GONZALO MARDONES VIVIANI ARCHITECTS · Chile, where he graduates with the Maximum Honors. He...
Transcript of GONZALO MARDONES VIVIANI ARCHITECTS · Chile, where he graduates with the Maximum Honors. He...
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GONZALO MARDONES VIVIANI
ARCHITECTS
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1 Summary
Gonzalo Mardones V. Hon. FAIA.
Born in Santiago de Chile
Gonzalo Mardones gets his degree as architect from the Pontificia Universidad Católica de
Chile, where he graduates with the Maximum Honors. He receives the First Prize in the
Architecture Biennale, for the best degree project among all the Architectural Schools in Chile,
for his project for urban renewal of the South-West Center of Santiago. He has been a professor
of architectural design workshops and directed degree projects in the Faculties of Architecture
of the Universidad Católica, Universidad de Chile, Universidad Central, Universidad Andrés Bello,
Universidad Finis Terrae and Universidad del Desarrollo, in addition to having been guest
professor and lecturer in different universities in Chile, and abroad. His work has been published
by the main architectural magazines and honored at Biennales. Mardones has been of Colegio
de Arquitectos de Chile since he gets his architect degree; member of the National Commission
of Competitions of Colegio de Arquitectos de Chile; member of the Jury Register of Colegio de
Arquitectos de Chile; and a Founding member of the Asociación de Oficinas de Arquitectura
(AOA).
Gonzalo Mardones has been member of the Chilean Presidential Advisory Committee of the
Ministry of Housing and Urban Development for the creation of the new National Urban
Development Policy (PNDU) 2010 - 2013. In 2016 was named Honorary Fellow of the American
Institute of Architects (Hon. FAIA), United States.
Mardones in his own words: “I aspire to a work of reflection, aesthetics, creative and very
emotionally charged, with works which combine constructive reason with compositional reason.
Architecture made for man, not for architects. An architecture which awakens the necessaries
emotions due to its simplicity, its austerity, it’s contemporary. In short, an experiential and
essential architecture of ideas, light and space. Light used as the most important material in
architecture. Our works are boxes of light, boxes aim to reflect light, control it, so as to obtain an
architectural luminosity which awakens the senses.
Whatever the materiality of the work, there is an intention to represent that material as a whole.
Mardones want to skirt the limits between architecture and sculpture. We aspire to abstraction
and consider composition one of the keys of architecture. Value the relation between
architecture and nature, seeing how architecture tries to acknowledge the qualities of location,
soil, water, colour, gradient, sky. How, through this relation can create spaces for the senses, for
the present and for remembrance.
The approach to project leads inevitably to the meeting between the built work and its
environment. We understand each building as part of a whole. The correct use of local resource
coupled with technical contribution of the building allows a construction sustainable over time.”
Mardones tasks in Architecture is to give simple answers to complex issues. All Mardones works
were realized with the same architectural concepts:
1- The commitment to a new Urban figure.
2- Programmatic multifunctionality
3- The spatial intercropped
4- The Fifth, Sixth and Seventh Façade
5- Light as the most important material of Architecture
6- The client: stories and programs people and institutions as an essential act of projecting
data.
7- The necessary integration of landscape
8- The local geometry as a design basis
9- The commitment to sustainability and energy.
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2.1 Significant Work
Architecture
Mausoleum of President Patricio Aylwin Santiago de Chile
Completed
Area: 25 m²
Memorial UC Santiago de Chile
Completed
SLB house Miami, Florida
12.223 sq ft
Construction planned to begin on 2020
Casuarina House Miami, Florida
25.125 sq ft
Construction planned to begin on 2020
Las Nieves Office Building Santiago de Chile
Completed
Area: 2.586 m²
Education for the Future Building Buenos Aires, Argentina
Project
Area: 12.000 m²
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2.1 Significant Work
Architecture
Glamis Apartments Santiago de Chile
In a leftover site in a dense and functionally heterogeneous
neighborhood, this project is inserted like a complex weave of single yet
superimposed dwellings. The building presents itself as a compact,
regular, concrete volume composed like a three-dimensional jigsaw
puzzle without repetition. 2.581 m²
Chilean Embassy in Germany Berlin, Germany
It shall be the symbol which stresses in this Embassy building the sense of
belonging to a country and a territory. The purity of its design, the
rigorousness of its volumes, the solemn and full perspectives of its façades
and interiors, give this building a pure, transcendental quality. 800 m²
Plaza Lo Castillo Santiago de Chile
Plaza Lo Castillo solved the problem of a chaotic place and excessive
information by unifying through repetition of an element of shadow and
light. The project includes underground public parking and shops.
14.662 m²
AL2 House Santiago de Chile
The volume locates like a longitudinal bar perpendicular to the street with
the double purpose of facing North and allowing a big free space for the
garden. The proposal consists of a barbeque gridiron – external kitchen at
one end of the area in order to embrace the place. 841 m²
Cumaru Restaurant Santiago de Chile
The owners of this restaurant got a big quantity of cumarú timber, which is
a wonderful and noble material. The first consideration was to opt, as any
of Mardones works, for a unique material. So, the interior and exterior
lining of the building, ceilings, windows, floors, deck, and party walls were
made of wood. 1.296 m²
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2.1 Significant Work
Architecture
18th Fire Station Santiago de Chile
Is located strategically between two main avenues in the borough, which
makes it easy to reach different points in the city of Santiago. The design
includes a restaurant open to the public. The building sits on the street in
the form of a white concrete box suspended within a floating crystal
prism. The red colour acts as a fauve. 2.020 m²
50 Chapels for Chile Chile
After the Earthquake of February 27, 2010, 80% of the temples in the
stricken zones were devastated. The design, inspired by the Mantle of
Mary, is a steel frame and stretched architectural textile that collects all
requirements for the correct realization of the celebrations with a special
emphasis in the correct natural lighting and ventilation. This chapel allows
communities rebuild their churches without making hasty decisions about
reconstruction in the heritage, economic and social development. 185
m² each one.
Pro Andes Technical Training Center Talcahuano, Chile
This cultural educational initiative, helped the city regeneration and
recovery. The land chosen for this new institute used to have a school
that was damaged by the 2010 earthquake and seaquake. The building
was a cloister, with a central yard like a typical Chilean house. 2.365 m²
Hornitos Hotel Antofagasta, Chile
It located on a plateau over a promontory 32 meters above sea level in
the Atacama Desert, North of Chile. As this is a privileged and
immaculate place, the main challenge was to intervene trying to be the
less invasive possible. Mardones opted for a semi-buried architectural
layout carried out horizontally with a larger volume. 5.800 m²
Hotel Los Españoles Antofagasta, Chile
Consists in the recovery and restoration of the old building and the
creation of a second one next it with a volume connected to both as a
whole. The access to the buildings is a big space working with highlights.
The interior ceilings and walls are entirely white in order to multiply the
light and open to the northern hills and to the skyline. 2.520 m²
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2.1 Significant Work
Architecture
Ignacia Apartments Santiago de Chile
Ignacia is a group of four large square footage apartments consisting in
two volumes with two apartments each. The volumes, with a rectangular
floor plan, have three complete floors and a fourth floor which is set back
allowing the use of the roofs as terraces and swimming pools. Each owner
order the apartment for the program of their needs. 2.670 m²
M9 / Memorial for 9 girls Santiago de Chile
The work is constructed from the underground and opening up to the sky
through a concrete cone of nine feet in diameter. 9 lanterns, 9 modules
symbolize the 9 girls who left earlier. Is the presence of divine light, light
that allows gravitate concrete forms, its contours, its plains, leaving them
in the park in order to make apparent the dimension of sky.
Miele Gallery Santiago de Chile
The proposal is a building that opens to the corner in a play of façades of
concrete and inclined crystals. This façades permits light to reflect, and
the transparency of the building creates a large display window for the
street. The interior result of the idea permits the connectivity of all the
levels. The corporate red Miele colour appears in the circulation path
along all the building. 1.256 m²
MIM Mirador Interactive Museum Santiago de Chile
Public architectural contest. First place. MIM is a national cultural
operation in a social risk zone in Santiago. The project has an spatial
expression that realizes Chile: Andes, Central Valleys and Ocean.
