Focus Rite
-
Upload
jose-m-sepi -
Category
Documents
-
view
81 -
download
0
Transcript of Focus Rite
prOductS guIdeSUMMER 2012
Dear Reader,
Thanks for taking an interest in Focusrite!
Since 1985 Focusrite remains the go-to
brand for the best in analogue signal
processing. But time moves on and we have
kept up with the changes in the recording
industry with the move to Digital Audio
Workstations (DAWs). Our product range
now not only includes our “heritage” ISA
series, which has its roots in the 1980’s with
transformer-coupled microphone preamps
and the legendary Focusrite EQ, but also
hybrid analogue / digital signal processing
found in the Liquid Channel.
Digital conversion is today as much our
expertise as is microphone preamplifi er
design. The ISA One features optional A-D
conversion that out-performs any other
product anywhere near its price bracket in
terms of dynamic range, noise and jitter.
Indeed, all our ISA A-D converter cards are
the equal of, and in some cases out-perform,
the best converter brands available, and
often at a fraction of the price.
Which brings me to our fastest-growing
business segment today: Audio Interfaces.
Our Scarlett USB 2.0 and second-generation
Saffi re Audio Interfaces are truly State-of-
the-Art delivering on one simple promise
– the best sound in their class.
The growing range includes products for
all pockets and requirement levels, from
the Scarlett 2i2 - our entry-level interface
- to the Liquid Saffi re 56, which combines
two channels of Liquid mic-pre emulation
with six Focusrite Saffi re mic pres, specially
designed for the Saffi re Range. RedNet
goes one step further, using innovative
networking technology and standard
ethernet protocols to completely redefi ne
how we see the modern recording studio.
So we are both Focusrite - the Heritage
Analogue Audio Company, and Focusrite -
The Interface Company. Old School and
New School. We aim to continue to be the
best of both. I hope you will join our family
of satisfi ed customers.
Phil Dudderidge
Owner & Managing Director
2
REDNET ............................................................................. 4
Liquid Saffi re 56 ............................................................... 6
Saffi re PRO 40 .................................................................. 8
Saffi re PRO 24 .................................................................. 9
Saffi re PRO 24 DSP ..........................................................10
VRM Box ..........................................................................11
What is VRM ....................................................................12
Saffi re PRO 14 .................................................................13
Saffi re 6 USB ...................................................................14
Scarlett 2i2 ......................................................................15
Scarlett 8i6 ......................................................................16
Scarlett 18i6 ....................................................................16
Interface Comparison Chart ...........................................17
Saffi re /Scarlett MixControl ...........................................18
Midnight ...........................................................................19
OctoPre MkII ................................................................... 20
OctoPre MkII Dynamic .................................................... 21
Control 2802 ................................................................... 22
The Liquid Channel ........................................................ 24
ISA430 MkII .................................................................... 26
ISA828 ............................................................................ 27
ISA428 MkII .................................................................... 28
Digital Card Options ....................................................... 28
ISA Two ........................................................................... 29
ISA One ........................................................................... 30
Focusrite would like to thank the Academy of Contemporary Music, Guildford and Simon Changer
at The Church Studios for allowing us to photograph their facilities.
Phil Dudderidge with George Martin at Air Studios
RedNet is Focusrite’s powerful new scalable professional
digital audio networking system, delivering everything you
need in a studio environment. Using standard, robust and
reliable Internet Protocol (IP) networking technology to
carry high resolution audio over a standard Ethernet
network, RedNet makes studio design, installation and
confi guration easier than ever before.
At its heart is the robust, tried-and-tested Dante™ digital
audio networking technology, from Audinate. Dante uses
standard Gigabit Ethernet networking components to carry
up to 128 inputs and 128 outputs over standard Ethernet.
Dante has become a standard in live sound, frequently
relied on for major events.
Focusrite brings Dante into the heart of the studio with
versatile, superb-quality audio interfaces that will
revolutionise everything in your studio – from wiring to
workfl ow. And unlike other digital audio systems, RedNet
is non-proprietary, working with any ASIO or Core Audio
compliant DAW software including Pro Tools, Logic
and Nuendo.
4 *Latency under 3ms requires the RedNet PCIe card with the DAW buffer set appropriately.
THE RANGE
RedNet initially comprises fi ve products. Four high-quality,
versatile interfaces deliver traditional Focusrite ethos and
performance, where sound is everything, with exceptional
value for money. Accompanying these is the optional RedNet
PCIe card, delivering under 3mS latency at any sample rate*.
Every analogue interface has dynamic range in excess of 118dB,
24-bit resolution and sample rates up to 192kHz. Each embodies
the most advanced conversion designs and components on
the market. Each includes JetPLL™ for ultra-low-jitter clock
recovery. The result: quality that is second to none.
RedNet 1 and 2: 8 and 16 channel AD-DA Interfaces
RedNet 1 and 2 feature Focusrite’s precision 24-bit AD and DA conversion for superb audio
performance, with over 118dB dynamic range at sample rates up to 192kHz. RedNet 1 provides
eight channels; RedNet 2, 16 channels.
RedNet 3: Digital I/O
RedNet 3 interfaces existing digital audio systems and components up to a maximum of 32 inputs
and outputs. Sixteen ADAT optical ports provide a full 32 digital channels in and out at up to
96kHz (S-MUX2). Support for AES, S/PDIF and ADAT digital audio formats and word clock.
RedNet 4: Eight Microphone preamps/line inputs
RedNet 4 provides eight specially-designed Focusrite mic preamps and line inputs with two
selectable DIs – plus Focusrite world-class precision AD conversion and specially-crafted mic
preamps. Front panel or remote control.
tHe cOMpOnentS
SIGN UP TO THE REDNET NEWSLETTERGet access all the latest updates and news
www.focusrite.com/rednetnewsletter
RedNet Low-Latency PCIe Card
Where low latency is critical, such as tracking, the RedNet PCIe card for Mac or Windows delivers sub-3mS
latency, 128 inputs and outputs, and sample rates from 44.1 to 192kHz. A standard Ethernet RJ45 connects to
your network. Alternatively, use the Dante Virtual Soundcard (DVS) and your machine’s built-in Ethernet port,
for latency comparable to Focusrite FireWire interfaces.
