GUGGENHEIM HELSINKIdesignguggenheimhelsinki.org/stageonegallery/pdfs/... · GUGGENHEIM HELSINKI...
Transcript of GUGGENHEIM HELSINKIdesignguggenheimhelsinki.org/stageonegallery/pdfs/... · GUGGENHEIM HELSINKI...
Cruise Ship ScaleCruise ships are among the largest element in the Helsinki landscape.....
Our massing relates to both. The six tall floors of the museum are in line with the Western Harbor elevations.
Urban ScaleThe proportions of the Western Harbor buildings are mostly seven or eight stories.
NEW FERRY TERMINAL
Below Warming Plaza
@ 7.5m
WARMINGPLAZA
HARBORSIDESCULPTURE
GARDEN
BIRCH GROVEENTRY PLAZA
NEW PARKENTRANCE
MAIN ENTRY
TERMINALENTRY
HARBORENTRY
PARKENTRY
Visibility Maintained at
Street-Ends
Visibility Maintained at
Street-Ends
+2.1 m
+7.5 m
Loading &Parking Access
+7.5 m
+2.1 m
+2.1 m
Café
+4 m
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WARMING PLAZAGeothermally Heated in Winter, Sun-warmed in Summer
NEW MAKASIINI TERMINALUnder the Warming Plaza Landscape
EXTENDED PEDESTRIAN DECKContaining Port Functions & Parking
BIRCH GROVE ENTRY PLAZAA Formal Plaza Facing the City
ATRIUM AS THERMAL LUNG & WINTER GARDENA New Civic Space for Helsinki
NEW PEDESTRIAN & BIKE CIRCULATIONComplete Accessibility to Park and Waterfront
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GUGGENHEIM HELSINKI
USPENSKI CATHEDRALUSPENSKIN KATREDAALI
MARKET SQUAREKAUPPATORI
MAKASIINI TERMINAL (SITE)MAKASIINITERMINAALI
HELSINKI CATHEDRALTUOMIOKIRKKO
KANAVA TERMINALKANAVATERMINAALI
GUGGENHEIM HELSINKIA NEW CENTER FOR THE CITY
The Three Ecologies of the MuseumMuseums are social and cultural institutions that act as both hubs in an urban network and amplifiers of social life. The best museums become new, vital centers, transforming cities in positive ways. In this sense, museums engage not only with culture, but with economics and ecology as well—a meeting point for visitors and local inhabitants that model values of culture, sustainability, and civic pride.
We are proposing a museum that connects to the surrounding urban landscape, starting before one even enters the
GUGGENHEIMHELSINKI
HELSINKI ZOO
CITY OF HELSINKIWINTER GARDEN
KAISANIEMIBOTANIC GARDEN
BOTANICAL &WINTER GARDENS
PARKS & GARDENS
MONUMENTS
SHADE TREES
ECOLOGY Gardens, Parks, Public Spaces
GUGGENHEIMHELSINKI
NATIONAL MUSEUMOF FINLAND
SINEBRYCHOFFART MUSEUM
KIASMA
KAISANIEMIBOTANIC GARDEN
ATENEUMKAPUNGINMUSEO
MANNERHEIMMUSEUM
MAJORMUSEUMS
CULTURE Museums & Galleries
SPECIALIZEDCOLLECTIONS
GALLERIES
GUGGENHEIMHELSINKI
INTERNATIONAL FERRIESLOCAL FERRIESMAJOR ROADSSTREETSMETRO
MAJORTERMINALS
MINORTERMINALS
ECONOMY Tourism & Transport
ECONOMYTOURISMTRANSPORT
CULTURE +ECOLOGY +ECONOMY
ECOLOGYSUSTAINABILITY
WINTER GARDENSSUMMER PLAYSPACE
CULTUREART
ENGAGEMENTSOCIAL LIFE
A SUSTAINABLE MUSEUMTHREE ECOLOGIES
GUGGENHEIMHELSINKI
GUGGENHEIMNEW YORK
GUGGENHEIMBILBAO
PEGGY GUGGENHEIMCOLLECTION
GUGGENHEIMABU DHABI
60ºN
project. We want to respond positively to a climate that is cold, even frigid, for most of the year by providing a kind of urban hearth fire. The Finnish concept of the sauna extends beyond simply a heated room—it becomes a social hub, a psychological space, a place of gathering. Our project mimics this social, psychological dimension of the sauna. In winter, we provide a system of warming spaces beginning in the landscape and extending to the radiantly heated atrium and galleries. In summer, we maximize the use of the sun’s warmth to create vibrant plazas on the exterior and a bright, luminous set of galleries.
