From linear to non-linear broadcast contents: considering...

25
From linear to non- linear broadcast contents: considering an “augmented audiovisual archive” Eleonore Alquier Acquisition and preservation department - INA @inadlweb

Transcript of From linear to non-linear broadcast contents: considering...

Page 1: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

From linear to non-linear broadcast

contentsconsidering an

ldquoaugmented audiovisual archiverdquo

Eleonore AlquierAcquisition and preservation

department - INA

inadlweb

Institutional presentation

PART 1

A brief history hellip

1974 By law the national public broadcast organization (ORTF) splits into 7independent entities INA is one of themhellip

Missionsbull National broadcast archive - legacy of all archived recorded documents

since the beginning of Radio and TV in France -

bull Broadcasters professional Training RampD

bull Audiovisual Production amp innovation

inadlweb 3

Radio

TV

1986 Law on media amp communication

Usage B2B B2B2C B2C Users Producers journalists institutions general public since 2006 hellip

Access Inamediapro inafr social media httpswwwinamediaprocomhttpwwwinafrhttpswwwfacebookcomInafrhttpstwittercominafr_officielyoutubehttpswwwyoutubecomuserinamedia

INA is given mandate for commercial or institutional reuseThird party copyrignt payment is organized

hellip

Double Legal Framework 12

Partner collections

inadlweb 4

19952006 Legal Deposit- heritage collections

Radio

TV

Partner collections

Textarchives

2018 + 40 Million records+ 17 Million hours

Usage ResearchUsers Academics Students Researchers

Onsite access Inathegravequehttpwwwinathequefrindexhtml

hellipChannels 1995 2018

TV 7 103

Radio 6 66

Double Legal Framework 22

Web Archive

inadlweb 5

6

Focus on Web legal deposit legal context

2006 law

Transposition of European Directive 200129EC on the harmonizationof certain aspects of authorsrsquo and neighbouring rights in the InformationSociety

laquo Signs signals texts images sounds or messages of any kind made availableto the public by electronic means are submitted to Legal Deposit raquo

2011 decree

Broadcastersrsquo online communication services Online communication services focusing on Radio and TV On demand audiovisual Media Services with broadcast content Archive access restricted to Ina facilities

inadlweb

Web legal deposit at Ina evolution and collections

PART 2

8

Web legal deposit history

Page browsingWebsites catalog Fulltext search engine

Twitter search engine

Video providers archiving(Youtube Dailymotionhellip)

Webradios archiving

Video search engine

Twitter archiving

Websites archiving

Facebookarchiving

2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019

inadlweb

9

Web legal deposit collections

Objects

Every web content related to TV amp Radio

Websites (15 000)

Social Networks twitter accounts (13 000) hashtags (800)

UGC channels Youtube Dailymotion Vimeohellip (7500)

Size and numbers

Archive 66 Petabytes

22 million videos = 23 million hours

1 billion tweets

From linear to non linear-TV

PART 3

11

Evolution of content distribution and devices

BroadcastBroadcast

VODVOD

Broadcast

In France (Meacutediameacutetrie Report ndash 2017) rarr 57 million viewers daily practice replay regardless of the screen (x 25 in 3 years)rarrMobile viewers x 3 in 3 yearsrarr PC viewers x 15 in 3 yearsrarr Smartphone first device used to connect to Internet

2000 2010 2020

VOD

inadlweb

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 2: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

Institutional presentation

PART 1

A brief history hellip

1974 By law the national public broadcast organization (ORTF) splits into 7independent entities INA is one of themhellip

Missionsbull National broadcast archive - legacy of all archived recorded documents

since the beginning of Radio and TV in France -

bull Broadcasters professional Training RampD

bull Audiovisual Production amp innovation

inadlweb 3

Radio

TV

1986 Law on media amp communication

Usage B2B B2B2C B2C Users Producers journalists institutions general public since 2006 hellip

