G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie...

34
229 © The Editor(s) (if applicable) and The Author(s) 2016 A. Thorpe, Performing China on the London Stage, DOI 10.1057/978-1-137-59786-1 Aierlan Xiju Yundong ᝋ⡮㱝ᡢ䙻अ Bali Sheng You Jingju Tuan ᐤ哾ऍ৻ӜBawang Bieji 䵨⦻Baishezhuan ⲭ㳷 Bei Deng Beijing Beifang Kunqu Juyuan ӜᴢBeijing Jingju Si Tuan ӜӜഋൈ Beijing Jingju Tuan ӜӜBeijing Jingju Yuan ӜӜBeijing Jingju Yuan Si Tuan ӜӜ䲒ഋൈ Beijingshi Xiqu Xuexiao Ӝᐲᡢᴢᆨṑ bu chang Change Benyue ᄖၕᴸ Changsheng Dian 䮧⭏⇯ chou с chujiang Chuanju Chuanqi da Da Fang daguo zhanlue བྷᡠ⮕ Da Jiao Zan ᢃ❖䌺 Da Qing Guo GLOSSARY OF CHINESE CHARACTERS

Transcript of G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie...

Page 1: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

229© The Editor(s) (if applicable) and The Author(s) 2016A. Thorpe, Performing China on the London Stage, DOI 10.1057/978-1-137-59786-1

Ai ’ erlan Xiju Yundong Bali Sheng You Jingju Tuan Bawang Bieji Baishezhuan Bei Deng Beijing Beifang Kunqu Juyuan Beijing Jingju Si Tuan Beijing Jingju Tuan Beijing Jingju Yuan Beijing Jingju Yuan Si Tuan Beijingshi Xiqu Xuexiao bu chang Chang ’ e Benyue Changsheng Dian chou chujiang Chuanju Chuanqi da Da Fang daguo zhanlue Da Jiao Zan Da Qing Guo

GLOSSARY OF CHINESE CHARACTERS

Page 2: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

230 GLOSSARY OF CHINESE CHARACTERS

Dangdai Chuanqi Juchang Dalian Jingju Tuan Damian Gang Danao Tiangong Da Yu Sha Jia dan Difangxi erhu fa Fengyun Hui Gezaixi Guangzhou Guoji Yueju Jie Guifei Zuijiu guzhuang xin xi Guoju Han Gong Qiu Heping gongchu wuxiang yuanze Hongzong Liema Hsiung Shih-yi see Xiong Shiyi Hongdeng Ji Honglou Meng houdi Hua wei Mei Huaju Hua Mulan Huilan Ji huqin Huo Fenghuang Jixiang Juchang Jiyulun jianyi jianzhu shi yishu Jiang Aibing jing jingbai Jingju Jingju Piaoyou Hui Ju Dagang kaimenqiang

Page 3: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

GLOSSARY OF CHINESE CHARACTERS 231

Kunju Chuanxisuo Kunju laodong gaizao lao sheng Lao Sheng Er liang xiang Li Yu Liang Shanbo yu Zhu Yingtai Liu Jipiao Liu Jinding Dazhan Yu Hong Lokseoi Mung Wui see Luoshui Meng Hui Long Hu Fengyun Hui long tao Lundun Gonghe Xiehui Lundun Jingkun Yanxishe Lundun Qiaosheng Quyishe Luoshui Meng Hui mang Mei Lanfang Mudanting nian Qingchun ban Mudanting Qiu Hu Xiqi qunzi ruxiang San Cha Kou San Da Tao Sanchun San ge Shijie Lilun sanran Sangyuan Hui Shanghai Jingju Yuan shen Shiwu Guan shiyan xiju shou shuaifa Shuang Pa Ai shuixiu Si Da Mai

Page 4: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

232 GLOSSARY OF CHINESE CHARACTERS

si da ming dan si ren bang Sishui Weilan Suo Ling Nang suona Suzhou Kunju Tuan Suzhou Shi Jingju Tuan Ta Ching Kuo see Da Qing Guo taoguang yanghui Tianjin Xiju Xueyuan Tiannü San Hua tingxi Wang Bao Chuan Wang Bao Chuan Wang Ganjiao Wang Jiasong Wangjiaban Wang Xiao Ganjiao Wangzi Fuchou Ji Wuhan Shi Jingju Tuan Xiqu Xi Xiang Ji Xi You Ji xinbian gudai xi Xiong Shiyi Xu Pipa Xue Shou Ji yan Yangmen Nü Jiang Yezhulin yi chao si qiang yi chu xi jiuhuo le yi ge juzhong You Long Xi Feng Yuwang Chengguo Yuanqu Xuan Yuanren Bai Zhong Qu Yueju Yueqin yunbai

Page 5: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

GLOSSARY OF CHINESE CHARACTERS 233

yunjian Yunnan Sheng Jingju Tuan Zaju Zai Liu Bei zhanmen Zhaoshi Gu Er zhe zhezixi Zhongguo Jingju Yuan Zhongguo Jingju Yuan San Tuan Zhongguo Jingju Yuan Yi Tuan Zhongguo Xiqu Xueyuan Zhongguo Yunnan Jingju Tuan zhui guochang zuo

Page 6: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

235© The Editor(s) (if applicable) and The Author(s) 2016A. Thorpe, Performing China on the London Stage, DOI 10.1057/978-1-137-59786-1

Alayrac-Fielding, V. (2009) ‘“Frailty, thy name is China”: women, chinoiserie and the threat of low culture in eighteenth-century England’, Women ’ s History Review , 18 (4), 659-668.

Allen, W. (1955) No title. London: Public Record Offi ce: FC1753/6A. Anon. (1691) The morals of Confucius , a Chinese philosopher who fl ourished above

fi ve hundred years before the coming of our Lord and Saviour Jesus Christ : being one of the most choicest pieces of learning remaining of that nation . London: Randall Taylor.

———. (1871) ‘A Chinese Theatre at California’, The Era , 23 April, 12. ———. (1883) ‘The International Fisheries Exhibition’ The Spectator , 19 May,

9-11. ———. (1884a) ‘Our Ladies’ Column. By One of Themselves’, Evening Telegraph ,

2 August, n.p. ———. (1884b) ‘Our Ladies’ Column. By One of Themselves’, The Western

Times , 16 August, 4. ———. (1885) ‘A Chinese Theatre in America’, The Daily News , 28 July. ———. (1891) ‘In a Chinese Theatre. By an Australian Journalist’, The Aberdeen

Journal , 6 October, 6. ———. (1893) ‘The Stage’, The Cornishman , 26 October, 5. ———. (1929) ‘Anna May Wong, A Chinese Actress in Film and Play, Never Been

to China’, no.pub. ———. (1934a) ‘Little Theatre’, The Times , 29 November. ———. (1934b) ‘A Celestial Play: Charm in the Chinese Manner’, no. title,

29 November. ———. (1934c) ‘Lady Precious Stream’, Straits Times , 29 November. ———. (1934d) ‘Lady Precious Stream’, Observer , 2 December.

BIBLIOGRAPHY

Page 7: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

236 BIBLIOGRAPHY

———. (1935) ‘London Notes and Comment’, The Yorkshire Post , 12 June. ———. (1938a) ‘The Theatres: A Chinese Romance’, The Times , 24 November,

12. ———. (1938b) ‘Torch Theatre: ‘The Western Chamber’, The Times , 8 December,

14. ———. (1939a) ‘New Theatre: ‘The Western Chamber’ by S.I.  Hsiung’, The

Times , 21 January, 10. ———. (1939b) ‘Ancient and Modern’, The Citizen , 23 January, 9. ———. (1939c) ‘“The Western Chamber” By S.I Hsiung’, The Observer , 23

January. ———. (1939d), ‘Kingsway Theatre’, The Times , 9 December, 4. ———. (1947) ‘Chinese Opera makes its London Début’, The Sketch , 22 January,

46. ———. (1950) ‘Arts Theatre’, The Times , 14 December, 8. ———. (1955a) ‘Palace Theatre: Chinese Players in a Classical Repertoire’, The

Times , 25 October. ———. (1955b) No title, The Illustrated London News , 5 November. ———. (1955c) Classical Theatre of the People ’ s Republic of China . London: Palace

Theatre. ———. (1956a) The Variety Theatre of China . London: Princes Theatre. ———. (1956b) ‘Chinese Music Hall’, The Daily Mail , 28 September. ———. (1957a) Chinese Classical Theatre . London: Theatre Royal, Drury Lane. ———. (1957b) ‘Chinese Players to London’, The Times , 12 August. ———. (1957c) ‘Oldest Operas Come to Life’, China Reconstructs , 6 (9), 31. ———. (1958) ‘Chinese Actors Call Off Performance, Protest at “Aggression

Against Arab People”’, The Times , 21 July. ———. (1979) ‘Premier Hua’s Visit to Britain: New Impetus for Closer

Co-operation’, Beijing Review , 22 (45), 8-9. ———. (2008) ‘Half price tickets for The Peony Pavilion at Sadler’s Wells’, Metro ,

2 June. Aoki Masaru . (1966) Zhongguo Jinshi Xiqushi [ , History

of Early Modern Chinese Drama ]. Wang Gulu (trans). Taipei: Taiwan Shangwu Yinshuguan.

Arts Council of England. (2008) What People Want from the Arts . London: Arts Council of England.

Arwas, V. (1980) Art Deco . London: Academy Editions. Ashton, S.R., Benett, G., Hamilton, K.A. (eds) (2002) Documents on British Policy

Overseas , Series I , Volume III , Britain and China , 1945 - 1950 . London: Crown House.

Asleson, R. (ed) (1999) A Passion for Performance : Sarah Siddons and Her Portraits . Los Angeles: J. Paul Getty Museum.

Attlick, D. (1978) The Shows of London . Cambridge, M.A.: Harvard University Press.

Page 8: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

BIBLIOGRAPHY 237

Ballaster, R. (2000) ‘A Gender of Opposition: Eliza Haywood’s Scandal Fiction’, in Saxon K., Bocchicchio R. (eds) The Passionate Fictions of Eliza Haywood : Essays on Her Life and Work . Lexington: University of Kentucky, 143-167.

Barringer, T. (1998) ‘The South Kensington Museum and the colonial project’, in Barringer, T., Flynn, T. (eds) Colonialism and the Object : Empire , Material Culture and the Museum . London & New York: Routledge, 11-27.

Bassett, K. (1993) ‘Review of Red Noise ’, Supplement to London Theatre Record , 13 (14), 12.

Bassnett, S. (2014) Translation Studies . London & New York: Routledge. Baudrillard, J. (1998) ‘Symbolic Exchange and Death’, in Rivkin, J., Ryan, M.

