Five Poems (Quintent), Walters Art Museum MS. W.606

88

description

This is an illuminated and illustrated Khamsah (quintet) by Niẓāmī Ganjavī (d. 605 AH / 1209 CE), copied by Muḥammad Mūsá al-Mudhahhib ('the Limner') in Safavid Iran in 924 AH / 1518 CE. The manuscript opens with a double-page illustration (fols. 1b-2a), which is followed by a double-page illumination (fols. 2b-3a). In total, there are six Arabic colophons, one at the end of each of the first four poems and two for the two parts of the final poem (Kitāb-i Sharafnāmah-i Iskandarī and Kitāb-i Iqbālnāmah).

Transcript of Five Poems (Quintent), Walters Art Museum MS. W.606

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http://creativecommons.org/licenses/by-nc-sa/3.0/legalcodePublished 2009

The Walters Art Museum600 N. Charles StreetBaltimore, Maryland

21201http://www.thewalters.org/

Page 4: Five Poems (Quintent), Walters Art Museum MS. W.606

This document is a digital facsimile of selections from a manuscript belonging to the Walters ArtMuseum, in Baltimore, Maryland, in the United States. It is one of a number of manuscriptsthat have been digitized as part of a project generously funded by the National Endowment forthe Humanities, and by an anonymous donor to the Walters Art Museum. More details aboutthe manuscripts at the Walters can be found by visiting The Walters Art Museum's websitewww.thewalters.org. For further information about this book, and online resources for Waltersmanuscripts, please contact us through the Walters Website by email, and ask for your message tobe directed to the Department of Manuscripts.

NOTE: The pages in this book are ordered from right to left. This means that to view the pages inorder, you should go the last page of the document and read what would be from “back-to-front”for a Western manuscript.

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Acquisition Walters Art Museum, 1931, by Henry Walters bequest

Binding The binding is not original.

Gold-brushed, panel-stamped brown leather (with flap);partially legible verse inscriptions in the upper and lowerframes; doublures of red leather with central medallions,pendants, and cornerpieces, also brushed with gold

Bibliography Storey, C. A. Persian Literature: A Bio-BibliographicalSurvey, Vol. 2. (London: Luzac, 1927- ), 438-495.

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fol. 278b:Title: Alexander the Great admires his portrait made byNushābahForm: IllustrationText: Sharafnāmah-i Iskandarī

fol. 297a:Title: Alexander the Great fights the army of the kingof ChinaForm: IllustrationText: Sharafnāmah-i Iskandarī

fol. 309a:Title: Alexander the Great lassos a Russian warriorForm: IllustrationText: Sharafnāmah-i Iskandarī

fol. 320b:Title: Incipit with illuminated titlepieceForm: Incipit; titlepieceText: IqbālnāmahLabel: This illuminated incipit page introduces theIqbālnāmah, the second part of the fifth poem of theKhamsah, Iskandarnāmah.

fol. 333b:Title: Hermes debates with seventy Greek scholarsForm: IllustrationText: Iqbālnāmah

fol. 350a:Title: The paradise of Shaddād Palace discovered byAlexander the GreatForm: IllustrationText: Iqbālnāmah

fol. 354b:Title: Alexander the Great and his men watch nakedgirls swim in the Sea of ChinaForm: IllustrationText: Iqbālnāmah

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fol. 188a:Title: Bahrām Gūr kills a wild ass while Fitnah playsthe harpForm: IllustrationText: Haft paykar

fol. 201a:Title: Bahrām Gūr in the yellow pavilionForm: IllustrationText: Haft paykar

fol. 211a:Title: Bahrām Gūr in the blue pavilionForm: IllustrationText: Haft paykar

fol. 217a:Title: Bahrām Gūr in the sandalwood pavilionForm: IllustrationText: Haft paykar

fol. 227b:Title: Bahrām Gūr questions a shepherd who hung hisdog on a treeForm: IllustrationText: Haft paykar

fol. 234b:Title: Incipit with illuminated titlepieceForm: Incipit; titlepieceText: Sharafnāmah-i IskandarīLabel: This illuminated incipit introduces theSharafnāmah-i Iskandarī, the first part of the fifth poemof the Khamsah, Iskandarnāmah.

fol. 252a:Title: Alexander the Great fights the EthiopiansForm: IllustrationText: Sharafnāmah-i Iskandarī

fol. 265b:Title: Alexander the Great laments the death of DariusForm: IllustrationText: Sharafnāmah-i Iskandarī