Access Inamediapro inafr social media httpswwwinamediaprocomhttpwwwinafrhttpswwwfacebookcomInafrhttpstwittercominafr_officielyoutubehttpswwwyoutubecomuserinamedia

INA is given mandate for commercial or institutional reuseThird party copyrignt payment is organized

hellip

Double Legal Framework 12

Partner collections

inadlweb 4

19952006 Legal Deposit- heritage collections

Radio

TV

Partner collections

Textarchives

2018 + 40 Million records+ 17 Million hours

Usage ResearchUsers Academics Students Researchers

Onsite access Inathegravequehttpwwwinathequefrindexhtml

hellipChannels 1995 2018

TV 7 103

Radio 6 66

Double Legal Framework 22

Web Archive

inadlweb 5

6

Focus on Web legal deposit legal context

2006 law

Transposition of European Directive 200129EC on the harmonizationof certain aspects of authorsrsquo and neighbouring rights in the InformationSociety

laquo Signs signals texts images sounds or messages of any kind made availableto the public by electronic means are submitted to Legal Deposit raquo

2011 decree

Broadcastersrsquo online communication services Online communication services focusing on Radio and TV On demand audiovisual Media Services with broadcast content Archive access restricted to Ina facilities

inadlweb

Web legal deposit at Ina evolution and collections

PART 2

8

Web legal deposit history

Page browsingWebsites catalog Fulltext search engine

Twitter search engine

Video providers archiving(Youtube Dailymotionhellip)

Webradios archiving

Video search engine

Twitter archiving

Websites archiving

Facebookarchiving

2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019

inadlweb

9

Web legal deposit collections

Objects

Every web content related to TV amp Radio

Websites (15 000)

Social Networks twitter accounts (13 000) hashtags (800)

UGC channels Youtube Dailymotion Vimeohellip (7500)

Size and numbers

Archive 66 Petabytes

22 million videos = 23 million hours

1 billion tweets

From linear to non linear-TV

PART 3

11

Evolution of content distribution and devices

BroadcastBroadcast

VODVOD

Broadcast

In France (Meacutediameacutetrie Report ndash 2017) rarr 57 million viewers daily practice replay regardless of the screen (x 25 in 3 years)rarrMobile viewers x 3 in 3 yearsrarr PC viewers x 15 in 3 yearsrarr Smartphone first device used to connect to Internet

2000 2010 2020

VOD

inadlweb

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 3: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

A brief history hellip

1974 By law the national public broadcast organization (ORTF) splits into 7independent entities INA is one of themhellip

Missionsbull National broadcast archive - legacy of all archived recorded documents

since the beginning of Radio and TV in France -

bull Broadcasters professional Training RampD

bull Audiovisual Production amp innovation

inadlweb 3

Radio

TV

1986 Law on media amp communication

Usage B2B B2B2C B2C Users Producers journalists institutions general public since 2006 hellip

Access Inamediapro inafr social media httpswwwinamediaprocomhttpwwwinafrhttpswwwfacebookcomInafrhttpstwittercominafr_officielyoutubehttpswwwyoutubecomuserinamedia

INA is given mandate for commercial or institutional reuseThird party copyrignt payment is organized

hellip

Double Legal Framework 12

Partner collections

inadlweb 4

19952006 Legal Deposit- heritage collections

Radio

TV

Partner collections

Textarchives

2018 + 40 Million records+ 17 Million hours

Usage ResearchUsers Academics Students Researchers

Onsite access Inathegravequehttpwwwinathequefrindexhtml

hellipChannels 1995 2018

TV 7 103

Radio 6 66

Double Legal Framework 22

Web Archive

inadlweb 5

6

Focus on Web legal deposit legal context

2006 law

Transposition of European Directive 200129EC on the harmonizationof certain aspects of authorsrsquo and neighbouring rights in the InformationSociety

laquo Signs signals texts images sounds or messages of any kind made availableto the public by electronic means are submitted to Legal Deposit raquo

