Going Pro by Scott Bourne and Skip Cohen - Excerpt

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Transcript of Going Pro by Scott Bourne and Skip Cohen - Excerpt

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    http://www.randomhouse.com/crownhttp://itunes.apple.com/us/book/isbn9780817435790http://books.google.com/ebooks?as_brr=5&q=9780817435790http://www.indiebound.org/book/9780817435790http://search.barnesandnoble.com/Going-Pro/Scott-Bourne/e/9780817435790?isbsrc=Y&cm_mmc=Random%20House-_-RandomHouse.com%20Outbound%20Link-_-RandomHouse.com%20Outbound%20Link-_-RandomHouse.com%20Outbound%20Link,%20AFFILIATES-_-Linkshare-_-VD9*lkiWNd8-_-10:1http://www.amazon.com/gp/product/0817435794?ie=UTF8&tag=randohouseinc2-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0817435794
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    CHAPTER

    SOMEWHERE ALONG LIFES path, somebody put a camera in

    your hand and you discovered that you love taking pictures.

    You may have been a child playing with an inexpensive

    point-and-shoot. Maybe you got caught up in the excitement

    of digital photography just a few years ago, capturing

    great moments on vacations. Whenever you got hooked, if

    youre reading this book, youre thinking about developing

    a business around selling your photographs. If you can sell

    someone a photo, you have communicated with that person.

    You have created a story that is compelling enough to cause

    others to feel, think, or reactyouve established a dialogue.

    You have communicated so successfully that someone is

    willing to give up money for your image. In short, you have

    broken into the world of professional photography.

    1

    Define Your

    Niche

    PHOTOS BY (CLOCKWISE FROM TOP CENTER): TAMARA LACKEY; BAMBI CANTRELL;

    SCOTT BOURNE; CHASE JARVIS; VINCENT LAFORET; TAMARA LACKEY

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    GOING PRO

    14

    Find Your Passion

    Professional photography is divided into

    different specialties. For the purposes of

    this book, they are: commercial, wedding,

    portraiture, nature/wildlife, photojournalism,

    fine art, and everything else. The everything

    else category includes scientific, medical,

    architectural, and forensic imagery, just to

    name a few.

    Each category is further defined with a

    series of subgroups. For example, within the

    portrait category the subjects include babies,

    children, family, high school seniors, boudoir,

    business, and pets. Every subject has its own

    marketing vehicles, unique demographics,

    and in many cases might require different

    equipmenta variation of focal lengths in

    lenses, for example (a portrait of a baby wil l

    require a different focal length lens than

    a scenic landscape will). You will require

    different gear for on-location portraiture than

    you will for studio work.

    Wheres the best place to start? Lets first figure out your niche. If youre

    going to sell photographs and do something beyond leasing a booth once

    a year at the local craft fair, youve got to define the various specialties

    and where your passion for creating images and starting a new business

    best fits. Simply put, you have to define your niche.

    Sometimes the most powerful

    images are those that comprise

    elements that our eyes take

    for granted.

    LEFT: PHOTO BY EDDIE TAPP

    RIGHT: PHOTO BY CHASE JARVIS

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    Your Personality Skill Set and Your Niche

    Wedding photographers, for example,

    need to be sensitive, be understanding

    of the human spirit, and have excellent

    communication skills. They seem to rally

    with the stress of helping their clients

    meet the challenges of the wedding day.

    Remember, they have these qualities in

    addition to their unmatched knowledge of

    photography.

    On the other hand, a photographer

    specializing in nature/wildlife photography

    is comfortable being alone and often will

    be described as having incredible patience,

    willing to sit in the duck blind for hours to

    capture that one unique image.

    Whatever the niche youre about to

    choose, consider your personality. Think

    about what you enjoy photographingthe most. If you like peace, solitude, and

    control then youre more likely to do well

    in commercial or nature/wildlife than you

    will as a wedding or portrait photographer.

    If you like the freedom to simply create

    and work by yourself, then fine art might

    be a stronger choice. If youre going to

    work to become one of the worlds leading

    photojournalists, then you have to be

    comfortable being on call, just like a

    doctor. You have to love spontaneity to

    the point of being ready to drop whatever

    youre doing at any time and picking up

    your camera.

    Deciding on the niche that best suits

    your personality, passion, and skill set is

    the first step. From there it s a short jump

    to marketing, building your brand, and

    blogging and using other social media tools

    to create awareness for the purposes of

    building your business.

    The old expression to thine own self be true could not be more important

    than when youre working to define your niche. The big question arises:

    Does your personality match the niche in which you want to specialize?

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    GOING PRO

    20

    GOING PRO

    20

    Portraiture

    As the name implies, studio portraiture

    requires a studio, backdrops, studio lights,

    often some props, and an understanding of

    lighting and posing techniques. This is typically

    a more formal style of portraiture. Location

    portraitureallows you tophotograph your

    subjects in their environment. You have less

    control over various aspects of the image, but

    by incorporating the environment, you can

    add more personality to the image and tell

    a story. This style is especially popular

    for photographing children, who reveal more

    of their personalities as they interact with

    their toys, pets, and siblings. Its no different

    with adults.

    Portraiture, along with fine art, is probably the broadest of all the categories,

    and encompasses two broad subcategories: studio work and location shooting.

    Depth of field plays a strong role in portraiture.

    PHOTO BY MICHAEL CORSENTINO

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    GOING PRO

    24

    Portraiture Specialties

    CHILDRENS PHOTOGRAPHY includes babies.

