Great Zimbabwe Cipher -Munhumutapa- Africa Cipher

Chiremba Prince Tatenda Zecharia Gororo

Great Zimbabwe Cipher/ Munhumutapa- African Cipher

This writing proposes that the builders of the various structures dotted around Southern Africa possesed advanced knowledge of the nature of creation and reality. This knowledge of the fundamental fabric of reality became so ingrained in the various cultures of the continent to the extent that it’s incorporated in the games/artistry/iconography of the people. So while on the surfaceit appears mundane, deep within, it’s dynamic,restless and in perpetual motion.These ideas borrow from the work of Nassim Haramein “Crossing the Event Horizon” and Ron Eglash “African Fractals computing and indegenous Design”.Tsoro/ Owari is a game played all over Africa, the object is to capture the other player’s counters. This happens when a players move ends in the inner row. When that happens counters in the direct oposite column are captured. When a counter falls in a non empty pot, the turn continues with the contents of that pot.

The conditions that enable us to approach a description of the nature of reality can be realised in the process of playing the game, starting a snapshot of player movements.

Taken in isolation the number of initial counters(initial conditions of the board) can either give a a periodic/self repeating pattern or a non-repeating set called a marching group. For example, the trivial case is when only one counter is played(present on board). A right shift leads to only realisible pattern 1→1→1→1 ad infinitum. So the number 1 is a marching group it can only describe a constant pattern. Let’s look at case when two counters are in play, the first move is [2]→[1]→[1]. At which point the board is [1][1]. The next move [1]→[1+1] =[2]. The pattern is periodic. The takeaway from this is that depending on the number of counters on the board and theirinitial states, you either end up with a periodic pattern or a constant pattern(marching group). Initial states(conditions) are described as a particular distribution of counters in pots. For example 6 counters =[1]+[5] or [2]+[4] or [3]+[3] or [1]+[1]+[1]+[1]+[1]+[1].After the initial transients, depending on the number of counters in play it always invariably leads tothose two conditions mentioned before of marching groups or periodic patterns.

The interesting point of the maching group set is that it converges. Regardless of the initial states, the only outcome of any marching group is one output/constant pattern.6 counters:

initial conditions[1]+[5]Marching→ [6]→[1][1][1][1][1][1] → [2][1][1][1][1]→[2][2][1][1]→ [3][2][1]→[ 3][2][1]

x=(5)initial conditions[4]+[1]+[1]Marching → [2][2][1][1]→[3][2][1]

x=(2)

different initial conditions can be slower/faster to reach convergence.

The effect of the marching group can be seen as equilibrium achieved after a disturbance I.e ripples on the water surface and then stillness.

Marching groups can be a derived a number of ways and they are also known as triangular numbers.

• Aprogram derived marching group set

In contrast, values not in the marching set are periodic. After x amount of moves they ‘reset’ to initial conditions over and over.

Solving the CipherThe iteration is a linear series 1,2,3…………………

Adding the diagonals gives the next triangular number (remember each triangular number represents the number of counters on the Tsoro/Owari board, this gives rise to a constant pattern after x amount of moves)

What’s the significance of the Marching Groups of numbers? They describe in my opinion, the tetrahedral underlying nature of reality. A tetrahedron is a pyramid with a triangular base .

According to the work of Nassim Haramein, the underlying geometry of the universe is a 64 tetrahedron grid, which is the only 3D fractal that scales to/from infinity. That is infinitely small to infinitely big.This 64 tetrahedron grid is a combination of two isotropic vector matrices, of interest is the four frequency/level vector matrix

As we can see the number of tetrahedrons on each level is determined by our marching group whichwe found earlier and the sum of that marching group is 20 tetrahedrons.

A 20 tetrahedron isotropic vector matrix. Marching groups 1,3 have the same colour base/side, 6 is purple 10 is red.(Fully 3D, all sides interchangeable(isotropic))

Great Zimbabwe Cipher

The 64 tetrahedron grid is two polarised/opposite four frequency isotropic vector matrices. When combined it’s still incomplete until 24 more tetrahedrons are added. Therefore20+20+24(not shown) =64

