D#m1\ ,. -It

" I

I~r--i

tl x ><Jplace of the mud shark in your my - thol - 0 - gy. Here it __

Rhy.Fig.2.-- 3------. ...---3----. ....--3----.

I\~-It~ J J J J J J

tl ..'---3----' '----3---' '---- 3-----'

.., .., .. - - - - - - .; - - - - - - - -:. ;, ;, :. :. :. :. :. :. :. :. :. :. :. :. :. " :.

" lI' lI' lI' :: lI' :: :: II :: :r :: :r :: x :: :: :::: I;; .. u .. --v u v I

3B9r---3---,

r--- ----.

~I

---..,:..

-- goes now... _ the cir - eu - 1ar mo . lion ...

..--3- ,.--- 3-----. End Rhy. Fig. 2,...--- 3-------. ,.--- 3-----. ....--3-----._. J J .J .J I

.. .. .. .. ..T- -------------- ---------------~------- ------------;

- - - - -s: i: to. II x - - - - - ...:: :=: = ~ :=: :: !! :: :: :=: :: :;. . , , "t: ,

~ .. .. ..,

.-3 ......B9

Ott. 2: wI Rhy. Fig. 2 (2 times, simile)

DImr-3--.

~~ ;. ~ -

IIIRub it!

(Here, Fi - do... _

GIr.5

1\ ~ * ~ ~ ~ - ,.-... .lo<~ r--: r-;

tl I ..I Bi-- 3----' '--3----' '--3----' '--3----' '---- 3----'

1 1 1... '1'- ....

/ . .;, ;. ;, ..'" .:, '. ;.; ~ - - .: '. .... - '. . I;:- ... , ... , , .. rr: oJ . ~ . ~ - ~ .-' ,/

j!! j!! ii'! u ..

D#m B9.--3--.

Here, Fi - dol)

'--3--'

1~

112

16

GIr. 5 tacet89

3D#m7

'" JIo itr- ---. .--3--. L

.; -- --I can't ___ see.

~ .--3--, ~~~Gtt.7 t¥.J n I r =/'=(fuzz)

Gtr. 7~ t!:--:"~ t!:-~ t!:- i.t!:- .. t!:-~!# f:;,;.J:-..~---II. JJ. '* .L - - - - -..,

~~~~(' '--3--' '--- 3---'

Otr.5divisi 2

"~"~"1IJt I

....~ .... .... - .... ... i'+--'".. .. ... .. .. ,. 4 ...... ......... 11 ..... .... "A ..:. .. .;:. ,.~ n •• .- ... - .. ,/ " .. /..;" i..

• ft.W .~ ·w \ ..., ...

'w ....

~"~~~~

oe.s~ J.

End Riff A

.. -It- ...I I I

3

~.. .:; " ~

" .. ... ;. ;. ;; ;,;;; ;;; :: x ..

~ .. " '"w

.- .. x .. ... w

"

Dtm789Gtr. 6: wi Riff A

D#m73II.JIooll: .. r- '.::-' l

ltJ rWha'? 1.

Gtr.7 8va-··---·-··-----··----··----····---····--···----·--- --.. ---- .. ---- ... ---- .. ---- ... ----- .. ---- .... ---- .... -...

tlJ! .L"""" 1# .. 11'..--- !#-h...;;-, - ~~~~.

..,'--.3--' 3 '--3-' '--3--' '---3----' '--3--'

I 1

........... .. J ... ~. ... ... J ~. "11 """~ ..."ft .- ..... ..... .... ~ ..... ....... .." i",

.. ..........w .w

VerseGtr, 2: wi Rhy. Fig. 1 (4 times, simile)Gtr, 7 lacel

D#m7,.....3..., ,.....3...,3

89r-- ----.

r--- 3 ----.,IUoll:~ i I I'" -- ....-3---,

..; - ::;:;.-

~.,--,

2. He took a dog - doo sno cone.

8va ._-_.._----------~-----------_.----- ..----- ,~~~~ !';;::';. ~~,~~,~~~..~~~

" Jl, oI! ,.....

fit} 3

I

~~~" J-:J""..~~~~"'""'''"~~~"'"''''... .v .w,~

20

VerseDouble-time feel

Gtrs. 2 & 5 tacet

Cloco

*

F

I~

c F

,

oJ

Sung: 4. I wrapped a news - pa - per 'round my head __ so I'd look

Gtr. IA

like

Iwas deep,_

I said some _ Mum - bo Jum-bos<:»

told him he was go - in' to sleep. _

•

c

'" Doubled one octave higher.

