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ASH WEDNESDAY –

PENTECOST

FEBRUARY 10, 2016 –

MAY 15, 2016

IS A COMMON MUSICAL REPERTOIRE REALLY

POSSIBLE FOR A MULTICULTURAL PARISH?

MINISTERING MERCY THROUGH MUSIC

KNOW YOUR STORY, KNOW YOUR WAY

V O L U M E 2 7 No1

HYMNALS

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GIA PUBLICATIONS, INC.

These pages contain

the songs we sing when

we are welcoming

we are departing

we are joyful

we are reflective

we are grieving

we are celebrating

we are praying

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C O N T E N T S

5 EDITOR’S PAGE

6 IS A COMMON MUSICAL REPERTOIRE REALLY POSSIBLE FOR A

MULTICULTURAL PARISH? By Mark Francis

8 NEW RELEASES

10 MINISTERING MERCY THROUGH MUSIC

By Rory Cooney

Pastoral Musicain Pro Tips12 RECRUITING NEW MEMBERS INTO MUSIC

MINISTRY By Stephen Petrunak

Hymn Texts Master Class14 “ABUNDANT LIFE” By Judith Kubicki

16 NAVIGATING ORGAN ACCOMPANIMENTS FOR EASTER

By Michele Johns

African American Music Master Class18 FUTURE GIANTS OF AFRICAN AMERICAN

CHURCH MUSIC—PART 4 By Emmett G. Price III

Hispanic Music Master Class20 MUSIC FOR A LENTEN COMMUNAL

CELEBRATION OF RECONCILIATION By Dolores Martinez

Choral Master Class22 WANT SMARTER SINGERS? GROW THEM! By Gerald Custer

Focus26 ACHING FOR GOD By Ronald Raab

With this new edition of the GIA Quarterly we at GIA Publications, Inc. are pleased and honored to welcome Nick Wagner as the new editor. Nick is well known throughout the country as a leader and trainer in liturgical and catechetical ministries. For over thirty years, Nick has been at the forefront of pastoral teaching, empowering countless ministers and catechists throughout the country, gently challenging all to a renewed understanding of liturgy and catechesis. As a friend and colleague over the years, I have always been impressed with Nick’s knowledge, passion, and deep pastoral spirit. We are grateful for his willingness to partner with GIA in its continued service to a diverse church in music and liturgy.

—David AndersonFor all of us at GIA Publications, Inc.

A S P E C I A L W E L C O M E

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EDITORNick Wagner

PUBLISHERAlec Harris

COPY EDITORNeil Borgstrom

LITURGY PLANNINGEd Kaczuk

Fred Moleck

Letters to the editor may be sent toGIAQ@giamusic.com or to our postal address.

Layout and Design: Andrew Schultz

VOLUME 27 NUMBER 1The GIA Quarterly is published four times a year by GIA Publications, Inc., 7404 S. Mason Ave., Chicago, IL 60638. Address all advertising and editorial correspondence to GIA Quarterly, 7404 S. Mason Ave., Chicago, IL 60638. (708) 496-3800. © 2015 GIA Publications, Inc. All rights reserved. Reproduction in whole or in part without written

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C O N T E N T S { c o n t i n u e d }

28 PREPARATION PAGES

February 10 Ash WednesdayFebruary 14 First Sunday of LentFebruary 21 Second Sunday of LentFebruary 28 Third Sunday of LentMarch 6 Fourth Sunday of LentMarch 13 Fifth Sunday of Lent KNOW YOUR STORY, KNOW YOUR WAY

March 20 Palm Sunday of the Lord’s PassionMarch 24–26 The Easter Triduum Thursday of the Lords’ Supper Good Friday Easter VigilMarch 27 Easter SundayApril 3 Second Sunday of Easter

(Divine Mercy Sunday)April 10 Third Sunday of EasterApril 17 Fourth Sunday of EasterApril 24 Fifth Sunday of EasterMay 1 Sixth Sunday of EasterMay 5, 8 Ascension of the LordMay 8 Seventh Sunday of EasterMay 15 Pentecost Sunday

48 ONE MORE THING . . . By David Anderson

50 CALENDAR OF EVENTS

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a l i t u r g i c a l m u s i c j o u r n a l

S I N G I N GA S o n e

NICK WAGNER | EDITORNick Wagner is a writer and editor in San José,

California. He is also the cofounder of TeamRCIA.com. Send comments to him at

nick@teamrcia.com.

