander bag, $1,550.
Page 116
Tabitha Simmons for Peter Som shoe,
$845. Page 149
Noor Fares earrings, $325.
Page 82
Fendi sandal, $525.
Page 113
Gucci sandal, $695.
Page 116
Cut 25 by Yigal Azrouël dress, $595.
Page 91
Reed Krakoff bag, $590.
Page 113
Lisa Marie Fernandez swimsuit, $380.
Page 134
From our pages to your closet—here’s what’s in store this month
Style by Saks Fifth Avenue In partnership with American Express
Shop.com
PROMOTION
220
How
Fashion fans have long swooned over the illustrations of Erté, né Romain de Tirtoff, one of the masters of the form. The Russian-born French artist contributed his bold and elaborate designs to Harper’s Bazaar for more than 20 years, from 1915 to 1936, creating some 200 showstopping covers. This image is Erté’s reinterpretation of one that originally appeared in Bazaar’s February 1927 issue, revealing the elegant Art Deco spirit of his works. What’s not to love? ER
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JENNIFER LOPEZ