5
Liquid Saffi re 56prOfeSSIOnal fIrewIre® audIO Interface featurIng lIQuId MIc preaMpS
Saffi re MixControl
Liquid preamp remote control
Scarlett plug-in suite
Liquid Saffi re 56 is Focusrite’s fl agship 2U multi-channel
FireWire audio interface. Liquid technology combines with
Saffi re PRO FireWire interfacing to deliver a host of authentic
preamp fl avours, seamless software integration, excellent
routing fl exibility and future-proof, rock-solid driver stability.
• Two Liquid mic preamps
The marriage of a fl exible analogue front end with
cutting-edge Dynamic Convolution™ DSP. Each Liquid preamp
lets you choose from ten different classic preamp emulations.
• Six high quality award-winning Focusrite mic preamps
Six Saffi re mic preamps complement two Liquid preamps.
All eight preamps demonstrate the same wide bandwidth
philosophy behind the early vintage Focusrite units.
• High quality 24-bit/192kHz FireWire Interface
Professional digital conversion and JetPLL™ jitter
reduction technology; pristine audio quality and
reliable synchronisation are guaranteed.
• Total I/O count of 28 inputs and 28 outputs
A host of I/O options are provided, including a unique
loop-back facility for routing audio between software
applications via Saffi re MixControl.
• Saffi re MixControl ultra-low-latency DSP mixer/router
Provides an 18 x 16 DSP mixer with excellent routing
fl exibility, intuitive one-click mixing confi gurations, and
lower than 1.4ms latency (less than the time it takes
sound to travel two feet through air!).
DUNk - BASED ON THE MANLEY SLAM! TRANSFORMER / VALVE MIC-PRE
NEW AGE 1 - BASED ON THE MILLENIA HV-3D 8 CHANNEL MIC-PRE
OLD TUBE - BASED ON THE PULTEC MB-1 FIXED GAIN VALVE MIC-PRE
DEUTSCH 72 - BASED ON THE TELEFUNKEN V72 VALVE MIC-PRE
STELLAR 1B - BASED ON THE UNIVERSAL AUDIO M610 MONO TUBE MIC-PRE
FEATURED EMULATIONS:RED 1 H - BASED ON THE FOCUSRITE RED 1 QUAD CLASS A MIC-PRE
CLASS A 2A - BASED ON THE NEVE 1073 MONO MIC-PRE
TRANY H - BASED ON THE API 3124+ DISCRETE QUAD MIC-PRE
SILVER 2 - BASED ON THE AVALON VT-737SP VALVE CHANNEL STRIP
SAVILLEROW - BASED ON THE HELIOS CONSOLE MIC-PRE / EQ MODULE
7
IMPORTANT INFORMATION: FOCUSRITE, the FF logo, LIQUID TECHNOLOGY and the LIQUID logo, and SAFFIRE are trademarks of Focusrite Audio Engineering Limited. DYNAMIC CONVOLUTION is a trade mark of Sintefex Ltd. All other product names, trade marks, or trade names are the names of their respective owners, which are in no way associated, connected nor affi liated with Focusrite or its LIQUID SAFFIRE 56 product and which have not endorsed Focusrite’s LIQUID SAFFIRE 56 product. These other product names, trade marks, and trade names are used solely to identify and describe the third party products the sonic behaviour of which was studied for the LIQUID SAFFIRE 56 product, and to accurately describe the functionality of the LIQUID SAFFIRE 56 product. The LIQUID SAFFIRE 56 product is an independently engineered technology which utilises the patented process of Dynamic Convolution to actually measure examples of the sonic impact of original analogue products upon an audio stream, so as to electronically emulate the performance of the original product studied. The result of this process is subjective and may not be perceived by a user as producing the same effects as the original products studied.
FireWire and the FireWire symbol are trademarks of Apple Inc., registered in the U.S. and other countries. The FireWire logo is a trademark of Apple Inc.6
8
Saffi re PRO 40fIrewIre audIO Interface featurIng eIgHt fOcuSrIte MIc preaMpS
The Focusrite Saffi re PRO 40 represents the latest generation
of Focusrite multi-channel FireWire audio interfaces. An
unparalleled preamp legacy forms the foundation, with
eight award-winning Focusrite preamps. Legendary sonic
performance is combined with the very latest in FireWire
interfacing technology to deliver seamless integration,
excellent routing fl exibility and, rock-solid driver stability.
• Eight high quality award-winning Focusrite preamps
Upholding Focusrite’s high bandwidth (20Hz to 200kHz!)
philosophy, ensuring low noise and distortion whilst
delivering clarity without unwanted artefacts.
• High quality 24-bit/96kHz FireWire interface
Features high quality A-D / D-A conversion and JetPLL™
jitter reduction technology; pristine audio quality
and reliable synchronisation are guaranteed.
• Total I/O count of 20 inputs and 20 outputs
A host of I/O options are provided, including a unique
loop-back facility for routing audio between software
applications via Saffi re MixControl.
• Scarlett VST/AU/RTAS plug-in suite
Upgrade your standard software effects with Focusrite
compression, reverb, gating and EQ VST/AU/RTAS plug-ins
• Two separate headphone buses
Two artists can receive independent and fully customised
monitor mixes. Each output has an independent level
control available on the front panel.
• Two Hi-Z instrument inputs
No need for a separate DI. The fi rst two channels feature
instrument inputs with switchable Hi-z.
