Gothic & romansque architecture

140
ROMANSQUE ARCHITECTURE In Europe Done By Yazid Hamoda (1300703006

Transcript of Gothic & romansque architecture

Page 1: Gothic & romansque architecture

ROMANSQUE ARCHITECTURE

In Europe

Done By Yazid Hamoda (1300703006

Page 2: Gothic & romansque architecture

General Introduction Romanesque architecture is

an architectural style of medieval Europe characterized by rounded arches. There is no consensus for the beginning date of the Romanesque architecture, with proposals ranging from the 6th to the 10th century.

According to the Oxford English Dictionary, the word "Romanesque" means "descended from Roman" and was first used in English to designate what are now called Romance languages.

Page 3: Gothic & romansque architecture

ROMANSQUE ARCHITECTURE

In Italy

Page 4: Gothic & romansque architecture

ARCHITECTURAL CHARACTER

Page 5: Gothic & romansque architecture

Developing of early christian Architecture

Transepts were usually added, and the chancel prolonged further east than in the basilicas, the church partaking more and more of a well-defined cross on plan, as at S. Michele.

The transepts were the ,same breadth as the nave, which was usually twice the width of the aisles.

The choir was raised considerably by means of steps, and underneath, supported on piers, was formed a vaulted crypt as at S. Miniato, Florence.

Page 6: Gothic & romansque architecture

Developing of early christian Architecture

Page 7: Gothic & romansque architecture

Pointed Arch

The problems encountered in the structure and appearance of vaults was solved late in the Romanesque period with the introduction of pointed arched ribs which allowed the height of both diagonal and transverse ribs to be varied in proportion to each other.

An early ribbed vault in the Romanesque architecture of Sicily is that of the chancel at the Cathedral of Cefalù.

Page 8: Gothic & romansque architecture

Pointed Arch

Page 9: Gothic & romansque architecture

Plan

 in Italy it is often short or non-existent, the church being of cross shaped plan, sometimes with apses on the transept ends as well as to the east.

Page 10: Gothic & romansque architecture

Examples

Page 11: Gothic & romansque architecture

Pisa Cathedral

Page 12: Gothic & romansque architecture

Pisa Cathedral the interior, with

rows of columns and flat ceiling recalling the Early Christian Basilican church.

Page 13: Gothic & romansque architecture

Pisa Cathedral

Over the crossing or intersection of nave and transepts is an elliptical dome of later date.

Page 14: Gothic & romansque architecture

Pisa Cathedral

Externally, blind arcades, built in stripes of red and white marble, ornament the fa9adeswhich also have small open arcades, one above the other ,producing a fine impression

Page 15: Gothic & romansque architecture

S. Michele cathedral  Latin cross plan

with a nave and two aisles and a much extended transept

Page 16: Gothic & romansque architecture

S. Michele cathedral The façade is

decorated by numerous sandstone sculptures, of religious or profane themes; they are however now much deteriorated

Page 17: Gothic & romansque architecture

ROMANSQUE ARCHITECTURE

In France

Page 18: Gothic & romansque architecture

ARCHITECTURAL CHARACTER

Page 19: Gothic & romansque architecture

Monastery Architecture

Page 20: Gothic & romansque architecture

Cross & rectrangular plans

Page 21: Gothic & romansque architecture

Square Courtyard

Page 22: Gothic & romansque architecture

Examples

Page 23: Gothic & romansque architecture

Enjolim Church

Page 24: Gothic & romansque architecture

Enjolim Church

The façade is decorated by more than 70 sculptures, organized into two decorative themes, the Ascension and the Last Judgments, which are cleverly intermingled.

Page 25: Gothic & romansque architecture

Enjolim Church

All their faces, as well as those of the other faithful under the arches, look toward the Redeemer.

Page 26: Gothic & romansque architecture

Enjolim Church

The interior of the nave is covered with three domes, a transept of great length with lofty towers over the north and south ends, and an apsidal choir with four chevet chapels.

Page 27: Gothic & romansque architecture

ROMANSQUE ARCHITECTURE

In England

Page 28: Gothic & romansque architecture

ARCHITECTURAL CHARACTER

Page 29: Gothic & romansque architecture

Windows & Doors

Page 30: Gothic & romansque architecture

Cross Plan

Page 31: Gothic & romansque architecture

Examples

Page 32: Gothic & romansque architecture

Peterborough Cathedral

Page 33: Gothic & romansque architecture

Peterborough Cathedral

Cathedral built between A.D. 1117 and 1190. The interior is considered to be

the finest in the Norman style next to Durham. The nave is covered with a painted wooden ceiling of lozenge-shaped compartments, ornamenting what is probably the oldest wooden roof in England.

