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1. ITiIIT. STAGE I;IA"TOR FAfRB.LTRN BIACK DROP

MEDllUl't: }{A.TOR FAIRBAIRNIIe ls speaklng to the Ca.mera orew.

FAIRBAIRN:fn a sens te , th l -s p lc tu re l s fo r foo Is . . .Beoause you ghould. neyer be wlthout aplstol or a knlfe. Hovrever, ln oaseyou are oaught unarned,, fodllshly or.otherwlse, the tactlcs shown here w111lnareage your ohances of oonlng out al1ve.

CLOSEUP: FAIRBA]RNFAIRBAIRN:

They are not cleslgns6 to conpete wlththe boxer or f,udo expert; they are forpulIlng yourself out of a Jam. llhenyoutre tuq caugbt, youtre down, andyourre a goner l f you dontt at taok.. . .AJrd keep ln nLnd, l t ts Gutter Flgbt lng:n4y rneans, falr or foul, to aave your l l fe.

ldlED. CIOSE : FAfRBAfRNIIe rpresentsr the taotlos, na.ulng eaoh rweaponn as he shows Lt.

FATRBAIRN:Herr are your weaponst: +,he Tlgert s 01aw,the Chln trab, the Edge of the Hand BIow,

The Canera PANS d.own as be puts out lrls foot. \

FAIRBATRN:and the Boot.

FULL SHOT: FAIRBAIRNI{e looks off-scene, notlons to one of the taudlencer.

Nm, r need :fTlflll;t. Hof,e.. ..(he se leo ts one)

. . . ]o l l t rg b tg enough . . o . .

A b18, powerful young nan enterg soene from beblntl Calaora.

2.

2. BfG CIOSEUP: FAIRBAIRNT S RfGIIT HAIIDThe hani l ls tensed lnto a Tlgerf s Claw.

FATRB.&TRN:The Ttgerts Claw ls wel l naned.

T^IO-SHOT: FAIRBAfRMND OPPOIIENTTigerrs ClaW goes slovr ly to opponentf s eyes, and. tapson them. Opponent reacts to the pressure on his eyes.

FA]RBAIR}I:r\t lth the flngers rJ.g!.d, s:rlstIookeo and. hand tensed.r Bo afterthe eyes.

I{EDfrJ}f: F'AfRBAfRNHe puts up hls lef t hani l , str lkes at l t wl th hlsr lght - the Tlger ' 's Claw. The thumb of hls lef thand represents opponentts nose. He fol lows thruwlth hls welght and recovers. Opponent watches.

FATRBATRN:Pract lce agalnst your lef t hand,and follow through. wlth your welght.

ITTLL SI10T: FAfRBAIRI-I Al'D OPPON$I{TFalrbairn assumes a t tbsaten' t at t l tude, faclng hisopponent.

FAIRBATRN:Decelve your opponent. l lakehlm thlnk youtre out on yourfeet. l t row br lng the TlgerrsClaw up fron the ee1lar andprr t v ic ious brute f orce behlnd. l t .

He strlkes out sudclenly, alrlng his blow at opponentr srghadowt face .

FAIRBATRN:It wll l knock your opponent out.But you nust at tack wl th surpr lse. -

He recovers f ron prevlous l l lustrat lon and repeats,a lmlng a t opponent ts face , th is t lme pu l l lng .h ispunch, to l l lustrate the ef feot upon opponent.(An al ternate suggest lon ls to enact th ls at s lowerthan nornal speed., undercranklng Ca.srera to recoril l tat normal speed, glv lng l t a more real lst lc ef fect . )

) .

). MED. CTOSE: -rilA.IRBAfRN AlilD OppOttrEt{TFalr la l rn recovers to l l lustrat ,e the Chin Jab.

FAIRBAIRN:A var lat lon of the Tlgerr s Clawls the Chln . 'ab, a lso a knockoutpunch, but used. rrhen close ln.

CI,OSETIP: FAIRBAIRNIS RIG}IT HA}IDEIe has tensed lt for the knockout blow, eo that theheeL of the hand ls up. I{e taps lt wtitr hls leftluod-to_polnt out i . ts str lk lng surface, and, d.r ivesls slowry to hls left hand. which servei as the target.