10.600 m²
MO House Zapallar, Chile
Is located at an area of steep slope facing the sea coast of Chile in the
commune of Zapallar. The house is buried with clearly no intention to
interrupt the wonderful view to the horizon from the public road, so it is
accessed by stairs and ramps going deep into the mountain to discover
again, from inside the house, the sea, coast and breaker. 500 m²
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2.1 Significant Work
Architecture
House for Marcelo Ríos Santiago de Chile
The house comes from the order of this former world No.1 tennis player.
It’s located in a place enclosed on the hills within a stunning natural
environment and a privileged view to the hills and the golf course. The
house places at middle levels, adapting to the slope. Also, is half-buried in
order to appreciate and see the magnificent natural scenery. 1.221 m²
Police Museum, Theater and Cultural Center Santiago de Chile
The project consists in renewal the all historic museum and creates a new
theater for 700 persons and a Cultural Centre. The architectonic idea is to
dig and put the new buildings in several levels underground. Whit this
obtains the double purpose to not touch the park and the trees of the
site and to highlight the historic building that now reflects the façades in
two big water mirrors. 4.620 m²
Tomas Apartments Santiago de Chile
The investment operation consists in an atypical operation; instead of
selling apartments, sell square meters. Each owner buys the square meters
for develop the apartment (seven) for the program they needs. It consists
of three complete floors and a fourth floor which is set back allowing the
use of the roofs as terraces and swimming pools. 3.440 m²
Center of Traditions Santiago de Chile
The building has spaces and infrastructure to promote community
encounter and cultural heritage. The cultural project aims to benefit
more than 6000 students from municipal and subsidized schools in the
commune, in addition to the 13 folk groups, that aim rescuing the roots of
Lo Barnechea. The building opens to the corner and brings an open
theater for the people outside. 1.426 m²
Vanguardia Offices Santiago de Chile
This project opens up the building towards the corner, the most public
place. This opening is through a large crack which serves the dual
purpose of generating access and allows the passage of light across the
centre of the building. The building central part is always full of natural
light, achieving a significant reduction in energy consumption. 7.100 m²
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2.1 Significant Work
Architecture
Saint George College Gym Santiago de Chile
Area: 7.424 m²
Nido de Águilas College Santiago de Chile
Area: 14.871 m²
Seminario Padre Kentenich Santiago de Chile
Casas de Lo Matta Theater, Vitacura Santiago de Chile
Project under development 2016
Area: 7.600 m²
TACAL, Taller de Capacitación Laboral Santiago de Chile
Project under development 2016
Area: 2.770 m²
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2.1 Significant Work
Architecture
Centro de Rehabilitación DASMI Luján, Argentina
International contest 2012
Area: 3.605 m²
Gimnasio y Piscina Municipal Lo Barnechea, Santiago, Chile
Project under development. Contest winner 2014
Area: 3.670 m²
La Caracola Foundation Santiago de Chile
Project under development
Area: 672 m²
Gimnasio y Canchas Fundación Ganémosle a la Calle
Santiago de Chile
Project under development
Area: 1.371 m² + 1 professional soccer field
Capilla Totihue Totihue, VI Región
Architectural Review Faith Winner – AR Awards 2016. UK
Area: 283 m²
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2.1 Significant Work
Architecture
Lo Barnechea Civic Center Santiago de Chile
Completed
Area: 15.391 m²
72 houses in Colina Santiago de Chile
Completed
Area: 18.000 m²
Todos Los Santos Chapel Talcahuano, Chile
Completed
Area: 968 m²
Mining Museum Santiago de Chile
Project
Area: 2.986 m²
Santa Tacla Residential Complex El Salvador
Project
Area: 64.562 m²
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2.1 Significant Work
Architecture
Altamira Residential Complex El Salvador
Project
Area: 10.520 m²
Mirasol Building Santiago de Chile
Project under development
Area: 2.316 m²
San Damian Building Santiago de Chile
Completed
Area: 8.300 m²
Centenario Building Santiago de Chile
Project under construction
Area: 39.000 m²
La Viña Building Santiago de Chile
Completed
Area: 5.230 m²
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2.1 Significant Work
Architecture
Porcenalosa Store Santiago de Chile
Completed
Area: 681 m²
Malbec Building Santiago de Chile
Completed
Area: 28.881 m²
TRU House Santiago de Chile
Completed
Area: 414 m²
JUVE House Santiago de Chile
Completed
Area: 461 m²
Sol del Valle Building Santiago de Chile
Completed
Area: 2.894 m²
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2.1 Significant Work
Architecture
Nicolás Building Marbella, Chile
Completed
Area: 4.353 m²
Sebastián Building Marbella, Chile
Completed
Area: 4.520 m²
Old Georgian Santiago de Chile
Project
Area: 975 m²
Box Building Santiago de Chile
Completed
Area: 6.102 m²
Senior Building Santiago de Chile
Project
Area: 25.800 m²
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2.1 Significant Work
Architecture
Theater and Museum for Escuela Naval Santiago de Chile
Project
Las Frutillas Complex Cachagua, Chile
Project
Area: 1.116 m²
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2.1 Significant Work
Monographs
Mardones works has been published by several architectural magazines in America, Europe and
Asia. 4 monographs were dedicated to Mardones works (2 in Argentina and 2 in Chile).
On 2003 the Argentinian magazine
"Casas-Houses" publish a
monograph about Gonzalo
Mardones work, with prologue by
Chilean National Prize Poet Raúl
Zurita.
In Chile "Zonacreativa ediciones"
featured the book "Gonzalo
Mardones Obras 2003 – 2005" for
the Serie "Arquitectos Chilenos
Contemporáneos" with
presentations by architects Enrique
Napp, Albert Tidy and Borja
Huidobro.
On 2006 the Argentinian Editorial
house Kliczkowski featured a double
number of the magazine ‘Casas
Internacional’ about Mardones
work. This has been distributing also
in book version hard cover; includes
conversations with the well-known
Argentinian Architecture Criticism
Tomás Dagnino who also presents it.
On 2015 ZC Ediciones Chile,
featured a monographic book
about Gonzalo Mardones works,
that includes 15 recent projects. The
introduction was made by the
editor Arch. Astrid Ljungmann and
the well-known architectural
criticism Arch. Fernando Montes.
