Flore Gustin Book

FLORE GUSTIN

P O R T F O L I O

ParisBachelor’s Degree in Architecture

+33 6 32 45 71 [email protected]

SUMMARY

Opposition

Intentions Opposition de deux façade de par leur procédés constructifs

Une façade légère qui se décolle du bâtiment

Un bâtiment dont l’organicité visuelle permet le passage

Une façade épaisse qui protège des nuisances sonores du chemin de fer voisin

Un bâtiment tourné vers la future expansion du quartier de la gare

PROCESSUS

Recherches des différentes saillies de la pierre de taille

Les différents modes de calepinage de la pierre agraffée : alignées, collées ou espacées, en quinconce, à épaisseur variable

Scénarii : la pergola, extension de l’épicerie

Projet - Aménagements d’une épicerie à Crouy-sur-OurcqFlore Gustin, L2 ENSAVT

Atelier Cédric Michel - Céline OrsingherAnnée 2014/15

Coupe transversale, échelle 1/20ème.

Coupe longitudinale, échelle 1/50ème.

Plan R+1, échelle 1/50ème.

Plan de Rez-de-Chaussée, échelle 1/20ème

Recherches sur la façade épaisse du projet : quelles ouvertures ?

La lumière omniprésente

Deux façades qui se confrontent

A

D

G

B

E

H

C

I

F

Hut

Warehouse BridgeWorkshop

Grocery store

Cemetery

Belleville

Student Housing Sketching

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Grocery store PROJECT 2015 - S4

Studio C. Michel

OppositionThis project of a grocery store is based on the work of its materiality and material : stone.Two sides of the building seem to be floating because of the stone cladded on an insulated concrete wall. It contrasts with the two other facades which are made of self-sufficient ashlar.This thick facade protects the grocery store from the noisy railway next to it. The thin facade, in opposition, opens the building to the future public place.The roof height has been adjusted to exagerate the intentions given to the two materialities.

A

Hut PROJECT 2013 - S2

Studio A. Brochard

Along the forest

The arrangement of the terrace here is made so that we peak towards it.A game between the different floors has been created so the terrace would be protected from the damp soil. A hierarchy between these trays infers a pyramidal device dedicated to the main floor where the terrace is situated. These five steps, which turn around create a particular linearity in the site, in order to contrast with its flatness.

Techniques: Rotring and watercolors.

B

Urban and historic analysis of a parisian area, the Faubourg du Temple Street, in the Belleville neighbourhood in Paris, close to Place de la République.

This workshop taught me to apprehend urban analysis, from the street to the whole city scale, and create appropriate documents to understand and analyse a site.

We drew spontaneous sketches, axonometries, maps, and learnt how to appreciate a street’s architectural qualities and atmosphere by simply walking through it.

Techniques : Rotring and softwares.

Belleville, Paris URBAN ANALYSIS 2014 - S3

Group G. Boubet

C

Remastered dual-slope.The aim of the exercice is to create a 500m² boat warehouse.I based myself on the dual-slope roofs of the city where we worked in Seine-et-Marne to make a new twist of it and design a bias sloping ridge. The diagonal seen from inside highlights the visual rythm created by the posts which are close to each-other relative to the proportion of the warehouse (3.3m).An emphasis has been put on the post footing and the sloping ridge. The bracing has also received specific attention to fit the guiding thread of the project.

Boat warehouse STRUCTURE 2015 - S4

Group A-M Bordas

Coupe schématique du jour : La lumière se diffuse par les baies de verre profilit de 2m de hauteur.

Photomontage sur maquette du premier semestre : démonstration de la structure sur laquelle s’appuie le bardage en ardoise et le verre en façade.

Coupe schématique de nuit : A l’inverse du jour, la lumière est diffusée dans l’ensemble du hangar grâce à des néons et des spots placés en dessous du bardage en ardoise.

Elévation de façade intérieure, échelle 1/50è. La structure apparente augmente le ryhtme visuel de l’enchainement des portiques de bois. Une grande façade en verre grimpe jusqu’à la jonction de la façade à la toiture, rendant la forme à double pente d’autant plus lisible.

Elévation de façade extérieure, échelle 1/50è. Le bardage en ardoise surplombe les façades vitrées, donnant cet aspect imposant à cet engobement gris foncé. Derrière les deux mètres de façade de verre sont visible les éléments de structure.

Plan de toiture, structure primaire et secondaire visibles, échelle 1/150è.

Coupe générale de la structure, échelle 1/50è.

D1

D2

D4

D3

AA

BB

Focus Structure, Semestre 2 Flore Gustin L2 - Atelier Anna-Maria Bordas

Rendu du vendredi 29 Mai 2015

Le Hangar à bateauDouble-pente revisitée

REFERENCES

Matériau : l’ardoise De gauche à droite :-Haus Köhler par Bruno Blesch, Allemagne -Maison G – Lode architecture et Arnaud Lacoste & Jérôme Vinçon, maison en Ile de France

Matériau : le verreZoom sur le verre opale Eglise de la Sainte Pentocôte par Franck Hamoutènne à la Défense. Mur en verre opale de 80cm d’épaisseur. Verre translucide mais non pas transparent.