KAUPPATORIMARKET SQUARE
HAAKSIRIKKOISET PATSASTHE SHIPWRECK MONUMENT
USPENSKI CATHEDRALUSPENSKIN KATEDRAALI
OBSERVATORYOBSERVATORIO
THE SHIPWRECK MONUMENTHAAKSIRIKKOISET PATSAS
HELSINKI CATHEDRALTUOMIOKIRKKO
MARKET SQUAREKAUPPATORI
FINNISH ARCHITECTUREMUSEUM
REGISTRATION #: GH-1420076175
01_OFFICE LOBBY02_OFFICES 03_GREEN/ DRESSING ROOMS04_PERFORMANCE HALL LOBBY05_FLEXIBLE PERFORMANCE/ CONFERENCE HALL
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01_RETAIL LOBBY02_RETAIL03_CAFE/ BAR04_SEASONAL OUTDOOR DINING05_PARK ENTRANCE06_PERFORMANCE HALL DECK07_PERFORMANCE HALL STORAGE
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01_MAIN ENTRANCE02_WINTERGARDEN/SUMMERSPACE03_TICKETING & INFO04_COAT AND BAG CHECK05_UNCRATING & STAGING06_COLLECTION STORAGE07_MAINTINANCE & OPERATIONS08_MULTIPURPOSE CLASSROOM
LOADING & PARKING ACCESS VIP/DISABLED ACCESS
STAFF PARKING
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HARBORWATERFRONT
MARKET SQUARE
TAHTITORNINVUORI HILL
MAKASIINIFERRY TERMINAL
HARBORWATERFRONT
Lifting the CornersThe simple act of lifting the corners of the inflected box allows the city in. It has the effect of unveiling the contents of an urban space. It also creates a structural parabolic arch at each corner—supporting the contents of the galleries above with a light, almost fabriclike structure.
Making a CenterThe opening of the corners creates a clearing in the center of the building, to be filled with urban life. This urban center connects both visually and physically with the most prominent elements of Helsinki life: Market Square, the South Harbor, Tähtitornin Vuori.
A Winter Garden/Summer SpaceThe entire building reacts to the seasons, accomodating the urban life of Helsinki in both winter and summer. In winter, it is a hearth, a city-scale sauna space; in summer, it is a place for meeting, for revitalization, and for reflection.
2CONNECTIONS
ThermokarstsThese natural depressions in the northern Finnish landscape are created as permafrost thaws, leaving a depression. They inform our landscape plan.
Cold-Molded Boat HullsCold-molding is a monocoque process for building boats in wood layers oriented in different directions. The entrances of our project are based on the long tradition of Finnish boatbuilding.
Brass/Bronze ArtifactsThe prehistory of Suomi is filled with artifacts and parables, from the Bronze Age to the Kalevala to independence. The project makes material reference to this history.
Networks & ConnectionsThe contemporary museum is not simply a display space for art, but a social, cultural, and economic attractor for the city around it. Museums have a life based not only on the singular user experience, but on the shared, intersubjective experience of visitors. And on the museum’s interaction with the surrounding city.
In this sense, museums exert a kind of gravitational force on nearby neighborhoods. In the best cases, they become a hub in a network of urban connections. Our scheme is based on emphasizing this hub—an open museum, an atrium as urban attractor.
Our proposal creates a new set of connections for the city, park, and waterfront—turning a detached periphery of parking lots and infrastructure into a central civic space.
The Scale of the Western Shore: The brass-alloy facade will quickly weather from golden to a shimmering blackish patina The Main (Market Square) Entry: The natural wood of the inverted boat-hull entrances invite the city in
Level 1_Ground (+3.1m) Level 3 (+12m) Theater & OfficesLevel 2 (+8.1m) Cafe & Retail
REGISTRATION #: GH-1420076175
01_ROOF GARDEN02_GALLERY (NATURALLY LIT)03_FORMAL RESTAURANT AND BAR04_KITCHEN
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OPEN TOBELOW
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01_GALLERY (SMALL)02_GALLERY (MEDIUM)03_GALLERY (LARGE)
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PARTITIONABLE GALLERIES
4m6m
10m
Medium GalleryLarge Paintings, Installations, Happenings
Large GalleryMassive Artworks, Installations, Performances
BIG GALLERY
RESTAURANT
OFFICES
MEDIUMGALLERIES
SMALLGALLERIES
WINTERGARDEN/SUMMER SPACE(COLUMN-FREE
MULTIPURPOSE SPACE) CAFE
16m
4m
5m
4m
8m
6m
13m
29m
URBAN MIXERThe Atrium Pulls the City In
GALLERY LOOP (One Out of Many Possible Loops)
City Side
Park Side
Restaurant
Cafe
CITY-VIEW RESTAURANT/PLAZA CAFE
THEATER +MUSEUM SHOP
3EXPERIENCEGALLERY LOGIC
THE MUSEUM AS ZONE OF SHARED EXPERIENCEThe museum is generally an open, democratic institution in which people come together in shared experience of art or culture.
