FINIDINGS OF A SURVEY ON RROs AND OTHER CMOs IN ARIPO MEMBER STATES Keitseng Nkah Monyatsi Copyright...
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Transcript of FINIDINGS OF A SURVEY ON RROs AND OTHER CMOs IN ARIPO MEMBER STATES Keitseng Nkah Monyatsi Copyright...
FINIDINGS OF A SURVEY ON RROs AND OTHER CMOs IN
ARIPO MEMBER STATES
Keitseng Nkah MonyatsiCopyright Officer
African Regional Intellectual Property OrganisationLagos, Nigeria
17 September 2013
Presentation Outline
• Introduction: Brief on ARIPO• Findings on the Collective management
Organisations in ARIPO Member States• Conclusion
Brief on ARIPO• Established in 1976: Lusaka Agreement
• Based in Harare, Zimbabwe
• Objectives of ARIPO : Article III of the Lusaka Agreement:
(a) to promote the harmonization and development of the intellectual property laws, and matters related thereto, appropriate to the needs of its members and of the region as a whole; (b) to foster the establishment of a close relationship between its members in matters relating to intellectual property; (c) to establish such common services or organs as may be necessary or desirable for the co-ordination, harmonization and development of the intellectual property activities affecting its members; (d) to establish schemes for the training of staff in the administration of intellectual property laws; (e) to organize conferences, seminars and other meetings on intellectual property matters; (f) to promote the exchange of ideas and experience, research and studies relating to intellectual property matters; (g) to promote and evolve a common view and approach of its members on intellectual property matters; (h) to assist its members, as appropriate, in the acquisition and development of technology relating to intellectual property matters; (i) to promote, in its members, the development of copyright and related rights and ensure that copyright and related rights contribute to the economic, social and cultural development of members and of the region as a whole; and (j) to do all such other things as may be necessary or desirable for the achievement of these objectives.
Member States of ARIPO (18 countries)
Botswana
Kenya
Mozambique
Somalia
The Gambia
Lesotho
Sierra Leone
Swaziland
Tanzania
Ghana
Zimbabwe
MalawiZambia
Uganda
Sudan
Namibia
Liberia Rwanda
ARIPO Mandates1. Industrial Property:• Patents, Industrial Designs and Utility Models: Harare Protocol • Trademarks: Banjul Protocol• Traditional Knowledge and Traditional Cultural Expressions:
Swakopmund Protocol• Geographical Indications• Genetic Resources• Plant varieties
2. Copyright and related rights (2002) Coordination of policy matters; Harmonisation of laws and practices.
Pillars of an effective Copyright System
Administration • Policy • Legislation• Institutional
frameworks
Management • Licensing: Enable
access/use of works and remuneration
• Policing (by rightholders)
EnforcementRole players; • Police• Customs • Judiciary• Prosecutors
Collective Management Situation in ARIPO Member States (2012)
• Rwanda and Liberia have newly established CMOS
• An additional CMO has been established in Ghana
Botswana
Gambia
GhanaKenya
Leso
tho
Liberia
Malawi
Moza
mbique
Namibia
Rwanda
Sierra
Leone
Somalia
Swazil
and
Tanzania
Uganda
Zambia
Zimbabwe
0
0.5
1
1.5
2
2.5
3
3.5
4
4.5
1
0
2
4
0 0
1 1
2
0 0 0 0
2 2 2 2
Number of CMOs
• RROso Ghanao Kenyao Tanzaniao Ugandao Zambiao Zimbabwe
• Multipurposeo Botswanao Malawi
MEMBER STATE
Name of Participating CMO Nature of Entity Year Established
Botswana Copyright Society of Botswana Private Co. Ltd by Guarantee
2008
Kenya
Kenya Association of Music Producers Not for Profit Co. Ltd by Guarantee
2003
KOPIKEN-The Production Rights Society of Kenya Private Co. Ltd by Guarantee
2005
Performers Rights Society of Kenya Private Co. Ltd by Guarantee
2010
Malawi Copyright Society of Malawi Statutory Entity 1992
Namibia Namibian Society of Composers and Authors of Music
Statutory Body 1993
Uganda Uganda Reproduction Rights Organisation Private Co. Ltd by Guarantee
2010
Zambia
Zambian Music Copyright Protection Society Private Co. Ltd 1993
Zambia Reprographic Rights Society Quasi Govt 2010
Zimbabwe
Zimbabwe Music Rights Association Pvt Co. 1982
ZIMCOPY -The Reproduction Rights Organisation of Zimbabwe
Association 1985
Equal to All Equal (save for Board Elections)
Not all 0
10
20
30
40
50
60
70
80
90 82%
9% 9%
Voting Rights
Equal to All
Equal (save for Board Elections)
Not all
6Members 7<8 9<100
5
10
15
20
25
30
35
40 36.5%
27%
36.5%
Number of Board Members
6Members 7<89<10
2 Years 27%
3 Years 64%
Not Clear 9%
Term of Board Membership
RRO No. of Years
KOPIKEN 3
URRO 2
ZARRSO Not specific
ZIMCOPY 2
-Inadequate human resource was sited as a challenge by most CMOs.
