Functional Communication: Fostering Social Interaction for Readers with ASD

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Functional Functional Communication: Communication: Fostering Social Fostering Social Interaction for Interaction for Readers with ASD Readers with ASD A ‘Play and Take’ Workshop A ‘Play and Take’ Workshop Geni Moots-Plotnick, M.A., SLP Geni Moots-Plotnick, M.A., SLP Regional Autism Specialist/SOESD Regional Autism Specialist/SOESD [email protected] [email protected]

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Functional Communication: Fostering Social Interaction for Readers with ASD. A ‘Play and Take’ Workshop Geni Moots-Plotnick, M.A., SLP Regional Autism Specialist/SOESD [email protected]. Areas of Concern. Communication Social Interaction Sensory Processing - PowerPoint PPT Presentation

Transcript of Functional Communication: Fostering Social Interaction for Readers with ASD

Page 1: Functional Communication: Fostering Social Interaction for Readers with ASD

Functional Communication:Functional Communication:Fostering Social Interaction Fostering Social Interaction

forforReaders with ASDReaders with ASD

A ‘Play and Take’ WorkshopA ‘Play and Take’ WorkshopGeni Moots-Plotnick, M.A., SLPGeni Moots-Plotnick, M.A., SLP

Regional Autism Specialist/SOESDRegional Autism Specialist/[email protected][email protected]

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Areas of ConcernAreas of Concern

• Communication

• Social Interaction

• Sensory Processing

• Behaviors / Interests

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Common Strengths of Common Strengths of Mainstreamed Students w/ASDMainstreamed Students w/ASD

• Visual memory• Memory for Scripts• Decoding• Vocabulary

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Let Us Define……..Let Us Define……..

Communication

Social

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For Now, Set the For Now, Set the WRITING WRITING Component AsideComponent Aside

Writing often presents special challenges for students w/ASD,

Here we focus on expanding reciprocalcompetency and staff supports students by..1) Provide printed guidance/structure2) Scribe Student Narration

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GOALSGOALS

• To capitalize on decoding skills.

• To provide opportunity for social interaction.

• To leave things in ‘print’ for review.

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LANGUAGE LANGUAGE EXPERIENCE/PROCESS EXPERIENCE/PROCESS

APPROACHAPPROACH

A graphic activity providing authentic, personal information, experiences,

perspectives and emotions.

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What are the main LEPA What are the main LEPA components?components?

• Adult scribe• Two or more participants• Vary prompts (statements and questions)• Print ASAP for students to share in school

and at home

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Tell us your favorite color.Tell us your favorite color.

Mary said: “Blue.”Tom said: “I like orange.”Sue said: “I like all the rainbow.”Elisa said: “My favorite is blue too.”Bob said: “I like black. My dog is black.”

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What is in your bedroom?What is in your bedroom?

Tom said: “A bed and a shelf and lots of toys.

Sue said: “I have tons of stuffed animals and a bed.”

Elisa said: “My bed and my sister’s bed.”

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Describe what makes you happy.Describe what makes you happy.

Tom said: “I like riding my bike.”Jane said: “I’m happy when my dad comes

home.”Elisa said: “When we go out for pizza.Mary said: “When I get to watch TV.”Bob said: “My birthday.”

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GRADATIONS and GRADATIONS and SEQUENCESSEQUENCES

• Takes 3 or more players.• Allow plenty of space.• NO help from adults!• May do ‘voices off’ or allow talking.• May have one student ‘judge’ who’s

decision is final. S/he may change players order.

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Sequence IdeasSequence Ideas

-birthday months-height-age-most siblings/fewest siblings-directions (ie steps to make PB sandwich)-Familiar story/key events (ie Goldilocks)

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Avery: It was the BEST assembly I’veever been too. That drummer was, like,bouncing all around.

Sam: It was O.K. but near the end it gotSO loud I used my break card to leave.

Janet: I was in the back and it wasn’t that loud, but I couldn’t really see their faces.

.

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GradationsGradations

-hottest/coldest-youngest/oldest-darkest skin/lightest skin or hair-most quiet/most outgoing or noisy-most salty/least salty-most polite greeting / most impolite greeting

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INTERACTIONINTERACTION

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AUTHOR, AUTHOR !AUTHOR, AUTHOR !STUDENT NARRATIONSTUDENT NARRATION

Great way to enhance skills of:

-attention to others-perspective-taking-cause/effect

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Scribed NarrativesScribed Narratives Whisper / write simple action sequence forWhisper / write simple action sequence for‘‘actor.’actor.’ Adult scribes words of ‘narrator.’ (as always,Adult scribes words of ‘narrator.’ (as always,• model several times first.)model several times first.) Adult reads aloud (w/feeling!)Adult reads aloud (w/feeling!) Can print and make a story board.Can print and make a story board. Invite others to make prequel or sequel.Invite others to make prequel or sequel.

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Narration (continued)Narration (continued)

As always, adults should MODEL all roles;

• Actor• Narrator• Scribe (almost always an adult)

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KEYBOARD KEYBOARD CONVERSATIONSCONVERSATIONS

Side-side (reduces stress of ‘confrontation’)

Begin with adult-student conversations.

Avoid tendency to lead w/too many questions!

Can eventually move to student-student dyads

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PERSONALIZED PERSONALIZED READER’S THEATERREADER’S THEATER

Based on authentic experiences shared by two or more individuals (may be in

different places sharing same event.)

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Gathering MaterialGathering Material

Adult interviews students individually or in pairs to gather basic information and

writes a more sophisticated, interactive script.

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Reading with Feeling (-:Reading with Feeling (-:

Students receive coded Reader’s Theatercopies, taking the role as ‘themselves.’

Use graphic cues to assist voice and emotion.