(eds) Literary Theory : An Anthology . Oxford: Blackwell, 499-500. Beijingshi Yishu Yanjiusuo , Shanghai Yishu Yanjiusuo

. (eds) (1999) Zhongguo Jingju Shi [ , A History of Chinese Peking opera ]. Beijing: Zhongguo Xiju Chubanshe.

Bell, J. (1763) Travels from St. Petersburg in Russia to Diverse Parts of Asia . (2 vols). Glasgow: Robert and Andrew Foulis.

Benedetti, J. (2001) David Garrick and the Birth of the Modern Theatre . London: Methuen.

Benton, G., Gomez, E. T. (2008) The Chinese in Britain , 1800-Present : Economy , Transnationalism , Identity . Basingstoke: Palgrave.

Bhabha, H. (2004) The Location of Culture . London: Routledge. Bickers, R. (1999) Britain in China : Community , Culture and Colonialism 1900 -

1949 . Manchester: Manchester University Press. Billington, M. (1985) ‘Review of The Three Beatings of Tao Sanchun ’, London

Theatre Record , 5 (15), 708. ———. (2001) ‘Monkey’, The Guardian , 6 December. Bland, A. (1957) ‘Chinese’, The Observer , 22 September. Bolwell, J. (2003) ‘Beijing Opera (Jing Ju): An Englishman’s training and experi-

ence in Chinese opera’, Chinatown : The Magazine , 7, 10-11. Bowen, H.V. (2005) The Business of Empire : The East India Company and Imperial

Britain . Cambridge: Cambridge University Press. Bratton, J., Cave, R., Gregory, B., Holder, H., Pickering, M. (eds) (1991) Acts of

Supremacy : The British Empire and the Stage , 1790-1930 . Manchester & New York: Manchester University Press.

Brecht, B. (1964) ‘Alienation Effects in Chinese Acting’ in Brecht on Theatre . Willett, J. (trans). London: Methuen, 91-99.

Britain-China Friendship Association. (1955) The Classical Theatre of the People ’ s Republic of China . [Theatre Programme]. London: Caledonian.

Brown, I. (2008) ‘The Peony Pavilion: sexy ghost who returns as a virgin’, The Telegraph , 5 June.

Browne, E. M. (ed) (1958) Gallows Glorious , Lady Precious Stream , Richard of Bordeaux . Harmondsworth: Penguin.

Page 9: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

238 BIBLIOGRAPHY

Bruce, H. L. (1918) Voltaire on the English Stage . Berkeley: University of California Press.

Buchanan, T. (2012) East Wind : China and the British Left , 1925 - 1976 . Oxford: Oxford University Press.

Burton, J. (2005) Traffi c and Turning : Islam and English Drama , 1579-1624 . Cranbury: University of Delaware Press.

Campbell, J.  D. (1883) The Fisheries of China . London: William Clowes and Sons.

Carlson, M. (1998) Voltaire and the Theatre of the Eighteenth Century . Westport: Greenwood.

Carroll, S. (1934) ‘Chinese Ideas on Décor: Lady Precious Stream’, Daily Telegraph , 6 December.

Chang, D.  S. (2015) Representing China on the Historical London Stage : From Orientalism to Intercultural Performance. New York & London: Routledge.

Chang, E. H. (2010) Britain ’ s Chinese Eye : Literature , Empire , and Aesthetics in Nineteenth-Century Britain . Stanford: Stanford University Press.

Cheang, S. (2008a) ‘What's in a Chinese Room? 20 th Century Chinoiserie, Modernity and Femininity’, in Chinese Whispers : Chinoiserie in Britain 1650-1930 . Brighton: Royal Pavilion Libraries and Museums, 75-81.

———. (2008b), ‘Dragons in the Drawing Room: Chinese Embroideries in the British Homes, 1860-1949’, Textile History , 39 (2), 223-249.

———. (2010) ‘Chinese Robes in Western Interiors: Transitionality and Transformation’, in Myselev A., Potvin, J. (eds) Fashion , Interior Design and the Contours of Modern Identity . Farnham: Ashgate, 125-145.

Chen, J. (1950) The Chinese Theatre . London: Denis Dobson. Chen, S. (1998) ‘The Chinese Orphan, A Yuan Play: Its Infl uence on European

Drama of the Eighteenth Century’, in Hsia, A. (ed) The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries . Hong Kong: The Chinese University Press, 359-382.

Chen, X. (2007) From the May Fourth Movement to Communist Revolution : Guo Moruo and the Chinese Path to Communism. Albany: State University of New York Press.

Chen, X. (2002) Acting the Right Part : Political Theater and Popular Drama in Contemporary China . Honolulu: University of Hawai’i Press.

Chen, Z. (2005) ‘Nationalism, Internationalism and Chinese Foreign Policy’, Journal of Contemporary China , 14 (42), 35-53.

Cheng, P. (1978) ‘A Comparative Value Analysis: Traditional versus Revolutionary Opera’, in Chu, G. (ed) Popular Media in China : Shaping New Cultural Patterns . Honolulu: University of Hawaii Press, 104-123.

Chin, T. (1990) Daughter of China. London: Transworld. Ching, C. (1964) ‘The Chinese Theatre in Western Europe’, China Reconstructs ,

13 (12), 16-18.

Page 10: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

BIBLIOGRAPHY 239

Chow, K., Hon, T., Ip, H., Price, D. (eds) (2008) Beyond the May Fourth Paradigm : In Search of Chinese Modernity . Lanham: Lexington Books.

Chow, R. (1999) ‘Mandarin Ducks and Butterfl ies: An Exercise in Popular Readings’, in Rivkin, J. and Ryan, M. (eds) Literary Theory : An Anthology . Oxford: Blackwell, 958-969.

———. (2002) ‘On Chineseness as a Theoretical Problem’, in Osborne, P. and Sandford, S. (eds) Philosophies of Race and Ethnicity. London & New York, Continuum.

Clegg, J. (2009) China ’ s Global Strategy : Towards a Multipolar World . London & New York: Pluto Press.

Cole, R. (1972) ‘Sixteenth-Century Travel Books as a Source of European Attitudes toward Non-White and Non-Western Culture’, Proceedings of the American Philosophical Society , 116 (1), 59-67.

Coleman, J. (1995) ‘Interactive Parchment: The Theory and Practice of Medieval English Aurality’, The Yearbook of English Studies , 25, 63-79.

Conner, P. (1979) Oriental Architecture in the West . London: Thames and Hudson.

Cookman, A. (1957) ‘The Miming of Eastern Fables’, The Tatler and Bystander , 25 September, 596.

Coveney, M. (1985) ‘Review of The Three Beatings of Tao Sanchun ’, London Theatre Record , 5 (15), 709.

Crisp, C. (2008) ‘The Peony Pavilion’, The Financial Times , 8 June. Crowe, C. (1955a) ‘Visit of Peking Opera to London – Problem’. London: Public

Record Offi ce: FC1753/6. ———. (1955b) ‘Visit of Peking Opera to London’. London: Public Record

Offi ce: FC1753/6C. Crozier, R. (1970) China ’ s Cultural Legacy and Communism . New York: Prager. Cultural Offi ce, Embassy of the People’s Republic of China. (2001) Qingdao

Peking Opera . [Theatre Programme]. No pl.: n.d. D. A. (1935) ‘The “New Women” of Modern China’, Nottingham Journal , 4

March. Darlington, W. (1934) ‘Chinese Author’s English Play: Charming Romance at the

Little’, Daily Telegraph , 29 November. ———. (1939) ‘The Chinese Manner: Mr Hsiung’s New Play’, Daily Telegraph ,

21 January. Daubeny, P. (1971) My World of Theatre . London: Jonathan Cape. Davidson, C. (2007) Festivals and Plays in Late Medieval Britain . Aldershot

Burlington, VT: Ashgate. Davies, S. (2014) East Visits West : The Voyage of the Keying , 1846-1855 . Hong

Kong: Hong Kong University Press. Davis, J.F. (trans) (1817) Laou-Seng Urh : Or An Heir In His Old Age , A Chinese

Drama. London: John Murray.

Page 11: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

240 BIBLIOGRAPHY

———–. (trans) (1829) Han Koong Tsew , Or The Sorrows of Han : A Chinese Tragedy . London: Valpy.

———–. (trans) (1840) The Chinese : A General Description of China and its Inhabitants . London: Charles Knight.

De Bary, W.T. (ed) (1960) Sources of Chinese Tradition . (2 vols). Columbia: Columbia University Press.

De Certeau, M. (1988) The Practice of Everyday Life . Randall, S. (trans). Berkeley: University of California Press.

Dean, B. (1973) Mind ’ s Eye : An Autobiography 1927-1972. London: Hutchinson. Diamond, C. (1994) ‘ Kingdom of Desire : The Three Faces of Macbeth ’, Asian

Theatre Journal , 11 (1), 114-133. Dickson, A. (2015) ‘Somersaults in six-inch high heels’, The Guardian , G2 , 9

November, 18-19. Dromgoole, N. (1986) ‘Central Ballet of China’, Sunday Telegraph , 12 October. Duchesne, I. (1994) ‘The Chinese Opera Star: Roles and Identity’, in Hay, J. (ed)

Boundaries in China . London: Reaktion Books, 217-242. Du, W. (1995) ‘The Chalk Circle Comes Full Circle: from Yuan Drama Through

the Western Stage to Peking Opera’, Asian Theatre Journal , 12 (2), 307-325. Du Halde, J.B. (1735) La Description geographique , historique , chronologique , poli-

tique et physique de l ’ empire de la Chine et de la Tartarie chinoise . (4 vols). Paris: G. Le Mercier.

———. (1736) The General History of China . Brookes, R. (trans). (4 vols). London, John Watts.

———. (1739) The General History of China . Brookes, R. (trans). (4 vols). London, John Watts.

Duke of York’s (1913) The Yellow Jacket , Press Opinions . [Theatre Programme]. Camberwell: Haycock-Cadle Co.

E.F.S. (1913) ‘The Stage from the Stalls, “The Yellow Jacket” in an English Dress’, The Sketch , 9 April, 10.

Ebon, M. (ed) (1975) ‘The Red Lantern’, in Five Communist Chinese Plays . New York: John Day, 213-260.

Ebrey, P. (1996) The Cambridge Illustrated History of China . Cambridge: Cambridge University Press.

Editorial Department of Renmin Ribao ( People’s Daily ). (1977) Chairman Mao ’ s Theory of the Differentiation of the Three Worlds is a Major Contribution to Marxism-Leninism. Peking: Foreign Languages Press.