2011 decree

Broadcastersrsquo online communication services Online communication services focusing on Radio and TV On demand audiovisual Media Services with broadcast content Archive access restricted to Ina facilities

inadlweb

Web legal deposit at Ina evolution and collections

PART 2

8

Web legal deposit history

Page browsingWebsites catalog Fulltext search engine

Twitter search engine

Video providers archiving(Youtube Dailymotionhellip)

Webradios archiving

Video search engine

Twitter archiving

Websites archiving

Facebookarchiving

2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019

inadlweb

9

Web legal deposit collections

Objects

Every web content related to TV amp Radio

Websites (15 000)

Social Networks twitter accounts (13 000) hashtags (800)

UGC channels Youtube Dailymotion Vimeohellip (7500)

Size and numbers

Archive 66 Petabytes

22 million videos = 23 million hours

1 billion tweets

From linear to non linear-TV

PART 3

11

Evolution of content distribution and devices

BroadcastBroadcast

VODVOD

Broadcast

In France (Meacutediameacutetrie Report ndash 2017) rarr 57 million viewers daily practice replay regardless of the screen (x 25 in 3 years)rarrMobile viewers x 3 in 3 yearsrarr PC viewers x 15 in 3 yearsrarr Smartphone first device used to connect to Internet

2000 2010 2020

VOD

inadlweb

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 4: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

Radio

TV

1986 Law on media amp communication

Usage B2B B2B2C B2C Users Producers journalists institutions general public since 2006 hellip

Access Inamediapro inafr social media httpswwwinamediaprocomhttpwwwinafrhttpswwwfacebookcomInafrhttpstwittercominafr_officielyoutubehttpswwwyoutubecomuserinamedia

INA is given mandate for commercial or institutional reuseThird party copyrignt payment is organized

hellip

Double Legal Framework 12

Partner collections

inadlweb 4

19952006 Legal Deposit- heritage collections

Radio

TV

Partner collections

Textarchives

2018 + 40 Million records+ 17 Million hours

Usage ResearchUsers Academics Students Researchers

Onsite access Inathegravequehttpwwwinathequefrindexhtml

hellipChannels 1995 2018

TV 7 103

Radio 6 66

Double Legal Framework 22

Web Archive

inadlweb 5

6

Focus on Web legal deposit legal context

2006 law

Transposition of European Directive 200129EC on the harmonizationof certain aspects of authorsrsquo and neighbouring rights in the InformationSociety

laquo Signs signals texts images sounds or messages of any kind made availableto the public by electronic means are submitted to Legal Deposit raquo

2011 decree

Broadcastersrsquo online communication services Online communication services focusing on Radio and TV On demand audiovisual Media Services with broadcast content Archive access restricted to Ina facilities

inadlweb

Web legal deposit at Ina evolution and collections

PART 2

8

Web legal deposit history

Page browsingWebsites catalog Fulltext search engine

Twitter search engine

Video providers archiving(Youtube Dailymotionhellip)

Webradios archiving

Video search engine

Twitter archiving

Websites archiving

Facebookarchiving

2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019

inadlweb

9

Web legal deposit collections

Objects

Every web content related to TV amp Radio

Websites (15 000)

Social Networks twitter accounts (13 000) hashtags (800)

UGC channels Youtube Dailymotion Vimeohellip (7500)

Size and numbers

Archive 66 Petabytes

22 million videos = 23 million hours

1 billion tweets

From linear to non linear-TV

PART 3

11

Evolution of content distribution and devices

BroadcastBroadcast

VODVOD

Broadcast

In France (Meacutediameacutetrie Report ndash 2017) rarr 57 million viewers daily practice replay regardless of the screen (x 25 in 3 years)rarrMobile viewers x 3 in 3 yearsrarr PC viewers x 15 in 3 yearsrarr Smartphone first device used to connect to Internet

2000 2010 2020

VOD

inadlweb

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 5: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