• Saffi re MixControl ultra-low-latency DSP mixer/router
Provides an 18 x 16 DSP mixer with excellent routing
fl exibility, intuitive one-click mixing confi gurations, and
lower than 1.4ms latency (less than the time it takes sound
to travel two feet through air!).
Saffi re PRO 2416 In / 8 Out fIrewIre audIO Interface featurIng twO fOcuSrIte MIc preaMpS
The Focusrite Saffi re PRO 24 is a 16 in /
8 out FireWire audio interface designed
for the modern home studio environment.
An unparalleled preamp legacy forms
the foundation, with two award-winning
Focusrite preamps. Legendary sonic
performance and a host of I/O options
combine with the very latest in MixControl
software to deliver seamless integration,
excellent routing fl exibility and rock-solid
driver stability.
• Two high quality award-winning
Focusrite mic pres
• High Quality 24-bit/96kHz
FireWire interface
• Total I/O count of 16 inputs and 8 outputs
• Saffi re MixControl ultra-low-latency
DSP mixer/router
• Class-leading LED metering
• Scarlett VST/AU/RTAS Plug-in Suite,
for use in the mix
• Unmatched routing fl exibility
ADDITIONAL FEATURES:
Dedicated front-panel headphone bus , Bus-powering, Two Hi-z instrument inputs , Tactile
main monitor dial , Switchable phantom power , Software PFL
9
Saffi re PRO 24 DSPfIrewIre audIO Interface wItH real-tIMe dSp-pOwered tracKIng and MIXIng SOlutIOnS
The Focusrite Saffi re PRO 24 DSP is a 16 in
/ 8 out FireWire audio interface, featuring
real-time DSP-powered tracking and mixing
solutions tailor-made for the modern home
studio environment. Alongside DSP-powered
Compression and EQ for ultra-low-latency
tracking and ‘comfort’ reverb, is VRM;
a Virtual Reference Monitoring technology
that lets you hear your mix in different
environments, through different speakers
and from different positions, all just
using headphones.
• Virtual Reference Monitoring (VRM)
• Two high quality award-winning
Focusrite preamps
• Onboard DSP-powered, tracking
and mixing tools
• High Quality 24-bit/96kHz
FireWire interface
• Total I/O count of 16 inputs and 8 outputs
• Saffi re MixControl ultra-low-latency
DSP mixer/router
• Scarlett VST/AU/RTAS Plug-in Suite,
for use in the mix
• Two dedicated front-panel
headphone busses
• Bus-powered for mobile recording
10 11
VRM BoxcOMpact HeadpHOneS MOnItOrIng SySteM wItH VIrtual reference MOnItOrIng
Pocket sized and built to last, VRM Box
places Focusrite’s Virtual Reference
Monitoring (VRM) technology in a robust,
palm-sized audio interface. VRM Box
functions as a high-quality 24-bit/48kHz USB
audio playback interface, compatible with
Pro Tools or any other open DAW software.
VRM Box also features a digital (S/PDIF)
input, which supports sample rates up to
192kHz, allowing you to run it in conjunction
with Pro Tools HD or any other interface with
an S/PDIF output.
• 24 Different Mix References
Virtual Reference Monitoring (VRM) from
Focusrite lets you audition your mix in
different environments, through different
speakers, just using headphones.
• Hear Everything
Boasting a dynamic range of 108dB, VRM
Box delivers a high-quality reproduction of
your sound, ensuring you hear everything.
• Ultimate Playback Interface
Whether you’re mixing, creating music
or simply listening to tracks, VRM Box is
the perfect playback interface for your
digital audio software.
• Pro Tools Friendly
VRM Box features a digital input,
allowing you to run it alongside your
Pro Tools interface or any interface with
an S/PDIF output.
Watch VRM in action here:
www.focusrite.com/vrm
What is VRM?Convenient though headphones may be, they’re simply not the same as listening on a pair
of monitor loudspeakers. And yet… listening on one pair of monitor speakers isn’t enough
either. To tell how your music will sound in the real world, you need to listen in different
environments, with different speakers. Until now, you had to burn a CD or transfer a fi le and
play it back on real systems in actual environments to A/B your mixes in different places. But
now, there’s a better way.
VIRTUAL REFERENCE MONITORING
The answer is Focusrite’s unique and well-established VRM™ (Virtual Reference Monitoring)
technology – a room and loudspeaker simulation system for headphone monitoring. While
listening on conventional monitoring headphones, VRM lets you select your listening
environment – pro studio, bedroom studio or living room – and choose from an extensive list of
industry-standard studio monitors and loudspeaker systems to listen on.
VRM’s extensive selection of built-in loudspeakers and listening environments is based
on precise mathematical models derived from convolutions of actual impulse responses
measured using the original loudspeakers. The use of mathematical modelling provides
maximum fl exibility of combinations of loudspeakers and listening environments for the
highest possible accuracy of the virtual monitoring simulation.
VRM allows you to choose between 10 pairs of industry-standard nearfi eld monitors in an
acoustically-treated control room. In addition, two extra rooms are provided – a large living
room and a smaller bedroom – where you can choose between speakers such as quality hi-fi ,
computer, cheap stereo and TV speakers.
VRM GUI featured on the Saffi re 24 DSP (part of Saffi re MixControl)
VRM GUI featured on the VRM Box
CHOOSE FROM 15 INDUSTRY-STANDARD STUDIO MONITORS AND SPEAKERS
Saffi re PRO 148 In / 6 Out fIrewIre audIO Interface featurIng twO fOcuSrIte MIc preaMpS
The Saffi re PRO 14 is an 8 in / 6 out audio
interface with legendary sonic performance
and unmatched fl exibility at a truly
affordable price. The latest in Focusrite’s
new generation of FireWire audio interfaces,
the Saffi re PRO 14 is designed to make home
studio recording and mixing easy without
sacrifi cing audio quality. Twenty-fi ve years
of mic pre excellence form the foundation of
this new interface, with two award-winning
Focusrite preamps. Combined with a host
of additional I/O options, the Saffi re PRO 14
helps you get the tracks you want without
having to constantly re-patch your studio.
