Grounding Optimism

44
A National Cultural Precinct for Indonesia by Muhammad Reza G rounding O ptimism

description

Major Project.

Transcript of Grounding Optimism

  • A National Cultural Precinct for Indonesiaby Muhammad Reza

    Grounding Optimism

  • Yogyakarta, a city full of records of both Indonesian joyful and struggle moments in its architecture contextualized this project. A project with the ambitions to be a democratic space where everyone can use, occupy, and be valuable to. An architecture which reveals an identity of 21st century Indonesia.

    The strong art and university student community dictates the need of new cultural facilities. The site, located at the main historic axis of the city, is divided into different parts housing programs of an art museum, theatre, multi-function hall and a hotel, which all are connected by one retail arcade overlooking a new tropically landscaped forecourt. An integrated heritage is building is refurbished into a cinema complex catering the young communities of the city.

  • This project aims to create a space where Public can use, occupy, enjoy, and be valuable to all of them. The space should be a device which gives an understanding to the public

    that they are living in 21st Century Indonesia, not before, not somewhere else.

  • Muhammad Reza - Major Project 2011 1/9

    NATIONAL ART MUSEUM

    Arrival

    Vehicle Drop Off 50 m2

    Visitor Entry Foyer 200 m2

    Group Entry Foyer 200 m2

    Visitor Ticketing and Booking 30 m2

    Group Ticketing and Booking 30 m2

    Information Desk 20 m2

    Main Hall 750 m2

    Museum Shop 30 m2

    Restrooms (Men and women, disabled, change room) 100 m2

    Net Total 1410 m2

    Gross TOTAL 1833 m2

    Exhibition Halls

    Permanent Exhibition Hall 2000 m2

    Indonesia Historic Art Exhibition Hall 1000 m2

    International Historic Art Exhibition Hall 1000 m2

    Temporary Exhibition Hall 1 1000 m2

    Temporary Exhibition Hall 2 500 m2

    Childrens Exhibition Hall 500 m2

    Net Total 6000 m2

    Gross TOTAL 7800 m2

    Education

    Multi-Purpose Activity (x3) @25m2 75 m2

    Lunch Area 20 m2

    Storage 5 m2

    Library 400 m2

    Archive Room 100 m2

    Restrooms (Men and Women) 40 m2

    Restroom (Disabled) 5 m2

    Net Total 645 m2

    Gross TOTAL 839 m2

    Artist and Research Facilities

    Administration 10 m2

    Studios (x25) @15m2 375 m2

    Muhammad Reza - Major Project 2011 2/9

    Workshop 50 m2

    Storage 50 m2

    Research Offices 250 m2

    Meeting Room 25 m2

    Lounge 20 m2

    Amenities 5 m2

    Restrooms (Men and Women) 40 m2

    Restroom (Disabled) 5 m2

    Net Total 830 m2

    Gross TOTAL 1079 m2

    Administration

    Directors Room 1 20 m2

    Directors Room 2 20 m2

    Administration Office 300 m2

    Volunteers Room 100 m2

    Meeting Room 30 m2

    Amenities 5 m2

    Print Room 5 m2

    Restrooms (Men and Women) 40 m2

    Restroom (Disabled) 5 m2

    Net Total 525 m2

    Gross TOTAL 683 m2

    Storage and Maintenance

    Art Storage Space 1 500 m2

    Art Storage Space 2 500 m2

    Curatorial Space 150 m2

    Data Warehouse 50 m2

    General Storage 50 m2

    Cleaning Storage 10 m2

    Plant 10 m2

    Security Office Room 20 m2

    Loading Entry 10 m2

    Loading Bay 20 m2

    Restrooms (Men and Women) 10 m2

    Net Total 1330 m2

    Gross TOTAL 1729 m2

    NATIONAL ART MUSEUMNet Total 10740 m2

    Gross TOTAL 13962 m2

  • Muhammad Reza - Major Project 2011 3/9

    THEATRE

    ArrivalVisitor Entry Foyer 750 m2

    Lounge 150 m2

    Candy Bar 30 m2

    Visitor Ticketing and Booking 30 m2

    Group Ticketing and Booking 30 m2

    Information Desk 20 m2

    Restrooms (Me and women, disabled, change room) x2 200 m2

    VIP Lounge 50 m2

    Net Total 1260 m2

    Gross TOTAL 1638 m2

    Theatre

    Main Theatre - Seating (1000 seats) 5500 m2

