Fine Paintings & Sculpture | Skinner Auction 2635B

Sale 2635B February 1, 2013 Boston

American & European Works of ArtFine Paintings and Sculpture

American & European Works of ArtFine Paintings and Sculpture

View all lots online at www.skinnerinc.com

cover: 648; frontispiece: 646; back cover: 551

Auction Information

Auction 2635B Friday, February 14PMpreceded by Fine Prints & Photography at 12PM

63 Park PlazaBoston, MA

Robin S.R. StarrDepartment Director508.970.3259

Absentee Bidding

T: 617.874.4318F: 617.350.5429

General Inquiries: 617.350.5400

SkinnerLive!: skinnerinc.com

Kathy Wong508.970.3297

Elizabeth C. Haff508.970.3258

Specialists

Preview

Wednesday, January 3012 to 5PM

Thursday, January 3112 to 8PM

Friday, February 1 9 to 10AM

Department Inquiries: 508.970.3206

Annie Claflin508.970.3264

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Table of Contents

1 Auction & Specialist Information

2 Web Site & Online Bidding

4 Glossary of Terms

5 Lots 301-674

256 Artist Index

258 Conditions of Sale

259 Absentee Bid Form

260 Company Directors & Specialty Departments

261 Administrative Staff & Client Services

262 Map & Driving Directions

263 Catalog Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 258 of this catalog for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2013

All rights reserved

MA/Lic. #2304

4

All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways:

John Joseph EnnekingIn our judgment, the work is by the artist.

Attributed to John Joseph EnnekingIn our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph EnnekingIn our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph EnnekingIn our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph EnnekingIn our judgment, an intended copy of the work of the artist.

American School, 19th CenturyIn our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms:

Bears SignatureIn our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Glossary of Terms

Old Masters & 19th Century European Works

301Dutch School, 17th Century

Tavern Interior with a Woman Playing a Stringed InstrumentUnsigned.Oil on beveled panel, 11 1/2 x 9 1/4 in. (29.3 x 23.5 cm), framed.Condition: Hairline cracks to panel, probable skinning, very fine craquelure/alligatoring, heavily varnished.$800-1,200

6 Additional information and photos at www.skinnerinc.com

301

7Online bidding at www.skinnerinc.com

302Manner of Barent Fabritius (Dutch, 1624-1673)

The Rug MerchantUnsigned, identified on a presentation plaque.Oil on canvas, 27 x 32 in. (68.5 x 81.0 cm), framed.Condition: Lined, retouch, craquelure.$2,000-3,000

302

303School of Jan Davidsz de Heem (Dutch, 1606-1684)

Still Life with Flowers, Fruit, and WineUnsigned.Oil on panel, 22 5/8 x 30 1/8 in. (57.5 x 76.7 cm), framed.Condition: Horizontal cracks to panel surface, scattered paint losses, retouch, surface grime, panel possibly trimmed, affixed to plywood laminate panel support.

Provenance: A private Maine collection.$3,000-5,000


303

304French School, 17th Century Style

Portrait of a Young Woman Adorned with PearlsUnsigned.Oil on cradled panel, 29 1/8 x 23 1/4 in. (74.0 x 59.0 cm), framed.Condition: Vertical cracks to panel, retouch, paint losses l.l. corner, surface grime.$3,000-5,000


Floral Still LifeUnsigned.Oil on canvas, 19 x 25 in. (48.2 x 63.3 cm), framed.Condition: Lined, retouch, craquelure,$1,500-2,000


304

305

306Italian School, 16th/17th Century

Three Unsigned Old Master Drawings: Italian School, 16th Century, Sacrificial Procession, After Raphael, inscribed “di Rafelle” in ink l.c., numbered “...96” u.c., ink and wash on wove paper, image size 3 1/4 x 6 7/8 in. (8.5 x 17.5 cm), and St. John the Evangelist, ink and wash on paper, 5 5/8 x 4 1/4 in. (14.2 x 10.8 cm); and Italian School, 16th/17th Century, Man Sculpting a Horse, ink on paper, image size 6 1/16 x 3 3/8 in. (15.5 x 8.7 cm), all framed.Condition: Toning, St. John laid down on paper support with old tears along left side and loss to u.l. corner.$800-1,200

307-308No lots.


306

309Austrian School, 18th Century

The Baptism of ChristUnsigned.Oil on wood, 14 1/2 x 20 1/4 in. (36.7 x 51.5 cm), unframed.Condition: Vertical splits to panel, paint losses and flaking, retouch, surface grime.$800-1,200


309

310School of Jusepe de Ribera (Spanish, 1588-1652)

Saint at PrayerUnsigned, inscribed “Charitas” u.r.Oil on canvas, 22 3/4 x 17 1/2 in. (57.7 x 44.4 cm), framed.Condition: Lined, retouch, craquelure with areas of lifting, surface irregularities, surface grime.$1,500-2,000


310

13

311Italian School, 19th Century

Apollo and MarsyasUnsigned.Oil on canvas, 33 1/2 x 26 3/4 in. (85.0 x 68.0 cm), framed.Condition: Lined, scattered small areas of retouch throughout, over-cleaned, craquelure.$3,000-5,000

Online bidding at www.skinnerinc.com

311


312Spanish Colonial School, 19th Century

Porta AngustaUnsigned.Oil on canvas, 30 x 20 in. (76.5 x 51.0 cm), framed.Condition: Lined, retouch, old repairs, abrasions.$1,000-1,500

312

313Spanish Colonial School, 18th/19th Century

Saint ThomasUnsigned, inscribed “S,t o thoâ,s” l.l.Oil on canvas, 32 x 42 1/4 in. (81.3 x 107.3 cm), framed.Condition: Punctures, flaking, losses, abrasions, surface grime, craquelure.$1,000-1,500


313

314Austrian School, 17th/18th Century

Portrait of a Young PrinceUnsigned.Oil on canvas, 31 x 25 1/8 in. (78.8 x 63.8 cm), on an oval stretcher, unframed.Condition: Lined, retouch, craquelure, surface grime.

N.B. Family tradition holds that this portrait shows the Archduke Joseph of Austria during his reign as King of Hungary (1687-90). The young man wears Hungarian dress, the chivalric Order of the Golden Fleece, and behind him is an idealized representation of the Crown of Saint Stephen. Copies of the family’s research correspondence accompany the lot.$800-1,200


314


Woman with Two PuttiUnsigned, with collectors’ stamps l.r. (see below), identified on a label on the frame backing paper.Ink and wash heightened with gouache on laid paper, 9 3/4 x 6 1/4 in. (24.9 x 16.0 cm), framed.Condition: Staining, creasing to reverse, hinged at the top to backing mat.

N.B. The collector’s stamp PM within a circle is the mark of Mathias Polakovits (Hungarian/French, 1921-1987); the second mark remains unidentified.$700-900


Roman BattleUnsigned, inscribed “118” on the reverse.Oil on canvas, 27 x 30 1/4 in. (68.6 x 76.8 cm), framed.Condition: Lined, craquelure, retouch, surface grime, stretcher bar lines.$800-1,200


316

315

317Maximilian Joseph Schinagl (German, 1697-1762)

Landscape with Travelers on a Dirt Road and Distant CastleSigned “J. Sc...agl” l.l., identified on a handwritten label affixed to the reverse.Oil on panel, 8 1/4 x 11 7/16 in. (20.9 x 29.1 cm), framed.Condition: Retouch, fine craquelure, slight bowing to support.$1,500-2,000

318Attributed to Jacques D’Arthois (Flemish, 1613-1686)

A Road Passing Through a WoodUnsigned, identified on a label on the frame backing.Ink and wash on laid paper, 6 1/8 x 7 7/8 in. (15.5 x 20.0 cm), framed.Condition: Sheet trimmed and mounted at edges to window mat, press mark to u.r. corner.$700-900


318

317

319Manner of Adam Pynacker (Dutch, 1621-1673)

Southern Landscape with Figures (Rest on the Flight to Egypt)Signed illegibly l.l., with an illegible stamp on the reverse.Oil on canvas, 14 1/4 x 18 1/2 in. (36.2 x 47.0 cm), framed.Condition: Lined, craquelure.

Provenance: Sothebys.Amazon.com, March 2000, Lot 0217K701783.$1,500-2,000


319


View of a Town and Arched BridgeUnsigned.Ink and wash on laid paper, 6 15/16 x 10 5/8 in. (17.7 x 27.0 cm), framed.Condition: Creasing, foxing, soiling, staining, partially affixed to hand-decorated paper mount.$500-700


Two Works: Ice-Skaters by a Village and Boats in a CreekSkaters initialed and dated “R.V.S. 1790” within the composition l.l., Creek unsigned, both inscribed indistinctly in pencil u.r.Ink and watercolor on paper, sheet sizes to 8 3/16 x 11 5/16 in. (20.8 x 28.8 cm), both framed.Condition: Both mounted to hand-decorated cardstock laid to matboard, foxing; Skaters with minor pitting, Creek with restored puncture to decorated mat l.l.

Provenance: Christie’s New York, Old Master and 19th Century Drawings, January 22, 2004, Sale 1340, Lot 242.$1,500-2,000


321

320

322Dirck Verrijck (Dutch, 1734-1786)

Two Works: River Landscape with Travelers and Peasants on Village RoadsBoth unsigned.Ink and watercolor on J. Kood laid paper, sheet sizes 13 x 19 1/2 in. (33.0 x 49.5 cm), both framed.Condition: Foxing, minor acid burn verso, paper tape hinged to backing mat.

Provenance: Christie’s Amsterdam, Pictures, Watercolours and Drawings, March 12, 2002, Sale 2538, Lot 109.$1,000-1,500

323Anton Overlaet (Flemish, 1720-1774)

Two Studies of FiguresBoth signed and dated “par A. Overlaet 1751” l.l., with a collector’s stamp “PM” within an oval l.r.Ink on laid paper, sight sizes 2 7/8 x 4 1/8 in. (7.5 x 10.5 cm), within a single frame.Condition: Foxing, small stains, sheets mounted to matboard support.

Provenance: Ex-collection Mathias Polakovits (Hungarian/French, 1921-1987).$400-600


323

322

324School of Francesco Lazzaro Guardi (Italian, 1712-1793)

Venetian Capriccio with Fishermen’s EncampmentSigned or inscribed indistinctly l.l.Oil on canvas, 11 3/4 x 15 1/2 in. (30.0 x 39.0 cm), framed.Condition: Scattered retouch, craquelure, discolored varnish, surface grime.

N.B. The painting at hand is compositionally related to Francesco Guardi’s oil Paesaggio di Fantasia con Tenda di Pescatori, 49.0 x 77.0 cm, in the collection of the Fondazione Cagnola, Villa Gazzada, Gazzada, Italy.$1,500-2,000


324

325Dutch School, 17th/18th Century

Animated Harbor ViewUnsigned.Oil on rough canvas, 45 1/2 x 58 1/4 in. (115.5 x 140.0 cm), framed.Condition: Puncture, retouch, abrasions, paint losses, staining.$3,000-5,000


325

326Louis-Claude Malbranche (French, 1790-1838)

City Scene with Skaters on a Canal at DuskSigned “Malbranche” l.r.Oil on canvas, 22 7/8 x 36 in. (58.0 x 91.5 cm), framed.Condition: Puncture to l.l. quadrant, losses, flaking, craquelure, surface grime.$6,000-8,000


326

327British/Dutch School, 19th Century

Harbor ViewUnsigned.Oil on canvas, 17 x 23 1/4 in. (43.2 x 59.1 cm), framed.Condition: Lined, retouch, craquelure, surface grime.$1,200-1,800


327


Figure on a Path by a WindmillUnsigned.Oil on canvas, 19 x 24 in. (48.3 x 61.0 cm), framed.Condition: Lined, retouch, craquelure.$1,000-1,500

329Anders Andersen-Lundby (Danish, 1840-1923) Two Works: View of the Promenade, Langeline, Copenhagen, Denmark and Winding Thunderstorm, c. 1870View inscribed, dated, and signed or inscribed “Parti fra Langelinie/malet omkring 1870 af [Picture of a part of Langeline painted around 1870 by] A Andersen-Lundbye” on the reverse; Thunderstorm titled, dated, and signed or inscribed “optrækkende tordenvejr malet omkring 1870 af [winding thunderstorm painted around 1870 by] A Andersen-Lundbye” on the reverse.Both oil on canvas, 11 x 14 1/2 in. (27.9 x 36.8 cm), framed.Condition: View with retouch to u.l. quadrant, craquelure, minor surface grime; Thunderstorm with retouch, craquelure, surface grime.$1,500-2,000

330No lot.


329

328

331Hermann Ottomar Herzog (German, 1832-1932)

Mill on the HillSigned “H. Herzog” l.r.Oil on canvas, 18 x 25 in. (45.7 x 63.5 cm), framed.Condition: Craquelure, minor retouch.$3,000-5,000


331

332British School, 19th Century

Figures by a Cottage PathInitialed “W.F.W.” l.l., bears attribution to Frederick W. Watts on a presentation plaque.Oil on canvas, 16 x 26 in. (40.6 x 66.1 cm), framed.Condition: Lined, minor retouch, craquelure, varnish inconsistencies. $2,500-3,500

333Abraham Johannes Couwenberg (Dutch, 1806-1844)

Summer Landscape with a Peasant Woman on a Sandy TrackSigned “A.J. Couwenberg ft” l.l.Oil on canvas, 13 x 16 3/4 in. (33.0 x 42.5 cm), framed.Condition: Lined, craquelure, minor surface grime.

Provenance: Christie’s Amsterdam, Sale 2510, June 19, 2001, Lot 17.$2,500-3,500


333

332

334John Frederick Tennant (British, 1796-1872)

Wyndcliffe-on-WyeSigned and dated “J. Tennant 1847” l.l., identified on a partial label from Robert C. Vose Galleries, Boston, affixed to the stretcher.Oil on canvas, 33 x 60 in. (83.8 x 152.4 cm), framed.Condition: Lined, minor retouch, craquelure.$6,000-8,000


334

335Charles François Daubigny (French, 1817-1878)

Untitled [La vallée de l’Oise]Signed “Daubigny” l.r., stenciled “PROPERTY OF WORCESTER ART MUSEUM” on the reverse.Oil on cradled panel, 9 3/4 x 16 in. (24.8 x 40.6 cm), framed in a liner.Condition: Retouch to sky in u.r. quadrant.

Provenance: From Mrs. Joseph A. Ropes, Boston, to the Worcester Art Museum (1921), to Tobias and Fisher Gallery (1949), to a private collection, Pittsburgh, Pennsylvania; through to current owner by family descent.

N.B. The present work will be included in the forthcoming second supplement of the Catalogue Raisonné de Charles François Daubigny compiled by François Delestre. We wish to thank Mr. Delestre for his kind assistance; a photo-certificate accompanies the lot.$7,000-9,000


335

336César De Cock (Belgian, 1823-1904)

SpringSigned and dated “César De Cock/1872” l.r., inscribed “R C Dixey...” in pencil on the reverse, titled and inscribed “...by César De Cock/owned by Mrs. C. Tappan/Return to Doll & Richards/145 Tremont” on the frame reverse.Oil on panel, 9 1/2 x 15 in. (24.1 x 38.1 cm), framed.Condition: Retouch, abrasions beneath frame liner, surface grime.

Provenance: Caroline Sturgis Tappan (1819-1888), a poet and founding member of the Transcendentalist Club; by descent to her daughter, Ellen Sturgis Tappan Dixey (1849-1924) and son-in-law, Richard Cowell Dixey (1844-1915); by family descent to the present owner.$2,000-3,000

337Wilhelm Xylander (Danish, 1840-1913)

Nocturne with WindmillSigned and dated “W. Xylander 1885” l.l.Oil on canvas, 36 x 60 in. (91.4 x 152.4 cm), framed.Condition: Losses/flaking, surface grime, craquelure, varnish inconsistencies.$3,000-5,000


337

336

338Hans Andreas Dahl (Norwegian, 1881-1919)

View with a Young Shepherdess on a FjordSigned “Hans Andreas Dahl.” l.r.Oil on canvas, 40 x 60 in. (101.6 x 152.4 cm), framed.Condition: Retouch, craquelure, alligatoring, surface grime.$25,000-35,000


338

339George Savary Wasson (American, 1855-1926)

Château de ChillonSigned and dated “Geo. S. Wasson, 1876.” l.l.Oil on canvas, 16 x 26 in. (40.6 x 66.0 cm), framed.Condition: Lined, retouch, craquelure, surface grime, varnish inconsistencies.

Provenance: Grogan & Company, Dedham, Massachusetts, February 21, 2010, Lot 3. $1,800-2,200


339

340Constantin Emile Meunier (Belgian, 1831-1905)

Les Deux AmisSigned “C. Meunier” l.r., identified on a partial label on the stretcher.Oil on canvas, 21 1/2 x 16 1/4 in. (54.7 x 42.5 cm), framed.Condition: Patch reinforcements, scattered retouch, craquelure, surface grime.$7,000-9,000

341Robert Gemmell Hutchison (Scottish, 1855-1936)

Amusing the ChildrenSigned “R.G. Hutchison” l.l.Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Retouch, craquelure, surface grime.$3,000-5,000


340

341

342Enrico Fanfani (Italian, 1824-1885)

He Loves Me...He Loves Me NotSigned “E. Fanfani” l.r.Oil on canvas, 24 7/8 x 18 7/8 in. (63.0 x 48.0 cm), in a period frame.Condition: Craquelure, surface grime.$1,000-1,500

343Frank Crawford (Francis) Penfold (American, 1849-1921)

Mother and Child Seated on a Bundle of Sticks in a Winter WoodSigned and dated “F.C. Penfold 1883” l.r., with a label from Hoddick & Co.’s Fine Art Store, Buffalo, New York, on the back of the frame. Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed in an Aesthetic Movement liner.Condition: Craquelure, minor surface grime.$1,000-1,500


343

342

344Emile van Marcke de Lummen (French, 1827-1890)

Cows in a LandscapeSigned “Em. Van Marcke.” l.r.Oil on panel, 13 x 16 in. (33.0 x 41.5 cm), framed.Condition: Minor old retouch, surface grime.$700-900

345Eugène Verboeckhoven (Belgian, 1799-1881)

Sheep and Hens in a Stable InteriorSigned and dated “Eugène Verboeckhoven/F. 1870” c.l., inscribed, signed, and dated on the reverse.Oil on canvas, 29 x 24 3/4 in. (74.0 x 62.8 cm), unframed.Condition: Punctures, craquelure, stretcher bar mark, wear to tacking edges, surface grime.$1,500-2,500


345

344

346Heinrich Johann von Zügel (German, 1850-1941)

Farmer with CowsSigned and dated “H. Zügel 1900” l.r.Oil on canvas, 43 1/2 x 32 1/4 in. (110.5 x 81.9 cm), framed.Condition: Lined, retouch, craquelure, subtle varnish inconsistencies.

Provenance: Schuler Auktionen, March 21, 2002, Sale 84, Lot 3385.$15,000-25,000


346

347Anton Mauve (Dutch, 1838-1888)

Leading the FlockStamped initials “AM” l.r.Charcoal on paper, sheet size 4 3/4 x 6 1/2 in. (12.1 x 16.5 cm), framed.Condition: Mat burn, minor toning.

Provenance: Christie’s Amsterdam, Pictures, Watercolours and Drawings, February 3, 2004, Sale 2613, Lot 138. $3,000-5,000

348Jules Achille Noel (French, 1815-1881)

The Bustling MarketSigned “JULES NÖEL” l.r., canvas stenciled “A LA PALETTE DE RUBENS/Vve DE ST. MARTIN & Frere/Couleurs Tableaux/Papeterie/Rue de Seine, N. 4” on the reverse. Oil on canvas, 21 1/2 x 15 1/2 in. (54.6 x 39.4 cm), framed.Condition: Small puncture to u.l. quadrant, craquelure, surface grime. $1,800-2,200


348

347

349Ludwig Sckell (German, 1833-1912)

Feeding the DucksInitialed and dated “LS M 80” l.r.Oil on canvas, 20 3/4 x 34 3/4 in. (52.7 x 88.3 cm), framed.Condition: Minor retouch, craquelure, surface grime.

Provenance: Christie’s Vienna, The Mauerbach Benefit Sale, October 29, 1996, Lot 255. $3,000-5,000


349


Portrait Bust of a Woman with Elaborate CollarUnsigned.Carved marble, approximately 25 x 19 x 13 in. (63.5 x 48.3 x 33.0 cm), set on a marble plinth.Condition: Chips to base, surface wear/abrasions.$3,000-5,000

351School of Adolphe Joseph Thomas Monticelli (French, 1824-1886)

Fête GalanteUnsigned.Oil on panel, 19 3/4 x 22 15/16 in. (50.2 x 58.3 cm), framed.Condition: Mounted to cradled panel, retouch, craquelure.$1,500-2,000

352After Joseph Chinard (French, 1756-1813)

Portrait Bust of Madame Juliette RécamierUnsigned.Carved marble, approximately 20 x 11 1/2 x 8 in. (50.8 x 29.2 x 20.3 cm).Condition: Chips to base, surface wear/abrasions.$2,500-3,500


350


352

351

353Ludwig Passini (Austrian, 1832-1903)

A Shared ConfidenceSigned and dated “L·PASSINI·ROM·1870” within the composition l.l.Watercolor on paper, sight size 13 x 9 1/2 in. (33.0 x 24.1 cm), framed.Condition: Minor rippling, not examined out of frame.$1,000-2,000

354Antoine-Louis Barye (French, 1795-1875)

Tigre qui marche (sur plinthe) [Walking Tiger (On a Plinth)]Signed “BARYE” within the cast by the tiger’s back right foot, marked “F.BARBEDIENNE.Fondeur.” on the base behind the tiger’s back left foot.Bronze with dark green and brown patina, 8 3/8 x 16 1/4 x 4 in. (21.3 x 41.3 x 10.2 cm).Condition: Minor surface grime, dust to interstices.

Literature: Stuart Pivar, The Barye Bronzes (Suffolk: Antique Collectors’ Club, 1974), A58, p. 141; Michel Poletti and Alain Richarme, Barye. Catalogue raisonné des sculptures (Paris: Gallimard, 2000), pp. 198-9, no. A70.

N.B. Following the Barbedienne Fondeur mark, the word “France” is incised faintly in the bronze in a smaller and lighter hand.$2,000-3,000


354

353

355Attributed to James Jacques Joseph Tissot (French, 1836-1902)

Coldstream Fifer Boys in Green ParkUnsigned, inscribed “J. Tissot” on the stretcher.Oil on canvas, 15 x 20 in. (38.1 x 51.0 cm), framed.Condition: Stable craquelure, minor paint losses at corners and at u.r. edge, stretcher bar marks, surface grime.