Polarised

polarised

The number 64 is an interesting number. Many Ancient cultures make references to it wether in mythology or spirituality. The sense one gets from reading these ideas is that the number has a ‘mystical/supernatural’ quality. A quick google search will show the I-ching,flower of life etc. Therefore I will just ‘fly-by’ and present the basics. A quick look at biology will illustrate the main points.DNA - DNA the building blocks of all life has four bases Adenisine Cytosine Guanine Thiamine shorthand [A] [C] [G] [T]. The DNA molecule must contain three bases and in this form they are are called CODONS. Hence a codon is a three base triplet in the form ie [A][C][G].The possible combinations of these bases is then [4]*[4]*[4] = 64 CODONS.64 CODONS combine to form 20 amino acids which build protein.The origin of the 24 tetrahedrons to be added was simply trial and error as pointed out. We can try to have a conceptual view after the fact.In this case I apply bases [A][B][C][D] (64 triplet/codon grid)

If you consider degrees of movement, only the TRIPLET with different bases has the most freedom.[A][A][A] is static, unchanging(like marching group convergence). On the other hand [A][B][C] can form other TRIPLETS with the same bases [C][B][A]→ [A][C][B] etc is periodic. Therefore itcan be seen that the 24 tetrahedrons represent a dynamic/periodic function within the constant marching group of the 64 tetrahedron grid. In other words, the 24 tetrahedrons are a combination of the non triangular(constant) numbers and all possible combinations equal 24 as shown in the white spaces.

CELLS – After fertilisation cells through a process called Holoblastic Cleavage divide such that 1→2→4→8→16→32→64 before the genes involved begin to specialise for tissue type etc.

This is not meant to be an exhaustive overview of the workings of DNA, the point is nature/universe works around this number 64 and the dynamics are complex.

The actual dynamics, the inner workings at the cellular level are mysterious. With the average person being made up of 40 trillion cells we are already talking about infinity.

Now the connection made earlier to the iconography of Great Zimbabwe might seem like a reach. Maybe if we could look at some artifacts from Great Zimbabwe we might be able to tell how far or close these kind of ideas are. 8 birds(figurines) were found on site 8^2 =64But we might be still reaching. I understand no photography is allowed in the museum(mad if you ask me) and hopefully what ever is left after the ‘adventurers’ might yield some clues. Of the number artifacts spirited away when it was said ‘Phoenicians’ built the site we can only speculate. Incidentally it was also said that those patterns/iconography represent a nautical theme of rope and oar ports of a seafaring people. This ridiculous thinking will be addressed in African Cipher.Other sites

Dhlodhlo

Khami

An Interesting Artifact(Dhlodhlo/Danamombe)

This monolith stone is at The Natural History Museum/Museum of human sciences? Current whereabouts needed. It is covered top and midpoint with the triangular numbers/marching group(commonly referred to as ‘chevrons’) and some other markings.

“ Chevron and circle side” /Triangular-marching group sideA matrix = 105/112[ 7 rows *15/16]B matrix = 64 [ 8 rows * 8]C matrix = 56 [7 rows * 8]What stands out immediately is that 64 is clearly written down in the B matrix. This has been the objective all along from the triangular sets. So we are not too far off in our thinking.56,64,112 have the common factor 8, 105 is a triangular/marching number.Four factors(1,2,4,8). 64 is the smallest number with 7 divisors(factors).

“Crescent and circle side”A matrix= 78 [6 rows*13]B matrix = 42[6 rows *7]C matrix = 90[10 rows *9]

On this side we note that the same method is applied. The top number 78 is a triangular number. Four factors (1,2,3,6).The circle and crescent probably represent a method and is an integral part as it’s found on the bird and most likely to be 8 circles on that bird.

An official looking poster probably at Khami. With a little perspective you should be able to see another side to the accepted wisdom. This wisdom comes from the idea that mysterious seafaring people called the ‘Phoenicians’ built Great Zimbabwe. As I mentioned earlier this nautical idea influenced the way we are conditioned to view the pattersn/iconography/history, the poster below is riddled with natutical references. Consider for a moment these people were running around southernafrica building sites from Naletale, Danamombe, Great Zimbabwe etc.