• Two award-winning Focusrite preamps
• High quality 24-bit/96kHz
FireWire interface
• Total I/O count of 8 inputs and 6 outputs
• Two Hi-Z instrument inputs
• Saffi re MixControl ultra-low-latency
DSP mixer/router
• Scarlett VST/AU/RTAS Plug-in Suite,
for use in the mix
• Xcite+ software bundle
• Bus-powered for a tidy mobile
recording rig
12 13
VRM GUI featured on the Saffi re 24 DSP (part of Saffi re MixControl)
Saffire 6 USB2 In / 4 Out uSB audIO Interface featurIng twO fOcuSrIte MIc preaMpS
Scarlett 2i22 In / 2 Out uSB 2.0 audIO Interface fOr MuSIcIanS On tHe gO
The Focusrite Saffire 6 USB focuses on just
one thing – quality of sound. Whether you’re
a singer song-writer who wants to record,
or a laptop DJ, Saffire 6 USB will make the
most of your sound. Two Focusrite mic
preamps, professional digital conversion and
custom drivers with super-low latency, make
Saffire 6 USB the best sounding interface
in its class. Flexible monitoring, four phono
outputs and a professional high-level
headphone output make it ideal for DJs too.
• Two high quality award-winning
Focusrite preamps
• High-quality 24-bit/48kHz USB interface
with super-low driver latency
• 4 RCA outputs make Saffire 6 USB
the ideal interface for the laptop DJs
performing live
• Xcite+ pack, including Ableton Live Lite,
Novation’s Bass Station and 1 gig of loops
• Scarlett VST/AU/RTAS Plug-in Suite,
for use in the mix
• Monitor either the main mix or cue mix
via headphones, all switchable from the
front panel
• Dedicated Mixer dial lets you blend
your monitor mix between what you’re
recording and the DAW audio, for true
zero-latency monitoring
At the heart of the interface are two award-
winning Focusrite microphone preamplifiers
providing a clean signal path for mic,
instrument or line level sources. Bundled
with the Focusrite Scarlett Plug-In Suite in
addition to Ableton Live Lite, the interface
provides all that is needed to get recording
right away. Since it’s bus powered, an
additional power supply is not needed
meaning that the Scarlett 2i2 is truly portable.
• High-quality 24-bit/96 KHz USB interface
• Two high-quality award-winning
Focusrite preamps
• Anodised Aluminium Unibody Chassis
• Ring LED signal indicators
• Direct monitor function for zero
latency tracking
• Scarlett VST/AU/RTAS Plug-in Suite
• Ableton Live Lite 8 in the box
Andreya Triana
(Ninja tune)
Jono McCleery
(Ninja tune)14 15
See a recording made with the Scarlett 2i2: www.focusrite.com/scarlett_2i2
17
Scarlett Plug-in SuiteprOfeSSIOnal rtaS/VSt/au plug-In SuIte By fOcuSrIte
Scarlett 18i618 In / 6 Out uSB 2.0 audIO Interface featurIng eIgHt fOcuSrIte analOgue InputS
The Focusrite Scarlett 18i6 is an 18 in / 6
out USB 2.0 audio interface designed to
make home multitrack recording a breeze.
Alongside two award-winning Focusrite
preamps, six high-quality analogue inputs
allow you to simultaneously record guitar,
bass, vocals and keys. You don’t need to stop
there either – pop in the ADAT optical cable
from an outboard eight-channel mic pre unit
such as the Focusrite OctoPre MkII and you
can track drums at the same time. Eighteen
high-quality inputs feed cutting-edge digital
conversion combined with the very latest
in USB 2.0 interfacing technology, making
Scarlett 18i6 the perfect tracking interface.
• Total I/O count of 18 inputs and 6 outputs
• Two high-quality award-winning
Focusrite preamps
• High-quality 24-bit/96kHz
USB 2.0 interface
• Scarlett MixControl ultra-low-latency
DSP mixer/router
• Scarlett VST/AU/RTAS Plug-in Suite, for
use in the mix
• Xcite+ Software Bundle
• Two Hi-Z instrument inputs
• Dedicated front-panel headphone bus
Scarlett Plug-in Suite from Focusrite is a
professional set of tools for tracking and
mixing, including Compression, Gating , EQ,
and Reverb. Each powerful plug-in has a host
of fast and easy-to-use presets, providing
a great starting point for a huge number
of popular sound sources, from vocals
and guitars to synth bass and percussion.
In addition, every plug-in parameter can
be finely tuned to bring out the optimum
sound you want, exactly the way you want
it. So whether you want a fast set-up or an
advanced set-up, Scarlett is destined to
become your new 'go-to' plug-in. Scarlet
includes the most popular formats including
VST/AU and RTAS (Pro Tools).
• Unmatched sonic quality at an
incredible price
• A faithful recreation of classic Focusrite
compressors and gates
• Stunning GUI with life-like classic
port-hole VU meters
• Multi-modes enable creative
gating techniques
• Classic Focusrite EQ curves and controls
• Professional reverb based on classic
studio designs
16
SHIPS FREE WITHEVERY FOCUSRITE
INTERFACEScarlett 8i68 In / 6 Out uSB 2.0 audIO Interface featurIng twO fOcuSrIte MIc preaMpS
The Scarlett 8i6 is an 8 in / 6 out audio
interface with outstanding sonic
performance and flexibility at a truly
affordable price. Part of Focusrite’s new
range of USB audio interfaces, the Scarlett
8i6 is designed to make home studio
recording and mixing easy without sacrificing
audio quality. Twenty-five years of mic pre
excellence form the foundation of this new
interface, with two award-winning Focusrite
preamps. Combined with a host of additional
I/O options, the Scarlett 8i6 helps you get the
tracks you want without having to constantly
re-patch your studio.