Provenance: Purchased by the current owner from an estate in Surrey, England, in the early 1980s.

N.B. There is little scholarly information on James Tissot after he left London and returned to Paris in 1882. Except for the 1885-6 series of the Women of Paris, he was thought to have focused on religious works. However, in L’Artiste, 1889, reviewer F. Courboin wrote, “M. Tissot a envoyé des aquarelles très serrées et deux jolies études d’après le Fifres de Coldstream Guards.”1 This brief reference indicates that The Coldstream Guards had indeed been a subject for Tissot at some point, and he was exhibiting them in Paris in the late 1880s. It is not clear, however, if the works were done at that period or painted earlier when the artist lived in England.1. F. Courboin, “Les Expositions: Le Peintres-Graveurs,” L’Artiste, 1889,

Vol. I, p. 127. $12,000-18,000


355

356Continental School, 19th Century

Original Sin and the End of InnocenceUnsigned.Oil on canvas, 18 x 23 in. (45.8 x 58.5 cm), framed.Condition: Lined, retouch, craquelure.$1,200-1,800


356

357Attributed to Oliver Clare (British, 1853-1927)

Still Life with Fruit and GameMonogrammed indistinctly l.l.Oil on canvas, 14 x 18 in. (35.6 x 45.7 cm), framed.Condition: Retouch, craquelure.$1,800-2,200


357

358School of Peter Monamy (British, 1681-1749)

London HarborUnsigned, identified on a presentation plaque and a label from the St. Botolph Club, Boston, affixed to the reverse.Oil on canvas, 11 3/4 x 13 7/8 in. (29.8 x 35.2 cm), in a Hermann Dudley Murphy for Carrig-Rohane Shop Inc./R.C. Vose Arts & Crafts frame.Condition: Lined, retouch, craquelure, minor skinning.

Exhibitions: Romance of the Sea, St. Botolph Club, Boston, April 10 to June 7, 2002.$2,000-2,500

359Attributed to Samuel Walters (British, 1811-1882)

Ship Ellen Brooks, Off Holyhead, Homeward Bound, 1839Unsigned, identified on a presentation plaque.Oil on canvas, 23 x 36 in. (58.5 x 91.5 cm), framed.Condition: Lined, retouch, scattered paint losses, craquelure, surface grime.

Provenance: By descent within the family of R.D. Shepherd, the ship’s owner.

N.B. The vessel pictured here was built for R.D. Shepherd in Medford, Massachusetts, in 1834. It is named for the owner’s daughter, Ellen Shepherd Brooks, whose portrait by Thomas Sully is offered in this auction as Lot 382.

This popular composition might be called a “bon voyage” image. The Ellen Brooks, having safely left Liverpool seventy miles astern, is seen off Holyhead Mountain preparing to alter course by almost ninety degrees toward the South Stack Lighthouse seen on the right. The stern view of the vessel on the right indicates she has made the change of course and is well on her way to a clear run down to Tuskar Lighthouse and the safety of the open sea.

According to family tradition the painting was done by Samuel Walters (1811-1882). For more information about the Liverpool School and Walters see: A.S. Davidson, Samuel Walters-Marine Artist Fifty Years of Sea, Sail, & Steam.

We would like to thank Charles Lanagan for his assistance in describing the composition above.$5,500-7,500


359

358

360Robert Salmon (Anglo/American, 1775-1858)

Harbor View with British VesselsUnsigned.Oil on canvas, 15 x 25 in. (38.1 x 63.5 cm), framed.Condition: Small puncture c.l., patch reinforcement, retouch, varnish inconsistencies, minor scattered losses, stretcher marks, surface grime.

Provenance: Through a private collection, Ireland; Skinner, American & European Paintings, November 17, 2006, sale #2340, Lot 139, to current owner.

N.B. Salmon was born in Whitehaven, but little is known about him before his move to Liverpool in 1806. It has been surmised that given his knowledge of sailing and rigging, Salmon may have spent some of his early years at sea. Although a number of paintings, all showing Salmon’s mature style, predate the 1806 move, it was at this time that the artist began the formal inventory of his paintings.

Most of the English harbor views were completed before Salmon moved to America in 1828—Salmon was driven to painting truthfully and without embellishment from life—although there are several English views from the 1840s.$8,000-12,000


360

19th Century American Works

361Fitz Henry Lane (American, 1804-1865)

The Old Homestead, Castine, MaineTitled, inscribed, and dated “.../F.H. Lane to J.L. Stevens Jr. 1851” l.c., inscribed “Front view of the Old Homestead - Castine- Me/Taken by Fitz H. Lane, Gloucester - Mass -/for Joseph L. Stevens Jr./August 1851/Lettered by George F. Tilden/Architect/Milton-Boston” in pencil on the reverse.Watercolor and ink on paper, 10 5/8 x 15 15/16 in. (26.9 x 40.5 cm), framed.Condition: Toning, scattered fox marks, surface imperfections to u.l. corner, abrasions and tape to the reverse.

Provenance: By descent within the family of Joseph Lowe Stevens.

N.B. The gracious home shown in this watercolor was the residence of Dr. Joseph Lowe Stevens, Sr., in Castine, Maine. The watercolor was dedicated by Fitz Henry Lane to Dr. Stevens’s son, Joseph Lowe Stevens, Jr. (1823-1908). The younger Stevens, who moved from Castine to Gloucester in 1840, became a close friend of Lane, most likely meeting the artist through the Gloucester Lyceum library, where both men were members. The friendship blossomed as Lane spent more time in Gloucester, especially after he moved into his stone house on the hill.1 In 1848, Stevens invited Lane to visit his family in Castine, a trip that would mark Lane’s first visit to the Maine coast. A new friendship blossomed between Lane and Dr. and Mrs. Stevens, Sr., and they enjoyed visits together in Gloucester and Castine. John Wilmerding writes, “During subsequent visits he [Lane] would paint many pictures of the vicinity as well as small oils of the family house and views done especially for presentation to the Stevens family.”2 Lane spent a number of summers in the 1850s in Castine, staying at the “Old Homestead,” as the Stevens’s residence was known. From the house there was a good view down to the waterfront and the bay. Joseph Stevens, Jr., would row or sail Lane to various locations in the Penobscot Bay where Lane would sketch scenes he would later turn into oils in his Gloucester studio. In 1851 Lane sketched the Old Homestead, including two watercolors of the house for Stevens, Jr.3 Lane later based an oil painting on the watercolor, including in the oil a view of Dr. Stevens approaching the house on horseback. (Private Collection)4

1. Dunlap, Sarah and Stephanie Buck, Fitz Henry Lane, Family and

Friends (Gloucester: Cape Ann Historical Museum, 2007), pp. 76-80.

2. Wilmerding, John, Fitz Henry Lane, the reprint of the 1971 book Fitz

Hugh Lane (Gloucester: Cape Ann Historical Association, 2005), p. 51.

3. Unpublished letter from a Stevens family descendant.

4. http://www.the-athenaeum.org/art/detail.php?ID=14017

$30,000-50,000



361

362Nikolay Tysland (Tusland) Leganger (American, 1832-1905)

Mount ChocoruaSigned “N.T. Leganger” l.l.Oil on canvas, 26 x 44 in. (66.0 x 101.7 cm), framed in a liner.Condition: Lined, retouch, scattered small paint losses, craquelure.$2,500-3,500

363Frank Henry Shapleigh (American, 1842-1906)

Two Landscape Views: The Weisshorn, Switzerland and View of West Lebanon, Me.Both signed “F.H. Shapleigh” l.r., titled and signed on the reverse.Oil on canvas, stretched with Boston tabs, 12 1/2 x 7 1/2 in. (31.5 x 19.0 cm), framed.Condition: Weisshorn with scattered paint losses and craquelure, both with surface grime.$1,200-1,800


363

362

364John William Casilear (American, 1811-1893)

Sportsman and Dog in a Landscape, 1882Monogrammed and dated “JWC 82” l.l.Oil on canvas, 22 x 18 in. (55.9 x 45.7 cm), framed.Condition: Alligatoring, craquelure, retouch, lined.$3,000-5,000

365John Bunyan Bristol (American, 1826-1909)

View of a Fisherman by a Creek with Grazing CattleSigned “J.B. BRISTOL” l.l., misidentified on a presentation plaque.Oil on canvas, 16 x 30 in. (40.6 x 76.2 cm), framed.Condition: Minor retouch, patch reinforcements, craquelure.$5,000-7,000


365

364


366John White Allen Scott (American, 1815-1907)

Goodrich FarmSigned “JWA SCOTT” l.r.Oil on canvas, 28 1/4 x 50 in. (71.8 x 127 cm), stretched with Boston tabs, framed.Condition: Craquelure, minor surface grime.

Provenance: By descent within the Goodrich family.

N.B. Family tradition holds that the woman in the window of the farmhouse is the great-great-grandmother of the current owner. The location of the farm is thought to be near Bennington, Vermont.$6,000-8,000

366


367Wesley Elbridge Webber (American, 1841-1914)

Farmhouse with Flock of Sheep and ChickensSigned “Wesley Webber” l.l.Oil on canvas, 20 x 28 in. (50.8 x 71.0 cm), framed.Condition: Craquelure with area of lifting to u.l. quadrant, small bulge to u.r. quadrant, stretcher bar marks, surface grime.$1,000-1,500

368David James Gue (American, 1836-1917)

Valley SceneSigned “D.J. Gue” l.l., inscribed “...Phila 1887” on the stretcher.Oil on canvas en grisaille, 16 x 24 in. (45.7 x 61.0 cm), framed.Condition: Mild surface grime.$800-1,200

368

367

369Wesley Elbridge Webber (American, 1841-1914)

Ship on an Icy SeaSigned “Wesley Webber.” l.r.Oil on canvas, 18 1/4 x 26 1/4 in. (46.4 x 66.7 cm), framed.Condition: Lined, retouched, canvas deformations, craquelure.$1,200-1,800


369

370Franklin Dullin Briscoe (American, 1844-1903)

Stormy SeasSigned “F.D. Briscoe” l.r.Oil on canvas, 22 x 15 in. (55.9 x 38.1 cm), framed.Condition: Lined, retouched, craquelure.$1,500-2,000


370

371Mauritz Frederik Hendrick De Haas (American, 1832-1895)

Waves Crashing Against RocksEstate stamped “By The Hand of M.F.H de Haas, N.A.” l.l.Oil on canvas, 18 x 30 in. (45.7 x 76.2 cm), framed.Condition: Craquelure, minor retouch, surface grime.$2,000-2,500

372William Ongley (American, 1836-1890)

Schooner Head, Bar HarborSigned “W. Ongley” l.l., titled on a remnant of an old stretcher affixed to the current stretcher.Oil on canvas, 20 x 40 in. (51.0 x 101.7 cm), framed.Condition: Lined, retouched.$1,000-1,500


372

371

373William Trost Richards (American, 1833-1905)

Seascape, 1900Signed and dated “Wm T. Richards. 1900.” l.l.Watercolor on paper/board, sight size 16 x 25 1/2 in. (40.6 x 64.8 cm), framed.Condition: Scattered pale foxing, accretion u.r., not examined out of frame.$4,000-6,000

374Edmund Darch Lewis (American, 1835-1910)

Sailing Along the CoastSigned and dated “Edmund D. Lewis 1900” l.r.Watercolor, graphite, and whiting on paper/board, sight size 9 1/2 x 20 1/2 in. (24.2 x 52.0 cm), framed.Condition: Toning, not examined out of frame.$400-600


374

373

375Mary Blood Mellen (American, 1817-1882)

Quiet Shoreline with Figure at SunsetUnsigned, inscribed “E. L. ...” in pencil on the stretcher.Oil on canvas, 5 x 6 5/8 in. (12.5 x 17.0 cm), framed.Condition: Patch reinforcement, retouch, craquelure, surface grime.$1,000-1,500

376Howard Russell Butler (American, 1856-1934)

Gathering Seaweed, 1882Signed and dated “H.R. BUTLER 82” l.l., inscribed “Have mounted to day so artist can touch up...” in pencil on the reverse, inscribed and titled “Uncle Howard-1882/‘Gathering Seaweed’ (Flanders? Brittany?)/Think Cress had it. I found it up/in our attic in 1979-must have/been there for years. Had it re-framed./M.H.S.” in pencil on the paper backing.Watercolor and graphite on paper, sheet size 12 7/8 x 16 3/8 in. (32.7 x 41.6 cm), framed.Condition: Mat burn, old paper backing and glue residue to the reverse, cloth tape hinged to window mat, trimmed sheet with partial crop marks to edges.

Provenance: By descent from the artist through the artist’s family, to the current owner.$300-400


376

375

377Charles Henry Gifford (American, 1839-1904)

New Bedford View at SunsetSigned and dated “C.H. Gifford 1878.” l.l.Oil on canvas, 14 x 9 in. (35.6 x 22.9 cm), framed.Condition: Mounted to fiberboard, minor retouch.$1,000-1,500


377

378George Washington Nicholson (American, 1832-1912)

Hayfield Under Threatening SkiesSigned and dated “GWNicholson/1881” l.l., identified on a presentation plaque.Oil on canvas, 14 1/8 x 24 in. (35.9 x 61.0 cm), framed.Condition: Accretions, abrasions, craquelure, surface grime.$1,200-1,800

379Attributed to Eastman Johnson (American, 1824-1906)

Study for The Cranberry HarvestUnsigned.Oil on canvas, 5 1/2 x 8 3/4 in. (14.0 x 22.3 cm), framed in a liner.Condition: Lined on aluminum, tack holes to corners.

N.B. Correspondence concerning the work is included with the lot. In a letter dated November 9, 1983, Dr. Patricia Hills attributed the work to Eastman Johnson, describing it as “...most likely one of the many studies he made on Nantucket before his large finished work of 1880 called ‘The Cranberry Harvest.’” There is also an appraisal from James St. L. O’Toole, New York, from 1973.$1,200-1,800

380Circle of Thomas Cowperthwaite Eakins (American, 1844-1916)

Portrait Study of a Young Man with Hat, Probably Samuel MurraySigned “...Crowell” in charcoal l.r., inscribed “Frances Crowell” in ballpoint pen by the hand of Gordon Hendricks l.r. Charcoal on paper, sight size 20 1/4 x 16 1/4 in. (51.4 x 41.3 cm), framed.Condition: Foxing, not examined out of frame.

Provenance: Through the estate of Gordon Hendricks (1917-1980), art historian, New York City; private collection, New York City.

N.B. The study closely resembles a portrait of Eakins’ student and friend, sculptor Samuel Murray, which was painted by Eakins in 1889, and is in the collection of the Mitchell Museum at Cedarhurst, Mount Vernon, Illinois. The signature lower right appears to be either “F.” or “E.” Crowell, which may be that of Eakins’s sister, Frances Eakins Crowell (1848-1940), or his niece Eleanor “Ella” Crowell (1873-1897), who studied with her uncle in the early 1890s.$800-1,200


380

379

378

381John George Brown (American, 1831-1913)

DaisyInscribed and signed “Copyright/J.G. Brown N.A.” l.l., titled and inscribed, possibly “J.G. Brown N.A.,” on an unidentified partial label affixed to the stretcher.Oil on canvas, 30 1/8 x 20 1/4 in. (76.5 x 51.5 cm), framed.Condition: Minor retouch, fine craquelure.

N.B. The painting at hand is almost certainly the work exhibited under this same title at the Autumn Exhibition at the National Academy of Design, New York, November 19–December 15, 1888 (cat. no. 362). The work is described in a New York Times review of the exhibition, “The Autumn Academy,” (Nov. 19, 1888, p. 4) as a “smiling girl of ten with hard-painted face, a bluish dress very nicely wrought, and bare feet and hands skillfully painted. The sunny background is nicely painted in.” Copyright records of the Library of Congress for 1888

list a painting titled Daisy, measuring 30 x 20 inches, registered in December. In the summer of 1888, Brown was working in the Catskills, a likely locale for this subject.

We would like to thank Martha Hoppin for her kind assistance with cataloging this lot. For more information on the artist, please consult Martha Hoppin’s book, The World of J.G. Brown (Chesterfield, Massachusetts: Chameleon Books, 2010).$20,000-30,000


381

382Thomas Sully (American, 1783-1872)

Portrait of Ellen Shepherd Brooks (Mrs. Gorham Brooks)Monogrammed and dated “TS.1831.” c.r., identified on a loan label from the Boston Museum of Fine Arts on the reverse.Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed.Condition: Canvas mounted to cradled Masonite panel, minor retouch, fine stable craquelure, scattered scuffs to background, surface accretions.

Literature: Edward Biddle and Mantle Fielding, The Life and Works of Thomas Sully (1783-1872) (Philadelphia: Wickersham Press, 1921), entry #203, p. 107.

Provenance: By descent within the family of the sitter.

N.B. Ellen Brooks’s father, R.D. Shepherd, was a ship-owner from Massachusetts. In 1834 he commissioned a vessel to be built in Medford and christened it after his daughter. A painting of the ship Ellen Brooks, attributed to Samuel Walters, is offered in this auction as Lot 359.$7,000-9,000


382

383John Joseph Enneking (American, 1841-1916)

Peaches Spilling from an Overturned BasketSigned and dated “Enneking 71” l.r., identified on two labels from Vose Galleries, Boston, affixed to the reverse.Oil on academy board, 12 1/4 x 18 in. (31.0 x 45.7 cm), framed.Condition: Minor retouch and craquelure, slight frame abrasion at top edge.

N.B. This work has been registered in the Pierce Catalogue Raisonné of John J. Enneking as number 1-B-101.5. $10,000-15,000


383

384John Henry Dolph (American, 1835-1903)

The ScholarSigned and dated “J. Dolph 1881” l.l., signed, inscribed, and dated in ink on the reverse.Oil on panel, 4 3/4 x 6 in. (12.0 x 15.6 cm), framed.Condition: Slight bowing to panel, craquelure.

Provenance: Skinner, sale #2156, Lot 262 (The Cat Auction), September 20, 2002.$1,200-1,800

385Elizabeth Gilbert Jerome (American, 1824-1910)

Still Life with Fruit en Plein AirSigned and dated “Painted by E. Jerome 1881” on the reverse, identified on a partial label from the New Haven Paint and Clay Club, Eighth Annual Exhibition, 1908, affixed to the frame.Oil on canvas, 11 3/4 x 10 3/4 in. (29.8 x 27.3 cm), framed.Condition: Minor retouch, surface grime.$1,800-2,200

386Manner of Alfred Arthur Brunel de Neuville (French, 1851-1941)

Three of a KindUnsigned.Oil on canvas, 3 3/4 x 6 3/4 in. (9.5 x 17.2 cm), framed.Condition: Trimmed canvas, mounted to cardboard, minor surface grime.$700-900


386

384 385

387C.A. Tillinghast (American, fl. circa 1888)

Oranges and Grapes, 1888Signed and dated “C A Tillinghast. 1888.” l.l., identified on a label from Vose Galleries, Boston, on the frame backing.Oil on canvas, 18 x 24 in. (46.0 x 61.0 cm), framed.Condition: Lined, retouch.

N.B. Miss C.A. Tillinghast is listed as a still life painter from the Providence and Fall River area, active in the late 19th century. The frame bears a label from the Minneapolis Institute of Arts indicating that the painting was loaned to the museum for an Auction and Collector’s Sale, November 1–December 17, 1976.$800-1,200

388John Henry Dolph (American, 1835-1903)

Mother Always Provides/A Genre Scene with Cat and KittensMonogram signature “JHDolph” l.l.Oil on panel, 8 x 12 1/8 in. (20.3 x 30.6 cm), framed.Condition: Unobtrusive surface grime and varnish inconsistencies.$1,500-2,000


388

387

389Louis Henry Charles Moeller (American, 1855-1930)

Coin CollectorsUnsigned.Oil on canvas, 8 x 10 in. (20.5 x 25.2 cm), framed.Condition: Lined, scattered retouch, craquelure, surface grime.$1,000-1,500

390Léon Moran (American, 1864-1941)

The End of the GameSigned and dated “Léon Moran ‘94” l.r., identified on a presentation plaque and on a label affixed to the reverse. Oil on canvas, 9 1/8 x 13 1/8 in. (23.2 x 33.3 cm), framed in a shadow box.Condition: Not examined out of shadow box.

Provenance: Acquired from the Charles Hotel, Springfield, Massachusetts, c. 1960.$1,000-1,500

391Louis Henry Charles Moeller (American, 1855-1930)

In the ParlorSigned “Louis Moeller N.A.” l.r., identified on a presentation plaque.Oil on canvas, 18 x 24 in. (45.9 x 61.0 cm), framed.Condition: Scattered retouch, fine (stable) craquelure.

Provenance: A private Massachusetts collection.$4,000-6,000


391

390

389

392Seymour Joseph Guy (American, 1824-1910)

The Big CatchMonogram signature “SJGuy” l.r., identified on a partial label affixed to the stretcher.Oil on canvas, 9 1/4 x 12 1/4 in. (23.5 x 31.1 cm), framed.Condition: Losses/flaking along frame liner, retouch to l.l. quadrant, craquelure, surface grime. $15,000-25,000


392

393Stephen Parrish (American, 1846-1938)

New England Summer Landscape with Distant SteepleSigned and dated “Stephen Parrish/1922” l.l., inscribed “MP Jr. No. 521” on the stretcher.Oil on canvas, 20 x 28 in. (50.8 x 71.2 cm), framed.Condition: Lined, retouch.

Literature: A Catalogue of Paintings, most of them by Stephen Parrish (1846-1938), as compiled by Maxfield Parrish, Jr., item 521, p. 9, (ill p. 10), a privately published inventory (September, 1976) in the collection of Dartmouth College, Rauner Special Collections Library.

N.B. The landscape at hand is a late work by Stephen Parrish. It is described by his grandson, Maxfield Parrish, Jr., in the inventory referenced above as, “One of his best but needs repair...Possibly Beaver Brook Road and brook north of Plainfield, north on Rte. 12A.”

By the 1920s, Stephen Parrish had stopped sending paintings to exhibitions. He sold works from home, sometimes right off the easel, but would not release them to the new owners until the paint was dry. Maxfield Parrish, Jr., went on to write that he knew of no Stephen Parrish paintings dated after 1923. The frame on the work appears to be original; it matches the one in the photograph in the inventory and bears a pencil inscription “Ann Dunn” as noted in the inventory description.

