FRED WILSON SELECTED BIBLIOGRAPHY PERIODICALS...

FRED WILSON

SELECTED BIBLIOGRAPHY PERIODICALS

2018

“Artist Puts Turkish ‘Hidden History’ On Display.” London Live, 28 March 2018. Online video, 1:36.

http://www.londonlive.co.uk/news/2018-03-28/artist-puts-turkish-hidden-history-on-display

Belcove, Julie. “Fred Wilson: ‘As an Artist, I Don’t Have to Stick to the Script” (Pace Gallery exhibition

preview). Financial Times, 16 March 2018. https://www.ft.com/content/4c46e940-25de-11e8-9274-

2b13fccdc744

Bige Örer, "Afro Kismet" (Pace Gallery exhibition review). Sanat Dünyamiz, May 2018-June 2018: 14-25

(illustrated).

Brazil, Kevin. “Fred Wilson, Afro Kismet, Pace Gallery, London” (Pace Gallery exhibition review). Paper

Visual Art, 5 June 2018. http://papervisualart.com/2018/06/05/fred-wilson-afro-kismet-pace-gallery-london/

Frankel, Eddy. “Fred Wilson: Afro Kismet Review” (Pace Gallery exhibition review). Time Out, 2 April 2018.

https://www.timeout.com/london/art/fred-wilson-afro-kismet-review

“Fred Wilson’s ‘Afro Kismet’ at Pace, London” (exhibition preview). Artinfo, 12 March 2018.

http://in.blouinartinfo.com/news/story/2900663/fred-wilsons-afro-kismet-at-pace-london

Michalarou, Efi. “Art-presentation: Fred Wilson-Afro Kismet” (Pace Gallery exhibition review). Dream Idea

Machine, accessed on 22 March 2018. http://www.dreamideamachine.com/en/?p=34922

Fred Wilson: Selected Bibliography—Periodicals 2

“6 Illuminating Pendants from San Francisco's FOG Design+Art Fair.” Artspace, 13 January 2018.

https://www.artspace.com/magazine/news_events/art-fairs/pendants-aplenty-55204

2017

“5 Takes on African Art: Exploring the Charles Derby Collection / 42 Flags: Paintings by Fred Wilson.”

UMass Amherst, 14 October 2017. Online video, 2:56.

https://umass.app.box.com/s/b5c3dj0a1fzzmox8r3xx9uzqn5bej95h

“A Timeline of Attempts to Fix the Art World: 1992.” Art News 115, no. 4 (Winter 2017): 97, illustrated.

Corbett, Rachel. “‘The Curators Were Shocked’: In Istanbul, Fred Wilson Exposes the Black Art History

Hidden in Plain Sight” (Istanbul Biennial exhibition review). Artnet News, 10 October 2017.

https://news.artnet.com/exhibitions/fred-wilson-istanbul-biennial-1100798

“Spring - Fred Wilson: The Mete of the Muse, 2006.” Longhouse Reserve (Spring 2017): 14, illustrated.

Holland, Laura. “Digging Deeper…into African Art” (UMCA exhibition review). Preview Magazine, October

2017: 5–8, illustrated.

Hushka, Rock. “Rebecca and Jack Benaroya Collection Donated to the Tacoma Art Museum.” New Glass

Review (2017): 96, 127, illustrated.

Özden, Hatice Utkan. “15th Istanbul Biennial Discovers ‘Belonging and Neighborhood’” (exhibition review).

Hurriyet Daily News, 16–17 September 2017: 6–7, illustrated.

Sharp, Sarah Rose. “Fred Wilson Teaches Us How to Pay Attention” (Allen Memorial Art Museum exhibition

review). Hyperallergic, 14 February 2017. http://hyperallergic.com/349838/fred-wilson-teaches-us-how-to-

pay-attention/

Tataryan, Nora. “The 15th Istanbul Biennial Public Programme Kicks off with Fred Wilson’s Speech” (15th

Istanbul Biennial exhibition review). Iyi Bir Komsu, 18 September 2017. http://15b.iksv.org/news/24


Wilson, Fred. “Fred Wilson: The Mete of the Muse.” Longhouse.org, accessed 12 May 2017.

https://www.longhouse.org/pages/fred-wilson

2016

“Arts: Digging Deep.” Oberlin Alumni Magazine, Fall 2016: 10, illustrated.

Capossela, Francesca. “’Glass’ Exhibition Explores the Medium with Three Art Greats” (Pace Gallery

exhibition review). The Creators Project, 1 July 2016. http://thecreatorsproject.vice.com/blog/glass-exhibition-

group-show-pace

“Current Exhibitions: Alternative Historical Narratives Emerge in Two Exhibitions Organized with the Artist

Fred Wilson.” At The Allen: Allen Memorial Art Museum, Oberlin College, Fall 2016: cover; 5–6, illustrated.

Erickson, Peter. “Concluding Othello: Contrasting Endings by Shakespeare and Fred Wilson.” Shakespeare

Bulletin 34, no.2 (Summer 2016): 277–293, illustrated.

Grabner, Michelle. “Fred Wilson, Allen Memorial Art Museum, Oberlin College” (exhibition review). Artforum

55, no. 4 (December 2016): 264, installation view.

Litt, Steven. “Artist lets viewers draw connections, conclusions” (Allen Memorial Art Museum, Oberlin College

exhibition review). The Plain Dealer, 25 September 2016: D3, illustrated.

http://www.cleveland.com/arts/index.ssf/2016/09/fred_wilson_installations_subv.html

Litt, Steven. “Fred Wilson Subverts Art History-as-Usual at Oberlin’s Allen Memorial Art Museum” (exhibition

review). Cleveland.com, 19 September 2016.

http://www.cleveland.com/arts/index.ssf/2016/09/fred_wilson_installations_subv.html

Michalarou, Efi. “Art Cities: N. York - Glass” (Pace Gallery exhibition review). Dream Idea Machine, 18

August 2016. http://www.dreamideamachine.com/en/?p=17812

Miller, M. H. “’Being Here Is An Unusual Experience’: Finding Some Quiet Time with Fred Wilson at Frieze

New York.” Art News, 5 May 2016. http://www.artnews.com/2016/05/05/being-here-is-an-unusual-

experience-finding-some-quiet-time-with-fred-wilson-at-frieze-new-york/


Peterson, Julia. “Fred Wilson Intervenes at AMAM Sculpture Court” (Allen Memorial Art Museum exhibition

review). The Oberlin Review, 9 September 2016. http://oberlinreview.org/10790/arts/fred-wilson-intervenes-

at-amam-sculpture-court/

Wilson, Fred. “Degrees of Subversion: An Interview with Fred Wilson.” Interview with Robert Enright and

Meeka Walsh. Border Crossings 35, no. 137 (March 2016): 22–37, illustrated.

2015

Anderson, Mary. “The Conscious Heart: On the Act of Creation and the Compassionate Teachings of Art.”

Harvard Divinity Bulletin 43, no.1 and 2, Winter/Spring 2015: 21–31, illustrated.

Guzman, Alissa. “Fred Wilson on Isamu Noguchi’s Multifaceted Modernism.” Hyperallergic, 16 March 2015.

http://hyperallergic.com/190978/fred-wilson-on-isamu-noguchis-multifaceted-modernism/

Moran, Jason. “Sightlines: Variations on a Theme.” Art in America (January 2015): 29.

Sheets, Hilarie M. “Inside Art: A Wink at the Quirks of a Famed Collector” (The Barnes Foundation exhibition

review). The New York Times, 6 March 2015: C20.

2014

Baumgardner, Julie. “8 Museum Directors Reveal Their Favorite Works of Art: Thom Collins, Peres Art

Museum Miami.” Vulture, 17 December 2014. http://www.vulture.com/2014/12/8-museum-directors-on-their-

favorite-work-of-art.html

Erickson, Peter. “Mining Shakespeare: Fred Wilson’s Visual Translations of Othello.” Nika Journal of

Contemporary African Art, no.33 (Fall 2013): 8–19, illustrated.

Finkel, Jori. “Make Sure the Artists Are on Board.” The Art Newspaper, 30 May 2014, illustrated.

http://www.theartnewspaper.com/blogs/Make-sure-the-artists-are-on-board/32896


Indrisek, Scott. “5 Must-See Gallery Shows: Kristen Schiele, Jason Rhoades, and More” (Pace Gallery

exhibition review). Artinfo, 18 September 2014. http://www.blouinartinfo.com/news/story/1054260/5-must-

see-gallery-shows-kristen-schiele-jason-rhoades-and

Jones, MiChelle. “Knoxville Museum Update Includes Jolley’s ‘Cycle of Life’” (exhibition review). Tennessean,

16 May 2014. http://www.tennessean.com/story/life/arts/2014/05/16/knoxville-museum-update-includes-

jolleys-cycle-life/9146237/

Neal, Mark Anthony. “Picasso Baby: Hip-Hip & the Appropriation of Space.” Art Papers 38, no. 1

(January/February 2014): 52–54.

