Grade 9 LB - 2018-19 · 2019-04-29 · Root: 2 chords in bass - 1 in treble 1st inversion: 2 chords...
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COURSE 45 THEORY HOMEWORK 369 THEORY HOMEWORK 370 THEORY HOMEWORK 371 Write triads in sharp keys, major, minor, diminished, augmented. - Play the row. M m o + M m o + M m o + M m o + M m o + M m o + M m o + M m o + C G D A C F Bb Eb Ab Db Gb Cb Copy the triads in the middle octave. Add accidentals for major and minor chords in chromatic order. Play the row. Shade in the noteheads to indicate black keys. C Cm Db Dbm D Dm Eb Ebm E Em F Fm F# F#m G Gm & ? w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w w & & w w w w w w b w w w b w w w # n & & M m o + M m o + M m o + M m o + M m o + M m o + M m o + M m o + E B F# C# Triads are intervals of 3rds or 4ths. Root position consists of a M3 and m3. Label C major triad 4 times. C Triads are intervals of 3rds or 4ths. 1st inversion consists of a m3 and perfect P4. Label C 1st inversion 4 times. E Triads are intervals of 3rds or 4ths. 2nd inversion consists of a P4 and M3. Label C 2nd inversion 4 times. G Major chords are major and minor 3rds. Minor chords are minor and major 3rds, Diminished chords are minor and minor 3rds. Augmented are major and major 3rd. Write triads in flat keys, major, minor, diminished, augmented. - Play the row. Major chords are major and minor 3rds. Minor chords are minor and major 3rds, Diminished chords are minor and minor 3rds. Augmented are major and major 3rd.
Transcript of Grade 9 LB - 2018-19 · 2019-04-29 · Root: 2 chords in bass - 1 in treble 1st inversion: 2 chords...
COURSE 45THEORY HOMEWORK 369
THEORY HOMEWORK 370
THEORY HOMEWORK 371
Write triads in sharp keys, major, minor, diminished, augmented. - Play the row.
M m o + M m o + M m o + M m o +
M m o + M m o + M m o + M m o +
C G D A
C F Bb Eb
Ab Db Gb Cb
Copy the triads in the middle octave. Add accidentals for major and minor chords in chromatic order. Play the row.Shade in the noteheads to indicate black keys.
C Cm Db Dbm D Dm Eb Ebm E Em F Fm F# F#m G Gm
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M m o + M m o + M m o + M m o +
M m o + M m o + M m o + M m o +
E B F# C#
Triads are intervals of 3rds or 4ths. Root position consists of a M3 and m3. Label C major triad 4 times.
C
Triads are intervals of 3rds or 4ths. 1st inversion consists of a m3 and perfect P4. Label C 1st inversion 4 times.
E
Triads are intervals of 3rds or 4ths. 2nd inversion consists of a P4 and M3. Label C 2nd inversion 4 times.
G
Major chords are major and minor 3rds. Minor chords are minor and major 3rds, Diminished chords are minor and minor 3rds. Augmented are major and major 3rd.
Write triads in fl at keys, major, minor, diminished, augmented. - Play the row.
Major chords are major and minor 3rds. Minor chords are minor and major 3rds, Diminished chords are minor and minor 3rds. Augmented are major and major 3rd.
THEORY HOMEWORK 372
THEORY HOMEWORK 373
THEORY HOMEWORK 374
In measure 1, write the C chord extended. In measure 2, write C7 in chord by qualities changing the top note. Copy the chords on the treble staff with middle C as the root. Play in a row.
Write arpeggios in three positions: root position, 1st inversion, and 2nd inversion. Play each one.Shape in triplets with stems pointing down.
The distance of an interval when inverted equals 9: 2 + 7 = 9. Label a 2nd above C and 7th above D.
C
Note name __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ LH fi ngering: 5 3 2 1 3 2 1 3 2 1 5 4 2 1 4 2 1 4 2 1 5 3 2 1 3 2 1 3 2 1
Root: 2 chords in bass - 1 in treble 1st inversion: 2 chords in bass - 1 in treble 2nd inversion: 1 chord in bass - 2 in treble
COURSE 45
Write the arpeggios of the dominant 7. Copy the chords on the treble staff with middle C as the root. Play each one.
Open position Ascending in 2 octaves Descending in 2 octaves
Name note __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ LH fi ngering: 5 4 3 2 1 3 2 1 1 2 3 4 1
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C6 Cmaj7 C9 C11 C13 CM7 Cmaj7 C7 Cm7 C 7 C 7 o o
RH fi ngering: 1 2 3 1 2 4 1 2 4
C chord extended C 7 chord qualities
Add intervals to extend chords. Cmaj7, add M3 to major.- C7, add m3 to major. Cm7, add m3 to minor. Half dim 7, add m3 to diminished. Dim 7, add dim 3rd to diminished.
D
The distance of an interval when inverted equals 9: 3 + 6 = 9. Label aa 3rd above C and 6th above E.
C E
The distance of an interval when inverted equals 9: 4 + 5 = 9. Label a 4th above C and 5th above F.
C F
COURSE 45THEORY HOMEWORK 375
THEORY HOMEWORK 376
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5 1LESSON SKILL: “Hanon Study, No. 28”
MEMORY PATTERN: “Mozart Scale in Octaves”
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TECHNIQUE
Arpeggios, scales and chordal harmony in the key of Cm. The scale is harmonic minor, raise the 7th a half step. Play.
Name chord: __ __ __ __
Name note __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ Name arpeggio: ___ Name scale: ___
Write the arpeggios of the diminished 7. Copy the chords on the treble staff with middle C as the root. Play each one.
Open position Ascending in 2 octaves Descending in 2 octaves
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Name note __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ LH fi ngering: 5 4 3 2 1 3 2 1 1 2 3 4 1
The distance of an interval when inverted equals 9: 4 + 5 = 9: 5 + 4 = 9. Label a 5th above C and a 4th above G.
C G
The distance of an interval when inverted equals 9: 4 + 5 = 9: 6 + 3 = 9. Label a 6th above C and a 3rd above A.
C A
