George Frideric Handel (1685-1759) - SCRAG MOUNTAIN MUSIC

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Transcript of George Frideric Handel (1685-1759) - SCRAG MOUNTAIN MUSIC

George Frideric Handel (1685-1759) Messiah (1741)

Part 1:

1. Overture 2. Recit. — Comfort ye my people [Tenor] 3. Air — Ev’ry valley shall be exalted [Tenor] 4. Choral Reading — And the glory of the Lord 5. Recit. — Thus saith the Lord [Bass] 6. Air — But who may abide [Alto] 7. Choral Reading — And he shall purify 8. Recit. — Behold, a virgin shall conceive [Alto] 9. Air — O thou that tellest good tidings to Zion [Alto] 10. Recit — For behold, darkness shall cover the earth [Bass] 11. Air — The people that walked in darkness [Bass] 12. Choral Reading — For unto us a child is born 13. Pifa ('Pastoral Symphony’) [Instrumental] 14. Recit — There were shepherds abiding in the field…And lo, the angel of the Lord came upon them [Soprano] 15. Recit — And the angel said unto them [Soprano] 16. Recit — And suddenly there was with the angel [Soprano] 17. Choral Reading — Glory to God 18. Air — Rejoice greatly, O daughter of Zion [Soprano] 19. Recit. — Then shall the eyes of the blind [Alto] 20. Air — He shall feed his flock ---"version I in the Novella edition [Soprano] 21. Choral Reading — His yoke is easy, and his burthen is light

Part 2:

24. Choral Reading — Surely he hath borne our griefs 29. Recit. — Thy rebuke hath broken his heart [Tenor] 30. Air — Behold, and see if there be any sorrow [Tenor] 31. Recit. — He was cut off out of the land of the living [Tenor] 32. Air — But thou didst not leave his soul in hell [Tenor] 37. Choral Reading — The Lord gave the word 38. Air — How beautiful are the feet [Soprano] 40. Air — Why do the nations so furiously rage together? [Bass] 41. Choral Reading — Let us break their bonds asunder 42. Recit. — He that dwelleth in heaven [Tenor] 43. Air — Thou shalt break them [Tenor] 44. Hallelujah [All] * Amen [All]

Mary Bonhag, soprano Kelly Guerra, mezzo soprano

Daniel McGrew, tenor Erik Kroncke, bass

Mary Jane Austin, piano Lynnette Combs, piano Eric Sedgwick, piano

VT Philharmonic Chorus Readers Robert Griffin Lisa Jablow Mich Kabay Lotta Suter

Stuart Williams Carrie Youngblood

Nora Zablow

Artist Bios Soprano Mary Bonhag captivates audiences around the country with her “marvelous versatility” and “supple, expressive” voice (San Antonio News). As a new music specialist Mary made her Carnegie Hall solo debut in 2009 and orchestral debut with the American Symphony Orchestra in the same year. She is co-Artistic Director of Scrag Mountain Music with her husband, composer and double bassist Evan Premo. A consummate collaborator, Mary has performed with the Aizuri Quartet, Decoda, Spektral Quartet, as well as festivals around the country including Cactus Pear (TX), San Francisco Contemporary Players, 21st Century Consort, Tanglewood, New Music on the Point, and Yellow Barn. As a recitalist, she has been presented at Dartmouth, Smith, and Goucher colleges, and at the University of Vermont. marybonhagsoprano.com

Peruvian-American mezzo-soprano Kelly Guerra was noted as a “standout” in the Wall Street Journal, for her performance with the Tanglewood Music Center as Mrs. Doc in Leonard Bernstein's A Quiet Place. In Spring 2021, Kelly will sing Zweite Dame in Lighthouse Opera's Die Zauberflöte and will sing with the Metropolitan Opera Guild. During the 2019-20 season, Guerra was an Opera Santa Barbara Chrisman Studio Artist where she covered the roles of Suzuki in Madama Butterfly and Donna Rosa in Il Postino. Guerra has been featured at the Lucerne Festival, Tanglewood Music Center, and the Bard Music Festival. Guerra has performed with a variety of ensembles including the Albany Symphony, Santa Barbara Symphony, Garden State Philharmonic, The Orchestra Now, Contemporaneous, Opera Parallèle and BluePrint. As a first-generation American and native of Southern California, Kelly is passionate about producing projects that raise awareness and monetary aid for detained immigrants in the USA as well as performing excellent music composed by underrepresented groups. She holds a D.M.A from UC Santa Barbara, her master’s in music from the Bard College Conservatory, and her bachelor’s from the San Francisco Conservatory of Music, where she graduated with an award of Vocal Excellence.

Praised for his “lovely, nuanced tenor” (Boston Musical Intelligencer), Daniel McGrew is an active performer of a broad range of repertoires spanning opera, musical theatre, early, and new musics. He has recently appeared in recital with Brooklyn Art Song Society, Five Boroughs Music Festival, Mirror Visions Ensemble, New York Festival of Song, and the University Musical Society, where he joined Martin Katz and three other singers for performances comprising the complete Mörike Songs of Hugo Wolf. In 2019, Daniel spent his inaugural summer at the Marlboro Music Festival. Before that, at Tanglewood he performed the role of François in Bernstein’s A Quiet Place and participated in the annual Festival of Contemporary Music with a performance of Kurtág’s Three Ancient Inscriptions the Boston Globe called “viciously beautiful.” An early music specialist, Daniel has performed Bach with conductors including Matthew Halls, John Harbison, David Hill, and Masaaki Suzuki, and toured India and the Baltic region with Juilliard415 and Yale University’s Schola Cantorum. Beyond the classical repertory, he has participated in concerts including the symphonic premier of James Lapine’s Sondheim on Sondheim with the Boston Pops Orchestra and David Loud’s Sondheim revue, A Good Thing Going. Daniel holds degrees from Oberlin Conservatory and Yale University and recently completed his doctoral work at the University of Michigan.