Phillips, Rowan Ricardo. “Fred Wilson” (Pace Gallery exhibition review). Artforum, 23 September 2014.

http://www.artforum.com/archive/id=48334

2013

Drury, John. “Fred Wilson’s Black Beauty.” Neues Glas no.3 (Fall 2013): 34–39, illustrated.

Green, Tyler. “A Day at the Museum.” Modern Painters (October 2013): 48–49, illustrated.

Owens, Craig. “Global Issues.” The Happy Hypocrite, Freedom, no. 6 (2013): 27, illustrated.

Pollack, Barbara. “The Civil War in Art, Then & Now.” Art News 112, no. 5 (May 2013): 70–77, illustrated

2012

Baker, Kenneth. “Fred Wilson—a spectrum of ingenuity” (Rena Bransten Gallery exhibition review). San

Francisco Chronicle, 10 March 2012: E2, illustrated.

Grinberg, Emanuella. “’Museum therapist’ challenges the idea of art.” CNN, 23 June 2012.

http://www.cnn.com/2012/06/22/living/artist-fred-wilson/index.html?iref=allsearch

Gund, Agnes. “Huffpost Arts & Culture: Public Art and Argument (blog).” The Huffington Post, 9 August 2012.

http://www.huffingtonpost.com/agnes-gund/public-art-and-argument_b_1761239.html


Kuspit, Donald. “Black and White and Nothing In Between” (The Pace Gallery exhibition review). artnet, 13

April 2012. http://www.artnet.com/magazineus/features/kuspit/fred-wilson-at-pace-gallery-4-11-12.asp

Mirrer, Louise. “What ‘Liberty/Liberté’ Tells Us About Slavery, Black History and Raw Nerves.” Huffington

Post, 8 February 2012. http://www.huffingtonpost.com/louise-mirrer/liberty-liberte-new-york-historical-

society_b_1258182.html

Nathan, Emily. “Savannah Dispatch: The Fred Wilson Treatment.” artnet, 27 February 2012.

http://www.artnet.com/magazineus/news/nathan/fred-wilson-at-scad-2-27-12.asp

Pollack, Barbara. “Fred Wilson: Creates an Installation.” Art News 111, no. 10, (November 2012): 120–125,

illustrated.

Quirós, Kantuta and Aliocha Imhoff. “Entretien avec Joaquín Barriendos.” Les Cahiers, no. 122 (Winter

2012/2013): 107–119, illustrated.

Weaver, A.M. “Fred Wilson, New York Historical Society” (exhibition review). Frieze, no. 147 (May 2012):

223, illustrated.

Wilson, Fred. “Shifting Connections: Fred Wilson (Part 1)” (Savannah College of Art and Design Museum of

Art exhibition review). Interview by Kathleen MacQueen. Bomblog, 17 May 2012.

http://bombsite.com/issues/1000/articles/6561

Wilson, Fred. “Shifting Connections: Fred Wilson (Part 2)” (The Pace Gallery exhibition review). Interview by

Kathleen MacQueen. Bomblog, 17 May 2012. http://bombsite.com/issues/1000/articles/6529

Zarobell, John. “And I Say, It’s All Right: Fred Wilson” (Rena Bransten Gallery exhibition review). Art

Practical, 11 March 2012. http://www.artpractical.com/review/fred_wilson/

2011

Adamson, Glenn. “Issues/Commentary: Tsunami Africa” (Museum of Arts and Design exhibition review). Art

in America (March 2011): 67–72, illustrated.


Correia, Alice. “Fred Wilson” (Karsten Shubert exhibition review). Third Text 25, no.109 (2011): 639–644,

illustrated.

Erickson, Peter. “Black Like Me: Reconfiguring Blackface in the Art of Glenn Ligon and Fred Wilson.” NKA:

Journal of Contemporary African Art, no. 25 (Winter 2011): 30–47, illustrated.

Green, Tyler. “CICF kills Fred Wilson project.” artinfo.com, 13 December 2011.

http://blogs.artinfo.com/modernartnotes/2011/12/cicf-kills-fred-wilson-project/

Herbert, Martin. “Fred Wilson” (Karsten Shubert exhibition review). Time Out London, 31 March–6 April

2011: 49, illustrated.

Nairne, Eleanor. “Fred Wilson” (Karsten Shubert exhibition review). Frieze, no. 140 (June–July–August

2011): 207, illustrated.

New Glass Review 32 (2011): 79, 125, illustrated.

Rothstein, Edward. “Museum’s New Center of Gravity” (New York Historical Society review). The New York

Times, 11 November 2011: C25–C26; illustrated.

Sheets, Hilarie M. “Art Talk: George Washington Behind Bars.” Art News 110, no. 10 (November 2011): 40,

installation view.

Trigg, David. “Exhibitions: Fred Wilson: Works 1993–2011” (Karsten Schubert exhibition review). Art

Monthly, no. 346 (May 2011): 18, illustrated.

2010

Barshee, Tenzing. “Reviews: Fred Wilson, Mitterrand + Sanz / Contemporary Art, Zurich” (exhibition review).

Flash Art 43, no. 274 (October 2010): 125, illustrated.

Wilson, Fred. “How You Look is How You Look: An Interview with Fred Wilson by Huey Copeland.” Callaloo

33, no. 4 (Fall 2010): 1018–1040, illustrated.


2009 Chozick, Amy and Kelly Crow. “Changing the Art on The White House Walls.” The Wall Street Journal, 22

May 2009.

Erickson, Peter. “Black Like Me: Reconfiguring Blackface in the Art of Glenn Ligon and Fred Wilson.” NKA

Journal of Contemporary African Art (Winter 2009): 30–47.

Gopnik, Blake, “Kerry James Marshall Thinks the Old Masters Have Room for a New Face: His Own.” The

Washington Post, 15 February 2009.

Wilson, Fred. “Best of 2009: The Artists’ Artists—Nick Cave, ‘Recent Soundsuits.’” Artforum (December

2009): 89.

2008

Lee, Felicia R. “Arts, Briefly: Lauder Quits Whitney Post.” The New York Times, 29 May 2008.

MacMillan, Kyle. “Reintroducing a body of work.” The Denver Post, 16 October 2008.

New Glass Review, 29 (2008): 86, 125, illustrated.

2007

Alibhai-Brown, Yasmin. “Into the Art of Darkness” (exhibition review). The Independent, 9 February 2007.

Als, Hilton. “The Shadow Act: Kara Walker’s Vision.” The New Yorker, 8 October 2007: 78.

Bishop, Philip E. “Exhibit explores history, hipness” (exhibition review). Orlando Sentinel, 19 April 2007.

“Crossing the Line” (Cornell Fine Arts Museum, Rollins College exhibition review). Orlando Arts Magazine

(January/February 2007): 42–43.


Diehl, Carol. “A Matter of Opinion.” Art News 106 (November 2007): 194.

Genocchio, Benjamin. “Four Shows in One Celebrate Ethnic Diversity” (exhibition review). The New York

Times, 14 January 2007.

Genocchio, Benjamin. “Tougher Than the Rest” (exhibition review). The New York Times, 1 July 2007: 10.

Halle, Howard. “For younger artists of color, the political has become the personal.” Time Out New York, 23–

29 August 2007: 59.

“History’s Uneasy Truths” (exhibition review). New Nation, 12 February 2007: 27.

“Inside.” EI8GHT Photojournalism Magazine (Spring 2007): 68–72.

Jones, Kellie. “Famous in 2112?” Art News 106 (November 2007): 205, discussed.

Kennedy, Randy. “Art World Luminaries Recall Marcia Tucker.” The New York Times, 13 January 2007.

Levin, Kim. “Reviews: New York—‘The Nightly News’” (Luxe Gallery exhibition review). Art News 106 (May


Levine, Lisa. “A Portrait of the Collectors” (Cornell Fine Arts Museum, Rollins College exhibition review).

Orlando: The City’s Magazine (January 2007): 82–85.

“Light, Time, and Three Dimensions” (exhibition review). The New Yorker, 13 August 2007: 13.

Lopez, Ruth. “Museum Studies: Fred Wilson re-presents history at Northwestern.” Time Out Chicago, 1–7

March 2007.

Marstine, Janet. “What a Mess! Claiming a Space for Undergraduate Student Experimentation in the

University Museum.” Museum Management and Curatorship (September 2007): 303–315.

Merali, Shaheen. “Looking Back: Emerging Artists.” Frieze (January–February 2007): 137.


Morris, Jane. “Chasing shadows” (exhibition review). Museums Journal, 1 April 2007.