• Two high-quality award-winning
Focusrite preamps
• High-quality 24-bit/96kHz USB interface
• Total I/O count of 8 inputs and 6 outputs
• Scarlett MixControl ultra-low-latency
DSP mixer/router
• Scarlett VST/AU/RTAS Plug-in Suite,
for use in the mix
• Xcite+ Software Bundle
• Two Hi-Z instrument inputs
• Dedicated front-panel headphone bus
CONNECTION / PROTOCOL
NUMBER OF ANALOGUE INS
NUMBER OF DIGITAL INS
NUMBER OF ANALOGUE OUTS
NUMBER OF DIGITAL OUTS
VIRTUAL LOOPBACK INS
ADAT OPTICAL INPUT
ADAT OPTICAL OUTPUT
STEREO S/PDIF I/O
HEADPHONE OUTPUT
ANALOGUE INPUT PADS
NUMBER OF MIC PRES
LIQUID PREAMPS
BNC WORDCLOCK I/O
VRM
DSP INPUTS PROCESSING
MAXIMUM SAMPLE RATE
STANDALONE OPERATION
MIXING / ROUTING SOFTWARE
XCITE+ PACK
BUS-POWERED
RACKMOUNTABLE
FW400
4
2
4
2
2
NO
NO
YES
1
2
2
0
NO
NO
NO
96kHz
YES
YES
YES
YES
NO
Saffire PRO 14
USB
2
0
4
0
0
NO
NO
NO
1
2
2
0
NO
NO
NO
48kHz
NO
NO
YES
YES
NO
Saffire 6 USB
USB 2.0
4
2
4
2
2
NO
NO
YES
1
2
2
0
NO
NO
NO
96 kHz
NO
YES
YES
NO
NOScarlett 8i6
USB 2.0
8
10
4
2
0
YES
NO
YES
1
0
2
0
NO
NO
NO
96kHz
NO
YES
YES
NO
NO
Scarlett 18i6
USB 2.0
2
0
2
0
0
NO
NO
NO
1
0
2
0
NO
NO
NO
96kHz
NO
NO
NO
YES
NO
Scarlett 2i2
FW400
8
18
10
18
2
YES
YES
YES
2
2
8
2
YES
NO
NO
192kHz
YES
YES
NO
NO
YES
Liquid Saffire 56
FW400
4
10
6
2
2
YES
NO
YES
1
2
2
0
NO
NO
NO
96kHz
YES
YES
YES
YES
NO
Saffire PRO 24
FW400
8
10
10
10
2
YES
YES
YES
2
2
8
0
NO
NO
NO
96kHz
YES
YES
YES
NO
YES
Saffire PRO 40
FW400
4
10
6
2
2
YES
NO
YES
2
2
2
0
NO
YES
YES
96kHz
YES
YES
YES
YES
NO
Saffire PRO 24 DSP
17
Saffi re / Scarlett MixControlMixControl software is a powerful ultra-low-latency monitoring package that enables you
to create several independent mixes and send each of them out to any interface output. Each
mix can be built up using a combination of input signals and DAW outputs. Intuitive one-click
confi gurations help you track, monitor and mix as quickly as possible.
The software window comprises of four main sections: a mixer, a router, a monitor section
and a device status section:
• The mixer section allows you to create independent mixes - each of which can be routed out
to physical outputs for monitoring, headphone cues or external processing.
• The router section is used to send any combination of physical inputs, DAW outputs or user-
created mixes of these streams to any outputs.
• The monitor section provides control of Volume, Dim, Mute and independent left or right cut.
• The device set-up section shows the status of synchronisation and connection, as well as
allowing the user to change the sample rate and the synchronisation source for clocking.
MixControl GUISaffi re MixControl utilises a unique tab system for mixes, allowing you to send
whatever you want, wherever you want!
Fully-featured mix window with clear input and output metering
Multiple independent mixes can be created, each accessible via their own tab
Solos, mutes, pans and PFL’s available on every channel
Mixer output channels can be routed to any number of outputs
Routing section provides a clear indication of all audio routing
Monitor section lets you switch between different monitoring set-ups quickly
Clear device status section shows sample rate, sync source and more
1
1
2
2
3
3
4
4
5
5
6
6
7
7
The image above is for representation purposes. The confi guration of MixControl changes depending on the interface in use.
MIDNIGHTtHe claSSIc plug-In SuIte By fOcuSrIte
Focusrite’s new Midnight plug-in suite takes two of the most iconic Focusrite modules of all
time – the ISA110 equaliser and ISA130 compressor; models their sound exactly with powerful
DSP technology; and gives them elegant, functional on-screen front panels that make them
simplicity itself to use.
The Midnight modules deliver incredible power and fl exibility into your digital studio in VST,
AU and RTAS formats. Now you can take a massive step up and incorporate the pure, warm,
delicious sound and straightforward controllability of these classic analogue processors in
your own tracks - at a price you can actually afford.
1918
OctoPre MkII DynamiceIgHt fOcuSrIte MIc preS wItH cOMpreSSIOn and BuIlt-In 24-BIt / 96KHZ adat I/O
21
OctoPre MkIIeIgHt fOcuSrIte MIc preaMpS wItH BuIlt-In 24-BIt / 96KHZ adat Output
With eight channels of Focusrite pre-amplifi cation and
a built-in 24-bit / 96kHz ADAT output, OctoPre MkII is
Focusrite’s powerful input upgrade for your Pro Tools system,
or any digital audio workstation. It’s also a great expansion
for any analogue or digital console, or hard disk recorder.
The digital output allows users to make the most of often
neglected ADAT inputs; ideal for expanding the number of
mic preamp inputs on your interface. Connect OctoPre MkII
to your audio interface’s ADAT input to create a high quality,
multi-channel recording solution, ideal for tracking drums,
vocals, guitars and more.