Erik Kroncke has been in demand as Fiesco in Simon Boccanegra, Philip II in Don Carlo, Enrico VIII in Anna Bolena, Leporello in Don Giovanni, Ramphis in Aida, and Mephistopheles in Faust. He has appeared with Sarasota Opera, Opera San José, Chautauqua Opera, Opera Colorado, New Jersey Verismo Opera, Green Mountain Opera, and Austin Lyric Opera, among others. He was an award winner of the Gerda Lissner vocal competition in 2010, the American Wagner and St. Bonaventura award winner from the Liederkranz competition in 2008, and a winner of the 2002 and 2003 Friedrich Schorr Vocal Competition. His symphonic and oratorio performances have included engagements with the National Chorale, Sarasota Opera Orchestra, Chautauqua Symphony, New York Philharmonic, Korean Philharmonic, and the American Classical Orchestra, as well as appearances in “The Three Basses” concerts. In the last year, Erik sang the bass solo in Beethoven's Ninth Symphony with the National Chorale at Lincoln Center, and the role of Tackleton in the North American premier of Zandonai’s Il Grillo del Focolare with Teatro Grattacielo. He also opened the 27th season of the Capriccio concert series in recital with pianist Mary Jane Austin. He will be performing more recitals with Ms. Austin throughout the United States as well as in the Vermont Virtuosi concert series. He has performed in opera concerts in Oderzo and Feltre, Italy every summer since 2011. Erik is a student of Claudia Pinza.

Mary Jane Austin earned her bachelor’s degree at the Cleveland Institute of Music, where she studied with Olga Radosavljevich and Vivian Weilerstein. She then pursued graduate studies in vocal coaching and accompanying, studying both art song and opera at Duquesne University with Warren Jones and Claudia Pinza. She has worked as an accompanist and coach for six summers at the EPCASO opera program in Oderzo, Italy, with mezzo-soprano Vivica Genaux, soprano Young Ok Shin, and baritones Richard Bernstein and Michael Chioldi, among others. Closer to home, she co-founded the Sky Meadow Chamber Players in 2003, has worked at the Green Mountain Opera Festival as chorus pianist and repetiteur for their Emerging Artist Program, and has played with the Mad River Chorale, Onion River Chorus, Vermont Opera Theater and Echo Valley Community Arts. She has played for several silent films at the Vergennes Opera House. She is currently the organist at the Waterbury Congregational Church, accompanies the South Burlington Community Chorus and the Vermont Young Singers’ Chorus, and teaches at Johnson State College. Mary Jane Austin earned her bachelor’s degree at the Cleveland Institute of Music, where she studied with Olga Radosavljevich and Vivian Weilerstein. She then pursued graduate studies in vocal coaching and accompanying, studying both art song and opera at Duquesne University with Warren Jones and Claudia Pinza. She has worked as an accompanist and coach for six summers at the EPCASO opera program in Oderzo, Italy. Closer to home, she co-founded the Sky Meadow Chamber Players in 2003, has worked at the Green Mountain Opera Festival as chorus pianist and repetiteur for their Emerging Artist Program. She has played for several silent films at the Vergennes Opera House. She is currently the organist at the Waterbury Congregational Church, accompanies the South Burlington Community Chorus and the Vermont Young Singers’ Chorus, and teaches at Johnson State College.

Lynnette Combs is organist and choirmaster at Christ Episcopal Church in Montpelier. She first began accompanying for the Messiah when her sister brought home a score from college. She has played in numerous Messiah performances in Vermont and elsewhere, sometimes as part of the continuo section, and sometimes as the whole orchestra on piano or organ. Since graduating with a degree in music from Swarthmore and further study on the organ, Lynnette has worked in several churches as organist and choir director, and has played with many ensembles and choral groups in Vermont, on piano, harpsichord, and organ.

Eric Sedgwick has performed with many of music’s top talents including Leona Mitchell, Sanford Sylvan and Marni Nixon, Broadway leading ladies Sarah Rice, Carole Demas and Debra Monk, and English hornist Thomas Stacy of the New York Philharmonic. He is a staff vocal coach at the Manhattan School of Music, a staff accompanist for the Tanglewood Music Center, and has served as rehearsal pianist for the Boston Symphony Orchestra, under the batons of Michael Tilson Thomas, Bramwell Tovey, John Williams and Andris Nelsons. He is a regular pianist for events with the Metropolitan Opera Guild, and has worked for Carnegie Hall’s Music Education Workshops with Joyce DiDonato, as well as for the International Vocal Arts Institutes in New York and Montreal. On the west coast, he has been a longtime coach and music director for the OperaWorks training program in Los Angeles. Eric can be heard in the PBS series “The Heart of Art” as well as on the soundtracks for the prize-winning short films “Connection Lost (The Tinder Opera),” “Something Blue (The Bachelor Opera)” and “Someone Like Me (The Facebook Opera).” He was a winner of the Boston Steinway piano competition, and has premiered new works by composers Seymour Barab, J. Mark Stambaugh, Joelle Wallach, and Louis Hardin. He is a graduate of Manhattan School of Music and Brown University.

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