FIVE SPOT JAZZ CLUB - Cooper...

1
You are standing at the former site of the Five Spot Cafe, which in the 1950s and ’60s was owned and operated by brothers Joe and Iggy Termini, who brought in the era’s most progressive jazz artists, including Thelonious Monk, Cecil Taylor, Eric Dolphy, Charles Mingus, Randy Weston and John Coltrane. Some of Billie Holiday’s last performances took place here. Because the authorities had seized her cabaret card, the engagements could not be publicized, but the club filled up by word of mouth alone. In 1959, saxophonist Ornette Coleman’s Five Spot debut introduced free improvisation to mainstream jazz discourse. Although composer Leonard Bernstein visited one night and loudly declared it “the greatest thing that has ever happened in jazz,” Coleman’s music remains controversial to the present day. THE New York destination for bohemians and visiting intelligentsia, Five Spot regulars included painter Robert Rauschenberg, poets Ted Joans and Amiri Baraka, and novelists Jack Kerouac and James Baldwin. During the club’s existence, whether as listeners or as performers, the most adventurous artists of the time came through the Five Spot’s doors. In 1963, the club moved to Two St. Mark’s Place and Cooper Square, where it lasted until the early 1970s. — David Neil Lee, author, The Battle of the Five Spot FIVE SPOT JAZZ CLUB THE HIPPEST PLACE ON EARTH Ornette Coleman (1930-2015) Billie Holiday (1915–1959) Writer Kenneth Koch recalled: “It was very close to the end of her life, with her voice almost gone, just like a whisper, just like the taste of very old wine, but full of spirit ... Everybody wanted her to sing. Everybody was crazy about her.” Quote from City Poet: Life and Times of Frank O’Hara by Brad Gooch 1960 Photo by RobertParent / Courtesy DaleParent & Jazzpix.com RobertParent / Courtesy DaleParent & Jazzpix.com Courtesy Jeremiah’s Vanishing New York Don Schlitten William Gottlieb / Library of Congress John Coltrane, Thelonious Monk and Ahmed Abdul-Malik at Five Spot, 1957 Crowd outside The Five Spot COOPER SQ. Funding for the BOWERY SIGNAGE PROJECT: La Vida Feliz Foundation, Puffin Foundation, Patricia Field, Andre Balazs, Adam Woodward, John Derian, Michael A. Geyer Architect, and contributions from Bowery friends and neighbors. Poster Design: Professional Practice Class, The Cooper Union WINDOWS ON THE BOWERY The Bowery is NYC’s oldest thoroughfare. Originally a Native American footpath and Dutch farm road (bouwerij means farm), it is a cradle of American culture, with seminal links to tap dance, vaudeville, Yiddish theater, Lincoln, Stephen Foster, Irving Berlin, tattoo art, Abstract Expressionism, Beat literature, jazz and punk rock. Though listed on the National Register of Historic Places, out-of-scale developments are displacing its residents, small businesses, and historic character. More info/link to Bowery’s National Register listing: boweryalliance.org

Transcript of FIVE SPOT JAZZ CLUB - Cooper...

You are standing at the former site of the Five Spot Cafe, which in the 1950s and ’60s was owned and operated by brothers Joe and Iggy Termini, who brought in the era’s most progressive jazz artists, including Thelonious Monk, Cecil Taylor, Eric Dolphy, Charles Mingus, Randy Weston and John Coltrane.

Some of Billie Holiday’s last performances took place here. Because the authorities had seized her cabaret card, the engagements could not be publicized, but the club filled up by word of mouth alone.

In 1959, saxophonist Ornette Coleman’s Five Spot debut introduced free improvisation to mainstream jazz discourse. Although composer Leonard Bernstein visited one night and loudly declared it “the greatest thing that has ever happened in jazz,” Coleman’s music remains controversial to the present day.

THE New York destination for bohemians and visiting intelligentsia, Five Spot regulars included painter Robert Rauschenberg, poets Ted Joans and Amiri Baraka, and novelists Jack Kerouac and James Baldwin. During the club’s existence, whether as listeners or as performers, the most adventurous artists of the time came through the Five Spot’s doors.

In 1963, the club moved to Two St. Mark’s Place and Cooper Square, where it lasted until the early 1970s.

— David Neil Lee, author, The Battle of the Five Spot

FIVE SPOT JAZZ CLUB

THE HIPPEST PLACE ON EARTH

Ornette Coleman (1930-2015)

Billie Holiday (1915–1959)

Writer Kenneth Koch recalled: “It was very close to the end of her life,

with her voice almost gone, just like a whisper, just like the taste of very old wine,

but full of spirit ... Everybody wanted her to sing.

Everybody was crazy about her.”Quote from City Poet:

Life and Times of Frank O’Hara by Brad Gooch

1960

Pho

to b

y Rob

ertP

aren

t / C

ourte

sy D

alePa

rent

& Ja

zzpi

x.com

Robe

rtPar

ent /

Cou

rtesy

Dale

Pare

nt &

Jazz

pix.c

om

Cour

tesy

Jere

miah

’s Va

nish

ing N

ew Yo

rk

Don

Schl

itten

William Gottlieb / Library of Congress

John Coltrane, Thelonious Monk and Ahmed Abdul-Malik at Five Spot, 1957

Crowd outside The Five Spot

CO

OP

ERS

Q.

Funding for the BOWERY SIGNAGE PROJECT: La Vida Feliz Foundation, Puffin Foundation, Patricia Field, Andre Balazs, Adam Woodward, John Derian, Michael A. Geyer Architect, and contributions from Bowery friends and neighbors. Poster Design: Professional Practice Class, The Cooper Union

WINDOWS ON THE BOWERYThe Bowery is NYC’s oldest thoroughfare. Originally a Native American footpath and Dutch farm road (bouwerij means farm), it is a cradle of American culture, with seminal links to tap dance, vaudeville, Yiddish theater, Lincoln, Stephen Foster, Irving Berlin, tattoo art, Abstract Expressionism, Beat literature, jazz and punk rock. Though listed on the National Register of Historic Places, out-of-scale developments are displacing its residents, small businesses, and historic character. More info/link to Bowery’s National Register listing: boweryalliance.org