3F

,

then, _

c F

cA

oJ

robbed

A

"'l)"'"

F C Ff.

~

I

his rings _ an' pock-et watch _ an' ev - 'ry-thing else L, found. _

C F C F

A~3~ ~3~ ~3~

~I ,-

oJ L......J L. I -I - <:»I had that suck-er hyp - no-tized. He could not e _ yen make , a sound. _

=I pro-

oJ .'!:.::!"'

46

I.-

-- -.

,,~ "{II-~ ~~. {II-{II-~ {II- i'i'.--.... *' > r~ t..--.. > > ,,>~

oJ """""I =- ~3~ ~~3~

~ i:---, .,

A.

OJ

62

>

rake -I rake-I grad. bend

1_

-I 112.--

>

2

2 2

v- - -I

64

II]N.C.

.. p.l!:: a

A

Dm7 G7 Bbm

)

•2. Just keep yer nose ,

~.

-

VerseGtr. I: wi Rhy. Fig. I, simile

Dm Dm/C GIB GmIB, Am7 Gm7 Dm

to the grind - stone, they _ say. Will that re - deem~

us, __ Un - de

(Ah.~

Ab,

Gm7 B' F B'ID F B,IC

~~

Re mus?_ I can't wait till my fro __ is full - grown._ I'll just

~ah. _ Ah.

Dm7 G7 Bbm FIC B,IC FIC

......."throw 'way my dOD _ rag_

A+5/C#

at home. _""­

I'll takea drive to

Dm

<sBev-er -ly Hills c;

Ah, _

just be - fore~

dawn, _ an' knock the lit - tIe jock'-=eys off the

74

ah, _ ah,

100: 19....19

I

81B:;;~ril11

8819

r-...12 19 8

r-;8 19

over, an' he

~-~--2-------.

r-------2- ~

on "n

VerseGtr. 4 tacet

C72

4 ,..--3----.

Spoken: 5. Well, then Fi do got up off the floor an' he rolled

i Gus. 1&2

" /.'-. •.., .-

;--3----!....I I

t.------ 3 -----'2 ,

112;-

....u

~.. n . ~n ~".- w

_4" .... .-

"• k

...------ 2 -----.

", 2 3 .-- 3--.

.., -* -*""\ Int'x ""'-' fl-* -* """\looked me straight in the eye, an' you know what he said? "Once up-on a time,

,----- 2 ----. ,----- 2-----'

" ./':"-,. .-3--:.-3--' /:"- .-3--:

.., .... '-- 3--' I I .. I i ~3--''--- 2 ---.." --."

112 112... ...J I.- ."""...... n u ..... " ~.. ...- - ... ....... ... - ... ... .-

n .- .k .- ft .- .k-

?loco

8b33"r-e- --. r-- -.., v - - _....."'I

~r--_---. r--- w----.

..,* * X;><' "'*""\ ""~~""\x*~

--...;.' ....~~ "D

some-bod-y say to me," this is a dog talk-in' now, "What is your con - cep - tu - al

,..--- 2 ------. , 2~

" /.'-. .--3-:. /.'-. ..--3---. ..--3 --.I

.., .... '-- 3 ---.I I I ..........3--'.. f I I r

'----2---.. --..112 112+ +

I

""" .-'v

~.. n ft ... .... v ...... 4,.~ft .ft 'W .k ._ V

W ... ·u .... .-" .- n-

89

loJ

con -

.. *,ti - nu - i - ty?" "Well, I told him right then,"

:;t ~ ~Pi - do said,

IOJ .. '--3----' I"----2~

I '--3 --' .. '--3 --.:.. I

'---2~

I ,

112+

112+

oJ ee .. -t- .. **J

"it should be eas - y to see, .. "'"'the crux of the bis - cuitXIS

*-,,:the A -

• ""~ .. ~3~

I I

'---2~

112+

r .. '--- 3 ---' I

"----2~

112+

I

,.- <--3---'

~--2--~~3...,

,,'T .... *","-":"0 .. * :;t"0 :;t'x [,:;tthe man that was talk-in' to the dog looked at the dog, and he said,

,..---2~

~3~

~'

Well, you know,pas - tro-phe."

