FINE ART AND ANTIQUES INCLUDING SILVER

FINE ART AND ANTIQUES INCLUDING SILVERTuesday 17 June 2014Wednesday 18 June 2014Oxford

Bonhams 1793 LimitedRegistered No. 4326560 Registered Office: Montpelier Galleries Montpelier Street, London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax

Bonhams 1793 Ltd DirectorsRobert Brooks Co-Chairman,Malcolm Barber Co-Chairman, Colin Sheaf Deputy Chairman, Matthew Girling Global CEO, Patrick Meade Global CEO,Geoffrey Davies, Jonathan Horwich, James Knight, Caroline Oliphant, Hugh Watchorn.

Bonhams UK Ltd DirectorsColin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Matthew Bradbury, Harvey Cammell, Simon Cottle, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Charles Graham-Campbell, Miranda Grant, Robin Hereford, Asaph Hyman, Charles Lanning, Sophie Law, Camilla Lombardi, Fergus Lyons, Paul Maudsley, Gordon McFarlan,

Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Iain Rushbrook, John Sandon, Tim Schofield, Veronique Scorer, James Stratton, Roger Tappin, Ralph Taylor Shahin Virani, David Williams, Michael Wynell-Mayow, Suzannah Yip.

FINE ART AND ANTIQUES INCLUDING SILVERAntique and Modern Silver and PicturesTuesday 17 June 2014 at 10am

Furniture, Clocks and Works of ArtWednesday 18 June 2014 at 10amOxford

BONHAMSBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JHbonhams.com

VIEwINGSaturday 14 June 9am to 12pmMonday 16 June 9am to 5pmTuesday 17 June 9am to 5pmWednesday 18 June 9am to 10am

BIDS+44 (0) 20 7447 7448+44 (0) 20 7447 7401 faxTo bid via the internet please visit bonhams.com

Please note that bids should be submitted no later than 24 hours prior to the sale.

New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bid not being processed.

Live online bidding is available for this salePlease email [email protected] with ‘live bidding’ in the subject line 48 hours before the auction to register for this service

ENQUIRIES

Furniture, Carpets & Works of ArtMichael Wynell-Mayow [email protected]

Furniture and Works of Art Simon Davies [email protected]

Toby Messenger [email protected]

Frances Robinson [email protected]

Clocks Michael Welch [email protected]

Pictures Alicia Rogers [email protected]

Lizzie [email protected]

Silver Francesca Garvey [email protected]

Andrew [email protected]

CUSTOMER SERVICESMonday to Friday 8.30 to 18.00 +44 (0) 20 7447 7447

SALE NUMBER21750

CATALOGUE£10

Please see page 2 for bidder information including after-sale collection and shipment

Please see back of catalogue for important notice to bidders

PLEASE NOTEWe reserve the right to refuse entry into the saleroom. No coats or bags will be allowed into the saleroom and are left at owners’ risk.

ILLUSTRATIONSFront cover: Lot 239Back cover: Lot 199Inside front cover: Lot 250Inside back cover: Lot 597

IMPORTANT NOTICE TO ALL BUyERSPlease note in this catalogue there is no reference in the catalogue description of any presence of damage, repair or restoration. Condition reports on any lot with a low estimate of £500 or above are available by request from the department. In providing condition reports we do not guarantee or imply that there are no other defects present, which have not been mentioned. Please see the full conditions of sale printed in this catalogue.

IMPORTANT INFORMATIONThe United States Government has banned the import of ivory into the USA. Lots containing ivory are indicated by the symbol Ф printed beside the lot number in this catalogue.

Bids+44 (0) 20 7447 7448 +44 (0) 20 7447 7401 fax To bid via the internet please visit www.bonhams.com

PaymentsBuyers+44 (0) 20 7447 7447+44 (0) 20 7447 7401 fax

SellersPayment of sale proceeds+44 (0) 20 7447 7447+44 (0) 20 7447 7401 fax

Valuations, taxation and heritage+44 (0)20 7468 8340+44 (0)20 7468 5860 [email protected]

Catalogue subscriptionsTo obtain other catalogues or take out an annual subscription:Subscriptions Department+44 (0) 1666 502200+44 (0) 1666 505107 [email protected]

ShippingShipping Information (Excluding Book Sales)Unless you wish to use your own shipping company, please contact either of the below:

Mailboxes Etc. (Small Items Only)266 Banbury Road, Oxford, OX2 7DL+44 (0) 1865 514 655. [email protected]

Pack & Send3 Botley Road, Oxford, OX2 0AA+44 (0) 1865 260 [email protected]

SaleroomBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JH

+44 (0) 1865 853 640 +44 (0) 1865 372 722 fax

Offices

WinchesterThe Red HouseHyde StreetWinchesterHantsSO23 7DX+44 (0) 1962 862 515+44 (0) 1962 865 166 fax

Regional DirectorMichael Wynell-Mayow

Valuation EnquiriesAnna Pelly-FryCarol Knight

Furniture & Works of ArtToby MessengerFrances Robinson

Oak Vernacular Furniture & Related Works of Art David HoulstonMegan Wheeler

SilverMichael Welch

PicturesAlicia RogersLizzie Collins

BooksJohn Walwyn-Jones

JewelleryFrances Noble Louise Dennis Hannah Ibison

Condition Reports

We highly recommend thatpotential buyers make efforts to inspect the lots in Oxford inperson, during our public viewing.

We expect that there may be a large number of condition enquiries, and the effect will be that clients submitting long and elaborate requests are likely to be dealt with after those with short and specific requests.

SALE INFORMATION

By Rail: Oxford train station

Oxford Rd

Airfield

Banbury Rd

Upper

Cam

psfie

ld R

d

Shipton Rd

Oxford and A40A44

A4095

A4260Woodstock

Oxford

A409

5Bi

cest

er

Shipton on Cherwell

Kidlington

ANTIQUE AND MODERN SILVERLots 1 - 232

4 | BONHAMS

OLD SHEFFIELD PLATE

1Y Ф

An Old Sheffield plate samovarunmarked, circa 1800 Of octagonal panelled form, the circular bowl with two lion head ring handles, raised on a pedestal foot, with a later applied initialled cartouche and an ivory finial, together with, an Old Sheffield Plate dish warmer, of rectangular form raised on four scroll feet, with remaining wares, height of samovar 32cm. (9)

£200 - 300

2An Old Sheffield plate pair of two-handled wine coolersunmarked, circa 1820 Of cylindrical urn form with a fluted lower body, reeded handles, engraved crest, detachable tops with gadrooned borders, the interiors with removable drum liners, raised on a circular base, height 24cm. (2)

£800 - 1,200

3A Old Sheffield plate pair of three light, two branch candelabraunmarked, circa 1820 The sweeping reeded branches supporting fluted sconces, to a tapering half fluted column, raised on a circular base with gadrooned and shell borders, height 56cm, (one a.f.) together with various electroplated wares.

£200 - 300

4An Old Sheffield plate pair of meat coversunmarked, circa 1820 Of lobed oval form with scroll handles, engraved armorial, height 50cm & 41cm. (2)

£300 - 400

5Y Ф

A Old Sheffield plate set of four entree dishes with standsunmarked, circa 1820 Of rectangular form with gadrooned borders and twist handles, engraved armorial and crested, the two part stands with ivory handles, raised on four ball feet.

£300 - 400

2

5

FINE ART AND ANTIQUES INCLUDING SILVER | 5

ELECTROPLATE

6A Victorian electroplated swing-handle tantalusby Walker & Hall, circa 1877 Oval base and divider embellished with festoons, length 36cm.

£300 - 400

7Y Ф

An electroplated meat dish coverunmarked, circa 1870 Of plain form with a boars head crested handle, to an applied beaded rim, height 31cm, length 45cm, together with, an electroplated chafing dish, with an ivory handle. (2)

£300 - 400

8Y Ф

An electroplated dessert service for twelve settingsby William Yates Ltd. Walnut cased, with ivory handles, together with, an electroplated pierced gallery tray, circa 1880, inscribed raised on four ball feet, an electroplated cruet, with two cut glass dishes and a ceramic and electroplate serving stand, with scalloped edges, comprising; jug, bowl, two plates. (4)

£500 - 600

FOREIGN SILVER

9A Persian silver serving dish84 standard silver, makers and assay marks, 20th century Profusely engraved, raised on three winged beast capped paw feet, together with, a Chinese silver trinket box, bearing character marks, of hexagonal form, the lid embossed with Chinese mythical creatures, a German silver tea strainer, Hanau circa 1920, the tea strainer suspended above a bowl with a spout, an Indian silver cruet, unmarked and untested, comprising, salt pot and mustard, weight approx 28oz. (5)

£300 - 400

10An Italian silver ewermakers mark indistinct, stamped 800, circa 1930 Of plain elongated baluster form, with a flared spout, stylised wooden loop handle, raised on a circular spreading foot, height 36cm, weight total 20oz.

£400 - 600

11A German electroplated part canteenstamped MARTIN 90 Comprising; six table forks, seven table spoons, twelve dessert forks, two dessert forks, eleven tea spoons, a salad fork, two preserve forks, six table knives, ladle, together with, a continental pin tray, stamped 800, embossed with roses and cherubs, with remaining continental flatware. (Qty)

£500 - 600

12David Andersen: A Norwegian silver gilt and enamel set of twelve tea spoonsby David Andersen, Oslo circa 1925 With blue and white enamelling and filigree decoration, together with a tea strainer, sugar tongs, two preserve spoons, weight combined 8oz. (16)

£200 - 300

7

7 (detail)

6 | BONHAMS

13An Continental silver coffee potunmarked, possibly Swiss or French Baluster form, banded dome cover with ball finial, wood scroll handle, on three scroll and stepped hoof feet, height 19.2cm, weight total 15oz.

£500 - 600

14A French silver coffee potincuse mark of Lebrun, Paris 1817-1838 Of baluster form, gadrooned finial on domed hinged cover with gadrooned rim, height 19.5cm, together with; a Belgian hot water pot, maker’s mark B on a shield within a lozenge, unidentified, baluster form, banded knop on a domed hinged cover, wooden loop handle, height 25.5cm, weight total 45oz. (2)

£500 - 600

15Two Continental parcel gilt coronetsapparently unmarked, circa 1900 The first, of compressed circular form surmounted by a gilded banded orb and cross, the body pierced with alternating leafy scroll and flowerheads above a band of bead and oval ornament, with removable gilded liner, height 13.5cm, the other, flaring circular form, the castellated body ornately pierced with leaf-scrolls above a band on intermittent diamond and oval ornament, height 5.5cm. (2)

£500 - 600

16A Continental silver model of a horse drawn carriagewith import marks, London 1901 Realistically modelled, the carriage with a removable roof and articulated wheels, height 8cm, length 30cm, weight 12oz.

£600 - 800

13

16

14


17A continental silver four piece tea serviceStamped 950, possibly Italian Of fluted baluster form, with waisted covers, grape and vine embossed rims and leaf capped scroll handles, raised on four tab feet, comprising; tea pot, coffee pot, sugar bowl, milk jug, height of coffee pot 28cm, weight combined 75oz. (4)

£700 - 900

18A Continental silver gilt bowlwith French pseudo marks possibly Hanau decorated with rams heads, scrolls and flowers, together with a cockerel salt/egg cup, weight 9oz. (2)

£200 - 300

19A Continental pair of salt cellarswith pseudo marks, probably German circa 1900, The stylised scrolling shell bowls raised on stems modelled as children riding a dolphin, on a stylised scrolling up-turned shell base applied with a lizard at each end, with clear glass liners, length 16cm, weight 19.5oz. (2)

£500 - 600

20A Continental silver oval two-handle traypossibly Dutch, Enkuizen A Fiddle pattern soup ladle, probably 18th century French, reverse of stem with engraved coat of arms, four ornate spoons, with scroll stems and carouche terminals, another Continental spoon and a toy model of an Oriental figure, Hong Kong (7).

£500 - 600

21*

A Chinese Export silver gobletby Wang Hing, Shanghai / Canton, circa 1900 The plain bowl embossed with a rampant dragon in high relief, raised on a flaring circular foot, height 18.5cm, weight 8oz.