Twenty-two years ago, I was sitting in the third pew on the right, between two sprawling Hispanic families, at my first Easter Vigil in my new home, San José, California. The liturgy was advertised as “bilingual,” but I was hearing very little English. I was increasingly unsure I’d be able to participate much in the ritual. And then we began to sing. I didn’t know what the words meant, but thanks to Sr. Paul Mary’s excellent first-grade pedagogy, I knew how to sound them out. And thanks to the Tejano rhythms, which reminded me of German polkas, my body began to resonate with those around me. Frederick Delius said, “Music is an outburst of the soul.” I grew up singing Ray Repp and the St. Louis Jesuits with all my heart, enlivened by the folk rhythms and “coolness” of doing something trendy. I certainly knew that music could transcend the ordinary. But it wasn’t until I sang in a foreign land that I realized how powerful music could be. It was not just an outburst of my soul, but of all the souls, becoming one pulsing song of praise. In this issue, Mark Francis, CSV, questions the notion that music is a universal language. “Music is a cultural product,” he writes, “much like literature, painting and sculpture. It reflects the time and cultural milieu that gave it birth” (page 6). I’m not sure I realized it at the time, but my willingness to cross over into a new culture had more to do with my ability to sing that

night than did the “universality” of the music. Even in culturally homogeneous parishes, we experience musical divides. Music alone, as powerful as it is, won’t bridge chasms we are unwilling to cross. We have to choose to go outside of our safe places. Rory Cooney challenges us: “Make room for other peoples’ music. We’re not here to worship art. We’re here to worship God, made visible in Jesus Christ, a crucified rabbi” (page 11). Since that Easter Vigil, I have sung Korean, Vietnamese, Tagalog, and lots and lots of Spanish without completely understanding what I was singing. But I have always known who I was singing with and who we were singing to. Music won’t meld us into one culture. But it can make us one people. —NW

| V O L U M E 2 7 N U M B E R 1 G I A Q U A R T E R L Y1 2

petrunakSTEPHEN

“IF I CAN GET MEMBERS TO JOIN, I CAN KEEP THEM; IT’S JUST GETTING THEM TO JOIN THAT IS THE STRUGGLE.”

Sound familiar? Why is finding new members so difficult? It doesn’t have to be. There are effective strategies for recruiting new members into music ministry.

Start with Good Music Who wants to be a part of a music ministry that’s uninspiring? Your first step for recruiting new members is an honest and thorough evaluation of the music making. • Does the music you choose enhance the worship experience? • Is the music sung and played well? • Do the cantors and singers sing the music with emotion and feeling?

Well-led and well-executed music will attract new members who are itching to be a part of an effective ministry! Sometimes we worry about making the music so good that it dissuades new people from joining. That won’t happen if you are approachable and welcoming. Encourage newbies to give music ministry a try. Your ability to build relationships will make the recruiting effort a success.

Building Relationships So how do you build relationships? Start with your current members and build healthy relationships with them first. Get to know them. Help them feel connected with you and go “the extra mile” whenever needed. And when good relationships are formed between you and your members, your members will also build strong relationships with each other. Once you’ve done that, your relationships with your members will be noticeable to everyone in the parish. Prospective new members can sense the relational environment of the ministry from as far away as the pew. They see the interaction between director and members, and can feel the connection that exists when relationships are healthy and strong. When it’s evident that the leader is respected and cared for by the existing members,

new members will desire to be a part of such a music ministry. Also, build up your relationship with the parish. Try these tips:

• Use an energetic, positive, and more “fun” approach when teaching the community new music • Write a weekly bulletin article that focuses on different elements of music • Be available right before liturgy to welcome and greet parishioners • Be available after Mass to chat

When a director has created a relationship with the community, prospective members will feel more courageous and be more willing to step forward to join the ministry.