19952006 Legal Deposit- heritage collections

Radio

TV

Partner collections

Textarchives

2018 + 40 Million records+ 17 Million hours

Usage ResearchUsers Academics Students Researchers

Onsite access Inathegravequehttpwwwinathequefrindexhtml

hellipChannels 1995 2018

TV 7 103

Radio 6 66

Double Legal Framework 22

Web Archive

inadlweb 5

6

Focus on Web legal deposit legal context

2006 law

Transposition of European Directive 200129EC on the harmonizationof certain aspects of authorsrsquo and neighbouring rights in the InformationSociety

laquo Signs signals texts images sounds or messages of any kind made availableto the public by electronic means are submitted to Legal Deposit raquo

2011 decree

Broadcastersrsquo online communication services Online communication services focusing on Radio and TV On demand audiovisual Media Services with broadcast content Archive access restricted to Ina facilities

inadlweb

Web legal deposit at Ina evolution and collections

PART 2

8

Web legal deposit history

Page browsingWebsites catalog Fulltext search engine

Twitter search engine

Video providers archiving(Youtube Dailymotionhellip)

Webradios archiving

Video search engine

Twitter archiving

Websites archiving

Facebookarchiving

2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019

inadlweb

9

Web legal deposit collections

Objects

Every web content related to TV amp Radio

Websites (15 000)

Social Networks twitter accounts (13 000) hashtags (800)

UGC channels Youtube Dailymotion Vimeohellip (7500)

Size and numbers

Archive 66 Petabytes

22 million videos = 23 million hours

1 billion tweets

From linear to non linear-TV

PART 3

11

Evolution of content distribution and devices

BroadcastBroadcast

VODVOD

Broadcast

In France (Meacutediameacutetrie Report ndash 2017) rarr 57 million viewers daily practice replay regardless of the screen (x 25 in 3 years)rarrMobile viewers x 3 in 3 yearsrarr PC viewers x 15 in 3 yearsrarr Smartphone first device used to connect to Internet

2000 2010 2020

VOD

inadlweb

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 6: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

6

Focus on Web legal deposit legal context

2006 law

Transposition of European Directive 200129EC on the harmonizationof certain aspects of authorsrsquo and neighbouring rights in the InformationSociety

laquo Signs signals texts images sounds or messages of any kind made availableto the public by electronic means are submitted to Legal Deposit raquo

2011 decree

Broadcastersrsquo online communication services Online communication services focusing on Radio and TV On demand audiovisual Media Services with broadcast content Archive access restricted to Ina facilities

inadlweb

Web legal deposit at Ina evolution and collections

PART 2

8

Web legal deposit history

Page browsingWebsites catalog Fulltext search engine

Twitter search engine

Video providers archiving(Youtube Dailymotionhellip)

Webradios archiving

Video search engine

Twitter archiving

Websites archiving

Facebookarchiving

2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019

inadlweb

9

Web legal deposit collections

Objects

Every web content related to TV amp Radio

Websites (15 000)

Social Networks twitter accounts (13 000) hashtags (800)

UGC channels Youtube Dailymotion Vimeohellip (7500)

Size and numbers

Archive 66 Petabytes

22 million videos = 23 million hours

1 billion tweets

From linear to non linear-TV

PART 3

11

Evolution of content distribution and devices

BroadcastBroadcast

VODVOD

Broadcast

In France (Meacutediameacutetrie Report ndash 2017) rarr 57 million viewers daily practice replay regardless of the screen (x 25 in 3 years)rarrMobile viewers x 3 in 3 yearsrarr PC viewers x 15 in 3 yearsrarr Smartphone first device used to connect to Internet

2000 2010 2020

VOD

inadlweb

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 7: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

Web legal deposit at Ina evolution and collections

PART 2

8

Web legal deposit history

Page browsingWebsites catalog Fulltext search engine

Twitter search engine

Video providers archiving(Youtube Dailymotionhellip)

Webradios archiving

Video search engine

Twitter archiving

Websites archiving

Facebookarchiving

2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019

inadlweb

9

Web legal deposit collections

Objects

Every web content related to TV amp Radio

Websites (15 000)

Social Networks twitter accounts (13 000) hashtags (800)