£500 - 600

22A Chinese pair of silver saltsby Wang Hing, Canton/Shanghai circa 1920 Of hexagonal panelled form, with six applied lizards to each salt and engraved decoration, with glass liners, diameter 3.5cm, weight 2oz. (2)

£200 - 300

17

21

8 | BONHAMS

23Y Ф

A Chinese silver three-piece tea serviceby Wing On & Co., Hong Kong, circa 1920 Of urn form, raised on a pedestal foot with angular handles, a hammered field, vacant cartouche, height of tea pot 21cm, weight combined 39oz. (3)

£600 - 800

24Y Ф

A Chinese silver three-piece tea serviceby KH, probably Shanghai circa 1900 Of circular form with engraved dragons, simulated bamboo handles and spout, the tea pot with ivory insulators, comprising; tea pot, sugar bowl and milk jug, weight combined 16oz. (3)

£500 - 600

25A Chinese silver bowlby Wang Hing, also stamped ‘90’ with character mark, circa 1900 Circular tapering form, the body embossed in relief with a rampant dragon, with carved wooden stand, diameter 12cm, weight 6oz. (2)

£300 - 400

BOxES & MICELLANEA

26A silver two-handled rose bowlby Mappin & Webb, Sheffield 1929 Of plain form, with leaf capped handles raised on a pedestal foot, together with, an Edwardian silver presentation cup, Sheffield 1905, inscribed, with a knopped stem and an applied beaded border, a silver ‘Liverpool Cathedral 1978’ commemorative cup, London 1978, engraved with the Liverpool Church of England Cathedral, with remaining silver and plated wares, weight combined 37oz. (Qty)

£400 - 500

27A silver two-handled trophy cupby The Alexander Clark Manufacturing Co., Birmingham 1906 Of plain form, with an applied waist band, to two capped scroll handles raised on a pedestal foot, together with, a Victorian milk jug, London 1869, of urn shape, embossed with foliate decoration, a silver drum mustard, Birmingham 1934, with remaining silver wares, weight of weighable silver 25oz. (Qty)

£400 - 500

28A silver pair of sauceboatsby S Blanckensee & Sons Ltd, Birmingham 1933 Of oval bellied form, weight 9oz, an Old Sheffield plate jug, oblong part fluted bellied form, with bright engraved band, a pair of unmarked plated two-light small candelabra, probably Continental, with remaining silver and plated wares. (Qty)

£300 - 500

23

24


29An Edwardian silver chamber candlestickby Hawksworth Eyre Ltd, Sheffield 1905 With ‘S’ scroll handle, the sides with rows of pierced star motifs and engraved inscription, detachable nozzle, height 9.5cm, a large silver helmet shape sauce boat, Sheffield 1925, with cut-edge, double scroll handle, raised on shell headed hoof feet, a silver brandy warmer and spirit heater stand, London 1928, with blackwood handle, with remaining silver and plated wares, weight of weighable silver 35oz. (Qty)

£400 - 500

30A George III silver cauldron salt cellarby J McKay, Edinburgh 1814 Raised on three hoof feet, engraved with a crest, together with an almost identical salt cellar, marks rubbed, a pair of George III silver cauldron salt cellars, London 1762, gadroon borders and later blue glass liners, a pair of Victorian silver pear shape pepperettes, Birmingham 1896, a large silver navette shape mustard pot, Chester 1911, with harp handle, blue glass liner, with remaining silver and plated wares, weight of weighable silver 30oz. (19)

£300 - 400

31A Edwardian silver pair of candlesticksby Goldsmiths & Silversmiths Company, London 1903 With detachable nozzles, knop stems, raised on spreading stepped bases, loaded, height 18cm, an Edwardian silver mounted pinched glass decanter, Birmingham 1906, stopper broken, an Edwardian oval silver mustard pot, London 1906, blue glass liner, a Victorian silver embossed rattle, whistle and teether, Birmingham 1899, lacking coral teether, with remaining silver and plated wares, weight of weighable silver 5oz. (8)

£500 - 600

32A silver pair of bon bon dishesby Sir John Bennett Ltd., London 1933 Of circular pierced form, together with, an Edwardian Dutch silver dish, import marks London 1900, of oval form, embossed with scenes of young children playing, a silver bon bon dish, Sheffield 1909, of navette form with pierced decoration, weight 12oz. (4)

£300 - 500

33Y Ф

A silver sugar casterby Guild of Handicraft, London 1949 With a twist pull-off pierced cover, together with, a George III marrow scoop, by Peter & Ann Bateman, London 1795, of conventional form, initialled, a George III marrow scoop, London 1781, with a deep bowl, a Victorian silver pair of salts, London 1853, embossed with flowers raised on three shell capped hoof feet with blue glass liner, with remaining silver flatware, weight combined 20oz. (Qty)

£500 - 600

34Y Ф

A Dutch silver wager cupwith import marks London 1898, by B.Neresheimer & Sohne, Hanau Modelled as a woman in 17th Century dress, embossed with flowers, swivel cup deficient, height 24cm, together with, a Victorian silver tea pot, London 1858, of panelled form, engraved with ivory insulators raised on four scroll feet, a Victorian silver two-handled dish, London 1855, embossed with foliate decoration, initialled, a George II silver waiter, London 1753, with applied shell and scroll border, engraved armorial, with remaining silver and plated wares, weight of weighable silver 53oz. (Qty)

£700 - 900

35A silver cream jugby Walker & Hall, Sheffield 1913 Of conventional form with leaf embellished double-scrolled handle, height 10cm, together with, an Edwardian silver sauce boat, London 1904, raised on three shell capped shell feet, a silver sugar caster, Birmingham 1976, with an engraved scroll frieze, with remaining silver and plated wares, weight of weighable silver 31oz. (Qty)

£500 - 700

36A Victorian silver salverby John Angell II & George Angell, London 1847 Of wavy circular form, with applied scroll and leaf rim, engraved and monogrammed raised on three scroll feet, diameter 31cm, together with, a Victorian silver presentation waiter, London 1891, profusely engraved and inscribed, a Victorian silver bowl, Sheffield 1900, raised on a pedestal foot, with remaining silver and plated wares, weight of weighable silver 49oz. (Qty)

£500 - 600

37Y Ф

An Edwardian silver pair of fish carversby Boardman, Glossop & Co Ltd, Sheffield 1904, With ivory handles, together with, a silver set of five fruit knives and six matching forks, Sheffield 1923, with mother of pearl handles, cased, a Victorian silver bowl, London 1872, circular raised on a spreading foot, with strapwork bands and engraved borders, an Art Nouveau silver spot hammered flower vase Birmingham 1903, loaded, with remaining silver and plates wares , weight of weighable silver 8oz. (Qty)

£250 - 350

38An Edwardian silver christening setby James Wakely & Frank Clarke Wheeler, London 1904 Comprising; two handled bowl, spoon, cased, together with, a silver pair of salts, London 1929, of circular form, with reeded rims and an a engraved frieze, a Georgian silver sauce boat, marks indistinct, raised on three shell capped hoof feet, a silver sugar caster, London 1932, of conventional form, a set of framed bronze medals, with remaining silver and plated wares, weight of weighable silver 28oz. (Qty)

£400 - 500

39A silver trophy cupby William Hutton & Sons Ltd, Birmingham 1925 Inscribed, height 20cm, together with, a Victorian silver pair of dishes, Birmingham 1897, of quatrefoil form, embossed with scroll decoration, an Edwardian silver dressing table set, Chester 1909, of plain form, comprising; two hairbrushes, two clothes brushes, an Edwardian silver dish, Birmingham 1907, with pierced decoration, the tapering handles to three hoof feet, with remaining silver wares , weight of weighable silver 29oz. (Qty)

£500 - 600

10 | BONHAMS

40A George III silver oval teapot stand,probably by John Mewburn, London 1793 With a beaded border, a central oval cartouche engraved with a monogram, length 17cm, a George III silver drum mustard pot, London 1805, with Greek Key borders, blue glass liner, a George III silver pair of oval salt cellars, marks indistinct, blue glass liners, a Victorian silver waiter, London 1885, with beaded border, diameter 15.5cm, engraved with a crest, a Victorian silver sweetmeat basket, Sheffield 1866, circular, with remaining silver wares, weight 32oz. (9)

£600 - 700

41A George III silver waiterby John Mewburn, London 1803 Of circular form, together with, a George III silver waiter, London 1813, of rectangular form, together with a quantity of cased flatware and cutlery, weight of weighable silver 17oz. (Qty)

£250 - 300

42Y Ф

A Victorian silver novelty combination whistle/ vesta caseby A & J Zimmerman Ltd., London 1895 With a hinged lid, together with, an Edwardian silver set of six fruit knives and forks, Sheffield 1902, with stained ivory handles, a Victorian silver and glass hip flask, London 1894, with a spot-hammered hinged lid, monogrammed, with remaining silver wares, weight of weighable silver 8oz. (Qty)

£600 - 800

43A George III silver milk jugby Samuel Roberts, London 1821 Of compressed lobed spherical form, leaf and shell embellished rim and loop handle, similar decoration to bracket paw feet, height 9cm, together with, a quantity of assorted silver and plated items, weight total of weighable silver 58oz. (Qty)

£500 - 700

44A Danish silver beakerby J. Siggard, Copenhagen 1935, with incuse mark of HEIMBÜRGER Of cylindrical form with flaring top, stylised beaded base rim, height 9cm, together with, an Italian silver box, by Braganti Antonio, Florence, of plain oval form, engraved with a Triumphal Arch, a silver tea strainer, Birmingham 1912, a silver bowl, London 1965 with remaining silver and plated wares, weight of weighable silver 21oz. (9)

£300 - 500

45Y Ф

An Edwardian silver mounted dressing table mirrorby J.A.&S., Birmingham 1910 Of oval form with an embossed dragonfly and floral mount to an oak easel frame, height 31.5cm, a Victorian silver bowl, London 1890, with floral and scroll embossed, chased and pierced decoration, diameter 26cm, an Edwardian silver and ivory pair of fish servers, Chester 1910, cased, a silver four piece cruet, with remaining silver wares.

£700 - 800

46A silver claret jugby J B Chatterley & Sons Ltd., Birmingham 1912 Of urn form, with a gadrooned lower body raised on a pedestal foot, together with, an Edwardian silver pair of sauce boats, London 1904, with leaf capped scroll handles, raised on three hoof feet, an electroplated and cut glass claret jug, with remaining silver wares, height of silver claret jug 26cm, weight of weighable silver 40oz. (6)

£400 - 500

47Y Ф

An Art Nouveau silver chatelineby Synyer & Beddoes, Birmingham 1901 Of triangular form, the top clip depicting a woman surrounded by flowers and scrolls, suspending; pin cushion, a card case, scissors, and a mirror, length 38.5cm, together with, a Victorian silver pair of dishes, Chester 1898, of navette form with pierced lozenge decoration, a cased set of carving tools, by Lee & Wigfull, Sheffield 1962-1963, with antler handles, an electroplated set of fish knives and forks for twelve settings, with carved ivory handles, cased, a silver plated coffee pot, of baluster form, weight of weighable silver 11oz. (Qty)

£500 - 600

48A Chinese novelty silver cruetby Tackhing, Hong Kong, circa 1890 In the form of a carriage being pulled by a man on a unicycle, the carriage supporting a basket weave mustard pot, a bucket salt pot and a basket pepper pot, two wheels, together with, a Chinese pair of silver salts, by Lee Yee Hing, circa 1900, of Chinese slipper form, a collection of various Parker pens, an electroplated cocktail shaker with remaining silver and plated wares, weight of weighable silver 23oz. (Qty)

£500 - 600

49A Victorian silver pair of pepper potsby Charles Lambe, Dublin 1897 Of cylindrical embossed form, together with, a Victorian sugar basket, London 1891, of tapering form with pierced sides and flower motifs, twisted rope rims and a swing-handle, blue glass liner, a silver toast rack, Sheffield 1830, with seven bars of rectangular form, with remaining silver and plated wares, weight of weighable silver 33oz. (Qty)

£500 - 600

50A French silver dessert basket,1819-1838 In the neo-classical style, circular, the beaded rim above a pierced frieze, raised on four tapering legs, cast with rosettes above floral pendants on claw feet linked by swags and pendants of flowers, blue glass liner, diameter 15cm, a silver bowl, London 1922, with beaded borders, a silver helmet shape milk jug, marks rubbed, part lobed and fluted, a silver pair of oval salt cellars, Birmingham 1911, with pierced sides and blue glass liners, an Argentinean circular bowl, marked, raised on three claw feet, with remaining silver and plated wares, weight of weighable silver 22oz. (Qty)

£350 - 400

51A George III silver set of four saltsby John McDonald, assay master John Hay, Edinburgh 1809 - 1810 Of cauldron form, raised on three hoof feet, together with, a silver seven bar toast rack, London 1821, each division of inverted heart form, a George II silver caster, London 1752, of typical baluster form with a pierced cover, a George III silver caster, London 1777, weight combined 27oz. (7)

£400 - 500


52A silver cigarette boxby William Neale & Son Ltd., Birmingham 1925 Of plain rectangular form, monogrammed, together with, a silver gilt commemorative key, London 1933, initialled and cased, a silver mug, London 1952, of baluster form, initialled, with remaining silver wares, weight of weighable silver 26oz. (Qty)

£400 - 500

53Y

A George III silver snuff boxby John Shaw, Birmingham 1818 Curved rectangular form, decorated with mottled pattern and embossed flowers, crested, length 6.5cm together with; a George III snuff box, by Samuel Pemberton, Birmingham 1801, rectangular form with reeded decoration, a George III silver mounted Aide Memoire, probably by Joseph Taylor, Birmingham, circa 1820, each side engraved with various floral panels, with ivory pages, an unmarked pair of mating bull dogs, a Continental metalware and enamel case and a gilt metal and enamel jewellery box, with green velvet interior weight of weighable silver 5oz. (6)

£500 - 600

54Y Ф

A Victorian silver mounted ivory page turnermakers mark distorted, London 1885 Handle with garden scene, length 41cm, also including a four-piece dressing table set, together with a quantity of other silver items and flatware, weight total of weighable silver 37oz. (Qty)

£200 - 300

55A silver two-handled pedestal bowlBirmingham 1931 With embossed Celtic knot and scroll frieze, height 22.5cm, a three piece silver tea service, Sheffield 1928, with gadrooned and shell borders, raised on ball feet, a silver two-handled cup, London 1919 inscribed, a George II silver cream jug, London 1741, with punch beaded border and leaf capped scroll handle, with remaining silver wares including flatware, weight of weighable silver 85oz. (39)

£700 - 1,000

56A silver pair of sauce boatspossibly Collingwood & Sons Ltd, Birmingham 1946 Of lobed form, also including another sauceboat, Birmingham 1953, gadrooned rim, together with, a quantity of other silver and plated items, weight total of weighable silver 30oz. (Qty)

£350 - 450

57A silver trumpet vaseby Walker & Hall Sheffield 1960 Together with two sugar bowls, silver and glass stamp box, a paperweight and a small candlestick, weight total of weighable silver 13oz. (6)