Eisenstein, E. (1966) ‘Clio and Chronos: an Essay on the Making and Breaking of History-Book Time’, History and Theory , 6 (6), 36-64.

F. A. R. (1939) ‘“The Western Chamber” 13 th Century Chinese Romance’, The Yorkshire Post , 21 January, 14.

Fan, C. (1998) ‘The Beginnings of the Infl uence of Chinese Culture in England’, in Hsia, A. (ed) The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries . Hong Kong, The Chinese University Press, 69-86.

Page 12: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

BIBLIOGRAPHY 241

Faroqhi, S., Neumann, C. (2004) Ottoman Costumes : From Textile to Identity. Istanbul: Eren.

Finnane, A. (2008) Changing Clothes in China : Fashion , History , Nation. New York: Columbia University Press.

Fischer-Lichte, E. (1997) The Show and the Gaze of the Theatre : A European Perspective. Iowa: University of Iowa Press.

———. (1995) ‘What Are the Rules of the Game? Some Remarks on The Yellow Jacket ’, Theatre Survey , 36 (1), 21-36.

Fitzgerald, P. (1868), The Life of David Garrick ; From Original Family Papers and Numerous Published and Unpublished Sources . (2 vols). London: Tinsley Brothers.

Foot, R. (1999) ‘China’s Foreign Policy in the Post-1989 Era’, in Benewick, R. and Wingrove, P. (eds) China in the 1990s . Houndmills: Macmillan.

Ford, C. (2010) The Mind of Empire : China ’ s History and Modern Foreign Relations . Lexington: University of Kentucky Press.

Forman, R. (2013) China and the Victorian Imagination : Empires Entwined . Cambridge: Cambridge University Press.

Foucault, M. (1999) ‘Discipline and Punish’, in Rivkin J. and M. Ryan M. (eds) Literary Theory : An Anthology . Oxford: Blackwell, 464-87.

Frank, A. G. (1998) ReOrient : Global Economy in the Asian Age. Berkeley, Los Angeles and London: University of California Press.

Frayling, C. (2014) The Yellow Peril : Dr Fu Manchu & The Rise of Chinaphobia. London: Thames & Hudson.

Freedman, B. (1991) Staging the Gaze : Postmodernism , Psychoanalysis and Shakespearean Comedy. Ithaca: Cornell University Press.

Fu, Q. (1985) Chinese Acrobats Through the Ages . Beijing: Foreign Languages Press.

Gilbert, H., Lo, J. (2002) ‘Toward a Topography of Cross-Cultural Theatre Praxis’, TDR , 46 (3), 31-53.

Giles, L. (1913) The Chinese Drama. Camberwell: Haycock-Cadle Co. Gittings, J. (1987) ‘Review of Kunju Macbeth ’, London Theatre Record , 7 (24),

1558. Goldstein, J. (2007) Drama Kings : Players and Publics in the Re-creation of Peking

Opera, 1870-1930. Berkeley: University of California Press. Graham, J. (1955) ‘Letter to D.B. Pitbaldo Esq., C.B., C.V.O.’. London: Public

Record Offi ce, FC1753/3B. Gray, J. (2002) Rebellions and Revolutions : China from the 1800s to 2000 . Oxford:

Oxford University Press. Greenhalgh, P. (2006) ‘Education, Entertainment and Politics: Lessons from the

Great Imperial Exhibitions’, in Vergo, P. (ed) The New Museology . London: Reaktion, 74-98.

Grein, J. T. (1929) ‘Criticisms in Cameo’, The Sketch , 27 March, 620. Grier, C. (1990) ‘Oriental Macbeth’, The Scotsman , 17 November.

Page 13: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

242 BIBLIOGRAPHY

Griffi th, H. (1929) ‘Anna May Wong on the Stage’, The Evening Standard , 18 March.

Guo Hancheng , Tan Zhixiang . (eds) (2005) Zhongguo Xiqu Jingdian [ , Classics of Chinese Theatre ]. (5 vols). Jinan: Shandong Jiaoyu Chubanshe.

Guy, B. (1963) The French Image of China Before and After Voltaire . Geneve: Institut et Musee Voltaire.

Guy, N. (2005) Peking Opera and Politics in Taiwan. Urbana and Chicago: University of Illinois Press.

Hakluyt, R. (1885-89), The Principal Navigations , Voyages , Traffi ques and Discoveries of the English Nation . Goldsmid, E. (ed). (16 vols). Edinburgh: E & G Goldsmid.

Hall, F. (1986) ‘Eastern Promise Fulfi lled’, Telegraph , 4 October. Hamelius, P. (ed) (1919-23) Mandeville ’ s Travels . (2 vols). London: Kegan Paul. Harbeck, J. (1996) ‘The Quaintness  – and Usefulness  – of the Old Chinese

Traditions: The Yellow Jacket and Lady Precious Stream’, Asian Theatre Journal , 13 (2), 238-247.

Harris, J. (2004) The Last Party : Britpop , Blair and the Demise of English Rock. London: Harper Perennial.

Harvey, W. (1960) The Astonishing Adventures of Pang. A play in Chinese Style . London: English Theatre for Children.

Hatchett, W. (1741) The Chinese Orphan : an Historical Tragedy. Alter ’ d from a specimen of the Chinese tragedy , in Du Halde ’ s History of China. Interspers ’ d with songs , after the Chinese Manner . London: Corbett.

Hazleton, G., Benrimo. (1913) The Yellow Jacket . Indianapolis: Bobs-Merrill. Hellinga, L. (2007) ‘The Gutenberg Revolutions’, in Eliot, S. and J. Rose, J. (eds)

A Companion to the History of the Book . Oxford: Blackwell, 207-219. Henriot, C. (2001) Prostitution and Sexuality in Shanghai : A Social History , 1849-

1949 . Cambridge: Cambridge University Press. Hewett, I. (2008) ‘Monkey: Journey to the West. Is it Opera?’, Daily Telegraph , 8

August. Hillemann, U. (2009) Asian Empire and British Knowledge : China and the

Networks of British Imperial Expansion . Houndmills: Palgrave Macmillan. Ho, C. (1958) ‘Chinese Opera Goes to Europe’, Peking Review , 22 April, 16-18. Holmes, M. (1993) ‘Oriental Operatics’, China Now , 145, 9-10. Hsia, A. (1998) ‘ The Orphan of the House Zhao in French, English, German, and

Hong Kong Literature’, in Hsia, A. (ed) The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries . Hong Kong: The Chinese University Press, 383-399.

———. (1988) ‘“The Orphan of the House of Zhao” in French, English, German and Hong Kong Literature’, Comparative Literature Studies , 25 (4), 335-351.

Hsiung, S. I. (1934) Lady Precious Stream . London: Methuen. ———. (1936) Lady Precious Stream : Acting Edition . London: Methuen.

Page 14: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

BIBLIOGRAPHY 243

———. (1935) The Romance of the Western Chamber . London: Methuen. ———. (1935) ‘Your Women May Be Clever, But Ours Are Wise and Keep

Young’, The Daily Star , 4 January . ———. (1939) The Professor From Peking . London: Methuen. Hsü, T. C. (1985) The Chinese Conception of the Theatre . Seattle: University of

Washington Press. Hu, J., Liu, X. (1979) ‘Traditional Beijing Operas Returns to the Stage’, China

Reconstructs , 28 (12), 34-41. Huang, A. (2009) Chinese Shakespeares : Two Centuries of Cultural Exchange .

New York: Columbia University Press. Huang Jun , Xu Xibo . (2001) Jingju Wenhua Cidian [ ,

A Dictionary of Peking Opera Culture . Shanghai: Hanyu Da Cidian Chubanshe. Idema, W., West, S.  H. (1982) Chinese Theater 1100-1450 : A Source Book .

Wiesbaden: Franz Steiner Verlag. Impey, O. (1977) Chinoiserie : The Impact of Oriental Styles on Western Art and

Decoration . London: Oxford University Press. International Fisheries Exhibition. (1883) International Fisheries Exhibition

( 1883 ): Offi cial Catalogue . London: William Clowes and Sons. International Health Exhibition. (1884) Illustrated Catalogue of the Chinese

Collection of Exhibits for the International Health Exhibition , 1884 . London: William Clowes and Sons.

Jackson, A., Jaffer, A. (2004) Encounters : The Meeting of Asia and Europe , 1500-1800 . London: V&A Publications.

Jacobson, D. (1993) Chinoiserie . London: Phaidon. Jenkins, E. (2013) A Taste for China : English Subjectivity and the Prehistory of

Orientalism. Oxford: Oxford University Press. Jones, C. (2014) ‘The House of Lords and the Excise Crisis: The Storm and the

Aftermath, 1733-35’, Parliamentary History , 33 (1), 160-200. Jones, J. (1976) Wonders of the Stereoscope . London: Jonathan Cape. Jordan, W. (2000) ‘First Impressions’, in Black, L., Solomons, J. (eds) Theories of

Race and Racism : A Reader . London & New York: Routledge, 33-50. Julien, S. (trans) (1832) Hoei-Lan-Ki , ou l ' histoire du cercle de craie , drame en

prose et en vers . London: John Murray. Katzenstein, P. (1977) ‘Introduction: domestic and international forces and strate-

gies of foreign economic policy’, International Organization , 31 (4), 587-606. Kaye, N. (1994) Postmodernism and Performance . Basingstoke: Macmillan. Kershaw, B. (1999) The Radical in Performance : Between Brecht and Baudrillard.

London: Routledge. Kim, J. Y. (2010) ‘Trying on The Yellow Jacket: Performing Chinese Exclusion

and Assimilation’, Theatre Journal , 62 (1), 75-92. Kitson, P. (2013) Forging Romantic China : Sino-British Cultural Exchange 1760-

1840 . Cambridge: Cambridge University Press.

Page 15: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

244 BIBLIOGRAPHY

Kondo, D. (1997) About Face : Performing Race in Fashion and Theater. New York & London: Routledge.

Koo, S., Yue, D. (2006) Writings on the Theatre of Kunqu Singing . (4 vols). Oxford: Oxford University Press.

Kuhe, E. (1929) ‘Chinoiserie, The Linking of East and West’, The Daily Telegraph , 16 March.

Lach, D. (1968) China in the Eyes of Europe : The Sixteenth Century . Chicago & London: University of Chicago Press.