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Text: Khusraw va Shīrīn

fol. 106a:Title: Death of ShīrīnForm: IllustrationText: Khusraw va ShīrīnLabel: Shīrīn, having stabbed herself with a dagger, lieson her husband’s casket to die.

fol. 113b:Title: Incipit with illuminated titlepieceForm: Incipit; titlepieceText: Laylá va MajnūnLabel: This illuminated incipit page introduces the thirdpoem of the Khamsah, Laylá va Majnūn.

fol. 126b:Title: Majnūn and his father visit the mosque in MeccaForm: IllustrationText: Laylá va Majnūn

fol. 133b:Title: Nawfal and his men fight Laylá’s tribeForm: IllustrationText: Laylá va Majnūn

fol. 161a:Title: Laylá and Majūn faint at the sight of each otherForm: IllustrationText: Laylá va Majnūn

fol. 169b:Title: Incipit with illuminated titlepieceForm: Incipit; titlepieceText: Haft paykarLabel: This illuminated incipit page introduces thefourth poem of the Khamsah, Haft paykar.

fol. 181a:Title: Bahrām Gūr kills a dragonForm: IllustrationText: Haft paykar

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fol. 3a:Title: Double-page illuminated frontispieceForm: FrontispieceText: Makhzan al-asrārLabel: This is the left side of a double-page illuminatedfrontispiece for the first poem of the Khamsah,Makhzan al-asrār. The upper and lower panels have aninscription in Persian containing the name of the author.

fol. 15a:Title: Anūshīrvān, his vizier Dastūr, and the owlsForm: IllustrationText: Makhzan al-asrār

fol. 32b:Title: Incipit with illuminated titlepieceForm: Incipit; titlepieceText: Khusraw va ShīrīnLabel: This illuminated incipit page introduces thesecond poem of the Khamsah, Khusraw va Shīrīn.

fol. 48a:Title: Khusraw watching Shīrīn bathingForm: IllustrationText: Khusraw va Shīrīn

fol. 56a:Title: Khusraw kills a lion outside Shīrīn's tentForm: IllustrationText: Khusraw va Shīrīn

fol. 61b:Title: Khusraw fights against Bahrām ChūbīnahForm: IllustrationText: Khusraw va Shīrīn

fol. 75b:Title: Farhād carries Shīrīn on her horseForm: IllustrationText: Khusraw va Shīrīn

fol. 100a:Title: Khusraw and Shīrīn in their bridal chamberForm: Illustration

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Contents fols. 1b - 368a:Title: Khamsah-i NiẓāmīIncipit:

Text note: Contains the following books: Makhzanal-asrār (fols. 2b-32a), Khusraw va Shīrīn (fols.32b-113a), Laylá va Majnūn (fols. 113b-169a), Haftpaykar (fols. 169b-234a), Sharafnāmah-i Iskandarī(fols. 234b-320a), and Iqbālnāmah (fols. 320b-368a)Hand note: Written in black nastaʿlīq script with bluesubject/section headingsDecoration note: Twenty-six illustrations; double-page illustration (fols. 1b-2a); double-page illumination(fols. 2b-3a); titlepieces (fols. 32b, 113b, 169b, 234b,and 320b); headpieces (fols. 32b, 113b, 169b, 234b, and320b); framing lines in gold and blue

Decoration fol. 1b:Title: Double-page illustrated frontispieceForm: Illustration; frontispieceLabel: This is the right side of a double-page illustratedfrontispiece depicting a court scene with music anddancing.

fol. 2a:Title: Double-page illustrated frontispieceForm: Illustration; frontispieceLabel: This is the left side of a double-page illustratedfrontispiece depicting a royal pavilion and horses ladenwith gifts.

fol. 2b:Title: Double-page illuminated frontispieceForm: FrontispieceText: Makhzan al-asrārLabel: This is the right side of a double-pageilluminated frontispiece for the first poem of theKhamsah, Makhzan al-asrār. The upper and lowerpanels have an inscription in Persian containing thename of the author.

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Known as: Mūsá al-MudhahhibNote: The scribe gives his name in the final colophonas Muḥammad al-mashhūr bi-Mūsá al-Mudhahhib, that isMuḥammad, known as Mūsá al-Mudhahhib ('the Limner').