Parker, Nick. “Creative Commons on a Creative Campus.” City on a Hill Press (April 2007).

Pendleton, Adam. “Working Practice: Jason Moran.” Modern Painters (May 2007): 112.

Ponnekanti, Rosemary. “Liquid Social History: Fred Wilson challenges color at the Museum of Glass.” The

News Tribune, 7 August 2007: E1–2, illustrated.

Relyea, Lane. “Clem Everlasting.” X-TRA (Summer 2007): 18, illustrated.

Riding, Alan. “Britain Confronts Legacy of Slave Trade” (Victoria and Albert Museum exhibition review). The

New York Times, 20 March 2007: E5, illustrated.

Riding, Alan. “Britain examines its conscience on the slave trade” (exhibition review). International Herald

Tribune, 22 March 2007: 28.

Robinson, Courtney. “Fred Wilson tells MSU a museum can also be art.” Lansing City Pulse, 4 April 2007:

15.

Schoenberg, Nara. “Artists draw on the enduring images of slavery” (exhibition review). Chicago Tribune, 7

March 2007: 5–5, 5–8.

“‘Schwangere Auster’ erstrahlt in neuem Glanz” (exhibition review).Tagesspiegel, 21 August 2007.

http://www.Tagesspiegel.de/

Schwendener, Martha. “Agitprop Tactics, Spoofs and Semantics in the Bronx” (Longwood Arts Project

exhibition review). The New York Times, 4 January 2007.

Schwendener, Martha. “Whose Liberté, Ébalité, and Fraternité? Colors of France Today.” The New York

Times, 13 July 2007: B32.

Stewart, Laura. “Diversity on Display” (Cornell Fine Arts Museum, Rollins College exhibition review). Orlando

News Journal, 26 January 2007.


Swain, Rebecca. “New season dawns for the Cornell” (Cornell Fine Arts Museum, Rollins College exhibition

review). Orlando Sentinel Entertainment Guide, 19–25 January 2007: 3–4.

“Uncomfortable Truths: London” (Victoria and Albert Museum exhibition review). The Guardian: The Guide,

17 February 2007: 37.

“Uncomfortable Truths—Shadow of a Slave Trade at the V&A” (Victoria and Albert Museum exhibition

review). 24hourmuseum, 23 February 2007. http://24hourmuseum.org.uk/

“Uncomfortable Truths: the shadow of slave trading on contemporary art @ Victoria and Albert Museum.”

Studio Magazine (Spring 2007).

“The V&A hosts slavery exhibition” (Victoria and Albert Museum exhibition review). Independent on Sunday,

18 February 2007: 65.

“Visual Arts Series: Current/Coming Up.” Art Matters Newsletter of the Office of Cultural Affairs, Appalachian

State University (Spring 2007): 6.

Wilson, Fred and Mark Graham. “An Interview with Fred Wilson.” Journal of Museum Education 32, no. 3

(Fall 2007): 209–217, illustrated.

2006

Comita, Jenny. “At His Own Pace.” Vogue (November 2006): 208, 210.

Cotter, Holland. “Emancipation Remains a Work in Progress” (New York Historical Society exhibition review).

The New York Times, 20 June 2006: E1, E7, illustrated.

“Fred Wilson: Aldrich Contemporary Art Museum” (exhibition review). Sculpture (April 2006): 68–69,

illustrated.

Ganis, William. “Fred Wilson: My Echo, My Shadow and Me.” Iconophilia: An e-Anthology of Art Review and

Criticism (March 2006): illustrated.


“Galleries–Uptown: Fred Wilson” (PaceWildenstein exhibition review). The New Yorker, 10 April 2006: 12.

Haithman, Diane. “Drawn to the Badge.” Los Angeles Times, 16 April 2006: E25, E32–33, illustrated.

Heartney, Eleanor. “Fred Wilson at PaceWildenstein” (exhibition review). Art in America (June/July 2006):

185–186, illustrated.

Lee, Felicia R. “A Modern Prism for Slavery’s Past” (New York Historical Society exhibition review).

International Herald Tribune, 14 June 2006: 26, illustrated.

Lee, Felicia R. “Slavery’s Legacy, Seen Through Art” (New York Historical Society exhibition review). The

New York Times, 13 June 2006: E1, E7, illustrated.

Luska, Jane & John Strand. “Fred Wilson: Learning to Speak Museum.” Museum News (January–February

2006): 44–50, illustrated.

Mashburn, Sabrina. “Crowds Mob Student Art Show.” The Campus Authority: Skidmore News, 3 February

2006: 10.

“New Prints Review.” Art on Paper 11 (November/December 2006): 66, illustrated.

Perreault, John. “Slavery on Long Island, Slavery in New York.” Artopia Artsjournal weblog, 12 September

2006: illustrated.

Pollack, Barbara. “’Legacies: Contemporary Artists Reflect on Slavery,’ New York Historical Society”

(exhibition review). Art News (September 2006): 139.

“Prices Climb for Wilson’s Art Installations.” Art Newsletter 31, no. 24, 18 July 2006: 7.

Robinson, Walter. “Weekend Update” (PaceWildenstein exhibition review). artnet, 17 April 2006: illustrated.

http://artnet.com/

Rondón, José María. “El arte desacogedor Ilega tarde a Sevilla.” El Mundo, 26 October 2006: 54, illustrated.


Vigil, Delfin. “All Things African.” San Francisco Chronicle, 22 January 2006: 19, illustrated.

Wei, Lily. “Reviews: New York–Fred Wilson: PaceWildenstein” (exhibition review). Art News (September


“What’s On [International Biennial of Contemporary art of Seville]” (exhibition preview). The Art Newspaper

173, no. 13 (2006): illustrated.

Wilson, Fred. “Fred Wilson: Learning to Speak Museum.” Interview by Jane Lusaka and John Strand.

Museum (January/February 2006): 44–50, illustrated.

Wolin, Joseph R. “Legacies: Contemporary Artists Reflect on Slavery” (New York Historical Society

exhibition review). Time Out New York, 6–12 July 2006: 55, illustrated.

Yablonsky, Linda. “Glass Tears, Young Love, Women’s Work Fill 57th St. Galleries” (exhibition review).

Bloomberg News, 5 April 2006.

2005

Cohen, David. “Gallery - Going: Sol LeWitt & Summer Group Show” (exhibition review). New York Sun, 21

July 2005: 17.

Erickson, Peter. “Respeaking Othello in Fred Wilson’s ‘Speak of Me as I Am.’” Art Journal, 22 June 2005:

illustrated.

Frank, Peter. “Art Pick of the Week” (exhibition review). LA Weekly, 30 January 2005.

Hanson, Alex. “At Play in the Hood’s Collection” (exhibition review). Valley News, 6 October 2005: C1,

illustrated.

Kimmelman, Michael. “Risks and Rewards of Art in the Open.” The New York Times, 19 August 2005: E31.


Martel, Ned. “Artists Defying Labels Just by Speaking About Art.” The New York Times, 15 September 2005:

E10.

Pes, Javier. “Brave New World.” Museum Practice Magazine (Summer 2005): 12–17, illustrated.

Streitfeld, L. P. “Fred Wilson’s Evolutionary Leap into a Perfect Marriage” (Aldrich Contemporary Art Museum

exhibition review). The Advocate & Greenwich Time, 4 September 2005: D3, D4, illustrated.

Wilson, Fred. “Fred Wilson in the Hood.” Interview with Barbara Thompson. Hood Museum of Art Quarterly,

Dartmouth College (Autumn 2005): 4–5, illustrated, back cover.

2004

“A Second Look” (exhibition review). Museums New York (Spring 2004): 24, illustrated.

“Artist speaks today on his Venice Biennale exhibition.” Cornell Chronicle, 4 March 2004.

Artsman, Margareta. “Hela världen mötsi Göteborgs nya museum” (exhibition review). SvD Onsdag

(Göteborg, Sweden), 22 December 2004: 4–5.

Brown, Kathan. “Overview: Fred Wilson.” Crown Point Press Newsletter (May 2004).

Cotter, Holland. “Pumping Air Into the Museum, So It’s as Big as the World Outside” (exhibition review). The

New York Times, 30 April 2004: E31, illustrated.

Cristopulos, Rodrigo. “Exponen hielo en Guanajuato” (exhibition review). Estilo, 19 August 2004.

Goodbody, Bridget L. “Black Like Who?” Time Out New York, 20–27 May 2004: 66, illustrated.

Hassan, Salah M. “Fred Wilson’s Black Venezia: Fictitious Histories And Notion Of Truth.” NKA Journal of

Contemporary African Art (Summer 2004): 12–19, illustrated.

Helfand, Glen. “Six New Etchings by Fred Wilson.” Art on Paper (July/August 2004): 24, illustrated.