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2.1 Significant Work
Lectures
- UCH Universidad de Chile, 2000
- Universidad de Los Andes, 2001
- Universidad Técnica Federico Santa María,
Valparaíso, 2003
- Universidad de Talca, 2006
- Universidad Finis Terrae, 2006
- Primer Seminario Internacional del
Hormigón, Chile 2006
Colegio de Arquitectos de Chile
- Expocasa, Santa Cruz, Bolivia, 2007
- II Bienal de Arquitectura de Santa Cruz,
Bolivia 2008
Colegio de Arquitectos de Santa Cruz
- UMSA Universidad Mayor de San Andrés,
Bolivia
Magistral lecture
- XXIII CLEFA, La Paz, Bolivia 2008
Conferencia Latinoamericana de Escuelas
y Facultades de Arquitectura
Magistral lecture
- Colegio de Arquitectos de Guatemala,
2009
Magistral lecture
- Universidad San Carlos de Guatemala,
2009
- Universidad San Carlos de Guatemala,
2009
Conversation Session about Architecture
and Education
- Municipalidad de Quetzaltenango de
Guatemala, 2009
- Seminario Arquitectura, Barcelona, España
2009
- USS Universidad San Sebastián, Santiago
2009
- UFT Universidad Finis Terrae 2009
- USS Universidad San Sebastián, Santiago
2009
Conversation Session: "Arquitectura
Blanca"
- UDD Universidad del Desarrollo,
Concepción 2010
- USS Universidad San Sebastián, Puerto
Montt 2010
- UDD Universidad del Desarrollo, Santiago
2010
- XI Seminario Nacional ACHIPPA 2010
- COAC Colegio de Arquitectos de
Cataluña, Barcelona, España
- USS Universidad San Sebastián, Santiago
2010, Conversation session
- USS Universidad San Sebastián,
Concepción
- ArcLatinAmerica 2011, San José de Costa
Rica
- Auditorio CPAU 2011, Argentina
Consejo Profesional de Arquitectura y
Urbanismo, Buenos Aires
- Centro de Arquitectura y Diseño "El Túnel"
2011, Argentina
Colegio de Arquitectos de Rosario
- VI Congreso Internacional de Arquitectura,
Arte y Diseño 2011
Universidad Autónoma del Caribe,
Barranquilla, Colombia
- UANL Universidad Autónoma de Nuevo
León, México 2012
XXI Simposio Internacional de Arquitectura
- UDD Universidad Del Desarrollo, Santiago
2012
- UDD Universidad Del Desarrollo,
Concepción, 2012
- PUC Pontificia Universidad Católica de
Chile 2013
Cearq Centro de Alumnos Arquitectura
- Universidad Autónoma de Temuco 2013
- V Conferencia Internacional BuildGreen,
Buenos Aires, Argentina 2013
Green Building Council
- 1er Congreso de Infraestructura Hotelera
de Chile, 2013
- III Congreso Internacional de Arquitectura
Religiosa Contemporánea 2013, Sevilla,
Spain
- UDD Universidad de Desarrollo, Santiago,
Chile 2014
Ciclo Arquitectura Cívica, Espacio
Democrático
- UDD Universidad de Desarrollo, Santiago,
Chile 2014
Conversation session: Valparaíso debate
- Cumbre Sur 2, Concepción, Chile 2014
Ciclo Enmateria
- UJMD Universidad Dr. José Matías
Delgado, El Salvador 2015
12 Obras - 12 Geografías
- Conference at the Philadelphia
Convention Center, AIA 2016
- Encuentro Inmobiliario Internacional 2018,
Buenos Aires, Argentina. 2018
- Encuentro Arquitectura. Chile – Uruguay.
Universidad de Chile, 2018
- UDD Universidad del Desarrollo, Santiago
2019
- Academia Diplomática de Chile, Santiago
2019
2.1 Significant Work
Exhibits
- II Bienal de Arquitectura de Chile, 1979
Selected work: San Pablo Apartments
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- III Bienal de Arquitectura de Chile, 1981
Selected works: León Houses and La Reina
Houses
- IV Bienal de Arquitectura de Chile, 1983
Selected work: Amapolas Apartments
- VI Bienal de Arquitectura de Chile, 1987
Selected works: Puertas de Lo Curro
Apartments and Rotonda de Lo Curro
Apartments
- VIII Bienal de Arquitectura de Chile, 1991
Selected work: Compañía Chilena de
Tabacos and British Embassy Building
- IX Bienal de Arquitectura de Chile, 1993
Selected works: Comercial Cerro Castillo
Building and Terrado Blanco Apartments
- X Bienal de Arquitectura de Chile, 1995
Selected work: Integramedica Building
- XI Bienal de Arquitectura de Chile, 1997
Selected Work: Comercial Duomo
Showroom
- XIII Bienal de Arquitectura de Chile, 2002
Selected work: MIM Museo Interactivo
Mirador
- XIV Bienal de Arquitectura de Chile, 2004
Selected work: Chile Embassy in Germany,
Atika Showroom, Parque Automotive SK and
Gonzalo Mardones, Casas Houses n° 90
magazine
- GAP Global Architecture Profile Exhibition,
Australia 2011
Faculty of Architecture, Building and
Planning, University of Melbourne, Australia
- XIII Bienal de Arquitectura de Buenos Aires,
Argentina 2011
Works selected: Miele Gallery; Police
Museum, Theater and Cultural Centre
- 7º Festival Internacional de Arquitectura
EME3 Barcelona, Spain 2012
Selected work: 50 emergency Chapels
- AIQ Project of the Year 2011 Exhibition,
Israel
Zezeze Architecture Gallery, Tel Aviv
Selected work: Memorial 9
- AIQ Project of the Year 2012 Exhibition,
2012
Zezeze Architecture Gallery, Tel Aviv, Israel
Selected work: Police Museum, Theater and
Cultural Centre
- XVIII Bienal de Arquitectura, Chile 2012
Selected work: Ignacia Apartments,
Memorial 9 and Police Museum, Theater
and Cultural Centre
- XI Bienal Internacional de Arquitectura de
Costa Rica 2012
Selected work: Police Museum, Theater and
Cultural Centre
- 100 Architects of the year 2012
International Exhibition 2012
UIA Union Internationale des Architectes -
KIA Korean Institute of Architects, Korea
Korean Festival of Architecture, Daejeon,
South Korea.
- Blanca Montaña, Puro-Chile 2012
Selected work: Memorial 9
- Spark Awards 7th Annual Exhibition 2013
China International Industrial Design Fair,
Shenzen, China
Work exhibited: House Marcelo Ríos
- 100 Architects of the year 2012
International Exhibition, 2013
UIA Union Internationale des Architectes -
KIA Korean Institute of Architects, Korea
Selected work: Police Museum
-Spark Awards 7th Annual Exhibition 2014,
Taipei, China
Selected work: House Marcelo Ríos
- Faith & Form / IFRAA Awards Winners
Exhibition, Denver, USA 2013
National Convention 2013 AIA American
Institute of Architects
Selected work: Memorial 9
- Tavollo Dell’Architettura 2013
6 Bienal Internacional de Arquitectura
Bárbara Cappochin 2013
Piazza Cavour, Padova, Italia
Selected work: Memorial 9 and 50
emergency Chapels
- XIV Bienal de Arquitectura de Buenos Aires,
Argentina 2013
Selected work: Hotel Hornitos
- 7º Festival Internacional de Arquitectura
EME3, Sao Paulo, Brasil
Selected work: 50 emergency Chapels
- XIX Bienal de Arquitectura, Chile 2015
Selected Work: Center of Traditions
- XV Bienal de Arquitectura de Buenos Aires,
Argentina 2015
Selected work: Terraza Offices
- XVI Bienal de Arquitectura de Buenos Aires,
Argentina 2017
Selected Work: Capilla Totihue
- Tavollo Dell’Architettura 2017
8va Bienal Internacional de Arquitectura
Bárbara Cappochin 2017
Piazza Cavour, Padova, Italia
Selected Work: Capilla Totihue
- Religious Art & Architecture Exhibition, AIA
National Convention, EEUU, 2017.
Selected Work: Capilla Totihue.
- XVII Bienal de Arquitectura de Buenos
Aires, Argentina 2019
Selected Work: Casa TRU y Mausoleo
presidente Aylwin.
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2.1 Significant Work
Jury Member
- Mardones has been member of the
Architectural Contest Commission of the
Colegio de Arquitectos de Chile (1990 to
1995). Together with the architects Horacio
Borgheresi, Mario Recordón and José Tuca,
Mardones wrote the Regulation and
guidelines for the Architectural Contest in
Chile. Also, Mardones is member of the Jury
Register of Colegio de Arquitectos de Chile.
- In the 1980’s, Mardones been Jury and
Director of the Degrees Projects
Architectural Contest at Bienal de
Arquitectura de Chile (1987); and the
Panamerican Architectural Contest "Habitar
poético en Cantalao" (1989) based in the
work and life of the Nobel Prize poet Pablo
Neruda.
- Gran Premio Bienal de Arquitectura de
Santa Cruz, 2008
Colegio de Arquitectos de Santa Cruz,
Bolivia
- XXII Concurso CAP, Chile 2008
- XXIII Concurso CAP, Chile 2009
- Wan Awards Residential Sector 2010,
London.