UGC channels Youtube Dailymotion Vimeohellip (7500)

Size and numbers

Archive 66 Petabytes

22 million videos = 23 million hours

1 billion tweets

From linear to non linear-TV

PART 3

11

Evolution of content distribution and devices

BroadcastBroadcast

VODVOD

Broadcast

In France (Meacutediameacutetrie Report ndash 2017) rarr 57 million viewers daily practice replay regardless of the screen (x 25 in 3 years)rarrMobile viewers x 3 in 3 yearsrarr PC viewers x 15 in 3 yearsrarr Smartphone first device used to connect to Internet

2000 2010 2020

VOD

inadlweb

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 8: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

8

Web legal deposit history

Page browsingWebsites catalog Fulltext search engine

Twitter search engine

Video providers archiving(Youtube Dailymotionhellip)

Webradios archiving

Video search engine

Twitter archiving

Websites archiving

Facebookarchiving

2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019

inadlweb

9

Web legal deposit collections

Objects

Every web content related to TV amp Radio

Websites (15 000)

Social Networks twitter accounts (13 000) hashtags (800)

UGC channels Youtube Dailymotion Vimeohellip (7500)

Size and numbers

Archive 66 Petabytes

22 million videos = 23 million hours

1 billion tweets

From linear to non linear-TV

PART 3

11

Evolution of content distribution and devices

BroadcastBroadcast

VODVOD

Broadcast

In France (Meacutediameacutetrie Report ndash 2017) rarr 57 million viewers daily practice replay regardless of the screen (x 25 in 3 years)rarrMobile viewers x 3 in 3 yearsrarr PC viewers x 15 in 3 yearsrarr Smartphone first device used to connect to Internet

2000 2010 2020

VOD

inadlweb

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 9: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

9

Web legal deposit collections

Objects

Every web content related to TV amp Radio

Websites (15 000)

Social Networks twitter accounts (13 000) hashtags (800)

UGC channels Youtube Dailymotion Vimeohellip (7500)

Size and numbers

Archive 66 Petabytes

22 million videos = 23 million hours

1 billion tweets

From linear to non linear-TV

PART 3

11

Evolution of content distribution and devices

BroadcastBroadcast

VODVOD

Broadcast

In France (Meacutediameacutetrie Report ndash 2017) rarr 57 million viewers daily practice replay regardless of the screen (x 25 in 3 years)rarrMobile viewers x 3 in 3 yearsrarr PC viewers x 15 in 3 yearsrarr Smartphone first device used to connect to Internet

2000 2010 2020

VOD

inadlweb

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 10: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

From linear to non linear-TV

PART 3

11

Evolution of content distribution and devices

BroadcastBroadcast

VODVOD

Broadcast

In France (Meacutediameacutetrie Report ndash 2017) rarr 57 million viewers daily practice replay regardless of the screen (x 25 in 3 years)rarrMobile viewers x 3 in 3 yearsrarr PC viewers x 15 in 3 yearsrarr Smartphone first device used to connect to Internet

2000 2010 2020

VOD

inadlweb

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 11: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

11

Evolution of content distribution and devices

BroadcastBroadcast

VODVOD

Broadcast

In France (Meacutediameacutetrie Report ndash 2017) rarr 57 million viewers daily practice replay regardless of the screen (x 25 in 3 years)rarrMobile viewers x 3 in 3 yearsrarr PC viewers x 15 in 3 yearsrarr Smartphone first device used to connect to Internet

2000 2010 2020

VOD

inadlweb

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 12: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

12

Where Presence on as many platforms as possible Dedicated accounts on multiple social networks (Youtube Twitter

Facebook) Dedicated website

What Short format programs Vertical video (916e) Web exclusive contents VR programs

How Adapting the editorialisation to platforms Creating and federating communities of fans Asking to internet users for creating characters

New editorial practices Arte channel example

inadlweb

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 13: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