Hudson, Suzanne. “Fred Wilson, Studio Museum in Harlem” (exhibition review). Artforum (November 2004):

223, illustrated.

“Inspirations: Fred Wilson” (interview). Museums New York (Spring 2004): 160, illustrated.

Johanson, Ulf. “Det luktar toppbetyg fönya museet” (exhibition review). Göteborgs-Posten Onsdag

(Göteborg, Sweden), 22 December 2004: 64–65.

Johanson, Ulf. “Fred Wilson gör museibesöket tilen aktiv handling.” Göteborgs-Posten Mandag (Göteborg,

Sweden), 27 December 2004: 80–81.

Martin, Courtney J. “Studio Museum in Harlem: Fred Wilson” (exhibition review). Flash Art (July–September

2004): 65.

Norman, Ingrid. “Kultur: Han ska få oss att se Göteborg pånytt sätt.” Onsdag (Göteborg, Sweden), 11 August

2004.

Perreault, John. “Fred Wilson’s Quest.” Artopia Artsjournal weblog, 17 May 2004: illustrated.

Sandberg, Peter. “Världens jultur mötsi Göteborg” (exhibition review). Onsdag (Göteborg, Sweden), 22

December 2004: 2–3, illustrated.

Schmerler, Sarah. “The history men keep Pace with the times.” Art Review (October 2004): 45–46,

illustrated.

2003

Allen, Jane Ingram. “Shifts in Meaning: A Conversation with Fred Wilson.” Sculpture (May 2003): 40–45,

illustrated.

Baker, Kenneth. “Creating Art Out of Artifacts.” San Francisco Chronicle, 23 January 2003: E1, E9,

illustrated.

Berns, Marla. “Africa at the Venice Biennale.” African Arts (Autumn 2003): 1, 4, 8, 91–92, illustrated.


Byrd, Kenya N. “Rebel Art.” Essence (May 2004): 140, illustrated.

Coleman, David. “A Lost Patrimony Comes Home.” The New York Times, 25 May 2003: N8.

“Culture Shock.” The Times, 24 January 2003: 44–45.

Dyer, Richard. “The Art of Fred Wilson.” Wasafiri (Summer 2003): 20–23, illustrated.

Emery, Mike. “Blaffer gallery keeps summer guests cool with new exhibits” (exhibition review). University of

Houston Campus News, 19 June–2 July 2003: 2.

“Fred Wilson: Objects & Installation, 1985–2000.” Houston Lifestyles & Homes (June 2003): 10, illustrated.

“Fred Wilson: Objects and Installations, 1985–2000” (exhibition review). The Art Newspaper (June 2003).

“Fred Wilson Wins Aldrich Foundation Award.” Sculpture (January/February 2003): 15.

Harvey, Doug. “Ranking the Museums.” LA Weekly, 26 December 2003: 33.

Helfand, Glen. “Object Lesson.” San Francisco Bay Guardian, 22 January 2003: 36–37, cover.

Helfand, Glen. “Fred Wilson, Berkeley Art Museum” (exhibition review). Artforum (May 2003): 174–175,

illustrated.

Hellman, Ben. “Art on Guard.” The Townsman, 25 September 2003: 13, 15, illustrated.

Hoban, Phoebe. “The Shock of the Familiar.” New York Magazine, 28 July 2003: 32–33, illustrated.

Hoban, Stephen. “Venice’s 50th Biennale.” Guggenheim Magazine (Summer 2003): 6, illustrated.

Hom, Lisa. “The World According to Wilson, Part 2.” San Francisco Weekly (January 2003): 22–28, 31.

“Itinerary: Fred Wilson” (exhibition review). Sculpture (June 2003): 14, illustrated.


Jespersen, Else. “Some pavilions in the Giardini” (exhibition review). Kunstonline (2003): 1–2, illustrated.

http://www.Kunstonline.dk/

Johnson, Patricia C. “Wit colors Wilson’s attack on stereotypes” (exhibition review). Houston Chronicle, 7

June 2003: 1D, 10D, illustrated.

“Jump to the Beat” (exhibition preview). ArtReview (July/August 2003): 13.

Klaasmeyer, Kelly. “Someone’s Grandmother” (exhibition review). Houston Press, 10–16 July 2003: 49.

Knight, Christopher. “Fred Wilson: Reading Between the Lines” (exhibition review). Los Angeles Times, 24

December 2003.

Krenz, Marcel. “History Repeated.” Contemporary (Spring 2003): 56–7, illustrated.

Madoff, Steven Henry. “How Do You Get to the Biennale? Apply.” The New York Times, 1 June 2003: AR35.

Margrander, Kai. “mal was anderes.” GQ International (Germany) (September 2003): 150, illustrated.

Meriwether, Nick. “Blaffer exhibits help to beat summer heat” (exhibition review). The Daily Cougar, 28 May

2003: 9.

Miles, Christopher. “Venice by Way of Africa.” Los Angeles Times, 20 July 2003: E42.

Newkirk, Pamela. “Searching for the Black Audience.” Art News (May 2001): 184–87.

Pollack, Barbara. “Deft in Venice.” The Village Voice, 12 June 2003.

Putnam, James. “The Quest for Othello.” Modern Painters (Summer 2003): 94–97, illustrated.

Robinson, Dorothy. “Masked Masks and Whipping Posts.” Berkeleyan (University of California), 30 January

2003: 3.


Rothkopf, Scott. “In the Bag.” Artforum (September 2003): 174–77, 240, illustrated.

Schmerler, Sarah. “The Lone Rearranger.” Art Review (June 2003): 60–63, illustrated.

“Shades of Placement.” Berkeley Daily Californian, 23 January 2003.

Sheets, Hilarie M. “America’s Artist, 2003 Edition.” The New York Times, 1 June 2003: AR35.

Sheets, Hilarie M. “Please Touch.” Town & Country (October 2003).

Sirmans, Franklin. “American History X.” One World (June/July 2003): 110–111, illustrated.

Slyce, John. “Sweat in Venice.” Art Monthly (London) (July–August 2003): 26–27, illustrated.

Spalding, David. “Re: Making History.” Art Papers (January/February 2003): 12–13.

Spritzer, Kristina. “Fred Wilson: Objects and Installations, 1985–2000” (exhibition review). Art Lies: Houston

Review (Summer 2003): 83.

Sundell, Margaret. “Birth Canal.” Time Out New York, 10–17 July 2003: 54.

Taylor, Robert. “Wilson’s Twist on the Unexpected Are a Cultural Critique.” Contra Costa Times, 24 January

2003: 44–45.

Tennant, Donna. “Gallery Reviews” (exhibition review). Artshouston (July 2003).

“Unlike many artists, Fred Wilson does not kiss gallery ass” (exhibition review). Houston Press, 22–28 May

2003: 37.

Vetrocq, Marcia E. “Julian LaVerdiere’s imperial designs.” Art in America (June 2003).

Vetrocq, Marcia E. “Venice Biennale: ‘Every Idea But One.’” Art in America (September 2003): 76–84.

“World Topic: Fred Wilson.” Wolgan Misool (Japan) (August 2003): 124–131, illustrated.


2002

Burghart, Tara. “Children’s museum invites youngsters to step inside contemporary art.” Neapolitan: Naples

Daily News, 1 December 2002.

Crane, Julianne. “Wilson Examines Museums as Art.” Spokesman Review, 2 May 2002: D1, D7.

Dinnison, Kris. “Arts and Culture: Art Out of Context.” Inlander, 2 May 2002.

“Face to Face to Face to . . .” The New York Times, 11 October 2001: A1, illustrated.

Graeber, Laurel. “Family Fare: A Journey Into Art.” The New York Times, 8 November 2002: E42.

“John Miller, Pae White, Fred Wilson” (exhibition review). The Village Voice, 15 January 2002.

Kimmelman, Michael. “Best of 2002.” The New York Times, 29 December 2002.

Schmerler, Sarah. “Venetian Find” (exhibition review). Time Out New York, 7–14 November 2002: 85.

“Visual Arts Series: Current/Coming Up.” Art Matters Newsletter of the Office of Cultural Affairs, Appalachian

State University (Spring 2007): 6.

Vogel, Carol. “Heading For Venice 2003.” The New York Times, 25 October 2002: E32.

Wong, Sherry. “Artnet News-Wilson to Venice Biennale.” artnet (November 2002). http://www.artnet.com/

2001

“Barcelona Arte/Art” (exhibition preview). Ronda Iberia (July 2001).

Berwick, Carly. “The Changing of the Guards.” Art News (March 2001): 148–151, illustrated.


Booth, Jim. “Erie Art Museum’s 78th Spring Show makes visitors think” (exhibition review). Erie Times-News,

4 May 2001: 1D.

Dawson, Jessica. “The Dark Side of Museums.” Washington Post, 8 November 2001.