Cipher vs Phoenicians

The ‘check’ pattern is actually a marching group cipher. If you pick a brick from the the bottom level, work along the diagonals adding the ‘count’ so to speak. So starting from 1 add the next following numbers along the next diagonal. You will see that you form triangles and the sum of each triangle correspond to a number in the marching group.Firstly, this shows that Great Zimbabwe is more than the canned stuff guides etc are regurgitating. Nothing personal but they make it seem like the Mutapas built it for the equivalent of 13th century slay queens. All you hear is 200 wives, junior wives and conjugal visits when the Mutapa calls. Let’s change our thinking.The numeric signs suggests the Great Zimbabwe Architects posessed superior knowledge about the nature of reality/creation

Munhumutapa Cipher

The ndoro shell was worn by nobility. It represents infinity and the ability of the Mutapa to draw on that infinity. Inevitably if you go down the rabbit hole of infinity you will end up with spirituality. This is the literal definition of omnipresent. The Ndoro were made from natural occuring sea shells which grow in a non-linear/logarithmic spiral referred to as the fibonacci ratio. The Portuguese saw this and so they started manufacturing fake ones. there were portuguese manufactured Ndoro shells which were discovered at Great Zimbabwe.

There were seven Greater Mwenemutapas at Great Zimbabwe before the rise of Nyatsimba Mutota: • Mwenemutapa Chingwangu Rusvingo• Mwenemutapa Chidyamatamba• Mwenemutapa Chimedzamabwe• Mwenemutapa Kangambeu-Kurima-Kwakona (Dyambeu),• Mwenemutapa Mombemuriwo• Mwenemutapa Chibatamtosi (Mavhudzi)• Mwenemutapa Munembire Mudadi

linear/archimedes nonlinear/logarithmic

The number of turns that can be fitted in a linear spiral is fixed therefore finite. Meanwhile infinite number of turns can be fitted in a logarithmic spiral.

Science side stepped the infinity issue with the idea of quantum physics + renormalization. The formula E=hf says that energy comes in bundles/packets or quanta(Planck’s constant

h=6.6 x 10−34 m2kg /s . Since h is a constant at low frequency, h will dominate and at high frequencies f will dominate. Now v=f λ , f =v /λ . If λ is very small f will tend to infinity. This was the problem that required renormalization, since it’s not practical to deal with infinities in science. Therefore lambda is limited to the smallest possible length/distance. The Planck length(1.6 x10−35m) , is the tiniest possible distance in science to avoid problems with infinity. Put

another way this effectively that nature/the universe can’t make anything smaller. This is a problem known as infinite regression.To illustrate:

The length λ is subdivided consecutively. It can be seen that without the Planck limit we end up with infinitely small lengths.

African CipherWalls are easier to build with square/rectangular blocks. So how would the wall look if we substituted in some spheres/circles, and why would we?

“According to the Boook Of Pylons, the Tuat is a long, narrow valley, with sandy slopes, and is divided into two eual strips by the river on which the boat of the sun sails, it’s made to contain twelve nomes or divisions, which correspond to the twelve hours of the night”.

The basic idea is that life revolves around physical existence in this world and spiritual existence in the Tuat. Ra traverses both worlds during the day and night. To make it clear, Ra travels the CREATED world by day and INVISIBLE world by night. Of interest is the time when he is about to leave the invisible realm for the created world.

In the Pylon of the Twelfth Division or Twelfth Hour:“Nut stands with arms outstretched ready to receive Ra. Thus the god reaches the end of the Tuat and passes by an opening through it’s border, which is painted black, dotted everywhere with red spots”.

We can visualise polygons within the circle/sphere matrix from infinitely small upto the planck length and bigger as fractal octave growth.

A polarised 6 triangle marching group is combined to form a fractal hexagon pattern. A closed innerhexagon and open outer hexagon.

Twelfth Division/cipher border

This is in all three dimensions it’s a 3D matrix of the smallest ‘objects’ you can imagine.

So we can obtain shapes that display fractal growth to /from infinity

Nature does the same at each and every scale.

Snowflake sunlight reflection +”infinity”

The marching group, ”chevron”, twelfth division is a manner of expression of the fundamental patterns of nature. Regardless of how you view everything of nature has that fingerprint. Now whenpeople realise and understand this they they can either be explicit or implicit about those facts. The implicit has been shrouded in mystery, probably secret teachings,secret schools etc. This is the kind of methods I would like explored at Great Zimbabwe, step away from the harem business.The second way I’ve termed explicit, is when the understanding becomes part of the everyday cultural expression of the society. To a casual observer it’s just pretty patterns. This is the heart of the African Cipher.

Nu/Nut

The god Nu had a counterpart called Nut (polarity), who represented the great watery abyss out of which all things came(creation).

I have cackled like a goose….

References:Nassim Haramein:Crossing the event horizonRon Eglash: African Fractals Computing and Modern DesignMukomohasha MhareE.A Wallis Budge: The Gods of the Egyptians volume1, volume2

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