    Main Theatre - Stage 150 m2

    Salon Room 350 m2m2

    Net Total 6000 m2

    Gross TOTAL 7800 m2

    Backstage

    Backstage Foyer 150 m2

    Performer's Entry 20 m2

    Make-Up Room 1 (Inc. toilets and showers) 40 m2

    Make-Up Room 2 (Inc. toilets and showers) 40 m2

    Rehersal Room 40 m2

    Performers Lounge 40 m2

    Theatrical Storage 75 m2

    General Storage 25 m2

    Restrooms (Men and Women) 40 m2

    Workshop 20 m2

    Loading Bay 20 m2

    Plant 10 m2

    Net Total 520 m2

    Gross TOTAL 676 m2

    THEATRENet Total 7780 m2

    Gross TOTAL 10114 m2

    Muhammad Reza - Major Project 2011 4/9

    HOTEL

    Public Access

    Vehicle Drop Off 50 m2

    Entry Foyer 200 m2

    Reception Area 20 m2

    Entry Lounge 50 m2

    Restrooms (Men and Women) 40 m2

    Restroom (Disabled) 5 m2

    Net Total 365 m2

    Gross TOTAL 475 m2

    Bedrooms

    Type A (50)Bed Area 25 m2

    Bathroom 5 m2

    Storage 5 m2

    Net Total 35 m2

    Net Total (x50) 1750 m2

    Gross TOTAL (x50) 2275 m2

    Type B (10)Bed Area 1 20 m2

    Bed Area 2 15 m2

    Bathroom 1 10 m2

    Bathroom 2 5 m2

    Kitchenette 5 m2

    Seating 10 m2

    Storage 5 m2

    Net Total 70 m2

    Net TOTAL (x10) 700 m2

    Gross TOTAL (x10) 910 m2

    Restaurants

    Type A operated by hotelEntry 5 m2

    Seating 100 m2

    Kitchen 30 m2

    Service Entry 5 m2

    Storage 5 m2

    Restrooms 20 m2

    Restroom (disabled) 5 m2

  • Muhammad Reza - Major Project 2011 5/9

    Net Total 170 m2

    Gross TOTAL 221 m2

    Type B for lease (x2)Entry 5 m2

    Seating 50 m2

    Kitchen 30 m2

    Service Entry 5 m2

    Storage 5 m2

    Restrooms (Men and Women) 20 m2

    Restroom (disabled) 5 m2

    Net Total 120 m2

    Net TOTAL (x2) 240 m2

    Gross TOTAL (x2) 312 m2

    Staff and Administrations

    Laundry 20 m2

    General Storage 20 m2

    Cleaning Storage 10 m2

    Administration office 75 m2

    Directors Office 1 20 m2

    Directors Office 2 20 m2

    Print Room 5 m2

    Amenities 5 m2

    Safe 10 m2

    Plant 10 m2

    Loading Bay 20 m2

    Restrooms (Men and Women) 20 m2

    Restroom (Disabled) 5 m2

    Net Total 240 m2

    Gross TOTAL 312 m2

    HOTELNet Total 3465 m2

    Gross TOTAL 4505 m2

    Muhammad Reza - Major Project 2011 6/9

    MULTI-PURPOSE HALL

    Public Access

    Vehicle Drop Off 50 m2

    Entry Foyer 100 m2

    Hall 1 750 m2

    Restrooms (Men and women, disabled, change room) 100 m2

    Hall 2 500 m2

    Restrooms (Men and women, disabled, change room) 100 m2

    Net Total 1600 m2

    Gross TOTAL 2080 m2

    Staff and Administrations

    Administration office 25 m2

    Catering Preparation Hall 1 25 m2

    General Storage Hall 1 50 m2

    Catering Preparation Hall 1 25 m2

    General Storage Hall 2 50 m2

    Cleaning Storage 5 m2

    Service Entry 10 m2

    Loading Bay 20 m2

    Control Room 20 m2

    Plant 10 m2

    Restroom (men and women) 10 m2

    Net Total 250 m2

    Gross TOTAL 325 m2

    MULTI-PURPOSE HALLNet Total 1850 m2

    Gross TOTAL 2405 m2

  • Muhammad Reza - Major Project 2011 7/9

    RETAIL ARCADE

    Retail

    Shops - type A (inc. toilet) @35 m2 x 10 350 m2

    Shops - typeB (no toilet) @25 m2 x 5 250 m2

    Restaurants (inc. kitchen) @ 75m2 x 3 225 m2

    Restrooms (Men and women, disabled, change room) 100 m2

    Net Total 925 m2

    Gross TOTAL 1203 m2

    Cinema

    Theatre - type A - 175 seats @165m2 x 3 495 m2

    Theatre - type A - 225 seats 230 m2

    Projection Rooms @10m2 x 4 40 m2

    Entry Foyer 100 m2

    Box Office 10 m2

    Candy Bar 15 m2

    Restrooms (Men and Women) 50 m2

    Net Total 940 m2

    Gross TOTAL 1222 m2

    Staff and Administrations

    Admin Office 150 m2

    Director's Office 15 m2

    Restroom (men and women) 10 m2

    Net Total 175 m2