We would like to thank Sarah Hartwell, Rauner Special Collections Library, Dartmouth College, for her assistance with the Parrish family archives.$4,000-6,000

394Attributed to Edward Lamson Henry (American, 1841-1919)

Standing Female Nude at a Forest PoolUnsigned, inscribed “Painted by/E.L. Henry/prior to 1890.” on the reverse.Oil on paperboard, 5 7/8 x 4 1/8 in. (15.0 x 10.5 cm), in a shadow box frame.Condition: Craquelure, mild surface grime.$1,000-1,500


394

393

395William Keith (American, 1838-1911)

Autumn Sunset (Sonoma Creek, Sonoma County, California)Signed and inscribed “W. Keith S.F.” l.r., identified on a presentation plaque, with a canvas stencil from Schussler Bros., San Francisco, on the reverse.Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.Condition: Minor retouch, craquelure, surface grime.$7,000-9,000


395

396Carleton (J. Carleton) Wiggins (American, 1848-1932)

Sheep at Pasture by the BeachDedicated and signed “To my friend Hoeber/Carleton Wiggins” l.l.Oil on canvas, 14 x 22 in. (35.6 x 55.9 cm), framed.Condition: Lined, craquelure, surface grime, subtle varnish inconsistencies.$2,500-3,500


Storm in the AdirondacksSigned and dated “Enneking 71” l.r., identified on a presentation plaque and on catalogue raisonné labels from Pierce Galleries, Massachusetts, affixed to the reverse.Oil on canvas, 30 x 48 1/2 in. (76.2 x 123.2 cm), framed.Condition: Patch reinforcement c.r., losses, fine craquelure, surface grime.

N.B. The work is no. 1-D-100 in the Pierce Catalogue Raisonné of Works by John J. Enneking.

Although John Joseph Enneking was born in Ohio, he is most associated with New York and New England, where he painted evocative landscapes that combined elements of many different styles, including the Barbizon School, Hudson River School, Impressionism, and Tonalism. After serving in the army during the Civil War, Enneking came to Boston and began his studies in art before moving abroad in 1874. In France he worked with Barbizon and Impressionist masters, including Claude Monet. He returned to Boston in 1876, where he enjoyed a successful career and was best known for his plein-air woodland views.$4,000-6,000


397

396

398Alexander Helwig Wyant (American, 1836-1892)

Late Summer LandscapeSigned “A.H. Wyant” l.l.Oil on canvas, 16 x 23 1/2 in. (41.3 x 59.8 cm), framed (under glass).Condition: Minor retouch, weakened tacking edges, varnish inconsistencies, surface grime.$4,000-6,000


398

399Lemuel Maynard Wiles (American, 1826-1905)

Genesee Valley SunsetUnsigned.Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed.Condition: Lined, minor retouch. $6,000-8,000

400Edward B. Gay (American, 1837-1928)

Woodland FallsSigned “EDWARD GAY.” l.r.Oil on canvas, 16 1/4 x 20 in. (41.3 x 50.8 cm), framed.Condition: Lined, minor retouch, surface grime.$1,500-2,000


400

399

401William Holbrook Beard (American, 1824-1900)

The Egg ThiefSigned and dated “Wm H. Beard/1847” l.r.Oil on canvas, 21 x 17 in. (53.5 x 43.0 cm), in a hand-carved wood frame.Condition: Puncture, patch reinforcement, retouch, craquelure.$6,000-8,000

402Scott (Nicholas Winfield) Leighton (American, 1849-1898)

HorsesSigned “Scott Leighton” l.r.Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.Condition: Retouch, surface grime.$4,000-6,000


402

401

Late 19th & Early 20th Century Works

403John Whorf (American, 1903-1959)

Camp by the LakeSigned “John Whorf” in watercolor and numbered “17” in pencil l.r., titled on the reverse.Watercolor on paper, 15 3/4 x 22 1/2 in. (39.3 x 57.0 cm), framed.Condition: Reverse with an unfinished composition of a nude bather beneath a tree bough, sheet taped to window mat with brown paper tape across top and at each lower corner, tack holes to corners.

Provenance: As recorded on a note attached to the frame backing paper, “John Whorf traded to Hatfield Art Supply, Provincetown branch, Herbert Martin, Pleasant Street, Weymouth, Jay De Santis.”$7,000-9,000


403

403AEric L. (Frederic) Pape (American, 1870-1938)

Three Works: Aztec About to Throw a Stone, Design from a Decoration Over the Entrance to an Ancient Mexican Temple, and Aztec Stone Necklace with Human HeadAztec signed “Eric Pape” in ink l.r., identified on a label and estate stamped paper backing, Design initialed “E.P.” l.r., and Necklace signed, dated, and inscribed “Eric Pape 98. Oaxaca.” l.l.Ink on paper, sight sizes to 9 x 9 in. (22.9 x 22.9 cm), framed (Design and Necklace in a common frame).Condition: Foxing to Aztec and Necklace, not examined out of frames.

Literature: Lew Wallace, The Fair God: A Tale of the Conquest of Mexico (Houghton Mifflin, 1898), Vol. I, p. 352 (Design), Vol. II, p. 81 (Necklace), p. 380 (Aztec).$1,200-1,800


403A

404Bryant Percy Baker (American, 1881-1971)

The Pioneer WomanSigned and dated in the bronze “BryantBaker/©1927” on the base, inscribed in the bronze “to my friend/A. Perlini/L. Nelli” on the underside of the base.Bronze with brown patina, 9 x 4 1/4 x 4 3/4 in. (22.9 x 10.8 x 12.1 cm), on a self-base.Condition: Wear to patina, surface grime, dust to interstices.$2,500-3,500

405Nicholas Coleman (American, b. 1978)

The Buffalo WaySigned “Nicholas Coleman/©” l.r., signed, titled, and dated “...Nov. 2001” on the reverse, identified on a label from J.N. Bartfield Galleries, New York, on the reverse.Oil on panel, 14 x 20 in. (35.5 x 50.8 cm), framed.Condition: Varnish inconsistencies.$3,000-5,000

405AChristian J. Walter (American, 1872-1938)

Profile of a Native American in a Feather HeaddressSigned and dated “Chr. Walter/January 17, 1916” l.l.Oil on academy board, 24 1/2 x 18 1/2 in. (62.2 x 47.0 cm), framed.Condition: Nicks and abrasions, surface grime.$5,000-7,000


405

404

406Ernest Berke (American, 1921-2010)

Blackfoot TrackerSigned, dated, and numbered “Ernest Berke/© 1955/m” in the bronze at the back of the base.Bronze with brown/black patina, 15 3/4 x 18 x 8 in. (31.8 x 45.7 x 20.3 cm), with a self-base.Condition: Dust and dirt to interstices.$3,000-5,000

407Ernest Berke (American, 1921-2010)

The ChieftainTitled, numbered, dated, and signed “The Chieftain/k/© 1967/Ernest Berke” in the bronze base behind the horse’s left rear leg.Bronze with dark brown patina, 18 1/2 x 19 x 8 1/2 in. (47.0 x 48.3 x 21.6 cm), mounted to a wooden plinth.Condition: Three small pieces broken from the sculpture accompany the work, slight bend to spear, dust and dirt to interstices.$2,000-3,000

14


405A

406 407


Twin CedarsSigned “Enneking” l.r., identified on a presentation plaque, titled and inscribed “...Byfield-Mass/(near Dummer Academy)” in pencil on the reverse, estate stamped and with a label from the John J. Enneking/Pierce Catalogue Raisonné (IV-C-320.2) affixed to the reverse.Oil on canvas board, 10 x 14 in. (25.3 x 35.6 cm), framed.Condition: Bowing to support, surface grime.$800-1,200

409Joseph H. Greenwood (American, 1857-1927)

Autumn EveningSigned and dated “J H Greenwood ‘11” l.l., identified on a presentation plaque.Oil on canvas, 22 x 30 in. (55.9 x 76.2 cm), framed.Condition: Lined, retouch, craquelure, surface grime.$2,000-3,000


409

408

410Dwight Blaney (American, 1865-1944)

Ironbound Island, Maine, 1910Signed and dated “Dwight Blaney. 10” l.l., identified on labels including one from Clark Point Gallery, Southwest Harbor, Maine, affixed to the frame reverse.Oil on canvas, 34 1/4 x 27 1/8 in. (87.0 x 68.9 cm), stretched with Boston tabs, framed.Condition: Minor retouch, craquelure.$7,000-9,000


410

411Bruce Crane (American, 1857-1937)

Snow-cladSigned “Bruce Crane” l.r., titled on an artist’s studio label, New York, affixed to the backing.Watercolor and gouache on paper/board, sight size 12 3/4 x 18 1/4 in. (32.8 x 46.3 cm), framed.Condition: Slight rippling, mat burn, very minor abrasions to u.r. quadrant, minor tear l.l. edge, not examined out of frame.$1,500-2,000

412Wolf Kahn (American, b. 1927)

Barn in WinterSigned “W. Kahn” l.c.Pastel on paper, sight size 10 1/2 x 13 1/4 in. (26.7 x 33.7 cm), framed.Condition: Not examined out of frame.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$800-1,200


412

411

413Joseph Frank Currier (American, 1843-1909)

SunriseInitialed “JFC” l.l. and l.r., identified on a label from the Boston Art Club affixed to an old backing board on the reverse.Pastel on paper/board, sight size 5 3/8 x 8 1/8 in. (13.5 x 20.5 cm), framed.Condition: Not examined out of frame.$1,000-1,200

414Joseph Frank Currier (American, 1843-1909)

Return to MorningUnsigned, identified on a label stamped “J. FRANK CURRIER/108 MAPLE ST./ROXBURY, MASS.” on the backing. Pastel on paper, sight size 4 x 7 in. (10.1 x 17.8 cm), framed (under glass).Condition: Not examined out of frame.$1,000-1,500


414

413

415Howard Russell Butler (American, 1856-1934)

Figure Along the Maine CoastlineSigned “H.R. Butler” l.l., inscribed “...Shown in gallery” in pencil on the reverse and “One of Uncle Howard’s many/Maine coast paintings-/perhaps painted in the/late 20s. Aunt Virginia/gave it to me for a/wedding present, 1941/I love it/M.H.” in pencil on the paper backing. Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed (under glass).Condition: Retouch to l.r. quadrant, minor gilt along edges beneath frame liner.

Provenance: By descent from the artist through the artist’s family, to the current owner.$800-1,200

416John Appleton Brown (American, 1844-1902)

Marsh View, Probably Essex, MassachusettsSigned “J. Appleton Brown.” l.l., with a canvas stencil from Meade, Dodge & Co., Boston, on the reverse.Oil on canvas, 20 x 27 in. (50.8 x 68.6 cm), stretched with Boston tabs, in a frame liner.Condition: Minor abrasion l.l. and beneath frame liner, minor craquelure, surface grime, subtle varnish inconsistencies.$800-1,200


416

415

417Robert Ward Van Boskerck (American, 1855-1932)

Marsh ViewSigned “R W Van Boskerck.” l.r., identified and inscribed “Philip Isenberg Collection” on a label from the Salmagundi Club, New York, affixed to the reverse.Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Mounted to fiberboard, retouch, craquelure, minor surface grime. $1,200-1,800


417

418Vincent A. Svoboda (American, 1877-1961)

Fisticuffs at a Station PlatformSigned and dated “V.A. Svoboda/1904” l.r.Gouache on paper/board, sight size 28 1/8 x 18 5/8 in. (71.5 x 47.5 cm), framed.Condition: Not examined out of frame.$3,000-3,500

419Robert Verity Clem (American, 1933-2010)

Blue JaySigned and dated “Robert Verity Clem/1964” l.l.Gouache on illustration board, sheet size 20 x 16 5/8 in. (50.5 x 42.3 cm), framed.Condition: Good.$2,000-3,000


419

418

420Cheslie D’Andrea (American, 1913-1999)

Shoot-out at Longhorn SaloonSigned “D’ANDREA” l.l.Gouache on paper/board, 14 1/4 x 26 1/4 in. (36.2 x 66.7 cm), framed.Condition: Not examined out of frame.$1,200-1,800

421Arthur Burdett Frost (American, 1851-1928)

Reading the NewsSigned “A.B. Frost” l.r.Mixed media on paperboard, 17 1/4 x 14 in. (43.8 x 35.6 cm), framed.Condition: Gentle toning, not examined out of frame.$1,000-1,500


421

420

422Edouard Toudouze (French, 1848-1907)

Courtly Couple Strolling in a Spring LandscapeSigned “E. Toudouze” l.l.Oil on canvas, 19 3/4 x 28 13/16 in. (50.0 x 73.2 cm), unframed.Condition: Scattered minor paint losses, fine craquelure, surface grime.$1,500-2,500


422

423Raffaello Celommi (Italian, 1881-1957)

Children Harvesting PumpkinsSigned “Raffaello Celommi” l.r.Oil on canvas, 17 1/8 x 27 1/8 in. (43.3 x 68.8 cm), framed.Condition: Craquelure.$2,000-2,500

424Raffaello Celommi (Italian, 1881-1957)

Young Couple Bringing Home the CatchSigned “Raffaello Celommi” l.r.Oil on canvas, 18 x 28 in. (45.7 x 71.2 cm), framed.Condition: Mild surface grime.$1,500-2,000


424

423

425Gordon Harrower Coutts (American, 1868-1937)

The HaremSigned “Gordon Coutts” l.r.Oil on canvas, 14 1/4 x 18 1/4 in. (36.2 x 46.4 cm), framed.Condition: Mounted to fiberboard, gold metallic paint to surface along frame liner, craquelure, minor losses and surface grime.$2,000-3,000

426Donald Grant (British, 1930-2001)

View of a Bedouin Tribe and Two SalukiSigned “Donald Grant” l.r., identified on a presentation plaque, with a label from MacConnal-Mason and Son, Ltd., London, affixed to the reverse. Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.Condition: Surface grime.$1,000-1,500


426

425

427Gordon Harrower Coutts (American, 1868-1937)

The Market SellerSigned “Gordon Coutts” l.r.Oil on canvasboard, 18 x 14 in. (45.7 x 35.6 cm), framed.Condition: Metallic gold paint to surface along frame liner, minor surface grime.$2,000-3,000


427

428Robert Swain Gifford (American, 1840-1905)

Bedouin EncampmentSigned and dated “R. Swain Gifford 1878” l.l., inscribed “-Sidman-” on the reverse.Oil on canvas, 10 1/4 x 18 1/4 in. (26.0 x 46.4 cm), framed.Condition: Craquelure, minor surface grime.

Provenance: From the collection of Jno. E. Sidman, New York City; then by descent.$7,000-9,000


428

429George Loring Brown (American, 1814-1889)

Morning, A Birds View of VeniceSigned and dated “Geo. L. Brown 1888” l.l., titled, inscribed, signed, and dated “...including the Custom House, ‘St. Maria/della Saluta’;-and St. Giorgio, the ‘Lagoons’/and the Adriatic Sea in the distance/.../Painted by Geo. L. Brown 1888” on the reverse.Oil on canvas, 28 x 48 in. (71.1 x 121.9 cm), stretched with Boston tabs, framed.Condition: Craquelure, surface grime.$8,000-12,000


429

430Ernest David Roth (American, 1879-1964)

A Canal - VeniceSigned “E.D. Roth” l.l., identified on a handwritten label affixed to the reverse.Oil on board, 8 x 10 in. (20.2 x 25.3 cm), framed.Condition: Craquelure, surface grime.$1,000-1,500

431Walter Blackman (American, 1847-1928)

Boats in the Venetian LagoonSigned “Walter. Blackman.” l.r.Oil on canvas, 26 x 48 in. (66.0 x 121.9 cm), framed.Condition: Lined, retouch, abrasions, craquelure, surface grime.$2,000-3,000

432Maurice Bompard (French, 1857-1936)

Venice QuaiSigned “Maurice Bompard” l.r.Oil on canvas, 10 3/4 x 14 in. (27.5 x 35.5 cm), framed.Condition: Surface grime.

Provenance: By descent within the family of the artist, from the collection of the late Henry C. Veit, grandson of the artist.$700-900


432

431

430

433John Linton Chapman (American, 1839-1905)

View of VeniceSigned “J. LINTON CHAPMAN.” l.r., with canvas stencils from Winsor & Newton, London, and C.W. Keenan, Brooklyn, on the reverse. Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed.Condition: Surface grime.$1,500-2,000

434Francis Hopkinson Smith (American, 1838-1915)

Open Air Market, VeniceSigned “F. Hopkinson Smith” l.l.Watercolor, gouache, and graphite on paper/board, sight size 12 1/2 x 24 in. (31.8 x 61.0 cm), framed.Condition: Very slight foxing l.l. and l.r., not examined out of frame.

Provenance: Childs Gallery, Boston.$500-700


434

433

435Walter Franklin Lansil (American, 1846-1925)

Venice, Noonday on the River, 1896Signed and dated “Walter F. Lansil. 1896” l.r., titled, signed, and dated “...Walter F. Lansil. 1896” on the reverse, with a partial label from the Boston Art Club (see below) affixed to the stretcher.Oil on canvas, 22 x 36 1/2 in. (55.9 x 92.7 cm), stretched with Boston tabs, in a Walfred Thulin (1878-1949) Arts & Crafts frame.Condition: Retouch, craquelure, surface grime.

Provenance: Descended within a Massachusetts family.

Exhibitions: Boston Art Club, January 5 to February 2, 1901, no. 65.$3,000-5,000


Piazza San Marco, SunsetSigned “Maurice Bompard” l.l.Oil on panel, 16 x 12 5/8 in. (40.5 x 32.0 cm), framed.Condition: Scattered retouch, fine craquelure.

Provenance: By descent within the family of the artist, from the collection of the late Henry C. Veit, grandson of the artist.$800-1,200


436

435


Venice Lagoon, Looking Toward San Giorgio MaggioreSigned “Maurice Bompard” l.l.Oil on panel, 18 x 24 in. (45.5 x 61.0 cm), framed.Condition: Scattered retouch, craquelure, mild surface grime.

Provenance: By descent within the family of the artist, from the collection of the late Henry C. Veit, grandson of the artist.$1,500-2,000

438George Henry Clements (American, 1854-1935)

VeniceSigned and inscribed “Clements - Venice” in pencil l.r.Watercolor on paperboard, 8 7/8 x 13 3/8 in. (22.6 x 33.8 cm), framed.Condition: Toning to edges, subtle rippling to support, staining and tape remnants to the reverse.$1,500-2,500


438

437

439Gustave Adolph Wiegand (American, 1870-1957)

Barbizon-style LandscapeSigned “Gustave Wiegand” l.r.Oil on canvas, 10 x 14 in. (25.3 x 35.7 cm), framed (under glass).Condition: Signature possibly reinforced.$700-900

440William Reuben Clark Wood (American, 1875-1915)

Summer Landscape with Meadow and TreesSigned and dated “WRCWood/1910” l.l.Oil on canvas, 18 x 24 in. (45.5 x 61.0 cm), framed.Condition: Small scattered paint losses, craquelure, surface grime.$1,500-2,000

441Ernest Parton (American, 1845-1933)

Figure by a River DamSigned “Ernest Parton” l.l.Oil on canvas, 16 1/2 x 23 7/8 in. (41.9 x 60.6 cm), framed.Condition: Minor retouch, abrasions and metallic gold paint beneath frame liner, surface grime.$1,500-2,000


441

440

439

442Wilson Henry Irvine (American, 1869-1936)

Summer MeadowSigned and dated “IRVINE 17” l.l.Oil on canvas, 27 x 23 in. (68.5 x 58.5 cm), in a period frame.Condition: Strip-lined, retouch.$8,000-12,000


442

443Walter Koeniger (German/American, 1881-1943)

Winter QuietudeSigned “W. Koeniger” l.r.Oil on canvas, 20 x 25 in. (50.8 x 63.5 cm), framed.Condition: Lined, reinforced signature, craquelure. $3,000-5,000


443

444Arthur Clifton Goodwin (American, 1864-1929)

Winter StreamUnsigned.Pastel on paperboard, 18 7/8 x 23 7/8 in. (48.0 x 60.5 cm), framed.Condition: Toning, staining to the reverse.$1,000-1,500

445Svend Rasmussen Svendsen (American, 1864-1945)

Stream in WinterSigned “SVEND SVENDSEN-” l.r.Oil on canvas, 23 x 17 in. (58.4 x 43.2 cm), framed.Condition: Lined, retouch, minor surface grime.$1,200-1,800


445

444

446George L. Wilstach (American, 1891-1973)

Two Landscapes: The First Snow and Red Barn in SnowSigned “Geo. Wilstach” l.l. and l.r., respectively, First Snow titled on the back of the frame.Oil on canvas and artist board, respectively, sizes to 25 x 28 in. (63.7 x 71.0 cm), framed.Condition: Both with surface grime, First Snow with scattered minor paint losses and with accretions and paint losses to l.r. corner.

Provenance: Acquired c. 1930-40 in Indiana, then by family descent.$1,000-1,500

447Anton Otto Fischer (American, 1882-1962)

Hillside Road in SnowSigned “Anton Otto Fischer” and dated illegibly “...0” l.r.Oil on canvas, 24 x 30 in. (61.0 x 76.0 cm), framed.Condition: Paint loss l.l. corner, craquelure, discolored varnish, surface grime.$1,000-1,500


446

447

448Aldro Thompson Hibbard (American, 1886-1972)

Maple SugaringSigned “A.T. Hibbard” l.r.Oil on canvasboard, 18 x 23 3/4 in. (45.5 x 60.5 cm), framed.Condition: Mild surface grime.

N.B. A small portfolio of offset prints accompanies the lot.$5,000-7,000


448

449Frederick Mortimer Lamb (American, 1861-1936)

Autumn View with SheepSigned “-F.M. Lamb-” l.l.Oil on canvas, 22 x 26 in. (55.9 x 66.1 cm), framed.Condition: Craquelure, minor surface grime.$1,000-1,500

450Steve Allrich (American, b. 1954)

Fall ShadowsSigned “Allrich” l.r., identified on a label affixed to the back of the frame, with an information sheet from Blue Heron Gallery, Wellfleet, Massachusetts, affixed to the stretcher.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Good.$1,200-1,800


450

449

451James Topping (American, 1879-1949)

Early Autumn LandscapeSigned “James Topping” l.r.Oil on canvas, 20 x 24 in. (50.7 x 61.0 cm), framed.Condition: Paint losses, flaking, denting, craquelure, surface grime.$1,500-2,500

452William T. Turman (American, 1867-1960)

November HaloesSigned and dated “W.T. Turman/1938” l.l., titled, inscribed, signed, and dated “...Terre Haute, Ind./...” on the reverse, identified on a label from the Hoosier Salon Exhibition, 1939, affixed to the reverse.Oil on Masonite, 24 x 29 in. (61.0 x 73.7 cm), framed.Condition: Mild surface grime.

