Frans Rijckhals Still-Life Oil on canvas Musée des Beaux-Arts, Dunkerque

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The Dutch penchant for paintings of still lifes and domestic interiors indicates that during the 17 th century they: set great importance on home life, family, and m aterial success rejected religious value s and interests lacked interest in the w orld outside of Holland did not have many skille d painters emulated England in all cultural matters Vermeer, Jan The Geographer c. 1668 Oil on canvas, 53 x 46,6 cm Städelsches Kunstinstitut, Frankfurt Frans Rijckhals Still-Life Oil on ca Musée des Beaux-Arts, Dunkerque

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The Dutch penchant for paintings of still lifes and domestic interiors indicates that during the 17 th century they: set great importance on home life, family, and material success rejected religious values and interests lacked interest in the world outside of Holland - PowerPoint PPT Presentation

Transcript of Frans Rijckhals Still-Life Oil on canvas Musée des Beaux-Arts, Dunkerque

Page 1: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

The Dutch penchant for paintings of still lifes and domestic interiors

indicates that during the 17th century they:

set great importance on home life, family, and material success

rejected religious values and interests

lacked interest in the world outside of Holland

did not have many skilled painters

emulated England in all cultural matters

Vermeer, Jan The Geographer c. 1668Oil on canvas, 53 x 46,6 cmStädelsches Kunstinstitut, Frankfurt

Frans Rijckhals Still-Life Oil on canvas

Musée des Beaux-Arts, Dunkerque

Page 2: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

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Page 4: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Mercantilist economic policies can best be described as:

a “bullionist” approach to building self-sufficiency,

laissez-faire,

avoidance of imperial responsibilities,

leaving everything up to the actions of individual merchants,

hostile to innovation

Page 5: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Jesus Marimba!! One more time!

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Congratulations! You are on your way to being the greatest AP European History student ever!

Next slide!

Page 7: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

The success of such a small country as the United Provinces during the 17th century was due

to all of the following EXCEPT:

banking and credit facilities in Amsterdam,colonial possessions,creation of productive agriculture through drainage and new fertilizing techniques,

religious toleration,strong, absolutist monarchy

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Page 10: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

The Glorious Revolution of 1688 overthrew

James II of England for all of the following reasons EXCEPT:

the birth of a male heir,hatred of Louis XIV,

the king’s openly Catholic faith,the arrest of the seven bishops,the intervention of William of Orange

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Page 13: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

This image was the personal emblem of:

Charles II of England,

William III of England,

Maria Theresa of Austria,

Louis XIV of France

William the Silent

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Page 16: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

“We forbid our subjects of the so-called Reformed religion to assemble any more for public worship.”This decree was issued by:

Henry IV of France,

William III of England,

Louis XIV of France,

Charles II of England,

James II of England

Next question

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Page 19: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

The policies of Charles II of England after the

Restoration (1660) were aimed at:

exterminating all opponents of Charles I,

making Scotland again,

making Ireland an independent state,

trying to turn back the clock to 1640,

eliminating his Catholic brother from the succession

Next

Page 20: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

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Page 22: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

The English society known as the Quakers, (a.k.a. the Society of Friends), founded in the mid-17th century,

were:

political revolutionaries,

pacifists,

millenarians,

competitors with the East India Company,

suffers of palsy

Page 23: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Practice – Practice – Practice! (back)

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Yes! You the genius!Next question

Page 25: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Cavaliers and roundheads fought each other during the mid-17th century in:

England,

France,

Spain,

the United Provinces,

ItalyMortimer Luddington Menpes (1855–1938)The Laughing Cavaliershellac on oil on cardboard; 48.0 x 37.5 cmPictorial Collection S4529after Frans HALS (1580?–1666) BelgianThe Laughing Cavalier 1624oil on canvas; 86.0 x 69.0 cmOriginal in the Wallace Collection, London

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Yes!! This time you got it! Keep up the good work!Next question

Page 28: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

During the 17th century marriage among ordinary people:

led to the wife being totally subservient to the husband (she’s making sandwiches),

was dominated by the wife (he’s making sandwiches),

often ended in divorce(they’re going out for dinner),

was rarely contracted until both parties were in their thirties,

was a partnership(they’re making each other sandwiches)

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Charles I of England faceda revolt against royal

authority led by:

Parliament,

the Anglican church,

a renegade governor of Ireland,

French agents,

Prince Rupert

Antoon [Anthony] Van Dyck 1599-1641Charles I at the Hunt (1600-1649), King of England c. 1635 CanvasH 2.66 m; W 2.07 mINV 1236

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.

Page 34: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

“No one person [henceforward] whatsoever shall or may have, or hold the office, style dignity, power, or

authority of king of the said kingdoms and dominions, or of them, or of the Prince of Wales.”