13

New editorial practices Arte channel example

httpswwwartetvfrvideosRC-014095blow-up

httpsfr-frfacebookcomblowuparte

httpstwittercomblowup_arteref_src=twsrc5Egoogle7Ctwcamp5Eserp7Ctwgr5Eauthor

httpswwwyoutubecomwatchv=i10GYw53oOI

inadlweb

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 14: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

14

New editorial practices France TV example

Where amp What Dedidcated websites to a specified publicrarr Slashtv 15-25 (millenials)rarr Studio 4 25-45 (family)

How By adopting the same codes used by pure players (Netflix Youtube)rarr Clear interfacesrarr Suggestions rarr Bookmarkingrarr Playlistsrarr Rating sharing and commenting functionnalities

New strategies from production practices to consumption practices

inadlweb

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 15: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

15

CLEAR INTERFACES SUGGESTIONS

SHARING USER PLAYLISTS

New editorial practices France TV example

inadlweb

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 16: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

Evolution of documentation

strategy

PART 4

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 17: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

From broadcasted to non-linear contentsTill 2006 program onlyThe program was documented by itself Data and metadata are included in it

+Documentations from broadcaster

2006 till recently program centeredwith addsThe program is documented by itselfand completed by web contents

Today decentralised programThe program is a package includingthe program itself and related web objectscontents which have to bedocumented too

Documentation process

Documentation process

Documentation process

inadlweb 17

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 18: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

18

Documentation process new methodshelliphellipusing the Web

Two methods bull Push information comes through customised tools

Pros automated (time-saving)existing tools (freefreemium) Hootsuite Talkwalker Alertlow rely on humans

Cons Noise irrelevant resultsTools settingsLow serendipitylow control of the searching process

bull Pull looking for the information using search engine (mostly)Pros

high serendipityhigh control of the searching process

Cons time-consuminghighly rely on humans

inadlweb

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 19: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

19

hellipand new expertises

- Social network knowledge

- Web curation tools RSS Mail alerts

- Web Search engine SEO

- Ability to process a lot of information and noise (Wool Ball effect)

TVRadio documentation professionnals have to get web oriented

inadlweb

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 20: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

Augmented archive

PART 5

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 21: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

21

How to structure an laquo augmented archive raquo

At Ina - One metadata database AKA laquo Le Lac raquo- Full-text faceted refinement search engine- One consultation interface AKA laquo Notilus raquo- One consultation device AKA laquo Le Poste raquo

Better structuration allows better valorization

Database rationalizing Adaptative and flexible database Optimised search engine(s) Consultation interfaces pooling

MetadataDatabase

MediaDatabases

Development in progress (2020)

Captation

Documentation

inadlweb

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 22: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

22

How to offer the augmented archive

rarr By creating dynamic links between differentmedia within visualisation tools

Example laquo Second Screen raquo projectObject parallelizing tv captationsand twitter streamings

rarrBy allowing userscustomers to createcorpuses containing objects from heteroclitescollections

Example One search for the TV show Cash investigation to get rarr TV captationsrarr Web videos (Youtube Dailymotionhellip)rarr Related tweets (cash_investigation

cashinvestigation eliselucethellip)rarr Related web pages

inadlweb

click on the capture to access the prototype demonstration

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 23: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

Conclusion

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 24: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

24

ConclusionNew ways of programs consumption implies

new ways of producing and broadcasting

new ways of archiving

new ways of documenting

new ways of curating

New ways of valorizing

STRUCTURED

ADAPTIVE

RATIONAL

REACTIVE

WEB ORIENTED

CREATIVE

DISRUPTIVE

The 7 pillars of the augmented archive

inadlweb

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb

Page 25: From linear to non-linear broadcast contents: considering ...netpreserve.org/ga2019/wp-content/uploads/2019/07/... · From broadcasted to non-linear contents Till 2006: program only

Evolution of data management for new uses of Inarsquos collections

For any more information

Eleacuteonore Alquierealquierinafr

Boris Blanckemanebblanckemaneinafr

INArsquos webarchive on Twiitter inadlweb