• Eight high quality award-winning Focusrite preamps
The best sounding multi-channel mic pre in its class.
• Built-in eight channel 24-bit / 96 kHz digital output
Make the most of your interface’s ADAT input. OctoPre
MkII connects via its built-in ADAT Optical output, with
a ‘real world’ dynamic range performance of 110dB.
• Mic pres optimised for tracking drums
OctoPre MkII is designed not to clip, with 10dB pads and
preamps optimised to handle extreme levels from sound
sources like kick drum and snare.
• Two quality Hi-Z instrument inputs
OctoPre MkII’s fi rst two channels feature DI’s, ready for
you to plug in your guitars and bass, instantly accessible
on the front fascia.
• 5 LED input metering on every channel
OctoPre MkII’s fast-acting 5-LED input meters provide
clear reference of input levels, helping you to avoid
analogue or digital clipping.
• Direct outputs on every channel
For routing and fl exibility, especially in the live
environment. Each mic pre can be routed to the mixer’s
analogue channels, with two mirrored ADAT outputs
(44.1 kHz) left free to send to digital recorders.
• 48V phantom power available on every channel
Switched in two groups (1-4 and 5-8) every channel is
capable of supplying phantom power, for use with most
condenser microphones.
• State-of-the-art clocking
OctoPre MkII’s internal clock delivers a jitter performance
of less than 10 PPM. For external clocks, a BNC
connector is provided and industry-standard JetPLL™
jitter reduction technology is employed.
With eight channels of Focusrite microphone pre-
amplifi cation, eight VCA-based Red 3-derived compressors
and built-in 24-bit / 96 kHz digital inputs and outputs, OctoPre
MkII Dynamic is Focusrite’s feature-rich expansion upgrade
for any digital audio workstation. It’s equally an
ideal expansion for any analogue or digital console,
or hard disk recorder.
• Eight award-winning Focusrite preamps
Focusrite’s unparalleled preamp legacy forms the
foundation of this device, with mic pres optimised to handle
extreme levels from sound sources like acoustic drums.
• Eight ‘single-dial’ Focusrite compressors
A single dial gets you to the right amount of compression,
fast. These new VCA-based, feed-forward compressors
model the character of the celebrated Focusrite Red 3.
• Compress transparently or with effect
The classic soft-knee design achieves beautifully
transparent compression that caresses your sound.
Focusrite’s unique “More” switch doubles the ratio to
deliver ‘compression with effect’.
• Built-in eight channel 24-bit / 96 kHz digital outputs
Make the most of your interface’s ADAT input for tracking,
with eight channels of analogue to digital conversion via
ADAT, boasting a ‘real world’ dynamic range performance
of 110dB.
• Built-in eight channel 24-bit / 96 kHz digital inputs
Switchable from the front panel, digital to analogue
conversion via ADAT provides analogue monitoring of
any digital ADAT feed, as well as the ability to clock from
any ADAT device.
• State-of-the-art clocking
OctoPre MkII Dynamic’s internal clock delivers a jitter
performance of +/- 20 PPM. For external clocks, industry-
standard JetPLL™ jitter reduction technology is employed.
• Two high-quality instrument inputs
OctoPre MkII Dynamic’s fi rst two channels feature DI’s,
ready for you to plug in your guitars and bass.
No expensive external DI required.
Each compressor on the OctoPre
MkII Dynamic features a ‘More’
button for an enhanced compression
effect. The More button doubles the
ratio from 2:1 to 4:1 and shifts the
threshold range, so you have more
sensitivity on control.
Working together - OctoPre MkII & Saffi re PRO 40
OctoPre MkII Dynamic ‘More’ Function
20
Kerry LeathamScarlett 8i6 is the perfect fi t
"It's easy to use and
sounds great"
Singer Songwriter
Rafa SardinaRafa Sardina is a Los Angeles-based musician, mixer, engineer and producer with a stellar
client roster. Stevie Wonder, Beyoncé and Lady Gaga adorn his credits list, while his foothold in
the Latin music market has seen him work with Luis Miguel, Rodrigo y Gabriela, Paco de Lucía
and Alejandro Sanz. Rafa has been nominated for an impressive 25 GRAMMY awards, winning 11.
The Focusrite sound has been at the heart of Rafa's GRAMMY-winning career from the start,
and it remains so. "I have compared the old and the new ISA gear, and it really retains that
warmth, grittiness, I don't know, the sound that really appealed to me from the very beginning.
And that was the main reason why I got the ISA828. The sound comes fi rst; the convenience
is very important too, and it is a plus in this box, but the sound comes fi rst and that's the main
reason I got it."
23
FOCUSRITE ARTISTS
Scarlett 8i6
Matt RobertsonI trust the sound, and I know
it’s not going to let me down
Recording engineer
DELSUses ISA One as his main
vocal preamp
Ninja Tune artist
Octopre MkII Dynamic
ISA One
The sound comes fi rst and that's the main reason I got it.“ ”
2222
Control 2802SMall fOrMat analOgue MIXIng cOnSOle wItH etHernet-BaSed daw cOntrOl
Control 2802 is a super-fl exible analogue console plus an
Ethernet-based DAW control surface in one. Precision analogue audio
architecture delivers a superb, big studio sound, while it demonstrates
extraordinarily versatile routing capability, with cues and auxes
available to provide up to 32 mix inputs, all while retaining a compact
footprint. The Ethernet-connected HUI control layer allows DAW
operation right from the console.
• Eight superb Class A hybrid discrete microphone preamplifi ers
with up to 60dB gain and eight balanced line inputs, all with HPF and
polarity reverse
• Channel Direct Out selectable from four points in the signal path
from mic pre out to post-fader
• Eight balanced DAW inputs and tight overall DAW integration
• Pseudo-in-line style console operation delivers maximum fl exibility
• Eight moving-fader Ethernet-based HUI DAW control surface
with jog/shuttle wheel, transport controls, four multifunction rotary
encoders and OLED channel display
• VCA bus compressor with wet/dry parallel compression capability
and patchable I/O
Ethernet-based DAW control surface.