    Gross TOTAL 228 m2

    RETAIL ARCADENet Total 1450 m2

    Gross TOTAL 3874 m2

    Muhammad Reza - Major Project 2011 8/9

    CAR PARK

    Parking

    Cars (x500) @13m2 6500 m2

    Busses (x30) @25m2 750 m2

    Net Total 7250 m2

    Gross TOTAL 14500 m2

    Facilities

    Drivers Lounge 50Restrooms 20Circulation Core 15

    Net Total 85 m2

    Gross TOTAL 170 m2

    CAR PARKNet Total 7335 m2

    Gross TOTAL 21835 m2

  • 60% POPULATION

    RULLING MONARCHY

    LARGEST UNIVERSITY

    BALI

    TOURIST DESTINATION2ND MOST VISITED

    CENTRE FOR THE ART

    Out of over 250,000,000 population of Indonesia, 136,000,000 of them live in the island of Java. The Special Region of Yogyakarta resides 3,400,000 of them with 511,000 of whom live in the city of Yogyakarta. The city of Yogyakarta has a population density of 11,941/km2 (Melbourne = 1,566/km)

    The state of Yogyakarta is categorised as Special Region due to its governance system being led by Sultan. The Royal Family had such a significant role in supporting the independence of Indonesia, and agreement to maintain its leadership for the area was signed in 1949.

    Yogyakarta is in fact the second most visited Indonesias tourist destination after Bali. The authenticity of city towards its historic and cultural presence has been the main point of interest for its tourism.

    Yogyakarta houses the largest university in Indonesia, Gajah Mada University, by student population. It provides tertiary education to over 300,000 students onshore (RMIT = 72,000 onshore and offshore)

    Besides the fact that it is one of the Indonesias centres for the traditional art industries, such as batik (traditional textile), wayang (traditional puppet), etc. the contemporary art communities is also really developed producing and exhibiting works both locally and internationally. Jogja Bienalle is held yearly.

  • central java

    yogyakartaspecial region

    sleman

    yogyakarta

    mt.merapi

    wates

    wonosari

    railway

    Yogyakarta Special Region

    pouplation

    area

    signicance

    242 million136 million in Java

    1,811,569 sq km (land)93,000 sq km (water)

    Governed by a Royal FamilyCentre of Indonesias culture and historyCentre of Indonesias educationSecond most visited tourist destination

    java

    jakarta

    borneosulawesi

    west papua

    east timor

    australia

    philipines

    malaysia malaysia

    bali

    YogyakartaSpecial Region

    sumatra

    N

  • Hotel Inna Garuda

    Garuda Inna HotelStasiun Tugu

    Tugu Station

    Parkir Bus Pariwisata

    Tourist Bus Parking

    PROPOSAL

    Contemporary Art Precint

    The chosen project site is located along the axis with the ambitions of providing a new landmark of 21st century Indonesia, taking part in the continuation of Yogyakartas history line.

    Tugu

    The Monument

    Tugu Jogja was built approximately one year after the bregining of Yogyakarta Kingdom. At the early time of its construction, it clearly described the philosophy of the unity of Gods creatures that means the spirit of togetherness of lay people and authorities to fi ght colonials. In Javanese term, the spirit of togetherness is called golong gilig that is clearly described in the construction of the monument: the pole is of gilig (cylinder) form and the top part is golong (rounded). This monument was known as Tugu Golong-Gilig. Everything changed on Monday, 10 June 1867, when a big earthquake in Yogyakarta ruined the monument.

    Yogyakarta is equipped with one city axis directing north-south. Besides functioning as an urban axis where most activities occur, it carries such strong historic and philosophic meaning to the public connecting the Merapi Volcano, the Tugu (Monument), the Kraton (Palace), and south sea. Remnants of stories across different generations are expressed along this axis.