The Director’s Invitations When you’ve got good music happening and good relationships happening, it’s time to invite musically talented members of the community to participate in the music ministry. Here are some dos and don’ts.

• Don’t invite through the general announcements at the beginning or end of Mass • Do write a weekly bulletin article and always include an invitation • Do make an annual invitation before Mass, perhaps in late August or early September • Do emphasize the importance of new members • Do emphasize the baptismal call to ministry • Do make direct one-on-one invitations as often as possible Direct invitations are by far the most effective. I keep my ears open for those voices that are strong and rise above others during liturgy. I even have “scouts” planted within the community, friends who also keep their ears open, who will point out to me a strong singer

RECRUITING new membersINTO mu s i c m i n i s t r y

p a s t o ra l mu s i c i an

P R O T I P S

G I A Q U A R T E R L Y V O L U M E 2 7 N U M B E R 1 | 1 3

STEPHEN PETRUNAK is the director of music at St. Blase Catholic Community

in Sterling Heights, Michigan, and is a GIA recording artist.

right at the conclusion of the liturgy. I also elicit the help of cantors and choir members who may not be scheduled for a particular weekend and strongly encourage them to invite strong-singing worshipers, or at least point them out to me after liturgy. When a strong singer is discovered, I will go directly up to them and ask them to join the music ministry. There is no other better form of recruitment than a face-to-face invitation by the director! Many of the current singers of our ministries joined over the years because I personally invited them.

The Member’s Invitation Another promising source for recruiting new members lies within the current members themselves. Two naturally good starting times exist in music ministry for new members: early fall (just after Labor Day) and the beginning of a new year.

• Ask existing members if they know of anyone who may be interested in joining our music ministry. • Challenge them to find just one person who would be willing to give singing in a choir a try. • Gently remind them that if each of them found just one new member, our choir would double in size over night!

The more established a choir or ensemble becomes, the more the actual recruitment effort happens from within the members themselves. When an existing member loves the work of their ministry, they can’t help but “spread the word” to their friends. They want to share their positive, rewarding, and uplifting experience with others, so they often invite new members to the ministry. Existing members can indeed become the most important source for recruiting new members.

Create a Children’s Choir One way of building a lasting music ministry is by creating vibrant children’s and teen choirs. These choirs not only enhance the sung worship of a community in a unique way, but they can also serve as a great source for future adult singers. Question an adult choir member, and most will reveal their own participation in a children’s choir in their younger years. A strong youth music ministry can help perpetuate the program for years down the road.

Festival of Ministries Another idea for recruitment is to have a “Festival of Ministries” weekend where all of the church ministries are revealed and displayed. Often, some community members are not even aware of what different ministries exist or that their participation is even desired. A “Festival of Ministries” allows leaders of all ministries to share information about their ministry with the community while also recruiting new members to help.

In Summary Recruiting new members is vitally critical to the long-term vibrancy and life of a music ministry. A comprehensive planned approach to recruitment can ensure the addition of new members for years to come. Below is a detailed list that reviews the important elements of such a planned approach to recruiting new members into music ministry.

• Recruit by example, by presenting well- chosen and well-executed music at all liturgies • Write weekly (at least regular) music-based articles in the bulletin that help establish a relationship with the community and that can include an invitation to join • Make an annual general announcement asking for new members • Plant scouts in the community who can help identify strong singing members • Ask existing members to identify strong singers in the community when they are not scheduled • Ask existing members to find new members through their own invitations • Create viable children’s and teen music ministries that can naturally feed into the adult ministries • Do a “Festival of Ministries” event where community members can be invited into all ministries

ASHWEDNESDAYFEBRUARY 10

PSALM 51 IS THE CLASSIC PSALM OF REPENTANCE authored by King David in his penitential mode of sinfulness because of his affair with Bathsheba and his ordering the mur-der of her husband. The account can be found in 2 Samuel 11:1–4. The Psalm once again launches Lent. It does cause one to reflect on one’s personal faults, such as being late for ap-pointments and maybe a little bit of stretching one’s account of finances with the yearly IRS report. No one is perfect. Lent 2015 provides another opportunity to cultivate some form of an “examination of conscience.” Paul’s Second letter to the Corinthians gives us some hope.