Page 34: Gothic & romansque architecture

Peterborough Cathedral

The nave aisles only are vaulted

Page 35: Gothic & romansque architecture

Ely Cathedral

Page 36: Gothic & romansque architecture

Ely Cathedral with timber roof

and modern paintings. Choir remarkable for splendid carving.

Page 37: Gothic & romansque architecture

Ely Cathedral The plan

influenced that of S. Paul. London, which it inspired. Exceptional lady chapel.

Page 38: Gothic & romansque architecture

Norwich Cathedral

Page 39: Gothic & romansque architecture

Norwich Cathedral

Norwich .The long, narrow nave, aisleless transepts

Page 40: Gothic & romansque architecture

Norwich Cathedral

the windows beneath clerestory on south side of nave, and the vaulting throughout are Perp.

Page 41: Gothic & romansque architecture

ROMANSQUE ARCHITECTURE

In Germany

Page 42: Gothic & romansque architecture

ARCHITECTURAL CHARACTER

Page 43: Gothic & romansque architecture

Cross Plan

Page 44: Gothic & romansque architecture

Roman columns with complex Capitals

Page 45: Gothic & romansque architecture

Slope Roofs

Page 46: Gothic & romansque architecture

Ornaments

Page 47: Gothic & romansque architecture

Examples

Page 48: Gothic & romansque architecture

Aix-la-Chapelle Cathedral

Page 49: Gothic & romansque architecture

Aix-la-Chapelle Cathedral The chapels

surrounding the structure are of the fourteenth and fifteenth centuries.

The western tower has been added in recent years.

Page 50: Gothic & romansque architecture

Aix-la-Chapelle Cathedral The building is of

interest, historically, as the crowning place of the Western Emperors.

Polygonal Plan.

Page 51: Gothic & romansque architecture

Worms Cathedral

Page 52: Gothic & romansque architecture

Worms Cathedral The facades have

semicircular headed windows, framed in with flat pilaster strips as buttresses.

Page 53: Gothic & romansque architecture

Worms Cathedral Twin circular towers

flank the eastern and western apses, and the crossing of the nave.

transept is covered with a low octagonal tower, having a pointed roof.

Page 54: Gothic & romansque architecture

GOTHIC ARCHITECTURE

Europe In

Page 55: Gothic & romansque architecture

General Introduction

Page 56: Gothic & romansque architecture

General Introduction Originating in 12th-

century France and lasting into the 16th century

Gothic Architecture was developed in the Medieval Era and became the backdrop to a number of Gothic novels written years after, such as Mary Shelly's "Frankenstein".  

Page 57: Gothic & romansque architecture

CharacteristicsIn the thirteenth, fourteenth, and fifteenth

centuries the Gothic carried to the utmost the use of stone as a building material, heaping it up in towers that rose on open archways vs through the lofty roofs of the naves and transepts.

The Gothic architects, developing still further the principles of Romanesque architecture .

elasticity and equilibrium Wahid were substituted for those of inert "stability as practiced by the Greeks and Romans.

Page 58: Gothic & romansque architecture

Pointed Arch

Page 59: Gothic & romansque architecture

Pointed Arch One of the defining characteristics

of Gothic architecture. used in the Islamic architecture before

they were employed structurally in medieval architecture.

 A very narrow, steeply pointed ogive arch is sometimes called a "lancet arch "

Page 60: Gothic & romansque architecture

Flying butterss

Page 61: Gothic & romansque architecture

Every vertical support in Gothic architecture depended for its stability on being stayed by a buttress.

which in its turn was weighted by a pinnacle every arch-thrust met another which counteracted it.

In the case of the nave vaults, the collected pressures of the vaulting and roof were counteracted by arches.

called flying buttresses, leaning against the nave wall and supported at some distance by massive piers.

Flying butterss

Page 62: Gothic & romansque architecture

Flying butters Every vertical support in Gothic architecture

depended for its stability on being stayed by a buttress.

which in its turn was weighted by a pinnacle every arch-thrust met another which counteracted it.

In the case of the nave vaults, the collected pressures of the vaulting and roof were counteracted by arches.

called flying buttresses, leaning against the nave wall and supported at some distance by massive piers.