Lamb, L. (1955a) Letter to Colin Crowe. London: Public Record Offi ce, FC1753/3. ———. (1955b) Letter to Colin Crowe. London: Public Record Offi ce,

FC1753/5. Landry-Deron, I. (2002) La Preuve par la Chine : La « Description » de J.-B. Du

Halde , Jésuite , 1735. Paris: Èditions de l’EHESS. Langdon, W. (1842) A Descriptive Catalogue of the Chinese Collection , Now

Exhibiting at St. George ’ s Place , London. London: no pub. Lanteigne, M. (2009) Chinese Foreign Policy : An Introduction . Abingdon &

New York: Routledge. Laver, J. (trans) (1929) The Circle of Chalk . London: Heinemann. Lawson, F. (2011) The Narrative Arts of Tianjin : Between Music and Language .

Farnham: Ashgate. Lawson, P. (1987) The East India Company : A History. London & New York:

Longman. Lee, E. K. (2006) A History of Asian American Theatre . Cambridge: Cambridge

University Press. Lee, T. S. (2009) ‘Grace Liu and Cantonese Opera in England: Becoming Chinese

Overseas’, in Rees, H. (ed) Lives in Chinese Music . Urbana and Chicago: University of Illinois Press, 119-144.

Lei, D. (2006) Operatic China : Staging Identity across the Pacifi c . New  York: Palgrave Macmillan.

———. (2011) Alternative Chinese Opera in the Age of Globalization : Performing Zero. Houndmills: Palgrave.

Leung, G. K. (1929) Mei Lan-Fang. Shanghai: Commercial Press. Lewis, B. (1993) Islam and the West . Oxford: Oxford University Press. Li Jieren . (2009) Sishui Weilan [ , Ripples Across Stagnant Water ].

Beijing: Huaxia Chubanshe. Li, J. (2013) Ripples Across Stagnant Water : A Novel of Sichuan in the Age of

Treaty Ports . Sparling, B. and Yin Chi, Y. (trans). Portland, MN. Li, R. (1994) Blood-stained Hands : Macbeth in Kunju Form . Leeds: Leeds East

Asia Papers, Department of East Asia, University of Leeds. ———. (2003) Shashibiya : Staging Shakespeare in China . Hong Kong University

Press. ———. (2010) The Soul of Beijing Opera : Theatrical Creativity and Continuity in

the Changing World. Hong Kong: Hong Kong University Press.

Page 16: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

BIBLIOGRAPHY 245

Liang, L.W. (2009) ‘Negotiating New Terrains: Yellow Earth's Lear’s Daughters and King Lear’, Contemporary Theatre Review , 19 (3), 289-297.

Liu, W. C. (1953) ‘The Original Orphan of China’, Comparative Literature , 5 (3), 193-212.

Locke, J. (1823) The Works of John Locke . (10 vols). London: Thomas Tegg. Lockhart, J. H. K. (1968) ‘Shaw, Wilde and the revival of the comedy of manners’,

Hermathena , 106, 18-22. Long Qian’an . (ed) (1985) Song Yuan Yuyan Cidian [ , A

Dictionary of Song and Yuan Language . Shanghai: Shanghai Cishu Chubanshe. Lu E’Ting . (2006) Kunju Yanchu Shigao [ , A History of

Kunju Performance ] . Shanghai: Shanghai Jiaoyu Chubanshe. Lynch, K. (1995) ‘East Meets West in Chaucer's Squire's and Franklin's Tales’,

Speculum , 70 (3), 530-551. Ma, Q. (2005) Women in Traditional Chinese Theater : The Heroine ’ s Play. Lanham:

University Press of America. Macaulay, A. (1990) ‘The Kingdom of Desire’, Financial Times , 16 November. MacDonald, C. (1990) Britain and the Korean War. Oxford: Basil Blackwell. Macfi e, A.L. (2002) Orientalism. Edinburgh: Pearson. MacKenzie, J. (1995) Orientalism : History , Theory and the Arts. Manchester &

New York: Manchester University Press. Mackerras, C. (1981) The Performing Arts in Contemporary China. London:

Routledge. ———. (1982) Modern China : A Chronology from 1842 to the Present . London:

Thames and Hudson. ———. (1989) ‘Drama and Politics on the Chinese Mainland, 1976-1989’, Issues

and Studies , 25 (8), 80-117. ———. (1998) China in Transformation , 1900-1949. London and New  York:

Longman. ———. (2005) ‘Identity, Modernity and Power in the Performing Arts Among

the Chinese Diasporas’, in Um, H. (ed) Diasporas and Interculturalism in Asian Performing Arts : Translating Traditions . London: Routledge, 15-29.

———. (ed) (1983) Chinese Theatre From Its Origins to the Present Day . Honolulu: University of Hawaii Press.

Mackrell, J. (2008a) ‘Dance Preview’, The Guardian , 31 May. ———. (2008b) ‘The Peony Pavilion’, The Guardian , 6 June. Malleson, A. (2012) Discovering the Family of Miles Malleson , 1888-1969 . http://

books.google.co.uk/books?id=WBVhkj_JAJ8C, date accessed 15 May 2013. Malleson, M. (1953) An Actor Visits China. London: BCFA. Markley, R. (2006) The Far East and the English Imagination , 1600-1730.

Cambridge: Cambridge University Press. Marks, E. (2001) ‘“Othello/me”: Racial Drag and the Pleasures of Boundary-

Crossing with Othello’, Comparative Drama , 35 (1), 101-123.

Page 17: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

246 BIBLIOGRAPHY

Matar, N. (1998) Islam in Britain 1558-1685. Cambridge: Cambridge University Press.

McIntyre, I. (1999) Garrick . London: Penguin. McLynn, F. (2006) 1759 : The Year Britain Became Master of the World. New York:

Grove Press. Mei Shaowu . (1992) ‘Guoji Wenyi Jie Lun Mei Lanfang’ [

, ‘A Discussion of Mei Lanfang and Circles of International Art and Literature’], in Huiban Jin Jing 200 Zhounian Jinian Weiyuan Hui Bangongshi Xueshu Pinglun Zu (ed) Zhengqu Jingju Yishu de Xin Fanrong [

, Striving for a New Prosperity in Peking Opera Artistry ]. Beijing: Zhongguo Xiju Chubanshe, 699-724.

Meisel, M. (1963) Shaw and the Nineteenth-Century Theater . London: Oxford University Press.

Meyer, I. (2000) ‘“Chang, Nian, Zuo, Da” or, How to Become a Beijing Opera Lover’, China in Focus , 8, 20-21.

Minamiki, G. (1985) The Chinese Rites Controversy : from its Beginning to Modern Times. Chicago: Loyola University Press.

Mitchell, J. (ed) (1973) ‘The White Snake’, in The Red Pear Garden : Three Great Dramas of Revolutionary China. Boston: David. R. Godine, 49-120.

Mitter, R. (2004) The Bitter Revolution : China ’ s Struggle with the Modern World. Oxford and New York: Oxford University Press.

Monks, A. (2005) ‘“Genuine Negroes and Real Bloodhounds”: Cross-Dressing, Eugene O'Neill, the Wooster Group, and The Emperor Jones’, Modern Drama , 48 (3), 540-564.

Moon, K. (2005) Creating the Chinese in American Music and Performance , 1850s-1920s . New Brunswick, New Jersey and London: Rutgers University Press.

Moore, D.  L. (2007) ‘Laver, James (1899–1975)’, rev. Oxford Dictionary of National Biography , Oxford University Press, 2004, http://www.oxforddnb.com/view/article/31337 , date accessed 2 Sept 2015.

Morse, H. B. (1926) The Chronicles of the East India Company Trading to China . (5 vols). Oxford: Clarendon Press.

Mortlock, C. (1955) ‘At the Chinese Theatre’, Punch , 2 November. Moy, J. (1993) Marginal Sights : Staging the Chinese in America. Iowa City:

University of Iowa Press. Mungello, D. (ed) (1994) The Chinese Rites Controversy : Its History and Meaning ,

Monumenta Serica Monograph Series XXXIII. Nettetal: Steyler Verlag. Murphy, A. (1759) The Orphan of China , A Tragedy , As it is Perform ’ d at the

Theatre-Royal , in Drury Lane . London: Vaillant. Nester, W. (2008) The Epic Battles for Ticonderoga , 1758 . Albany: State University

of New York Press.

Page 18: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

BIBLIOGRAPHY 247

New Theatre. (1929) Anna May Wong in The Circle of Chalk . [Theatre Programme].London: New Theatre.

———. (1939) The Western Chamber. [Theatre Programme]. London: New Theatre.

Nichols, P. (1982) Poppy . London: Methuen. Nieuhof, J . (1665) Het gezantschap der Neêrlandtsche Oost-Indische Compagnie .

Amsterdam: Jacob van Meurs. ———. (1673) An Embassy from the East-India Company of the United Provinces .

Ogilby, J. (trans). London: John Ogilby. Nightingale, B. (1990) ‘The Kingdom of Desire’, The Times , 16 November. O’Neill, C. (1955a) ‘Letter to C.T.  Crowe’. London: Public Record Offi ce,

FC1753/2. ———. (1955b) ‘Cultural Exchange with China’. London: Public Record Offi ce,

FC1753/8. Ono, K., Pham, V. (2009) Asian Americans and the Media . Cambridge: Polity. Orr, B. (2001) Empire on the English Stage , 1660-1714. Cambridge: Cambridge

University Press. Ovid. (1776) Epistles : With His Amours . Translated into English Verse , By the Most

Eminent Hands . Dryden, J. (trans). London: Davies, Strahan, Clarke et al. Ou, H. (2007) ‘David Garrick’s reaction against French Chinoiserie in The Orphan

of China ’, Studies in Theatre and Performance , 27 (1), 25-42. ———. (2008a) ‘Gender, Consumption, and Ideological Ambiguity in David

Garrick’s Production of The Orphan of China (1759)’, Theatre Journal , 60, 383-407.

———. (2008b) ‘ The Chinese Festival and the Eighteenth-Century London Audience’, The Wenshan Review of Literature and Culture , 2 (1), 31-52.

Pagani, C. (1998) ‘Chinese material culture and British perceptions of China in the mid-nineteenth century’, in Barringer, T., Flynn, T. (eds) Colonialism and the Object : Empire , Material Culture and the Museum . London and New York: Routledge, 28-40.

Parker, D. (2000) ‘The Chinese Takeaway and Diasporic Habitus: Space, Time and Power Geometries’, in Hesse, B. (ed) Un / settled multiculturalisms : dias-poras , entanglements , " transruptions " . London & New  York: Zed Books, 73-95.

Parry, M. (ed) (1997) Chambers Biographical Dictionary . Edinburgh: Chambers. Parsons, A. (1929) ‘Miss May Wong on the Stage, Trapped Singing Bird, Elusive

Play’, The Daily Mail , 15 March. Percy, T. (1762) Miscellaneous Pieces Relating to the Chinese (2 vols). London:

Dodsley. Perng, C.  H. (1978) Double Jeopardy : A Critique of Seven Yüan Courtroom

Dramas. Ann Arbor: The University of Michigan Center for Chinese Studies.