Edwards, John. “Culture as Consumerism” (exhibition review). Erie Times-News, 17 May 2001: 16.

Leo, John. “But where’s the art?” U.S. News & World Report, 14 May 2001: 14.

Lind, Ingela. “Museivärlden” (exhibition review). Dagens Nyheter Onsdag, 13 June 2001.

McGee, Celia. “50 Artists, All ‘Crossing the Line’” (exhibition review). Daily News, 24 August 2001.

Simpson, Bennet. “Crossing the Line” (exhibition review). Frieze (October 2001).

2000

Bischoff, Dan. “Few and far above: Newark Museum hosts a world-class fine arts show” (exhibition review).

The Sunday Star-Ledger, 30 July 2000: 1, 5.

Bless, Nancy. “Welcome Home: Project Row Houses.” Sculpture (June 2000): 32–39, illustrated.

Edwards, Tamala. “Who Wants to Be a MacArthur Genius?” Black Issues (May–June 2000): 44–46,

illustrated.

Johnson, Patricia C. “‘Outbound’ Captures Moments of a Decade” (exhibition review). Houston Chronicle, 18

March 2000: 7–8.

Klaasmeyer, Kelly. “Caution: Swoon Zone” (exhibition review). Houston Press (April 2000): 71–72.

Kleeblatt, Norman L. “Persistence of Memory.” Art in America (June 2000): 97–103.

“MacArthur Award Goes to Purchase Alumnus Fred Wilson.” Purchase Passages (Winter 2000): 3.


Newkirk, Pamela. “Object Lessons: Fred Wilson Reinstalls Museum Collections to Highlight Sins of

Omission.” Art News (January 2000): 156–159, illustrated.

Phillips, Patricia C. “Critique & Compliance: Artists on Display.” Sculpture (May 2000): 40–47, illustrated.

Reid, Calvin. “How We Got to Now.” The International Review of African American Art (Winter 2000): 16–31.

Schwabsky, Barry. “New Jersey Fine Arts Annual From Two Perspectives” (exhibition review). The New York

Times, 3 September 2000: 9.

Shottenkirk, Dena. “Four on the Floor.” International Contemporary Art (Summer 2000): 44.

van Ryzin, Jeanne Claire. “Engaging Passage From ‘90s to Now.” Austin American Statesman, 25 March

2000: D.

1999

“Art of drollery at the de Young” (exhibition review). San Francisco Examiner, 28 January 1999: C10.

Ayoung, Todd. “Of Hermes and History.” New Observations (Summer 1999): 10–11.

Baker, Kenneth. “Exhibition Lost in Muddle.” San Francisco Chronicle, 6 March 1999.

Bonetti, David. “Good questions, lame answers.” San Francisco Examiner, 13 March 1999: D2.

Carroll, Jon. “The Hopi Couple Staring In” (exhibition review). San Francisco Chronicle (1999).

Goldberg, Vicki. “Outreach, the Wandering Museum’s Specialty.” The New York Times, 10 January 1999: 41,

43.

Griscom, Nina. “Pretty as a Princess.” Elle Décor (October 1999): 281, 285.

Howe, Jeff. “Artistic License.” The Village Voice, 13 July 1999: 30.


Kimmelman, Michael. “When Artists Dress Up Modern Jewish History” (exhibition review). The New York

Times, 26 February 1999: E37, E44.

Kent, Rachel. “Artists and Collections: A Working Partnership.” Artlink (March 1999): 10–13, illustrated.

Levin, Kim. “The Museum as Muse: Artists Reflect” (exhibition review). The Village Voice, 16 March 1999.

“MacArthur Award Winners.” San Francisco Examiner, 22 June 1999: A12.

MacFarquhar, Neil. “32 Receive Grants From MacArthur Foundation.” The New York Times, 23 June 1999:

A15.

Miller, Jeff. “The King of Context: Fred Wilson.” University of California-San Francisco Magazine (April 1999).

Polito, Richard. “Leaps and boundaries” (exhibition review). Marin Independent Journal, 13 February 1999.

Rugoff, Ralph. “Collecting our thoughts.” Vogue (March 1999): 300, 04, 06.

Rugoff, Ralph and Lisa Corrin. “Mining the Store.” Artforum (January 1999): 23–24, illustrated.

Sabir, Wanda. “Prisoner of Context: Intervention or Death of the Image” (exhibition review). San Francisco

Bay View, 21 April 1999: 6–8.

Saltz, Jerry. “Inside Job” (exhibition review). The Village Voice, 18 May 1999: 141, illustrated.

Scott, Michael. “Truth on a pedestal.” Vancouver Sun, 7–14 January 1999.

Smith, Roberta. “The Modern Looks at Artists Looking at Museums.” The New York Times, 12 March 1999:

E37, 40.

Smith, Roberta. “Conceptual Art: Over and Yet Everywhere.” The New York Times, 25 April 1999: 1, 38.

“Snapshot of affirmative action presented.” The New School University Observer (March 1999): 1, 8.


Sullivan, Terry. “Shock of the New Media.” Pix (August/September 1999): 32.

Tuchman, Laura J. “Musing on Museums” (exhibition review). MSNBC, 12 March 1999.

http://www.msnbc.com/

Tucker, Marcia. “Museums Experiment with New Exhibition Strategies.” The New York Times, 10 January

1999: 40.

Wilson, Fred. “‘Isis’ and ‘Untitled’ (‘Hathor and Attendants’).” New Observations, no. 122 (1999): 10–11,

illustrated.

1998

MacAdam, Barbara A. “Where the Dinosaurs are the Old Masters: Fred Wilson.” Art News (March 1998):

166, illustrated.

Scaife, Melanie. “Object Lesson.” The Big Issue (Australia) (November 1998): 33, illustrated.

“US artist making museums more relevant to today’s society.” Wanganui Chronicle, 13 November 1998:

illustrated.

1997

Barrett, David. “Collected: Photographer’s Gallery, London.” Frieze (September/October 1997): 96–97.

Burrows, David. “’Collected’ at The Photographer’s Gallery” (exhibition review). Art Monthly (June 1997): 22.

“Collected—The Photographer’s Gallery.” Art Monthly (June 1997): 21–23.

Cork, Richard. “Heirlooms of the Dogged.” The Times, 6 May 1997.

Currah, Mark. “Irredeemable Skeletons.” Time Out London, 30 April–7 May 1997: 47.

“The Eye Choice.” Independent, 26 April–2 May 1997.


Friedman, Roberto. “Gallery Hop” (exhibition review). Bay Area Reporter, 17 April 1997: 46.

Gordon, Allan M. “Fred Wilson at UC Davis” (exhibition review). Artweek (San Jose) 28 (June 1997): 21–22.

Hazlewood, Carl E. “Interior Life Contests Conservatism.” Flash Art (November/ December 1997): 57.

Kent, Rachel. “Fred Wilson: The Fine Art of Subversion.” Art Monthly (Melbourne) (April 1997): 18–19,

illustrated.

Kronenberg, Simeon. “Fred Wilson: A Subversive Exhibition Practice.” Museum National (Australia)

(February 1997): 15–16, illustrated.

Mead, Andrew. “Search for Order in a World of Things.” The Architect’s Journal (May 1997): 53.

Rodriguez, Julian. “Brief Encounters.” British Journal of Photography (May 1997).

Searle, Adrian. “Swift’s Skull, Churchill’s Chair, Tonnes of Bottle-Tops, Millions of Split Hairs and 200

Celebrated Urinals.” The Guardian, 29 April 1997: 14–15.

Slyce, John. “Collected: Photographer’s Gallery.” What’s On In London, 18 June 1997.

Stafford, Amy. “Art @ the Millennium.” Surface (1997): 128–30.

Sumpter, Helen. “Objects of Desire.” The Big Issue (April 1997).

Twardy, Chuck. “African-Americans in Old Salem.” German Life (December 1997): 44.

Unger, Miles. “New Histories: The Institute of Contemporary Art, Boston.” Flash Art (January–February

1997): 61.

Williams, Gilda. “Irredeemable Skeletons” (exhibition review). Art Monthly (May 1997): 32–34.

Wilson, Fred and Judith Barry and René Green. “Serving Institutions.” OCTOBER (Spring 1997): 120–127.


Windsor, John. “Work Like an Egyptian.” Independent, 31 May 1997.

1996 “Alumni Reflections – The Purchase Experience.” 31 October 1996: 10.

Becker, Jack. “Three Rivers Arts Festival” (exhibition review). Public Art Review (Fall/Winter 1996): 46.

Burdick, Anne. “The Portable Art Space.” Eye (Autumn 1996): 26–37, illustrated.