Environment Person Person Environment Person Person
PARABOLIC (BOAT-HULL) ENTRIESThe Ground Floor Opens to the City
BUILDING ORGANIZATION
The Atrium as City-scale Winter Garden, Thermal Lung: The spruce wood and radiant floor of the Atrium create an inviting, hearthlike space Galleries Filled with Nordic Light: The whitewashed wood structure creates bright gallery spaces—scalable for any type of art.
Small GalleryPaintings, Objects, Artifacts
Level 4 (+16m) Galleries Level 5 (+22m) Galleries & Restaurant
FLEXIBLE, RECONFIGURABLE GALLERIESWe provide a number of types and configurations of galleries in the project: small, medium, large galleries; huge multipurpose zones; curatable ramps. All are able to be partitioned and separately climate- and function-controlled.
Section A NE-SW
REGISTRATION #: GH-1420076175
Line Worksection outline .75 white 255,255,255section slats .15 white 255,255,255make 2d v.l. .05 grey 134,134,134section beyond .25 white 255,255,255section v.light .05 white 255,255,255section light .15 white 255,255,255section medium .10 white 255,255,255section heavy .75 white 255,255,255lines beyond_d .15 white 255,255,255lines beyond_m .10 white 255,255,255lines beyond_l .05 grey 100,100,100Tonesbackground --- dark grey 035,031,032 poche --- grey 087,085,083
BIG GALLERY
PERFORMANCE HALL
MEDIUMGALLERIES
WINTERGARDEN/ SUMMER SPACE(COLUMN-FREE
MULTIPURPOSE SPACE)
DISTRICT HEATINGGEOTHERMAL HEAT PUMP
IN-HOUSE POWER GRID
30º ANGLED PV ON UPWARD SLOPE OF ROOF
WARMING PLAZA STORES HEAT IN THERMALLY MASSIVE CONCRETE
HYDRONIC RADIANT FLOOR
LONG-TERM (ANNUALIZED) HEAT STORAGE
HIGHLY-INSULATED (TIGHT) ENVELOPE
MATERIALS AND EMBODIED ENERGY
Beaten Brass AlloyThe exterior facade of the building is a “beaten” brass alloy, evocative of Finnish bronze age tools and art, but also boat riggings and hulls. The beaten appearance will be controlled parametrically by machine-stamping the panels in a controlled environment. At the beginning of the building’s life, the material will be crisp and bright. It will weather over time to a blackish brown.
Three different types of panels comprise the facade: a solid panel, a perforated panel that allows for light and views, and a glass panel fritted with a pattern to match the brass cladding.
The long lifespan and minimal maintenance required for a brass alloy makes it preferable to many other cladding materials in terms of embodied energy, CO2 generation, and overall cost. It is virtually 100% recyclable with no quality loss or downcycling.
Wood Structure & FinishesInstead of either steel or concrete, the project uses an almost entirely wood structure. Wood is more environmentally sound than other common structural materials. When laminated, it has a greater tensile strength than steel, and a greater compressive resistance than concrete. It uses one-sixth the embodied energy to produce than an equivalent amount of steel per strength. And it is two-thirds the weight.
1/ Clear SpruceThe entry arches and atrium are formed out of Clear Larch, treated to maintain a constant bright golden color.
2/ White Oiled SpruceThe structural Glulam beams and finishes in the gallery and office spaces are white-oiled clear spruce. This gives both the structure and the floor abright, radiant, white appearance, while preserving the texture of the wood.
3/ Burnt (Shou Sugi Ban) SpruceIn select other spaces, blackened spruce will create a quiet, dim interior. The burning process seals the wood against weathering and rot.