Page 63: Gothic & romansque architecture

Flying buttress

Page 64: Gothic & romansque architecture

Stained glass

Page 65: Gothic & romansque architecture

Stained glass

Page 66: Gothic & romansque architecture

GOTHIC ARCHITECTURE

In England

Page 67: Gothic & romansque architecture

ARCHITECTURAL CHARACTER

Page 68: Gothic & romansque architecture

Gothic Vaulting in England.

The problem for the mediaeval architects was to vault, in stone, the nave of a church of the basilican type

and at the same time to provide for the lighting of the building

by means of clerestory windows in the nave walls above the aisle roofs.

The evolution of vaulting in England, as on the Continent, involved the solution of a group of constructive problems which have been already hinted

Page 69: Gothic & romansque architecture

Gothic Vaulting in England.

Thus it was in connection with the necessity for counteracting the thrust of the nave vaults brought down on piers that the greater part of the evolution of the constructive side of the style took place.

In England the raising of the diagonal rib, which produced the domical vault employed on the Continent, seems to have been but little used, and the method was either

a) to make diagonal ribs segmental b) to make the diagonal ribs semicircular and stilt

the springing of the transverse and longitudinal ribs

Page 70: Gothic & romansque architecture

EXAMPLES a.) The Cathedrals of the old foundation are those

which, being served by secular clergy, were not affected by the reforms of Henry VIII.(Salisbury)

b.) The Cathedrals of the monastic foundation are those which were originally served by regular clergy or monks, and which were reconstituted at the dissolution of the monasteries as chapters of secular canons. (Durham)

c) The Cathedrals of the new foundation are those to which bishops have been appointed, viz., Ripon and South well, which are old Collegiate Churches

Page 71: Gothic & romansque architecture

Salisbury Cathedral

Page 72: Gothic & romansque architecture

Salisbury Cathedral The plan has

double transepts, central tower, and splendid.

404 feet high, being the loftiest in England.

Page 73: Gothic & romansque architecture

Salisbury Cathedral

The west facade is weak, but there is a fine north porch, boldly projecting and vaulted internally.

Page 74: Gothic & romansque architecture

Durham Cathedral

Page 75: Gothic & romansque architecture

Durham Cathedral An eastern transept

called the "chapel of the nine altars," in massive

And a central perp. Tower, 216 feet in height, help to form a group which for strength of outline and dignity have few, if any, rivals

Page 76: Gothic & romansque architecture

Durham Cathedral

Internally, the special point is the massive arcade of the Norman nave, A.D. 1099-1128

The finest in England, the pillars about the same width as the openings, and quaintly

Channeled with characteristic spirals and flutes.

Page 77: Gothic & romansque architecture

Canterbury Caredral

Page 78: Gothic & romansque architecture

Canterbury Caredral A choir of singular

interest, erected by William of Sense, in a style after French models, on the destruction of Anselm's Norman choir in 1170.

In plan this choir resembled that of the Cathedral at Sens.

Page 79: Gothic & romansque architecture

Canterbury Caredral

At the extreme east is the curious chapel called " Becket's Crown." Extensive crypts are under all the eastern portion.

Page 80: Gothic & romansque architecture

GOTHIC ARCHITECTURE

IN FRANCE

Page 81: Gothic & romansque architecture

ARCHITECTURAL CHARACTER

The southern style is remarkable for its rich decorative facades and graceful cloisters, the buildings of Provence being a new version of old Roman features.

In the north the style is the promising commencement of a new epoch , The interiors were close set with pier and pillar, and heavily roofed with ponderous arching, forming a link to the marvelous structures of the next three centuries, where matter is lost in the emotions expressed.

Page 82: Gothic & romansque architecture

Plans In the south, internal buttresses, inclosing

the outer range of chapels, were preferred, as at Vienne cathedral Round churches are rare in this district. Towers are detached, resembling Italian Gampanili.

with magnificent capitals- which receive the round arches of the narrow bays, and were left entirely open, as glazing or tracery were not required by the climate.

Page 83: Gothic & romansque architecture

Plans

Page 84: Gothic & romansque architecture

Walls Massiveness is the characteristic of all

the early work Walls were of rubble with facing stones. Elaboration was reserved for doorways in

the arcaded lower portion of the facades, which are often models of simplicity and richness.

Page 85: Gothic & romansque architecture

Walls

Page 86: Gothic & romansque architecture

Ornament Painted glass was not favored in southern

examples, small, clear-glazed openings being employed to set off the opaque color decoration of the walls.

Stained glass favoring large openings was gradually developed in the north.