£400 - 600

58A silver framed clockby Keyford Frames Ltd., London 1990 Of square form, with ribbon and reed borders, the white dial with black Roman numerals, together with, a silver framed clock, London 1989, of circular form, heavily embossed with grape and vine decoration, an electroplated swing handle basket, of lobed form, with pierced decoration raised on four ball feet, with remaining plated wares. (Qty)

£300 - 400

59A Georgian silver mugpossibly William Knight II, London 1828 Of baluster form with a foliate embossed and lobed lower body raised on a pedestal foot, inscribed, together with, a Victorian silver goblet, London 1873, with bright-cut decoration and beaded rims, inscribed, a Georgian silver set of six Fiddle pattern teaspoons, Glasgow 1829, crested, a silver caster, marks indistinct, crested, a silver set of five wine labels, London 1984, with remaining silver and plated wares, weight of weighable silver 33oz. (Qty)

£500 - 800

60*

An Edwardian silver hip flaskby W & G Neal, London 1904 Of conventional form, together with, an Edwardian small silver monteith bowl, London 1907, with a fluted lower body raised on a pedestal foot, a William IV silver milk jug, London 1831, foliate embossed with leaf capped handle, a Victorian silver porringer, London 1891, with two handles and an embossed foliate frieze, with remaining silver wares, weight combined 41oz. (Qty)

£400 - 500

61Y

An Edwardian silver shell pattern stilton scoopmakers mark rubbed, London 1907 Together with a pair of Old English pattern silver sauce ladles by Peter, Anne & William Bateman, London 1800, an Edwardian silver pair of sauce ladles, Sheffield 1908, a Victorian silver Apostle handled sifter ladle with cross pierced scalloped bowl, London 1857, with various silver and plated wares, weight of weighable silver 20oz. (Qty)

£500 - 600

62A George III silver sugar basketby Robert Hennell I, London 1781 Of urn form, blue glass liner, monogrammed, together with, a Victorian silver sugar bowl, London 1842, of circular form raised on four shell feet, a Victorian silver matched sugar bowl and sifter spoon, London 1886, Sheffield 1838 profusely engraved and embossed, cased, with four silver photograph frames and remaining silver wares, weight of weighable silver 43oz. (Qty)

£500 - 800

63A George III silver pair of saltsby Robert Hennell I, London 1780 Of oval form, with applied beaded rims, raised on a square pedestal foot, gilded bowl, together with, a silver pair of limited edition trinket boxes, No: 30/500, London 1979, of octagonal form, with enamelled parrots to the lids, cased, a silver pair of sugar casters, Sheffield 1929, of tapering form, with pierced lids raised on a pedestal foot, with remaining silver and plated wares, weight of weighable silver 29oz. (Qty)

£500 - 600

12 | BONHAMS

64A silver set of three matched castersby David Hollander & Son, Birmingham 1971/1972 Of octagonal panelled form, with pierced lids, together with, a Victorian silver pair of salts, London 1879, with applied beaded borders, raised on three shell capped hoof feet, a George II silver cream jug, London 1759, embossed, raised on three shell feet, with remaining silver wares, weight combined 35oz. (Qty)

£500 - 600

65A Victorian silver pedestal bowlby Horace Woodward & Co., London 1890 With applied gardooned borders, embossed fluted decoration, raised on a pedestal foot, monogrammed, together with, a Victorian silver bowl, Birmingham 1876, embossed with foliate decoration, inscribed, a silver cigarette box, Birmingham 1964, of plain rectangular form, armorial, with remaining silver and plated wears, weight of weighable silver 44oz. (Qty)

£500 - 600

66A Victorian silver mugby Simeon Coley, London 1837 Of bellied form raised on spread foot, initialled, height 13cm, together with, a silver of pair Corinthian column candlesticks, Birmingham 1913, with removable sconces, height 18cm, a silver three piece cruet, London 1927, comprising two peppers and a mustard, with remaining silver wares, weight of weighable silver 34oz. (Qty)

£400 - 600

67A Continental silver set of eleven menu card holdersstamped ‘slam sterling’ Each modelled with Asian inspired characters, together with, a white metal cigarette box, stamped ‘Malaysia’, with embossed foliate decoration and applied city crests, a silver dish, Sheffield 1911, of shaped oblong form, with a vertically pierced rim, with remaining silver and plated wares, weight of weighable silver 40oz. (Qty)

£400 - 500

68A silver four/five light candelabraby Adie Bros Ltd, Birmingham 1962 Embellished with bands of laurels, height 20cm, together with, a silver dressing table candlestick, Birmingham 1971, a Victorian silver dish, London 1895, of oval form embossed with scroll decoration, a silver photo frame, Birmingham 1961, of rectangular form with engine turned decoration, with remaining silver and plated wares, weight of weighable silver 9oz. (Qty)

£500 - 700

69*

A silver mounted and blue enamelled dressing table setby Albert Carter, Birmingham 1932 With engine turned decoration, comprising; two bottles, three boxes, hairbrush, clothes brush, comb, two manicure items, together with, a silver waiter, Birmingham 1938, of plain from, a continental Aladdin’s lamp, stamped 925, a silver three-piece cruet, Birmingham 1934, with an applied Celtic rim, with remaining silver and plated wares, weight of weighable silver 32oz. (Qty)

£350 - 450

70A silver presentation rose bowlby A & J Zimmerman Ltd., Birmingham 1912 Of circular lobed form, raised on a pedestal foot, inscribed, together with, a Victorian silver christening mug, London 1875, with an applied beaded rim, engraved with ribbon and swag decoration, inscribed, an Edwardian silver coffee pot, London 1900, of plain tapering form, with remaining silver wares, weight combined 46oz. (5)

£450 - 550

71A Victorian silver travelling communion setby Jones & Willis, London 1880 Of conventional form, comprising; chalice, dish, decanter, together with, a silver pair of cut-card and glass vases, unmarked, with scroll and foliate decoration to Bristol blue glass, an Edwardian silver toast rack, Birmingham 1902, with remaining silver wares, weight of weighable silver 8oz. (Qty)

£600 - 800

72Y

An Art Deco silver five piece condiment setby Deakin & Francis, Birmingham 1926 Of square tapering form with canted corners, blue glass liners to salt cellars only, together with, a silver mustard pot, Sheffield 1910, of circular form, a silver helmet shape sauce boat, Sheffield 1966, a George III silver punch ladle, London 1769, with circular bowl and twisted whalebone handle, with remaining silver and electroplated wares, weight of weighable silver 14oz. (Qty)

£350 - 450

67 (part)


73Y

A william IV silver dessert service for twelve settingsby Unite & Hilliard, London 1831 With mother of pearl handles, cased in brass inlaid mahogany box, (one fork deficient), together with, an Edwardian hot water pot, London 1906, a gadrooned rim with a fluted lower body, to an angular handle raised on a spread foot, a Victorian silver cafe au lait pot, London 1895, of plain form, with a tapering spout, a 9ct gold pencil, Birmingham 1937, of hexagonal form with engine turned decoration, weight 14gms, with remaining silver wares, weight of weighable silver 44oz. (Qty)

£800 - 1,000

74A pair of silver-gilt boxesby Goldsmiths & Silversmiths Co.Ltd., London 1927 Of rectangular form with cut corners, engraved in the Dutch taste with mythological creatures, 9.5 x 7 x 3cm, a Victorian silver tea caddy box, Chester 1900, with embossed cherub decoration, a Chinese silver scent bottle and a silver novelty guitar. (5)

£500 - 600

75A Victorian silver christening mugby Josiah Williams & Co., London 1892 With a fluted lower body, an embossed foliate frieze, inscribed, together with, a Victorian Highland Agricultural medal, unmarked, inscribed 1849, ‘for the best bull exhibited at Cuber’, cased, an electroplated five piece tea service, ornately embossed with scrolls, lion and shield finials, the biscuit box with rams head ring pull handles, with remaining silver and electroplated wares, weight of weighable silver 8oz. (Qty)

£500 - 600

76A Victorian silver dishby James Wakely & Frank Clarke Wheeler, London 1892 Of quatrefoil shaped form, with four satyrs embossed amongst foliate decoration, initialled, together with, a Victorian pair of salad servers, Sheffield 1895, the large bowls to twisted stems, crested, a silver pair of toast racks, Sheffield 1910, of conventional form, with remaining silver flatware, weight combined 59oz. (Qty)

£500 - 600

77A Victorian silver pair of candlesticksSheffield 1888 With twist columns to a stepped base, height 13.5cm, loaded, an oval silver tea pot, London 1925, a silver hot water jug, marks worn, a silver sugar bowl and milk jug, Birmingham 1930, and a five piece silver mounted dressing table set, weight of weighable silver 36oz. (11)

£300 - 400

78An Edwardian silver large photograph framemarks worn, probably Birmingham 1904 Of plain form, with easel back 36 x 31cm, a silver sauce boat, Birmingham 1937, with applied Celtic border and handle and four silver items of flatware, weight of weighable silver 9oz.

£550 - 600

79A Victorian silver tea potby Henry Holland, London 1853 Of squat circular form, profusely engraved with scroll decoration, vacant cartouche, together with, a Victorian silver sugar bowl, London 1855, of circular form with two scroll handles, a silver bowl, London 1915, of plain form, a Persian white metal cruet, unmarked, with remaining silver wares, weight of weighable silver 42oz. (Qty)

£400 - 600

80A George III silver Old English pattern soup ladleLondon 1798 Initialled, a George III silver pair of Old English pattern basting spoon, London 1799, a Victorian silver pair of napkin rings, Birmingham 1890, with embossed cherub decoration, a Victorian silver set of six napkin rings, Birmingham 1891, cased and other silver and plated wares, weight of weighable silver 90oz.

£800 - 1,000

81An Edwardian silver three piece tea serviceby Z. Baraclough & Sons Sheffield 1909 Of oblong bellied form, with gadroon borders, raised on bun feet, comprising: tea pot, sugar bowl, milk jug, initialled, together with, an Edwardian silver four piece mounted dressing table set, Birmingham 1908, monogrammed, an Edwardian silver mounted cut glass dressing table box, Chester 1907, foliate embossed, with remaining silver and plated wares, weight of weighable silver 46oz. (Qty)

£500 - 600

82Y Ф

An Art Nouveau silver casterby Albert Edward Jones, Birmingham 1914 Of baluster form, spot-hammered decoration, the lid with a leaf motif and an applied foliate frieze, together with, an Art Deco silver dish, London 1934, of panelled form with a ribbon and reed rim to ivory handles, an Edwardian silver bowl, Sheffield 1900, of plain circular form, an Edwardian silver inkstand, London 1901, with remaining silver wares, weight of weighable silver 65oz. (Qty)

£700 - 900

MODERN SILVER

83An Art Deco silver three piece tea serviceby E W Haywood, Birmingham 1945 Of panelled form, with ‘Celtic’ borders, having angular handles, raised on stepped spreading circular octagonal bases, comprising: teapot, sugar bowl and milk jug, weight weight combined 32oz. (3)

£300 - 350

84A silver four piece tea serviceby John Hutton, London 1928 With applied gadrooned rims raised on ball feet, comprising, tea pot, hot water pot, sugar bowl and milk jug, height of hot water pot 21cm, weight combined 50oz. (4)

£700 - 1,000

85An Art Deco silver bowlSheffield 1932 Of square tapering form with cut corners and applied geometric border, raised on four tapering feet, diameter 22.5cm, weight 20oz.

£300 - 400

14 | BONHAMS

86A silver presensation salverby Golmiths, Silversmiths & Co. Ltd., London 1934 Of wavy circular form, raised on four claw and ball feet, inscribed, diameter 30cm, weight 29oz.

£300 - 350

87A silver set of twelve pairs of Athenian pattern fish eatersby Mappin & Webb, Sheffield 1936 With silver blades and tines, cased, together with a silver salver, Sheffield 1934, raised on four scroll feet, diameter 31cm, weight 28.5. (2)

£500 - 700

88A silver presentation salverby Alexander Clark & Co. Ltd., Sheffield 1921 Of circular form, with an applied pie crust border, inscribed, diameter 40cm, weight 50oz.

£500 - 600

89OF FRANKIE VAUGHAN INTEREST: A silver presentation two handled bowlby Barker Bros., Chester 1923 Of baluster form with an egg and dart border, lion head handles, raised on a pedestal foot, diameter 23cm, weight 22.5oz, mounted on an inscribed pedestal and a silver presentation two handled cup, London 1949, of vase form with leaf capped S scroll handles, raised on a pedestal foot, height 26cm, weight 35.5oz, mounted on an inscribed pedestal.

£700 - 800

The first pedestal is inscribed “New Musical Express 1958 poll, presented to, Frankie Vaughan, voted, Britain’s top vocal personality, and, favourite male singer” The second pedestal is inscribed “Picturegoer, annual award 1957, awarded to, Frankie Vaughan, by readers vote in their annual ballot, for his performance in, “These dangerous years”.” Frankie Vaughan, CBE, DL (1928 – 1999) was an English singer of traditional pop music, who issued more than 80 singles in his lifetime. He was known as “Mr. Moonlight” after one of his early hits and was born Frank Ableson.