Exhibitions: Hoosier Salon Exhibition, organized by the Daughters of Indiana and held at Marshall Field and Company Gallery in Chicago, January 28–February 11, 1939.$800-1,200


452

451

453Frederick John Mulhaupt (American, 1871-1938)

New England FarmSigned “Mulhaupt–” l.l., identified on a label from the Salmagundi Club Thumb-box Exhibition affixed to the reverse.Oil on board, 8 x 10 in. (20.4 x 25.5 cm), framed.Condition: Mild surface grime.$1,500-2,000


453

454David Bareford (American, b. 1947)

Spring Run-Off, Belfast, MaineSigned “David Bareford” l.l., identified on a label from Quester Gallery, Stonington, Connecticut, on the reverse. Oil on canvas mounted to board, 11 x 14 in. (27.9 x 35.6 cm), framed.Condition: Good.$700-900

455Theresa Ferber Bernstein (American, 1890-2002)

Berkshire Mountains, c. 1916Unsigned, identified on a label from Driscoll & Walsh Fine Art, Boston, affixed to the back of the frame.Oil on paperboard, 6 x 8 in. (15.4 x 20.3 cm), framed.Condition: Minor craquelure, varnish inconsistencies, surface grime, frame abrasions.$800-1,200


455

454

456Harriet Randall Lumis (American, 1870-1953)

Verdant LandscapeSigned “Harriet R. Lumis” l.l., with a label from J.H. Miller Picture Framing Co., Springfield, Massachusetts, affixed to the backing.Oil on canvas, 24 x 28 1/4 in. (61.0 x 71.8 cm), in a period Arts & Crafts frame.Condition: Lined, scattered retouch, craquelure.$7,000-9,000


456

457Hanson Duvall Puthuff (American, 1875-1972)

SpringSigned “H. Puthuff” l.l., signed, titled, and inscribed “...H. Puthuff...” on the reverse. Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), in an Arts & Crafts frame.Condition: Craquelure, lifting, surface grime.

N.B. Though raised in the Midwest, Puthuff is primarily regarded as a Southern California plein air landscapist. He arrived in Los Angeles in 1903 as commercial artist and transitioned into landscape painting full-time in 1926. Puthuff’s subjects were most often the San Gabriel Mountain foothills near his residence of La Cañada and the coastal areas near Corona del Mar.$20,000-30,000


457

458Jonas Lie (Norwegian/American, 1880-1940)

Birches in AutumnSigned “JONAS LIE” l.l.Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Pigment fluorescence.

Provenance: Acquired from the artist by Carl and Dorothy Palmer, Saranac Lake, New York; by family descent to his nephew, Paul Fisher, Isleford, Maine; by family descent to his wife, Audrey Fisher, Isleford, Maine; by family descent to the present owner.

N.B. A photograph of the artist dedicated and signed “To my dear friends, Carl & Dorothy/Jonas Lie” accompanies the lot.$2,000-3,000


458


White Boat on the Hudson RiverSigned “A.C. GOODWIN” on the reverse.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Beeswax impregnated, craquelure, surface grime.

Provenance: Estate of Dr. Edward E. Feit (1924-2007), Professor Emeritus at the University of Massachusetts, Amherst, and freelance art writer for American Artist Magazine, Douglas Auctioneers, South Deerfield, Massachusetts, October 17, 2008.$3,000-3,500

459AGlenn Cooper Henshaw (American, 1884-1946)

Four Framed Pastels: The East River, Urban Waterfront, City Square, and Moonlight in the CatskillSigned “Henshaw” l.l. or l.r., Moonlight identified on a presentation plaque.Pastels on paper/board, sight sizes to 28 7/8 x 22 in. (73.5 x 56.0 cm).Condition: Not examined out of frames.$3,000-5,000


459A

459

460Dale Philip Bessire (American, 1892-1974)

Le Conte in AprilSigned “Dale Bessire” l.r., titled, dated, and signed “...1941/Dale Bessire” on the stretcher.Oil on canvas, 30 x 36 in. (76.3 x 91.7 cm), framed.Condition: Craquelure with areas of lifting, retouch, surface grime.

Provenance: Acquired c. 1930-40 in Indiana, then by family descent.

N.B. Le Conte probably refers to Mount Le Conte in the Great Smoky Mountains National Park in Tennessee.$2,000-3,000

461Paul E. Saling (American, 1876-1936)

River in SummerUnsigned, inscribed “H” in ink on the reverse.Oil on board, 11 7/8 x 15 7/8 in. (30.2 x 40.5 cm), framed.Condition: Minor retouch.

Provenance: Through the family of the artist.$400-600


461

460

462Frank Charles Peyraud (American, 1858-1948)

WillowsSigned “F.C. Peyra...” l.r., identified on a typed label and with a printed label from The Madison Gallery, Atlanta, Georgia, affixed to the backing. Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Lined, retouch, craquelure.$2,000-3,000

463Charles Gordon Harris (American, 1891-1963)

HayingSigned “C. Gordon Harris” l.l.Oil on canvas, 33 7/8 x 36 in. (86.0 x 91.3 cm), framed.Condition: Small paint loss to l.l. quadrant, craquelure, mild surface grime.$1,200-1,500


463

462

464Roy Henry Brown (American, 1879-1956)

New Hampshire HillsSigned “Roy Brown” l.r., signed, inscribed, and dated “Roy Brown/Wilton-NH-’38” on the reverse and on the stretcher, titled on a handwritten label affixed to the frame.Oil on canvas, 30 x 36 in. (76.3 x 91.5 cm), framed.Condition: Scattered craquelure in areas of greater impasto.$3,000-5,000


464

465Wilber Fiske Noyes (American, 1897-1951)

From the Top of the Mountain/Possibly Mount Greylock, MassachusettsSigned and dated “W.F. Noyes 1922” l.l., identified on a label affixed to the backing.Oil on canvas, 24 x 40 in. (61.0 x 101.6 cm), in a Hermann Dudley Murphy for Carrig-Rohane Shop Inc./R.C. Vose Arts & Crafts frame.Condition: Retouch, craquelure, surface grime.$2,000-3,000

466Kim Douglas Wiggins (American, b. 1960)

Spring HarmonyDated, signed, and inscribed “.87 K D WIGGINS SAI” l.r., titled and inscribed “...by K. Douglas Wiggins...” on the stretcher, identified on a label affixed to the backing. Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.Condition: Good.$2,500-3,500


465

466

467William Meyerowitz (American, 1887-1981)

Through a Spring GroveSigned “WM MEYEROWITZ” l.l.Oil on canvas, 27 x 35 1/4 in. (68.6 x 89.5 cm), framed.Condition: Retouch, beeswax impregnated canvas.$1,000-1,500

468Paul Starrett Sample (American, 1896-1974)

Salmon FishermanSigned “PAUL SAMPLE” l.l., titled and identified on an annotated label from Associated American Artists, New York City, affixed to the backing.Watercolor on paper, sight size 9 1/4 x 14 1/4 in. (23.5 x 36.2 cm), framed (without glass).Condition: Tack holes to corners, not examined out of frame.$3,000-5,000


468

467

469Ernest Fiene (American, 1894-1965)

Mountain LandscapeSigned and dated “E. Fiene 35-” in pencil and reinforced in felt-tip pen l.l., identified on a label affixed to the reverse. Watercolor on paper, sheet size 15 x 22 in. (38.1 x 55.9 cm), framed.Condition: Not examined out of frame.$2,500-3,500


469

470David Howard Hitchcock (American, 1861-1943)

View of a Hawaiian Valley, OahuSigned “D. HOWARD HITCHCOCK” l.r., inscribed “...Burke” on the stretcher.Oil on canvas, 10 x 18 in. (25.4 x 45.7 cm), framed.Condition: Craquelure, minor surface grime.

Provenance: By descent within the family of Dr. Gerrit P. Judd, Oahu.

N.B. In the 1850s King Kamehameha granted lands on Oahu to Dr. Gerrit P. Judd, one of his ministers. The view shown here depicts that land as painted by the Judds’ family friend, artist David Howard Hitchcock.$8,000-12,000


470

471Clark Greenwood Voorhees (American, 1871-1933)

Coastal View with Trees, Probably BermudaSigned “C.G. Voorhees” l.r.Oil on artist board, 6 x 8 1/2 in. (15.3 x 21.5 cm), framed.Condition: Abrasion, craquelure with areas of lifting, thin wash of retouch to sky, surface grime, wear to edges of support.$1,500-2,500

472Clark Greenwood Voorhees (American, 1871-1933)

Coastal Scene with Bluffs, Probably BermudaSigned “C.G. Voorhees -” l.l., possibly numbered “40” l.r.Oil on artist board, 6 x 8 1/2 in. (15.3 x 21.5 cm), framed.Condition: Thin wash of retouch to sky, craquelure with areas of flaking, surface grime.$1,500-2,500


472

471

473Charles Herbert Woodbury (American, 1864-1940)

On the DocksSigned and dated “C.H. Woodbury ‘92” l.r., identified on a label from Vose Galleries of Boston on the frame backing.Oil on canvas, 9 1/8 x 13 1/8 in. (23.3 x 33.5 cm), framed.Condition: Lined, craquelure, surface grime.$1,200-1,800


473

474Allen Blagden (American, b. 1938)

State LineSigned “Allen Blagden” l.r., titled and numbered “m” on the reverse, identified on a label from Janet Nessler Gallery, New York, on the frame backing.Watercolor on paper, 15 7/8 x 22 1/2 in. (40.2 x 57.3 cm), framed.Condition: Subtle rippling, hinged to window mat in two places along the top of the reverse.$1,000-1,500

475Frank W. Loven (American, 1868-1951)

Barns in SnowSigned “F.W. LOVEN.” l.l.Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), in a period Arts & Crafts frame.Condition: Retouch, strip-lined, patch reinforcements, minor losses, craquelure, surface grime.$1,000-1,500


475

474

32

476Roy Cross (American, b. 1924)

Marblehead Fishermen c. 1780Signed and dated “-ROY CROSS- ©1976” l.l., identified on a label affixed to the reverse.Ink and gouache on paper/board, 21 1/2 x 27 1/2 in. (54.6 x 69.9 cm), framed.Condition: Not examined out of frame.$2,500-3,500

477Theodore Victor Carl Valenkamph (American, 1868-1924)

Ship at SeaSigned “T.V.C. VALENKAMPH.” l.r.Oil on canvas, 25 x 30 in. (63.6 x 76.5 cm), framed.Condition: Lined, retouch, craquelure.$1,200-1,800

478Salvatore Colacicco (Italian, b. 1935)

Two Works: A Man of War in a Stiff Breeze in the Bristol Channel and Shippin in a Calm in the SolentBoth signed “-Salvatore Colacicco-” l.l., both signed and titled on the reverse.Oil on panel, 16 x 24 in. (40.6 x 61.0 cm), both framed.Condition: Minor surface grime.

Provenance: Shippin Doyle, New York, Fine Furniture, Decorations and Paintings, June 30, 1999, Lot 14.$2,500-3,000


478

477

476

479Theodore Victor Carl Valenkamph (American, 1868-1924)

Ship on the High SeasSigned “T.V.C. VALENKAMPH-” l.r.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Craquelure, surface grime, minor losses along frame liner.$1,500-2,500

480Charles Bridgeman Vickery (American, 1913-1998)

Moon Mist, 1989Signed “CHARLES VICKERY.” l.r., identified on a presentation plaque, titled, signed, dated, and inscibed “...BY CHARLES VICKERY © 1989 A.S.M.A.” on the stretcher.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Good.$2,500-3,500


480

479

481Paul Strisik (American, 1918-1998)

Crashing WavesSigned “P. STRISIK” l.r., stamped “REPRODUCTION RIGHTS RESERVED BY THE ARTIST” on the reverse.Oil on Masonite, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Surface grime.$1,000-1,500


481


Life LineInitialed “CHW” l.l., identified on a label from Vose Galleries of Boston affixed to the reverse.Oil on board, 10 x 14 in. (25.3 x 35.5 cm), framed.Condition: Slight bowing to support, surface grime.$3,000-4,000

483Paul E. Saling (American, 1876-1936)

SeascapeSigned “Paul Saling” l.r.Oil on Masonite, 14 x 14 in. (35.5 x 35.5 cm), framed.Condition: Minor retouch over abrasions.

Provenance: Through the family of the artist.$1,000-1,500


483

482

484Frederick John Mulhaupt (American, 1871-1938)

Evening Glow, Gloucester HarborSigned “Mulhaupt–” l.l., titled in pencil and with a partial label from The Allied Artists of America, New York, tacked to the stretcher.Oil on canvas, 25 x 30 in. (63.5 x 76.3 cm), framed.Condition: Craquelure, minor paint loss, surface grime.

Exhibitions: The Allied Artists of America, Thirteenth Annual Exhibition, November 27–December 13, 1925, New York.$30,000-50,000


484

485Aldro Thompson Hibbard (American, 1886-1972)

Docked in RockportSigned “A.T. Hibbard ©” l.l., identified on a label from Childs Gallery, Boston, affixed to the frame backing.Oil on canvas, 17 3/4 x 23 7/8 in. (45.5 x 60.6 cm), framed.Condition: Good.$10,000-15,000


485

486Guy Carleton Wiggins (American, 1883-1962)

The Friendship Sloop and Lifting SkiesSigned “Guy Wiggins NA” l.l., titled and signed “...Guy Wiggins NA” on the reverse. Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Craquelure.$12,000-15,000


486

487Emile Albert Gruppé (American, 1896-1978)

The Yankee, 1959Signed “Emile A. Gruppé” l.r., identified on a presentation plaque, titled, signed or inscribed, and dated “...by Emile A. Gruppé 1959” on the stretcher.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Good.$5,000-7,000

488Emile Albert Gruppé (American, 1896-1978)

Boats in the Harbor, Probably GloucesterSigned “Emile A. Gruppe” l.r.Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Minor surface grime.$6,000-8,000


487

488

489Donald Frederick Witherstine (American, 1896-1961)

Dockside Fish MarketSigned “Donald F. Witherstine” l.r.Oil on canvas, 25 x 30 in. (63.7 x 76.4 cm), framed.Condition: Scattered retouch, craquelure.$3,000-4,000


489


Edge of the Dunes, Late AfternoonSigned “John Whorf” l.r., titled and numbered “.../#6” on the reverse.Watercolor on paper, 15 3/4 x 22 7/8 in. (40.3 x 58.1 cm), framed.Condition: Affixed to window mat with masking tape around the perimeter on the reverse.$2,500-3,500

491Arthur Vidal Diehl (American, 1870-1929)

Figures and Sailboats at a Sunny BoatyardSigned “Arthur V. Diehl” l.l.Oil on paperboard, 13 5/8 x 21 3/4 in. (34.6 x 55.3 cm), framed.Condition: Scattered retouch.$3,000-4,000


491

490


St. ThomasSigned “Charles H. Woodbury” l.l., titled l.r.Watercolor on paper/board, sight size 13 5/8 x 19 5/8 in.(34.6 x 49.8 cm), framed.Condition: Toning, not examined out of frame.$500-700


North EastInscribed “14” and signed “John Whorf” l.r., titled on the reverse.Watercolor on paper/board, sight size 14 x 20 1/2 in. (35.6 x 52.1 cm), framed.Condition: Scattered abrasions, slight rippling, not examined out of frame.$1,000-1,500


MontserratSigned “Charles H. Woodbury” l.r., titled l.l.Watercolor on paper/board, sight size 17 x 21 in. (43.0 x 53.5 cm), framed.Condition: Not examined out of frame.$500-700


494

493

492



Rainy Night, P-townSigned “John Whorf” l.r., titled on the reverse.Watercolor on paper, 15 x 22 1/4 in. (38.1 x 56.4 cm), framed (without glass).Condition: Affixed to window mat with masking tape around the perimeter on the reverse.$3,000-5,000


House in Summer/A Double-sided CompositionSigned “John Whorf” l.r., titled and inscribed faintly “Pink House” on the reverse.Watercolor on paper, 15 x 20 5/8 in. (38.0 x 52.4 cm), framed.Condition: Reverse with lake scene, sheet affixed to window mat with masking tape around the perimeter on the reverse.

N.B. The watercolor composition on the reverse, which is signed “John Whorf” l.r., shows a lake with two figures in a rowboat pulled up on an island shore.$3,500-5,500

496

495

497Morris Hall Pancoast (American, 1877-1963)

View of Gloucester HarborIdentified on a presentation plaque, signed or inscribed “Morris Hall Pancoast” in pen and with a label from ArtVest Galleries, Inc., Boston, on the stretchers.Oil on canvas, 28 1/4 x 32 in. (71.8 x 81.3 cm), framed.Condition: Subtle varnish inconsistencies.$7,000-9,000


497

498Orlando Rouland (American, 1871-1945)

Looking Over Old MarbleheadSigned “Orlando Rouland” l.r., titled on a label affixed to the reverse.Oil on canvas, 18 x 22 in. (45.7 x 55.9 cm), framed.Condition: Minor surface grime.$2,500-3,000

499Mary Brewster Hazelton (American, 1868-1953)

Houses on the ShoreUnsigned.Oil on canvas board, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Mounted to board, retouch, minor mounting bubbles.$2,500-3,000


499

498

500Myrl Efrem (American, b. 1902)

Fishermen on Monhegan IslandSigned “MYRL EFREM” l.r. and on the reverse, inscribed “425 E 6 ST. N.Y.-9” on the frame reverse.Oil on canvas, 22 x 34 in. (55.9 x 86.4 cm), framed.Condition: Losses/flaking, canvas deformations, minor surface grime.$1,000-1,500


500

501Truman Edmund Fassett (American, 1885-1970)

Dream Harbor, 1955Signed “Truman Fassett” l.r., titled, inscribed, dated, and signed “.../Nov. 1928/T E Fassett” on the stretcher.Oil on canvas, 30 x 40 1/4 in. (76.3 x 102.0 cm), framed.Condition: Patch reinforcement, scattered retouch, craquelure.$1,200-1,800

502Warren Whipple (American, 1910-2003)

Checking the Fishing NetsSigned and dated “Warren Whipple 1942” l.r.Oil on canvas, 18 1/8 x 23 7/8 in. (46.0 x 60.8 cm), framed.Condition: Minor retouch.$1,500-2,000


501

502

503Walter Parson Shaw Griffin (American, 1861-1935)

Market Place Venice #1Signed “Griffin” l.l., signed, titled, inscribed, and dated “...Walter Griffin/Venice 1913” on the reverse, identified on a label from Vose Galleries of Boston affixed to the reverse.Oil on panel, 13 x 16 in. (32.5 x 40.7 cm), framed.Condition: Signature possibly reinforced, surface grime.$1,200-1,800


503

504Lesser Ury (German, 1861-1931)

Berliner Dom an der Spree, von der Kurfürstenbrücke aus gesehen [The Berlin Cathedral at the River Spree, seen from the Kurfuersten Bridge], c. 1920sSigned and inscribed “L. Ury/Berlin” l.l., inscribed “100” on the artist’s estate label affixed to the reverse, and with an Ausstellung Gerstenberger Chemnitz, Germany, exhibition label affixed to the frame. Oil on canvas, 19 3/4 x 13 3/4 in. (50.2 x 34.9 cm), framed.Condition: Losses, canvas deformations, craquelure, surface grime.

Provenance: Estate of the artist, Berlin; acquired by Max Karl Wolff and Lucie Tichauer Wolff, Berlin, prior to mid-1930s; by family descent to the present owners.

Literature: Lesser Ury, “Berlin,” Menorah: Jüdisches Familienblatt für Wissenschaft, Kunst und Literatur, Jahrgang 9, No. 11/12 (November/December 1931): p. 547 (illus. as Berlin); Arthur Eloesser, “Lesser Ury,” Elsevier’s Geillustreerd Maandschrift, Jaargang 42, Vol. 84, Part 2 (July–December 1932): pp.1–9 (illus. between pp. 4 and 5 [as Dom in Berlijn, na 1900]).

N.B. We wish to thank Dr. Sibylle Groß for kindly confirming the authenticity of this work. The painting will be included in her catalogue raisonné of the paintings, pastels, gouaches and watercolors by Lesser Ury; a photo-certificate from Dr. Sibylle Groß, Berlin, dated December 9, 2012, accompanies the lot.$20,000-30,000


504

505Edward Seago (British, 1910-1974)

The Marsh Hill (Sketch)Signed “Edward Seago” l.l., identified on a Marlborough Fine Art, London, label on the reverse, titled in a later hand on the reverse. Oil on Masonite, 10 1/2 x 14 in. (26.7 x 35.6 cm), framed.Condition: Abrasion l.l., surface grime.$8,000-12,000


505

506Chisholm Cole (British, 1871-1902)

Seaside Pasture with SheepSigned “Chisholm Cole” l.r., illegibly inscribed on a label affixed to the stretcher, with a T. Bromley & Sons, Ltd., Bolton, England, label and London canvas stencil on the reverse.Oil on canvas, 10 x 16 in. (25.4 x 40.6 cm), framed.Condition: Patch reinforcement, craquelure, minor surface grime.

Provenance: Sotheby’s Billinghurst, Paintings, Drawings and Watercolours; British and Continental Ceramics and Glass, August 2, 2000, Lot 411. $1,000-1,500


Landscape with Distant WindmillsSigned and dated “Charles Herbert Woodbury ‘91” l.l., identified on a label from Vose Galleries of Boston affixed to the backing. Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed.Condition: Minor retouch, patch reinforcement, craquelure, minor surface grime.$3,000-5,000


507

506

508Paul Henry (Irish, 1876-1958)

A Bog Near Dingle, Co., Kerry, c. 1928-1930Signed “PAUL HENRY” l.r., identified on a label from Combridge’s Fine Art Galleries, Dublin, Ireland, affixed to the reverse, and with a label from Combridge Ltd., Dublin, Ireland, affixed to the frame. Oil on panel, 10 x 12 1/2 in. (25.4 x 31.8 cm), framed (under glass).Condition: Craquelure, very minor surface grime.

Provenance: Collection of Henry L. Shattuck, c. 1938; by descent in the family of the current owner; a North Shore, Massachusetts, estate.

Exhibitions: Paul Henry: Paintings of Kerry and Wicklow, Combridge Gallery, Dublin, November 12, 1937, no. 3.

N.B. The present work is dated c. 1928-30 on stylistic grounds, and numbered 1269 in S.B. Kennedy’s ongoing cataloging of Paul Henry’s oeuvre. We wish to thank Dr. S.B. Kennedy for his kind assistance with cataloging the lot.