FAIRBAIRN:Use the heel of the hand as a strlklngsurface and. drlve it to opponentfs Jawwlth a follorv through end the flngeisto the eyos .

He turns to hls opponent and trlustrates how lt f l tsonto hls face; camera PANS T0 forrow actlon. He thenclenches hls f ls t an. l . taps hls knuckles, polnt lng outthe strlklng aree on the f1st. The flsi is arawi backgnd, wl th t ! " gpen 1eft hand servlng agaln as target,t ravels a s lx lnch d. lstance wlth great-speed to tdrg6t.

FATRBAIRN:ft ts a rarn-rod knockout punch, muohnore effeotlve than a blow wlth thef1s t .

Thls act lon 1s repeated. vr l th the chln Jab: heel of ther ight hand up agalnst h ls 1eft hand-- the target.

I{]0D. CLOSE: CHfilT .rAB T0 JA,rfFalrbairn ho-lds hls arms rpr his rlght hand about sixlnobes fron opponentf s face, palm down. He sud.d.enlyconverts th ls lnn_ocent pose into the chln Jab to op-ponentts Jaw, pul l lng hls punch.

FAIRBAIRN:This blow only travels a natter ofa few lnches .

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3. (con t t . )

l{11D. closE: CHTN JAB TC JN,]' (Sl,OTr }{OTTON)Another ang]e. (ThLs aot lon should. be rehearsed to sot l re opponentrs react lon that l t has a real lstLc ef fect ,wlttr Camera speed guaged acoordlngly for Slqu L,lottonclarlty.) ' tte see how Falrbairn follows through, hiswelght golng behlnd the blow.

DTSSO],W TO:

l+. BfG CLOSETJP: RfGfU IIAND AND FOREARI{Falrbalrnt s hand, ls movlng up and down llke an ax.

FAIRBAITTN:Thls is the Edge of the Hand Blorrtg lven wlth a chopplng- l tke act lonof the forearm from the elbow.

Chopping not lon stops; hand ls held st1l I .

FAIITBAIRN:Ilold your fingers stralght andr lg ld, thumb e.reot.

Then the left hand. index flnger polnts out the strlk-lngsurfaoe on the eclge of the rlght hanct: fron knuckleJo ln t to wr ls t , and back to center o f th ls a rear

FA]RBAIRN:Ii lt wlth thls part of the hand:half l{ay between the knuckles andthe wr ls t .

l[EI). C],0S8: EDGE 0F TIE HA]ID BL0'r,'Falrbalrn hlts the paln of hls left hand wlth a down-',^rard Edge of the l land Blow a oouple of t imes.

FAIRBATRI'T:Strlke wlth a fir lI forea blow

' and follow through. This lsdynamite.

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5,

l + . (Con t t . )

1./ATST SHCT: FAIRBAIRNf'airbalrn hlts hts otrn f orearm ancl blceps wlth theEdge of the $and BIow.

FATRBATRN:Try lt on the bone of your leftforearn, pulIlng your nunch, andyou can get an ldea of l ts ef fect .

l(ED. CL0SE: FARBAIRN AIID ODP0l,rElllllOpponent comes ln, takes a gr lp on Fairbalrnt s upperr lght arm. Falrbalrn l l lustrates the blow whlch, nadewith hls lef t hand., wi0l break opponentt s arn.

FAIRBAIRN:ff your opponent grabs your clothes,the Edge of the Hand Blow, d.elivoreclwlth a chopping rnotlon d.own frorn theelbow, wl1l causs a compound fractureof h1s forearm.

THREE-QtrARTER : FAIRBAIRNOpponent steps aslde whlle Falrbalrn l l- lustrates thebackhand. use of the Edge of the Hancl Blow: outward wlthe l ther a rn .

FATRBAIR}I:f ts al ternate use ls a whlp- l lkenotlon from the elbow outward,wlth fu l l force behlnd l t ,

TIIRgg-OIIARltsTt : FAIRBAIRItr ( nfff"At nI SI,0,'I ltOTf 0N )

FAIRBA]RN:Any opponent ls yor,.rs wlthLnreach of your arm--front, s ld.es,or back.