Working together, then, we appeal to you not to receive the grace of God in vain. For he says: “In an acceptable time I heard you and on the day of salvation I helped you.” . . . Behold, now is the day of salvation.

CHORAL SELECTIONS

Ash Wednesday begins that salvation, continuing in the re-maining forty days of Lent, the fifty days of Easter, and there-after. Verses 14 and 17 of Psalm 51 give us the direction: “Give me back the joy of your salvation, and a willing spirit sustain in me. O Lord, open my lips, and my mouth shall proclaim your praise.” Fifty days from now, we insert another addition to our praise: “Alleluia. Alleluia. Alleluia!” So, now we begin again.

—FM

READINGS [219]Joel 2:12–18Psalm 51:3–4, 5–6ab, 12–13, 14 and 17 (℟ see 3a)2 Corinthians 5:20–6:2Matthew 6:1–6, 16–1

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HYMN SELECTIONS W4 W3 G3 GC2 GC LM2 LM RS OCAgain We Keep This Solemn Fast 474 420 487 407 382 559 400Ashes 962 852 883 957 Dust and Ashes 468 392 381 539 Forty Days and Forty Nights 466 419 483 411 384 288 42 401Hear Us, Almighty Lord 473 414 387 552 402Hoy Perdóname 785Just a Closer Walk with Thee 783 156 Lord, Who throughout These Forty Days 461 417 479 416 392 285 40 553 410Make Us Turn to You 958 Merciful God 478 489 Oh Lord, Have Mercy 531 Parce Domine 469 416 473 412 383 549 414Penitential Litany / Hold Us in Your Mercy 494 398 398 291 Remember You Are Dust 469 391 287 415Return to God / Volvamos Hoy a Nuestro Dios 475 478 410 389 555 406Return to the Lord 471 415 Seek the Lord 395 540 399The Glory of These Forty Days 467 422 481 397 388 284 32 545 407What Does the Lord Require 748 624 785

2 8 V O L U M E 2 7 N U M B E R 1 G I A Q U A R T E R L Y

Come Back to the Lord Leo Nestor (unison, assembly, organ, easy) . . . . . . . . . . . . . G-8227Don’t Turn Away Chris de Silva (sab, cantor, assembly, guitar, kybd, opt violin, cello, easy) . . G-7574Entrance Antiphons for Lent Normand Gouin (cantor, satb, assembly, organ, easy) . . . . G-8521In the Shadow of God (Introits for Lent) Paul Tate / Ken Macek (satb/unison, cantor, assembly, kybd, opt. cello, easy) . . . . . . G-8079

Make Us Turn to You: Song of Repentance Paul Inwood (unison, cantor, assembly, guitar, kybd, easy) . . . g-6728Merciful God: A Ritual Song for Lent Tony Alonso / Mary Louise Bringle (sab, cantor, assembly, guitar, kybd, easy) . . . . . . . . . . . . . . g-7587Remember You Are Dust Paul Tate (2 voices, cantor, assembly, guitar, kybd, c inst, easy) . . . . . . g-6289Return to the Lord Paul Tate (2 voices, cantor, assembly, guitar, kybd, c inst, easy) . . . . . . g-6295Sign Us with Ashes William Rowan / Mary Louis Bringle (satb, assembly, opt c inst, easy) g-6588Sustained by Faith Chris de Silva (satb, cantor, assembly, guitar, kybd, easy) . . . g-8313