From the 1950s through to the early 1960s, his recordings were popular in the UK and USA. In 1956, his cover of “The Green Door” reached No. 2 in the UK Singles Chart. The same year he was voted ‘Showbusiness Personality of the Year’. In early 1957, his version of “The Garden of Eden”, reached No. 1 in the UK Singles Chart. In 1961, Vaughan hit No. 1 in the UK again, with “Tower of Strength”, but the rise of beat music eclipsed his chart career for two or three years, before he returned to the Top 10 in 1967 with “There Must Be A Way”. Working further afield, he also made a number of film appearances including, most notably, in 1960, Let’s Make Love starring Marilyn Monroe. Frankie Vaughan changed the face of Easterhouse in the late 1960’s. Concerned by the gang warfare he saw among the young people, he co-ordinated a successful weapons amnesty. He gave money to set up the Easterhouse Project for local youngsters, donating the proceeds from his concert takings at Glasgow Pavillion. The project still helps young people from Easterhouse today. He was the subject of This Is Your Life on two occasions: in April 1970 when he was surprised by Eamonn Andrews, and in March 1994, when Michael Aspel surprised him during a photocall for Active Hearts at a London sports centre.

89


90A matched silver pair of sauce boatsby Frank Cobb & Co. Ltd., Sheffield 1935/1936 With an applied gadrooned border, raised on three leaf capped hoof feet, together with, an Edwardian silver tea caddy, London 1909, decorated with embossed village scenes, a William IV silver sugar sifter spoon, London 1833, of conventional form, weight combined 18oz. (4)

£500 - 600

91A silver epergneby Walker & Hall, Sheffield 1922 The central fluted vase with three scroll branches leading to individual fluted vases, raise on a circular foot, height 35cm, weight of weighable silver 10oz.

£400 - 500

92A Continental silver presentation traystamped 835 Of plain oval form, inscribed, length 50cm, weight 40oz.

£300 - 400

93A silver tankardby Munsey & Co., London 1937 Of plain form, with a bifurcated thumbpiece, the handle terminating in a heart shaped finial, height 14cm, weight 22oz.

£400 - 500

94A silver presentation salverby F.D (untraced), Sheffield 1986 Of plain form, raised on four hoof feet with a pie crust border, inscribed to the underside, together with, a Victorian silver salver, London 1880, with an applied beaded border, engraved decoration, a silver armada dish, London 1962, of conventional form, weight combined 30oz. (3)

£400 - 500

95A silver coffee potby Heming & Co. Ltd., London 1932 Of baluster plain form, with a domed cover, height 22cm, together with, a silver coffee pot, Sheffield 1911, of baluster form, raised on a spread foot, crested, a Victorian silver hot water pot, London 1896, with an angular handle raised on a spread foot, crested, weight combined 50oz. (3)

£500 - 600

96Georg Jensen: A silver three piece Rosebud cruet setby Georg Jensen, London 1933 import marks, design number 235, Comprising; mustard pot, pepper pot and salt pot with a blue enamel interior, weight of weighable silver 5oz. (3)

£300 - 400

9193

96

16 | BONHAMS

97A silver set of four saltswith cancelled marks, LAO Case Number ‘8989’ Oval basket form with raised reeded rims, eache raised on an oval pedestal base, length 8cm, weight 14oz. (4)

£200 - 300

98A silver four piece cruetby Harrods Ltd., London 1929 With engraved scroll decoration around the border and frieze, raised on a spread circular foot, comprising; two mustards, two peppers, together with, a silver waiter, London 1934, of shaped circular form, with engraved decoration, raised on three hoof feet, weight 32oz. (5)

£400 - 500

99A silver cruetby William Hutton & Sons Ltd., Sheffield 1916 With six silver topped original cut glass bottles, the reeded receivers to the central foliate embossed handle, with a gadrooned rim raised on four scroll feet, weight of weighable silver 31oz.

£400 - 500

100An Art Deco silver two branch, three light candelabramaker’s mark indistinct, Birmingham 1933 The tapered column to a square stepped and beaded base, loaded, height 41.5cm.

£400 - 500

101A silver dishby Mappin & Webb, Sheffield 1977 With open-work petalled rim, on a circular foot, diameter 25.4cm, a silver sauceboat, Sheffield 1979, oval form with bead rims, length 17.5cm, with remaining plated wares, weight of silver 25oz. (5)

£500 - 600

102Georg Jensen: A silver bowlby Sigvard Bernadotte, circa 1945, design number 904 With a sweeping rim, with applied wavy decoration to foot, height 6.5cm, diameter 16.5cm, weight 14oz.

£500 - 600

103A Victorian silver butter-shell dishby George Maudsley Jacksson, London 1892 Raised on three globular feet, together with two pierced bowls, by Walker & Hall, London 1902, a five-piece cruet set, London 1938, comprising: two peppers, two salt and mustard pot, gadrooned rims, with remaining silver and plates wares, weight total of weighable silver 70oz. (Qty)

£650 - 750

104A silver set of six gobletsby C. J. Vander Ltd., London 1971 Of plain form, with knopped stems, weight combined 33oz. (6)

£400 - 500

100

102


105A silver salverby Barker Bros, Chester 1918 Of shaped circular form with moulded rim, raised on four scroll, diameter 27cm, a Dutch silver tea caddy, English Import marks, of shaped outline embossed with figures and landscape scenes, and an Edwardian silver pill box, Birmingham 1907, circular with hinged cover and ribbon tied threaded borders, engraved monogram, weight 23oz. (3)

£250 - 300

106A silver pair of saltsby C. J. Vander Ltd., London 1971 The bowls in the form of a shell, raised on a stylised pedestal foot, with chased and engraved decoration, height 5.5cm, weight combined 14oz. (2)

£300 - 400

107A silver pierced dishby Walker & Hall, Sheffield 1966 Of circular form, with engraved and pierced foliate decoration, with an applied cast foliate and leaf border, diameter 30cm, weight 32oz.

£300 - 350

108A silver rose bowlSheffield 1922 Of circular form with twisted lobed decoration, raised on a pedestal foot, height 18.5cm, diameter 24.5cm, weight 23oz.

£500 - 600

109A silver matched three piece tea serviceby Robinson & Co. Ltd., London 1914/1915 Of squat circular form, with pierced scroll borders, raised on a spread foot, comprising; tea pot, sugar bowl, milk jug, together with, a silver pair of wine tasters, London 1965 of plain form with entwined snake handles, a silver sauce boat, Chester 1938, with remaining silver wares, weight of weighable silver 36oz. (Qty)

£500 - 600

106

107

18 | BONHAMS

110Y

Harald Nielsen for Georg Jensen; An Art Deco silver and rosewood dressing table setby Georg Jensen, London import 1935/6, design number 224 Comprising; a circular powder bowl, a hand mirror, two hair brushes, a clothes brush, a silver mounted tortoiseshell comb, two pairs of scissors, a nail buffer, a nail file and a cuticle pusher, cased.

£500 - 600

111A silver matched three piece tea serviceby James Deakin & Sons, Sheffield 1919 - 1922 Of wavy oval form, with scroll handles, comprising; tea pot, sugar bowl, milk jug, weight combined 41oz. (3)

£400 - 500

110


FLATwARE

112A George III silver pair of fiddle pattern sauce ladlesby J. Langdon, Exeter 1813, no town mark Initialled, and a quantity of George III and later silver fiddle pattern flatware, weight 33oz.

£200 - 300

113A Victorian silver Kings/Queens pattern part canteenVarious dates and makers Comprising; twelve table forks, eight table spoons, thirteen dessert forks, twelve dessert spoons, twelve tea spoons, a pair of sauce ladles, basting spoon, together with two electroplated table spoons and table fork, weight of weighable silver 140oz. (63)

£1,500 - 2,000

114A George III silver set of four game skewersby Jonathon Perkins I, London circa 1770 Of tapering form with shell finials, together with, a George III silver punch ladle, by Fuller White, London circa 1760, the shaped bowl to a knopped wooden handle, monogrammed, length 48.5cm, weight of weighable silver 2oz. (5)

£600 - 800

113

20 | BONHAMS

115A Charles I seal top spoonby R*?, London 1625 A gilded fig-shaped bowl and gilded tapering stem, applied with a cast fluted and scroll finial, disk-end prick-dot engraved “I” over “PA” , length 17cm, weight 1.7oz.

£300 - 400

Ex Bonhams & Brooks lot 81, sale 28535

116A Victorian silver Kings pattern part canteen for twelve settingsVarious dates and makers Comprising; table forks, table spoons, dessert spoons, six tea spoons, two basting spoons, four sauce spoons, two mustard spoons, initialled ‘M’, together with six electroplated dessert forks, weight combined 93oz. (Qty)

£900 - 1,200

117A Victorian silver set of four Fiddle and Shell pattern table spoonsby Walker & Hall, Sheffield 1899 Crested, together with, a Georgian silver set of six Fiddle pattern dessert forks, London 1828, crested, a George III silver pair of Fiddle and Shell pattern table spoons, London 1819, crested with various silver flatware, weight combined 54oz. (Qty)

£500 - 600

118A George III silver skewerby Hester Bateman, London 1784 Of conventional form, with a loop handle, together with, a Victorian matched silver pair of Fiddle Pattern basting spoons, London 1849-1875, one crested, one initialled, a silver set of six Old English pattern table forks, Sheffield 1920, with remaining silver flatware, weight combined 84oz. (Qty)

£700 - 900

119A quantity of silver King’s pattern flatware and cutleryvarious dates and makers Placings for six, comprising: table forks, dessert forks, dessert spoons, tea spoons, table knives, also including five coffee spoons, together with a quantity of plated examples, weight of weighable silver (excluding knives with steel blades) 51oz. (Qty)

£400 - 500

120A German silver Hanoverian tablespoon,makers mark H L, unidentified, Hamburg, prick dated 1836 three other Hamburg silver spoons, some inscribed, three others by H Schuldt, L Bing and C J Wodcke and a electroplated spoon. (8)

£150 - 200

115

115 (detail)

115 (detail)


121A silver Du Barry pattern canteen for four settingsby J E S, Sheffield 1971 Comprising; table forks, dessert forks, two table spoons, dessert spoons, fish forks, fish knives, teaspoons, three coffee spoons, one butter knife, together with, a silver handles carving fork, silver handled table and dessert knives, weight of weighable silver 49oz. (Qty)

£500 - 800

122A cased set of Victorian silver Kings pattern fish forks and knivesby Harrison Bros & Howson, Sheffield various dates Placings for six, also including a matched pair of fish servers, Sheffield 1891, together with an oak cased canteen box, ‘J W Benson, London’ and assorted silver plated Kings pattern flatware. (a lot)

£250 - 350

123A Victorian Old English pattern silver part canteenby James Dixon & Sons, Sheffield, 1895, 1898 & 1900 Comprising:- six table forks, six dessert spoons, and six dessert forks, engraved with an initial ‘S’, with remaining silver flatware, weight of weighable silver 47oz. (4)

£500 - 550

121

22 | BONHAMS

124Y

An Edwardian silver matched set of six apostle spoonsby Lambert & Co., London 1904-1905 Together with, a George III toddy ladle, London 1786, with whale bone handle, an silver hotwater jug, Sheffield 1929, of plain form raised on a spread foot, initialled, weight of weighable silver 27oz. (8)

£300 - 500

125A Victorian Old English pattern silver canteen for eighteen settingsby Walker & Hall, Sheffield 1899-1900 Comprising; table forks, twelve table spoons, dessert forks, twelve dessert spoons, ten teaspoons, Sheffield 1911, three serving spoons, sugar tongs, some pieces initialled ‘H’, weight combined 131oz. (73)

£1,200 - 1,500

126A Victorian silver set of four berry spoonsby Samuel Hayne & Dudley Cater, London 1845 Of conventional form, crested, together with, a George I pair of Hanovarian rat tail silver spoons, London 1724, marked S over T * E, a George III pair of silver table spoons, London 1806, with foliate engraved decoration, with various silver spoons, weight combined 31oz. (Qty)

£300 - 400

127An American silver part canteenby Tiffany & Co., sterling Comprising; six table forks, three tablespoons, six dessert spoons, four teaspoons, one butter knife, initialled, weight combined 30oz. (Qty)

£300 - 350

128A Victorian bright-cut canteen for twelve settingsby George Aldwinckle, London 1888 Initialled, comprising; table forks, three table spoons, dessert forks, dessert spoons, tea spoons, weight combined 87oz. (51)

£800 - 1,000

129A silver Old English pattern part canteen for twelve settingsby Josiah Williams & Co., London 1932 Comprising; table forks, six table spoons, dessert spoons, dessert forks, together with, six steel bladed table knives and six steel bladed fruit knives, weight of weighable silver 66oz. (54)

£600 - 800

128


VERTU

130A French gold, enamel and later resin circular boxbearing control marks, circa 1800 Of circular form, the pull-off cover with a blue and white enamel border, diameter 6cm.

£500 - 600

131A 9ct gold vesta caseby S Blanckensee & Sons Ltd., Birmingham 1923 With engraved decoration, weight 19gms, together with, an silver topped and glass inkwell, Birmingham 1929, of square form, a continental cigarette case, stamped 900, of rectangular form inscribed inside, weight 3oz. (3)

£300 - 500

132Of wellington interest: A Victorian silver inkwellby Charles Thomas Fox & George Fox, London 1846 The fluted column raised on a circular stepped base, the hinged cover surmounted by a bust of the Duke of Wellington, opening to reveal a glass liner with silver collar , height 20cm, weight of weighable silver 12oz.

£500 - 600

133A 19th century gold and banded agate boxunmarked and untested Of rectangular shaped form, the striated agate cover to a gold hinge mount with scroll detail to a sapphire cabochon thumb piece on a similarly coloured agate base, length 7cm.

£600 - 800

134An Edwardian silver fronted timepiece/photograph frameby Joseph Gloster, Birmingham 1906 Of sinuous form with an applied floral panel containing a photograph aperture, the movement by the British United Clock Co. Ltd., height 18.5cm.