IIEDfIJT{: FAT.RBAIRN A}Il] OPPO}m}nIIe drags hls opponent back, dellvers Edge of the HandBlorrv to hls neck. This he does slowly, pr lnclpal ly topoint out target area on the neck and. head.

FATIIBANI}I:i,{htp lt out to your opponentr s n6ck. . . .

6.

l+ . ( Cont t . )

CLOSEUP: OPPO}IETfT| S IIEADFalrbalrnr s hand potnts out the target area on thes lde o f tbe head.

FATRBAIRN:. . . .And her l l be ou t anywherefron two to four hourg.

CLOSE SITOT: FAfRBAIRIIHe turns to Camsra, demonstrates Edge of Hand Blolon hlmsel f .

FATRNARN:Try lt on yourself -- but pullyour punch -- ln thls rnarurer --and your l l see what f mean..

T"VO-SI{OT: FATRBAIR}I AI 0PPONIN}ITFalrbalrn f11cks hls Ed.ge of Hand BIow slowly out toopponentts neck, Just und.er his Adamrs Apple.

FAIRBAIRN:An tnch belov'r the -rdamr s Applerv1l l k111 hlm, .

5. }[$DII].{: FAfRBAIRNOpponent ls stand.lng by. FaLrbaLrn speaks vrlthauthor l ty.

FAIRBATRN:But, these three blows are of novalue unless conblned lvlth a klck.

He polnts to hls r lght foot .

FAIRBAIRIII:I t rs so unexpected l t g lves youthe elenent of surprtse.

CLOSETJ?: FHETFalrbairn holds up hls r lght foot , ln f lght lng pose.

FATRBAIRN:Donr t be a f re id to use your fee t .Dlr ty f lght ing has a better chanceof lv lnnlng because l t rs unorthoclox.

7.

5. ( con t t . )

],[ED]IIlf: !'AIP.SAIRN AM OPPONENIIIa l rbairn sudoenly k icks opponent who ls caught total lylnnocent and of f guard. . I { is lnst lnct ive react lon throwsh1.n open to fur ther at tack. I 'a l rbalrn recovers, speaks.

FAIRBAIRN:See whet I r:aean?

FUII S}IOT: FATRBATRII. t fht le opponent watches, j "a l rbalrn facos Camera to 11-lus t ra te the k lck lng techn lque. I {e p laces h ls fee tten lnohes apart , turns hls r lght toe ln and. adrancesupon the Caneia. He klcks forward with a pawlng motionand a smash-rlolvn blow of the foot.

FAIRBAIRN:'dhen practlcing this nethod,of at tack, stand. wl th yolrr feetabout ten inches apart . Turnyour rlght foot ln, so, andk lck w l th a f l i ck .

resuxles hls start lng pos1t lon, polnts to the outsld.ehls boot, and repeats the k lcklng at tack.

FAIRBAIRN:Use the outslde of your bootand follov'r through. Brlngthe welght of yonr body ontoyour k lcklng foot.

FUIL SHOT: SfDE /'J[G],E FAIRBAIRN AI'ID 0PPONENTFalrbalrn attacks hls opponent wlth the three d.lfferenttypes of klcks. They are the HIGII IifCK, FI-ICK IfiCK, and.the SI-{ASII DO'IJN lfiCK, each of whlch ls photographed flrstln normal act lon, and then ln ST,O1' . ' I IOTfO]I as the fo l lo lv lngdlalogue runs over the footage:

T'AIR,BAIR}I:. Adapted fron Chlnese boxlng,

bhe klck ls almed. at opponent,anlnvhere from hls walst Covln.The best at tack ls a comblnat lohklok wlth tbe boot and. a blolv ofbhe hand.

( ' ,Then del lver ing the k lcks, Falrbalrn conblnes thernwlth hand blows. )

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5, ( Con t t . )FAIRtsAIR}T:

Thers ls no hard and fast rule for' vrhat comblnatlon .of blows and ktcksto sse whon. The choloe wi l l dependupon the c l rcumstancesr s t rch as op-ponentt s posi t ion, and the condi t lonof terraln. Always'-st , r ive for thatessent la l of surpr lse. Keop on going1n. Donrt r r rorry about stance. Therewonrt be any t lne for th lnklng. Lnd,when you get ln there, scrape hls legand smash d.ovin on h1s lnstep.