Page 19: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

248 BIBLIOGRAPHY

Pickering, M. (2008) Blackface Minstrelsy in Britain . Aldershot: Ashgate. Polo, M. (1908) The Travels of Marco Polo The Venetian . London: J.M. Dent. Pomeranz, K. (2000) The Great Divergence : China , Europe , and the Making of the

Modern World Economy. Princeton and Oxford: Princeton University Press. Pope, W. J. M. (1945) Theatre Royal Drury Lane. London, W.H. Allen. Porter, D. (2010) The Chinese Taste in Eighteenth-Century England. Cambridge:

Cambridge University Press. Prakash, O. (2006) ‘The English East India Company and India’, in Bowen, H.V.,

Lincol, M., Rigby, N. (eds) The Worlds of the East India Company . Woodbridge: Boydell Press, 1-18.

Price, N. (1953) Into an Hour-Glass . London: Museum Press. Price, S. (2007) ‘“Monkey: Journey to The West”, Palace Theatre, Manchester’,

The Independent , 1 July. Purchas, S. (1906) Hakluytus Posthumus ; or , Purchas His Pilgrimes , vol.

XII. Glasgow: James MacLehose and Sons. Qi Rushan . (1964) Qi Rushan Quan Ji [ , Collected Works of Qi

Rushan ]. (8 vols). Taipei: Qi Rushan Xiansheng Yizhu Bian Yin Weiyuanhui. Quang, S. M. (1740) A Chinese Tale. Written Originally by that Prior of China ,

The facetious Sou ma Quang , A celebrated Mandarine of Letters , Under the Title of Chamyam Tcho Chang , or , Chamyam with Leg upon a Table . London: J. Cooper.

R. C. (1939) ‘“The Western Chamber” A Play. By S.I. Hsiung’, Sunday Times , 23 January.

Ratcliffe, M. (1985) ‘Review of The Three Beatings of Tao Sanchun ’, London Theatre Record , 5 (15), 708.

Rea, K. (1990) ‘The Kingdom of Desire’, The Guardian , 16 November. Reynter. (1935) ‘Chinese Writes Better English Than English’, Times of Malaysia ,

24 June. Rimmington, D. (1985) The Identity of Chinese Theatre Today , 27 July [panel dis-

cussion]. London: Royal Court Theatre. Roberts, J. A. G. (2005) The Complete History of China . Thrupp: Sutton. Robinson, F. (ed) (1996) The Cambridge Illustrated History of the Islamic World.

Cambridge: Cambridge University Press. Roediger, D. (2007) The Wages of Whiteness : Race and the Making of the American

Working Class . London: Verso. Rogers, A., Thorpe, A. (eds) (2014) ‘A Controversial Company; Debating the

Casting of the RSC’s The Orphan of Zhao ’, Contemporary Theatre Review , 24 (4).

Rowbotham, S. (1997) A Century of Women : The History of Women in Britain and the United States . London: Viking.

Russell, G. and Hodges, G. (2004) Anna May Wong : From Laundryman ’ s Daughter to Hollywood Legend. Hong Kong: Hong Kong University Press.

Page 20: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

BIBLIOGRAPHY 249

Rutherford, J. (1990) ‘The Third Space. Interview with Homi Bhabha’, in Rutherford, J., (ed) Identity : Community , Culture , Difference . London: Lawrence and Wishart, 207-221.

S. R. L. (1929) ‘A Chinese Idyll, Success of “The Circle of Chalk’, Anna May Wong’s Triumph’, The Morning Post , 15 March.

Said, E. (1977) Orientalism. London: Penguin. ———. (1994) Culture and Imperialism. London: Vintage. Schoppa, R. (2000) The Columbia Guide to Modern Chinese History . New York:

Columbia University Press. Scott, A. C. (1959) Mei Lan-fang , Leader of the Pear Garden . Hong Kong: Hong

Kong University Press. ———. (trans) (1969) Traditional Chinese Plays , 2. Madison: University of

Wisconsin Press. Shahar, M. (1996) ‘Vernacular Fiction and the Transmission of Gods’ Cults in

Late Imperial China’, in Shahar, M., Weller, R. (eds) Unruly Gods : Divinity and Society in China . Honolulu: University of Hawai‘i Press, 184-211.

Shambaugh, R. (1992) ‘China and Europe’, The Annals of The American Academy of Political and Social Science , 519, 101-114.

Shanghai Yishu Yanjiusuo . (eds) (1981) Zhongguo Xiqu Quyi Cidian [ , A Dictionary of Chinese Theatre Artistry ]. Shanghai: Shanghai Cishu Chubanshe.

Shashibiya Yanjiuhui . (ed) (1987) Shashibiya Zai Zhongguo [, Shakespeare in China ]. Shanghai: Shanghai Wenyi Chubanshe.

Shaw, D. (2007) ‘The Book Trade Comes of Age: The Sixteenth Century’, in Eliot, S., Rose, J. (eds) A Companion to the History of the Book . Oxford: Blackwell, 220-231.

Shen, S. (2006) ‘S. I. Hsiung’s Lady Precious Stream and the Global Circulation of Peking Opera as a Modernist Form’, Genre , 39 (4), 85-104.

Shi Zhongwen . (2006) Zhongguo Yishu Shi : Xiqu Juan [ : , A History of Chinese Arts : Drama Volume ]. Hebei: Hebei Renmin Chubanshe.

Shih, C.W. (1976) The Golden Age of Chinese Drama : Yüan Tsa-chü. Princeton: Princeton University Press.

Shui Jing . (2009) ‘Beijing Shiyan Xiju’ [ , Experimental Drama in Beijing], in Zhang Zhongnian (ed) Zhongguo Shiyan Xiju [ , Experimental Drama of China ]. Shanghai: Shanghai Renmin Chubanshe, 15-86.

Sieber, P. (2003) Theaters of Desire : Authors , Readers , and the Reproduction of Early Chinese Song-Drama , 1300-2000. Houndmills, Basingstoke: Palgrave.

Singleton, B. (2004) Oscar Asche , Orientalism , and British Musical Comedy . Westport, Conn: Prager.

Sloboda, S. (2008) ‘William Alexander and the visual language of Chinoiserie’, The British Art Journal , 9 (2), 28-36.

Sonin, D. (1988) ‘Review of Peking Opera ’, London Theatre Record , 8 (17), 1094.

Page 21: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

250 BIBLIOGRAPHY

South Bank Centre. (1994) ‘Peking Opera’. [Theatre Programme]. No. pl: no. pub. Spence, J. (1998) The Chan ’ s Great Continent : China in Western Minds. New York &

London: W.W. Norton and Co. Spencer, S. (1990) ‘A Macbeth made in Taiwan’, The Daily Telegraph , 16

November. Swatek, C. (2002) Peony Pavilion Onstage : Four Centuries in the Career of a Chinese

Drama . Ann Arbour: The University of Michigan Center for Chinese Studies. Su Yi . (2008) ‘Jingju Yiti’ [ , ‘A Discussion of Peking Opera’], in Du

Changsheng (ed) Jingju yu Zhongguo Wenhua Chuantong [, Peking Opera and Chinese Cultural Traditions ]. (2 vols). Beijing: Wenhua

Yishu Chubanshe, 593-96. Sun, J. (2013) ‘The illusion of verisimilitude: Johan Nieuhof’s images of China’,

Ph.D diss, Universiteit Leiden. Sun Shulei . (2007) Mingmo Qingchu Xiju Yanjiu [ ,

Research on the Drama of the Late Ming and Early Qing ]. Beijing: Shehui Kexue Wenxian Chubanshe.

Sutcliffe, T. (1988) ‘Review of Peking Opera ’, London Theatre Record , 8 (17), 1093. Tal, L. (1995) ‘Britain and the Jordan Crisis of 1958’, Middle Eastern Studies , 31

(1), 39-57. Tan Weiyi . (2009) Xiju de Jiu Shu : 1920 Niandai Guoju Yundong [

:1920 , The Rescue and Redemption of the Theatre : The National Theatre Movement of the 1920s ]. Beijing: Renmin Ribao Chubanshe.

Tao Junqi . (ed.) (2008) Jingju Jumu Chutan [ , Preliminary Exploration of the Peking Opera Repertoire ]. Beijing: Zhonghua Shuju.

Tatlow, A. (2001) Shakespeare , Brecht , and the Intercultural Sign. Durham & London: Duke University Press.

Taylor, J. R. (1967) The Rise and Fall of the Well-Made Play . London: Methuen. Taylor, P. (1990) ‘Throne of Blood’, The Independent , 16 November. Teevan, C. (2001) Monkey ! A Tale from China . London: Oberon. Temple, W. (1908) Upon the Gardens of Epicurus , With Other XVIIth Century

Garden Essays : Introduction by Albert Forbes Sieveking , F.S.A. London: Chatton and Windus.

Terrill, R. (1984) The White-Boned Demon. New York: William Morrow. Thorpe, A. (2007) The Role of the Clown (‘Chou’) in Traditional Chinese Drama :

Comedy , Criticism and Cosmology on the Chinese Stage. Lewiston: Edwin Mellen Press.

———. (2010) ‘Postmodern Chinese Opera; Re-citing China in Monkey: Journey to the West’, Contemporary Theatre Review , 20 (1), 68–86.

———. (2010) ‘Transforming Tradition: Performances of Jingju (‘Beijing Opera’) in the UK’, Theatre Research international , 36 (1), 33-46.

———. (2011) ‘“Modern Theatre for the Twenty-fi rst Century”? Shanghai Conservatory of Music’s Staging of The White Goddess (2009)’, Asian Theatre Journal , 28 (2), 483-504.

Page 22: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

BIBLIOGRAPHY 251

Tian, M. (1997) ‘"Alienation-Effect" for Whom? Brecht's (Mis)interpretation of the Classical Chinese Theatre’, Asian Theatre Journal , 14 (2), 200-222.

Tindemans, K. (2008) ‘The Politics of the Poetics: Aristotle and Drama Theory in 17th Century France’, Foundations of Science , 13 (3), 325-336.

Tseng, Y. L. (1987) ‘Peking Opera Stages Macbeth’, Free China Review , (3), 2-3. Tung, C., Mackerras, C. (eds) (1987) Drama in the People ’ s Republic of China .