£400 - 500

134

133

132

24 | BONHAMS

135An early 20th century Japanese silver and enamel beltstamped with Japanese character mark and 1000, circa 1900 The shaped roundels with chain links, each relief decorated with flower heads, peonies, chrysanthemum and leaves, enamelled in the shades of green, purple, blue, yellow, white and orange, length 75cm.

£300 - 500

136Y

A George I/II mother of pearl and tortoiseshell mounted snuff boxunmarked, circa 1720 Of rectangular form, the hinged cover inset with a carved mother of pearl panel depicting Judith holding Holofernes head with her maid servant outside tents, to a plain tortoisehell base, 7 x 6 x 2.5cm.

£500 - 600

137A Tiger’s eye and gold boxby George Carsberg & Son, London 1978, stamped 750 Of plain rectangular form, with 18ct gold capped corners and cartouche, 10.5cm x 18cm x 4cm.

£600 - 800

138A Victorian/Edwardian Gentleman’s matched silver dressing boxby Charles Fox & Co. Ltd./ Thomas Whitehouse, London 1861/1913 The rectangular walnut and brass inlaid box opening to reveal five silver topped glass containers and a shaving brush, underneath showing a shoehorn, shaving blade, and a manicure set, the lid with a mirror compartment, all with engine turned decoration, initialled J.E.T, 23cm x 17cm x 11cm. (Qty)

£500 - 600

136 (detail)

137

136

138


139A Continental silver and enamel powder compactstamped 800, handmade Italy Of circular form, the enamel lid depicting a young man serenading a young woman, with engraved scroll decoration, another similar compact of shell form, together with, a continental silver and enamel snuff box, marks indistinct, with engine turned decoration visible through red enamel, with remaining wares, weight weight of weighable silver 5oz. (5)

£500 - 600

140A Victorian silver presentation snuff boxby Frederick Marson, Bimringham 1876 Of shaped rectangular form, with engraved scroll decoration, together with, a continental silver cigarette case, stamped 925, of cylindrical form, with a hidden hinge, decorated with green paste stones, initialled, a continental white metal box, unmarked decorated with battles scenes surrounded by scrolls and bead work, to a velvet interior, with remaining wares, weight of weighable silver 7oz. (6)

£600 - 800

141A Victorian silver and mixed metal aide memoireby George Unite, London 1876 Rectangular form with curved corners, the cover engraved with climbing pansies, the reverse applied and engraved with climbing blossoming flowers in copper and silver-gilt, interior lining absent, length 10cm, weight 3oz.

£200 - 300

142A small group of silver smoking accessoriesvarious dates and makers Comprising two ashtrays, three cigarette cases, matchbox holder and a lady’s compact (mirror broken), weight of weighable silver 16oz. (7)

£200 - 300

143A 9ct gold cigarette caseBirmingham 1912 Of rectangular arched form with linear engraved decoration, weight 84 grams, a Victorian silver card case, by S. Mordan & Co., London 1900, monogrammed and a silver cigarette case, London 1937. (3)

£300 - 500

144A Victorian silver vinaigretteby Frederick Marson, London 1846 The lid engraved with a lake land scene with a sail boat in the background, together with, a gold and banded carnelian vinaigrette, unmarked and untested, of oval form, weight of weighable silver 1oz. (2)

£600 - 800

145A George III silver nutmeg graterby Thomas Phipps & Edward Robinson, London 1791 Of cylindrical form, hinged side and cover, length 7cm, together with, a silver mounted snuff mull, probably Scottish, unmarked and untested, the hinged cover with a thistle and shield cartouche, length 8cm, an Old Sheffield plate oval elliptical double lidded snuff box, with bright-cut decoration, height 9.5cm. (3)

£600 - 800

146An American silver “Castle Top” card caseby I & W?, circa 1870 One side depicting a Gothic cathedral, the reverse a hill top fort with a bridge in the foreground, both surrounded by embossed flowers and trees, initialled, 9 x 6cm, weight 1.5oz, together with, a 9ct gold double sovereign case, Birmingham 1913, of shaped rectangular form, weight 39grams. (2)

£500 - 600

146 146

26 | BONHAMS

147A william IV silver “Castle Top” snuff boxby Nathanial Mills, Birmingham 1834 The lid engraved and chased depicting St. Paul’s Cathedral, to an applied relief foliate border, the sides embossed with wild flowers and foliage, of rectangular form, height 9.5cm, weight 6oz.

£600 - 800

148A Victorian silver snuff boxby Edward Edwards II, London 1844 Of rectangular form, profusely engraved with foliate decoration, inside the hinged lid reveals an engraved industrial beach/ pier scene, gilded interior, crested, length 10cm, weight 5oz.

£400 - 500

148

148 (detail)

147

147 (detail)


ANTIQUE SILVER, PRE 1914

149A silver pair of cafe au lait potsby John Henry Rawlings, London 1913 Of baluster form, with an applied gadrooned rim, woven straw decorated handles, raised on a pedestal foot, height 26cm, weight combined 30oz. (2)

£400 - 500

150A silver bowlmarks indistinct Of wavy circular form, with a festoon embossed rim, raised on a pedestal foot, height 15.5cm, diameter 25cm, weight 18oz.

£400 - 500

151A silver trophy cupby Elkington & Co., Birmingham 1911 Of conventional form, with a removed plaque, together with, a silver two-handled trophy cup, by Aide Bros. Ltd., Birmingham 1927 inscribed, a silver trophy cup, by Oldfields Ltd., Birmingham 1908, with embossed foliate decoration, inscribed, height of first cup 30cm, weight combined 38oz. (4)

£300 - 400

152A silver three piece tea serviceby Atkin Brothers, Sheffield 1912 Of oval form, with a fluted lower body and an applied gadrooned rim, comprising; tea pot, sugar bowl, milk jug, an Edwardian coffee pot, Edinburgh 1900, crested, a silver hot water pot, London 1913, of pain form, weight combined 65oz. (5)

£600 - 800

153An Edwardian silver bowlby Atkin Brothers, Sheffield 1903 With an applied gadrooned border, together with, a Victorian silver waiter, London 1892 with foliate engraved decoration and an applied beaded border, an silver inkwell, Birmingham 1927, of circular form, with liner, a silver circular dressing table pot, Birmingham 1919, raised on four scroll feet, diameter of bowl 17cm, weight 18oz. (4)

£400 - 600

154An Edwardian silver set of menu holdersby William Hornby, London 1907 With game related surmounts, cased, together with,a Victorian silver presentation trowel, Birmingham 1864, inscribed, a silver set of fish servers marks indistinct, with pierced tines and blade, weight of weighable silver 6oz. (3)

£500 - 600

155An Edwardian silver four piece tea and coffee serviceby Walker & Hall, Sheffield 1905 Of oval part reeded form, comprising; tea pot, coffee pot, sugar bowl and milk jug, a silver three light candelabrum, Birmingham 1963, with two reeded scroll arms and central flame finial, on a knopped stem and hexagonal shell embossed base, height 28cm, loaded, a Victorian silver twin handled double lipped cream jug, Sheffield 1883, height 7.5cm, and a silver twin handled sugar bowl, raised on four ball feet, marks rubbed, height 10cm, weight combined 74oz. (7)

£650 - 750

149

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156An Edwardian silver epergneby Henry Hobson & Sons, Birmingham 1902 The central scrolling stand with a pierced basket to extending scroll branches supporting two further pierced baskets, height 26cm, length 63, together with, an Edwardian silver epergne, Sheffield 1907, the tapering octagonal posy column, with two octagonal baskets balancing from two angular handles, height 32cm, length 31cm, weight combined 64oz. (2)

£600 - 800

157An Edwardian silver salverby Thomas Bradbury & Sons, London 1901 Of plain form, with a pie crust border, raised on three scroll feet, diameter 31cm, together with, an Edwardian silver salver, London 107, of plain form raised on three hoof feet, diameter 26cm, weight combined 51oz. (2)

£450 - 500

158An Edwardian pair of silver vasesby Morris Goldman, Birmingham 1902 With piecred scroll and foliate decoration and blue glass liners, raised on a spread foot, loaded, height 27cm. (2)

£500 - 600

159*

An Edwardian silver cigarette boxby A & J Zimmerman Ltd., Birmingham 1900 Of rectangular form, crested, together with, an Edwardian cigarette box, Birmingham 1908, with a spot-hammered lid, raised on four ball feet, vacant cartouche, a Victorian silver cigarette box, London 1890, of small rectangular form, monogrammed, a Victorian silver cigarette box, London 1899, of rounded rectangular form, monogrammed, loaded. (4)

£200 - 300

160An Edwardian silver mounted claret jugby John Grinsell & Sons, London 1903 Of baluster form, with plain silver mounts and scalloped edges with a club shaped thumb-piece, height 21.5cm.

£500 - 600

156 (part)

158


161An Edwardian silver presentation bowlby Horace Woodward & Co Ltd., London 1905 Of lobed plain form, raised on a pedestal foot, inscribed, height 19cm, diameter 24cm, weight 28oz.

£300 - 400

162An Edwardian silver rose bowlmakers marks indistinct, Sheffield 1910 Of bellied circular form, with a wavy rim, two applied lions heads ring pull bell handles, the body embossed with two hands shaking over a bell, raised on a pedestal foot, height 23.5cm, diameter 30.5cm, weight 62oz.

£600 - 800

163*

An Edwardian silver pair of candlesticksby Fordham & Faulkner, Sheffield 1905 The shaped square removable sconces to a knopped stem raised on a shaped square base, loaded, height 30cm. (2)

£300 - 400

164An Edwardian silver pressed punch bowlby London 1900 Heavily embossed with scrolls and flowers, gilt bowl, height 20.5cm, diameter 34cm, together with, a silver plated matched set of eight punch cups, a silver punch ladle, London 1973, with a beaded rim, knopped wooden handle, a silver plated circular tray, initialled, weight of weighable silver 63oz. (Qty)

£800 - 1,200

165An Edwardian silver bachelor three piece tea serviceby W. Aitken, Birmingham 1903 Of fluted vase shaped form with a reeded border and handles, comprising; tea pot, sugar bowl, milk jug, together with, a George IV silver Fiddle pattern soup ladle, London 1825, crested , weight 27oz. (4)

£300 - 500

166An Edwardian silver four piece tea serviceby James Deakin & Sons, Sheffield 1908-9 Of ovoid form, the lower body with fluted decoration, an applied gadrooned and shell border, leaf capped angular handles, raised on four ball feet, initialled, ‘W’, comprising; tea pot, coffee pot, sugar bowl, milk jug, height of coffee pot 22cm, weight combined 68oz. (4)

£500 - 700

167An Edwardian silver pair of sugar basketsby W.H.L. (untraced), Sheffield 1905 Of navette from, with reeded swing handles pierced decoration, vacant cartouche and blue glass liner, raised on a pedestal foot, together with, a matched silver sauce boat and dish, Birmingham 1970/ Sheffield 1968 with applied gadrooned borders, raised on three hoot feet, another similar matched silver sauce boat and dish, Birmingham 1982/ Sheffield 1972 of pain form with shaped borders, raised on three hoot feet, weight combined 44oz. (3)

£500 - 600

166 167

30 | BONHAMS

168An Edwardian silver dish ringGoldsmiths & Silversmiths Co. Ltd., mark worn, London 1903 Of circular waisted form, the body profusely pierced with two birds, two foxes and two hunting dogs, among chased floral scrolls, with blue glass liner, vacant cartouche, diameter 19.1cm, weight 11oz.

£300 - 400

169An Edwardian silver mounted wall mirrorby H Matthews, Birmingham 1905 Rectangular form, embellished with pierced foliate scrolls enclosing alternating flower heads, crowned with a plain shield cartouche, set with a bevelled mirror plate, wooden back, together with, an Edwardian silver framed dressing table mirror, Birmingham 1908, with easel back, height 52cm. (2)

£500 - 700

170An Edwardian silver salverby John Hunt, London 1901 Of shaped square form, with a pie-crust border raised on bracket feet, length 23cm, together with, a silver basket, London 1921, of navette form, with a wire work handle, a silver swing-handled basket, London date letter rubbed, of circular form embossed with flowers and fruit raised on a pedestal foot with a gilded bowl, crested, weight combined 48oz. (3)

£500 - 600

171A Victorian silver swing-handled basketby James Aldridge, London 1854 Of wavy circular form, profusely pierced with an applied twisted rim and an embossed beaded border, the body with pierced horizontal slats and circles, raised on a pierced pedestal circular base, crested, height with handle raised 24.5cm, diameter 29.3cm, weight 18oz.

£300 - 400

172Y Ф

A Victorian silver tea potby John Tapley, London 1851 Of can shaped, with leaf and scroll engraved decoration to lid, ivory insulators, crested, together with, a Victorian coffee pot, London 1862, of tapering form with leaf and scroll engraved decoration, crested, height of coffee pot 20cm, weight combined 43oz. (2)

£400 - 500

173Y Ф

A Victorian silver four piece tea serviceby Edward, Edward junior, John & William Barnard, London 1839/1840 Of fluted, squat, circular form, engraved with scroll decoration, the tea pot and coffee pot with cast foliate finials and ivory insulators, raised on four scroll feet, comprising; tea pot, coffee pot, sugar bowl, milk jug, weight combined 81oz. (4)

£700 - 900

Inscribed, ‘Presented by Denis Mc.Cheane to Mr Joseph Barker Abbott, 14th November 1840.’

168

173

171


174A Victorian silver pair of candle sticksby William Hutton & Sons Ltd., London 1897 (?) Of tapering form, the removable sconce with a beaded rim, decorated with swags, ribbons and rams heads, the square base with acanthus leaves and urns, loaded, height 31cm. (2)

£400 - 500

175A Victorian silver dish ringby James Wakely & Frank Clarke Wheeler, London 1895 Embossed and pierced in the rococo style with dogs, birds, flowers, foxes, fruits, vacant cartouche, diameter 16cm, weight 10oz.