DISSOL'IT TC:

6. '.TAI$I SHoT: FAIRBAIRNI Ie 1s speak ing to h ls raud lende t .

EIr*.BAIFIN:Yes , your re say ln r , bu t wha t ts theother feJlorv dolnt a l l th is t lme?

(he ges tures to s t regshls polnt )

Thatfs exact ly ny polnt : DONTT GII IEI1N.4 A C}IA-IITCE TO DO ANYTI{ING T LooKhero . . . .

I{e backs away from Camera as opponent enters ln baokgrd..

nrLL STTOT: FAIRBAIRIT Al:lD OPPOlrgNfHe ls d.enonstrat lng to Camera; polnts to hts opponent,beckonlng hin toward hln. Opponent assumes wrest ler t ss tance and approaches.

FABBAIRN:Suppose hef s a goocl wrest ler . f ff let h ln coma ln and get a doubleNe lson or l [1o . . .

( opponent co.nres in, appllesthe I-Ielson)

. . , f fn a goner .

l[ED. CLOSR : FAIRBAIP.N-Opponent releases hold. ; Falrbalrn cont lnues talk lng.

-nAIRB;lIRN:Once f let hin take the offensi.ve,I have to flght on hls terms. Thenlt t s a questlon of how goocl f B.B. . .

9.

6. (Conr t . )FAIITBAIP.N: (CON! T. )

. . .e t h l s gpeo la l t y . You t re a l ready19 u Jan; d.onrt glve h.lm any noread.vantage.

IitILI, SII0T: FAfRBAIRIV AND 0PPOI{E}]TTbey back toward one another, to center of stage. Theyturn around., sud.denly encounter one another. Fairbalrnls speaklng to 0arera.

FATRBATRN:You have to slze up your opponentand at tack wl th ln a spl l t second.You are caught unarmed; your onlychance is elther: to start thetrouble or get away from lt.

IIEDICI{: F, ,IRBAIIIN Al"D OPPONE}fltFairbalrn hesl tates, Iets opponent take of fenslve.

FAIRBJ.TR}T:I f you let h ln at tack f l rstr Vouare on the de fens lvs . . .you are lnfo r i t .

He pushes hls opponent away, cont lnues to speak, anduses the f l lck k lck to surpr lse hls opponent.

FAIRBATRN:Take the offenslve rvlth a fl lckk lck .

l.mD. closE: FAIRBrrIp.If AIID gppOl\rE}flIFairbalrn grseps opponents 'arm so as to hold hln in theposltlon he assuned rvhen reactlng to the klck, polntlngout the d.efenslve at t l tud.e.

FAIRBAF.}I:A rnan on the d.efenslve ls usilallyo f f -ba1ance, back on h ls hee ls .Look hovr lnef fect lve he ls, wLdeopen to any of the three bLows.

L0.

6. (Conr t . )

MaJor Falrbalrn feigns use of the tbree blqvs:Tlgerrs Claw, Chln trab and Edge of the Hand. Blo$r.IIe then turns to Camera.

FTJIJ, SHOT: TA]RBAIRN AIID OPPONEI{T

FAIRBAIRN:

. Iller 11 denonstrat.e that o . . . .

Falrbalrn turns to opponent, tells hln to try to llfthln off the ground.,

FIr.IRB^IIRN:(to opponent)

Grab ne arounil the walst anatry to llft ne off the ground.

As the opponent starts to d.o eor Falrbalrn pushes ln onh1s neck wlth hls thumb.

CI,0SEIIP: OPPOIIEIITTS HEADFalrbalrn Ls preselng ln on opponentts neok gland.

FATRBAIRN:Rrsh the gland ln your opponantrst leOk. . . .

Then he pushes up on opponentrs nose, whtoi throlrs hls,head. back.

FA]RBAIRN:. . .Pr.rsh his nose, Tbls throwshls head baok.