Albany, N.Y.: State University of New York Press. UK Chinese Neighbourhood Association (2008) UK Cantonese Opera / Drama

Heritage Project 1970-1990 [DVD]. Urry, J. (2005) The Tourist Gaze . London: Sage. Vitkus, D. (2000) Three Turk Plays From Early Modern England. New  York:

Columbia University Press. Voltaire. (1755) L ’ Orphelin de la Chine. Paris: Michele Lambert. ———. (1756) The Orphan of China : a Tragedy. London: Baldwin. W. A. D. (1929) ‘An Old Chinese Play, Anna May Wong as “Cinderella”’, The

Daily Telegraph , 15 March. Wagner, R. (1990) The Contemporary Chinese Historical Drama : Four Studies.

Berkeley: University of California Press. Walker, W. (1994) Locke , Literary Criticism , and Philosophy. Cambridge:

Cambridge University Press. Wang Shide (1981) Shiwuguan Yanjiu [ , Research on Fifteen

Strings of Cash]. Shanghai: Shanghai Wenyi Chubanshe. Wang, S. (1995) The Story of the Western Wing . West, S. H. Idema, W. L. (eds and

trans). Berkeley: University of California Press. Wang Yunming . (1992) ‘Cong Lishi de Shijiao Kan Jingju Zouxiang

Shijie’ [ , A Historical Perspective on Peking opera’s Spread Across the World], in Huiban Jin Jing 200 Zhounian Jinian Weiyuan Hui Bangongshi Xueshu Pinglun Zu (ed) Zhengqu Jingju Yishu de Xin Fanrong [ , Striving for a New Prosperity in Peking Opera Artistry ]. Beijing: Zhongguo Xiju Chubanshe, 725-741.

Ward, A. (2010) Pagodas in Play : China on the Eighteenth-century Italian Opera Stage . Lewisburg, PA: Bucknell University Press.

Wardle, I. (1990) ‘The Times they are unchanging’, The Independent on Sunday , 18 November.

Watson, J. (1975) Emigration and the Chinese Lineage : The Mans in Hong Kong and London . Berkeley: University of California Press.

Wearing, J. (1996) ‘Nancy Price and the People’s National Theatre’, Theatre History Studies , 16, 71-89.

West, S. H., and Idema, W. L. (2015) The Orphan of Zhao and Other Yuan Plays : The Earliest Known Versions . New York: Columbia University Press.

Wheeler, L. (1881) The Foreigner in China. Chicago: S.C. Griggs & Co. Wichmann, E. (1990) ‘Tradition and Innovation in Contemporary Beijing Opera

Performance’, TDR , 34 (1), 146-178.

Page 23: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

252 BIBLIOGRAPHY

———. (1991) Listening to Theatre : the Aural Dimension of Beijing Opera. Honolulu: University of Hawaii Press.

Wichmann-Walczak, E. (1990) ‘“Reform” at the Shanghai Jingju Company and its Impact on Creative Authority and Repertory’, TDR , 34 (1), 96-114.

———. (2005) ‘Peking opera (Beijing/‘Peking’ Opera) as International Art and as Transnational Root of Cultural Identifi cation: Processes of Creation and Reception in Shanghai, Nanjing and Honolulu)’, in H. Um, H. (ed) Diasporas and Interculturalism in Asian Performing Arts : Translating Traditions . London: Routledge, 161-75.

Wilk, C. (ed) (2006) Modernism : Designing a New World , 1914-1939. London: V&A Publications.

Williams, D. (ed) (1991) Peter Brook and the Mahabharata : Critical Perspectives . London: Routledge.

Williams, D. (2000) Misreading the Chinese Character : Images of the Chinese in Euroamerican Drama to 1925 . New York: Peter Lang.

Witchard, A. (2007) ‘A Threepenny Omnibus Ticket to ‘Limey-housey-Causey-way’: Fictional Sojourns in Chinatown, Comparative Critical Studies , 4 (2), 225-240.

———. (2009) Thomas Burke ’ s Dark Chinoiserie. Aldershot: Ashgate. Womack, B. (2004) ‘Asymmetry theory and China’s concept of multipolarity’,

Journal of Contemporary China , 13 (39), 351-366. Woollacott, A. (2001) To Try Her Fortune in London : Australian Women ,

Colonialism , and Modernity . Oxford: Oxford University Press. ———. (2005) ‘Quong, Rose Maud (1879-1972)’, Australian Dictionary of

Biography , National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/quong-rose-maud-13162. Date accessed: 19 February 2013.

———. (2007) ‘Rose Quong becomes Chinese: An Australian in London and New York’, Australian Historical Studies , 38 (129), 16-31.

Wroe, N. (2010) ‘Victor Hochauser: ‘My great stroke of luck came when Stalin died’, The Guardian , 17 July.

Wu, C. (1977-1983) The Journey to the West . Yu, A.C. (trans). (4 vols). Chicago: University of Chicago Press.

Wu Qianhao , Tan Zhixiang . (1993) 20 Shiji Zhongguo Xiju Wutai [20 , The Twentieth Century Chinese Theatre Stage ]. Qingdao: Qingdao Chubanshe.

Wu, Z., Huang, Z., Mei, S. (1981) Peking Opera and Mei Lanfang : A Guide to China ’ s Traditional Theatre and the Art of Its Great Master. Beijing: New World Press.

Xiao Kairong . (2011) ‘Cong Jingju dao Huaju: Xiong Shiyi Yingyi “Wang Bao Chuan” yu Zhongguo Xiju Xi Chuan’ [ :

, From Opera to Spoken Drama : Xiong Shiyi ’ s English Translation “ Lady Precious Stream ], Xinan Daxue Xuebao ( Shehui Kexue Ban )

Page 24: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

BIBLIOGRAPHY 253

[ ( ) , Journal of Southwest University ( Social Sciences Edition )], 37 (3), http://xbbjb.swu.edu.cn/XDWK/2011/1103pdf/2011-3-149.pdf, date accessed: 9 November 2011.

Xin, F. (2001) The Memoirs of Xin Fengxia . Chinnery J. (trans and ed). Hong Kong: Oxford University Press.

Xiong Shiyi . (2006) Wang Baochuan [ Lady Precious Stream ]. Beijing: Shangwu Yin Shuguan.

Yang, H. (1986)‘Shakespeare in the Chinese Idiom’, China Reconstructs , 35 (6), 41-43.

Yang, C. (2002) ‘Virtue’s Vogues: Eastern Authenticity and the Commodifi cation of Chinese-ness on the 18 th Century Stage’, Comparative Literature Studies , 39 (4), 326-346.

———. (2011) Performing China : Virtue , Commerce , and Orientalism in Eighteenth-Century England , 1660-1760 . Baltimore: John Hopkins University Press.

Yang, H., Yang, G. (trans) (1956) The Fisherman ’ s Revenge . Peking: Foreign Languages Press.

———. (trans) (1956) Love Under the Willows , A Szechuan Opera . Peking: Foreign Languages Press.

Yee, C. (2002) The Silent Traveller in London . Oxford: Signal Books. Yeh, D. (2000) ‘Ethnicities on the Move: ‘British-Chinese’ Art – Identity, Subjectivity,

Politics and Beyond’, Critical Quarterly , 42 (2), 65-91. ———. (2009) Re-imagining ‘( British )- Chinesness ’: The Politics and Poetics of Art

and Migration in Diaspora Space : Ph.D diss, University of East London. ———. (2014) The Happy Hsiungs : Performing China and the Struggle for

Modernity. Hong Kong: Hong Kong University Press. Yentob, A. (dir) (2008) Imagine : Damon and Jamie ’ s Excellent Adventure. Endemol

for BBC, Broadcast 22 July. Yeung, B. (1989) Cantonese Opera : Performance as Creative Process. Cambridge:

Cambridge University Press. Yeung, J. (2002) ‘Xiqu and Modernisation: The Transformations of the Chinese

Traditional Theatre in the Process of Social Formation of Modern China’, PhD diss. Middlesex University.

Young Vic Theatre. (2001) Monkey ! A Tale from China . [Theatre Programme]. No. pl: no pub.

Yu Handong . (2006) Zhongguo Xiqu Biaoyan Yishu Cidian [, A Dictionary of Chinese Opera Performance Artistry ]. Beijing:

Zhongguo Xiju Chubanshe. Yu, W. (1990) ‘Topicality and Typicality: The Acceptance of Shakespeare in

China’, in Fischer-Lichter, E., Riley, J., Gissenwehrer, M. (eds) The Dramatic Touch of Difference . Tübingen: Gunter Narr Verlag Tübingen, 161-168.

Yu Zhongfu . (ed) (1990) Jingju Qupu Jicheng [ , Collected Peking Opera Scores ]. (8 vols). Shanghai: Shanghai Wenyi Chubanshe.

Page 25: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

254 BIBLIOGRAPHY

Yung, B. (1989) Cantonese Opera : Performance as Creative Process . Cambridge: Cambridge University Press.

Zang Mouxun . (1966) Yuanqu Xuan [ , Anthology of Yuan Plays ]. (4 vols). Taibei: Taiwan Zhonghua shu ju.

Zeal, E. (2008) “Monkey: Journey to the West”, The Guardian , 25 July. Zhai, Q. (1994) The Dragon , the Lion and the Eagle : Chinese / British / American

Relations , 1949 - 1958 . Kent, Ohio: Kent State University Press. Zhang, H. (1996) Shakespeare in China : A Comparative Study of Two Traditions

and Cultures. Newark: University of Delaware Press. Zhang, Y. (1987) ‘Traditional Opera: Challenge and Response’, China Reconstructs ,

26 (9), 19-23. Zhao Xiaodong . (1990) Wu Chou Zhang Chunhua [ ]. Beijing:

Beijing Yanshan Chubanshe. Zheng Hongbin . (2013) ‘ Tiaohe zhongxi yi chuang zhongguo xin jianzhi

zhi feng  – Liu Jipiao de “ meishu jianzhu ” zhe lu ji qi jiedu ’ [ —— “ ” ’, ‘Blending China and

the West to Create a New Architecture: Liu Jipiao’s ‘art architecture’ and its interpretation’], Nanfan Jianzhu , 77-85.

Zhongguo Jingju Tuan . (1972) Geming Xiandai Jingju “ Hong Deng Ji ” [ , Revolutionary Contemporary Peking Opera The Red Lantern]. Beijing: Renmin Chubanshe.

Zhongguo Xiju Nianjian Bianjibu . (ed) (1981) Zhongguo Xiju Nianjian [ , Chinese Theatre Yearbook ]. Beijing: Zhongguo Xiju Chubanshe.

Zhu Jian . (1996) Hu Die : Dianying Huanghou [ : , Hu Die : Movie Queen ]. Lanzhou: Lanzhou Daxue Chubanshe.