- II Concurso Hebel Todoobras 2010, Chile
- Primer Concurso Internacional
Arquitectura Caribe, 2011
Universidad Autónoma del Caribe,
Barranquilla, Colombia
- Concurso CTI Fensa / Mademsa for
Architecture Students, Chile, 2011
- Casacor Chile 2012
- Premio Arquitectura Todoobras 2014, Chile
2.1 Significant Work
Academic Involvement
- Universidad Central, Chile 1995 to 2005
Professor of Degree Project
- UFT Universidad Finis Terrae, 1996 to 1998
Professor of 5th year architectural grade
- UCH Universidad de Chile, 2000 to 2004
Professor of Degree Project
- UNAB Universidad Nacional Andrés Bello,
2000, Professor of Degree Project
- UNAB Universidad Nacional Andrés Bello,
2003, Guest Professor
- UFT Universidad Finis Terrae, 2006
Guest Professor
- UNAB Universidad Nacional Andrés Bello,
2003, Guest Professor
- Universidad de Talca, 2006, Guest
Professor
- PUC Pontificia Universidad Católica de
Chile 2009, Guest Professor
- PUC Pontificia Universidad Católica de
Chile 2012, Guest Professor
- UANL Universidad Autónoma de Nuevo
León, México 2012, Workshop / Guest
Professor
-Universidad Autónoma, Temuco 2014
Professor of 3th and 4th year architectural
grade
- UDD Universidad Del Desarrollo, Santiago
2014 Professor of Degree Project
2.1 Significant Work
Civic and Community Involvement
Gonzalo Mardones has been member of
the Chilean Presidential Advisory
Committee of the Ministry of Housing and
Urban Development for the creation of the
new National Urban Development Policy
(PNDU) 2010 - 2013. The government
decides to convene 26 experts to advice on
setting up the new PNDU to deliver the
objectives and parameters under which
national cities should be developed.
Mardones was one of those invited to
participated, including the Ministry, the
President of Colegio de Arquitectos, deans
of Architectures Schools, professional
academics, senators, congressmen, and
past Ministers. The PNDU was delivered to
the President of the Republic on 2014
successfully.
Gonzalo Mardones has been member of
the Council of the Gabriela Mistral Cultural
Centre GAM between 2011 and 2013. GAM
is a cultural center focused on access to
culture and the formation of audiences.
GAM, inaugurated in 2010, has become in
one of the main cultural centers of Chile.
Gonzalo Mardones is actually member of
the Directory of the AIS Foundation. The
mission of the AIS is helps the Catholic
Church where there is misery. Mardones,
with the social view of an architect, helps
with projects when the community needed.
Two oratories (one for prisoners and other for
a school for immigrant’s children), 50
emergency chapels after the earthquake
(February 2010), a small church in a school
with kids in several social risk (build 2013)
one rural church renovating an existing Silo
(now under construction), and other small
church in Valparaíso after the fire damages
19
(April 2014 - now on project) are some of the
recent works. All projects have been really
successfully, although 50 emergency
chapels would allow the communities of
churches damaged by the earthquake
rebuild their churches without making hasty
decisions about reconstruction in the
heritage, economic, and social
development field.
Also helps with architectural projects in other
social themes, not only for churches or
oratories. At least the 10 per cent of the work
of the studio is social work. In the last years
Mardones has been work with 3 Fire Stations:
two built, one in project (Been Firemen in
Chile is an amateur activity, with no fee).
Two Cultural Center: One for the Police
who’s want to have one little museum and
Mardones get involved to create a cultural
center with a theater for 700 persons; and
other cultural center in a town, open to the
public space, with the clear intention to get
curious the people and get them in. Also,
now the studio was working in a new
building for Fundación TACAL that includes
people with any kind of disabilities and
prepares them for the world of work; and in
a new social sport center in a commune
with several social risks.
During the first Government of the President
Michelle Bachelet, in the year 2007, Gonzalo
Mardones in collaboration with Fundación
Futuro presents to Mrs. President the project
30 Stadiums for Chile that consists in a
diagnostic of the main stadiums in the
country and in some ideas to renovate
them. Finally, the President creates an
important network of renovated stadiums.
Six stadiums were created during her
government, and six new ones during the
next period: President Sebastián Piñera
government (none of these stadiums were
designed by Mardones). The first kick off of
these new stadiums for Chile was the 30
Stadiums for Chile project. Mardones has
been consultant and advisor for several
sports projects, including the stadiums in
both governments period. Presently,
Mardones is member of the COL Local
Organization Committee for the Soccer
under 17 World Cup 2016 that will be
happening in Chile. The Mardones action
there, is the infrastructure and architecture
decisions.
Mardones actually is member of The Council
of CLAPES UC Centro Latinoamericano de
Políticas Económicas y Sociales.
2.2 Significant Work
Awards
- Biennial Miami Beach, USA 2007
Bronze Medal Housing, Edifico de
Viviendas Glamis
- Premio a la Obra del Año, Plataforma
Arquitectura, Chile 2007
Third place, Edificio de Viviendas Glamis
- Biennial Miami Beach, USA 2009
Biennial Medallion, Conjunto Residencial
Barrio Parque
Gold Medal Housing, Conjunto Residencial
Barrio Parque
Silver Medal Housing, Edifico de Viviendas
Tomás
Silver Medal Commercial Interiors, Taller
Gonzalo Mardones V.
- WAN Awards Residential, UK 2009
Finalist, Edificio de Viviendas Glamis
- World Architecture Community Awards, 5º
Cycle 2009
Finalist, Edificio de Viviendas Tomás
- World Architecture Cmmunity Awards, 3º
Cycle 2009
Finalist, Edificio de Viviendas Glamis
- The Americas Property Awards in
association with Bloomberg Television 2011,
UK
Winner Best Mixed-use Architecture: Miele
Gallery
- WAF Awards, World Architecture Festival
2011, Barcelona, Spain
Finalist ‘Civic and Community’, M9
Memorial 9
- AIQ Project of the Year Award 2011, Israel
AI Architecture of Israel and European
Community
Finalist, M9 Memorial 9
- World Architecture Community Awards, 10º
Cycle 2011
Winner: Police Museum, Theater and
Cultural Centre
- WAN Awards Civic 2012, UK
Finalist: Memorial 9
- Faith & Form / IFRAA Awards, USA
Winner Sacred Landscape: Memorial 9
- LEAF Awards 2012, UK
Finalist: Edificio Ignacia
- IIDA Best Interiors Latin America 2012,
International Interior Design Association, USA
Winner Best of Category / Restaurants:
Cumarú
- AIQ Project of the Year 2012 Award, Israel
AI Architecture of Israel and European
Community
Third place: Police Museum, Theater and
Cultural Centre
- World Architecture Community Awards, 13º
Cycle 2013
Winner, Edificio Ignacia
20
- 6 Bienal Internacional de Arquitectura
Bárbara Cappochin, Padova, Italia 2013
Best works: 45 Capillas de emergencia
Best works: Memorial 9
- SPARK Spaces Awards 2013, New York, USA
Winner Gold Award: House Marcelo Ríos
- Gold Key Awards for Excellence in
Hospitality Design 2013, New York, USA
Honorable Mention, Best Eco-Conscious or
Socially Conscious Hotel category: Hotel
Hornitos
- IIDA Best Interiors Latin America & the
Caribbean 2013
International Interior Design Association,
USA
Honorable Mention, Hotels category: Hotel
Hornitos
- Next Landmark Competition, Italy
Finalist: House Marcelo Ríos
- Americas Property Awards 2014, L.A, USA
Winner: Best Architecture Hotel: Hotel
Hornitos
- Americas Property Awards 2014, L.A, USA
Highly Commended Single Residence
Architecture: House Marcelo Rios
- BBB Beyond Building Barcelona 2015,
Barcelona España.
Finalist: Lo Matta Cultural Centre
- AR Faith Awards
Winner: Capilla Totihue
- Premio Iberoamericano a la mejor
intervención del patrimonio edificado.
Winner: Capilla Totihue
- Faith & Form / IFRAA Awards 2016, USA.
New Facilities Award.
Winner: Capilla Totihue
- Arcmarathon Awards 2017, USA
Award: Re-thinking
Winner: Capilla Totihue
- Prix Versailles 2018, Paris Francia.
Exterior Stores Continental Prize Winner.
(Central America, South America and the
Caribbean): Porcelanosa Store.
- Prix Versailles 2018, Paris Francia.
Exterior Stores World Prize Winner:
Porcelanosa Store.
- AR Future Awards 2019, UK.
Winner: Centro Deportivo Lo Barnechea.