Form Book

Genre Literary -- Poetry

Language The primary language in this manuscript is Persian. Thesecondary language of this manuscript is Arabic.

Colophon 368a:Transliteration: qad faragha min taḥrīr hadhā al-kitāb al-mawsūm bi-Iqbāl nānah /1/ Iskandarī min muṣannafāt afḍalal-shuʿarā wa- /2/ afṣaḥ al-bulaghā wa-akmal al-ḥukamāShaykh Niẓāmī /3/ ʿalá yad al-ʿabd al-faqīr Muḥammad al-mashhūr /4/ bi-Mūsá al-Mudhahhib fī 5 /5/ Muḥarram sanat924 /6/ m (= tamma) /7/ (fol. 368a)Comment: Six colophons in Arabic with the name of thescribe, dated to show that the various poems of the Khamsahwere not executed consecutively; dates as follows: 29 Dhū al-Ḥijjah 923 AH (fol. 32a); 7 Rabīʿ I 924 AH (fol. 113a); Ṣafar924 AH (fol. 169a); 6 Dhū al-Ḥijjah 923 AH (fol. 234a); 19Muḥarram 924 AH (fol. 320a); 5 Muḥarram 924 AH (fol.368a)

Support material Paper

Laid paper

Extent Foliation: i+368+i

Collation Catchwords: Written obliquely on versos

Dimensions 17.0 cm wide by 29.5 cm high

Written surface 9.5 cm wide by 18.5 cm high

Layout Columns: 4Ruled lines: 21Text written horizontally and obliquely; framing lines in goldand blue

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Shelf mark Walters Art Museum Ms. W.606

Descriptive Title Five poems (quintet)

Text title Khamsah-i NiẓāmīVernacular:

Note: Khamsah-i Niẓāmī inscribed on the fore-edge

Author Authority name: Niẓāmī Ganjavī, 1140 or 41-1202 or 3Supplied name: Ilyās ibn Yūsuf Niẓāmī GanjavīName, in vernacular:

Note: Author dates preferred by cataloger: d. 605 AH / 1209CE

Abstract This is an illuminated and illustrated Khamsah (quintet)by Niẓāmī Ganjavī (d. 605 AH / 1209 CE), copied byMuḥammad Mūsá al-Mudhahhib ('the Limner') in SafavidIran in 924 AH / 1518 CE. The manuscript opens with adouble-page illustration (fols. 1b-2a), which is followed bya double-page illumination (fols. 2b-3a). In total, there aresix Arabic colophons, one at the end of each of the first fourpoems and two for the two parts of the final poem (Kitāb-iSharafnāmah-i Iskandarī and Kitāb-i Iqbālnāmah). The datesof these colophons indicate that the various poems were notexecuted consecutively. The writing of the text extended overa period of approximately three months, 6 Dhū al-Ḥijjah923 AH / 1517 CE to 7 Rabīʿ I 924 AH / 1518 CE. Thetext is written in black nastaʿlīq script with blue subject/section headings. In addition to illuminated titlepieces andheadpieces, there are twenty-six illustrations. The binding isnot original to the manuscript.

Date 6 Dhū al-Ḥijjah 923 AH / 1517 CE -- 7 Rabīʿ I 924 AH /1518 CE

Origin Iran

Scribe As-written name: Muḥammad Mūsá al-MudhahhibName, in vernacular:

Page 87: Five Poems (Quintent), Walters Art Museum MS. W.606

This document is a digital facsimile of selections from a manuscript belonging to the Walters ArtMuseum, in Baltimore, Maryland, in the United States. It is one of a number of manuscriptsthat have been digitized as part of a project generously funded by the National Endowment forthe Humanities, and by an anonymous donor to the Walters Art Museum. More details aboutthe manuscripts at the Walters can be found by visiting The Walters Art Museum's websitewww.thewalters.org. For further information about this book, and online resources for Waltersmanuscripts, please contact us through the Walters Website by email, and ask for your message tobe directed to the Department of Manuscripts.

Page 88: Five Poems (Quintent), Walters Art Museum MS. W.606

http://creativecommons.org/licenses/by-nc-sa/3.0/legalcodePublished 2011

A digital facsimile of selections fromWalters Ms. W.606, Five poems (quintet)Title: Khamsah-i Niẓāmī

Published by: The Walters Art Museum600 N. Charles Street Baltimore, MD 21201

http://www.thewalters.org/