Then he pulls baok on opponent|g ear, also tbrorlng thehead back.

FAIRBAIRN:. . .o .P , pu l l baok on h ls ear .

11.

6. (conr t . )

lviED. CIOSE: !'AfRBAIRN AIiID OPPONENTFairbalrn st l l l has a hold on opponentts ear.

' r th l Ie

he talks he lndlcates posture of opponent, and. nodsln the i t i rect lon of the feet.

FAI?.BAIR}T:These tr loks have no pract lcalvalue but they show horu an op-ponen t , back on h is hee ls . . . . .

CLOSEUP: OPPOITEIITTS I'4ETThey are flat on the ground..

FAIRSAIR}I:. . .o f f ba lanoe , canr t evenllft you off the ground..

L[EDIi]],i: FAIRBAIRN A]ID OPPONEI$TOpponent, is tugglng to no avall to l l ft Falrbalrn offthe ground.

FAIRBAIRIII:Yourre not much good when youtreon the defenglve.

They break, and assurne the posltlons agaln ln whlch theyback toward. one another.

trtrLL SHOT: FAfRBAIP,II AllD OPDCITEIiT .' Backtng ln toward center of stage, they turn and suddenlyt d. lsooverr one another.

FA]RBAIR}I:Now, we t l l t r y tha t aga ln . . . .

Now, seelng hls opponent, there ls onJ.y a spl l t -secondhesl tat lon before Falrbalrn unleashes hls at tack: k lck,t lgerf s c law, chin Jab, ei lge of the hand blow. Opponentls snothered. Falrbalrn recovers, laughs as he helpshls opponent upr pats hin on the back, anl pushes himoff-soene, beckoning to another as he d.oes so.

FAIRBAIR,}T:Okay. You t re d.eatl..

(he beckons)Cone on ln here, Jlm.

L2.

7 . l.EDllDf : FAIii.BMRN AhID JII{Jfua enters tcene, beglns to put up hls drrkes and tospar a Ia boxlng. He is reaI ly a pug character:f lat nose, caul l f lower ears, several teeth misslngln front. He shows trainlng Ln the art of pugll ism.Falrbalrn looks hlm over, speal<s.

FAIRBAIR}I:Yourd probably s ize him upas a boxer , l vou ldnr t you?

CtOSniP: JII{He glves us a s l l ly gr ln, reveal lng the

l.,ED. CT,OSE : FAIP.BAIRII AND Jn'rFatrbalrn polnts to i f lnts lef t , br lngs

absenoe o f tee th .

hls Jaw to i t .

I'AIRBATR}I:HdlL murder t io, you sa18

fri"u;t" ":, ;lfll,'i" ill "There ts no de fense agaLnsti t because you d.onr t seei t co rn lng . . . . .

fiILL SI{0T: FAIRBAfRN AI{D Jn1Fa l rba l rn re t {ea ts , then sudden ly a t tacks w l th h ls foo t ,Jus t t l ck l "ng J lmts sh l r t f ron t . J lm reco i l s , d rops h is 'guard. .

I'ATRBAIRN:Again the answer ls: take thelnl t lat ive. Surpr lse w111 wlnfor you. To deal wlth an erpertof th ls type, at tack wl th thelegs ancl feet .

Fairbalrn goes in af ter J l rn wi th a k lcklng at tack.

CLOSE SHOT: FAIRBAfRNTS ATTACK l'/fTH FEts;THs scfapes Eimt s leg and eoraes d.own vrlth hls bootJ lmf s f oo t .

F.A,IRBATP.N:Scrape the shln down, and smashthe snall bones of the instep -and hers yours .

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7. (Con t . )A

l'tEDIlIl,{: FAIRBAf-RI{ AI{IJ JD:!J ln ls bent over as a resul- t of the foot at tack. Fair-balrn l l lustrates how open Jtm ls to a hand, blow, toflnish hl-m off .

PATRB.O.IR}I:Thls wlDI br lng hlm down so af ln lshlng blow can be d.el lvered.

8. 5'rJLl SI{0T: FAIP.BATP.N AND Jn,{Falrbairn stralghtens trln up, pats hin on the head ashe goes of f -soene. He looks to other s lde of Camera,cal ls 1n l . lar t ln.

