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The Icons will re-explore the way we see iconic photography, fashion and design. Designed with a knowledgeable and extensive research on the foundation of the different iconic eras, we create a reinterpretation of timeless. From the classical and golden era of cinema, to the heavy influences of Big Band and Swing to the All-American and road trip traditions, traveling all the way to the fusion of Eastern traditions and high fashion beauty with contemporary ethereal visuals, this issue is an homage to the eras that defined iconicism.

Transcript of FRAMEDâ„¢ | The Icons | 01

  • T H E I C O N ST H E I C O N ST H E I C O N ST H E I C O N ST H E I C O N ST H E I C O N SD I G I T A L

  • THE ICONSF R A M E D P R E S E N T S

  • PHOTOGRAPHY SUGURU KAIBARA MODEL HIROMI | WARDROBE HARUKA OONO | HAIR STYLIST RYOKO TAKAI | MAKEUP ARTIST CHACHA | POST PRODUCTION SHOTA EMOTO|LIGHTING LIGHT UP

    ON THE COVEREXECUTIVE DIRECTORSARAH ELIZABETH RICKER

    DARIUS SALIMIKRISTINA LEWISSUGURU KAIBARATIBOR GOLOBSTELLA BONASONIPARKER BRIGHTRAUL SUGIETNICK THOMPSONJOSHUA ALEXANDRE HAINESTIFFANY DAWN NICHOLSON

    CONTRIBUTORS

    EDITOR-IN-CHIEF | CREATIVE DIRECTOR | PUBLISHER

    JHONNATAN HERNNDEZ-BONOLA

    ALL RIGHTS RESERVED 2014 FRAMED | FRAMED MAGAZINE | JHON HDEZ, INC. REPRODUCTION AND DISTRIBUTION WITHOUT PERMISSION PROHIBITED.

    INTERNATIONAL ARCHITECTURE | ART | DESIGN | FASHION | MUSIC

    ASSOCIATE EDITORJANIS TO

    INTERNAL COVERS | PHOTOGRAPHY PARKER & JHON: PARKER BRIGHT AND JHONNATAN| DIRECTION AND WARDROBE JHONNATAN | ASSOCIATE DIRECTOR JANIS TO |HAIR AND MAKE UP ROBIN MARTINI AND MACKENZIE GUSTAFSON | MODELS CAYLEY K AND ISABEL S AT FORD |

    BACK COVER | PHOTOGRAPHY DARIUS SALIMI DIRECTION COLETTE CALLI BOTH AT WEKAPTURE PRODUCTION WEKAPTURE | STYLING FLEUR HUYN STYLING ASSISTANCE PETER WU | HAIR SANDRA LAMZABI | HAIR ASSISTANCE JONATHAN AMADOR MAKEUP MADEMOISELLE MU | MODELS ALINA AND GABRIELLE AT OUI AGENCY

    FRAMED | FRAMED MAGAZINE | NO. 01 | THE ICONS : ROAD TRIP

    ISSN 2164-5000 (PRINT) | ISSN 2164-5019 (DIGITAL) | FRAMED IS A JHON HDEZ, INC. PUBLICATION. FRAMED MAGAZINE IS A GALLERY PUBLICATION DEDICATED TO THE EXPOSURE OF QUALITY INTERCULTURAL AND MULTIDISCIPLINARY CREATIVE CONTENT IN FASHION, ART, DESIGN & MUSIC. BY INVITATION ONLY, WE SEMI-ANNUALLY CURATE A SELECTION OF EXCLUSIVE COLLABORATIONS UNDER AN ASSIGNED THEME. WE ARE A PLATFORM FOR NEW EDITORIAL PROPOSALS IN FASHION, ART, DESIGN AND MUSIC BY AN INTERACTIVE, MULTI-FACETED AND MULTI-DISCIPLINARY COLLABORATIONS BETWEEN ITS ARTISTS.