This law was enacted by:

Holland in 1648,

England in 1649,

England in 1688,

France in 1613,

France in 1653

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Try again, I know it can be frustrating!You will get it!

Back.

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Very Nice! You are so smart!!Next question.

Page 37: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

This scene illustrates:

scientific equipment being used,

daily life among the Dutch,

the importance of magic in 17th

century Holland,

the crowded living conditions in the countryside,

the oppressive life of Dutch children

The Quackdoctor17th century Oil on canvasMauritshuis, The Hague

Page 38: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Don’t give up! You are learning!Back

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You are becoming an art aficionado! Next Question

Page 40: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Reasons for the decline of Holland in the later 17th century included all the following EXCEPT:

lack of technological innovation,

excessive military spending,

impact of war on shipping and agriculture,

defeat by England,

conquest by France

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Page 43: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

One of Louis XIV’s most important achievements was to:

extend religious toleration,

conquer Algeria,

bring the Holy Roman Empire to an end,

reorganize the military,

restore power to the nobility

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Page 46: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Among the mercantilist policies implemented by

Jean-Baptist Colbert were all of the following

EXCEPT:

establish new industries,

improve roads and build canals,

increase internal tariffs,

found the French East India Company,

increase the efficiency of tax collection

Portrait of Jean-Baptiste Colbert1666Oil on canvas, 118 x 113 cm

Château de Versailles, Versailles

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Keep up the good work!Next Question.

Page 49: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

The civil revolt known as “the Fronde” that shook France between 1648 and 1653 was:

led by nobles of the sword trying to regain lost influence,

organized by the bourgeoisie to resist encroachments of the crown,

precipitated by agents subsidized by the king of England,

a peasant revolt centered in the South,

used by Louis XIV to overthrow Mazarin

http://images.encarta.msn.com/xrefmedia/sharemed/targets/images/pho/00012/00012C30.jpg

Page 50: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

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Page 51: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

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Page 52: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Which of the following French kings did NOT contribute to strengthening absolutism?

Louis XIII,

Francis I,

Henry IV,

Louis XIV,

Louis XV

Page 53: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Hang in there and try again!back

Page 54: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Nice job! Keep up the good work!Next Question

http://www.axonais.com/saintquentin/musee_lecuyer/graphs/louisXV.jpg

Page 55: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

“It will be a service to the Church of great consequence to carry the gospel into those parts of the world [that

are pagan] and to raise a bulwark against the kingdom of Antichrist which the Jesuits labor to rear up in those

parts.”The passage was written by

a puritan emigrant to New England,

Bartolome de Las Casas,

Henry IV of France,

Ignatius Loyola

Pope Sixtus V

Page 56: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Nope, no way, no siree bob!Back.

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Way to go you incredible type person you!Next question.

Page 58: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

This illustration appeared in which of the following

books?

William Shakespeare’s Hamlet,

Miguel de Cervantes’ Don Quixote,

Thomas Moore’s Utopia,

Thomas Hobbes’ Leviathan,

Isaac Newton’s Principia

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Page 61: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

The term “United Provinces” was used to describe:

East and West Prussia,

Scotland, England, and Wales,

Castile, Aragon, and Navarre,

the Thuringian states,

the northern part of the Netherlands

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Page 64: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

The War of the Spanish Succession ended with:

the Habsburgs reigning in Spain,

the grandson of Louis XIV becoming king of Spain,

Silesia granted to Frederick II,

Italy united under French rule,

Britain withdrawing from the contest for world supremacy

Page 65: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Good try, one more time!Back.

Page 66: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Great Job!!Next question.Yes, that’s the

Sun King’s grandson!See the family resemblance?

Page 67: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

In the first half of the 17th century the hub of the business world in Europe was located

in:

Vienna,

Amsterdam,

Paris,

Rome,

St. Petersburg

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Keep working, you’ll get it!Back.

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Yahoo! Nice job!Next Question.

Page 70: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

This painting of Louis XIV and his heirs illustrates all of the following EXCEPT:

the king’s wealth and majesty,

the line of succession was secure,

children were treated as miniature adults,

the king shared the throne with his son and grandson,

women were secondary in importance to men French School

Madame de Ventadour with portraits of Louis XIV and his Heirs

1715-20 127x161 cm oil on canvas

Page 71: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

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Page 72: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Wow you are becoming an art connoisseur!

If you don’t know what that means you should look it up.

I might be calling you something you wouldn’t be too happy with!

Page 73: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

“Divine Right” monarchy was a term used to refer to:

a king’s power is derived from God,

the Pope’s authority over bishops,

kings must be ordained priests,

the rights of subjects under a king,

kings descended from Christ

Page 74: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Just a little off!

Page 75: Frans Rijckhals Still-Life   Oil on canvas  Musée des Beaux-Arts, Dunkerque

Yea, you did it!Go back to the beginning.