CHORAL SELECTIONS

HYMN SELECTIONS W4 W3 G3 GC2 GC LM2 LM RS OCAgain We Keep This Solemn Fast 474 420 487 407 382 559 400Change Our Hearts 493 414 394 Come Out the Wilderness 506 258 Dust and Ashes 468 392 381 539 Forty Days and Forty Nights 466 419 483 411 384 288 42 401From Ashes to the Living Font 463 474 402 561 412Jesus, Lead the Way 715 611 732 632 642 755 Jesus, Tempted in the Desert 459 290 548 Lead Me, Guide Me 657 656 555 574 538 168 712 557Lord, Who throughout These Forty Days 461 417 479 416 392 285 40 553 410O Sun of Justice 471 424 544 On Eagle’s Wings 690 691 593 611 585 740 578Praise to You, O Christ Our Savior 591 596 517 515 652 499The Glory of These Forty Days 467 422 481 397 388 284 32 545 407The Kingdom of God 720 615 736 639 655 775 602This Is the Time of Fullfillment 472 556 404Thy Way, O Lord 518 39 Una Mirada de Fe / A Single Glimmer of Faith 563Yield Not to Temptation 770 174

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Before the Fruit Is Ripened by the Sun Randall Sensmeier / Thomas Troeger (2 voices or satb, organ, easy) . . . . . . . . . . . . . . . . . . . g-4027Bring Us Home Deanna Light, Paul Tate (satb, solo, assembly, guitar, kybd, easy) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . g-6296I Want Jesus to Walk with Me arr. Ronald Nelson (sa[t]b, kybd, easy) . . . . . . . . . . . . . g-3715Jesus Walked This Lonesome Valley arr. Jerome Lenk (satb, tenor/bass solo, easy–medium) . . . . . . . G-7250 arr. John Reager (satb, easy) . . . . . . . . . . . . . . . . . . . . g-4447

Let Us Worship the Lord Paul A. Tate (satb, solo, assembly, guitar, kybd, opt flute, easy) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . g-6672Not by Bread Alone Donald J. Reagan (satb, assembly, guitar, kybd, easy) . . . g-2648Passion Chorale: Lenten Processional Jeremy Young (sab, kybd, percussion, easy) . . . . . . . . . . . . . . . g-4354Shadows from the Cross Randall Sensmeier / Herman G. Stuempfle Jr. (sb, kybd, easy) g-6173Song of the Temptation David Haas / Sylvia Dunstan (unison, kybd, easy) . . . . . . . . . g-5186

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HYMN SELECTIONS W4 W3 G3 GC2 GC LM2 LM RS OCAgain We Keep This Solemn Fast 474 420 487 407 382 559 400Change Our Hearts 493 414 394 Come Out the Wilderness 506 258 Dust and Ashes 468 392 381 539 Forty Days and Forty Nights 466 419* 483 411 384 288 42 401From Ashes to the Living Font 463 474 402 561 412Jesus, Lead the Way 715 611 732 632 642 755 Jesus, Tempted in the Desert 459* 290 548* Lead Me, Guide Me 657 656 555 574 538 168 712 557Lord, Who throughout These Forty Days 461 417 479 416 392 285 40 553 410O Sun of Justice 471 424 544 On Eagle’s Wings 690 691 593 611 585 740 578Praise to You, O Christ Our Savior 591 596 517 515 652 499The Glory of These Forty Days 467 422 481 397 388 284 32 545 407The Kingdom of God 720 615 736 639 655 775 602This Is the Time of Fullfillment 472 556 404Thy Way, O Lord 518 39 Una Mirada de Fe / A Single Glimmer of Faith 563Yield Not to Temptation 770 174