Behr, Martin. “Erlebnisreiche Reise zu postkolonialer Kunst.” Salzburger Nachrichten, 29 September 1996.

Chayat, Sherry. “Cornell Show Exhibits Multiple Personalities.” Syracuse Herald American, 10 March 1996:

11–12.

Colman, David. “Pretty on the Outside: A New Breed of Black Artists Launches a Fresh Debate on Race with

Works That Look Lovely but Bite Back.” George (June/July 1996): 117–118, illustrated.

Cromwell, Kathleen. “Fred Wilson: Metro Pictures” (exhibition review). Flash Art (May/June 1996): 114.

Demos, T. J. “Fred Wilson: Metro Pictures” (exhibition review). New Art Examiner (March 1996): 42–43.

“Eine neue Geografie de Macht.” Steirerkrone, 24 September 1996.

Enwezor, Okwui. “Inclusion/Exclusion: Art in the Age of Global Migration and Postcolonialism.” Frieze

(March/April 1996): 89–90.

Forman, Debbie. “‘New Histories’ at ICA a Novel Approach.” Cape Cod Times, 23 November 1996: B2, B3.

González, Jennifer. “Fred Wilson: Metro Pictures, New York” (exhibition review). Frieze (May 1996): 62–63.

Graziose Corrin, Lisa. “The Legacy of Daniel Robbin’s ‘Raid the Icebox I.’” Museum Notes 1996-Rhode

Island School of Design (June 1996): 54–61.


Hess, Elizabeth. “Jemimas on My Mind” (exhibition review). The Village Voice, 2 January 1996: 66,

illustrated.

Herbst, Steirischer. “Geschuttelt, Nicht Geruhrt.” Falter Verlag, 3 October 1996: 26.

Hoffmann, Justin. “Inclusion/Exclusion.” Kunstforum (February–May 1996): 350–353.

Hofleitner, Johanna. “Postkolonialismus, Ausgrenzung, arme Materialien.” Die Presse, 30 September 1996.

Hofleitner, Johanna. “Inclusion: Exclusion.” Argus Media (Zurich), 16 October 1996.

Hutter, Frido. “Welt-Nachrichten.” Kleine Zeitung (Graz), 21 September 1996.

Krumpl, Doris. “Rand-Zonen und die Kunst der Landsvermessung.” Der Standard, 29 September 1996.

Kwon, Miwon. “Three Rivers Arts Festival: Pittsburgh, PA., June 7–23, 1996” (exhibition review). Documents

(Fall 1996): 30–2.

Lienert, Konrad Rudolf. “Wandern in Europa und Anderswo.” Tages-Anzeiger, 8 October 1996.

Mackey, Fletcher. “Fred Wilson Project Row Houses.” Art Lies (April–June 1996): 36.

Niegelhell, Franz. “Kritik an der Ausgrenzung als Kritik an der Kultur.” Samstag, 21 September 1996: 29.

Odita, O. Donald. “Taster’s Choice” (exhibition review). aRUDE (Spring 1996): 68, illustrated.

Perree, Rob.”Fred Wilson: En Zijn Zwarte Landgenoten.” Kunstbeeld (June 1996): 31–33.

Prinzhorn, Martin. “Inclusion/Exclusion.” Texte zur Kunst (March 1996): 183–184.

Puhringer, Alexander. “Inclusion/Exclusion.” Noema (December/January 1996): 104.


Schindler, Richard A. “Democracy is fun! Joseph Beuys and the Aesthetics of Activism.” New Art Examiner

(October 1996): 20, illustrated.

Sherman, Mary. “‘New Histories,’ Lets Viewers Stand in Another’s Shoes” (exhibition review). Boston Sunday

Herald, 27 October 1996: 47.

Sirmans, Franklin. “Fred Wilson: Metro Pictures” (exhibition review). Art News (March 1996): 116, illustrated.

Sirmans, Franklin. “Steirischer Herbst ‘96: Barfly Theory at the Show.” Flash Art (December 1996): 38–39.

Smith, Roberta. “Art in Review: Fred Wilson” (exhibition review). The New York Times, 12 January 1996:

C31.

Spiegl, Andreas. “Inclusion/Exclusion.” Springer (April 1996): 57–59.

Tremin, Christine. “ICA Creates ‘New Histories’ with Global Perspective” (exhibition review). Boston Globe,

25 October 1996: A1, C18.

“Two Decades of Momentous Change: 1976-1996.” The International Review of African American Art, 13.2

(1996): 53.

Vogel, Sabine. “Fernverbindungen.” Erscheinungsdatum, 25 September 1996.

von Ziegesar, Peter. “Fred Wilson at Metro Pictures” (exhibition review). Art in America (June 1996): 103–

104

Whitfield, Tony. “Fred Wilson: Mining the Memory.” Sphere (Spring 1996): 17–18.

1995 Arieff, Allison. “Mining the Museum” (catalogue review). Sculpture (March–April 1995): 35, illustrated.

“Avant-Guards.” Interview (August 1995): 59.


Bhabha, Homi. “’Black Male’” (exhibition review). Artforum (February 1995): 86–87, 110.

Boston, Nicholas. “Black Male: Imprinting Fear and Anxiety.” Fuse (Spring 1995): 40–42.

Budney, Jen. “Black Male” (exhibition review). Flash Art International (February 1995): 91.

“Censorship, like obscenity, lies in the eye of the beholder.” Sculpture (January–February 1995): 47.

Clarke, Christa. “Western Artists/African Art” (exhibition review). African Arts (Winter 1995): 86–89,

illustrated.

Diehl, Carol. “Black Male” (exhibition review). Art News (February 1995): 122.

Dougherty, Linda Johnson. “Artist and the Community: Fred Wilson.” Art Papers (January/February 1995):

36.

James, Curtia. “Remembering Old Salem: An Interview with Fred Wilson.” Art Papers (July–August 1995):

28–31.

Haithman, Diane. “As Defiant as Always.” Los Angeles Times, 23 April 1995: 5, 84-6.

Halle, Howard. “Interview: Race Matters.” Time Out New York, 6–13 December 1995.

Hoving, Thomas. “Art for the Ages.” Cigar Aficionado (Summer 1995): 214–226.

James, Curtia. “Remembering Old Salem” (exhibition interview). Art Papers (July/ August 1995): 28–31.

Malbert, Roger. “Artists as Curators.” Museums Journal (London) (May 1995): 25–26, illustrated.

McEvilly, Thomas. “Black Male.” World Art (January 1995): 20–25.

Reid, Calvin. “Caught in Flux.” Transition (Spring 1995): 134–135.

Simon, Katie. “Book Review.” Artweek (April 1995): 30.


Ward, Frazer. “The Haunted Museum: Institutional Critique and Publicity.” OCTOBER (Summer 1995): 71–

89.

Wilson, Fred. “Silent Messages.” Museums Journal (London) (May 1995): 27–29, illustrated.

Yarborough, Richard. “Ways of Thinking: Contemplating a context for understanding ‘Black Male’.” LA

Weekly, 21–27 April 1995: 23–26.

Zook, Kristal Brent. “Longing for Tribe: The Storm over ‘Black Male.’” LA Weekly, 21–27 April, 1995: 18–21,

illustrated.

1994

Artner, Alan. G. “Salvaged items make poignant imagery.” Chicago Tribune, 5 May 1994: 11.

Artner, Alan G. “Art: MCA List Wishes, While Wilson Muses on Museums.” Chicago Tribune, 13 May 1994:

62.

“Arts & Show: Pondering Fred Wilson.” Chicago Sun-Times, 3 May 1994: 1.

Berger, Philip. “Art Facts: Fred Wilson Critiques the MCA.” The Reader, 28 April 1994: 6.

Brooks, Edward Robert, “North Looping with Edward Robert Brooks.” North Loops News, 28 April 1994: 8.

Buskirk, Martha. “Interviews with Sherrie Levine, Louise Lawler, and Fred Wilson.” October 70 (Fall 1994):

109–112.

Corrin, Lisa G. “Installing History.” Art Papers (May/June 1994): 6–14, illustrated.

Cotter, Holland. “African Genesis: What Western Artists Like.” The New York Times, 27 May 1994.

“Fred Wilson First in MCA’s Op-Ed Series.” Flash Art (Summer 1994): 37.


Glatt, Cara. “Show provides rare look into private collections.” Hyde Park Herald, 1 June 1994: 28.

Greenberg, Reesa. “Making Up Museums: Revisionism and Fred Wilson.” Parachute 76

(October/November/December 1994): 38–42, illustrated.

Hess, Elizabeth. “Visible Man.” The Village Voice, 22 November 1994: 31–34.

Holg, Garrett. “Dreams of a Permanent Collection.” Chicago Sun-Times, 12 June 1994: B5.

“In the Museums” (exhibition review). Art Now Gallery Guide (June 1994): 4.