- Faith & Form Awards 2019, USA.
Sacred Landscape
Ganador: Mausoleo presidente Aylwin.
2.2 Significant Work
Honors
- Premio Ministerio de Educación 1983,
Gobierno de Chile
Award for the Best degree Project, by
Chilean Government
- Premio 50 Años Pizarreño 1983, Colegio de
Arquitectos de Chile
Award for the Best degree Project, by
Colegio de Arquitectos de Chile
- Professor Degree and Foundation Member,
1988
Asociación Ex Alumnos Pontificia
Universidad Católica de Chile
- Premio Alberto Risopatrón 1989, Colegio
de Arquitectos de Chile
Award that recognized the work of an
architect in the trade union of Colegio de
Arquitectos de Chile.
- Premio Artevia Lafarge / AOA 2006
Award that recognized the architectural
innovation in concrete work.
- Premio a la Trayectoria 2008, Universidad
Mayor de San Andrés, Bolivia.
Award that recognized the professional
career of an Architect.
- Arcprospect International Foundation
Council Member (2009 - 2012)
- 100 Architects of the year 2012
UIA Union Internationale des Architectes -
KIA Korean Institute of Architects, Korea
-Premio "Embajador para la era digital" en el
ámbito de Ciudad inteligente
(conectividad, salud y armonía urbana),
Fundación QUEVEO, Santiago de Chile.
Recognition to a citizen (architect or not)
who makes a good job by digital social
networks in the matters of intelligent city,
connectivity and/or health.
- CLAPES UC, Centro Latinoamericano de
Políticas Económicas y Sociales.
Council Member (2014 - )
- Brick Award, “Premio a la Trayectoria”,
Chile. 2018
2.2 Significant Work
Architectural Contest. Winner
- Edificio San Pablo, 1977 (completed)
- Edificio Amapolas, 1979 (completed)
- Edificio Terrado Blanco, 1991 (completed)
- Edificio Comercial Cerro Castillo, Chile
1991 (completed)
- Edificio Compañía Chilena de Tabacos y
Embajada Británica, 1991(completed)
- Colegio Nido de Águilas, 1993
(completed)
- MIM Museo Interactivo Mirador, 1999
(completed)
- Centro de Formación Espiritual Monte
Schöenstatt, 2006 (completed)
21
- Plaza y Estacionamientos Públicos Lo
Castillo, 2007 (completed)
- Miele Gallery, 2007 (completed)
- Edificio Consistorial Lo Barnechea, 2013
(construction process)
- Piscina Municipal Lo Barnechea, 2014
(design process)
- Barrio la Viña, 74 houses (design process)
2.3 Publications
Books
- XIX Bienal de Arquitectura de Chile 2015.
Catalogue Book, Chile. 2015
Center of Traditions
- Premio Biennale Internazionale
Di Architettura Barbara Cappochin
Catalogue, Italy 2013
45 Emergency Chapels and Memorial 9
- 100 Architects of the Year 2012,
Korean Institute of Architects, Korea 2012
Chilean Police Museum, Theater and
Cultural Centre
- Eme3 International Architectural Festival
Catalogue, COAC Barcelona, Spain 2012
45 Emergency Chapels
- Fire, Crime & Accident, Braun Publishing,
Switzerland 2012, 18° Fire Station
- In Green! Public Architecture, IFeng Space
Press, China 2011, Miele Gallery
- Highlights Architecture, Shanglin Edition,
China 2011
El Parque Neighborhood and Chilean Police
Museum, Theater and Cultural Centre
- Thematic Museums, Design Media
Publishing, Hong Kong 2011
Chilean Police Museum, Theater and
Cultural Centre
- Blanca Montaña, Arquitectura reciente en
Chile, Puro Chile Ediciones, Chile 2010
Glamis apartments and 18° Fire Station
- Design and Dialogue, Interview with 127
Interior Designers, China 2008
Interview with Gonzalo Mardones
- Arquitectura Contemporánea, Editorial
Kolon, Spain 2008
18° Fire Station
- ARCHITECTURAMA, Architectures a’ vivre,
France 2006
Gonzalo Mardones
- Houses of the world, TRAMA Ediciones,
Ecuador 2006
House RE and House VA
2.3 Publications
Periodicals
- ArquiTK Magazine, México.
N°89, 90 and 91, 2015
Hornitos Hotel, House for Marcelo Ríos,
Terraza Offices
- Hinge Magazine, Hong Kong
N°227, September 2014
Hornitos Hotel
- AOA Asociación de Oficinas de
Arquitectos Magazine, Chile
N° 24, December 2013
Cumarú Restaurant
- Casa Galería Magazine, Costa Rica
N° 55, December – January 2014
House for Marcelo Ríos
- Megaluz Magazine, Argentina
N° 70, November – December 2013
Hornitos Hotel (Featured on Cover)
- Ambientes Magazine, Chile
N°19, November – December 2013
Hornitos Hotel
- C3 Magazine, Korea
N° 349, 2013
Hornitos Hotel
- Urban Land Magazine, USA
February 2013
Article: ULX Technical Beauty; Ignacia
Apartments
- Arkinka Magazine, Peru
N° 206, January 2013
Memorial 9
- Contract Magazine, IIDA Best Interiors of
Latina America Winners Issue, USA
N° 53, December 2012
Cumarú Restaurant
- Faith & Form Magazine, Annual Awards
Issue, USA
Vol. XLV, N° 4 / 2012
Memorial 9
- AI Architecture of Israel quarterly, Projects
of the Year 2012 Awards Issue, Israel
N° 91, November 2012
Chilean Police Museum, Theater and
Cultural Centre
- Todoobras Architecture Newspaper, Chile
N° 119, October 2012
Gonzalo Mardones Interview (Featured on
Cover)
- Il Giornalle della Architettura, Italy
N° 109, October 2012
News section: 45 Emergency Chapels
- Drevo & Staby Magazine, Czech Republic
N° 6/2012
Cumarú Restaurant
- Arquine Mag., Mexico, N° 61, 2012
Memorial 9
- A&C Architecture and Culture Mag., Korea
22
N° 370 March 2012
Miele Gallery
- Enlace Magazine, Mexico
2012
Memorial 9
- AI Architecture of Israel quarterly, Project
of the Year 2011 Awards Issue, Israel
N° 87, November 2011
Memorial 9
- C3 Magazine, Korea
N° 323, 2011
Memorial 9
- Construir Contemporaneas Magazine,
Brazil, N° 03, 2011
House SMA
- IA&B Indian Architect and Builder
Magazine, India, N° 24, July 2011
Memorial 9
- Varandas Magazine, Brazil
N° 11, 2011
House TA (Featured on Cover)
- Domus plus Magazine, China, N° 16, 2011
Glamis apartments
- Todoobras Architecture Newspaper,
Argentina, N° 80, 2011
Article about Gonzalo Mardones lectures in
Argentina
- AI Architecture of Israel quarterly, Israel
N° 85, May 2011
Gonzalo Mardones architecture studio
- Architecture & Detail, Glass Construction,
China edition, China, 2011, Miele Gallery
- 30-60 Magazine, Argentina
N° 28, 2011
3 Houses in Cachagua
- Summa+ Magazine, Argentina
N° 111, Noviembre 2010
18° Fire Station
- Varandas Magazine, Brazil
N° 05, 2010
House BE (featured on cover)
- Summa+ Magazine, Argentina
N° 99, February 2009
Gonzalo Mardones architecture studio
- AAA Archivos de Arquitectura Antillana
Magazine, Dominican Republic
N° 33, 2009
Glamis apartments and Vanguardia
building
- Ambijenti Magazine, Serbia
N° 36, 2008
Gonzalo Mardones architecture studio and
Vanguardia building
- Attitude Magazine, Portugal
N° 23, September – October 2008
Gonzalo Mardones architecture studio
- ARQ Magazine, Chile
N° 69, August 2008
Glamis apartments
- White Unlimited, Denmark
N° 02, 2007
Box building
- Retail Design International, USA
July 2007
Columbia Store (featured on Cover)
- RD2 Magazine, Argentina
N° 57, 2007
House RE (featured on cover)
- Summa+ Magazine, Argentina
N° 87, June 2007
Glamis apartments
- Piso Magazine, Mexico
N° 11, 2007
18° Fire Station
23
3 _ EXHIBITS LIST
3.1 _ Glamis Apartments
Santiago de Chile
Completed: 2004
Photographer: Gonzalo Mardones
Architects
3.2 _ Hornitos Hotel
Antofagasta, Chile
Completed: 2013
Photographer: Nico Saieh
3.3 _ Police Museum, Theater and Cultural
Center
Santiago de Chile
Completed: 2010
Photographer: Nico Saieh
3.4 _ Miele Gallery
Santiago de Chile
Completed: 2011
Photographer: Nico Saieh
3.5 _ Center of Traditions
Santiago de Chile
Completed: 2014
Photographer: Nico Saieh
3.6 _ House for Marcelo Rios
Santiago de Chile
Completed: 2012
Photographer: Nico Saieh
3.7 _ Ignacia Apartments
Santiago de Chile
Completed: 2012
Photographer: Nico Saieh
3.8 _ El Parque Neighborhood / 34 houses
Santiago de Chile
Completed: 2005
Photographer: Gonzalo Mardones
Architects
3.9 _ M9 / Memorial for 9 girls
Santiago de Chile
Completed: 2011
Photographers: Nico Saieh and Pedro
Mutis
3.10 _ Terraza Offices
Santiago de Chile
Completed: 2015
Photographers: Nico Saieh
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3.1 _ Glamis Apartments
Design Firm and Firm Record: Gonzalo Mardones V. Architects
Completion date: 2004
Design Architect, Project Manager
The challenge offered by this building was to resolve the theme of apartments with
varied programs within a 25’ 7”. frontage. Additionally, the Golf Club’s building code, in
this specific case of “remnant site” obliged the building to be restricted to a straight
bay, not allowing any element to project forward from the façades. In view of these
two conditions the design proposes the following:
First: the program is resolved mainly in the section, as the apartments are intercalated
vertically and horizontally in a spatial interplay, searching for natural light on the basis of
set-backs and balconies.