The present work is one of several Paul Henry paintings collected by Henry Lee Shattuck (1879-1971), which includes The Bog at Evening, 1922-3, and Mountain Village, 1926-9, currently in the permanent collection of the Museum of Fine Arts, Boston. Shattuck was a notable business and non-profit leader and philanthropist active in Boston during the early to mid-20th century. He was a New Englander of part Irish descent, and supported Irish cultural exchange through his activities

with the Charitable Irish Society of Boston.1 He was also a treasurer and senior fellow of the board of Harvard University from 1929 to 1952, a member of the Massachusetts House of Representatives from 1920 to 1930, and from 1943 to 1948, and a member of the Boston City Council from 1933 to 1938.2 Today, he is perhaps best remembered as both the namesake of a public service award that honors employees of the City of Boston, and for his 300-acre woodland bequest in Medfield to the Trustees of Reservations.

1. “Henry Lee Shattuck,” Proceedings of the Massachusetts Historical

Society, Third Series, Vol. 83 (1971), p. 170.

2. Ibid., 168.

$25,000-35,000


508

509Émile-Victor-Augustin Delobre (French, 1873-1956)

Village Landscape, Chabannes, FranceUnsigned, dated and inscribed “2 Aout 1940/Chabannes” in crayon on the reverse, identified on a presentation plaque and a label affixed to the reverse. Oil on panel, 13 1/8 x 15 7/8 in. (33.3 x 40.3 cm), framed.Condition: Retouch, bowing to panel.

N.B. A copy of an exhibition pamphlet from World Wide Art Gallery, New York, accompanies the lot.$1,000-1,500

510Attributed to Padraic Woods (Irish, 1893-1991)

Cottages by a ShoreSigned “P. Woods” l.r.Oil on canvas, 16 x 20 1/4 in. (40.5 x 51.2 cm), framed.Condition: Surface grime.$1,000-1,500


510

509

511Andre Hambourg (French, 1909-1999)

Marée BasseSigned “A. Hambourg” l.l., initialed, titled, inscribed, and dated “a.h....Pâques 64” on the reverse, inscribed “...Trouville...” on the stretchers, also identified on a hang tag from Findlay Galleries, Chicago, affixed to a screw-eye.Oil on canvas, 15 x 18 1/4 in. (38.1 x 46.4 cm), framed.Condition: Minor surface grime.$10,000-15,000


511

512Émile-Victor-Augustin Delobre (French, 1873-1956)

Country Path, Columbier, Dordogne, FranceUnsigned, dated and inscribed “Juillet ‘49/Alleé a Columbier” in crayon and identified on a label affixed to the reverse. Oil on panel, 16 x 12 3/4 in. (40.6 x 32.4 cm), framed.Condition: Minor surface grime.

N.B. A copy of an exhibition pamphlet from World Wide Art Gallery, New York, and a photocopy of a certificate of authenticity from Albert and Henri Delobre, nephew and grandnephew of the artist, accompany the lot.$1,000-1,500

513Jean-Pierre Dubord (French, b. 1949)

La Fête des Vieux Voiliers sur la Seine à RouenSigned “JP DUBORD” l.r., titled and signed on the reverse.Oil on canvas, 21 3/8 x 25 5/8 in. (54.0 x 65.0 cm), unframed.Condition: Good.$1,000-1,500


513

512

514Aiden Lassell Ripley (Italian, 1896-1969)

The Rowboat, Ponte Vecchio, FlorenceSigned and dated “A.L. Ripley 1925” l.l., signature pentimento l.r., titled in pencil on the backing board.Watercolor on paper, sheet size 14 x 17 3/4 in. (35.6 x 45.1 cm), framed.Condition: Laid onto chipboard.$800-1,200

515Vivian Milner Akers (American, 1886-1966)

Near Zermatt, SwitzerlandSigned and dated “AKERS 1938” in pen l.r., titled and signed “...V. Akers” in pencil on the reverse.Oil on canvas, 24 1/2 x 29 1/2 in. (62.2 x 74.9 cm), framed.Condition: Mounted to fiberboard, flaking/losses, surface grime.$1,500-2,000

516Frederick Judd Waugh (American, 1861-1940)

CastleUnsigned.Carved and decorated wood, 14 1/4 x 10 3/4 x 7 in. (36.2 x 27.3 x 17.8 cm).Condition: Normal wear, dust, and dirt.

N.B. According to the artist’s great-granddaughter, Frederick Judd Waugh carved this fanciful Tudor-style castle for her mother (his granddaughter). It descended in the Waugh family until 1998, when it was purchased by a collector of Waugh’s paintings. The lot is accompanied by a copy of the email correspondence that describes the provenance.

In his book Frederick J. Waugh, American Marine Painter, George R. Havens describes Waugh’s fascination with wood. Around 1914, the artist became intrigued by twisted roots and fantastic tree shapes he discovered on Monhegan. These found sculptures inspired him to create the Munes, characters in a series of children’s books that Waugh wrote and illustrated.1

The appendix of Havens’s book lists two castles made by Waugh that belonged to the family. One of cardboard and papier-mâché was made in London as a Christmas present for his children in 1904. The second was a small carved castle, 12 inches high, created about 1919.2 The castle at hand, standing 14 1/4 inches high, is presumably a third version made at a later date for his grandchild. Its design closely follows the description of the 1904 castle, with paths winding up to the buildings at the top.

1. George R. Havens, Frederick J. Waugh, American Marine Painter

(Orono: University of Maine Press, 1969), pp. 139-147.

2. Ibid., p. 313.

$1,200-1,500


515

514

517Edward Emerson Simmons (American, 1852-1931)

Heather in BloomSigned “Edward E. Simmons” l.r., inscribed “Mrs. C.B. Tooker...” in pencil on the reverse.Watercolor on Whatman’s illustration board, 13 11/16 x 21 1/8 in. (34.8 x 53.7 cm), framed.Condition: Taped verso to backing mat, very minor foxing.$6,000-8,000

149Online bidding at www.skinnerinc.com517

516

518Johann Berthelsen (American, 1883-1972)

View of Trinity Church, Manhattan, New YorkSigned “Johann Berthelsen” l.r.Oil on canvasboard, 11 1/4 x 9 in. (28.6 x 22.9 cm), in an A.C. Moser frame.Condition: Minor surface grime.

N.B. We wish to thank Lee Berthelsen, the artist’s son, for his kind help with cataloging this lot.$5,000-7,000

519Thomas Russell Dunlay (American, b. 1951)

Late Afternoon Snowfall on the Boston Public GardensSigned “Thomas Dunlay” l.r., titled, signed, and dated “...Thomas R. Dunlay/2/79” on the reverse.Oil on Masonite, 8 x 10 in. (20.3 x 25.5 cm), framed.Condition: Good.$800-1,200


519

518

520Thomas Russell Dunlay (American, b. 1951)

Twilight on the Boston Public GardensSigned “Thomas Dunlay” l.r., signed and titled “Thomas R. Dunlay/...” on the reverse.Oil on Masonite, 8 x 10 in. (20.3 x 25.5 cm), framed.Condition: Good.$1,200-1,800


Park Street ChurchSigned “A C Goodwin.” l.l., signed and inscribed “.../Pk St Church” on the reverse, identified on a presentation plaque.Oil on canvas, 20 1/8 x 25 7/8 in. (51.2 x 65.6 cm), framed.Condition: Minor retouch, craquelure, surface grime.$6,000-8,000


521

520

522Regis de Bouvier De Cachard (French, b. 1929)

Notre Dame Across the Seine, 1969Signed and dated “de CACHARD 69” u.l., identified on a Martin Lowitz, Los Angeles, rights and reproduction label affixed to the paper backing, and identified on a presentation plaque.Oil on canvas, 15 x 11 in. (38.1 x 27.9 cm), framed.Condition: Surface grime.$1,500-2,000

523Willard Gordon Bond (American, 1926-2012)

Sailors Hiking OutSigned and dated “Willard Bond 80” l.r.Watercolor on paper, sight size 28 x 39 1/2 in. (71.0 x 100.3 cm), framed.Condition: Not examined out of frame.$2,500-3,500


523

522

524Ivan Le Lorraine Albright (American, 1897-1983)

Dock of Abu Simbel at Cairo, EgyptSigned, dated, and inscribed “Ivan Albright 1982 The Nile” l.r., titled l.l.Pastel and watercolor on paper, 16 1/4 x 24 1/4 in. (41.1 x 61.4 cm), unmatted, unframed.Condition: Affixed with masking tape to a foamcore support.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$1,000-1,500

525Manner of Albert Marquet (French, 1875-1947)

Port View in WinterUnsigned.Oil on canvas, 22 x 27 in. (55.9 x 68.6 cm), framed.Condition: Scattered retouch, craquelure. $1,000-1,500


525

524

526David Levine (American, 1926-2009)

Garment WorkerSigned and dated “D. Levine 73” in pencil l.r., identified on a label from Galerie Claude Bernard, Paris, affixed to the frame backing.Watercolor on paperboard, 9 x 14 3/8 in. (22.9 x 36.5 cm), framed.Condition: Small surface losses at each corner, minute abrasion to l.r. quadrant.

Provenance: From a private New England collection, sold to benefit a philanthropic organization.$1,000-1,500


526

527Josef Presser (American, 1907-1967)

Portrait of a WomanSigned “J. Presser” l.r.Mixed media on paper, sight size 18 3/4 x 11 3/4 in. (47.5 x 30.0 cm), framed.Condition: Subtle rippling, not examined out of frame.


528Robert Remsen Vickrey (American, 1926-2011)

Portrait of a Young Woman with Blue HeadscarfSigned “R. VICKREY” l.r.Tempera on Masonite, 9 1/4 x 4 7/8 in. (23.5 x 12.4 cm), framed.Condition: Losses, flaking, surface grime.$300-500


528527

529Hazel Finck (American, 1894-1977)

Man from the BoatSigned “H. Finck” l.r., titled on the stretcher, identified and dated “...1945...” on a handwritten label affixed to the stretcher.Oil on canvas, 24 x 21 in. (61.0 x 53.5 cm), framed.Condition: Varnish inconsistencies, surface grime.

Exhibitions: 14th Annual Exhibition, Irvington Art and Museum Association, Irvington, New Jersey, 1947.

N.B. The handwritten label numbers the work as #35 and includes two other references: Spring Lake A.A.P.L. and Irvington 14th Annual 1947.$1,000-1,500

530Richard Yarde (African/American, 1939-2012)

ParadeSigned and dated “Yarde 78” in pencil l.r., identified on a label from Meredith Long Contemporary, New York, on the frame backing paper.Watercolor on paper, 14 x 19 in. (35.5 x 48.3 cm), framed.Condition: Not examined out of frame.



530

529

531Hazel Finck (American, 1894-1977)

Dominique, 1941Signed “H. Finck” l.r., titled in pencil on the stretcher, identified on two handwritten labels affixed to the stretcher.Oil on canvas, 25 x 30 in. (63.3 x 76.4 cm), framed.Condition: Minor retouch l.l. corner, mild canvas deformation to l.r. corner, surface grime.

N.B. On a label affixed to the stretcher, the artist explains the title of the painting, “Dominique remodeled a house with the help of his friends and relations. They clambered all over the thing and worked everywhere at once...” A second label indicates that the painting was exhibited at the Irvington (New Jersey) Museum in a two-person exhibition in 1943.$2,000-3,000

532Charles Hoffbauer (French, 1875-1957)

Via GaribaldiSigned “C. Hoffbauer” l.r.Oil on canvas stretched with Boston tabs, 18 x 26 in. (45.5 x 66.0 cm), framed.Condition: Surface grime.$2,500-3,500


532

531

533Charles Hoffbauer (French, 1875-1957)

After the BallSigned “C. Hoffbauer” l.r., titled and signed “.../C. Hoffbauer” on the reverse.Oil on canvas, 26 3/8 x 31 3/4 in. (67.0 x 80.6 cm), framed.Condition: Craquelure, surface grime.$2,500-3,500


533

534Armand François Joseph Henrion (Belgian, 1875-1958)

Two Portraits of Clowns in Red Headwraps: Smiling and ScreamingSigned “ARM. HENRION” l.r. and l.l., respectively, with labels from Edouard Hautecoeur, Editeur d’Art, Paris, on the reverse.Oil on panel, sizes 7 x 5 1/2 in. (17.8 x 14.0 cm), framed.Condition: Minor surface grime.$1,200-1,600

535Armand François Joseph Henrion (Belgian, 1875-1958)

Two Portraits of Clowns in Blue and Green Headwraps: Frowning and SmilingSigned “ARM. HENRION” l.r. and l.l., respectively, with labels from Edouard Hautecoeur, Editeur d’Art, Paris, on the reverse.Oil on panel, sizes 7 x 5 1/2 in. (17.8 x 14.0 cm), framed.Condition: Minor surface grime.$1,200-1,600


535

534

536David Wu Ject-Key (Chinese/American, 1890-1968)

Portrait of Elsie Ject-Key, the Artist’s WifeUnsigned, identified in pen on the reverse.Oil on canvas, 13 7/8 x 9 3/4 in. (35.2 x 24.8 cm), framed.Condition: Trimmed canvas, tape hinged to backing mat, minor alligatoring.$1,200-1,800

537Louis Kronberg (American, 1872-1965)

Dancers in RehearsalSigned and dated “Louis Kronberg/-1905-” l.l.Pastel on paperboard, 29 x 35 7/8 in. (73.8 x 91.0 cm), framed.Condition: Break to surface c.r., wear to edges of paperboard, support nailed to wooden stretcher.$1,200-1,800


537

536

538Alexander Max Koester (German, 1864-1932)

Children and Geese in a Lakeside MeadowSigned, inscribed, and dated “A. Koester/Carls... 91.” l.r.Oil on canvas, 24 3/8 x 30 1/2 in. (62.0 x 77.5 cm), framed.Condition: Lined, retouch.



538

539Benjamin Osro Eggleston (American, 1867-1937)

The Marble BenchSigned and dated “Benjamin Eggleston 1910” l.l., titled on a presentation plaque.Oil on canvas, 48 x 36 in. (122.0 x 91.5 cm), framed.Condition: Small vertical tear l.c., patch reinforcement, retouch, craquelure, surface grime.$4,000-6,000


539

540Joseph Rodefer DeCamp (American, 1858-1923)

Portrait of Robert Archey Woods (1865-1925)Signed and dated “JOSEPH-DE-CAMP 1918” u.l., identified on a presentation plaque.Oil on canvas, 33 1/4 x 29 1/4 in. (84.3 x 74.3 cm), framed.Condition: Small area of retouch to u.r. quadrant with corresponding patch reinforcement to the reverse, craquelure, mild surface grime.

N.B. The sitter, Robert Archey Woods, an American social worker and author, helped found the South End House in Boston in 1891 and served as its head until his death in 1925.$7,000-9,000


540

541Jean Paul Selinger (American, 1850-1909)

Portrait Head of a WomanSigned, inscribed, and dated “John Selinger/Boston.1879.” u.r.Oil on board, 12 x 9 3/4 in. (30.5 x 24.8 cm), framed.Condition: Scattered accretions, mild surface grime.$1,000-1,500

542Pascal de Beucker (Belgian, 1881-1944)

Still Life with Pink RosesSigned and dated “Pascal de Beucker 1904” u.r.Oil on canvas, 20 1/4 x 16 1/4 in. (51.4 x 41.3 cm), framed.Condition: Craquelure, minor surface grime.$1,500-2,000


542

541

543Esther Anna Hunt (American, 1875-1951)

Two Portraits of Chinese Children in Traditional Costume: Child in Yellow and Child in Green with ParasolSigned “Esther Hunt” and “E. Hunt” l.r., respectively.Watercolor on paper, sheet sizes to 12 x 9 1/4 in. (30.5 x 20.9 cm), framed.Condition: Subtle toning, sheets laid down on paperboard mounts, Yellow with small pigment loss l.c.

Provenance: Through a Gulfport, Florida, estate.$1,000-1,500


543

544Isolda Hermes da Fonseca (Brazilian, 1924-2004)

Portrait of a Fashionable WomanSigned “Isolda” l.l.Oil on Masonite, 36 x 24 in. (91.5 x 61.0 cm), framed.Condition: Drying cracks, craquelure, varnish inconsistencies, surface grime.$1,500-2,000

545Jacques Villon (French, 1875-1963

Au RestaurantSigned “Jacques Villon” l.l., identified and dated “c. 1905/8” on a label from William Weston Gallery, London, on the frame backing.Pencil on paper, 8 1/4 x 5 in. (20.9 x 12.8 cm), framed.Condition: Mild acid burn at top and bottom edges, subtle handling creases and soiling.$1,500-2,500


545544

546Eric L. Pape (American, 1870-1938)

Alice Monroe, a Paris art studentSigned, dated, and inscribed “Eric Pape 93/Paris” l.r., inscribed “Alice Monroe/...a Paris art student/.../Sketched at the Monroe home on the Ave. de la [sic] Observatoire” l.c.Graphite and whiting on textured paperboard, 12 3/4 x 18 3/4 in. (32.5 x 47.7 cm), framed.Condition: Tear to u.l. edge, wear to edges of board, scattered small abrasions, surface imperfections.$800-1,200

547Jacques Villon (French, 1875-1963)

La toile de Jouy, vous ne pouvez pas trouver mieux pour votre chambre à coucher, 1902Signed and dated “Jacques Villon/02” l.l., identified on a label on the paper backing. Ink, watercolor, tooling, and colored pencil on textured paper, sight size 18 1/4 x 14 3/4 in. (46.3 x 37.5 cm), framed.Condition: Not examined out of frame.

Literature: Colette de Ginestet and Catherine Pouillon, Jacques Villon: Les estampes et les illustrations: catalogue raisonné (Paris: Arts et Métiers Graphiques, 1979), no. I.166 (illus.).$2,500-3,000


547

546

548Eric L. (Frederic) Pape (American, 1870-1938)

Standing NudeSigned and inscribed “Eric Pape - Paris” l.r., signed, inscribed, and dated “Eric Pape/Paris - 1893” on the reverse.Oil on unstretched canvas, sight size 27 3/4 x 11 in. (70.5 x 27.5 cm), framed.Condition: Puncture with paint loss to u.l. quadrant, abrasions, creasing, accretions, surface grime, not examined out of frame.$800-1,200

549Armando Amaya (Mexican, b. 1935)

Reclining Female NudeSigned and dated “Amaya 73” on the figure’s left arm.Carved white onyx, approximately 21 x 10 1/2 x 10 1/2 in. (53.3 x 26.7 x 26.7 cm), set on a wooden plinth.Condition: Good.$2,000-3,000


549

548

550Diana K. Moore (American, b. 1946)

Standing Female NudeUnsigned.Bronze with silver nitrate patina, height 27 7/8 in. (70.8 cm), self-base 9 5/8 x 7 1/2 x 1 in. (24.5 x 19.1 x 2.5 cm).Condition: Dust and dirt to interstices.



550

551Anna Vaughn Hyatt Huntington (American, 1876-1973)

Pair of Great DanesBoth signed, inscribed, and dated “Anna V. Hyatt/Auvers-sur-Oise 1907” on the base.Bronze with green patina, approximately 27 x 53 in. (68.5 x 134.5 cm).Condition: Minor oxidation and surface wear/accretions.

Provenance: A private Massachusetts collection.

N.B. Anna Hyatt Huntington was known for her works depicting animals, and she sculpted a number of Great Danes throughout her career, both in stone and in bronze. Granite versions included a pair for John Hayes Hammond, of Gloucester, presently in the collection of Brookgreen Gardens, the South Carolina sculpture garden founded by the Huntingtons in the 1930s.

The dogs presented here were recast in the 1930s without their bases. In February 1907, Hyatt traveled to France, and took a studio in Auvers-sur-Oise, north of Paris. She remained primarily in France until 1910. In 1911 she exhibited two Great Dane bronzes at the Paris Salon.$125,000-175,000


551

552Charles Courtney Curran (American, 1861-1942)

Portrait of Adelbert Clark Tuttle (1847-1914)Signed and dated “CHARLES C. CURRAN, N.A./1941” l.r., titled, identified, and initialed “...Record No. 270-15/C.C.C.” on the reverse.Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), in a period frame, possibly Newcomb-Macklin.Condition: Mounted to Masonite, minor retouch.

N.B. We wish to thank Kaycee Benton for her assistance with cataloging the lot; the work will be included in her forthcoming catalogue raisonné on Curran.$600-800


Portrait of a ManSigned “JECT KEY” l.l., dated “OCT. 28, 1933” in pencil on the backing.Oil on canvas, 15 1/2 x 11 1/2 in. (39.4 x 29.2 cm), framed.Condition: Mounted to matboard, trimmed canvas, minor mounting bubbles.$1,500-2,000


553

552

554Cyrus Edwin Dallin (American, 1861-1944)

Captured But Not ConqueredSigned and dated “© C.E. Dallin 1918” within the cast on the base reverse l.r.Plaster on steel armature, 33 1/8 x 10 1/2 x 7 1/2 in. (84.1 x 26.7 x 19.1 cm).Condition: Break to right leg, stress cracks to left leg, loss to base l.l.

Literature: Kent Abrens, Cyrus E. Dallin: His Small Bronzes and Plasters (Corning, New York: Rockwell Museum, 1995), pp. 76-7, 110.

N.B. The sculpture depicts Sergeant Edgar M. Hallyburton, who was reportedly the first American soldier captured in World War I on November 3, 1917. Dallin was commissioned by the Publicity Committee of the Liberty Loan Committee of New England to create a statuette to fund the Third and Fourth Liberty Loan Campaigns. This plaster edition was “displayed in show windows of merchants throughout New England with a card reading--‘FIRST American soldier captured by the Germans. How long shall we allow him to remain a prisoner? Buy Liberty Bonds and set him free.’”1 The plasters were manufactured by P.P. Caproni & Brother of Boston, and a limited number were cast in bronze by Gorham.2

1. The Gillette Blade [monthly newsletter], September 1918, Vol. 1, No.

11 (Boston: Gillette Safety Razor Blade Company), p. 5.

2. Abrens, 76.

$2,500-3,500


554

555Spanish School, 20th Century

Portrait of a Recumbent Female NudeSigned and dated “Jose L. Padial/1935” within the composition l.l.Oil on canvas, 36 1/4 x 57 in. (92.1 x 144.8 cm), unframed.Condition: Lined, retouch, craquelure.$1,500-2,000


555

556Leon Kroll (American, 1884-1975)

Jamaican WomanSigned “Leon Kroll” l.r., identified on a presentation plaque.Oil on canvas, 19 1/2 x 15 in. (49.5 x 38.0 cm), framed.Condition: Lined, surface grime.