    Yogyakarta City Axis

    Kantor DPRD

    Regional Representative

    Kantor Departemen Pariwisata

    Department of Tourism

    Istana Kepresidenan

    House of Precidency (1949-1952)

    Yogyakarta was in fact used to be the capital city of Indonesia before allocating back to Jakarta in 1949. After Indonesias proclamation day in 1945, the Dutch colony had not yet given up the land until agreed in the UN meeting, 1949. Due to the situation in Jakarta was considered unsafe, Indonesian government was operating temporarily in Yogyakarta, with a big support by the Sultan, until its return to Jakarta.

    Jalan Malioboro

    Malioboro Street

    Malioboro is the main commercial street of Yogyakarta, located along the main city axis. Besides its importance being the main tourist attraction of Yogyakarta to get local souvenirs and art and crafts, it also functions as 24 hour street, where activities happen day and night catering the different communities of Yogyakarta.

    Historical Sginifi cance

    Political Siginifi cance

    Signifi cant Landmarks

    Proposed Site

    N

    Benteng Vredeburg

    Vredeburg Fortress

    The Government of Netherlands Colonial built Vredeburg Fortress the fi rst time during 1760s named the Rustenberg Fortress or the Rest Fortress. in 1765, development of this fortress was completed and the name replaced to the Vredeburg Fortress which meansthe Peace Fortress. This complex is now functioning as museums for Indonesias struggle towards its independance.

    Taman Budaya

    Cultural Park

    Taman Budaya is one of the current centres for the art communities in Yogyakarta to exhibit their works. It was built by the federal government in 1970s and still currently operated by government body. Facilities in Taman Budaya include main exhibition space (approx. 600m2), proscenium theatre for 1000 seats, outdoor performance space, studio spaces, and a number of art shops.

    Mall Malioboro

    Malioboro Shopping Mall

    Kantor Gubernur

    Governors Offi ce

    Museum Sosono Budoyo

    Museum of Culture

    Masjid Agung

    The Great Mosque

    Masjid Agung, or the great mosque is located on the west side of the forecourt pointing its direction towards Mecca. The main aspect of this mosque which does not occur in many other mosques in Indonesia is the fact that it maintains the vernacular language of its architecture, where others are generally signatured by the dome and its ornametation, which really reference the characteristic of middle eastern architecture, instead of the real value of Islam.

    Kraton

    Keraton House of Royal Family

    The kraton complex has been the complex of the Royal family since the 18th century. The current architecture is a result of major refurbishment in 1930s under the leadership of Sultan Hamengkubuwono VIII. Various areas are currently opened for public functioning as the palace museum. Surrounding the Kraton complex, there are homes of the nobbled public working to support the activities of Palace.

    Taman Pintar

    Science Park

    Alun-alun Utara

    North Palace Forecourt

    Alun-alun,the Palace Forecourt which works as the city square is currently used to house numorous public events and festivals. There are two main forecourts surrounding the palace, one located on the north end of the palace complex and one on the south end. The northern alun-alun functioned as the primary and offi cial entrance to the kraton. Javanese offi cials dismount their carriages and horses before entering the alun-alun to continue to the kraton. There are two centrally located holy beringin or banyan trees, framing the contiunation of the axis.

    Pasar Beringharjo

    Beringharjo Market

    to South Sea

    to Merapi Volcano

  • Hotel Inna Garuda

    Garuda Inna HotelStasiun Tugu

    Tugu Station

    Parkir Bus Pariwisata

    Tourist Bus Parking

    PROPOSAL

    Contemporary Art Precint

    The chosen project site is located along the axis with the ambitions of providing a new landmark of 21st century Indonesia, taking part in the continuation of Yogyakartas history line.

    Tugu

    The Monument

    Tugu Jogja was built approximately one year after the bregining of Yogyakarta Kingdom. At the early time of its construction, it clearly described the philosophy of the unity of Gods creatures that means the spirit of togetherness of lay people and authorities to fi ght colonials. In Javanese term, the spirit of togetherness is called golong gilig that is clearly described in the construction of the monument: the pole is of gilig (cylinder) form and the top part is golong (rounded). This monument was known as Tugu Golong-Gilig. Everything changed on Monday, 10 June 1867, when a big earthquake in Yogyakarta ruined the monument.

    Yogyakarta is equipped with one city axis directing north-south. Besides functioning as an urban axis where most activities occur, it carries such strong historic and philosophic meaning to the public connecting the Merapi Volcano, the Tugu (Monument), the Kraton (Palace), and south sea. Remnants of stories across different generations are expressed along this axis.