Jones Jr., Abe D. “History with a Twist.” News & Record (Winston-Salem, North Carolina), 4 August 1994:

D1–D2, illustrated.

Kimmelman, Michael. “A Summer of Art Shows with Ambition.” The New York Times, 8 July 1994: C1.

Liebmann, Lisa. “[The Acquiring Mind] Africa, at the Source” (exhibition review). The New York Times

Magazine, 10 July 1994: 46–49.

Lovelace, Carey. “Yogona in Fiji and Breakfast in Derry: Artists respond to their experiences abroad.” Art

News (November 1994): 147.

“Museum of Contemporary Art” (exhibition review). Chicago Reader, 20 May 1994: 18.

Newman, Howard. “Private Collections for Public Enjoyment” (exhibition preview). River North News, 25

June 1994: 16.

“Op-Ed: Fred Wilson” (exhibition preview). Chicago Tribune, 23 January 1994: 18.

“Op Ed: Fred Wilson” (exhibition review). N’Digo, 28 April 1994.

Paice, Kim. “Book Review-Mining the Museum: An Installation by Fred Wilson.” World Art 1, no. 2 (1994):

90–91.


Patterson, Tom. “Exhibits Challenge Viewers to Rethink Cultural Assumptions.” Winston-Salem Journal, 4

September 1994: C3.

Peradotto, Nicole. “Artist battles museum racism.” Lewiston Tribune (March 1994): 5–6A.

Ragsdell, Loretta A. “Bringing Blacks to Museums’ Attention.” Afrique (May 1994): 20.

Rodgers, Joan S. “To the Point.” Winston-Salem Journal, 4 September 1994: C1–3, illustrated.

Schultz, Susy. “Even to Artist, ‘Op-Ed’ a Mystery.” Chicago Sun-Times, 29 April 1994: 11.

Schwartzman, Allan. “The Disappearing Middle.” Art + Auction (October 1994): 140–143.

Shapiro, Stephanie. “Fred Wilson Retrieves Memories for Carolina Exhibit.” The Sun, 4 December 1994: 1J,

3J.

Silverthorne, Jeanne. “Mining the Museum: An Installation by Fred Wilson” (book review). Artforum

(November 1994).

Smith, Linell. “Historical Society Receives $29,500.” Baltimore Sun, 28 August 1994.

Stamets, Bill. “Conceptual Artist Has His Way With MCA’s ‘Dreaming’ Show.” Chicago Sun Times, 26 June

1994: B2.

Stevens, Liz. “Outsider Art.” New City, 28 April 1994: 24.

Sunward, Justin H. “Cleaning House.” Gay Chicago Magazine, 19–29 May 1994: 44.

Temin, Christine. “Museums Go Native.” Boston Globe, 7 October 1994.

Thorson, Alice. “Fred Wilson Puts Extra Thoughts Into Museum Displays.” Kansas City Star, 22 May 1994.

“Unique visions define creativity in two art shows.” High Life, 10 August 1994: 6, illustrated.


Wainwright, Lisa. “Be Our Guest, Be Our Guest, Put Our Magic to the Test . . . The Museum as Mass

Entertainment.” New Art Examiner (May 1994): 14-18, 58.

Wallach, Amei. “The Shock of the Old.” New York Newsday, 2 June 1994, Section B.

Williams, Patricia J. “The Black Male, Unbound.” New York Newsday, 17 November 1994.

1993

“A Contemporary View.” High Strides: The BiMonthly Report on Urban Middle Grades (January 1993).

Ament, Deloris Tarzan. “Interplaying culture, time and art.” The Seattle Times, 1 February 1993: C3.

Barcott, Bruce. “Mixed-up Museum.” Seattle Weekly, 10 February 1993: 35–39.

Bonetti, David. “The Secrets of a Magical History Tour.” San Francisco Examiner, 27 August 1993: E10–E11.

Brumfield, John. “Marginalia: Life in a day of Black L.A. or, The Theater of Refusal.” Art Issues 29

(September/October 1993): 24–27.

Corrin, Lisa G. “Mining the Museum: An Installation Confronting History” (exhibition review). Curator

(December 1993): 302–313.

Cotter, Holland. “Artists Respond: The ‘New World’ Question.” The New York Times, 11 June 1993.

Cullum, Jerry. “Ciphers of Identity” (exhibition review). Journal-Constitution (November 1993).

“Discipline-based Art Education and Cultural Diversity.” The Getty Center for Education in the Arts (Spring

1993): 3–5.

Dector, Joshua. “Allegories of Cultural Criticism.” Flash Art (May–June 1993): 118–119, 128.

Dorsey, John. “Art Historical Society, antiques exhibit fits fine traditions.” Baltimore Sun, 20 April 1993.


Dorsey, John. “Mining Exhibit Shatters Records, Opens Eyes at Historical Society.” Baltimore Sun (1993):

1D.

Fox, Catherine. “Angry show scans politics of race, sex.” 7 March 1993: N3, illustrated.

Friedman, Roberto. “Telling Details.” Bay Area Reporter, 9 September 1993: illustrated.

Garfield, Donald. “Making the Museum Mine: An Interview with Fred Wilson.” Museum News 72 (May/June

1993): 46+, illustrated.

Glowen, Ron. “Canon Fodder; Fred Wilson at the Seattle Art Museum” (exhibition review). Artweek, 8 April

1993: 29.

Hackett, Regina. “Artist Challenges How Museums Treat Culture” (exhibition review). Seattle Post-

Intelligencer, 2 February 1993: C1.

Hamilton, Megan. “Interview with George Ciscle.” Art Papers (November–December 1993): 16–21,

illustrated.

Helfand, Glen. “Victorian Secrets.” SF Weekly, 1 September 1993: 17.

Hershenson, Karen. “Traveler’s belongings a curious treasure.” The Times/TimeOut, 17 September 1993:

34, illustrated.

Hills, Patricia. “The Stuff of Museums.” Art New England (April/May 1993): 18–20.

Hoffman, Nan. “Artist Finds IMA’s Soul.” Indianapolis News, 21 January 1993: F15.

Karp, Ivan. “Constructing the Spectacle of Culture in Museums.” Art Papers (May/June 1998) : 2–9,

illustrated.

“Politically Correct Museums” (exhibition review). The Economist, 16–22 January 1993: 85–86.

Larson, Kay. “What a Long, Strange Trip.” New York Magazine (1993): 71–72.


Knight, Christopher. ”Crushed by Its Good Intentions.” Los Angeles Times, 10 March 1993: F1, F8–F9.

Maclay, Catherine. “Intruders at an exhibition: the invisible made visible.” San Jose Mercury News, 3

September 1993: 50, illustrated.

Mannheimer, Steve. “Positioning is Key to Questioning Museums.” Indianapolis Star, 24 January 1993.

Marlowe, Ann. “Young and Beautiful.” Artforum (March 1993): 9–10, illustrated.

Matussek, Matthias. “Kunst als Schauprozess.” Der Spiegel, 12 April 1993: 228–232.

Mittenthal, Robert. “Fred Wilson: Mixed Metaphors at S.A.M.” (exhibition review). Reflex (January/ February

1993): 14–15.

“Museum Mining” (exhibition preview). Maryland Live, 26 February–4 March, 1993.

Red-Eagle, Philip. “The Museum Space: Mixing Metaphors.” The Raven Chronicles (Spring 1993): 30.

Ruben, David. “Mining the Museums.” New Age Journal (December 1993): 20–21, illustrated.

Saunders, Wade. “Making Art, Making Artists.” Art in America (January 1993): 70–95.

Smith, Joan. “Invisible Man Sited.” San Francisco Examiner, 18 August 1993: C1, C4.

Smith, Roberta. “At the Whitney, A Biennial with a Social Conscience” (exhibition review). The New York

Times, 5 March 1993: C1, C27.

Solomon, Deborah. “A Showcase for Political Correctness.” Wall Street Journal, 5 March 1993: A7.

Stein, Judith E. “Sins of Omission.” Art in America (October 1993): 110–115, illustrated.

Stoddard, Ann B. “Redecorating the White House.” New Art Examiner (February 1993): 16–20.


Stoddard, Ann B. “Response to Letters to the Editor.” New Art Examiner (November 1993): 2.

“The Meddle Man” (exhibition preview). Seattle Weekly, 27 January 1993:33.

“The ‘New World’ Question” (exhibition review). The New York Carib News, 22 June 1993.

“The Studio Museum’s ‘Artists Respond: The ‘New World’ Question is politics as usual.” New York Magazine,

7 June 1993.

“Untitled.” New York Magazine, 7 June 1993.

Wallach, Amei. “Art with an Attitude.” New York Newsday, 5 March 1993: 52–53.