£300 - 400

176Y

A Victorian rosewood travelling dressing table box with silver mounted fittingsby F. Dumenil, London 1839 The rectangular box opening to reveal seven silver topped glass containers and a manicure set, the lid with mirror compartment, jewellery drawer beneath, 30 x 23 x 17cm.

£250 - 350

177A Victorian silver four piece matched tea serviceby Lee & Wigfull, Sheffield 1894-1896 Of squat oval form, with an applied gadrooned rim, with a fluted and foliate embossed lower body, comprising; tea pot, coffee pot, sugar bowl, milk jug, height of coffee pot 22cm, weight combined 63oz. (4)

£600 - 800

178A Victorian silver wine ewerby Benjamin Preston, London 1838 Of plain form, the handle stylised with vine leaves and grapes, with a cast foliate finial, raised on a spread foot, height 31cm, weight 31oz.

£500 - 600

179A Victorian silver pair of cafe au lait potsby Mappin Bros., Sheffield 1897 Of baluster form, with a fluted lower body, height 17cm, together with, a silver mounted glass claret jug, London 2005, raised on a pedestal foot with a glass stopper, height 30cm, an Edwardian silver collared whisky decanter, Sheffield 1908, with two handles and a glass stopper, height 22cm, weight of weighable silver 19oz. (4)

£500 - 600

174

178

176

32 | BONHAMS

180A Victorian silver milk jugby Henry Atkin, London 1853 Of octagonal panelled form, engraved with foliate decoration, raised on four scroll feet, initialled, height 16cm, together with, a George II silver mug, London 1752, later embossed, initialled, a George IV silver christening mug, London 1821, with reeded decoration, initialled, a George IV commemorative silver goblet, London 1827, with beaded rims, inscribed, weight combined 27oz. (4)

£500 - 600

181A Victorian silver bowlby Fenton Brothers Ltd., Sheffield 1898 Of circular form, the applied scroll rim with a scroll and fluted lower body raised on a circular spread foot, height 15cm, diameter 25.5cm, weight 24oz.

£400 - 500

182A Victorian silver tea serviceby Atkin Brothers, Sheffield 1897 Of oval baluster form, with engraved foliate and embossed fluted decoration, comprising; tea pot, coffee pot, sugar bowl, milk jug, monogrammed, height of coffee pot 25cm, weight combined 47oz. (4)

£500 - 600

183A Victorian silver-gilt writing setby London 1900 With three cut glass and silver-gilt topped boxes, comprising; stamp box, powder box and an inkwell, cased, weight of weighable silver 3oz. (3)

£300 - 500

184A Victorian silver dish ringby James Wakely & Frank Clarke Wheeler, London 1894 Embossed and pierced in the rococo style with dogs, birds, flowers, foxes, fruits, vacant cartouche, diameter 19cm, weight 12oz.

£500 - 600

185A Victorian silver salverby Fenton Brothers Ltd., Sheffield 1897 Of wavy circular form, with engraved decoration raised on three claw and ball feet, diameter 34.5cm, weight 37oz.

£400 - 600

186A Victorian silver pair of candlesticksby Thomas Bradbury & Sons Ltd., Sheffield 1898 Of tapering form, profusely embossed and decorated with ribbons and swags, the sconces with ribbons and reed borders, raised on a square foot, loaded, height 31cm. (2)

£500 - 800

182184

186


188

191

187A Victorian silver mounted claret jugby George Wish Ltd., Sheffield 1898 With engraved decoration, an applied gadrooned rim to a cut glass body, height 27cm.

£500 - 600

188Y

A Victorian rosewood dressing case with silver fittingsby William Neal, London 1858 The rosewood case opening to reveal a fitted interior with nine silver topped glass bottles and jars, with scroll engraved decoration, a nine piece mother of pearl handled manicure set and jewellery compartments, the case with Bramah lock and flush handled drawer, height 18.5cm.

£600 - 800

189*

A Victorian silver punch bowlby Walter & John Barnard, London 1888 With a fluted lower body, embossed with swag decoration raised on a circular spread foot, height 17cm, diameter 29.5cm, weight 40oz.

£400 - 500

190A Victorian silver pair of candlesticksBirmingham 1896 The acanthus leaf capitals to a floral twist column raised on a square stepped base with bead border, height 23cm, loaded, a Victorian electroplated and glass seven bottle condiment, unmarked, circa 1860, with floral chased decoration, lacking one stopper, and an electroplate and blue flash glass claret jug, unmarked, with grape and vine decoration.

£500 - 600

191Y

A Victorian silver cream jugby Hayne & Carter, London 1846 Of octagonal baluster form with floral engraved decoration and Gothic handle, a William IV silver christening mug, by the Barnards, London 1834, a silver sugar castor, Birmingham 1932, a pair of silver and tortoiseshell napkin rings and two other silver napkin rings, weight combined 17oz. (7)

£500 - 600

192Y Ф

A william IV silver tea potby Richard Pierce & George Burrows, London 1830 Of squat fluted form, raised on a pedestal foot, embossed with swags of fruit and flowers to a chased background, with a cast pheasant finial, with ivory insulators, height 16cm, weight 24oz.

£400 - 500

193Y Ф

A william IV silver teapotby Joseph and John Angell, London 1835 Of lobed circular form, with a chased and applied acanthus leaf scroll handle, a foliate finial, raised on four scroll feet, with ivory insulators, height 16cm, weight 29oz.

£500 - 700

192

34 | BONHAMS

194Y Ф

A william IV silver tea potby Paul Storr, London 1830, retailled by Storr & Mortimer Of lobed form, with a stlyised wooden and oak leaf handle and spout, the cast finial in the form of a pair of acorns (a.f.), inscribed to the underside, height 14cm, length 28cm, weight 23oz.

£500 - 800

195Y Ф

A George IV Irish silver presentation three piece tea serviceby Jason Fry, Dublin 1828/9 Of lobed melon form with embossed and chased floral shoulders, leaf capped handles and spout, ivory insulators, raised on four scroll feet, comprising; tea pot, sugar bowl and milk jug, crested, weight 57oz.

£600 - 800

Incribed to the base of the tea pot “The gift of, Chas. Cron Esq. to M.J.Wolseley, on her marriage with, Arthur Innes Esq..” Arthur Innes J.P., D.L. (1805-35), of Dromantine was High Sheriff in 1832 and a Lieutenant of the 3rd Dragoon Guards. He married Mary Jervis in 1829, daughter and heir of William Wolseley, Admiral of the Red.

They lived at Dromantine House, near Newry, County Down, which was described as “new” in 1834, replacing a former dwelling of 1741 and was re-modelled from 1860-64, to the designs of McCurdy. William Wolsey (1756–1842), went to sea in 1769, after time in Jamaica he served in the East Indies against pirates rising through the ranks. In 1786 he was appointed to the Trusty and was present with Lord Hood at the occupation of Toulon. In 1799 he was appointed to the 74-gun ship Terrible, one of the Channel fleet under Lord Bridport, afterwards he had command of the sea defenses of the Shannon district till his promotion to the rank of rear-admiral in 1804. He was then appointed to the command of the sea defenses of all Ireland and was made vice-admiral in 1809 and admiral in 1819.

194

195


196Y

A George IV silver three piece tea serviceby Samuel Roberts London 1822 Of bellied oval form with gadrooned frieze and cast border, with leaf capped handles raised on ball feet, comprising; teapot, sugar bowl, cream jug, initialled, weight combined 39oz. (3)

£400 - 600

197A George IV silver four bottle cruet stand with cut glass bottlesby Joseph Angel, London 1823 Of square form with gadrooned borders and raised on four leaf and paw feet, the frame with a scroll handle raised on four leaf supports, containing four cut glass condiment bottles, height 17cm, weight 10oz.

£250 - 350

198A George IV silver presentation rose bowlby Joseph Craddock, London 1828 Of fluted form, raised on a pedestal foot and a socle, inscribed, together with, an electroplated twin-handled tray, height of bowl on socle 25.5cm, weight of weighable silver 40oz. (2)

£500 - 600

199A George III silver chamberstickby Rebecca Emes & Edward Barnard, London 1820 Of rectangular form with gadrooned borders, length 8.5cm, together with, a William IV silver chamber candlestick, London 1830, the lobed and fluted sconce with detachable nozzle and snuffing hood raised on a dished circular base, diameter 9cm. (2)

£500 - 600

200A George III silver wax jackby Samuel Herbert & Co., London 1762 With pierced shaped-circular base, with leaf-capped handle, raised on three claw feet to a sprung loaded scissor action terminal, containing a wax coil, height 17.5cm.

£600 - 800

201A George III silver swing handle bowlmakers mark worn, London 1799 Of oval lobed form with bright-cut engraved decoration, reeded border, raised on a reeded foot with a reeded handle, armorial crest, 39 x 26cm, weight 28.5oz.

£300 - 400

197

200

199

201

36 | BONHAMS

202A George III silver milk jugby Richard Cook, London 1804 Of helmet form, with a fluted lower body, raised on a pedestal foot, crested, height 15cm, weight 10oz.

£250 - 350

203A George III silver pair of candlestickspossibly by William Cripps, London 1768 The square stepped bases with stylised acanthus leaf decoration, to fluted columns and Ionic style scrolling capitals, loaded, height 28cm. (2)

£1,000 - 1,500

204A George III silver wine funnelpossibly Scottish, makers mark distorted Conventional form, bowl with reeded rim and detachable flaring flange, plain body, length 12.5cm, together with, a George III silver goblet, London 1783, plain oval bowl, raised on a circular spreading foot with beaded rim, inscribed, height 16.5cm, weight 9oz. (2)

£500 - 600

205A George III silver cruetby Robert Hennell, London 1776 The framework of circular form with beaded rims, the vertically slat-pierced sides embellished with swags and festoons, raised on three paw feet, centred with a carrying handle, fitted with five silver mounted glass bottles, height 23cm.

£500 - 600

206A George III silver inkwellby William & John Frisbee, London 1811 Of circular form, with an applied gadrooned border, to a silver topped cut glass inkwell, together with, a Victorian silver quiach, London 1893, of plain conventional form, a continental silver spoon, marks indistinct, possibly Dutch, the engraved and pierced bowl to a twisted stem with a ship finial, a silver and glass stand, Birmingham 1929, of circular form, with pierced silver decoration, weight of weighable silver 11oz. (4)

£400 - 500

207A George III silver coffee potby Whipham & Wright, London 1767 Of baluster form with a scroll capped spout, flame finial and ebony handle, armorial crest, height 25cm, weight 20oz.

£500 - 600

203

205

207


209

213

214

208A George III silver two bottle cruetby John Delmester, London 1843 The base raised on four shell feet to one leaf capped central handle, the silver mounted glass bottles fitting into circular receives, all pieces engraved with the same crest, height 20cm, weight of weighable silver 8oz. (2)

£500 - 600

209A George III silver tankardby Richard Gurney & Thomas Cook, London 1816 Of baluster form, later embossed, the scroll handle terminating in a heart shape finial, raised on a spread foot, gilt interior, crested, height 22cm, weight 27oz.

£500 - 700

210A George III silver candle tray and matched candle snuffersprobably by William Bennett, London 1798, candle snuffers dated 1799 Tray of shaped-rectangular form with rounded corners and reeded rim, crested, length 22.5cm, candle snuffers with pierced handles and scroll embellished tip, length 17cm, weight 7oz. (2)

£250 - 350

211A George III casterby Hester Bateman, London 1787 With beaded rims, raised on a pedestal foot, together with, a George II silver caster, London 1752, of conventional form, height 11cm, weight 5oz. (2)

£500 - 600

212A George III provincial silver pap boatby I B possibly John Babbage, Exeter 1740 Of typical form, together with, a Victorian silver wine funnell, Edinburgh 1850, weight combined 6oz. (2)

£600 - 800

213A George III silver spirit kettle on standmakers marks indistinct, London 1795 The kettle embossed with scrolls and foliate decoration, of circular form, raised on a stylised, pierced stand to three leaf feet, height on stand with handle raised 40cm, weight 73oz.

£800 - 1,200

214Y Ф

A George III Irish silver claret jugby J.S, Dublin 1777 Of baluster form, later embossed and engraved with fruit, wild flowers and scrolls, raised on a pedestal foot, with ivory insulators, height 33cm, weight 23oz.

£500 - 800

38 | BONHAMS

215A George III silver sauce boatby Francis Crump, London 1768 Of oval form with waved rim, plain body and a scrolled handle, crested, together with; a George III silver teapot London 1801, of oval form, a Victorian salt, London 1857, compressed spherical form with gadrooned rim and embossed decoration, a silver pair sauce boats, hallmarks rubbed, oval form with gadrooned rim and embossed floral decoration, raised on three hoof feet, height 11.5cm, weight total 48.5oz. (5)

£500 - 600

216*

A George III silver two-handled cupby Wakelin & Garrard, London 1800 Inverted baluster form with flaring gadrooned rim, demi-fluted upper body, the leaf-capped loop handles embellished with laurel leaves, raised on a slant-gadrooned circular base, engraved with twin crests and mottos, height 11.5cm, weight 7.5oz.