DAYLIGHTING
White Timber Diffusion RoofThe structure of the top floor above the galleries primarily uses deep (2m) laminated wood beams, bleached white. A second layer of wood beams run in the opposite direction, and both blackout and translucent shades are integrated into the coffer. The depth and orientation of this system produces an even light over the entire top floor galleries, with no glare nor direct sunlight.
Perforated Alloy SkinThe skin of the building is selectively perforated for daylighting, views, and openness. The perforations also act as shading to diffuse glare and on bright days.
Summer: Heat is Flushed From Atrium Winter: Heat is Recycled in Atrium to Nearby Spaces
Year 1Bright, Luminous
Year 5Mellowing
Year 15+Weathered
BRASS PATINA WEATHERING
SPRUCE WOOD CONCEPT
A LOW-ENERGY, HIGH INTENSITY MUSEUMThe energy concept for the design is intended to improve environmental conditions while minimizing energy use.
This is accomplished in the building through: 1/ using passive systems to achieve demand. 2/ where passive systems are not possible, using high-performance building integrated systems to optimize energy loads3/ using renewables and low-embodied energy materials wherever possible.
4ECOLOGY & ENERGY
HEAT AND POWER
District Heating: CogenerationThe project intends to make use of the already-existing district heating network within Helsinki, as well as cogenerated power and grid electricity. Heat will be distributed through both hydronic radiant flooring (which on rare extremely hot days can be switched to radiant cooling) and preconditioned direct air for gallery and other spaces.
Spaces with high occupancy (theater, restaurant) will be supplemented by closed-loop ground- or water-source cooling.
Local Combined Heat and PowerA small combined heat and power (cogeneration) plant will also exist within the building itself, supplying heat and energy when demand spikes, and to mitigate inefficiencies within the district heating system. Biomass waste from the building itself will be used to fuel the plant, including paper waste, certain types of food waste, and other biomass products.
Geothermal Heat PumpA water-to-water geothermal heat pump will precondition water to be supplied to the hydronic radiant floor system across the ground (concrete) floor of the building, and to select other spaces. This system will be installed when the partly contaminated ground soil below the building is reconditioned.
Roof-Mounted PhotovoltaicsPhotovoltaic panels will produce secondary energy for lighting and other low-demand building functions.
Annualized (Long-term) Heat StorageThe project may also use a seasonal thermal energy storage system depending on proximity to groundwater or glaciofluvial aquifers, or using boreholes.
PASSIVE SYSTEMS
Atrium as Thermal LungThe atrium space will act as a thermal “lung” for the building. In the cold months and shoulder seasons, it will work like a greenhouse, collecting and cycling hot air through the building through bouyancy. In the summer season, the skylight at the top can be opened to create a stack effect through convection.
Surface Color/Compact MassThe building is relatively compact, as befits a cold climate. All of the rooms bundle around the heated atrium. The facade will weather to a dark color intended to increase the solar- and heat-gain properties of the building envelope. This highly-conductive material will radiate heat to a thermal sink, from which the heat can be stored for later use.
Winter Garden/GreenhouseThe majority of the roof is triple-glazed with skylights, allowing almost constant direct solar gain in the long cold months. This solar gain will be cycled through the building using both passive convection and fans where necessary.
HEAT GARDENS & WARMING LANDSCAPES
A hydronic radiant heating system is integrated into the floor and surface areas of both the atrium and large entrances. The configuration allows for zones of heat intensification that act almost as radiant hearth fires—what we call “thermal gardens.” These will be especially active in winter, generating a new kind of public space within Helsinki. Special lighting will create a warm orange glow around these spaces.
Heat KarstsLandscape mounds and depressions will be heated in the winter using radiant heating in thermal mass. These will act as gathering points and places for rest and contemplation. In summer, they become spaces for sunbathing or conversation.
Winter: Mounds are Radiant Heated
Summer: Mounds are Sun Warmed
N Elevation @ 1:500 W Elevation @ 1:500
GALLERIESLIGHT REFLECTION
PUBLIC HALLSWARMTH & WELCOMING
THEATER/CAFEINTIMACY
WHITE OILWHITENED SPRUCE
NATURALNORWAY SPRUCE
BURNT NORWAY SPRUCE
Section B E-W
1/ SOLID BRASS ALLOY PANEL
2/ PERFORATED PANEL
3/ FRITTED GLASS PANEL
THREE PANEL TYPES
REGISTRATION #: GH-1420076175