Full transport controls. Instant fl ip between
mix and control modes. Your favourite music
software is always at your fi ngertips –
without leaving the console.
DUAL LAYER TECHNOLOGY DIGITAL
Eight Class A mic pres and ultra-wide-
bandwidth signal path for superb performance.
A fully-featured master section. Latency-free
monitoring and up to 32 mix inputs. 100mm
long-throw motorised faders.
ANALOGUEDUAL LAYER TECHNOLOGY
The Liquid Channel™
any MIc pre and cOMpreSSOr In HIStOry
The Liquid Channel™ is a revolutionary channel strip that
can emulate any classic mic pre and compressor. Combining
radical new analogue mic preamp technology with Dynamic
Convolution™ techniques, and augmented by fully digital
controls and remote software, it provides the ultimate
fl uid vintage collection.
• Loaded with 40 classic mic preamp and 40
compressor emulations
• 100 programme memories provide full recall of
every setting
• LiquidControl software allows comprehensive remote
operation via USB
• 192kHz internal processing and ADC/DAC as standard
• Focusrite digital EQ based on the Forte Suite software
• Adjustable harmonic distortion accounts for variance
in vintage originals
WHAT IS DYNAMIC CONVOLUTION?
Dynamic Convolution is a unique, patented technology that
emulates the sonic properties of original compressors, EQs
and the amplifi cation element of mic preamps. Essentially,
it samples (as opposed to models), the effect a processor has
on the audio signal through the application of a unique, level-
dependant set of responses to that signal. These measured
responses, sampled at numerous levels and with a multitude
of setting combinations, are applied to the input stream on a
sample-by-sample basis for extremely convincing results.
Liquid Channel Remote Control Software (via USB)
MIX
24
Liquid Channel ShootoutIn Summer 2011, we put Liquid Channel through the ultimate test: an old versus new shootout
and blind test. We lined up a handful of Liquid Channels beside some of the original vintage
units that are modeled in the Liquid Channel and recorded the results.
To judge the shootout, we enlisted the help of Guy Massey (Abbey Road, Beatles Remasters)
and Marco Pasquariello (chief engineer, Snap! Studios, London). The results were astounding.
See for yourself at youtube.com/FocusriteTV!
25
Everything I heard sounds great! Marco Pasquariello, Snap! Studios, London“ ”For more information on the Liquid Channel shootout, head to the Focusrite web site.
www.focusrite.com
Combining the best of yesterday with the best of
tomorrow, Focusrite’s ISA828 eight channel mic
preamp features exactly the same classic microphone
preamplifi er design as Focusrite’s critically
acclaimed Forté console. To partner seamlessly with
Pro Tools HD and other professional DAW platforms,
the ISA828 integrates with our
fi nest eight-channel A/D converter option.
• The classic Focusrite mic pre at its lowest
cost-per-channel to date
• The best A-D performance on the market,
bar none (requires optional ADC)
• Integrates quickly and seamlessly with
ProTools HD
• Switchable impedance to suit any microphone
• Multiple front panel instrument - No separate
DI box required
• High pass fi lter, phase reverse and phantom
power on every channel
ISA828eIgHt claSSIc MIc preaMpS alOngSIde a preMIuM eIgHt-cHannel a-d cOnVerter OptIOn
ISA430 MkII – Producer PacktHe MOSt VerSatIle cHannel StrIp.
26
The ISA 430 MkII represents the pinnacle of Focusrite’s
analogue channel strip technology, bringing together all
the classic designs in one comprehensive production tool.
Augmented with additional features and fl avours, alongside
unmatched internal routing and connectivity, the ISA 430
MkII confi rms Focusrite’s iconic status as the leading
manufacturer of channel strips.
• Classic Focusrite transformer-based mic
preamp with variable impedance and ‘Air’ feature
• Multi-format compressor; transparent VCA
circuit and two vintage optical solutions
• Classic Focusrite EQ design; an expanded
version of the original ISA 110
• Post mic pre output for the shortest possible
signal path
• Proprietary Focusrite discrete Class A VCA gate
and expander designs
• Optical de-esser featuring ‘De-esser Listen’ for
precise control over sibilance
• Soft Limiter to avoid critical digital overload
(requires optional A-D converter)
• Optional stereo A-D converter with 120dB dynamic range
27
ISA TwoclaSSIc dual MOnO tranSfOrMer-BaSed MIcrOpHOne preaMplIfIer
Featuring two channels of Focusrite’s premium microphone
preamplifi cation – with variable impedance to get the best out
of any microphone – plus both line and front-panel instrument
inputs, ISA Two is perfect for superb stereo recording or for
additional high-quality channels. With 80dB of gain, dedicated
insert point and HPF, it’s ideal as a DAW front-end when
connected to a high-quality interface.
· Dual classic Focusrite transformer-based mic preamps
with four impedance settings to get the best from any
microphone
· Dual front-panel DI inputs plus rear-panel line inputs for
maximum fl exibility
· Dedicated per-channel insert for connecting
compression, EQ or other processors
· Ideal DAW front-end – simply plug into your favourite
interface such as Focusrite Scarlett, Saffi re or RedNet
· 80dB of clean, low-noise gain from Focusrite’s tried
and tested ISA topology allows ISA Two to deliver plenty
of signal from the most diffi cult sources
· Variable cut-off, easy access 18dB/octave high-pass fi lter
makes removing unwanted sounds simple
· Perfect for critical stereo piano recording or stereo
acoustic guitar (or mono with vocal) or if you simply need
additional superb-quality input channels
The ISA428 MkII provides four of Focusrite’s
prestigious transformer based microphone preamps.