1~ ~2

"q:;t. * * :;t.. "'"' @sort of star-ing in dis - be ~ lief, "You can't say that!" He said,

,..---2~

.-- 3 --, .--- 3 ---.

OJ .. I

112

•

I ,

90

NATURALHARMONIC:Strikethenotewhilethefret-handlightlytouchesthestringdirectlyoverthefretindicated.

Harm.

MUFFLEDSTRINGS:Apercussivesoundisproducedby layingthefrethandacrossthestring{s)withoutdepressing,andstrikingthemwiththepickhand.

ARPEGGIATE:PlaythenotesofthechordindicatedbyQuicklyrollingthemfrombottomtotop.

PINCHHARMONiC:Thenoteisfrettednormallyandaharmonicisproducedbyaddingtheedgeofthethumborthetip oftheindexfingerof thepickhandtothenormalpickattack.

P.H.

PALMMUTING:Thenoteis partiallymutedbythepickhandlightlytouchingthestring(s)justbeforethebridge.

.~ ~ ~ ~

P.M.-- -~ - -- --- -- ---I

VIBRATOBARDIVEANORETURN:Thepitchofthenoteorchordisdroppedaspecifiednumberofsteps(inrhythm)thenreturnedto theoriginalpitch.

HARPHARMONIC:Thenoteisfrettednormajyandaharmonicis producedbygentlyrestingthepickhand'sindexfingerdirectlyabovetheindicatedfret(inparentheses)whilethepickhand'sthumbor pickassistsbypluckingtheappropriatestring.

8,"

H.H.

RAKE:Dragthepickacrossthestringsindicatedwithasinglemotion.

, rake----I

VIBRATOBARSCOOP:Depressthebarjustbeforestrikingthenote,thenQuicklyreleasethebar.

PICKSCRAPE:Theedgeofthepickisrubbeddown(orup)thestring,producingascratchysound.

r.s.

TREMOLOPICKING:Thenoteis pickedasrapidlyandcontinuouslyaspossible.

VIBRATOBARDIP:Strikethenoteandthenimmediatelydropaspecifiednumberofsteps,thenreleasebacktotheoriginalpitcn.

wI bar- - -- - ~- - - - - --.,-1/2 -112 -112V V V

A ....

----------­wI bar

-1

wfbar--- .,

-1/2V

-112V

-112V

v

D.S.al Coda

D.C.al Fine

Additional Musical Definitions(accent) Accentuatenote(playit louder) Rhy_Fig. Labelusedto recalla recurring

accompanimentpattern(usuallychordal).

(accent) • Accentuatenotewithgreatintensity Riff Labelusedto recallcomposed,melodiclines(usuallysinglenotes)whichrecur.

(staccato) • Playthenoteshort Fill Labelusedto identifya briefmelodicfigurewhichis to beinsertedintothearrangement.

• Downstroke Rhy_Fill A chordalversionof a Fill.

• Upstroke tacet • Instrumentis silent(dropsout).

Gobackto thesign(~ ), thenplayuntil

~• Repeatmeasuresbetweensigns.

themeasuremarked"ToCOda,"thenskipto thesectionlabelled"Coda."

Gobackto the beginningof thesongand rilrz.- Whena repeatedsectionhasdifferentplayuntilthe measuremarked"Fine"(end). endings,playthefirst endingonlythefirst

~timeandthesecondendingonlythe- .secondtime.

NOTE: Tablaturenumbersin parenthesesmean:1.Thenoteis beingsustainedovera system(notein standardnotationis tied),or2.Thenoteis sustained,buta newarticulation(suchasa hammer-on,pull-off,slideor vibratobegins),or3. Thenoteis a barelyaudible"ghost"note(notein standardnotationis alsoin parentheses).

96