N.B. An accompanying letter from Mrs. David B. Lawall, dated Dec. 14, 1979, describes the work at hand as number 612 in the Kroll inventory. Mrs. Lawall gives the inventory title as “Girl with Flowers (Oranges),” although she goes on to state that this may not have been the original title. She also suggests that the work was done between 1917 and 1922, the dates of a similar Kroll work titled “The Lemon Tree.”$15,000-20,000


556

557Edmund Charles Tarbell (American, 1862-1938)

Study for My Children in the WoodsUnsigned, identified on the back of a photo of the work inscribed by Mary Tarbell Schaffer.Oil on canvas, 19 1/8 x 15 in. (48.5 x 38.0 cm), framed.Condition: Lined, minor paint losses, craquelure, surface grime.

N.B. The study depicts the artist’s daughter Mary at age 14. The finished version of My Children in the Woods, 1911, formerly in the collection of the Museum of Fine Arts, Boston, is now in a private collection.

A 4 1/4 x 3 3/8-inch photograph of the work at hand, inscribed on the back by Mary Tarbell Schaffer, accompanies the lot.$2,500-3,500


557

558Mabel May Woodward (American, 1877-1945)

Young Child at the Water’s EdgeSigned “M. Woodward” l.l.Oil on canvas board, 8 x 10 3/8 in. (20.4 x 26.3 cm), framed.Condition: Subtle bowing to support, staining to reverse.$2,000-3,000

559Francis Luis Mora (American, 1874-1940)

Young Girl Holding a Tennis Racquet, c. 1900-1905Signed “F. Luis Mora” l.r.Oil on canvas board, 15 1/8 x 11 5/8 in. (38.5 x 29.5 cm), framed.Condition: Minor paint losses, signature reinforced, craquelure, surface grime.

N.B. We wish to thank Lynne Pauls Baron for her kind assistance with cataloging the lot; the present work will be included in her forthcoming catalogue raisonné on Mora.$2,500-3,500


558


Portrait Study of a WomanSealed and signed “...DAVID JECT KEY” l.l., dated “FEB. 26-38” in pencil on the backing. Oil on paper/board, sight size 14 x 10 in. (35.6 x 25.4 cm), framed (under glass).Condition: Minor surface abrasions, not examined out of frame.$1,000-1,500

561Emil (Soren Emil) Carlsen (American, 1848-1932)

Pepper StudySigned and titled “Emil Carlsen/...Study” in pencil on the reverse, identified on a presentation plaque.Oil on canvas board, 10 7/8 x 14 3/4 in. (27.5 x 37.6 cm), framed.Condition: Minor craquelure, surface grime.$4,000-6,000


561

560


Garden View with Pool and JardinièreSigned “Maurice Bompard” l.l.Oil on canvas, 24 x 19 3/4 in. (61.0 x 50.0 cm), framed.Condition: Patch reinforcement, probable old retouch, minor craquelure.

Provenance: By descent within the family of the artist, from the collection of the late Henry C. Veit, grandson of the artist.$700-900

563Attributed to Prendergast Studios (American, 20th/21st Century)

Arts & Crafts Carved Picture FrameStamped “ROBERT HENRI/TEN GRAMERCY PARK/NEW YORK CITY” on the frame verso.Gilt and red clay bole on carved wood, rabbet size 20 3/8 x 24 3/8 in. (68.7 x 75.9 cm).Condition: Minor wear.$1,000-1,500


562

563

564William Medcalf (American, 20th Century)

Pin-up with Two KittensSigned and inscribed “Medcalf SKETCH” l.l.Oil on canvasboard, 24 x 18 in. (61.0 x 45.7 cm), framed.Condition: Minor surface grime.$1,500-2,500


564

565Aristide Maillol (French, 1861-1944)

Portrait of a Crouching Nude, c. 1941Stamped cipher “M” l.r.Pastel and crayon on fibrous paper, sheet size 10 15/16 x 8 3/16 in. (27.8 x 20.8 cm), framed.Condition: Brown gum tape residue to all four edges verso.

N.B. Sold for the benefit of the collections of the Smith College Museum of Art.$1,500-2,500

566Earl Steffa Moran (American, 1893-1984)

Blonde Pin-up in Pink by CandlelightSigned “EARL MORAN” l.l.Pastel on illustration board, sight size 33 x 25 1/4 in. (83.8 x 64.1 cm), framed.Condition: Water staining, not examined out of frame.$5,000-7,000


566

565

567Mischa Richter (American, 1910-2001)

Four Original Cartoons: The Paddy Wagon, Race Horses, Stow Away, and Eagle and GeneralAll signed “Richter” l.r. or l.l.Ink or ink and wash on paper, sheet sizes to 19 1/2 x 22 in. (49.5 x 55.9 cm), unframed.Condition: Toning, creases, tape remnants, not examined out of shrink-wrapped mountings.$1,000-1,500

568No lot.


567

569Charles Samuel Addams (American, 1912-1988)

Sidewalk HearseSigned “Chas Addams” in pen l.r., dedicated “For Lou & Deems Taylor from Chas Addams” in pen l.l., stamped “THE NEW YORKER/EDITORIAL DEPARTMENT/25 WEST 43RD STREET” on the reverse.Ink and ink wash on illustration board, 14 1/4 x 18 in. (36.2 x 45.7 cm), framed (without glass).Condition: Minor surface grime, minor abrasion u.r.

Provenance: From the artist to Lou and Deems Taylor (1885-1966), to the present owner by family descent.

Literature: McClure Syndicate (weekly syndicated newspaper), June 25, 1949, p. 31; Monster Rally (Addams anthology published by Simon & Schuster, Inc.), September 1950, p. 12; My Crowd (Addams anthology published by Simon & Schuster, Inc.), September 1970, p. 138; The Addams Family: An Evilution (Addams anthology published by Pomegranate Communications, Inc.), March 2010, p. 112.

N.B. The present work depicts an early prototype of the boy who would eventually become Pugsley Addams of The Addams Family.

We wish to thank H. Kevin Miserocchi, Executive Director of the Tee and Charles Addams Foundation for his kind assistance with cataloging the lot; the work will be included in Charles Addams catalogue raisonné now in preparation. $3,000-5,000


569

570Samuel Edmund Oppenheim (American, 1901-1992)

Young Girl Arranging FlowersSigned “Oppenheim” u.l.Oil on canvas, 14 x 11 in. (35.5 x 27.8 cm), framed in a liner.Condition: Mild surface grime.$1,000-1,500


570

571André (Gittelson) Gisson (American, 1921-2003)

Picking FlowersSigned “Gisson” l.r., identified on a presentation plaque.Oil on canvas, 20 3/8 x 16 1/8 in. (51.5 x 40.9 cm), framed.Condition: Good.$1,200-1,800


571

572Kahlil George Gibran (American, 1922-2008)

Delphic Mask, 1969Stamped “K.GIBRAN” on the reverse c.r.Bronze with brown patina, 9 x 6 1/4 x 4 in. (22.9 x 15.9 x 10.2 cm).Condition: Dust and dirt to interstices.$1,800-2,200

573Milton Clark Avery (American, 1885-1965)

Seated and Standing, 1946Signed “Milton Avery” in pen l.r., titled, dated, and inscribed “...1946 Flobrush” in pencil on the reverse, identified on a label from The Alpha Gallery, Boston, affixed to the backing.Flobrush on paper, sheet size 13 13/16 x 16 13/16 in. (35.1 x 42.7 cm), framed.Condition: Cloth and paper tape hinged to backing mat, old tape residue along top edge verso, minor toning, light handling creases to u.r. corner.


N.B. The original invoice from The Alpha Gallery, Boston, accompanies the lot.$1,000-1,500


573

572

574Milton Clark Avery (American, 1885-1965)

Two Studies, 1954Signed “Milton Avery” in blue ink l.r., also titled, signed, dated, and inscribed “‘Two Studies’ by Milton Avery Flobrush 1954” in black ink on the reverse, identified on a label from Ink River Frame Gallery, Flemington, New Jersey, affixed to the backing. Flobrush on paper, sheet size 13 9/16 x 16 3/4 in. (34.4 x 42.5 cm), framed.Condition: Paper tape hinged to backing mat, minor toning/fading, minor mat burn, light handling creases.


N.B. The original invoice from The Fox Gallery, New York City, dated July 27, 1980, accompanies the lot. $1,000-1,500


Three Female PortraitsEach signed and dated “K. Gibran ‘68” l.l. or l.r.Graphite on paper, sight sizes to 13 x 8 1/4 in. (33.0 x 21.0 cm), framed.Condition: Minor toning, not examined out of frames.$800-1,200


575

574

576Walter Spitzer (Polish, b. 1927)

The BrideSigned “W. Spitzer” l.l., dated “30.V.70” on the reverse, with a stamp from Galerie Rolly Michaux, Boston, on the stretcher.Oil on canvas, 10 3/4 x 8 3/4 in. (27.3 x 22.2 cm), framed.Condition: Good.$1,200-1,800

577Francis Luis Mora (American, 1874-1940)

Rosemary #2Signed “F. Luis Mora -” l.l., titled and inscribed “J-122/...by/F. Luis Mora/N.A.” on the back of the mat and on the frame backing.Charcoal and pastel on paper, 6 1/4 x 4 1/2 in. (15.8 x 11.5 cm), framed.Condition: Toning, glue staining along top edge, unpressed crease to l.l. corner, sheet affixed to window mat with masking tape along top edge.

N.B. The work depicts Mora’s only child; we wish to thank Lynne Pauls Baron for her kind assistance with cataloging the lot.$800-1,200


578

577576

578Nicolai Ivanovitch Vasilieff (Russian/American, 1892-1970)

Interior SceneSigned “N. Vasilieff” in pen l.l.Gouache, ink, and graphite on Bainbridge illustration board, 16 1/4 x 19 3/4 in. (41.3 x 50.2 cm), framed.Condition: Craquelure, varnish inconsistencies.$2,000-3,000

579Ludwig Bemelmans (American, 1898-1962)

Study for the Cover Illustration Madeleine in LondonSigned “Bemelmans” in pen l.l.Graphite and watercolor on paper, sight size 17 1/4 x 12 1/4 in. (43.8 x 31.1 cm), framed.Condition: Not examined out of frame.

Provenance: Rhoda Tedoff, New York City; gift to her granddaughter, c. mid-1950s.$7,000-9,000


579

Modern & Contemporary Works

580László Moholy-Nagy (Hungarian, 1895-1946)

Überschneidung [Intersection/Overlap], 1921Signed “Moholy=Nagy” in pencil l.r., inscribed “1921/CAT #...71” in felt-tip pen and identified on a label from the Museum of Contemporary Art, Chicago, Illinois, on the paper backing. Collage on paper, 12 1/2 x 7 1/2 in. (31.8 x 19.1 cm), framed.Condition: Not examined out of frame.

Provenance: From the artist by descent to his wife, Sibyl Moholy-Nagy; acquired by sculptor and former student of the artist Roy Gussow (American, 1918-2011), Long Island City, New York, c. 1970s; by family descent.

Literature: Museum of Contemporary Art and Solomon R. Guggenheim Museum, László Moholy-Nagy (Chicago: Museum of Contemporary Art, 1969), p. 60, no. 71 (misprinted as 72. Überschneidung).

Exhibitions: László Moholy-Nagy; An Exhibition Organized by the Museum of Contemporary Art and the Solomon R. Guggenheim Museum…in cooperation with the Santa Barbara Museum of Art, the University Art Museum at the University of California, Berkeley, and the Seattle Art Museum, May 1969 to April 1970, no. 71.

N.B. The present work exemplifies Moholy-Nagy’s first phase of artistic development, which manifested itself primarily through collage. The medium of collage (as inherent flat planes) allowed Moholy-Nagy to treat color as autonomous forms. Primary colors were used to provide contrast between space and line, toward organizing “space segments” rather than for illusionistic purposes which serviced line. As Moholy-Nagy explains, “Color... was transformed into a force loaded with potential space articulation.”1

1. Museum of Contemporary Art, 14.

$8,000-12,000



580

581Karl (Otto Karl) Knaths (American, 1891-1971)

Chinese Teapot, 1964Signed “Karl Knaths” l.l., also signed, dated, titled, and inscribed “KARL KNATHS...,” and identified on labels from Paul Rosenberg & Co., New York, and the William H. Lane Foundation, Leominster, Massachusetts, on the stretcher and backing, respectively.Oil and graphite on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.Condition: Good.$8,000-12,000


581

582Paul Evans (American, 1931-1987)

Sculpted Bronze Series PedestalInitialed and dated “PE 70” on the base, produced for Directional Furniture, New York.Bronzed resin-covered wood, 25 1/4 x 12 1/2 x 12 1/2 in. (64.1 x 31.8 x 31.8 cm).Condition: Minor wear to surface, dust to the interstices.$2,000-3,000

583Antonin Pelc (Czech, 1895-1967)

Still Life with View to a BridgeSigned and dated “Pelc/44” l.l.Oil on canvas, 17 3/4 x 28 1/4 in. (45.2 x 71.7 cm), framed.Condition: Small area of retouch u.c. corresponding to patch reinforcement on the reverse, scattered areas of craquelure, subtle rippling, surface grime.$3,000-3,500


582

583

584William Tolliver (American, 1951-2000)

Profile Portrait of a Woman Reading a BibleSigned “-WILLIAM TOLLIVER-” l.r.Oil on canvas, 36 x 48 in. (91.4 x 121.9 cm), framed.Condition: Good.$1,500-2,000

585Karl Zerbe (American, 1903-1972)

Clown with Blue Glove, 1949Signed “Zerbe” u.r., dated, inscribed, and signed “Mar. 1949/MA ROGER/Zerbe” and identified on labels from The Downtown Gallery, New York, and the William H. Lane Foundation, Leominster, Massachusetts, on the reverse. Oil on Masonite, 31 x 25 in. (78.7 x 63.5 cm), framed.Condition: Varnish inconsistencies, minor surface grime.$1,200-1,800


585

584

586Jonah Kinigstein (American, b. 1923)

Woman with Birdcage and Fruit, alternatively titled Lady with ParrotSigned or inscribed “J. KINIGSTEIN” l.r., inscribed, titled, and signed “59-104-23...Jonah Kinigstein” on the reverse, identified on labels including one from ACA American Master Gallery, Los Angeles, and with a label from Raydon Gallery, New York, affixed to the reverse.Oil on Masonite, 48 x 32 in. (121.9 x 81.3 cm), framed.Condition: Surface grime.$1,000-1,500


586

587Jacques Lipchitz (French, 1891-1973)

Samson Fighting the LionSigned with the artist’s fingerprint, monogram, and numbered “...106/210” on the reverse, identified on a presentation plaque l.c.Bronze with dark brown patina, 6 x 3 x 2 1/4 in. (15.2 x 7.6 x 5.7 cm), mounted to a wooden plinth.Condition: Dust to the interstices.$800-1,200


Walking Man, 1958Stamped “K.GIBRAN” on self-base.Brazed iron wire, height 15 in. (38.1 cm).Condition: Dust and dirt, natural distress to finish.

Literature: Sculpture, Kahlil Gibran, with a foreword by Dr. Evan H. Turner (Boston: The Bartlett Press, 1970), pp. 30-1 (illus.).

N.B. The lot is accompanied by a letter from Kahlil Gibran from 1997 providing an appraisal for the sculpture and by a copy of the monograph Sculpture, Kahlil Gibran (in which the sculpture is illustrated) signed and dated “Kahlil Gibran/1971” in ink on the front page.$2,000-3,000


588

587

589John G. Walker (British, b. 1939)

UntitledSigned and dated “John G. Walker 1988” in ink on the reverse.Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Good.



589

590Hyman Bloom (American, 1913-2009)

The Medium, c. 1952Unsigned, identified on a label from the William H. Lane Foundation, Leominster, Massachusetts, affixed to the reverse.Ink on paper, 7 1/2 x 5 1/2 in. (19.1 x 14.0 cm), framed.Condition: Not examined out of frame.$800-1,200

591Lado Gudiashvili (Georgian, 1896-1980)

Fairytale, 1972Signed “Gudiashvili” in Georgian l.l., signed, titled, dated, inscribed, and dedicated “Lado Gudiashvili...1972...Tbilisi/Lado Gudiashvili/To Mr. William Campbell with a feeling of great respect/27 November 1973 Lado Goudiachvili” in Georgian, Russian, and English on the backing.Mixed media (gouache, colored pencil, and graphite) on paper, sight size 11 1/4 x 9 in. (28.5 x 22.7 cm), framed.Condition: Small tear, not examined out of frame. Provenance: Gift from the artist and the Soviet and American Friendship Society to William P. Campbell (curator of American Art at the National Gallery, Washington, D.C., 1951-76); by family descent to a private New England collection.

N.B. William P. Campbell was one of four representatives of American museums invited on a two-week tour of Soviet Union museums and art-related programs in 1973. The present work was given as an ambassadorial gift to Mr. Campbell on his visit to the Republic of Georgia, after having been introduced to the artist.

We would like to thank the State Tretyakov Gallery, Moscow, Russia, for their kind assistance with cataloging the lot. $800-1,200


591

590

592Anatoly Zverev (Russian, 1931-1986)

Four Works: Self-Portrait, c. 1957-1959, Portrait of the Artist’s Mother, c. 1956-1959, Leopard, c. 1960-1963, and Animal, c. 1957-1959Mother initialed “AZ” l.r., the others unsigned.Ink on paper, sight sizes to 11 1/2 x 7 1/2 in. (29.2 x 19.1 cm), framed.Condition: Not examined out of frames.

Provenance: A private Toronto, Canada, collection.

N.B. We wish to thank Valery Silaev for his assistance with cataloging the lot.$1,000-1,500

593Benny Andrews (African American, 1930-2006)

Circle Study #44Signed and dated “Benny Andrews/Dec 29, 1972” in ink l.r., titled, inscribed, and signed “...BENNY ANDREWS” with a graphite sketch on the reverse, also titled and signed “...BENNY ANDREWS” on the cardboard backing.Ink on paper, 17 3/4 x 11 3/4 in. (45.1 x 29.8 cm), framed.Condition: Subtle rippling, mild water staining along top edge and l.l. corner, mild toning.


N.B. The present study is paradigmatic of Andrews work, which deals with biblical allegory and social commentary on the African American struggle against racial stereotypes. It illustrates the central vignette from Andrews’s large-scale allegorical painting Circle, 1973, which depicts an African American man crucified by watermelon weights and mocked by a cloaked phantasm wielding a watermelon blade.

A letter from the artist accompanies the lot.$1,000-1,500


593

592

594Joseph E. Norman (African American, b. 1957)

Three Works from Slum Fantasies, 1990Each signed, dated, and inscribed “J. Norman 90 CR” l.l., l.c., or l.r.Graphite on paper, sight sizes to 7 1/2 x 9 3/4 in. (19.1 x 24.8 cm), framed.Condition: Not examined out of frames.

N.B. Joseph Norman is presently chair of Drawing & Painting at the Lamar Dodd School of Art, University of Georgia, Athens, and was previously an instructor at several Rhode Island colleges from 1987 to 2000, including the Rhode Island School of Design in Providence.$600-800

595Jean Jansem (French, b. 1920)

Portrait of a Woman in ProfileSigned “Jansem” l.r.Ink and gouache on paper, sight size 26 1/4 x 20 in. (66.7 x 50.8 cm), framed.Condition: Not examined out of frame.$1,500-2,500


595

594

596Joseph Stella (American, 1877-1946)

Yellow AlstroemeriaSigned “Joseph Stella” in pencil l.r.Graphite and colored pencil on paper, sight size 13 1/4 x 8 3/4 in. (33.7 x 22.2 cm), framed.Condition: Not examined out of frame.$2,500-3,500

597Michael Burton Mazur (American, 1935-2009)

CyclamenSigned and dated “Mazur 81” l.r.Pastel and charcoal on paper triptych, image size 37 x 79 in. (94.0 x 200.7 cm), framed.Condition: Not examined out of frame.$1,000-1,500


597

596

598James Coignard (French, 1925-2008)

Diagonale Rouge A, B, C, DSigned “Coignard” l.l., titled on the backing.Mixed media on paper, 19 3/4 x 27 1/4 in. (50.2 x 69.2 cm), framed.Condition: Not examined out of frame.$1,000-1,500

599Gyorgy Kepes (American, 1906-2001)

Test, 1977Inscribed, signed, titled, and dated “...G. Kepes...1977” on the reverse.Mixed media (paper collage, oil, and sand) on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed.Condition: Good.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$800-1,200


599

598

600Alexandre Hogue (American, 1898-1994)

Translucency/Victorian RemnantsSigned and dated “Alexandre/Hogue/1957” l.l., titled in pencil on the stretcher.Oil on canvas, 32 x 22 in. (81.5 x 56.0 cm), framed.Condition: Craquelure, surface grime.

Provenance: Purchased from the artist in the late 1960s-early 70s.$4,000-6,000


600

601Francis Picabia (French, 1879-1953)

St. Tropez, c. 1937-1939Signed “Francis Picabia” l.l., inscribed “St. Tropez” l.r.Oil on canvas, 29 x 24 in. (73.7 x 61.0 cm), framed.Condition: Mounted to aluminum panel, retouch, alligatoring, craquelure.

Provenance: A private Massachusetts collection by family descent.

N.B. The present, enigmatic work dates to Picabia’s time in the south of France, which was an experimental and highly innovative period spanning nearly two decades.

By 1925, Picabia felt that the Dada movement no longer packed the anti-establishment punch that it once had, and he left Paris for Mougins, near Cannes, where he would remain until 1945. Picabia found a renewed vigor on the Côte d’Azur. In a letter dated February 27, 1926 to the French fashion designer Jacques Doucet, he notes, “This country which seems…to make some lazy, stimulates me to work…I have more and more pleasure in the resumption of painting.”1

Picabia experimented with several bodies of work in Mougins through 1927—including Espagnoles (depicting archetypal Spanish women), Les monstres (depicting grotesque

figures in heavy black outlines) and mixed-media collages—before creating one of his most important series known as Les Transparences.2 Les Transparences, which he developed through the early 1930s, comprised of superimposed classical, Romanesque and Renaissance silhouettes over figures and landscapes, and the effect was described by Marcel Duchamp as an impression of “the third dimension without the aid of perspective.”3

In the mid- to late 1930s, Picabia often referenced and juxtaposed the motifs and methods developed in these earlier bodies of work, some of which he overpainted.4 A notable example of a reworked amalgamation is Le Beau Charcutier [The Handsome Pork-Butcher] in the Tate Modern permanent collection. The work was first conceived ca. 1924-6 as a mixed-media collage painting of a man, thought by some to be of the French politician Raymond Poincaré, and re-conceived ca. 1929-35 with the profile of a glamorous woman superimposed over the male portrait.5

While scholarship on the present work is in its nascent stage, infrared reflectography (IRR) reveals the existence of a previous composition depicting a bust in profile of at least one figure (facing right), superimposed over a repetitive solar or floral motif in the background, with a signature reading “Francis Picabia” at lower center.

