Gothic 2 Part 2. Title: Saint Maurice Medium: Dark sandstone with traces of polychromy Date: c....
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Transcript of Gothic 2 Part 2. Title: Saint Maurice Medium: Dark sandstone with traces of polychromy Date: c....
Gothic 2
Part 2
Title: Saint Maurice Medium: Dark sandstone with traces of polychromyDate: c. 1240–50Source/ Museum: Magdeburg Cathedral, Magdeburg, Germany+He was the patron saint of several professions, locales, and kingdoms.
He was also a highly revered saint in the Coptic Orthodox Church as Maurice was a Black Christian from Thebes, Egypt.
considered to be the first realistic depiction of an ethnic African in Europe.
Unfortunately, the figure is no longer complete and misses the lower legs and an item in the right hand, presumably a lance.
Warrior saint in chain mail
Based on living model instead of idealized forms
Title: Ekkehard and Uta Medium: Stone, originally polychromedSize: approx. 6'2" (1.88 m)Date: c. 1245–60Source/ Museum: West chapel, Naumburg Cathedral, Naumburg, Germany
Ekkehard and Uta are among a group of life size sculptures of 12 ancestors of a bishop who was a member of the ruling family of Naumburg.
The ancestors were patrons of the church; their images were placed in a new chapel at the west end of the church.
Unlike the more idealized French Gothic sculptures, Ekkehard and Uta are treated in a highly individualistic manner, in a style akin to Greek Hellenistic.
They reveal a strong naturalistic trend in German Gothic Sculpture
andachtsbild - sculpture serving for private devotion-andachtsbild were devotional images that were intended to inspire contemplation of Jesus’ last hours.
The subject matter of the Pietà - subject of Mary supporting the dead body of Christ originated in Germany during the 1300’s
The artworks called the "Vesperbild" had a representation of the seated Madonna holding Christ’s body across her lap.
the works were paintings, but usually they were small sculptures that had been carved out of wood or made out of terra cotta.
In comparison to Ancient Greek and Southern European sculptures, the Northern works looked primitive and awkward without realistic considerations for human forms or weight distributions.
Title: Church of Saint Francis, Assisi, Italy restored
one of the world's focal points of both high art and intense spirituality.
Still a major place of pilgrimage, the Basilica of St. Francis is a powerful place for believers and art-lovers alike.
The impressive frescoes that decorate the interior were painted by Cimabue, Giotto and others
In 1818, the tomb of St. Francis was rediscovered beneath the high altar, after lying hidden for almost 600 years. When the coffin was opened, Francis' skeleton was found fully intact. This is very rare for such a popular medieval saint - had his relics not been hidden, bits of them almost certainly would have found their way into shrines across Europe
Artist: Nicola PisanoTitle: Pulpit, Baptistry, Pisa Medium: Marble Size: height approx. 15' (4.6 m)Date: 1260
His work, which combined Classical and Byzantine-Islamic traditions with Romanesque and Gothic
6 sided structure open on one side for a pupit
Corinthian columns flanked by gothic trefoil arches- clover like arches
Larges central column with animals and a people on base, lions on outer column guard its base
May have been inspires by what often found in churches?
Artist: Nicola Pisano Title: Nativity Medium: Marble Size: 33½ X 44½" (85 X 113 cm) Date: 1260Source/ Museum: Detail of pulpit, Baptistry, Pisa, Italy
Reclining virgin dominates composition
In the foreground wives wash the infant Jesus
Upper left is the Annunciation
Right is the adoration and the annunciation to the Sheppard
Views eye is taken from group to group
Deep cut relief
Artist: Giovanni Pisano Title: Nativity Medium: Marble Size: 34⅜ X 43" (87.2 X 109.2 cm) Date: 1302–10Source/ Museum: Detail of pulpit, Pisa Cathedral, Pisa
Nicola’s son
Slender young virgin
Up-tilted deeply carved space
Shell like cave
Angelic onlookers
Virgin gazes lovingly at the baby
Animals and trees cover parts of the piece
The doors are comprised of 2 valves, each with 14 sq. panels.
20 of the panels depict events from the life of John the Baptist
8 at the bottom are personifications of virtues.
The twenty scenes relating to John the Baptist read chronologically from top to bottom and from left to right--on each valve.
That is, like pages of an open book, they read individually and not across "pages.”
Artist: Andréa PisanoTitle: Life of John the Baptist, south doors of Baptistery San GiovanniMedium: BronzeDate: 1330-36
Artist: Coppo di MarcovaldoTitle: Crucifix Medium: Tempera and gold on woodSize: 9'7⅜" X 8'1¼" (2.93 X 2.47 m)Date: c. 1250–70Source/ Museum: Pinacoteca, San Gimignano, ItalyIn the upper part is an Ascension with a Blessing Christ on top of it.
At the left end of the arm are Mary and St. John
at the right, the Women of Jerusalem.
The background panel features the Kiss of Judas, the Flagellation, and the Preparation of the Cross on the left; and Christ before the Sanhedrin, the Mocking of Christ, and the Deposition on the right.
Painted on back too? Why?
Artist: CimabueTitle: virgin and child enthronedMedium: wood panelDate: 1280
Byzantine porportionsSightly titled heads
Mary sits on a throne of “gilded bronze”
High lighting drapery with thin lines of gold
Vantage point?
His spatial ideas, quest for warming naturalism, and subtle asymmetries influenced later painters
Artist: GiottoTitle: virgin and child enthronedMedium: Tempera on woodDate: 1310
Spatial consistency
Retained a sculptural form
Largely symmetrical
Mountain like Mary seems to burst from her throne
3-d figures through subtle changes in light and form
Baby gestures in a blessing
Angles create a grand entrance to her throne
Artist: Saint Francis MasterTitle: Life of Saint Francis: Miracle of the Crib at Greccio Medium: FrescoDate: late 13th century
singing monks
Statue of holy infant laid in a box
Foliage swag
Wooden cross hung out so worshippers can see
Artist: GiottoTitle: the lamentationMedium: FrescoDate: 1305Arena Chapel
described as the creator of modern painting
After his death Jesus is mourned over by a small group of followers, among whom his mother. After that, they lay him in his grave.
What is new that you have not seen yet?
Any symbols?