£500 - 600

217A George III silver lemon strainerby Thomas Daniell, London 1776 Circular form with bead rim, the centre pierced with dots, scrolling bead handle with shell motif, length 17.2cm, together with a George IV silver wine funnel, marks rubbed, by George Fox, London 1829, conventional form with pull-off spout, rim of bowl with shell thumbpiece and bowl initialled, weight 5.79oz. (2)

£500 - 600

218*

A George III silver-gilt sander / casterby Rebecca Emes & Edward Barnard, London 1810 The cylindrical body cast in relief with a central band of ornate floral scrolls between two lion mask and fruiting vine borders, the pierced waisted cover with stiff-leaf and dart border, the waisted girdled stem raised on a flaring circular foot, height 10cm, weight 4.5oz.

£500 - 600

219A George III Irish silver sauce boatby Charles Townsend, Dublin circa 1770, no date letter Embossed and chased with birds amongst foliage, leaf capped double scroll handle, raised on three shell capped shell feet, crested, length 17cm, weight 6.5oz.

£500 - 600

220A George III silver swing handled basketby John W Story, London 1810 Of rectangular form, with an applied gadrooned, shell and scroll border to a plain leaf capped handle, raised on a pedestal foot, height with handle raised 28cm, length 34.5cm, weight 39oz.

£400 - 500

216

219

217

220


221A George III pair of silver saltsby Edward Aldridge I, London 1764 Of shell form, raised on three shell feet, length 11cm, weight 5oz. (2)

£600 - 800

222A George III silver tea potby Charles Hougham, London 1788 Of shaped oval form with lobed sides domed cover with a wooden finial, tapering angular spout to a wooden loop capped handle, height 14cm, weight 15oz.

£400 - 500

223A George III silver salverby Richard Rugg I, London 1766 Of wavy circular form, with an applied gadrooned border, raised on three claw and ball feet, armorial, diameter 30cm, weight 28oz.

£500 - 700

224A George III silver sugar castorby Peter & Ann Bateman, London 1792 Of knopped form, with a pierced lid, together with, a George III silver sugar caster, London 1766, monogrammed, a George III silver caster, London 1773, crested, a silver sugar caster, London 1790,, height 14cm, weight combined 11oz. (4)

£600 - 800

225A George II silver coffee potmakers mark indistinct, London 1739 Of tapering conventional form, raised on a spread foot, armorial, height 24cm, weight 25oz.

£800 - 1,200

226A George II silver casterby Samuel Welder London 1729 Baluster form, pull-off dome cover with alternating pierced panels of scrolls and dots, knop finial, body engraved with two crests, on a spreading circular foot, height 18cm, weight 10.85oz.

£5 00 - 600

227*

A George II silver bun top pepperby Edward Feline, London 1737 Plain baluster form, pierced domed cover, raised on a domed circular base, height 8cm, weight 2.5oz.

£500 - 600

222

225

223

226

40 | BONHAMS

228A George II silver salverby Dorothy Mills, London 1753, marked ‘P over T.I’ Of wavy circular form, raised on three scroll feet, engraved armorial, diameter 37cm, weight 35oz.

£600 - 800

229*

A George II silver cream jugmaker’s mark absent, London 1737 Inverted baluster form with flaring wavy-edge rim, leaf-capped scroll handle, height 9.5cm, weight 4oz.

£500 - 600

230A George II silver cruetby Samuel Wood, London 1759 The base raised on four shell feet to one leaf capped central handle, the silver mounted glass bottles fitting into circular receivers, vacant cartouche, one bottle deficient, height 22cm, weight of weighable silver 22oz. (3)

£400 - 600

231A George II silver waiterby Dorothy Mills, London 1750 Shaped circular form with raised shell and scroll embellished rim, raised on three scrolling hoof feet, diameter 18.5cm, together with a George III silver cream jug, maker’s mark ‘D.H?’, London 1761, baluster form with flaring wavy-edge rim, leaf-capped shaped scroll handle, raised on three scrolling hoof feet, height 10cm, weight total 10.5oz. (2)

£500 - 600

232A George II pair of silver sugar castersby Samuel Welder, London 1733 Of conventional form, with pierced pull-off lids, height 14cm, weight combined 8.5oz. (2)

£600 - 800

228

230

232

PICTURES AND MINIATURESLots 233 - 459

42 | BONHAMS

20TH CENTURy PAINTINGS AND PRINTS

233AR

Henry Mundy (British, born 1919)Abstract composition pencil, gouache and crayon 37 x 55cm (14 9/16 x 21 5/8in).

£600 - 800

Provenance Acquired directly from the artist by the present owner’s father in 1959

234AR

Victor Pasmore R.A. (British, 1908-1998)Blue Development, 1974 B./L44) Etching and silkscreen printed in blue and black on wove paper, initialled, dated and numbered 55/60 in pencil, published by Marlborough Graphics, London, 370 x 375mm (14 1/2 x 14 3/4in)(PL)

£400 - 600

Provenance with Oxford Gallery, Oxford

235After John Piper C.H.Foliate Heads screen printed textile 115.5 x 109.5cm (45 1/2 x 43 1/8in).

£250 - 350

236AR

Fred Uhlman (British, 1901-1985)‘Faubourg’ signed ‘Uhlman’ (lower right), inscribed with title and similarly signed on label verso oil on canvas 45.7 x 61cm (18 x 24in).

£800 - 1,200

Provenance with Leicester Galleries, London, 1950 M.R.Pollock, Esq.(acquired from the above in 1950) Exhibited London, Leicester Galleries, Fred Uhlman, 1950, No.14

237AR

Joan Gilchrest (British, 1918-2008)Sheltering under the umbrella looking out to sea signed ‘JG’ (lower left) oil on board 23 x 15cm (9 1/16 x 5 7/8in).

£500 - 700

233

237

234


238AR

Ken Howard R.A. (British, born 1932)Rio dei Mendicanti, Venice signed ‘Ken Howard’ (lower right), oil on canvasboard 19 x 24cm (7 1/2 x 9 7/16in).

£800 - 1,200

239AR

Kurt Jackson RwA (British, born 1961)No Go By inscribed ‘Kurt Jackson’ and dated 1999 (verso) and title ‘No Go By’ scratched out (upper right) oil on canvas 122 x 122cm (48 1/16 x 48 1/16in).

£1,000 - 1,500

240AR

Sir Terry Frost R.A. (British, 1915-2003)Red and Black Abstract watercolour and gouache 56 x 38.5cm (22 1/16 x 15 3/16in). Executed in 1962

£800 - 1,200

Provenance with South West Arts, Exeter, Devon with Montpelier Sandelson, London

241AR

Sir Terry Frost, Abstract lithograph,Blue Brad (Kemp 244) Screenprint in colours with collage, 2003, on Arches, signed and numbered 26/125 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, 837 x 290mm (33 1/2 x 11 1/2in) (I)

£400 - 600

238

240

241

239

44 | BONHAMS

242AR

John Miller (British, 1931-2002)‘Figure in landscape’ oil on board 44 x 58cm (17 5/16 x 22 13/16in).

£700 - 1,000

Provenance Artist’s own collection With Passmore Edwards Gallery, Newlyn, 25th September 1968 D.L. Mays Esq. Thence by family descent Exhibited Newlyn Society of Artists, Autumn Exhibition, 1968

243AR

Josef Herman R.A. (British, 1911-2000)Welsh harbour scene pen, ink and watercolour 20 x 29cm (7 7/8 x 11 7/16in).

£600 - 800

244AR

John E. Nicholls (British, active 1922-1955)Richmond Park signed ‘John E. Nicholls’ (lower left) oil on canvas 63 x 66cm (24 13/16 x 26in).31” x 36” Painted in autumn 1942 (according to writing on the canvas overlap)

£800 - 1,200

245AR

John E. Nicholls (British, active 1922-1955)Spring flowers in a vase signed ‘John E. Nicholls’ (lower right) oil on board 61 x 51cm (24 x 20 1/16in).31” x 43”

£1,000 - 1,500

242243

244 245


246AR

John E. Nicholls (British, active 1922-1955)Still life with roses, delphiniums, lilies and peonies signed and dated ‘John E Nicholls ‘53’ (lower right) oil on canvas 76 x 63cm (29 15/16 x 24 13/16in).36” x 36”

£800 - 1,200

247AR

John E. Nicholls (British, active 1922-1955)Mixed flowers signed and dated ‘John E. Nicholls ‘48’ (lower right) oil on canvas 76 x 63.5cm (29 15/16 x 25in).27” x 31”

£800 - 1,200

Provenance with Stacey Marks Gallery, 1953

248AR

John E. Nicholls (British, active 1922-1955)Orchids in a glass vase signed and dated ‘John E Nicholls ‘48’ (lower right) oil on canvas 61 x 50.8cm (24 x 20in).19” x 25”

£600 - 800

249AR

John E. Nicholls (British, active 1922-1955)Still life with flowers in a shell shaped vase signed and dated ‘John E Nicholls ‘46’ (upper right) oil on board 49.5 x 38cm (19 1/2 x 14 15/16in).36” x 36” together with a portrait of a gentleman wearing spectacles, possibly by the same hand, oil on board, housed in the same frame at the reverse (2)

£800 - 1,200

250AR

Scottie wilson, RSA RSw (British, 1889-1972)Pink birds in a tree; and Blue birds in a tree both signed ‘SCOTTIE’ (lower right) coloured crayon, ink and gouache on black paper 48 x 34.5cm (18 7/8 x 13 9/16in).and 51 x 35.5 cm unframed (2)

£600 - 800

Provenance Private collection, UK

246 249

250

46 | BONHAMS

251AR

Scottie wilson, RSA RSw (British, 1889-1972)A tree of multicoloured birds signed ‘SCOTTIE’ (lower right) coloured crayon, ink and gouache on paper laid on board 72 x 51cm (28 3/8 x 20 1/16in). unframed

£400 - 600


252AR

Scottie wilson, RSA RSw (British, 1889-1972)Tree with pink fish; and Green fish (a pair) each signed ‘SCOTTIE’ (lower right) coloured crayon, ink and gouache on black paper 34.5 x 48cm (13 9/16 x 18 7/8in). unframed (2)

£600 - 800


251

252

252


253AR

Scottie wilson, RSA RSw (British, 1889-1972)Flowers, birds and fish in a layered landscape signed ‘SCOTTIE’ (lower right) watercolour and gouache with black ink on black paper 48 x 50cm (18 7/8 x 19 11/16in). unframed together with two unframed works by the same hand, the first a vertical design with a swan, the second a tribal figure with pink eyes, 32 x 8.5 cm and 31 x 23 cm repectively (3)

£500 - 700


254AR

Scottie wilson, RSA RSw (British, 1889-1972)Tree with purple flowers and multicoloured birds signed ‘SCOTTIE’ (lower right) watercolour with black ink on black paper 43.5 x 30cm (17 1/8 x 11 13/16in). unframed together with a surreal study on black paper, unframed, by the same hand (2)

£400 - 600


253 254

48 | BONHAMS

255Paulo Osir‘Mar’ marine still life signed and dated 15.9.1936 (lower right) oil on canvas 72 x 98cm (28 3/8 x 38 9/16in).

£200 - 300

256AR

Harold Hitchcock (British, 1914-2009)‘Woodland Pool’ signed with monogram and dated ‘65 (lower left), watercolour and bodycolour 36 x 54cm (14 3/16 x 21 1/4in).

£500 - 700

257AR

Emily Beatrice Bland (British, 1867-1954)Still life of flowers in a jug signed (lower right) oil on canvas 45 x 35cm (17 11/16 x 13 3/4in).

£300 - 400

258AR

Adrian Ryan (British, 1920-1998)Vase of spring flowers indistinctly signed (upper right), circa 1955, oil on canvas board 49.5 x 34.5cm (19 1/2 x 13 9/16in).

£600 - 800

259AR

Paul Bret (French, 1902-1956)Figure by a cottage signed (lower left) oil on canvas 51 x 61cm (20 1/16 x 24in).

£250 - 300

255

258

256

259


260AR

David L. Carpanini (British, born 1946)‘Yellow Bucket’ signed ‘David L. Carpanini 1981’ (lower centre), also signed, inscribed and dated (on the reverse) oil on canvas, circular 60 cm (19.75 in) diam.

£800 - 1,200

261C. PradoSeated Peasant signed and dated ‘42 oil on board 102 x 61cm (40 3/16 x 24in).

£200 - 300

262AR

Donald Grant (British, 1942-2001)Hot air balloon over the sea signed ‘Don Grant 69’ (lower right) oil on canvas 50 x 90cm (19 11/16 x 35 7/16in).

£500 - 700

263Austrian School, early 20th CenturyPortrait of Lady Diana (Manners) Cooper in her role as the Madonna in the ‘The Miracle’ indistinctly signed, inscribed ‘Salzburg’ and dated 1925 (centre right), further inscribed by another hand (lower right) pencil 44 x 29.5cm (17 5/16 x 11 5/8in).

£300 - 500

264AR

David Low (British, 1891-1963)‘Arrival of St. George’ signed ‘Low’ (lower left) and inscribed with title pen and black ink, chalks and pencil 29.5 x 43.5cm (11 5/8 x 17 1/8in). and another cartoon relating to Duff Cooper by the same hand, also a reproduction after Low (3)

£600 - 800

265AR

Valerie Thornton (British, 1931-1991)The Tower of London signed, dated and inscribed in pencil ‘Valerie Thornton ‘79/ The Tower of London, ‘Artist’s Proof VI/X’ etching and aquatint printed in colours 37 x 58cm (14 9/16 x 22 13/16in). and three other works by the same artist; ‘The Bishop’s Palace, St Davids’, ‘Lanercost Lancet’ and ‘Ripoll I’, all signed, dated and inscribed in pencil (4)

£500 - 700

26620th Century SchoolView from St Peter’s Square of Castel Sant’Angelo oil on canvas 68 x 98cm (26 3/4 x 38 9/16in).