Page 26: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

255© The Editor(s) (if applicable) and The Author(s) 2016A. Thorpe, Performing China on the London Stage, DOI 10.1057/978-1-137-59786-1

INDEX

A Amherst (Lord) , xiv, 53 ‘ancient costume new drama’

( guzhuang xin xi ) , 119, 206n27

Anglo-Chinese College , xiv, 55 Anthology of Yuan Plays. See Yuanqu

Xuan Art Deco , xvi, 85–6, 88, 90 Asian-American . See also Chinatown,

in San Francisco British understanding of , 69–70 diaspora , 6, 118 identity of practitioners , 87, 96,

98–9, 138, 213 Association of Chinese Theatre

Workers , 144 Astonishing Adventures of Pang , The ,

133 At the Crossroads ( San Cha Kou ) ,

150, 157n8, 178n3, 185, 199, 200

Atlee, Clement , 141

B Baishezhuan . See White Snake, The Barmé, Geremie , 199 Barrie, James , 108, 127 Baudrillard, Jean , 209 Bawang Bieji . See King Bids Farewell to

His Favourite , The Beijing Jingju Opera Troupe ,

xviii, 199 Beijing opera . See Peking opera Benrimo, (Joseph) Henry , 70, 72,

73, 76, 78, 81 Bevin, Ernest , 139 Bhabha, Homi , 5, 7, 107, 171 Bin Qun , 61 Blood-stained Hands , The ( Xue Shou

Ji ) , 193–95 Brecht, Bertolt , 86, 122, 125, 192 Britain-China Friendship Association

(BCFA) , 144–45, 149–50, 152, 154, 155, 156, 186

British East India Company , xiv, xv, 53, 57, 82n1

Note: Page numbers with “n” denote notes.

Page 27: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

256 INDEX

British Foreign Offi ce . See Foreign Offi ce (British)

British Museum , 74, 75, 93 Buddhism , 216–19

C Campbell, J. Duncan , 61–3 Cantonese opera ( Yueju ) , 187, 232

amateur performances in London , xvii, xviii, 164–7

source for Western theatrical invention , 71

Caucasian Chalk Circle , The , 86 Chang E Ben Yue. See Chang E Escapes

to the Moon Chang E Escapes to the Moon ( Chang E

Ben Yue ) , 120 Changsheng Dian . See Palace of

Eternal Youth , The Charles II , xiii, 18 Chen Shizeng , 208, 211–13, 220 Chen, Jack , 143–4 Chiang Yee , 111, 132 China Campaign Committee (CCC) ,

144 Chinatown,

in Liverpool , 115 in London , 69, 88, 93, 99, 114,

164, 165, 208 in San Francisco , xvi, 69–72, 76, 81

Chinese : A General Description of China , The , 55, 56

Chinese Exhibition, The . See exhibitions

Chinese Festival , The , 35, 37, 38 Chinese opera ( Xiqu ) . See also

Cantonese opera, Kun opera, Peking opera

in the Asian-American diaspora , 69–73, 76, 118

described in early travel literature , 16–20, 21–2

distinction from Chinese opera- inspired theatre , 4–5

fi rst performance in London , 66–7

origins of term in English usage , 9n3

represented in exhibitions , 59–67, 75 ( see also exhibitions)

resource for Western theatre , 9, 56, 76, 81, 106–7, 129, 131, 207, 212, 213, 214, 216

role in constructing Chinese national identity , 1–2, 7, 8, 118–21, 125, 151, 162, 164, 167, 169, 171, 177, 226–28 ( see also Chineseness)

translation for Xiqu , 4 Chinese Orphan : An Historical

Tragedy , The , xiv, 32–4 Chinese rites controversy , 28 Chinese Tale , A , 32 Chineseness, 1–2, 76, 99, 101, 107,

118, 124, 167, 170, 171, 173, 174, 177, 222,223, 228 . See also Chinese opera, chinoiserie

chinoiserie , 21, 27, 35, 48, 49, 73, 126 . See also Chineseness, exhibitions

exotic nature of , 113, 120, 132–3, 222, 223

fashion , 25, 43, 44, 86, 97–100, 130. (see also costume)

feminine concern , 32, 43, 88, 98–100

foil for British self-analysis , 32, 98, 99

France, as source for chinoiserie , xiv, 25, 28, 31, 36–39, 120, 165, 183, 187, 212

lacquer , 76, 86, 89, 90, 95, 106 luxury goods , 26–7, 43, 64 source for Western modernity , xvi,

85–6, 90, 99, 106

Page 28: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

INDEX 257

Christianity , 28, 35, 60 . See also missionaries

Chu Chin Chow , 6 Circle of Chalk , The ( Huilan Ji ) , xvi,

85–101 Clark, (Ernest) Holman , 73, 79 Classical Theatre of China  – The

Operatic Group of the Republic of China , The , xvii

Classical Theatre of China , The , xvii, 150–52, 155

Cold War, The , 138–42, 182, 183, 185

Communist Party of Great Britain (CPGB) , 143–145

Confucianism , xiv, 27, 29, 39, 45, 46, 68

contact zones , 51, 65, 74 costume , 21–2, 40–2, 44, 59, 75–77,

86, 89, 94, 97, 113, 119, 125, 126, 128, 131, 132, 148, 165, 166, 170, 175, 196, 211, 213, 214, 216, 220, 135n11

cultural diplomacy , 9, 138, 142–50, 181, 201–2

Cultural Revolution , xvii, 156, 181, 182, 185, 186, 188, 190, 192, 193, 208

D Da Yu Sha Jia. See Fishermen’s

Revenge , The Dalian Circus Troupe , 213 Dalian Peking Opera Troupe ,

198–99, 202 Danao Tiangong. See Havoc in

Heaven Daubeny, Peter , 149, 154 Davis, John Francis , xiv, xv, 10n3,

55–7, 82, 226 De Certeau, Michel , 217 Dean, Basil , 87–9, 91, 93–5

Deng Xiaoping , xviii, 8, 183–185, 189, 193

diaspora , 2, 6, 7, 8, 69, 99–101, 118, 161–78, 227 . See also See also Chinatowns

Dream of the Red Chamber , A ( Hong Lou Meng ) , 202

Drunken Imperial Concubine , The ( Guifei Zuijiu ) , 176

Dryden, John , 29 Du Halde, Jean-Baptiste , xiv, 28,

30–4, 38, 40, 55 Dutch East India Company . See

Vereenigde Oost-Indische Compagnie

E Eden, Anthony , 141, 149 . See also

Lady Eden exhibitions , 59, 217–18

Chinese Exhibition, The , 106 Great Exhibition , xv, 60–1, 217 International Fisheries Exhibition ,

xvi, 61–4 International Health Exhibition , xvi,

64–5 Stereoscope exhibition for The

Yellow Jacket , 75 Ten Thousand Chinese Things , xv,

59–60, 63 Exposition Arts Décoratifs et

Industriels Modernes , xvi, 85

F Farewell My Concubine (fi lm) , 169. See

also King Bids Farewell to His Favourite , The

Fashion . See chinoiserie Fighting Tao Sanchun Three

Times ( San Da Tao Sanchun ) , 187–90

Page 29: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

258 INDEX

Filippi, Rosina , 100 Fishermen’s Revenge , The ( Da Yu Sha

Jia ) , 137 Foreign Offi ce (British) , 146–50, 186 Fourth Beijing Peking Opera Troupe ,

xviii, 189 Furst, William , 76

G Galsworthy, John , 108 Gao Xingjian , 191 Garrick, David , xiv, 35-8 Gezaixi , 195 Gorillaz , 208–10 Great Britain-China Centre (GBCC) ,

186–7 Great Exhibition . See exhibitions Greek theatre , 34, 55–6, 82 Guifei Zuijiu . See Drunken Imperial

Concubine , The Guo Min Dang (GMD) , xvii, 137–42,

144, 152–5, 161, 188 guzhuang xin xi . See ‘ancient costume

new drama’

H Hakluyt Posthumus , or Purchas His

Pilgrimes , xiii, 15–18 Hakluyt, Richard , xiii, 15 Hall, Kathy Lee , 174 Han Gong Qiu . See Han Koong

Tsew Han Koong Tsew : Or The Sorrows of

Han , 55 Hart, Robert , xv, 61, 64 Harvey, Wilfred , 133 Hatchett, William , xiv, 32–4 Havoc in Heaven ( Danao Tiangong ) ,

150, 195, 199, 200 Hazleton, George C. , 70–2, 81 He Yong , 199

Heavenly Maid Scatters Flowers , The ( Tiannü San Hua ) , 200, 206n27

Hochauser, Victor , 186, 198 Hollar, Wenceslas , 21 Holt, Thelma , 197 Hong Kong , xv, xvii, xviii, 8, 58, 61,

64, 65, 115, 139, 163–7, 174, 175, 182, 187

Hong Lou Meng. See Dream of the Red Chamber , A

Hongdeng Ji . See Red Lantern , The Hongzong Liema. See Steed with the

Red Mane , The Hsiung Shih-Yi , xvi, 7, 103–35,

151, 226 Hu Die , 105, 125 Hu Jintao , xviii, 184 Hua Guofeng , xvii, 183, 187, 203n6 Hua Mulan. See Mulan Huaju . See spoken drama Huang Xiang , 147, 149, 151, 154 Huilan Ji . See Circle of Chalk , The Huo Fenghuang . See Phoenix of Fire , The hybridity , 5, 125, 170–4, 192

I imperialism , 1, 3, 5, 6, 8, 48, 58–9,

63, 64, 68, 69, 81–2, 86, 96, 138, 140, 183, 220, 223, 225–8

India , xiv, xv, xvii, 12, 41, 43, 51, 52, 54, 207, 82n1

interculturalism , 3, 9, 56, 68, 72, 89, 107–13, 173, 181, 195, 198, 201, 207, 220

International Fisheries Exhibition . See exhibitions

International Health Exhibition . See exhibitions

international relations . See cultural diplomacy, Foreign Offi ce (British), Sino-British trade, structural (soft) power

Page 30: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

INDEX 259

Irving, Ernest , 91 Irving, Henry , xvi, 70 Islam , 25, 39–41, 48

J Jackson Street Theatre , 69, 74 Jiang Qing , 188–90 Jiang Zemin , xviii, 184 Jingju Piaoyou Hui , xvii, 161–2 Jingju . See Peking opera Journey to the West ( Xiyou Ji ) , xviii,

207–24, 158n10 Julien, Stanislas , xv, 86

K Ketelby, Albert , 132 Kettle, Tilly , 41–2 Keying , xv, 60–1, 63 Kingdom of Desire , The ( Yuwang