Page 87: Gothic & romansque architecture

Examples

Page 88: Gothic & romansque architecture

Cathedral of Notre-Dame at Paris

Page 89: Gothic & romansque architecture

Cathedral of Notre-Dame at Paris

Completed in 1345 Notre-Dame de Paris was among the first buildings in the world to use the flying buttress

The building was not originally designed to include the flying buttresses around the choir and nave but after the construction began.

Page 90: Gothic & romansque architecture

Cathedral of Notre-Dame at Paris

Many small individually crafted statues were placed around the outside to serve as column supports and water spouts.

The statues were originally colored as was most of the exterior.

The paint has worn off, but the gray stone was once covered with vivid colors.

Page 91: Gothic & romansque architecture

Reims cathedral France

the central portal, dedicated to the Virgin Mary, is surmounted by a rose window framed in an arch itself in place of the usual sculptured tympanum decorated with statuary

Page 92: Gothic & romansque architecture

Reims cathedral France The "gallery of the

kings" above shows the baptism of Clovis in the centre flanked by statues of his successors.

Page 93: Gothic & romansque architecture

Reims cathedral France

The facades of the transepts are also decorated with sculptures

Page 94: Gothic & romansque architecture

Amines cathedral

Page 95: Gothic & romansque architecture

Amines cathedral shows an unusual

degree of artistic unity; its lower tier with three vast deep porches is capped with the gallery of twenty-two over life size kings, which stretches across the entire façade beneath the rose window.

Page 96: Gothic & romansque architecture

Amines cathedral Flanking the nave,

the two towers were built without close regard to the former design, the south tower and the north tower

Page 97: Gothic & romansque architecture

Amines cathedral western façade of

the cathedral was originally painted in multiple colors

Page 98: Gothic & romansque architecture

GOTHIC ARCHITECTURE

In Italy

Page 99: Gothic & romansque architecture

ARCHITECTURAL CHARACTER

Page 100: Gothic & romansque architecture

The Classic Forms

Page 101: Gothic & romansque architecture

Sculpture

Page 102: Gothic & romansque architecture

Mosaic

Page 103: Gothic & romansque architecture

Examples

Page 104: Gothic & romansque architecture

Milan Cathedral

Page 105: Gothic & romansque architecture

Milan Cathedral erected by the first Duke of Milan, is the

most important work of this period the largest mediaeval cathedral , and is

built entirely of white marble.

Page 106: Gothic & romansque architecture

Milan Cathedral In plan it consists of

a nave with a very small clerestory, and double aisles of extreme height.

the nave terminating with a circlet of columns in the French manner, but in closed in a German polygonal apse.

Page 107: Gothic & romansque architecture

The Doges' Palace

Page 108: Gothic & romansque architecture

The Doges' Palace

Each facade consisted of an open arcade of two stories, one originally advanced in front and surrounding the main building

Page 109: Gothic & romansque architecture

The Doges' Palace

The lower columns seem to rise out of the ground, having no bases, and the solid and connected character of the tracery gives some stability to the design, so heavily loaded above.

Page 110: Gothic & romansque architecture

Florence Cathedral

Page 111: Gothic & romansque architecture

Florence Cathedral

The cathedral was erected from the designs of Arnolfo di Cambio.

the marble facades

Page 112: Gothic & romansque architecture

Florence Cathedral is chiefly

remarkable for the wide spacing of the nave arcades

Page 113: Gothic & romansque architecture

Florence Cathedral

the plan is cross shaped

Page 114: Gothic & romansque architecture

GOTHIC ARCHITECTURE

In Spain

Page 115: Gothic & romansque architecture

ARCHITECTURAL CHARACTER

Page 116: Gothic & romansque architecture

Influence Islamic surface covered

with intricate geometrical and flowing patterns and rich orations

Page 117: Gothic & romansque architecture

Ornamentation without any regard

to its constructive character is apparent. Contrary to Northern Gothic, broad wall surfaces

and horizontal lines are special features of the style.

Page 118: Gothic & romansque architecture

rich in detail These fretwork

screens occupy the whole window, and are rich in detail

Page 119: Gothic & romansque architecture

Examples

Page 120: Gothic & romansque architecture

Toledo Cathedral

Page 121: Gothic & romansque architecture

Toledo Cathedral It is about the

same length, but nearly 50 feet wider, and has the choir closures west of the crossing, with a singularly shallow apsidal sanctuary

Page 122: Gothic & romansque architecture

Barcelona Cathedral

Page 123: Gothic & romansque architecture

Barcelona Cathedral is remarkable in

that the thrust of the vaults is taken by buttresses, which are internal features, the space between being used as chapels.