FAIRBATRN:Now, you p-robably are wonderlngabou t Judo . . ! . .

CI,OSEII? : FAIRBATP.IIHe 1s speaklng to hls raud. lenoet.

FAIRBATRItr:The Judo nan has oonfldence be-cause he thinks you are afrald.o f h lm. But l t rs the same s to ry . . .

FIII,I SI{0T: FAfRBAIRN A}ID }{AP.TrI\Tl. ' Iartln ls crouched. low.

FAIRBATR}I:Jump the gun; beat hln to t t ;conblne the kick with theT lger rs C law.

Falrbalrn pours al l over l \ far t ln, rvho doesnrt get a chanoeto use hls Judo.

-r'JLL SIT0T: FAffi,BAIRII AID llA,RTIlI (nmgAf ATTACK flT SlOrii liOTfON)

FAIRBAIRN:You must at tack -- at tacktOtherulse, yourre sunk.

14.

8 l (Con ' t . )

TIIIERCTJT CLOSETJPS: KICK, CLAI^I, EDGE OF IIAM BIOW (SLOtll l,tOTfON)

FAIRBAIRN:Her s not so tough, unless youlet h lm take the of fenslve.The l i lea ls: d.onf t let h lnput hls hand.s on yor I

: .TPE TO:

9. T11'0-SHOT: FAGB/'IRII AID I{AIiTINLfart ln grasps Falrbairnts 'urr lst , .starts to put a hold on l t .

FILTP.BAIRN:But i f he ge ts your wr l s t . . . .

Fa l rba l rn sudden ly whee ls , h ls le f t rc lawr to opponent rseyes , and k lck lng . .

FAIRBATRII:. . .9o fo r h ls eyes and use yourfeet. Keep yourseJ-f f ree toa t tack .

l"4EDIIIld: FAIRB.|TfRN AIID I'TAF.TINFatrbalrn retreats f rom his at tack, spars to avold.counter at tack.

FATRBAIRN:Thls ls war. I lever al1ow a tnanto put hls hanils on you. But if . . . .

l ,{artln takes ! 'alrbalrn by surprtse, mshes 1n anit grabshts wrLs t .

FAIF.B/I.IRN:. . . fo l l . f opponent d.oes grab Xouruse brute force and put every-thln€ you have lnto your at tack.

UED. CLOSE: FAfRBAIRIT AND IIAF.TIIIl , {a r t ln has a g r lp on Fa l rba l rn rs l v r i s t . Fa l rba l rn b reaks t t .

FlrIiitsAfP.N:I Ie canr t ho1d . your wr l s t . . . .

L5.

g. (Con ' t . )

Mart ln then grasp€r Falrbalrnrs wr lst wl th both hands.

o . . .6v€rl r,tffT*ttilXr,u".

CLOSEIIP: tsREaKING TIRIST IIOIDFalrbalrnrs lef t hand enters, goes up uni ter opponentrs' two hands, grasps h1s own rlght hand. and Jerks lt freefrom opponentts hoLd..

RE\TERSE CLOSEIIP: BREAICIIG llRIST HOIDOpponent takes holil agaln wlth tvro hand,s, thls tlne wlthhls thunbs und.erneath. Falrbalrn agaln reaches under and

breaks the ho ld . . . . s low ly so you can see what happens toopponent ts hands .

FATi]BAIRITT:And., lf your opponentr s thumbsare underry lathr theytre golngto bE-ffiken.

10. IEDrIJI{: I'AfRBAIRN A:l") }"ARTINFalrbalrn gets rid. of l lartln by upg pattlng hln on thefanny on his waJr out. Flrst opponent enters again,grabs Falrbalrnrs neclc wl th one hand.

FA]RBAIR,}I:Dontt worry about a strangleho ld on your th roa t , e l ther . . .

Falrbalrn fierel; ' turns awBlr from the ho16.

F.LTBAIRN:. . .JBSI wa lk away f rom l t .

He returns. Opponent takes the hold agal-n ad, th ls t lne,Falrbalrn at tacks as he gets out of the hold. .