It features the same classic circuitry and renowned
audio quality found in the original at a new level of
affordability. With switchable input impedance, direct
instrument inputs and an optional eight channels
of high quality analogue to digital conversion, the
ISA428 MkII creates the perfect front end for the
discerning recording professional.
• Four classic Focusrite transformer-
based preamps
• 8 channels of cutting-edge A-D conversion,
running at up to 192kHz (requires optional ADC)
• Switchable impedance setting, ideal for mic
matching or extended microphone creativity
• Four front panel instrument inputs - no separate
DI box required
• Dedicated analogue insert points on
every channel
• Classic high pass fi lters on every channel
ISA428 MkIIfOur claSSIc MIc preaMpS wItH dI InputS and a preMIuM eIgHt-cHannel cOnVerter OptIOn
29
Why go digital with Focusrite?For 15 years now, we’ve been tirelessly perfecting our digital
conversion technology. By simply slotting into the back of the
analogue unit, audio signals travel the shortest possible distance
and remain free from extraneous clocks or other sources of
digital noise. Fine tuning the marriage between analogue and
digital audio circuitry enables our A-D converters to achieve
superb dynamic range with extremely low noise and jitter.
ISA 8-channel ADC
Eight channels of precision
Focusrite A-D conversion for
ISA428, ISA428 MkII and ISA828,
with 121.5dB dynamic range and
jitter below 250 picoseconds.
Digital connections include AES/
EBU, ADAT Optical and S/PDIF
(coaxial and optical).
ISA Stereo ADC
Two channels of cutting-edge
A-D conversion for ISA430 MkII
and ISA One, with 120dB dynamic
range and jitter below 300
picoseconds. Digital connections
include AES/EBU, ADAT Optical,
and S/PDIF (coaxial and optical).
28
31
Jono McCleeryFocusrite fi rst became acquainted with the music of singer/songwriter Jono McCleery in
late 2010, when a remix of his song 'Tomorrow' featured on the Ninja Tune XX Collection, a
compilation of music from the London-based record label and artist camp. By early 2011, we
were hearing more and more of Jono and his stunningly great music. He supported fellow
Ninja Tune artist Jamie Woon on his Uk tour in the spring, and by that time, we were just itching
to work with him. So when we needed to team up with an artist to feature in the Scarlett 2i2
promo video, Jono was our fi rst call.
You can fi nd out more about Jono here: www.jonomccleery.com
Tiff MoniqueTiffany Monique is best known as one third of Beyoncé's background vocalist trio The Mamas,
having been a permanent fi xture on the last two of Beyoncé's world tours. Tiff has also worked
with such greats as Mary J Blige, Mariah Carey, Christina Aguilera & kelly Clarkson, but is
a recording artist in her own right too. She records demos on her travels with the Scarlett
2i2, and now her recordings made on the road are good enough to use in the fi nal track, as
she explains: "Before, I had a Radioshack microphone that I would just plug into the laptop. It
would give me an idea of what I was trying to do with the song, but the actual take itself was of
no use because of the audio quality. Now that I have the 2i2, I can actually use the recording
that was done in my home for the fi nished song."
I can just pull it out, plug my mic and headphones in and get to work.
FOCUSRITE ARTISTS
“
“
”
” Fantastic sound quality… simple to use, and easy to transport.
ISA OneclaSSIc MIcrOpHOne preaMp wItH Independent dI and prOfeSSIOnal dIgItal Output OptIOn
30
The ISA One microphone preamplifi er delivers Focusrite’s
prestigious ISA transformer-based preamp in a rugged and
portable chassis, at a groundbreaking price. ISA One shares
the same preamplifi er topology as Focusrite’s classic ISA110,
featuring the original Lundahl LL1538 transformer and
bespoke zobel network.
This preamp topology formed the cornerstone of Focusrite’s
legendary Forté console and ISA Series preamplifi ers have
been used on countless hit records over the last two decades.
With its robust construction, the ISA One has made the
classic Focusrite signature sound more portable and more
affordable than ever before.
• ISA Series transformer-based preamp
Encased in a rugged and portable chassis, offering the
classic Focusrite microphone preamp at its lowest
cost to date.
• Flexible independent DI channel
ISA One is ideal both for engineers and demanding
performers alike, featuring independent gain control,
an output for routing to an amp and an independent
XLR output on the rear.
• Switchable impedance
Choose one of four carefully selected input impedances,
including the original ISA 110 setting, to suit
any microphone.
• Class-leading stereo A-D conversion
Easily installed in any ISA One, this card embodies
cutting-edge conversion technology, incorporating
Focusrite analogue circuitry to deliver the best A-D
performance in its class.
• Dedicated insert point
Allowing you to place extra processing between the pre
amp or DI and the optional converter, such as an EQ
or compressor.
• Phantom power, phase reverse and high-pass fi lter
All available from the angled front fascia. The
high-pass fi lter operates at 75Hz, 18 dB/octave.
More than a mic preamp
The ISA One features an independent D.I. channel with its
own gain control, an output for routing to an amp, and an
independent XLR output on the rear. Stereo cue mix inputs
and a dedicated insert point are also available.
31Model pictured has the optional ISA Stereo A-D Converter installed
It’s always nice to have something that you know gives good results. I was a tape op when Focusrite came along, and whenever I got the chance to try Focusrite equipment, it always sounded amazing. It’s something that I’ll always go for if it’s in a room, because I trust it and I know it always comes through.
The Focusrite sound is always nice on anything you want a lot of high fidelity to. Drum overheads always sound great, and it’s the same with strings recordings. It works really well on vocals; It helps me make the mix.
Adrian Bushby
Double GRAMMY Award-winning Recording Engineer Muse, Foo Fighters, Band Of Skulls, Two Door Cinema Club
www.focusrite.comFA0135-07