-Interestingly even the CMO with 21 employees identified this as a challenge .
1<5 5<10 11<210
10
20
30
40
50
6055%
27%
18%
Number of Employees
1<55<1011<21
KOPIKEN URRSO ZARRSO ZIMCOPY0
0.5
1
1.5
2
2.5
3
3
2
3
2
FINANCIAL STATUS OF CMOs
• Considers financial resources that were used to establish the CMO;
• Looks at the sources of support that the CMO received for take off;
• Looks into whether the CMO is able to sustain its operations with its royalty collections;
• Of all 11 CMOs in the survey, 45.5% are now self sustaining, i.e. they generate sufficient revenue to sustain their operations
Independent Still Dependant0
10
20
30
40
50
60
45.5%
54.5%
Current Financial Status of CMOs
- Establishment of a CMO needs external support;- Private sector contribution is higher than government support.- Private sector include NORCODE, KOPINOR, NORAD, SAMRO and loans by CMO founding members.
91%
9%
CMO Received Financial Support for Take Off
Yes No
18%
73%
9%
Source of Financial SupportGovernment Donors/Partners
Rightholders
• 70% of the CMOs that received support for take off are still dependant on their donors/governments
Independent Still Dependant0
10
20
30
40
50
60
70
30%
70%
Financial Status for CMOs with Support
Independent
Still De-pendant
-CMOs that were supported by private sector are still financially dependent;
Governement Donor/Partners N/A0
20
40
60
80
100
120
50%
25%
100%
50%
75%
0%
Financial Status in relation to Source of FundingIndependent Still dependent Totals
SourceEarliest Establishment
Most Recent Establishment Percentage
Government 1992 2008 18%Donors/Partners 1993 2010 73%Members' Loans 1982 N/A 9%
Financial Support: RROsRRO Support
ReceivedSource of support
Independent/Not
KOPIKEN Yes KOPINOR NORCODE
Not yet
URRO Yes KOPINOR Not yet
ZARSO Yes KOPINORNORCODENORAD
Not yet
ZIMCOPY Yes Bilateral and other CMOs from cooperating countries
Not yet
ROYALTIES• This section examines whether;
– The CMO is collecting and distributing royalties;
– Examines royalty collection and remission to foreign CMOs, as well as receiving royalties from foreign CMOs.
Yes No Not Yet0
10
20
30
40
50
60
70 64%
11% 11%
License Agreements with Users
KOPIKEN Yes
URRO No
ZARRSO No
ZIMCOPY No
Yes No0
10
20
30
40
50
60
70
8073%
27%
Is the CMO Collecting Royalties
KOPIKEN Yes Since 2007
URRO No N/A
ZARSO No N/A
ZimCopy Yes (on and Off)2005(Transaction licenses)
• 80% of the Participating CMOs indicated their licensing/royalty collection is nationwide.
Nationwide Not yet 0
10
20
30
40
50
60
70
80
90
80%
20%
Collections Coverage
NationwideNot yet
Royalty collection strategies
1<5 5<10 11<210
10
20
30
40
50
60 55%
27%
18%
Number of Employees
1<55<1011<21
Yes45%No
55%
Branches in other Parts of the Country
Directly Both No Info 0
10
20
30
40
50
60
7064%
18% 18%
Direct Collection or through Sub-Contracts
55%
18%
27%
Distribution of Royalties
Yes No N/A
KOPIKEN Yes Since 2010
URRO No N/A
ZARRSO No N/A
ZIMCOPY No As received
•73% of the participating CMOs are collecting royalties;
•Of the 73% that is collecting royalties, 75% are already distributing royalties to their members while the other 25% of those is not yet distributing royalties to their members.