D1D2 D3 D4

Section AA, échelle 1/5è. Vision en plan de la façade de verre profilit de 25cm d’épaisseur de type opale et son accroche à la structure en bois du hangar. Positionnement des double néons à l’avant d’un bardage bois vernis permettant la réfléxion uniforme de la lumière.

Section BB, échelle 1/5è. Vision en plan de la superposition des tuiles d’ardoise, de l’isolation entre deux planches de contreplaqué joint d’une part à la structure, puis vue des spots placés au niveau du plafond.

Détails d’assemblage, échelle 1/5è. Jonction entre la toiture et la façade. De gauche à droite : bardage ardoise, tasseaux horizontaux, bache d’échantéité, contreplaqué, isolation laine de verre, contreplaqué, tasseaux, deux néons. Remontée de la façade en verre profilit de 25cm d’épaisseur jusqu’à la toiture.

Détails d’assemblage, échelle 1/5è. Descente de bardage de toiture en ardoise, jonction avec la façade vitrée en verre profilit.

Détails d’assemblage, échelle 1/5è. Articulation du bardage en ardoise au niveau du faîtage. Ardoise se retournant d’un côté à l’autre de la toiture. Profilé en bois formés en angle soutenant la ligne de faîtage. Charpente en bois visible car débord par rapport au faux-plafond supportant les spots.

Détails d’assemblage, échelle 1/5è. Descente de la façade en verre profilit au sol. Profilé de verre en «U» assemblé sur un rail métallique siliconné.

Perspective d’ambiance montrant la volumétrie et la structure apparente du hangar et ses façades vitrées.

Correction du premier semestre : encastrement de la structure de la façade et de la toiture à l’aide de boulons.

Correction du premier semestre : micropieux allant jusqu’à 5m de profondeur et platine articulant ces micropieux au poteau de la structure.

Trait de coupe

D

Creation of a carpentry workshop

The carpentry workshop has been set up against the retaining wall, its form has been adapted in bias because of it.All the workshops are situated at the ground floor, and the offices and relaxation rooms are situated upstairs.A «U» is created towards the different levels of the roof, so the light can easily come in the entire building. It contrasts with the global view of the workshop from outside which is totally closed on itself. The lack of window on the exterior facade gives the impression of a monolith.The structure (beams and posts) are included in the concrete slabs to exagerate the block effect.

Techniques: Rotring and lead pencil.

Carpentry workshop PROJECT 2013 - S1

Studio E. Lénack

E

Cardboard bridge DESIGN AND ENGINEERING 2016 - S6

Workshop with the engineering shcool of Ponts-et-Chaussées

With the engineering school students we decided to create a bridge based on a beam typology. The curved bridge deck will be supported by two sprandel beams, which are also curved. This addition of curves allows us to create a freestanding bridge. Its rigidity is permitted by its design. It ensures a 7.5m span and reaches 1m high.

F

Student housing PROJECT 2016 - S5

Studio F. Lipsky, C. Blanchet

Back-streetThe program of student housing brings about central issues in the project.First it is a cultural and educational place where young people will work on their studies. It is also an important social hub. This project tries to allow students to have their individual calm places to be able to learn and concentrate, but also to meet and share with others. As students the feeling of loneliness can appear very quickly, so there should be a balance between privacy and collectivity. The intent is to provide a gradual movement from the street to their own cocoon. Passageways, which can be seen as back-streets, and winter gardens have been used to help this flow.

G

Cemetery PROJECT 2016 - S6

Studio C. Widerski

Back to the future ?The program of the cemetery has been here taken regarding our attitude since our lives are mostly spent through our screens. How is mourning possible now that we express ourselves openly into digital graves such as the social medias? This weird processus has led me to restore the oldest concrete house of France, based in Saint-Denis. I chose this city because of its cultural and cultual diversity, as I anted to create an ecumenical cemetery that could be adaptable to any or no religion. Through the restauration of an old patriarcal house, I wanted to find the domestic scale we need in such hard moments. The house would then be the place for the ‘living’, whereas the basement would be the columbarium where the graves are situated beteween the grid of posts remembering the struture of the historical house.

H

Freehand SKETCHING 2012 - ?

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TRAVELLING - PHOTOGRAPHY 1993 - ?

Paris Berlin Göttingen Brussels The Hague Amsterdam Delft Leiden Rotterdam London Barcelona Salamanca Grenada Florence Rome Milano Pise Palermo Genova Sienna Sicily Corsica Sardinia Stavanger Oslo New-York Chicago Toronto Montreal Niagara Dominican Republic Guadeloupe Casablanca Malta Cairo Louxor Karnak Hurghada Kampala Entebbe

Kuwait Oman Dubaï Abu-Dhabi Bahreïn Perth Dunsborough

Having lived most of my life in foreign countries, such as Norway, the Nertherlands or Kuwait, I started very early to feel and gain insight into the cities and their architectures, to adapt and understand different cultures. This has actively driven my personnal references and inspirations. Photography is a way to capture these experiences. Travelling has become vital to my balance.

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