    FRAMED IS PRINTED IN THE USA SEMIANNUALLY. PRINT SUBSCRIPTIONS ARE AVAILABLE THROUGH FRAMEDMAG.COM. YEARLY SUBSCRIPTION FEES ARE AS FOLLOWS UNITED STATES : 22.99 PER YEAR; CANADA : USD 28.99 PER YEAR; INTERNATIONAL : USD 34.99 PER YEAR. PLEASE ALLOW 10-12 WEEKS FOR FIRST ISSUE TO ARRIVE. SHIPPING AND OTHER FEES MAY BE APPLIED TO YOUR PRINT SUBSCRIPTION. DIGITAL SUBSCRIPTIONS ARE AVAILABLE THROUGH THE OFFICIAL FRAMED APP FOR FRAMED PRINT AND FRAMED IGITAL QUARTERLY ISSUES; DIGITAL SUBSCRIPTIONS ARE USD19.99 FOR ALL REGIONS. VIS IT US ONLINE FOR MORE INFORMATION AND TO DOWNLOAD THE FREE APP . COLLABORATIONS ARE BY INVITATION ONLY ; FOR CONSIDERATIONS SEND YOUR PORTFOLIO TO PORTFOLIOS@FRAMEDMAG.COM FOR REVIEW. ALL SUBMISSIONS AND CONTENT ARE SUBJECT TO EDITORIAL APPROVAL . ADDITIONAL INFORMATION, CAREER OPPORTUNIT IES, INTERNSHIPS AND ASSISTANCE AVAILABLE ONLINE AT WWW.FRAMEDMAG.COM .

    FRAMED | NO. O1

    TM

  • I N T O T H E N I G H T 2 0 0 9 , J H O N N A T A N H E R N A N D E Z - B O N O L A

    FRAMED

  • 5C O N T E N T S

    LETTER FROM THE ED I TORTHE ICONS | ROAD TRIP

    6

    O'GEORGIASTELLA BONASONI

    LE CYGNETIBOR GOLOB

    THE FUTURE OF

    FASHION FILM

    THE AMERICAN GIRLTIFFANY DAWN NICHOLSON

    BUFFALO RODEOINTERVIEW

    LES SOEURS PARKER & JHON

    MOONLIGHT SERENADESUGURU KAIBARA

    WARWICK AVENICK THOMPSON

    THE WEEKSBEHIND THE SCENES

    THE ARCADEJOSHUA ALEXANDRE HAINES

    FLORARAUL SUGIET

    HEYROCCOINTERVIEW

    HAIKUDARIUS SALIMI

    WALKING ON A DREAMKRISTINA LEWIS

    32

    8

    38

    72

    108

    20

    40

    52

    86

    110

    58

    106

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    D I G I T A L

  • "I'm a man of few words. I don't like putting in anyone's mouth specific words that don't have any special meaning to them, so you can pick your own few words; just let those few words be full of nostalgia, expectation, some deception with a touch of hope and let my monochromatism serve as guide map to a road trip into your own emotions...."

    I'M A MAN OF FEW WORDS, not because I don't have anything to say, but because I become unenthused by the way words can easily be misunderstood. As an artist, words tend to require a deeper context from a 'moment' and often subtract value from an overall experience or emotion. I found that painting and photography became my way to express many things that a group of words simply couldn't fully say.

    You could ask me to give you the literal translation of my abstract expressionist paintings... You would probably get something like:

    How much more of others am I going to know? How much more is the bond that unites us going to bring us even closer together? Memories waiting to be remembered and emotions waiting to be felt in our hearts always have a special trigger, and regardless of the environment, a road trip is never a road trip without music. Realizing how important music has been throughout time as a trigger to these wonderful memories is without a doubt, exciting. Fine art isn't any different.

    For this issue, I wanted to explore iconicism. What makes an icon? Who makes an icon? What was so representative of that someone or something that it became the epitomized authority of a particular subject. Music has always been a definitive pinnacle of almost every decade and every era, acting as that conduit to the memories inside of our hearts; and, just like an inheritance, songs are passed down by generations in forms of precious iconic memories.