    UNDERCLASS PHOTOGRAPHY refers to your basic class photos of kids in school who

    are not seniors. This requires high-volume shooting, literally one portrait after another,

    usually under contract with a school system.

    SENIOR PHOTOGRAPHY may well be the fastest-growing specialty within professional

    portraiture and often the most fun. Senior shoots are often photography events that

    resemble fashion shoots, with props and several clothing changes.

    FAMILY PORTRAITURE today tends to be casual, revealing more personality.

    BRIDAL PORTRAITURE is not usually considered to be a separate specialty in the United

    States (as it is overseas), but virtually every wedding will require at least one traditional

    portrait of the bride by herself and one of the bride and groom together.

    BUSINESS PORTRAITURE still often implies a traditional headshot, but theres been a

    long-standing trend to bring the vocation of the subject into the image.

    ENVIRONMENTAL BUSINESS PORTRAITURE involves photographing subjects with a

    wider-angle lens and bringing their place of work or a vocation-related component into

    the background.

    PET PHOTOGRAPHY is popular and lucrative. People love their pets and consider them

    to be members of the family, but there arent many photographers who specialize in

    pet portraiture.

    Within the category of portraiture are many subspecialties, from children

    to business executives to family pets. With such a wide range of subject

    matter, its little wonder that portraiture is one of the most lucrative niches

    of photography. In fact, capturing images of brides, babies, and pets are the

    three most popular reasons people hire a professional photographer. Lets

    take a quick look at the many subcategories.

    On-location childrens photography has become bigbusiness, but theres still nothing like a high-key portraitsuch as the one at bottom left.

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    32

    Commercial

    You can also reap considerable financial

    rewards, since commercial clients usually have

    big photography budgets. A few good jobs can

    make your year. The rewards of commercial

    photography dont necessarily come easily.

    This work is usually assigned by largeadvertising agencies, and to get it you have

    to have a spectacular portfolio, as well as a

    distinct style and usually a specialty. Emerging

    commercial shooters need to focus on getting

    their books seen. Competing in national

    contests, showing up on the appropriate

    forums, and doing lots of networking among

    marketing and communication professionals

    helps (well show you more ideas in chapter 4 ).

    Pricing and bidding are probably more

    important in commercial photography than in

    just about any other photographic discipline.

    Youll need to be able to explain to clients whythe job costs what it does, and what youre

    going to do with their money to justify their

    investment in you. Success in commercial

    photography will probably come slower than it

    might in wedding photography, but if its your

    passion, you can get there.

    Look at the images in Graphis, Adweek, and Communication Arts. If this is

    the kind of work you want to do and think you can do, commercial photo-

    graphy may be for you. With success in commercial photography, youll have

    the satisfaction of seeing your work on national television and in major

    magazine ads.

    Nick Vedros, often taking

    his inspiration from the

    cartoonist Gary Larson,

    brings humor into many

    of his images.

    PHOTO BY NICK VEDROS

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    GOING PRO

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    GOING PRO

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    Nature / Wildlife

    Many amateurs like to dabble in nature

    photography, and this makes it even harder to

    succeed. Nature photography is also probably

    the lowest paying of all the photographic

    specialties, because there is so much compe-

    tition. If someone has a picture of Old Faithfuland is willing to license it for less than you

    are, youll have a hard time convincing the

    buyer that your shot is better than his, or than

    the million other photos of Old Faithful out

    there. Dont be discouraged, however. Nature

    and wildlife photography will always be in

    demand. If you want to get paid in sunshine

    and are willing to specialize and market

    yourself, you can be happy in this category.

    To stand out in this crowded field

    you need to devote most of your time to

    marketing, not to making photographs. Sales

    outlets include publishers of books, calendars,

    and postcards, producers of fine art nature/

    wildlife prints, and stock and advertisingagencies.

    Concentrating on a niche is one way to

    make money in these markets, and innovators

    who find new ways to productize their

    work will find the most success. Scott Bourne

    created a successful stock agency selling his

    photographs of birds. For buyers who needed

    only bird images, this single source was much

    easier to use than stock agencies offering

    photographs of thousands of subjects.

    Nature photography also provides rare

    opportunities to speak for the animals.

    Wildlife photographers enter the world of

    photojournalism as they document the plight

    of so many incredible animals whose natural

    habitats are being destroyed daily.

    Just think: Who wouldnt want to get paid to go to national parks and lovely

    stretches of wilderness to take photographs? While the call of the wild is

    strong, the prospect of making a living as a nature and wildlife photographer is

    not. This is a highly competitive category, and for every nature photographer

    who succeeds, a thousand others do not.

    I see wildlife photography as aresponsibility and every image as an

    opportunity to speak for the animals.

    PHOTOS BY SCOTT BOURNE

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    http://www.randomhouse.com/crownhttp://itunes.apple.com/us/book/isbn9780817435790http://books.google.com/ebooks?as_brr=5&q=9780817435790http://www.indiebound.org/book/9780817435790http://search.barnesandnoble.com/Going-Pro/Scott-Bourne/e/9780817435790?isbsrc=Y&cm_mmc=Random%20House-_-RandomHouse.com%20Outbound%20Link-_-RandomHouse.com%20Outbound%20Link-_-RandomHouse.com%20Outbound%20Link,%20AFFILIATES-_-Linkshare-_-VD9*lkiWNd8-_-10:1http://www.amazon.com/gp/product/0817435794?ie=UTF8&tag=randohouseinc2-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0817435794