The work is registered as no. 3299 with the Comité Picabia, and will be included in their forthcoming Catalogue Raisonné de l’Oeuvre de Francis Picabia. A photo-certificate from the Comité Picabia accompanies the lot, and we wish to thank them for their kind assistance. A copy of the IRR report, conducted by the Worcester Art Museum Conservation Department, Worcester, Massachusetts, with recommendations for further imaging and analysis, also accompanies the lot.

1. William A. Camfield, Francis Picabia: His Art, Life and Times

(Princeton University Press, 1979), p. 216.

2. Ibid., 218-219.

3. http://www.picabia.com/biograph/bio_ev_p6.htm

4. Marianne Heinz, “Picabia, Francis,” Grove Art Online, Oxford Art

Online, Oxford University Press, http://www.oxfordartonline.com/

subscriber/article/grove/art/T067302

5. Jennifer Mundy, “Francis Picabia: The Handsome Pork-Butcher c.

1924-6, c.1929-35,” Tate Gallery, http://www.tate.org.uk/art/artworks/

picabia-the-handsome-pork-butcher-t07108/text-summary

$50,000-70,000


Infrared reflectogram (IRR) assembled from 96 detail images taken with a Sensors SU640DV-1.7RT high-resolution infrared camera. Photo courtesy of the Worcester Art Museum Conservation Department.


601

602Armando Ortega Orozco (Mexican, b. 1940)

Two Figural TotemsBoth initialed and dated “AOO 66” on base.Carved wood and iron, sizes to approximately 78 x 15 1/4 x 15 1/4 in. (198.1 x 38.8 x 38.8 cm), set on wooden plinths.Condition: Shrinking cracks.$2,000-3,000


602

603Twins Seven-Seven (Nigerian, 1944-2011)

The Ghost with CalabashesUnsigned, titled on a label affixed to the frame backing.Mixed media with ink on unstretched canvas, sight size 22 x 33 in. (56.0 x 84.0 cm), framed.Condition: Not examined out of frame.

N.B. The story of The Ghost with Calabashes is recounted on a label affixed to the frame backing.$1,500-2,000

604Twins Seven-Seven (Nigerian, 1944-2011)

The King of Ghosts and His WifeUnsigned, identified and dated “...1967/Ibadan, Nigeria” on a label affixed to the frame backing.Mixed media with ink on unstretched canvas, sight size 33 1/2 x 22 1/2 in. (85.0 x 57.2 cm), framed.Condition: Not examined out of frame.

N.B. The story of The King of Ghosts and His Wife is recounted on a label affixed to the frame backing.$3,500-5,500


604

603

605Guy Joseph (Haitian, b. 1957)

Coastline Dotted with IslandsSigned “G. Joseph” l.r.Oil on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.Condition: Good.$1,000-1,500

606James Dorothy (South African, 20th Century)

Figures by a DwellingSigned “James Dorothy” l.r.Oil on panel, 23 5/16 x 23 3/16 in. (59.2 x 58.9 cm), framed.Condition: Losses, abrasions, surface grime.$500-700


606

605

607Guillermo Meza (Mexican, 1917-1997)

Horizonte InfinitoSigned and dated “Guillermo Meza A./1954” l.r., identified on a label from the Museo Nacional de Artes Plásticas, Mexico City, affixed to the stretcher.Oil on canvas, 27 1/2 x 35 3/8 in. (69.8 x 89.8 cm), framed.Condition: Small abrasion in u.l. quadrant, scattered small paint losses, subtle rippling, surface grime.$1,500-2,000

608Emile Blondel (French, 1893-1970)

Les Toits de ChaumeSigned “E. Blondel” l.l., titled in pen on the stretcher.Oil on canvas, 21 5/8 x 18 in. (54.7 x 45.9 cm), unframed.Condition: Surface grime.$1,000-1,500


608

607

609Trinidad Osorio (Mexican, 1929-2002)

MandolinaSigned “T. Osorio” l.r.Oil on canvas, 27 1/2 x 39 1/2 in. (70.0 x 100.0 cm), framed.Condition: Minor surface grime.$1,000-1,500


HombreSigned “T. Osorio” u.r.Oil on canvas, 39 1/2 x 27 1/2 in. (100.0 x 70.0 cm), framed.Condition: Very minor surface grime.$1,000-1,500


610

609


MujerSigned “T. Osorio” u.r.Oil on canvas, 39 1/2 x 27 1/2 in. (100.0 x 70.0 cm), framed.Condition: Minor surface grime.$1,000-1,500


611

612Antonio Rodriguez Luna (Spanish, 1910-1985)

Los Comediantes, 1965Signed and dated “Luna 65” l.r., titled, signed, and dated “...Luna/1965” on the reverse.Oil on canvas, 33 1/4 x 47 in. (84.4 x 119.4 cm), framed.Condition: Minor surface grime, craquelure, minor varnish inconsistencies.$4,000-6,000


612

613Antonio Rodriguez Luna (Spanish, 1910-1985)

Los Automatas de Escorial, 1966Signed and dated “Luna 1966” l.l., titled, signed, and dated “...Luna 1966” on the reverse, identified on a label from the Museo de Arte Moderno de México, Mexico City, affixed to the strainer. Oil on canvas, 59 x 74 3/4 in. (150.0 x 190.0 cm), framed.Condition: Craquelure, minor abrasions along frame liner, subtle rippling.$6,000-8,000


613

614Gregory Joseph Gillespie (American, 1936-2000)

Split Image Swamp, 1999Unsigned, identified on a label from Salander O’Reilly Galleries, New York, affixed to the reverse.Oil on Masonite, 16 1/2 x 14 1/2 in. (41.9 x 36.8 cm), framed.Condition: Minor surface dust.$4,000-6,000


614

615Jatin Das (Indian, b. 1941)

Lonely City, c. 1968Signed “JATIN DAS” l.l., inscribed “INDIA...” and identified on a partial label affixed to the reverse. Oil on canvas, 60 x 36 in. (152.4 x 91.4 cm), framed.Condition: Minor surface grime, minor abrasions along frame liner.$3,000-5,000

616M. Sivanesan (Indian, b. 1940)

Abstract Landscape with Building, 1968Signed and dated “M. SIVANESAN 68” l.l.Oil on canvas, 47 3/8 x 29 3/4 in. (120.3 x 75.5 cm), framed.Condition: Surface grime.$2,500-3,500


616615

617John Way [Wei Letang] (Chinese/American, 1921-2012)

Untitled [Yellow/Blue], 1967Signed and dated “John Way ‘67” l.l., inscribed “60/1687” on a label affixed to the reverse.Oil on paper, sheet size 19 x 24 in. (48.3 x 61.0 cm), unframed.Condition: Transparent tape to corners verso.



Untitled [Calligraphic Abstract], 1960Signed and dated “John Way ‘60” l.r.Mixed media (oil, resin, and gold leaf) on canvas, 16 1/4 x 14 in. (41.3 x 35.6 cm), framed.Condition: Minor surface grime.$1,800-2,200


618

617


Untitled [Red/Green/Black], 1979Signed and dated “John Way ‘79” l.c.Oil on paper, sheet size 24 x 19 in. (61.0 x 48.3 cm), unframed.Condition: Good.



619

620Chen Chi (Chinese/American, 1912-2005)

Autumn Landscape with Figures, 1965Dated and signed in Chinese u.l., signed and dated “CHEN CHI 1965” l.l.Watercolor on paper, sight size 9 1/4 x 18 in. (23.5 x 45.7 cm), framed.Condition: Not examined out of frame.$4,000-6,000

621Wu Jian (Chinese, b. 1942)

Ballerinas in YellowSigned “Wu Jian” in pencil u.l.Watercolor on paper, sheet size 10 3/4 x 8 3/8 in. (27.3 x 21.3 cm), framed.Condition: Mounted to matboard.

Provenance: Sold to benefit the Temple Beth Israel and St. James Catholic Church, both of Danielson, Connecticut.$800-1,200


621

620

622Chen Chi (Chinese/American, 1912-2005)

Riders in Central Park, Autumn, 1968Signed and dated “Chen Chi/1968” l.r., dated and signed in Chinese and with an artist’s seal u.l.Watercolor and gouache on paper laid on cotton, 17 3/8 x 22 5/8 in. (44.0 x 57.5 cm), framed.Condition: Cotton support mounted to Masonite.$4,000-6,000


622

623Michiel Theobald Gloeckner (American, 1915-1989)

Pendulum, 1961Signed or inscribed “M... GLOECKNER” on the stretcher, titled and dated on the stretcher.Oil on canvas, 40 x 25 in. (101.7 x 63.5 cm), unframed.Condition: Small paint loss l.l., minor abrasion u.l. with area of craquelure, stretcher bar marks.$2,000-2,500


623

624Robert Arthur Goodnough (American, 1917-2010)

Three Colors, 1968Signed and dated “Goodnough 68” l.r., titled, signed, and dated on the reverse.Collage on paperboard, 30 x 22 in. (75.8 x 56.0 cm), framed.Condition: Minor spotting to blue paper, minor glue staining, scattered retouch to support, subtle soiling.$1,000-1,500

625Michiel Theobald Gloeckner (American, 1915-1989)

Of Color and MusicMonogrammed “MG” l.r., signed, monogrammed, dated, and titled “Michiel Gloeckner...1968” on the stretcher.Oil on canvas, 30 x 30 1/8 in. (76.2 x 76.5 cm), unframed.Condition: Puncture to u.l. corner, small paint loss c.l., scattered small dimples, frame abrasions.$1,800-2,200


625

624

626Victor Vasarely (Hungarian/French, 1906-1997)

Halph, 1974Signed “vasarely-” in pen l.c., inscribed, titled, dated, and signed “...1974 Vasarely-” in felt-tip pen, with a stamp from the Vasarely Center, New York, on the reverse. Acrylic and ink on board, 20 x 20 in. (50.8 x 50.8 cm), framed.Condition: Very minor craquelure.

Provenance: From the artist to the Vasarely Center; purchased from the Vasarely Center by the present owner.

N.B. The work is no. 2806 in the artist’s archives. A copy of an appraisal from the Vasarely Center, April 28, 1986, accompanies the lot.

We wish to thank Pierre Vasarely for his kind assistance; the work will be presented in the catalogue raisonné of the artist prepared by the Fondation Vasarely in Aix-en-Provence.$20,000-25,000


626

627Pedro Friedeberg (Mexican, b. 1937)

Untitled [Infinite Regress], 1972Signed and dated “PEDRO FRIEDEBERG 1972” u.c., with a label from Rosano Marcos Exclusivos, Mexico City, affixed to the backing.Ink and acrylic on illustration board, 8 1/4 x 6 1/4 in. (21.0 x 15.9 cm), unframed.Condition: Taped to window mat.$1,000-1,500

628Kurt Larisch (Austrian, 1913-2009)

GravitySigned “Kurt Larisch” l.l., numbered, signed, and titled “490...” on the reverse.Acrylic on denim canvas, 45 1/4 x 35 5/8 in. (115.0 x 90.0 cm), framed.Condition: Craquelure, mild surface grime.$1,000-1,500


628

627

629Julian Stanczak (American, b. 1928)

Dash, 1987Signed, dated, and inscribed “J. Stanczak 87 ©” in pencil on the reverse, signed and titled “JULIAN STANCZAK…1987” and identified on a label from Martha Jackson Gallery, New York, on the strainer. Acrylic on canvas, 44 x 38 in. (111.8 x 96.5 cm), framed.Condition: Minor losses and abrasions to l.l. and l.r. quadrants, minor canvas deformation to l.l. quadrant. $12,000-18,000


629

630Hannes Beckmann (German/American, 1909-1976/77)

Silent Center (Hommage to Josef Albers)Titled, inscribed, dedicated, dated, and signed “...for my dear friend Matthew Wysocki...Xmas 1970/Hannes Beckmann” on the reverse. Oil on Masonite, 18 x 18 in. (45.7 x 45.7 cm), framed.Condition: Good.


631Julian Stanczak (American, b. 1928)

Folding Secrets, 1967Signed, titled, and dated “JULIAN STANCZAK...1967” on the stretcher, dedicated, signed, and inscribed “To Mat/Julian Stanczak 1968 Dartmouth” in pencil on the reverse.Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm), framed.Condition: Surface grime/accretions.



631

630

632Robert Natkin (American, 1930-2010)

Untitled from the Apollo SeriesSigned “Natkin” l.l.Oil on canvas, 15 3/4 x 18 3/4 in. (40.0 x 47.6 cm), framed.Condition: Good, wired for both orientations.$3,000-5,000


Untitled [#298A] from the Bern Series, 1983Signed “Natkin” l.l., stamped “298A/1983/ROBERT NATKIN” and identified on a label from Gimpel & Weitzenhoffer Gallery, New York, on the backing.Acrylic on paper, sheet size 29 x 41 1/2 in. (73.7 x 105.4 cm), framed.Condition: Not examined out of frame, wired for both orientations.$3,000-5,000


Untitled [#597] from the Bern Series, 1982Signed “Natkin” l.c., stamped “597/1982/ROBERT NATKIN” and identified on a label from Gimpel & Weitzenhoffer Gallery, New York, on the backing.Acrylic on paper, 42 x 29 in. (106.7 x 73.7 cm), framed.Condition: Not examined out of frame.$3,000-5,000


633

632


634

635James Siena (American, b. 1958)

Noiseless, 1998Incised title, year, and signature “...1998 James Siena” and identified on a label from Daniel Weinberg Gallery, Los Angeles, on the reverse. Enamel on aluminum, 19 1/2 x 15 1/4 in. (49.5 x 38.7 cm), unframed.Condition: Good.


N.B. Like Sol LeWitt, Peter Halley, and Mel Bochner, Siena creates work that is constrained by a rule-based system that forms the overall design. Siena’s visual algorithms are rendered in freehand, and they create optical patterns as unique as fingerprints. In the present work, Siena repeats a movement from a central point toward the perimeters, bringing the notions of infinite and finite space into tension. $2,500-3,500

636Sol LeWitt (American, 1928-2007)

Study for Incomplete Open Cube 6/25, 1974Signed and dated “LeWitt 1974” in graphite l.r., inscribed “6/25x” l.l.Graphite and ink on paper, sheet size 12 x 12 in. (30.5 x 30.5 cm), framed.Condition: Glue tacked along top edge to backing mat.

Provenance: Gift from the artist to the present owner, Worcester, Massachusetts, 1974.$4,000-6,000


636

635

637Attributed to Clement L. Meadmore (Australian, 1929-2005)

UntitledUnsigned.Cast aluminum silicate or similar (Carborundum material), approximately 11 x 12 1/2 x 9 in. (27.9 x 31.8 x 22.9 cm).Condition: Minor surface wear. Provenance: Commissioned of the artist by Bob Quayle, VP of Marketing, Carborundum Corporation, Niagara Falls, New York, for their Sculptural Award Program; gift from Bob Quayle to the present owner, a Carborundum graphic designer, creative director c. 1960-1970s, and director of the Carborundum Museum of Ceramics, 1973-1974.$3,000-5,000

638Richard Tuttle (American, b. 1941)

Paper Octagonal #1, 1970Unsigned, inscribed and titled “Cut on the inside of this line...” in pencil l.r.Graphite on paper, sheet size 54 1/2 x 60 in. (138.4 x 152.4 cm), framed.Condition: Irregularly trimmed edges.

Provenance: Acquired from the artist, private Massachusetts collection.

N.B. According to the artist, Paper Octagonal, #1 is of an edition of 100. As an uncut octagonal, it is a conceptual rather than ostensible work of art. He notes, “If someone were to cut it (correctly, which means, carefully inside the line), and wall paper paste it to a white wall, it would be a work of art.”$2,000-3,000


638

637

639Frank Lobdell (American, b. 1921)

Untitled, 1970Signed and dated “L 70” in pencil l.c., identified on a label from Martha Jackson Gallery, New York, with an envelope inscribed with the artist’s address affixed to the backing.Gouache and ink on paper, 11 x 17 in. (27.9 x 43.2 cm), framed.Condition: Minor rippling, not examined out of frame.


N.B. The original invoice from Martha Jackson Gallery and newspaper clippings accompany the lot.$2,000-3,000


639

640Jean Lucebert (Dutch, 1924-1994)

Figures in Blue and GreenSigned “Lucebert” in pencil l.r., inscribed “VIII 70 jàv...” l.c., titled in a later hand on a hanging tag.Watercolor and graphite on paper, 14 1/8 x 18 7/8 in. (36.0 x 48.0 cm), framed.Condition: Sheet taped to window mat with brown paper tape along all sides.



640

641Pippo Oriani (Italian, 1909-1972)

Suonatrice di...Signed “ORIANI” l.r., titled, inscribed, and signed on the reverse.Oil on canvas, 23 3/8 x 19 3/8 in. (59.5 x 49.5 cm), framed.Condition: Varnish inconsistencies, surface grime.$1,500-2,000

642Aly Ben Salem (Tunisian/Swedish, 1910-2001)

Portrait of a Woman in ProfileSigned “Aly Ben Salem” l.r.Gouache and graphite on paper, sheet size 30 1/2 x 22 1/2 in. (77.5 x 57.2 cm), framed.Condition: Subtle rippling, deckled edges.$1,000-1,500


642

641

643Carroll Cloar (American, 1913-1993)

Wrecked Building, 1960Signed “Carroll Cloar” l.r., titled, signed, and dated “...CARROLL CLOAR 1960” in ink and identified on labels from The Alan Gallery, New York, and the William H. Lane Foundation, Leominster, Massachusetts, on the reverse.Tempera on Masonite, 23 x 31 in. (58.4 x 78.7 cm), framed.Condition: Very minor varnish inconsistencies.$7,000-9,000


643

644Daniel Brush (American, b. 1947)

Koald 95: Yamamba, 1982Titled, signed, and dated “...Daniel Brush 1982...22” in pencil on the reverse l.c.Ink on wove paper, 60 1/2 x 40 1/4 in. (153.7 x 102.2 cm), unframed.Condition: Deckled edges.

Literature: Daniel Brush and Ralph Esmerian, Daniel Brush: Gold Without Boundaries (Harry N. Abrams, 1998), p. 61.$800-1,200

645Daniel Brush (American, b. 1947)

Koald 93: ZO, 1981Titled, signed, dated, and inscribed “Daniel Brush 1981...73” in pencil on the reverse l.c.Ink on wove paper, 60 1/2 x 40 1/4 in. (153.7 x 102.2 cm), unframed.Condition: Deckled edges.

Literature: Daniel Brush and Ralph Esmerian, Daniel Brush: Gold Without Boundaries (Harry N. Abrams, 1998), p. 61.$800-1,200


645644

646Alexander Calder (American, 1898-1976)

Untitled [Red Nucleus], 1964Signed and dated “Calder 64” l.r.Gouache on Arches wove paper, sheet size 21 1/4 x 29 1/2 in. (54.0 x 74.9 cm), framed.Condition: Glued at u.l. and u.r. corners to linen-covered mat.

Provenance: Acquired from the artist by Nicholas Guppy, London; purchased from Obelisk Gallery, Boston, Massachusetts, November 1, 1967; private collection by family descent.

N.B. The work is registered with the Calder Foundation, Application No. A14246.$25,000-35,000


646

647Sir Anthony Caro (British, b. 1924)

Paper Sculpture No. 27 (Box Tree), 1981Inscribed, titled, signed, and dated “No. 27...Anthony Caro 1981” in pencil and identified on a label from Tyler Graphics Ltd. on the reverse.Mixed media (chalk, acrylic paints, handmade paper, and wood on Tycore panel), 33 x 23 3/4 x 9 1/2 in. (83.8 x 60.3 x 24.1 cm), in a Plexiglas case.Condition: Good.

Literature: Kenneth E. Tyler, et al., Tyler Graphics: Catalogue Raisonné, 1974-1985 (New York, Abbeville Press, 1987), p. 379, no. 648:AC25 (illus.); Dieter Blume, Anthony Caro: A Catalogue Raisonné [complete record of sculptures 1942-2005], Vol. V (Koln: Verlag Galerie Wentzel, 1981-2007), pp. 10, 149 (illus.), 278 (illus.), no. 1399.$4,000-6,000


647

648Paul Jenkins (American, 1923-2012)

Phenomena Broken Prism Finder, 1984Signed “Paul Jenkins” l.c., signed, titled, dated, and inscribed “Paul Jenkins...1984 New York” on the reverse.Acrylic on canvas, 77 x 38 in. (195.6 x 96.5 cm), framed.Condition: Good.

Provenance: Paul Jenkins: Paintings, Carone Gallery, Fort Lauderdale, Florida, 1984; private Florida collection.

N.B. A dedicated and autographed Paul Jenkins offset exhibition poster from the Palm Springs Desert Museum, 1981, accompanies the lot.$20,000-30,000


648

649Elizabeth Murray (American, 1940-2007)

Untitled, Fall, 1987Unsigned, identified on labels from Pace Wildenstein, Paula Cooper Gallery, and the Stedawill Foundation, all of New York, on the frame backing.Charcoal and pastel on collaged paper, 36 x 23 3/4 in. (91.4 x 60.3 cm), framed.Condition: Subtle rippling, not examined out of frame.

Provenance: Collection of the Stedawill Art Foundation, Long Island, New York.

N.B. Sold to benefit Community Servings, a nonprofit food and nutrition program feeding 1300 critically ill neighbors and their families each year in eighteen communities across Massachusetts.$6,000-8,000


649

650Gordon Onslow Ford (Anglo/American, 1912-2003)

Untitled [Erongarícuaro], 1943Monogrammed, inscribed, and dated “G.O.F. Erongarícuaro 11·12·43” l.c., inscribed “FORD” in crayon and identified on a label from Nierendorf Gallery, New York, affixed to the reverse.Gouache and ink on paper, sheet size 15 1/4 x 18 3/4 in. (38.8 x 47.6 cm), unframed.Condition: Paper loss to u.r. corner, creases, staining/soiling to margins, tear to bottom margin, tack holes to corners.$700-900

651David Rabinowitch (Canadian/American, b. 1943)

Plane of Four Masses, 1971-1973Unsigned.Steel, approximately 31 x 32 x 1 5/8 in. (78.7 x 81.3 x 4.0 cm).Condition: Good.

Provenance: Acquired from the artist; private Massachusetts collection.

N.B. A framed pencil study for the sculpture inscribed, signed, and dated “...Certificate for Rose Gibbs...David Rabinowitch 76” accompanies the lot. $3,000-5,000


651

650

652Lynda Benglis (American, b. 1941)

19th Century Blush, 1994Signed and dated “L Benglis ‘94” in pen, titled in pencil on the reverse.Pigmented encaustic wax on ceramic, 48 x 4 3/4 x 1 1/2 in. (121.9 x 12.1 x 3.8 cm).Condition: Repair to top, crazing to wax, with embedded hooks for hanging.

