Glenn Gould, Musical Ontology, and the Filmmaking Analogy Garreth Broesche • SMT 2014 !

Image 1: Page 3 from Gould’s marked-up copy of Brahms’s Ballade, Op. 10, No. 1

Image 2: Screenshot of Audacity file - author’s recreation of Gould’s finalized performance of the Ballade

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1-1 1-3

3-2

continues

5-2

4-14 4-19

3-2 (conʼt)

Image 3: Complete score of the Ballade, showing final splice-points

Image 4: Screenshot of Audacity file, Take 2 - highlighted passage to be replaced by Insert 3 !!!

Image 5: Screenshot of Audacity file, Master - highlighted passage replaced by Insert 3

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