Yes No0
20
40
60
80
100
120
140
160
73%
27%
75%
25%
Rolyalty Collection vs Distribution
Distribution
CollectingN
umbe
r of C
MO
s
Yes No Unclear 0
10
20
30
40
50
60 55%
36%
9%
Withholding Income Tax
Yes No Unclear
AFFILIATIONS AND RECIPROCAL AGREEMENTS
Yes No N/A0
10
20
30
40
50
60 55%
36%
9%
Reciprocal Agreements with Foreign CMOs
Yes
No
N/A
KOPIKEN Yes
URRO No
ZARRSO No
ZIMCOPY Yes
Yes No0
10
20
30
40
50
60 55%
45%
Collecting for the use of Foreign Works
YesNo
KOPIKEN Yes
URRO No
ZARRSO No
ZIMCOPY No
*No distribution to foreign counterparts
•55% of the CMOs are collecting royalties for foreign works. In those only 36% are distributing royalties to foreign CMOs
•Reasons for non-distribution to foreign CMOs include agreements with those CMOs to utilise the funds for the growth of the CMO
36%
55%
9%
Distribution of Royalties to Foreign CMOs
Yes No Not Yet
Yes No0
10
20
30
40
50
60 55%
45%
Collecting for the use of Foreign Works
YesNo
Yes36%
No45%
Not
Yet9%
Sometimes9%
Receiving Royalties from Foreign CMOs
36%
55%
9%
Distribution of Royalties to Foreign CMOs
Yes No Not Yet
KOPIKEN No
URRO No
ZARRSO No
ZIMCOPY Sometimes
Affiliations• 36% (n=4)of the participating CMOs indicated that they are
affiliated to the International Federation of Reproduction Rights Organisation (IFRRO); KOPIKEN, ZARSO and Zimcopy [and COSOMA] At the time of the survey URRO was not yet affiliated
• Another 36% (n=4) also indicated an affiliation to the International Confederation of Societies of Authors and Composers (CISAC);
• One CMO is affiliated to both IFRRO and CISAC i.e. COSOMA;
• Three CMOs are neither affiliated to IFRRO nor are they to CISAC, while the response of one participating CMO was unclear on this question.
Copyright Society of Botswana
Copyright Society of Malawi
Kenya Association of Music Producers
KOPIKEN-Reproduction Rights of Kenya
Namibian Society of Composers and Authors of Music
Performers Rights Society of Kenya
Uganda Reproduction Rights Organisation
Zambia Music Copyright Protection Society
Zambia Reprographic Society
ZimCopy -Reproduction Rights Organisation of Zimbabwe
Zimbabwe Music Rights Association
19651970
19751980
19851990
19952000
20052010
2015
2008
1992
2003
2005
1993
2009
2010
1993
2010
1995
1982
2008
1992
2008
2011
1993
2009
2011
1993
2010
2007
2007
2011
1992
2008
2007
1993
2009
2011
1996
2010
2007
1982
1993
2008
2010
1996
2011
1994
1985
1994
2010
1996
1996
2005
1985
TIMELINE
Royalty Distribution Royalty Collection ComemncementLicenseRegistration
Conclusion• ARIPO is working on its Copyright and Related Rights Strategy
Zimcopy and Ghana RRO and other stakeholders recently participated at a consultative meeting to consolidate the Strategy.
Participating in this meeting gives further insight on issues unique to RROs
• Awareness raising remains an important element in the success of all IP areas;
• Works of creators are used without compensation in jurisdictions where there are no CMOs, where RROs are not fully functional;
• Public Private partnerships are essential to take collective management forward;
• Government support is needed for the establishment of effective CMOs; – Provisions for collective management in the national law; – Resources for establishing CMOs; – Playing the supervisory role in an enabling manner.
Conclusion• Awareness raising remains an important element in
all IP issues;
• Works of creators are used without compensation in jurisdictions where there are no CMOs;
• Government support is needed for the establishment of effective CMOs; – Provisions for collective management in the national law; – Resources for establishing CMOs; – Playing the supervisory role in an enabling manner.