Chengguo ) , xviii, 196–8 Kings Bids Farewell to His Favourite ,

The ( Bawang Bieji ) , 150, 169, 227 Klabund , xvi, 86, 87, 92 Korean War , xvii, 140–1 Koxinga , xiv, 26 Kung Ho Association , xviii, 166 Kunju. See Kun opera Kun opera , xviii, 4, 20, 175

considered inferior to Peking opera by British critics , 195, 200

interculturalism , 193–5 tool of cultural diplomacy , 155

Kurosawa, Akira , 196–7

L L’Orphélin de la Chine , xiv, 34, 71 Lady Eden , 149–151 Lady Precious Stream , xvi, 103–18,

120, 122, 125–6, 128, 129, 130, 131, 132–3, 151

Lao Sheng Er. See Laou-Seng-Urh Laou-Seng-Urh : Or An Heir In His

Old Age , xiv, 55 Laver, James , xvi, 86–7, 89, 91–2 Legazpi, Miguel López de , 15–17 Li Shikan , 120 Liang Shanbo and Zhu Yingtai ( Liang

Shanbo yu Zhu Yingtai ) , 145 Liang Shanbo yu Zhu Yingtai . See

Liang Shanbo and Zhu Yingtai Limehouse . See Chinatown, in London Lin Zexu , 57–8 Lin Zhaohua , 191–3, 199 Little Theatre , 103 Liu Jipiao , 85–6 Liverpool , 114, 115, 166, 167 Locke, John , 45–7 London Jing-Kun Opera Association

(LJKOA) , xviii, 174–7 London Kiu Sing Cantonese Opera

Club , xvii, 165, 167

M Macartney (Lord) , xiv, 53, 60, 139 Macau , 12, 13, 19, 28, 52 Macmillan, Harold , 153, 154, 163 Madame Butterfl y , 98, 132 Malleson, Miles , 145–6, 150 Mao Zedong , xvii, 181, 219 May Fourth Movement , 107–8, 119,

125, 134n10 McCarthyism , 140 Mei Lanfang,

as international cultural ambassador , 120–2, 124–6

theatrical innovation , 119–20, 126, 145

tour to London , xvi, 122–6 tour to the US , 121–2

Mendoza, Juan González de , 15 Meyer, Ione , 168–74 mimicry , 5, 78–80

Page 31: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

260 INDEX

missionaries , 15, 16, 54–6, 134n9 . See also Christianity

monarchy, absolute monarchy , 32 constitutional monarchy , 39

Monkey ! A Tale of China , 207–8 Monkey, Journey to the West , xviii, 208,

211, 212, 218–20 Moscow . See USSR Mudanting . See Peony Pavilion Mulan ( Hua Mulan ) , 190 Murphy, Arthur , xiv, 25, 36–8, 40,

45–7

N Napier , 57 National Peking Opera Troupe , xviii,

200, 226 Nieuhof, Johannes , xiii, 19–22 Nixon, Richard , 182 Noretti, Pablo , 13 Northern Kunqu Opera of China , 202

O Olivier, Laurence , 87, 95, 96 Olympics , xviii, 9, 202, 208 Omoncon , 16 Open Door Policy , 8, 184 opium , xv, 52, 54, 57–8, 60, 62, 68,

69, 82, 226 Orientalism (critical perspective) , 1–4,

18, 52, 82, 97, 99, 100, 132, 169, 170, 173, 174, 198, 208, 210, 212, 222–3, 226

Orientalism (school) , 41 Orphan of China , The , xiv, 25, 35–49,

52, 67, 86, 224 Orphan of Zhao , The ( Zhaoshi Gu Er ) ,

25, 27–9, 31, 32, 34, 37, 49n2, 55, 70

P Palace of Eternal Youth , The

( Changsheng Dian ) , 155 Palmerstone (Lord) , 57 Paris Sheng You Peking Opera Theatre

Company , 162, 168 Peking opera,

amateur performances in London , 161–2, 167–70, 174–6

censorship of plays , 144 choreographic patterns , 112–13 conceived of as national drama

( guoju ) , 119, 167, 177 conservative selections of plays for

London , 198–200 feminism , 188–90 interculturalism , 170–77, 191–2,

195–8 re-emergence after the Cultural

Revolution , 185–6 reasons for domestic decline ,

192–3, 214 source for European theatrical

invention , 120–2, 125, 194–8, 212–13

suitable for foreign audiences , 120, 121

tool of cultural diplomacy , 138, 146–56, 185–8, 201–2, 226–7

Peking Opera Explorations 1986–87 , xviii, 194–5

Peking Opera Ticket Friends Society . See Jingju Piaoyou Hui

Peony Pavilion , The ( Mudanting ) , xviii, 171, 195, 200, 211

Phoenix of Fire , The ( Huo Fenghuang ) , 186

Piccadilly , 93–4, 96, 99 Pinto, Fernão Mendes , 15 Poppy , 9 Portugal , xiii, 12–13, 15, 19, 26

Page 32: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

INDEX 261

post-modernism , 201, 209, 210, 213, 216, 217, 221–3

Prémare, Henri Marie de , 28–30, 55 Price, Nancy , 104, 106, 110 Property Man (theatrical role of) , 73,

78–80, 105, 112

Q Qi Rushan , 119, 120 Quong, Rose , xvi, 87, 100–1, 133

R Red Lantern , The ( Hongdeng Ji ), 190,

204n12, 224n4 Red Noise , 199–200 Ricci, Matteo , 15, 18 Ripples Across Stagnant Water ( Sishui

Weilan ) , 199 Robeson, Paul , 123 Royal Chinese Theatre , 71 Running the Silk Road , 208 Russia , 15, 41 . See also USSR

S Said, Edward . See Orientalism (critical

perspective) San Cha Kou . See At the Crossroads San Da Tao Sanchun . See Fighting Tao

Sanchun Three Times San Francisco . See Chinatown, in San

Francisco Second Peking Opera Troupe ,

xviii, 194–5 Sequel to the Lute , A ( Xu Pipa ) ,

202 Shakespeare , 5, 9, 38, 40, 56, 100,

128, 131, 187, 190, 193–8, 201 Shanghai Peking Opera Troupe ,

xvii, 185

Shaw, George Bernard , 108, 114, 123, 127

Simpson, Gillian , 175–7 Sino-British trade , 12–14, 18–20,

25–7, 52–4, 57–8, 139, 187, 202, 225–7

Sino-Soviet Split , 156 Sishui Weilan. See Ripples Across

Stagnant Water Slippery Mountain , 208 Society of Anglo-Chinese

Understanding (SACU) , 169, 186

Spain , 16–19, 25, 36 spoken drama ( Huaju ) , xviii,

119, 199 Steed with the Red Mane , The

( Hongzong Liema ), 83n5 , 109 Stereoscope exhibition for Yellow

Jacket , The . See exhibitions structural (soft) power , 9, 181,

201–2, 226 Subalterneity , 97, 103–35 Suez Crisis , 142 Suo Ling Nang . See Unicorn Purse ,

The Suzhou Kunqu Opera Company ,

200

T Taiwan , xiii, xvii, 4, 19, 26, 138–42,

153–6, 161, 162, 182, 184, 195–7

Teevan, Colin , 207 Temple, William , 27 Ten Thousand Chinese Things . See

exhibitions Thatcher, Margaret , xvii, 187 Theory of Three Worlds, The , 183,

184, 187 Thorneycroft, Peter , 153

Page 33: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

262 INDEX

Tianjin Municipal Peking Opera Troupe , 200

Tiannü San Hua. See Heavenly Maid Scatters Flowers , The

Trade . See Sino-British trade translation, seventeenth century

methodologies of , 29 Treaty of Nanjing , xv, 58, 226 Treaty Ports , 74 Trigault, Nicolas , 15 Tsai Chin , 152, 154, 191 Turks , 39 . See also Islam

U UK Beijing Opera Society (UKBOS) ,

xviii, 167–70, 175, 227 Unicorn Purse , The ( Suo Ling Nang ) ,

173 USSR , 123, 138–41, 149, 156,

182–6 . See also Russia

V Variety Theatre of China , The , xvii, 152 Vereenigde Oost-Indische Compagnie

(VOC) , 19 Victoria (Queen) , 62 Virtue , 27, 31, 33, 39, 44–9 Voltaire , xiv, 34–8, 46, 71

W Walpole, Horace , xiv, 32-4 Weddell, John , xiii, 13 Western Chamber , The ( Xixiang Ji ) White Snake , The ( Baishezhuan ), ,

169, 174, 179n15, 190, 195, 199, 200, 202

whiteness , 1, 2, 78, 223, 228 Wild Boar Forest ( Yezhulin ) , 202

Wong, Anna-May , xvi, 7, 87, 88, 90, 91, 93–101, 103, 123, 127, 133, 226

Wu Cheng’en , 158n10, 207, 208 Wu Hsing-kuo , 196, 206n26 Wu Zuguang , 188, 191

X Xiong Shiyi . See Hsiung Shih-Yi Xiqu . See Chinese opera Xixiang Ji. See Western Chamber ,

The Xiyou Ji. See Journey to the West Xu Pipa. See Sequel to the Lute , A Xue Shou Ji. See Blood-stained Hands ,

The

Y Yang Family Generals , The ( Yangmen

Nü Jiang ) , 157n9, 185, 186, 195, 199, 226

Yangmen Nü Jiang . See Yang Family Generals , The

Yates, Mary Ann , 37 Yellow Earth Theatre , 208 Yellowface , 71, 78–80, 96, 105, 113,

170 Yellow Jacket , The , xvi, 52, 69–82

performances in London , 73–82

performances in the USA , 70–3 yellow peril , 101 Yezhulin . See Wild Boar Forest Yixin , xv, xvi, 61 Yuanqu Xuan ( Anthology of Yuan

Plays ) , 27, 28, 86, 232 Yueju . see Cantonese opera Yuwang Chengguo. See Kingdom of

Desire , The

Page 34: G OF C HINESE C - Springer978-1-137-59786-1/1.pdf · San Da Tao Sanchun 9 L¦9 U San ge Shijie Lilun 9;F+|*6A sanran 9Q Sangyuan Hui B 3 Shanghai Jingju Yuan :#§Ü·L shen DÛ Shiwu

INDEX 263

Z Zaju , 20, 27, 204n10, 233 Zhang Chunhua , 150,

157n8 Zhang Kewei , 168, 169, 172, 227

Zhaoshi Gu Er. See Orphan of Zhao , The

Zheng Chengong . See Koxinga Zheng Jing , 26 Zhou Enlai , 141, 142, 184, 189