    Yogyakarta City Axis

    Kantor DPRD

    Regional Representative

    Kantor Departemen Pariwisata

    Department of Tourism

    Istana Kepresidenan

    House of Precidency (1949-1952)

    Yogyakarta was in fact used to be the capital city of Indonesia before allocating back to Jakarta in 1949. After Indonesias proclamation day in 1945, the Dutch colony had not yet given up the land until agreed in the UN meeting, 1949. Due to the situation in Jakarta was considered unsafe, Indonesian government was operating temporarily in Yogyakarta, with a big support by the Sultan, until its return to Jakarta.

    Jalan Malioboro

    Malioboro Street

    Malioboro is the main commercial street of Yogyakarta, located along the main city axis. Besides its importance being the main tourist attraction of Yogyakarta to get local souvenirs and art and crafts, it also functions as 24 hour street, where activities happen day and night catering the different communities of Yogyakarta.

    Historical Sginifi cance

    Political Siginifi cance

    Signifi cant Landmarks

    Proposed Site

    N

    Benteng Vredeburg

    Vredeburg Fortress

    The Government of Netherlands Colonial built Vredeburg Fortress the fi rst time during 1760s named the Rustenberg Fortress or the Rest Fortress. in 1765, development of this fortress was completed and the name replaced to the Vredeburg Fortress which meansthe Peace Fortress. This complex is now functioning as museums for Indonesias struggle towards its independance.

    Taman Budaya

    Cultural Park

    Taman Budaya is one of the current centres for the art communities in Yogyakarta to exhibit their works. It was built by the federal government in 1970s and still currently operated by government body. Facilities in Taman Budaya include main exhibition space (approx. 600m2), proscenium theatre for 1000 seats, outdoor performance space, studio spaces, and a number of art shops.

    Mall Malioboro

    Malioboro Shopping Mall

    Kantor Gubernur

    Governors Offi ce

    Museum Sosono Budoyo

    Museum of Culture

    Masjid Agung

    The Great Mosque

    Masjid Agung, or the great mosque is located on the west side of the forecourt pointing its direction towards Mecca. The main aspect of this mosque which does not occur in many other mosques in Indonesia is the fact that it maintains the vernacular language of its architecture, where others are generally signatured by the dome and its ornametation, which really reference the characteristic of middle eastern architecture, instead of the real value of Islam.

    Kraton

    Keraton House of Royal Family

    The kraton complex has been the complex of the Royal family since the 18th century. The current architecture is a result of major refurbishment in 1930s under the leadership of Sultan Hamengkubuwono VIII. Various areas are currently opened for public functioning as the palace museum. Surrounding the Kraton complex, there are homes of the nobbled public working to support the activities of Palace.

    Taman Pintar

    Science Park

    Alun-alun Utara

    North Palace Forecourt

    Alun-alun,the Palace Forecourt which works as the city square is currently used to house numorous public events and festivals. There are two main forecourts surrounding the palace, one located on the north end of the palace complex and one on the south end. The northern alun-alun functioned as the primary and offi cial entrance to the kraton. Javanese offi cials dismount their carriages and horses before entering the alun-alun to continue to the kraton. There are two centrally located holy beringin or banyan trees, framing the contiunation of the axis.

    Pasar Beringharjo

    Beringharjo Market

    to South Sea

    to Merapi Volcano

    Hotel Inna Garuda

    Garuda Inna HotelStasiun Tugu

    Tugu Station

    Parkir Bus Pariwisata

    Tourist Bus Parking

    PROPOSAL

    Contemporary Art Precint

    The chosen project site is located along the axis with the ambitions of providing a new landmark of 21st century Indonesia, taking part in the continuation of Yogyakartas history line.

    Tugu

    The Monument

    Tugu Jogja was built approximately one year after the bregining of Yogyakarta Kingdom. At the early time of its construction, it clearly described the philosophy of the unity of Gods creatures that means the spirit of togetherness of lay people and authorities to fi ght colonials. In Javanese term, the spirit of togetherness is called golong gilig that is clearly described in the construction of the monument: the pole is of gilig (cylinder) form and the top part is golong (rounded). This monument was known as Tugu Golong-Gilig. Everything changed on Monday, 10 June 1867, when a big earthquake in Yogyakarta ruined the monument.