    Don't be alarmed though, it is not how I always work. Although I am soft spoken and of few words, I take the usage of words seriously, recognizing that the effect of one word, to me, may mean something completely different to someone else. Be it because of the way it has been expressed with our body language and tone, or because of the upbringing of someone else is different to ours, words are delicate form of art as well. Honestly, a number of times, you don't need that many words to get your point across.

    Sometimes you don't need to say anything at all.

    Nowhere are the intricacies of communication, body language, and emotion played out more than tin the confined space of the family road trip. Even if there is a slight tendency to have limited tolerance for long hours of sitting inside a car , whether it is with family or friends, the exciting quality of a road trip does not always depend on the destination, it's the trip itself and the expectation of what's going to happen in between that holds a world of adventure.

    The need to a more expressive and emotional way to get ideas across laid the foundation of music as we now know it, and whether or not lyrics are used, music itself has the ability to so intricately shape the feelings of those who long to feel and remember. From the way music helped to visually shape the glamour and allure of the 30's and 40's and the need for free expression in the 50's and 60's, all the way to experimenting with new technologies with music in the 70's and 80's, it is the work of iconic memories from previous decades passed down from one generation to the other in the form of music which inspire even newer forms of it.

    FRAMED

  • 7I t on ly se emed appropr ia te to s tar t t h is i ssue as a map to a v isua l road t r ip by appeal ing to the fe e l ings o f our con t r ibu tors . Tak ing a lo ok back a t what de f ined mus ic and how, i n exchange , mus ic de f ined an era as i con ic , we se t ou t to c reate a fus ion o f re in te rpre ta t ive s tor ies focus ing on the most icon ic e ras in mus ic and w i th each s tory, a song to go w i th i t .

    I hope you en joy th is i ssue o f FRAMED as we embark on a v isua l road t r ip to icon ic memor ies o f the pas t together. Th is i s :

    The Icons : Road Tr ip

    E D I T O R 'S L E T T E R

    P ICK-UP TRUCK 2010, JHONNATAN HERNANDEZ-BONOLA

    Jhonnatan Hernandez-BonolaEd i to r- in -Ch ie f | Creat ive D i rec tor

  • CygneLe

    PHOTOGRAPHY TIBOR GOLOB | HAIR AND MAKEUP LUKA LUKA | STYLING BARBARA FRASMODEL SPELA HORVAT AT IMMORTAL MODEL MANAGEMENT

    FRAMED

  • 9

  • FRAMED PRESENTS

    SursSursFRAMED PRESENTS

    LES SOE URS by PARKER & JHON | Starring PARKER BRIGHT CO STARRING JHON as pHOTOGRAPHERS | PRESENTING cayley k and isabel s at ford models as LES SOE URS | Creative direction and wardrobe styling by JHONNATAN WITH ASSOCIATE DIRECTOR JANIS TO | WITH THE PARTICIPATION OF ROBIN MARTINI as makeup artist AND HAIR STYLIST TO CAYLEY AND

    MACKENZIE GUSTAFSON as makeup artist AND HAIR STYLIST TO ISABEL | post production by JHONNATAN | ADDITIONAL MAKEUP AND production by ROBIN MARTINI

    LES SOE URS by PARKER & JHON | Starring PARKER BRIGHT CO STARRING JHON as pHOTOGRAPHERS | PRESENTING cayley k and isabel s at ford models as LES SOE URS | Creative direction and wardrobe styling by JHONNATAN WITH ASSOCIATE DIRECTOR JANIS TO | WITH THE PARTICIPATION OF ROBIN MARTINI as makeup artist AND HAIR STYLIST TO CAYLEY AND

    MACKENZIE GUSTAFSON as makeup artist AND HAIR STYLIST TO ISABEL | post production by JHONNATAN | ADDITIONAL MAKEUP AND production by ROBIN MARTINI

    LES SOE URS by PARKER & JHON | Starring PARKER BRIGHT CO STARRING JHON as pHOTOGRAPHERS | PRESENTING cayley k and isabel s at ford models as LES SO