Second: the building sits on the ground by means of two larges 98-foot-long walls (East
and West façades) which contain a series of openings and windows of different sizes
that reflect the internal program. At the entrance, the building conforms its urban
façade with a system of horizontal windows and a coronation above which frames the
entrance.
Third: from a constructive point of view the building is resolved with concrete
incorporating titanium dioxide and a system of phenolic molds with 5-inch-wide planks,
which have been designed and modulated on the basis of the geometry of the
windows, sills, beams and walls. The exterior is completely white and all the doors,
windows and joinery items are in cedar wood.
Fourth: all the elements of the façades establish a composition of strict correspondence
with squares and rectangles in such a way as to ensure that the voids, light,
transparency and framing of views give each space its own identity, in the manner of a
photographer’s lens.
Awards Received:
- Bronze Medal, Bienal de Miami 2007.
- Plataforma Arquitectura Building of the Year, Third Prize, 2007.
- Artevia Lafarge Prize, 2006.
- Shortlisted World Architecture Community Awards, 3º Cycle, 2009
- Shortlisted WAN Residential Sector Awards 2009.
Publications:
- Summa+ Magazine N° 87, Argentina.
- Arq Magazine N°69, Chile
- AAA Magazine N°33, Dominican Republic.
- Best Selection of Shanglin, Hong Kong.
25
- White Mountain, Recent architecture in Chile Book, Chile.
- Domus Plus Magazine N°16, China.
- Architector Magazine N° 50, Argentina.
- East Side Magazine N°30, Chile.
26
27
3.2 _ Hornitos Hotel
Design Firm and Firm Record: Gonzalo Mardones V. Architects
Completion date: 2013
Design Architect, Project Manager
The hotel for the Caja de Compensación Los Andes in Hornitos locates on a plateau
over a promontory 32 meters above sea level in the Atacama Desert, North of Chile. As
this is a privileged and immaculate place, the main challenge was to intervene trying to
be the less invasive possible. Therefore, we opted for a semi-buried architectural layout
carried out horizontally with a larger volume containing the hotel, and smaller volumes
scattered on the land (cabins), in order to cover the immediate area and join the
vastness of the desert. Every volume has been made of reinforced concrete pigmented
with the colors of the desert intensifying the intention of mimesis to try to pass
unnoticed.
The hotel has 5800 m2 and 38 rooms, other 36 in 18 cabins, an outdoor swimming pool,
an indoor heated-swimming pool, auditorium, meeting rooms, dining rooms, lounges,
gyms, etc.
The strong sunshine, proper from the Atacama Desert, is controlled by a sequence of
intermediate spaces that allow a gradual transfer from the protected places to the
ones exposed to the sun. Common circulations and spaces of the hotel are mostly
open, generating air currents that allow constant air circulation. The building protects
itself from the sun setting with eaves and lattices. The roof, treated as a relaxation
place, a terrace to stay and watch the sea and the distant landscape, is a great deck
creating under itself an air chamber that allows to ventilate the roof and keep it
isolated from the direct sunshine affecting the adequate air conditioning in the internal
spaces of the hotel. The complex is provided with water directly from the sea having
inside the facilities a salt water treatment plant, which cleans water to be used and
deposits remaining salts into an indoor pool next to the hotel access.
Awards Received:
- The Americas Property Awards 2014. UK. Winner Best Hotel Architecture.
- IIDA Best Interiors Latin America & the Caribbean 2013, USA. Honorable Mention
Categoría Hoteles.
- Gold Key Awards for Excellence in Hospitality Design 2013, USA. Honorable Mention,
Best Eco-Conscious or Socially Conscious Hotel.
- XIV Bienal Internacional de Arquitectura de Buenos Aires, Argentina 2013 - Exhibition
Publications:
- ArquiteTK Magazine N°90, México
- Gonzalo Mardones Book, Chile
- Hinge Magazine N° 227, Hong Kong.
- Chic House Magazine N° 179, Mexico.
28
- Megaluz Magazine N° 70, Argentina.
- AOA N°24, Chile.
- C3 Magazine N° 349, Korea.
- Ambientes Magazine N°96, Chile.
29
30
3.3 _ Police Museum, Theater and Cultural Center
Design Firm and Firm Record: Gonzalo Mardones V. Architects
Completion date: 2010
Design Architect, Project Manager
The Project for the new museum and the historic museum renovation was an order for
the General Director Alejandro Bernales (R.I.P)
The idea of Carabineros de Chile consists in the challenge to get the expansion of the
old museum and the new museum highlights the historical value.
A first consideration is to hollow and redesign the interior of the historic building
preserving the façades and getting a new spatial interior. Paintings white all the
façades and interiors and getting the connectivity between the new and the
renovation and the intervention.
A second action is the architectonic idea to cave and put the buildings in several levels
underground. Then we obtain the double purpose to not touch the park and the trees
of the site and to highlight the historic building that now reflects the façades in two big
water mirrors to Antonio Varas Avenue.
Then it a building that gets the most spaces underground but getting natural light for
interiors patios and cracks that permits a path also for the exterior.
All the façades of the new volumes are resolved with Concrete incorporating titanium
dioxide and a system of phenolic molds with 5-inch-wide planks.
The white walls highlighted in the abstract between the intense green of the trees and
the green roofs of the buildings.
The program also provides the showrooms of museums, the cultural center's
administrative offices; an underground parking building and a theater with capacity for
740 people with boxes allowing the orchestra and the choir of the police play along.
The theater is resolved entire in Cedar wood and the waving roofing permits an
acoustic experience and an excellence vision. In the same level is the cafeteria and
restaurant with an expansion to exterior terraces that permits good ventilation and
natural lighting.
Awards Received:
- World Architecture Community Awards, 10º Cycle 2011, Winner.
- XIII Bienal Internacional de Arquitectura de Buenos Aires, Argentina 2011 - Exhibition.
- AI Architecture Israel Project of the Year 2012, Third Place.
Publications:
- Gonzalo Mardones Book, Chile
- Area Magazine N°128, Italy.
- Architecture Highlights 4, Shanglin Edition, China.