Wallach, Amei. “A Quieter Response to Columbus’ Legacy.” New York Newsday, 21 May 1993.

Williamson, Don. “Museum helps get Egypt out of Europe, into Africa.” The Oregonian, 17 May 1993: A8.

1992

Als, Hilton. “The Ghosts in the Museum: Artist Fred Wilson Mines History.” The Village Voice, 22 September

1992: 41.

Auer, James. “Sheboygan show opens at art center today.” Milwaukee Journal, 25 (November 1992): E6.

Cameron, Dan. “Art and Politics: The Intricate Balance.” Art + Auction (November 1992): 76, 78, 80,

illustrated.

Cassedy, Susannah. “The Museum Mine Field.” Museum Notes (July/August 1992): 12–14.

Coles, Robert. “Whose Museums?” American Art (Winter 1992): 6–11.

Corrin, Lisa. “Fred Wilson Mines the Museum.” Arts Ink (Fall 1992): 1, 7, illustrated.

Cottingham, Laura. “Mining the Museum.” QW, 26 July 1992: 36–37.


Dorsey, John. “Mining the Stores of History with a New Mind-Set.” The Sun (Baltimore), 5 April 1992: 1+,

illustrated.

Dorsey, John. “Art Review” (exhibition review). The Sun (Baltimore), 7 April 1992: 27.

Dumenco, Simon. “Lost and Found: Artist Fred Wilson Pulls Apart Maryland’s Hidden Past.” City Paper

(Baltimore), 1–7 May 1992: 8–12, cover.

Duggan, Laura. “Bid a Happy Ann’y to New Museum.” Daily News, 2 May 1992: 15, illustrated.

Keiser, Ellen. “Introspection: A Parrish Art Museum Exhibit That Looks at Itself” (exhibition review). Dan’s

Papers, 14 August 1992: 70.

Kelleran, David. “Fred Wilson at Metro Pictures” (exhibition review). Flash Art (November/December 1992):

98, illustrated.

Kimmelman, Michael. “An Improbable Marriage of Artist And Museum.” The New York Times, 2 August

1992: 27, illustrated.

Kimmelman, Michael. “The Year in the Arts.” The New York Times, 27 December 1992.

Klein, Julia M. “’Mining the Museum’ Hangs Galleries with Their Own Rope.” Philadelphia Inquirer, 2 June

1992: C3, illustrated.

Kuspit, Donald. “The Magic Kingdom of the Museum.” Artforum, April 1992: 58–63.

Lewis, Jo Ann. “Coming Out From the Shadows of History.” Washington Post, 30 August 1992: G1, G6.

Lipson, Karin. “Taking the Parrish Into the Next Generation.” Newsday, 19 August 1992.

McGovern, Adam. “Fred Wilson: Metro Pictures” (exhibition review). Cover Magazine (December 1992).


“Mining the Museum.” Museum and Library of Maryland History News & Notes, Maryland Historical Society

(March/April 1992).

Nesbitt, Lois. “Fred Wilson at Metro Pictures” (exhibition review). Artforum (November 1992): 105–106.

“Out of Order: Exhibition finds artists who subvert the prevailing order.” Sheboygan Press, 25 October 1992.

Raynor, Vivien. “Politics of Blame on Display in Hartford.” The New York Times, 16 February 1992.

Silver, Kenneth. “Past Imperfect” (exhibition review). Art in America (August 1992): 43–47, illustrated.

Slivka, Rose C.S. “From the Studio.” East Hampton Star (1992).

Tanguy, Sarah. “Fred Wilson, Maryland Historical Society” (exhibition review). Sculpture (September/October


Wadsworth, Susan. “Distant Voices, Still Lives: Still Life and Political Message: A Happy Marriage?” Hartford

Advocate, 20 February 1992.

Wallach, Amei. “A Vision of Green.” New York Newsday, 24 March 1992: 54–55.

Wilkes, Anastasia. “West Side Art Park.” Art in America (May 1992): 39, 156.

Wilson, Fred. “Mining the Museum” (portfolio). Grand Street, no. 44 (1992): 151–172.

1991

Balken, Debra Bricker. “Fred Wilson at Gracie Mansion and Metro Pictures” (exhibition review). Art in

America (July 1991): 113–114, illustrated.

Berger, Maurice. “On Nationality: 13 Artists.” Art in America (September 1991): 131–132.

Brenson, Michael. The New York Times, 26 July 1991: C1, C28.


Decter, Joshua. “Fred Wilson at Metro Pictures” (exhibition review). Arts Magazine (Summer 1991): 92.

Goldstein, Marilyn. “Art Puzzle: Why Is the Room Blue?” (exhibition review). Newsday, 1 November 1991.

Harrison, Helen A. “Grim Reminder of the Persian Gulf War” (exhibition review). The New York Times, 3

November 1991: 16, illustrated.

Iverem, Esther. “Rms with a Point of Vu.” New York Newsday, 5 November, 1991.

Lee, Pamela. “Autokritik.” Texte zur Kunst (June 1991): 189–190.

Kimmelman, Michael. “Review/Art; Down to the Sea Again with Ralston Crawford” (exhibition review). The

New York Times, 22 March 1991: C19.

Mahoney, Robert. “Fred Wilson at Gracie Mansion” (exhibition review). Arts Magazine (May 1991): 98–99.

Morsiani, Paola. “Review” (exhibition review). Juliet (June 1991): 62, illustrated.

Schildkrout, Enid. “Ambiguous Messages and Ironic Twists: Into the Heart of Africa and The Other Museum.”

Museum Anthropology (Flagstaff, Arizona), 15 May 1991: 16–23.

“The Subversive Stitch” (exhibition preview). The Village Voice, 16 July 1991.

1990 Dicker, Fredric. “Gov’s Human Rights Pick Guilty of Bias.” New York Post, 19 March 1990.

Karmel, Pepe. “Art in Review: Fred Wilson: Collectibles” (exhibition review). The New York Times, 12

January 1990: C31, illustrated.

Levin, Kim. “Bad Timing” (exhibition review). The Village Voice, 6 March 1990: 102.

Levin, Kim. “Turning the Tables” (White Columns exhibition review). The Village Voice, 19 June 1990: 116,

illustrated.


Nesbitt, Lois E. “Fred Wilson: White Columns” (exhibition review). Artforum (October 1990): 172, illustrated.

Raynor, Vivian. “Narrowing 400 Entries Down to 29: A Fine Job of Selection.” The New York Times, 24 June

1990.

Reynolds, Judith. “Things To Do Today.” City Newspaper (Rochester), 29 March 1990: illustrated.

1989

Raynor, Vivian. “Two Bronx Galleries Produce Lively Displays.” The New York Times, (December 1989).

Raynor, Vivian. “When the Villain Is Colonialism: Two Shows Explore Oppression.” The New York Times, 29

October 1989: 28.

“Urban Narrative” (exhibition review). Newark This Week, 3 July 1989.

Zimmer, William. “Kendrick’s Energetic Sculptures” (exhibition review). The New York Times, 5 March 1989:

28

Zimmer, William. “When One Culture Dominates Another.” The New York Times, 23 July 1989: 16.

1988 “Double vision show opens.” The Bronx News, 24 March 1988.

“Double Vision Opens.” Bronx Arts (April 1988).

Bass, Ruth. “New York? New York!” (exhibition review). Art Talk (October 1988): 38.

Mahoney, Robert. “Review.” Arts Magazine (November 1988): 114.

“‘Prevailing Spirit’ at Longwood.” Bronx Arts (March 1988).


Raynor, Vivian. “‘Double Vision’ Examines the Cultural Identity of Artists.” The New York Times, 15 May

1988: illustrated.

Raynor, Vivian. “‘Election ’88,’ at Bronx Gallery Explores Unsolved Problems.” The New York Times, 13

November 1988: 34, illustrated.

Shepard, Joan. “Get a better grass-roots grip on yourself.” Daily News, 18 September 1988: M20, illustrated.

“Studio Award Winners.” Bronx Arts (September 1988).

1987

“Alternative Spaces.” The New York Times, 10 May 1987.

“‘Blue Angel’ Opens at Longwood.” Bronx Arts (October 1987).

“Double Vision.” Black Arts (1987/88).

“’La Cama’ at Longwood.” Bronx Arts (September 1987).

Fisher, Jean. “Rooms With A View: B.C.A. Longwood Art Gallery” (exhibition review). Artforum (March 1987):

137.

Raynor, Vivian. “Lehman Shows Products of Bronx Alternative Spaces.” The New York Times, 10 May 1987.

1986

“’Natural Disaster Show’ Offers Samples of Creative Upheaval.” The New York Times, 26 January 1986.

“What’s Happening at Longwood.” Bronx Arts (December 1986).

1985

“Music: Ali on the Beach.” The New York Times, 6 September 1985.

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