    Yogyakarta is equipped with one city axis directing north-south. Besides functioning as an urban axis where most activities occur, it carries such strong historic and philosophic meaning to the public connecting the Merapi Volcano, the Tugu (Monument), the Kraton (Palace), and south sea. Remnants of stories across different generations are expressed along this axis.

    Yogyakarta City Axis

    Kantor DPRD

    Regional Representative

    Kantor Departemen Pariwisata

    Department of Tourism

    Istana Kepresidenan

    House of Precidency (1949-1952)

    Yogyakarta was in fact used to be the capital city of Indonesia before allocating back to Jakarta in 1949. After Indonesias proclamation day in 1945, the Dutch colony had not yet given up the land until agreed in the UN meeting, 1949. Due to the situation in Jakarta was considered unsafe, Indonesian government was operating temporarily in Yogyakarta, with a big support by the Sultan, until its return to Jakarta.

    Jalan Malioboro

    Malioboro Street

    Malioboro is the main commercial street of Yogyakarta, located along the main city axis. Besides its importance being the main tourist attraction of Yogyakarta to get local souvenirs and art and crafts, it also functions as 24 hour street, where activities happen day and night catering the different communities of Yogyakarta.

    Historical Sginifi cance

    Political Siginifi cance

    Signifi cant Landmarks

    Proposed Site

    N

    Benteng Vredeburg

    Vredeburg Fortress

    The Government of Netherlands Colonial built Vredeburg Fortress the fi rst time during 1760s named the Rustenberg Fortress or the Rest Fortress. in 1765, development of this fortress was completed and the name replaced to the Vredeburg Fortress which meansthe Peace Fortress. This complex is now functioning as museums for Indonesias struggle towards its independance.

    Taman Budaya

    Cultural Park

    Taman Budaya is one of the current centres for the art communities in Yogyakarta to exhibit their works. It was built by the federal government in 1970s and still currently operated by government body. Facilities in Taman Budaya include main exhibition space (approx. 600m2), proscenium theatre for 1000 seats, outdoor performance space, studio spaces, and a number of art shops.

    Mall Malioboro

    Malioboro Shopping Mall

    Kantor Gubernur

    Governors Offi ce

    Museum Sosono Budoyo

    Museum of Culture

    Masjid Agung

    The Great Mosque

    Masjid Agung, or the great mosque is located on the west side of the forecourt pointing its direction towards Mecca. The main aspect of this mosque which does not occur in many other mosques in Indonesia is the fact that it maintains the vernacular language of its architecture, where others are generally signatured by the dome and its ornametation, which really reference the characteristic of middle eastern architecture, instead of the real value of Islam.

    Kraton

    Keraton House of Royal Family

    The kraton complex has been the complex of the Royal family since the 18th century. The current architecture is a result of major refurbishment in 1930s under the leadership of Sultan Hamengkubuwono VIII. Various areas are currently opened for public functioning as the palace museum. Surrounding the Kraton complex, there are homes of the nobbled public working to support the activities of Palace.

    Taman Pintar

    Science Park

    Alun-alun Utara

    North Palace Forecourt

    Alun-alun,the Palace Forecourt which works as the city square is currently used to house numorous public events and festivals. There are two main forecourts surrounding the palace, one located on the north end of the palace complex and one on the south end. The northern alun-alun functioned as the primary and offi cial entrance to the kraton. Javanese offi cials dismount their carriages and horses before entering the alun-alun to continue to the kraton. There are two centrally located holy beringin or banyan trees, framing the contiunation of the axis.

    Pasar Beringharjo

    Beringharjo Market

    to South Sea

    to Merapi Volcano

  • Jl. A.M

    . SangajiJl. M

    alioboro

    Jl. Mataram

    Jl. Kleringan

    Jl. Abu Bakar Ali

    9

    8

    8

    11

    121

    2

    3

    7 5

    4

    N

  • 7 Junction of Kleringan and Abu Bakar Ali Streets looking west towards Garuda Inna Hotel

    1 view towards project site from south west corner showing existing heritage buildings