31
- Adhoc Magazine, Mexico.
- D+A Magazine N°23, Chile.
- Thematic Museums Book, Design Media Publishing Ltd., Hong Kong.
- AI Architecture Israel Magazine N°91, Israel.
- Architectural Digest Magazine, Mexico.
- H.O.M.E Magazine July/August 2012, Austria /Germany
32
33
3.4 _ Miele Gallery
Design Firm and Firm Record: Gonzalo Mardones V. Architects
Completion date: 2011
Design Architect, Project Manager
Chosen by Miele for this architecture competition, the site is a residential neighborhood
with residences in low, medium and high density, surrounded by parks and squares. It is
in close proximity to the new City Council Building and Bicentenario Park.
Nueva Costanera Avenue is an important commercial and cultural street full of art
galleries, restaurants, banks and shops.
Our architectonic proposal is a building that opens to the corner (the most public
place) in a play of façades of concrete and inclined crystals. These façades permit
light to reflect, and the transparency of the building creates a large display window for
the street, both people and vehicles.
The interior result of the idea permits the connectivity of all the levels. Spaces are
architectonic labyrinths paths that are even penetrating the underground spaces, a
unique possibility of light and natural ventilation.
A permanent in our work (sixth façade) is a double purpose: increase the land (scarce
resource) and increase offices and exhibition area around to open and semi open
spaces that combine intimacy and openness. Burying and open to the underground
and enable a new landscape which highlights the compressed presence of near walls
as a doorway to the sky.
The circulation path into the entire building was created in red steel (red is the Miele
corporate color) leaving a contrast to the materiality of the building, white concrete
with titanium dioxide incorporated. This red strip distinguishes over the white as a fauve
and runs over all levels to the roof.
The roof is conceived as the fifth façade creating a big terrace with a bar, a meeting
place in the height of the foliages. From there can see the immensity of the Andes
Mountain, the hills and the green of the neighborhood. As in all our works, also we insist
in the use of dividing walls as architectonic support (seventh façade). In this case the
walls of both streets characterize a new panorama, making a new landscape possible
and a new place for the building. This project represents the culmination of ongoing
dialogues between client and architect, essential to our way of seeing and
understanding the architectural design process. In this as in many cases the client story
allows many inspirations and ideas that integrate into the architecture.
Awards Received:
- The Americas Property Awards in association with Bloomberg Television, London,
England, Winner Best Mixed-use Architecture.
- The Americas Property Awards in association with Bloomberg Television 2011, Londres,
England, Five Star Building.
- XIII Bienal Internacional de Arquitectura de Buenos Aires, Argentina 2011 - Exhibition.
- World Architecture Community Awards, 10º Cycle, 2011. Shortlisted.
34
Publications:
- Gonzalo Mardones Book, Chile
- Architecture Highlights 6 Shanglin Edition, China.
- H.O.M.E Magazine July/August 2012, Austria /Germany.
- Casas & Mas Magazine N° 154, Mexico.
- Architecture and Culture Magazine N°370, South Korea.
- World´s Best 2011 Americas Property Awards book.
- Architecture & Detail, China.
- In Green book, Dopress, China.
35
36
3.5 _ Center of Traditions
Design Firm and Firm Record: Gonzalo Mardones V. Architects
Completion date: 2014
Design Architect, Project Manager
The Center of Traditions is a cultural and social operation itself that locates on Lo
Barnechea Avenue, the main street of the Town Lo Barnechea, and belongs to the
commune with the same name. It is found in the Andean foothills of the eastern area of
the city Santiago de Chile, a place where families with high economic contrast live.
The building has spaces and infrastructure to promote community encounter and
cultural heritage. The cultural project aims to benefit more than 6000 students from
municipal and subsidized schools in the commune, in addition to the 13 folk groups,
that aim rescuing the roots of Lo Barnechea. For this, the building houses spaces for
theater workshops, visual arts, craftworks, handiworks, music, film, literature, board
games, ecology and environment, dance, arts and traditional cuisine, among others.
Placed in a corner lot, the cultural center was planned to open to the public roadway,
creating an outdoor amphitheater which is the extension of the public space, where
the acts and cultural events are exposed to pedestrians; and a large hall that runs
through the whole building, connecting levels and enhancing the encounter inside of it.
The building was designed in reinforced concrete, achieving large open spaces, so as
to shelter and incorporate the public space; with glazed facades open to the street,
showing the inner life of the cultural center like a shop window and hermetic facades
respecting the privacy of neighboring houses. The structure was reinforced with tubular
steel columns, which were arranged without apparent order; traverse the whole inner
height of the building, giving it measure and a playful character. The opposition of
open (glazed) and closed (hermetic) facades also show the position of the project
regarding capture of natural light and sunshine: they are open facades which allow
lighting the building (facing south), and hermetic facades to protect it from the sun
(facing north and west).
With a total area of 1,425 m2, the cultural center has two levels above the natural
ground level and two underground levels. The use of subsoil (the "sixth facade") can
extend the available surface (being the ground increasingly getting scarce), creating
bright and airy rooms through light courtyards and the main hall. Within the
underground enclosures is the main room, which is located under the amphitheater,
allowing great inner height and adequate acoustics for music, dance, etc.
The entire building has been finished in white, with the intention of enhancing the
natural light inside the building, and to be a milestone and a support (a blank page) to
the city, in order to develop the artistic and cultural skills of residents from Lo Barnechea.
Awards Received:
- XIX Bienal de Arquitectura de Chile, Selection.
37
Publications:
- XIX Bienal de Arquitectura de Chile, Selection.
- Gonzalo Mardones Book, Chile
- AOA Magazine N°24, Chile
38
39
3.6 _ House for Marcelo Rios
Design Firm and Firm Record: Gonzalo Mardones V. Architects
Completion date: 2012
Design Architect, Project Manager
The house for Marcelo Rios and his family comes from the order of this former tennis
player, also former World No. 1. It’s located in Valle Escondido, a place enclosed on the
foothills of Santiago de Chile within a stunning natural environment and a privileged
view to the hills and the golf course.
The house places at middle levels, adapting to the slope. Also, it’s half-buried in order to
appreciate and see the magnificent natural scenery from the access road. The roofs,
themes from the distance, were enabled as an expanding large terrace: a place to
stay, to enjoy the views, the environment and sunshine. The continuous roofs to the
terrace surface were designed with natural vegetation and grass, but Marcelo, like
every time he visited Wimbledon says that “The grass is for cows" so we decided to
implement a roof with synthetic grass. The artificial grass was installed on rafters, which
allowed generating an air bed that protects the cover from direct sunlight, preventing
from overheating and affecting the air conditioning inside the house.
The entrance hall acts like a kneecap that relates and distributes the different levels
generating inside a sum of continuous merged spaces seeking the views to the garden,
the golf course, the remote landscape and natural light. The house was designed with
two opposite faces: one closed to the street with walls containing internal circulations
bathed in zenithal lighting and courtyards, and a second face completely open to the
terraces, the garden and views protected from the sunlight with wide eaves and
beams.
We chose to use just one material, the exposed concrete, adding titanium dioxide to
the concrete in order to whiten it. Recently, nanotechnology studies have shown that
titanium dioxide added to the concrete helps eliminating toxic gases produced by
cars, like trees do. (Although that was not our aim but whitening the concrete, but we
believe that if it’s true, is good news). Every wall, opening, window, window sill, etc, has
been faceted with a 12 cm module obtained from the measure of the phenolic sheets.
The use of the subsoil, what we call the sixth façade, is present in rooms that open,
ventilate and illuminate through courtyards and the extension of the foundation to the
terrace. The subsoil houses a games room, a trophy room and a cinema.
The whole interior is white in order to enhance the brightness in the house. As the white
color makes the light bounce, this is strained and controlled through courtyards and
side zenithal openings. The floor and skirting boards help with the idea of white in the
interior. For that, bone color ceramic tiles in format 120 x 60 cm have been used. Large
windows are made of aluminum, helping with the monochromatic white image of the
house.
The garden was designed as a raised platform over the golf course, where it is possible
to see it but not to be exposed to it.