Page 124: Gothic & romansque architecture

Gerona Cathedral

Page 125: Gothic & romansque architecture

Civil cathedral

Page 126: Gothic & romansque architecture

Laredo cathedral

Page 127: Gothic & romansque architecture

Maria and lamer church

Page 128: Gothic & romansque architecture

Christianity in Jordan

Page 129: Gothic & romansque architecture

Christianity in Jordan

Christianity in Jordan is among the oldest Christian communities in the world.

 Christians have resided in Jordan after the crucifixion of Jesus Christ, early in the 1st century AD.

Christians are 390,000 (2.8-6%) of the population of 6,500,000

Page 130: Gothic & romansque architecture

Christianity in Jordan Jordanian Christians are among the oldest

Christian communities in the world,  and the majority have always been Orthodox adherents to the Orthodox Patriarchate of Jerusalem and the Holy Land, which is the 16 Church of St. James, and was founded during Jesus' lifetime.

 Among the recognized denominations the Greek Orthodox, Roman Catholic (Latin), Melkite Greek Catholic, Armenian Orthodox, Marionette Catholic, Anglican, and Assyrian churches make up the majority of Jordan's Christian population.

Page 131: Gothic & romansque architecture

Christianity in Jordan

In addition to the recognized denominations there are religious societies that are allowed to meet freely, but are not recognized as churches by the government.

Christians are well integrated in the Jordanian society and have a high level of freedom, though they are not free to evangelize Muslims.

They form a significant part of the kingdom's political and economic elite. Christians enjoy high economic and social opportunities in the Hashemite Kingdom of Jordan

Page 132: Gothic & romansque architecture

CHRISTIAN INSTITUTIONS

Schools

Page 133: Gothic & romansque architecture

Schools

The Rosary Sister's School is run by the Catholic Church.

The Franciscan Sisters School is run by the Franciscans.

The National Orthodox School is run by the Orthodox Church in Jordan and has received The Cambridge Queen Rania Award multiple times.

Page 134: Gothic & romansque architecture

CHRISTIAN INSTITUTIONS

Hospitals

Page 135: Gothic & romansque architecture

Hospitals The first Hospital built in

Jordan was the 'Evangelical Hospital' built in As-Salt by the Church Missionary Society.

The Italian Hospital in Amman and in Kerak were started by a Catholic surgeon and is entrusted to the Comboni Missionary Sisters. The Catholic Church also runs a maternity hospital and a general hospital in Irbid in northern Jordan.

Page 136: Gothic & romansque architecture

Hospitals

The Government Hospital in Ajloun was originally run by Baptists.

The Annoor Sanatorium which treats tuberculosis and other lung diseases was founded by a Christian doctor. The Annoor Sanatorium is located outside of Mafraq in northern Jordan.

Several Mission Clinics were also founded across Jordan.

Page 137: Gothic & romansque architecture

HOLY SITESin Jordan

Page 138: Gothic & romansque architecture

Biblical sites

Portions of the Biblical narrative took place in the towns and the country side that now makes up Jordan.

Bethany Beyond the Jordan where John the Baptist preached and where Jesus Christ was baptized is located on the Jordan side of the Jordan river.

Also, Mount Nebo where Moses viewed the Land of Canaan is located in western Jordan.

In northern Jordan there is a small creek where an angel met and wrestled with the patriarch Jacob.

The rock struck by Moses to bring forth water and the patriarch Aaron's tomb are both in southern Jordan.

The ruins of the fortress of the Ammonites are on a mountain overlooking downtown Amman. This is the site where King David had Bathsheba's husband Uriah the Hittite killed.

Page 139: Gothic & romansque architecture

Christian historical sites

Jordan also contains many sites of historical importance to Christianity.

 Madaba, a city south of Amman, is the site of a large ancient church with detailed mosaic tile work. There have been many excavations in Madaba that have un-earthed ancient Christian artifacts.

There are many Arab and Frankish castles from the period of the Crusades in Jordan. The most famous of which is Ajlun castle located in the Ajloun district in northern Jordan. Other castles include Montreal (Crusader castle) and Kerak.

Fuheis and Al Husn are two exclusively Christian towns of Jordan.

Page 140: Gothic & romansque architecture

Done ByYazid Hamoda

1300703006AABU UNIVERSITY