Provenance: Acquired from the artist, to a private Massachusetts collection.$4,000-6,000


652


Untitled, c. 2000Unsigned.Mixed media (pigmented translucent abaca paper laminate and steel wire) construction, approximately 80 x 6 x 6 in. (203.2 x 15.2 x 15.2 cm).Condition: Minor handling creases.

Provenance: Gift from the artist; to a private Massachusetts collection.$800-1,200


Untitled, c. 1994-1998Inscribed, signed, and dated “010...L Benglis 94-98...” on the reverse.Glazed ceramic, 25 x 8 1/2 x 4 3/4 in. (63.5 x 21.6 x 12.1 cm).Condition: Wired for hanging, minor and stable firing cracks.

Provenance: Gift from the artist; to a private Massachusetts collection.$800-1,200


654653

655Tommy Simpson (American, b. 1939)

Teet Teet Utter ButterSigned “TOMMYS” l.r., titled within the composition l.c.Mixed media (gouache on paper, six hand-soldered tin cookie cutters, hand-crocheted wool and cotton thread) construction, 30 3/4 x 31 x 6 1/8 in. (77.5 x 78.7 x 15.5 cm), in a hand-painted and assembled frame.Condition: Good, not examined out of frame.

N.B. A copy of the book Two Looks to Home: The Art of Tommy Simpson by Tommy Simpson and Pam Koob, accompany the lot.$1,200-1,800

656Jane Hammond (American, b. 1950)

Double Dancers, 1993Signed, dated, and titled “Jane Hammond/1993...” in pencil on the reverse.Mixed media (gouache, ink, paper collage, graphite, and lithographic transfer) on paper, sheet size 38 x 33 1/2 in. (96.5 x 85.1 cm), framed.Condition: Taped along top edge verso to backing mat.$2,000-3,000


656

655

657Alexis Rockman (American, b. 1962)

Study for Pet Store from the Wonderful World Series, 2005Signed and dated “A...Ro...2005” l.l.Watercolor and graphite on paper, sheet size 39 x 29 in. (99.1 x 73.7 cm), framed.Condition: Deckled edges, not examined out of frame.

N.B. The present work relates to Pet Store, 2003, one of five large-scale paintings exhibited in Rockman’s solo exhibition Wonderful World, at the Camden Art Centre, London, April 23 to June 13, 2004. New York-based Rockman is a graduate of the Rhode Island School of Design, in Providence.$1,000-1,500

658Julius Moessel (German/American, 1872-1960)

Gossip, 1942Titled, signed, and dated “...MOESSEL 1942” l.l., identified on a label affixed to the reverse.Oil on canvas, 30 x 26 in. (76.2 x 66.0 cm), framed.Condition: Retouch, craquelure, minor varnish inconsistencies, surface grime.$2,500-3,000


658

657

659Scott Prior (American, b. 1949)

Still Life with Balinese Sculpture, 1986Signed and dated “Scott Prior 1986” on the reverse, identified on a label from The Alpha Gallery, Boston, affixed to the frame and stretcher.Oil on canvas, 23 7/8 x 19 7/8 in. (60.5 x 50.5 cm), framed.Condition: Good.



659

660Werner Wildner (American, 1925-2004)

Dance MacabreSigned “Wildner” l.r.Oil on Masonite, 10 x 8 in. (25.5 x 20.0 cm), framed.Condition: Varnish inconsistencies, mild surface grime.

Exhibitions: The Other World of Werner Wildner, Albrecht Art Museum, St. Joseph, Missouri, November, 1974.

N.B. Although the work is not dated, notes indicate it was painted in 1970. A partial copy of the catalogue from the Albrecht Art Museum exhibition accompanies the lot.$1,000-1,500

661American School, 20th Century

View of a Building, 1998Signed and dated “...’98” on the reverse.Watercolor and graphite on paper, sheet size 23 7/8 x 18 in. (60.6 x 45.7 cm), framed.Condition: Paper tape hinged to backing foamcore. $300-500


660


Left and Right Hands #4, 1990Titled, signed, and dated “#4 L Benglis 11/90” in pencil l.r., identified on a label from Tilden-Foley Gallery, New Orleans, Louisiana, affixed to the backing.Egg tempera and gold leaf on paper, 42 x 26 in. (106.7 x 66.0 cm), framed.Condition: Tack holes to corners, deckled edges.


663Carl Robert Holty (American, 1900-1973)

Blue AbstractSigned “Carl Holty” l.r.Oil on canvas, 12 x 9 in. (30.5 x 22.9 cm), framed.Condition: Trimmed canvas, minor rippling.$1,500-2,000


663662

664Milton Avery (American, 1885-1965)

August Moon, 1958Signed and dated “Milton Avery 1958” l.l., identified on labels from The Alpha Gallery, Boston, and Gallery Paule Anglim, San Francisco, affixed to the backing. Mixed media on paper, sheet size 35 x 23 in. (88.9 x 58.4 cm), framed.Condition: Not examined out of frame.

Provenance: Collection of the Stedawill Art Foundation, Long Island, New York.

N.B. Sold to benefit Community Servings, a nonprofit food and nutrition program feeding 1300 critically ill neighbors and their families each year in eighteen communities across Massachusetts.$15,000-25,000


664


Two Abstract Works: Untitled [Orange Green and Blue] and Untitled [Black]Orange signed and dated “L Benglis 03” in pencil l.r., Black signed “L. Benglis” in pencil l.r., dedicated “For Rose and Carl Love Lynda Christmas ‘93” in pencil on the reverse.Pigmented encaustic wax on wove paper, Orange 9 1/2 x 7 in. (24.1 x 17.8 cm), Black 10 x 7 1/4 in. (25.4 x 18.4 cm), both framed.Condition: Orange tape hinged to backing mat; Black with tack holes to l.r. and u.l. corners.

Provenance: Gift from the artist; to a private Massachusetts collection.$3,000-5,000

666Robert Sterling Neuman (American, b. 1926)

The Fly, 1961Signed, inscribed, and dated “ROBERT S. NEUMAN/BOSTON-1961-...” on the reverse and stretcher, identified on labels from the William H. Lane Foundation, Leominster, Massachusetts, affixed to the stretcher. Oil on canvas, 34 x 40 in. (86.4 x 101.6 cm), framed.Condition: Good.$800-1,200


666

665

667Leo Manso (American, 1914-1993)

The Elements, 1955Dedicated and signed “To Blanche/May 20, with Love,/Leo Manso” and dated on the reverse, titled on the stretcher.Oil on canvas, 51 x 72 1/2 in. (129.5 x 184.2 cm), framed.Condition: Slight craquelure, loss to edges, minor areas of retouch corresponding to patch reinforcements on the reverse.$2,000-3,000

668Budd Hopkins (American, 1931-2011)

Marathon, 1964Signed and dated “Hopkins ‘64” l.l., signed, dated, and titled “Budd Hopkins/1964...” on the reverse. Oil on canvas, 33 x 60 1/4 in. (83.8 x 153.0 cm), framed.Condition: Minor surface grime.

Provenance: Obelisk Gallery, Boston, 1964.$800-1,200


668

667

669Richard Prince (American, b. 1949)

Here Comes Tha Sun, 1971Signed and dated “PRINCE 71” in ink l.r.Ink on paper, sheet size 11 3/8 x 17 in. (28.9 x 43.2 cm), framed.Condition: Subtle toning, cloth tape hinged to window mat with old masking tape along edges verso, restored tear to u.l. quadrant.

Provenance: Acquired from the artist in 1971 at Nasson College, Springvale, Maine, while Prince was a senior, and the present owner was a junior.$6,000-8,000

670Leon Kelly (American, 1901-1982)

Moorish Woman, Tetuan, 1953Dated and signed “1953 Leon Kelly” l.r., identified in a later hand on the backing.Graphite and colored pencil on paper, 30 x 22 1/2 in. (76.2 x 57.2 cm), framed.Condition: Not examined out of frame.$1,000-1,500


669

670

671Richard Prince (American, b. 1949)

Portrait of a Man, c. 1971Unsigned.Oil and graphite on fiberboard, 16 x 12 in. (40.6 x 30.5 cm), framed.Condition: Minor losses to corners.

Provenance: Acquired from the artist c. 1971 at Nasson College, Springvale, Maine, while Prince was a senior, and the present owner was a junior.$6,000-8,000


671

672Lucas Samaras (Greek/American, b. 1936)

Untitled (Head) [Self-Portrait], 1959Dated and initialed “Jan 15 59/LS” in pencil on a board fragment and identified on a label from Hirschl & Adler Modern, New York, affixed to the backing.Mixed media on paper, 11 1/2 x 8 1/2 in. (29.2 x 21.6 cm), framed.Condition: Not examined out of frame.

Provenance: Gifted from the artist at Rutgers University, c. 1959; private collection, Massachusetts.$1,000-1,500

673Armando Amaya (Mexican, b. 1935)

Payaso, 1969Signed and dated “Amaya 69” on the reverse.Carved brown onyx, approximately 10 1/2 x 10 x 8 in. (26.7 x 25.4 x 20.3 cm), mounted to a wooden plinth.Condition: Good. $800-1,200


673

672

674John Sonsini (American, b. 1950)

Fernando, 2006-2007Signed and dated “John Sonsini/June 13, 2006” and also signed by the sitter “Fernan Chavez” in pencil on the reverse, identified on a label from ACME, Los Angeles, affixed to the reverse.Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed.Condition: Good.


N.B. Sonsini is best known for his work depicting Latino day laborers in his

neighborhood, the Pico-Union district in Los Angeles. In the present work, the portrait’s frontal and tightly cropped frame evokes a reference to an ID portrait, raising the politically charged issue of immigration and legal documentation. Through his tactile and visceral brushwork, however, Sonsini diffuses the overt politics of this series, focusing on the humanity of his sitters. According to Sonsini, “The information on cards in wallets is of little help to me. For me painting the portrait is about recreating the sensation of presence, the experience of having the sitter in my studio.”1

1. Kim Beil, “John Sonsini,” Profile, Art Ltd., August 2007.

$10,000-15,000

End of Sale


674

256

Addams, Charles Samuel ........................569Akers, Vivian Milner .................................515Albright, Ivan Le Lorraine .........................524Allrich, Steve............................................450Amaya, Armando.............................549, 673American School, 20th Century ...............661Andersen-Lundby, Anders .......................329Andrews, Benny ......................................593Austrian School, 17th/18th Century .........314Austrian School, 18th Century .................309Avery, Milton Clark ................. 573, 574, 664

Baker, Bryant Percy ................................404Bareford, David .......................................454Barye, Antoine-Louis ...............................354Beard, William Holbrook ..........................401Beckmann, Hannes .................................630Bemelmans, Ludwig ................................579Benglis, Lynda ................. 652-654, 662, 665Berke, Ernest...................................406, 407Bernstein, Theresa Ferber .......................455Berthelsen, Johann..................................518Bessire, Dale Philip ..................................460de Beucker, Pascal .................................542Blackman, Walter ....................................431Blagden, Allen .........................................474Blaney, Dwight ........................................410Blondel, Emile..........................................608Bloom, Hyman ........................................590Bompard, Maurice .......... 432, 436, 437, 562Bond, Willard Gordon ..............................523Briscoe, Franklin Dullin ............................370Bristol, John Bunyan ...............................365British School, 19th Century ....................332British/Dutch School, 19th Century .........327Brown, George Loring .............................429Brown, John Appleton .............................416Brown, John George ...............................381Brown, Roy Henry ...................................464Brush, Daniel ...................................644, 645Butler, Howard Russell ....................376, 415

De Cachard, Regis de Bouvier ................522Calder, Alexander ....................................646Carlsen, Emil (Soren Emil) ........................561Caro, Anthony .........................................647Casilear, John William ..............................364Celommi, Raffaello...........................423, 424Chapman, John Linton ............................433Chi, Chen ........................................620, 622Chinard, Joseph (After) ............................352Clare, Oliver (Attributed to).......................357Clem, Robert Verity .................................419Clements, George Henry .........................438Cloar, Carroll ...........................................643De Cock, César .......................................336Coignard, James .....................................598Colacicco, Salvatore ................................478Cole, Chisholm ........................................506Coleman, Nicholas ..................................405Continental School, 19th Century ............356Coutts, Gordon Harrower ................425, 427Couwenberg, Abraham Johannes ...........333Crane, Bruce ...........................................411Cross, Roy ..............................................476

Curran, Charles Courtney ........................552Currier, Joseph Frank ..............................414

D’Andrea, Cheslie ....................................420D’Arthois, Jacques (Attributed to) ............318Dahl, Hans Andreas ................................338Dallin, Cyrus Edwin ..................................554Das, Jatin ................................................615Daubigny, Charles François .....................335DeCamp, Joseph Rodefer .......................540Delobre, Émile-Victor-Augustin ........509, 512Diehl, Arthur Vidal ....................................491Dolph, John Henry ..........................384, 388Dorothy, James .......................................606Dubord, Jean-Pierre ................................513Dunlay, Thomas Russell ..................519, 520Dutch School, 17th Century ............301, 320Dutch School, 17th/18th Century ............325Dutch School, 18th Century ....................321Dutch School, 19th Century ............305, 328

Eakins, Thomas Cowperthwaithe (Circle of)................................................................380Efrem, Myrl ..............................................500Eggleston, Benjamin Osro .......................539Enneking, John Joseph .......... 383, 397, 408Evans, Paul .............................................582

Fabritius, Barent (Manner of)....................302Fanfani, Enrico .........................................342Fassett, Truman Edmund ........................501Fiene, Ernest ...........................................469Finck, Hazel .....................................529, 531Fischer, Anton Otto .................................447French School, 17th Century Style ..........304Friedeberg, Pedro....................................627Frost, Arthur Burdett................................421

Gay, Edward B. .......................................400Gibran, Kahlil George ............. 572, 575, 588Gifford, Charles Henry .............................377Gifford, Robert Swain ..............................428Gillespie, Gregory Joseph ........................614Gisson, André (Gittelson) .........................571Gloeckner, Michiel Theobald ...........623, 625Goodnough, Robert Arthur ......................624Goodwin, Arthur Clifton .......... 444, 459, 521Grant, Donald ..........................................426Greenwood, Joseph H. ...........................409Griffin, Walter Parson Shaw .....................503Gruppé, Emile Albert .......................487, 488Guardi, Francesco Lazzaro (School of) ....324Gudiashvili, Lado .....................................591Gue, David James ...................................368Guy, Seymour Joseph .............................392

De Haas, Mauritz Frederik Hendric ..........371Hambourg, Andre ....................................511Hammond, Jane ......................................656Harris, Charles Gordon ............................463Hazelton, Mary Brewster .........................499de Heem, Jan Davidsz (School of) ...........303Henrion, Armand François Joseph ..534, 535Henry, Edward Lamson (Attributed to) .....394Henry, Paul ..............................................508

Henshaw, Glenn Cooper ...................... 459AHermes da Fonseca, Isolda .............544, 544Herzog, Hermann Ottomar ......................331Hibbard, Aldro Thompson ...............448, 485Hitchcock, David Howard ........................470Hoffbauer, Charles ..........................532, 533Hogue, Alexandre ....................................600Holty, Carl Robert ....................................663Hopkins, Budd ........................................668Hunt, Esther Anna ...................................543Huntington, Anna Vaughn Hyatt ..............551Hutchison, Robert Gemmell ....................341

Irvine, Wilson Henry .................................442Isolda ......................................................544Italian School, 16th/17th Century ............306Italian School, 17th Century.....................315Italian School, 17th/18th Century ............308Italian School, 18th Century.....................316Italian School, 19th Century.............311, 350

Jansem, Jean ..........................................595Ject-Key, David Wu ................ 536, 553, 560Jenkins, Paul ...........................................648Jerome, Elizabeth Gilbert .........................385Jian, Wu ..................................................621Johnson, Eastman (Attributed to) ............379Joseph Frank Currier ...............................413Joseph, Guy ............................................605

Kahn, Wolf...............................................412Keith, William ...........................................395Kelly, Leon...............................................670Kepes, Gyorgy ........................................599Kinigstein, Jonah .....................................586Knaths, Karl (Otto Karl) ............................581Koeniger, Walter ......................................443Koester, Alexander Max ..........................538Kroll, Leon ...............................................556Kronberg, Louis .......................................537

Lamb, Frederick Mortimer .......................449Lane, Fitz Henry ......................................361Lansil, Walter Franklin ..............................435Larisch, Kurt ............................................628Leighton, Scott (Nicholas Winfield)...........402Levine, David ...........................................526Lewis, Edmund Darch .............................374LeWitt, Sol ...............................................636Lie, Jonas ................................................458Lipchitz, Jacques ....................................587Loven, Frank W. ......................................475Lucebert, Jean ........................................639Lumis, Harriet Randall .............................456de Lummen, Emile van Marcke ...............344Luna, Antonio Rodriguez .................612, 613

Maillol, Aristide ........................................565Malbranche, Louis-Claude .......................326Manso, Leo .............................................667Marquet, Albert (Manner of ) ....................525Mauve, Anton ..........................................347Mazur, Michael Burton ............................597Meadmore, Clement L. (Attributed to)......637Medcalf, William ......................................564

Artist Index

257

Mellen, Mary Blood ..................................375Meunier, Constantin Emile .......................340Meyerowitz, William .................................467Meza, Guillermo ......................................607Moeller, Louis Henry Charles ...........389, 391Moessel, Julius ........................................658Moholy-Nagy, László ...............................580Monamy, Peter (School of) ......................358Monticelli, Adolphe Joseph Thomas (School of) ............................................................351Moore, Diana K. ......................................550Mora, Francis Luis ...........................559, 577Moran, Earl Steffa ....................................566Moran, Léon ............................................390Mulhaupt, Frederick John ................453, 484Murray, Elizabeth .....................................649

Natkin, Robert ................................. 632-634Neuman, Robert Sterling .........................666de Neuville, Alfred Arthur Brunel (Manner of)................................................................386Nicholson, George Washington ...............378Noel, Jules Achille ...................................348Norman, Joseph E. .................................594Noyes, Wilber Fiske .................................465

Ongley, William ........................................372Onslow Ford, Gordon ..............................650Oppenheim, Samuel Edmund ..................570Oriani, Pippo ...........................................641Orozco, Armando Ortega ........................602Osorio, Trinidad ............................... 609-611Overlaet, Anton .......................................323

Pancoast, Morris Hall ..............................497Pape, Eric L. (Frederic) ......... 403A, 546, 548 Parrish, Stephen ......................................393Parton, Ernest .........................................441Passini, Ludwig .......................................353Pelc, Antonin ...........................................583Penfold, Frank Crawford (Francis) ............343Peyraud, Frank Charles ...........................462Picabia, Francis .......................................601Prendergast Studio (Attributed to) ...........563Presser, Josef .........................................527Prince, Richard ................................669, 671Prior, Scott ..............................................659Puthuff, Hanson Duvall ............................457Pynacker, Adam (Manner of) ...................319

Rabinowitch, David ..................................651Richards, William Trost ............................373de Ribera, Jusepe (School of) ..................310Richter, Mischa .......................................567Ripley, Aiden Lassell ................................514Rockman, Alexis ......................................657Roth, Ernest David ..................................430Rouland, Orlando ....................................498

Salem, Aly Ben ........................................642Saling, Paul E. .................................461, 483Salmon, Robert .......................................360Samaras, Lucas ......................................672Sample, Paul Starrett ..............................468Schinagl, Maximilian Joseph ....................317

Sckell, Ludwig .........................................349Scott, John White Allen ...........................366Seago, Edward........................................505Selinger, Jean Paul ..................................541Seven-Seven, Twins ........................603, 604Shapleigh, Frank Henry ...........................363Siena, James ...........................................635Simmons, Edward Emerson ....................517Simpson, Tommy ....................................655Sivanesan, M. .........................................616Smith, Francis Hopkinson ........................434Sonsini, John ...........................................674Spanish Colonial School, 18th/19th Century................................................................313Spanish Colonial School, 19th Century....312Spanish School, 20th Century .................555Spitzer, Walter .........................................576Stanczak, Julian ..............................629, 631Stella, Joseph ..........................................596Strisik, Paul .............................................481Sully, Thomas ..........................................382Svendsen, Svend Rasmussen .................445Svoboda, Vincent A. ...............................418

Tarbell, Edmund Charles .........................557Tennant, John Frederick ..........................334Tillinghast, C.A. .......................................387Tissot, James Jacques Joseph (Attributed to)................................................................355Tolliver, William ........................................584Topping, James ......................................451Toudouze, Edouard .................................422Turman, William T. ...................................452Tuttle, Richard .........................................638Tysland, Nikolay ......................................362

Ury, Lesser ..............................................504

Valenkamph, Theodore Victor Carl ..477, 479Van Boskerck, Robert Ward ....................417Vasarely, Victor ........................................626Vasilieff, Nicolai Ivanovitch .......................578Verboeckhoven, Eugéne ..........................345Verrijck, Dirck ..........................................322Vickery, Charles Bridgeman .....................480Vickrey, Robert Remsen ..........................528Villon, Jacques ................................545, 547von Zügel, Heinrich Johann .....................346Voorhees, Clark Greenwood ...........471, 472

Walker, John G. ......................................589Walter, Christian J. ............................... 405AWalters, Samuel (Attributed to) ................359Wasson, George Savary ..........................339Waugh, Frederick Judd ...........................516Way, John ....................................... 617-619Webber, Wesley Elbridge ................367, 369Wei, Letang ..................................... 617-619Whipple, Warren ......................................502Whorf, John............ 403, 490, 493, 495, 496Wiegand, Gustave Adolph .......................439Wiggins, Carleton (J. Carleton) ................396Wiggins, Guy Carleton .............................486Wiggins, Kim Douglas .............................466Wildner, Werner .......................................660

Wiles, Lemuel Maynard ...........................399Wilstach, George L. ................................446Witherstine, Donald Frederick ..................489Wood, William Reuben Clark ...................440Woodbury, Charles Herbert ... 473, 482, 492, ........................................................494, 507Woods, Padraic (Attributed to) ................510Woodward, Mabel May ...........................558Wyant, Alexander Helwig .........................398

Xylander, Wilhelm ....................................337

Yarde, Richard ........................................530

Zerbe, Karl ..............................................585Zverev, Anatoly ........................................592

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Revised December 17, 2012258

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Henri-Joseph Harpignies (French, 1819-1916), Lake at Twilight, 1904

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American & European Works of Art

Fine Paintings & Sculpture | Skinner Auction 2635B

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