40
Awards Received:
- Spark Space Awards 2013, USA. Winner Gold Award.
- Next Landmark Competition 2014, Italia, Finalist.
- The Americas Property Awards 2014. UK. Highly Commended Architecture Single
Residence
Publications:
- ArquiTK Magazine N°88, México
- Gonzalo Mardones Book, Chile.
- Inmobiliare Magazine N°34, Brasil.
- Chic Haus Magazine N°179, Mexico.
- Grand Designs Magazine N°120, UK.
- Casa Galeria Magazine N°55, Costa Rica.
- Chic Haus Magazine N°174, Mexico.
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42
3.7 _ Ignacia Apartments
Design Firm and Firm Record: Gonzalo Mardones V. Architects
Completion date: 2012
Design Architect, Project Manager
The Ignacia Apartments Is placed in Santiago de Chile, in a neighborhood with
residences in low, medium and high density, surrounded by parks and squares and the
presence of the north hills, the Mountains and the proximity of the Mapocho River. The
investment operation consists in an atypical operation; instead of selling apartments sell
square meters. Each owner buys the square meters for develop by order the apartment
for the program of their needs.
Ignacia is a group of four large square footage apartments consisting in two volumes
with two apartments each. The volumes, with a rectangular floor plan, have three
complete floors and a fourth floor which is set back allowing the use of the roofs as
terraces and swimming pools (Fifth façade). Also, the project includes the use of the
habitable underground. (We call it the sixth façade) Penetrate the underground
spaces is a unique possibility of light and natural ventilation. Burying and open to the
underground and enable a new landscape which highlights the compressed presence
of near walls as a doorway to the sky.
As in all our works, also we insist in the use of dividing walls as architectonic support
(seventh façade). In this case the division walls characterize a new panorama, making
a new landscape possible and a new place for the building.
The four apartments have the special condition being that they are all different, both
regarding their programs and their square footage. Each apartment has at least two
levels and each one is accessed through a double height space.
The program is resolved mainly in the section, as the apartments are intercalated
vertically and horizontally in a spatial interplay, searching for natural light on the basis of
set-backs and balconies.
The sustainability of Ignacia building is principally by the use of the fifth, sixth and
seventh façades. These permits separate the building, heat and cold, creating natural
isolation, ventilation and lighting.
The importance of using and controlling the natural light and shadow permitted a
bioclimatic proposal and the creation of intermediate spaces that permits the use of
the interior spaces to stay, play and rest with natural light all day long.
Also, each dwelling sets with the rooms to the north (sun). A correct orientation and
solar panels on the roofs contributed to the energy saving.
The only element that unifies all the apartments is the materiality and the terminations.
Only one material reinforces the idea of a unique volume: the concrete. The interiors
are entirely white that permits more luminosity, reflecting the light. Doors, windows and
carpentries were in cedar wood.
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From a constructive point of view the building is resolved with concrete incorporating
titanium dioxide and a system of phenolic molds with 5-inch-wide planks, which have
been designed and modulated on the basis of the geometry of the windows, sills,
beams and walls.
Awards Received:
- LEAF Awards 2012, Residential Building of the Year, London, Finalist.
- World Architecture Community Awards 13 Cycle, 2013, Winner.
Publications:
- Gonzalo Mardones Book, Chile.
- Architecture Highlights 6 Shanglin Edition, China.
- Urban Land Magazine, USA.
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3.8 _ El Parque Neighborhood / 34 houses
Design Firm and Firm Record: Gonzalo Mardones V. Architects
Completion date: 2005
Design Architect, Project Manager
This is a housing development of 34 homes with large square footage, all different, set
on the slopes of a hill to the east of Santiago. The arrangement is developed along 3
parallel streets from which one enters the houses through their upper floors. These are
developed over two or three storeys, with the garden remaining on the lower level and
one level above the following street. The plots are contained by stone walls, which
combined with the volumes and materiality of the houses (organic texture) give unity to
the development. From the streets and between the houses we discover the impressive
view these have, from inside towards the valleys and hills to the east of Santiago.
Awards Received:
- Bienal Medallion, Bienal Miami 2009 (Built Projects)
- Gold Medal, Bienal de Miami 2009 (Multi Family House)
Publications:
- Architecture Highlights 4, Shanglin Edition, China.
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3.9 _ M9 / Memorial for 9 girls
Design Firm and Firm Record: Gonzalo Mardones V. Architects
Completion date: 2011
Design Architect, Project Manager
The place opens like a dialogue from the love of Mary at the foot of the Cross.
The Manquehue hill is the backdrop that contrasts with the sky. The evocation of nature
reaches the relief of a sacred place. The superposition of the inner circle in front of the
geometry of the ramp that descends makes clear the connection between the spirit
and human reincarnation. Between the sacred - divine and reason. The work takes
primary forms which are easily recognizable. Should be left to attract curiosity and fall
within the oratory ‘Virgen del Parque’. The work is constructed from the underground
and opening up to the sky through a concrete cone of nine feet in diameter. 9 lanterns,
9 modules symbolize the 9 girls who left earlier. Is the presence of divine light, light that
allows gravitate concrete forms, its contours, its plains, leaving them in the park in order
to make apparent the dimension of sky. In other words: the interiorization of the sky and
the light into the center of gravity of the ground. Above is sky. The folds of concrete
were shown as a human gesture with which the architecture welcomes a gathering
place, a place of refuge, a meeting place within the park.
It is accessed by a ramp 16 meters long with a 12% slope to reach the memorial oratory.
In the geometric center were planted a magnolia, this tree is the only of nature that has
9 leaves into each one of its flowers. From a constructive point of view the oratory is
resolved with concrete incorporating titanium dioxide and a system of phenolic molds.
The floor is paving stones the manner to a carpet horizontal and inclined in a green
slope of grass.
As protection guardrail system used a tempered glass embedded in concrete
elements. A band of concrete on the paved surface to create a bench that faced with
the presence of the Virgin welcomes 9 candles and 27 smaller candles which are
inserted into the folds of concrete.
Awards Received:
- 6th Biennial of Architecture “Barbara Cappochin” 2013, Padova, Italy. Finalist. 40 Best
International Projects.
- Faith & Form / IFRAA Awards 2012 - Sacred Landscape, Winner.
- WAF11 World Architecture Festival 2011 - Civic and Community, Shortlisted.
- AI Architecture Israel Project of the Year 2011, Finalist.
- World Architecture Community Awards, 10º Cycle, 2011, Shortlisted.
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Publications:
- Gonzalo Mardones Book, Chile.
- Premio Biennale Internazionale di Archittetura Barbara Cappochin book.
- AI Architecture Israel Magazine N°87, Israel.
- C3 Magazine N° 323, Korea.
- AOA Magazine N° 17, Chile.
- Exkema Magazine N° 10, Colombia.
- Enlace Magazine, Mexico.
- IA&B, Indian Architect and Builder Magazine, India.
- Anuario AOA 2010 - 2011, Chile.
- Arquine Magazine N° 61, Mexico.
- Faith & Form Annual Award Issue, USA.
- Arkinka Magazine N° 206, Peru.
- Area Magazine N°128, Italy.
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3.10 _ Terraza Offices
Design Firm and Firm Record: Gonzalo Mardones V. Architects
Completion date: 2015
Design Architect, Project Manager
A radical architectural element was chosen: the building refuses to the west (sun) with
a large blind wall with ventilated façade that forms a gap of 6 stories high for
circulation, turning into a great hall that naturally ventilates and lights up the whole
building. This emphatic stance resulted in an energy efficient building that is LEED Silver
Certified.
All facades have been worked in dark gray porcelanato (unique material) format 120 x
60 cm installed as a ventilated façade. The dark color helps absorption and the
ventilated system helps to cool the walls in summer and to warm them in winter.
The cover has been worked as a great green terrace, to be in communion with the
imposing mountains that encase the Ciudad Empresarial: a magnificent natural
environment.
Honors:
- Selected Project XV Bienal de Arquitectura Buenos Aires 2015, Argentina.
- LEED Silver Certified.
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Gonzalo Mardones Workshop