    8 Urban characteristic of Malioboro Street

    2 view towards Kleringan Street from west

    9 Junction of Kleringan Street and railway track

    3 Kleringan Street from East showing level changes on topography and roofscape of existing village

    10 Existing heritage building and landscape on project site

    4 Kleringan Street looking south showing traffic condition and landscape characteristic

    11 Existing heritage building on project site

    5 Junction of Kleringan and Abu Bakar Ali Streets looking east showing adjacent monument

    6 Current condition of adjacent tourist bus parking

    12 Existing plants and garden merchants

  • Noise diagrams

    ABANDONED LAND11,521 m2

    HERITAGE SITE

    9,140 m2heritage buildings preserved

    RESIDENTIAL SETTLEMENTS

    20,375 m2

    TOTAL SITE AREA41,036 m2

    residence relocated

    Context

    Vehicular Traffic

    Site Area

    TRAIN STATIONTOURIST BUS PARKING

    BUS STOP

    BUS STOP

    BUS

    ROU

    TE

    RAILWAY TRACK

    ABANDONED LAND11,521 m2

    HERITAGE SITE

    9,140 m2heritage buildings preserved

    RESIDENTIAL SETTLEMENTS

    8,765 m2

    TOTAL SITE AREA29,426 m2

    residence relocated

    Public Transport

    Urban intensity dictated by the cutting railway track

    Jl. A.M

    . SangajiJl. M

    alioboro

    Jl. Mataram

    Jl. Kleringan

    Jl. Abu Bakar Ali

  • existing condition of project site

  • Streetscape study of Jalan A.M. Sangaji facing east

    Streetscape study of Jalan A.M. Sangaji facing west

  • Street Elevation of Jalan A.M. Sangaji

    Street Elevation of Jalan Kleringan

  • education line

    culture line

    Borobudur

    temple

    Gadjah M

    ada Uni.

    urban axis

    Monumnen

    t of Yogyak

    arta

    Merapi Vo

    lcano

  • The Missing Monument and ItsAxial ImportanceThe idea of Grounding Optimism came about by initially looking at the missing original monument of Yogyakarta. It was built by the first Sultan in 1756, carrying the meanings of uniting the public and building optimism towards independence. However, major earthquake caused its destruction in 1887. The Dutch colonies then attempted to rebuild it in a manner that is believed to be loosing its originality. The completely different formal geometry and much smaller scale are believed to lose its original meaning monumentality.

    This project attempts to bring back the impact that it had originally at a site that is only 500 meters away from it. The idea the monument being a centre point of the city axis is reintroduced. The centre point of the project, which to be the dome of the art museum main hall, is a result of projecting lines to the Temple of Borobudur, being the main cultural landmark of the city, and Gadjah Mada University, being the largest university in the country. These major imaginary axis lines ground the idea that the new art facilities act as the meeting point educational and cultural activities for 21st century society. Minor axis lines are then projected from that centre point accommodating the different programs of the project.

    Circular geometry is explored widely as an initial approach referencing back to importance of the original monuments geometry.

  • Batik Pattern as Living IdentityOut of the many Indonesian traditional arts and crafts, Batik clothing plays such an important role connecting the past generations and the 21st centurys. The pride of the societies towards it is clearly shown by the fact it is still widely worn across the country both for occasional cultural ceremonies and daily activities, mostly for the working societies and university students.

    Besides the different meanings that different patterns carry, they also sign the different locations of where they were produced. Patterns authentic to the city of Yogyakarta is explored widely in this project allowing articulations of geometry, floor patterning, wall screening, etc.

  • Learning from Wayang PuppetWayang, the traditional shadow puppet show, is one of the most historically important show that its popularity is at the stake of diminishing in the current society. Yogyakarta is one of the very few other cities that still continually produces and performs it.

    Considering the importance of it to the city, the architectural language development of this project also references highly to the aesthetic of it. The way the juxtaposition between the solid and semi permeable surfaces work and how they are composed to create the specific character are what

    influenced project the most.