FAITTBAIR}I:But at tack as you d.o l t - togaln the of fenslvel

rt\ r 15 .

11. I'ISD. CI-OSE: SID? lIltrGLE, FAfiiBAfRlI AITD OP"0}IEI\rTOpponent applies the usual style of Bear Hug from behlnd..

FAIRBAIRN:To break the usual type ofBear Hug . , . . . ,

Ir,[ED. CLOSE: FRO]IT VIS;',r, FAfRBAIR]trI le begins to break the hold. He relaxes, rals lng hlsIe f t shou lder .

FAIRBATRN:. . .$O 1 lnp . . . . ,

CLOSEUP: GRABB nIG HAIIDFalrbalrnrs r lght hand yanks what he f ln i is in opponenttgcro tch .

FA:RBATRIT:. . .g reb opponen t r s tes t l c les . . .ru ln h ln l f you car lo . . .

IIED. CLOSE: FRONT VfTlgFalrbalrn pulls opponent down to hls rlght vrhlIe pushlngwith hls lef t arm agalnst the r lght s lde of opponentrsneok .

FILTRBAIR}I:Pull him d,own to your rlghtwl th h1s lef t arn, at the sFmetlme pushlng agalnst the rlgfuts lde of h ls neck wlth your lef tarm.

I\.@D . CIOSE : SIDE Vlgfl, OPPOIIEIITHe ls bent over wl th hls head. near the f loor. Falrbalrnt slef t hand goes to the eyes, hls foot to the faoe.

FAIRBATRN:Go after hls eyes wj-th your lefthand., and kick h1n ln the faoe,Hets no fr lend of yoursr you knovJ.

rt

L7.

1I . (Cont . ) t

FULI $iOli: FAfP.BAIFiIT IJID OPPOIIEI'ITRepeat the routlne of breaklng fron the rear Bear IIug,ac tua l speed .

FATRBAIR}I:Always have the Etlge of the }IandB low ?ea i l y . . . . .He re rg a ohanceto go ' f o r t he back o f t he neok .

DTSSOIVE TO:

l-2. TIILI SH0T: FAIRBAIRN /J.!D OPPOIIF:DITFa l rba l rn ba lances on h ts toes , rocks a b l t , then goes lnaf ter opponent wtth k lck, ed.ge of the hand blow and chlnJab. I Ie recovers and cint inues spaklng.

FATRBATiili:The lmportance of baianoe cannotbe too strongly stressed.. Youhave lt as long as you are onyour toes. I t g lves you an at-tack lhg a t t l t u i l e . . . . .You nus thave lt to put the nost lnto theKlck, Tlger i s C1aw, ,Edge of theHand. Blow and Chln Jab.

CIOSEUPS: i',EAPO}ISThe Tlgerts Claw, bhln trab, Edge of the Hamoer Bloi.r andKlok ars represented agaln as Falrbairn speaks.

FAITiBATRN:You nuEt galn the advantage byattacklng, Use these weapons wtthsurprf se, bruto f orce and. d.etern-tnation,ancl they w111 serve you weIL

}BD. CIOSE : IAI}IBATRNIIe addressres Camera.

FATRBAF.N:I;i ' i th then, yourll elther come thruor you wonrt know the dlfference o

r8.

L2 . ( con t t . )

TFIREE -QEj{n TT'n : I'ATR.BAG.r.TRepremand lng h ts taud ience r .

-I''ATRBAIRN:You may ge t hu r t , su re . . . . .You were a 1?oo1 to get caughtunar.!o.ed.

He takes ou t h l s f i gh t i ng kn i fe , l r d f i I ds i t v i c i ous l y .

FnntBAIi?Ii:Look - ,vhat you could have done tothe boxe r , t he wres t l e r , o r t heJudo f i lan.

I ie puts the f ight ing kn i fe quick ly a-way, takes out apocke t kn i f e .

CI,OSTIP: FTTfRBAIRIII {e ho1ds up the pocke t kn i f e , a lmos t sad l s t i ca l l y .

NATRBAIF,.TI:

i l i i*: i.1::.: '" ' forgot vo'1* pocket

T}M NID