THE EXPRESSION “THE DEVIL MADE ME DO IT!” comes up in conversations with some witty people who are making fun of a failed turn on the turnpike or an accidental breaking of a family’s heirloom teacup. There is nothing witty in today’s gospel about Jesus’ encounter with the devil, who tempted him three times during his forty days in the desert. Jesus’ final response is adamant: “‘You shall not put the Lord, your God, to the test.’ When the devil had finished every temptation, he departed from him for a time.” We do have private moments when we deal with personal frustrations regarding family or friends that cause some friction and generate some heated words between one another. Such times diminish the frustration of a failed turn or the broken teacup. Nothing is more fragile than human relationships, and when they are broken both parties could be devastated emotionally. Reflection on what happened could border on

your personal “devil” who made you to do it. Both parties “did it” to each other, but parties still have sensitivities that could be expressed to each other. The possibility of restoration of the relationship becomes a reality. Dialogue is necessary. Shared prayer is a good path to restoration. The antiphon for today’s Psalm 91—“Be with me, Lord, when I am in trouble”—is a good start.

—FM

READINGS [24]Deuteronomy 26:4–1Psalm 91:1–2, 10–11, 12–13, 14–15 (℟ see 15b)Romans 10:8–13Luke 4:1–13

Before the Fruit Is Ripened by the Sun Randall Sensmeier / Thomas Troeger (2 voices or satb, organ, easy) . . . . . . . . . . . . . . . . . . . g-4027Bring Us Home Deanna Light, Paul Tate (satb, solo, assembly, guitar, kybd, easy) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . g-6296I Want Jesus to Walk with Me arr. Ronald Nelson (sa[t]b, kybd, easy) . . . . . . . . . . . . . g-3715Jesus Walked This Lonesome Valley arr. Jerome Lenk (satb, tenor/bass solo, easy–medium) . . . . . . . G-7250 arr. John Reager (satb, easy) . . . . . . . . . . . . . . . . . . . . g-4447

Let Us Worship the Lord Paul A. Tate (satb, solo, assembly, guitar, kybd, opt flute, easy) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . g-6672Not by Bread Alone Donald J. Reagan (satb, assembly, guitar, kybd, easy) . . . g-2648Passion Chorale: Lenten Processional Jeremy Young (sab, kybd, percussion, easy) . . . . . . . . . . . . . . . g-4354Shadows from the Cross Randall Sensmeier / Herman G. Stuempfle Jr. (sb, kybd, easy) g-6173Song of the Temptation David Haas / Sylvia Dunstan (unison, kybd, easy) . . . . . . . . . g-5186

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CALENDAR of EVENTS

2015 Fri., Oct. 23Tony Alonso, Marty HaugenEvening ConcertAtlanta, GAImmaculate Heart of Mary Churchhttp://ihmatlanta.org

Thu., Nov. 5 – Sat., Nov. 7Tony Alonso, Joe Camacho, Kate Cuddy, Bobby Fisher, David Haas, Marty Haugen, Michael Joncas, Lori TrueWorkshops, Concert, LiturgiesBig Island Liturgy and Arts ConferenceHonolulu, HIhttps://marianistbilac.wordpress.com

Sat., Nov. 7James AbbingtonSing to the RaftersBridgeport, CTMessiah Baptist ChurchRegistration: 800-442-1358 or www.giamusic.com

Sun., Dec. 6David Haas, Marty Haugen, Michael JoncasConcert Southside Family Nurturing CenterRoseville, MNSt. Rose of Lima Churchwww.ssfnc.org

2016Thu., Jan. 28 - Sat., Jan. 30 Robert J. Batastini, Swee Hong Lim, Emmett G. Price III, Adam M. L. Tice, John WitvlietPanelists, Presenters Calvin Symposium on Worship Grand Rapids, MICalvin Collegehttp://worship.calvin.edu/symposium/

Fri., Feb. 19 – Sun., Feb. 21Susan Briehl, Marty HaugenWorkshopsIdaho Discipleship ConferenceBoise, IDhttp://idahodiscipleship.blogspot.com

Thu., Feb. 25 – Sat., Feb. 27Tony Alonso, David Anderson, Jeanne Cotter, Chris de Silva, Rob Galea, David Haas, Marty Haugen, Michael Joncas, Liam Lawton, Donna Peña, GIA ExhibitLA Religious Education CongressAnaheim, CAAnaheim Convention Centerwww.recongress.org/2016

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