  • View to main forecourt

  • Jl. A.M

    . Sangaji

    Jl. Kleringan

    Jl. Abu Bakar Ali

    Jl. A.M

    . SangajiJl. M

    aliobor o

    Jl. Mataram

    Jl. Kleringan

    Jl. Abu Bakar Ali

    RESTARURANT

    MULTI FUNCTION HALL

    MUSEUM

    ART STUDIO

    ACCOMODATION

    RETAIL

    RESEARCH FACILITY

    LIBRARY

    OFFICE

    RETAIL

    RESTARURANT

    MULTI FUNCTION HALL

    THEATRE

    RETAIL

    -6

    THEATRE-2TEMPORARY GALLERY

    -3 LOUNGE

    -1.5

    +0RETAIL

    FOYER

    MAINHALL

    FOYERFOYERMULTI FUNCTION HALL

    MUHAMMAD REZASCALE 1:500NORTH GROUND FLOOR PLAN

    ART STUDIO

    RETAIL

    +0

    -3

    -6

    RETAIL

    ARTIST ACCOMODATION

    MULTI FUNCTION HALL

    MULTI FUNCTION HALL

    CAFECAFE

    RETAIL

    ADMINISTRATION

    THEATRE

    MAIN HALL

    PERMANENT GALLERY

    PERMANENT GALLERY

    ENTRY

    MAINHALL

    PERMANENT GALLERY

    CHILDREN GALLERY

    FOYER

    LIBRARY

    STAGE

    BACKSTAGE

    PERFORMERSACCESS

    MULTI-FUNCTION HALLFOYER

    RETAIL

    ATRIUM

    ENTRY

    Proposal Transformations

  • CHILDREN MUSEUM

    RETAIL

    FOYER

    MULTI-FUNCTION HALL

    FOYER

    STAGE

    PERMANENT GALLERY

    RETAIL

    CINEMA

    entry

    entry

    entry

    entry

    entry

    entry

    entry

    entry

    M01

    M02

    M03

    M04

    M15

    M12

    T01

    T02T03

    T04

    T05

    T06

    T08

    T07

    T07

    T13

    T11

    F01

    H01

    H02

    H03

    H06H07

    F02

    F06F07

    F08

    514m2

    restaurant413 m2

    storage

    offices

    entry

    entry

    entry

    entry

    entry

    entry

    entry

    entry

    M01

    M02

    M03

    M04

    M15

    M12

    T01

    T02T03

    T04

    T05

    T06

    T08

    T07

    T07

    T13

    T11

    F01

    H01

    H02

    H03

    H06H07

    F02

    F06F07

    F08

  • National Art Museum

    M01 FoyerM02 TicketingM03 CloakingM04 Museum ShopM05 Permanent Exhibition HallM06 Indonesian Historic Art M07 Exhibition HallM08 Indonesian Contemporary Art HallM09 International Art HallM10 Contemporary Exhibition Hall M11 Childrens Exhibition HallM12 Archive RoomM13 LibraryM14 Research OfficeM15 Administration OfficeM16 RestaurantM17 Museum StorageM18 Loading Bay

    Theatre

    T01 FoyerT02 Box OfficeT03 CloakingT04 BarT05 SeatingT06 Stage areaT07 Stage-WingT08 BackstageT09 Dressing RoomT10 Rehearsal RoomT11 Administration OfficeT12 Backstage Supervisor OfficeT13 Loading Bay

    Multi-Function Hall

    F01 Multi-Function HallF02 FoyerF03 Information DeskF04 Administration OfficeF05 Staff AreaF06 StorageF07 KitchenF08 Loading Bay

    Hotel

    H01 FoyerH02 Reception DeskH03 Hotel LoungeH04 Hotel Room Type-AH05 Hotel Room Type-BH06 Restaurant H07 Staff AreaH08 Administration Office

    Retail Arcade

    A01 Retail SpaceA02 Information DeskA03 Cinema TheatreA04 Cinema Projection RoomA05 FoyerA06 Box OfficeA07 Candy BarA08 Administration Office

  • Jala

    n M

    alio

    boro

    Jalan Abu Bakar Ali

    Jalan Kleringan

    Jala

    n Pa

    nger

    an M

    angk

    ubum

    i

    entry

    entry

    entry

    entry

    entry

    entry

    entry

    entry

    view 1

    view 2

    view 5

    view 3

    B

    C

    C

    B

    A

    A

    M01M02

    M03

    M04

    M05

    T02

    T01

    T04

    F01

    F03

    H02

    H03

    H06

    H07

    H01

    A02

    A02

    A03

    A03A03A03

    A04

    A05

    A05

    A06

    A07

    A08

    A08

    A01

    F02

    F06

    F06

    F04F07

    F05

    T03

    T06

    T08

    T09

    T07

    T07

    T05

    M05

    M12

  • view 4

    M08

    M09

    T09

    T10

    T10

    T11

    T11

    T13

    M08

    M07 M06

    M10

    M10

    Basement 1 Floor Plan

  • M18 M18

    Basement 2 Floor Plan

  • M15

    M13

    M17

    T01

    F08

    F01

    H05H04

    H08

    F02F07

    F06

    F06

    F05

    T05

    M14

    Basement 1 Floor Plan

  • View to Museum Main Hall

  • Section A - A

  • Section B - B

  • Section C - C

  • View to Retail Arcade

  • View to Theatre Foyer

  • Overall view to project site from south-west

  • RMIT Architecture Major Project - supervised by Peter Corrigan