£250 - 350

267AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘Britain at Play’ colour reproduction print, from an edition of 850, signed in pencil, blindstamps of Fine Art Trade Guild and Printsellers Association, 475 x 610 mm (I)

£500 - 700

260

267

262

50 | BONHAMS

268AR

Laurence Stephen Lowry R.A. (British, 1887-1976)‘The Pond’ colour reproduction print, from an edition of 850, signed in pencil, blindstamps of Fine Art Trade Guild and Printsellers Association, 452 x 580 mm (I)

£500 - 700

269AR

Christopher Sanders RA (British, 1905-1991)Harbour Wall at Mullion signed ‘Sanders’ (lower right); signed and inscribed ‘Harbour Wall’ (on stretcher), oil on canvas 171.5 x 171.5cm cm (67 1/2 x 67 1/2in). together with a smaller unsigned study of a harbour wall. (2)

£500 - 700

270AR

Edmond Fairfax Lucy (British, born 1945)The coffee pot oil on board 34 x 39cm (13 3/8 x 15 3/8in).

£600 - 800

Provenance with the New Grafton Gallery, London, July 1981

271AR

Bernard Dunstan, R.A. (British, born 1920)Seated girl sewing signed with initials ‘BD’ (lower left) oil on canvas 35.5 x 28cm (14 x 11in).

£400 - 600

272AR

Peter Greenham (British, 1909-1992)Coast of Northumberland signed with intitials ‘PG’ (lower left) oil on canvas laid on board 26 x 35.5cm (10 1/4 x 14in).

£800 - 1,200

273AR

Fred Dubery, Professor, NEAC (British, born 1926)‘Fruits and berries’;’still life with eggs’ both signed ‘Fred Dubery’ oil on board 22.5 x 30cm (8 7/8 x 11 13/16in).(and smaller) (2)

£400 - 600

Provenance with the New Grafton Gallery, London, 1977 and 1978 respectively

274AR

Keith Grant (British, born 1930)Harstad I bears signature and dated ‘K F Grant 62’ (verso) oil on board 21 x 75.5cm (8 1/4 x 29 3/4in). and another work by Grant titled ‘Gudbrandsdalen’, bears signature and dated ‘K F Grant 61/62’ (verso), oil on board, 22 x 42.5cm. (2)

£250 - 350

268

273

270


275AR

Attributed to Frank Ormrod (British, active 1922-1938)House surrounded by trees signed ‘Ormrod’ (lower left) oil on canvas 58 x 41cm (22 13/16 x 16 1/8in).

£300 - 500

276Mark Richard Myers (American, born 1945)The Wreck of the Annie on the South Tail signed and dated ‘Mark Meyers 1976’ (lower right) watercolour 26 x 34.8cm (10 1/4 x 13 11/16in).

£300 - 700

The 58-ton Bideford ketch Annie was built by William Westacott at Barnstaple in 1872. On 8 November 1921, it went out of control coming over the Bar. The wreck was not sighted until dawn when the lifeboat crew at Appledore was despatched. It took rescuers an hour to battle out against the wind and reach the Annie and on coming up to her they found only the mate and seaman hanging exhausted in the weather rigging.

277Felice Giordano (Italian, 1880-1964)The Laundry Workers signed, oil on canvas, 50 x 67cm (19 5/8 x 26 3/8in).

£1,000 - 1,500

278AR

Katharine Church (1910-1999)Still life of flowers in a jug and conch shell on a table signed and dated ‘Katharine Church ‘57’ (lower right), oil on board 51 x 71cm (20 1/16 x 27 15/16in).

£500 - 700

279AR

Harry Rutherford (British, 1903-1985)Staithes oil on canvas, 45.5 x 61cm (17 15/16 x 24in).

£800 - 1,200

Exhibited Tib Lane Gallery, Manchester, Paintings & Drawings by Harry Rutherford, 5-23 May 1998

280AR

Harry Rutherford (British, 1903-1985)Shaftesbury Avenue, early morning, London, c.1942 signed ‘Rutherford’(lower right), oil on board, 24 x 34.5cm (9 7/16 x 13 9/16in).

£500 - 700

Exhibited Tib Lane Gallery, Manchester, Paintings & Drawings by Harry Rutherford, 5-23 May 1998

275

276

278

52 | BONHAMS

281AR

Brian Hope-Taylor (British, 1923-2001)Punch and Judy signed and dated 1941 (lower right) oil on canvas 49 x 59cm (19 5/16 x 23 1/4in).

£500 - 700

282Gottfried Kumpf (Austrian, born 1930)‘Scorpion’ from the Zoidiac series inscribed to underside of one foot and edition 6/125 Bronze 13cm high

£500 - 700

283AR

Emily Beatrice Bland (British, 1867-1954)The Sussex countryside signed ‘E.B.Bland’ (lower right) oil on canvas 45.5 x 61cm (17 15/16 x 24in).

£300 - 500

284AR

Peter Biegel (British, 1913-1987)A grey, Patrick, and a dark bay in a field at Manor House, Puttenham, Surrey signed and dated ‘Peter Biegel ‘61’ (lower right) oil on canvas 71 x 91cm (27 15/16 x 35 13/16in).

£1,000 - 1,500

Manor House was formerly owned by F.W.Smallpeice, Esq. who commissioned the present work.

285AR

Valerie Thornton (British, 1931-1991)St Giles signed, dated and inscribed in pencil ‘Valerie Thornton ‘75 / St Giles, 27/70’ etching and aquatint printed in colours 58 x 70cm (22 13/16 x 27 9/16in). and three others of ecclesiastical architecture; ‘Romsey’, ‘Arles’ and ‘Vezeley Interior’, all signed, inscribed with title and numbered in pencil (4)

£500 - 700

286AR

Letitia Marion Hamilton R.H.A. (Irish, 1878-1964)‘Inch Abbey’ oil on canvas board 29.5 x 22cm (11 5/8 x 8 11/16in).

£700 - 1,000

281

286

283


287AR

John Guthrie Spence Smith, RSA (British, 1880-1951)Farmyard near Etaples signed ‘SPENCE SMITH’ (lower left) oil on board 51 x 61cm (20 1/16 x 24in).

£600 - 800

288AR

Frederick Cuming RA NEAC (British, born 1930)Rye harbour signed ‘Cuming’ (lower left), oil on board 20 x 25cm (7 7/8 x 9 13/16in).

£500 - 700

EXHIBITED: New Grafton Gallery, March 1987

289AR

Jules René Hervé (French, 1887-1981)The Seine signed ‘Jules R Herve’ (lower left), signed again ‘Jules R Herve’ (on the reverse) oil on canvas 56 x 45.5cm (22 1/16 x 17 15/16in).

£600 - 800

290AR

Stanley william Hayter (British, 1901-1988)‘Dancing figure 1946’ signed and dated ‘Hayter 13.7.46’ (lower right), titled on label on backboard pen, black ink and wash 63 x 48.5cm (24 13/16 x 19 1/8in).

£700 - 900

287 288

289

290

54 | BONHAMS

291British School, 20th centuryTree in blossom before an open vista pen, ink, watercolour and gouache 26.5 x 39.5cm (10 7/16 x 15 9/16in).

£250 - 300

292AR

Gwilym Pritchard (British, born 1931)Window ledge still life with potted plant oil on board 61 x 30cm (24 x 11 13/16in).

£500 - 700

PROVENANCE: Gift from the artist to the present owner.

293AR

Hamish Mackie (British, born 1973)Grouse signed with initials ‘HAM’, dated ‘2005’ and numbered ‘3/12’ (on the base) bronze with a dark brown patina 34cm (13 3/8in) high

£700 - 900

294AR

Hamish Mackie (British, born 1973)Grouse signed with initials ‘HAM’, dated ‘2005’ and numbered ‘3/12’ (on the base) bronze with a dark brown patina 17cm (6 11/16in) high

£600 - 800

291

292

294

293


295Pablo Picasso (Spanish, 1881-1973)Mourlot Picasso Lithographe III: La Danse (Bloch 796, Cramer Books 77) Colour lithograph, 1968, frontispiece for the book, on wove, from an edition of 3000, printed by Mourlot, 180 x 185mm (7 1/8 x 7 1/4in)(I)

£200 - 300

296AR

Paul Hughes (French, 1891-1950)View of an interior signed ‘Paul Hughes’ (lower right) oil on canvas 33 x 41.5cm (13 x 16 5/16in).

£400 - 600

297AR

Frank J. Egginton (British, 1908-1990)Near Kilkeel, Co Down; and Aghadoe, Killarney signed (lower left and lower right respectively) watercolours 26 x 35.5cm (10 1/4 x 14in). (2)

£800 - 1,200

295

296

297

297

56 | BONHAMS

298AR

Samuel John Lamorna Birch RA, RwS, RwA (British, 1869-1955)‘Sketch of the Cod Beck, Thirsk, Yorkshire’ signed ‘S.J.Lamorna Birch’ and inscribed with title, watercolour 22.5 x 27cm (8 7/8 x 10 5/8in). together with another watercolour by the same hand, sent as a postcard. (2)

£400 - 600

Provenance Gift from the artist to D.L. Mays. Thence by family descent.

299AR

Fred Cuming (British, born 1930)Field flowers in vase signed ‘Cuming’ (lower left) oil on canvasboard 30.5 x 26cm (12 x 10 1/4in).

£600 - 800

300AR

Carel weight R.A. (British, 1908-1997)‘Dream picture’ signed ‘CAREL WEIGHT’ (lower right), oil on board 15 x 23cm (5 7/8 x 9 1/16in). together with a print by the same hand of Diners at the Royal Academy (2)

£200 - 300

301AR

Edward Piper (British, 1938-1990)Female nude with flower arrangement and interiors signed ‘Edward Piper 1987’ (lower left) watercolour and gouache on paper 49.5 x 37cm (19 1/2 x 14 9/16in).

£500 - 700

302AR

Charlotte Ardizzone (British, born 1945)Chaise longue signed ‘Charlotte Ardizzone’ (lower right) oil on canvas 101 x 127cm (39 3/4 x 50in).

£400 - 600

298

302

299


302AAR

Ronald Searle (British, 1920-2011)‘Amunition’; and ‘Scoring’ each signed on a label attached the reverse of the mount, and variously inscribed pen and ink 20 x 24.5cm (7 7/8 x 9 5/8in).and 20 x 26.6cm (7 7/8 x 10 5/8in) (2)

£800 - 1,200

Provenance: The artist to the family of the present owner, by descent These two scketches were executed for the Kynoch Division of ICI for advertising purposes for their shotgun cartridges in the late 1950s and 1960s.

303AR

Daphne Constance Allen (British, born 1899)Woodland scene with fairies signed ‘Daphne Allen’ (lower right), watercolour 37.5 x 31cm (14 3/4 x 12 3/16in).

£1,000 - 1,500

PROPERTy OF A PRIVATE COLLECTOR

304Enslin Hercules Du Plessis (South African, 1894-1978)On the Nile - from the Kasid Kaheir signed ‘du Plessis’ (lower right) pencil and watercolour with bodycolour 25 x 35cm (9 13/16 x 13 3/4in). and two others similar by the same hand. (3) (unframed)

£400 - 600

302A 302A

303

304

58 | BONHAMS

305Hercules Brabazon Brabazon (British, 1821-1906)Trees on a mountainside signed with initials ‘HBB’ (lower right) coloured chalks 13.6 x 20.3cm (5 3/8 x 8in). unframed

£250 - 350

306AR

Leon Underwood (British, 1890-1975)Male nude signed and dated ‘Leon Underwood/1922’ (lower right) pencil with pen and ink 50.2 x 31cm (19 3/4 x 12 3/16in). unframed

£150 - 200

307Sir Edward John Poynter, PRA RwS (1836-1919)Old woman in wraps with studio stamp (lower right) black and white chalk on buff paper 50.6 x 33.7cm (19 15/16 x 13 1/4in).

£300 - 500

308AR

Augustus Edwin John O.M. (British, 1878-1961)Three children playing pen and brown ink on buff paper 30 x 22.5cm (11 13/16 x 8 7/8in).

£400 - 600

Provenance Sale, Christie’s, London, 24 January 1991, lot 123

309AR

Augustus Edwin John O.M. (British, 1878-1961)Gypsy Encampment pencil 26 x 36cm (10 1/4 x 14 3/16in).

£300 - 500

Provenance Sale, Christie’s, London

310AR

Keith Baynes (British, 1887-1977)Still life, vase of camellias from Lady Jowitt’s garden signed and dated ‘Keith Baynes 1960’ (lower right) oil on board 45.7 x 35.5cm (18 x 14in).

£500 - 700

311Hercules Brabazon Brabazon (British, 1821-1906)View of a continental town signed with initials ‘HBB’ (lower left) pencil, watercolour and bodycolour 17 x 24.5cm (6 11/16 x 9 5/8in). and two other watercolours by the same artist, ‘Pope Innocent X, 1650. in Palazzo Doria, Rome.’; and ‘After Velasquez’ (3)

£300 - 500

305

311

307


312AR

Vanessa Bell (British, 1879-1961)Asters in Black Vase signed ‘Vanessa Bell’ lower right pencil and watercolour 24.4 x 15.3cm (9 5/8 x 6in).

£400 - 600

313AR

Vanessa Bell (British, 1879-1961)Pink flowers in a vase watercolour and body colour on buff paper 30.7 x 23.2cm (12 1/16 x 9 1/8in). unframed

£700 - 1,000

314Hercules Brabazon Brabazon (British, 1821-1906)Two figures carrying palms signed with initials ‘HBB’ (lower left) pencil, watercolour and bodycolour 21.5 x 15.2cm (8 7/16 x 6in). unframed

£250 - 350

312 313

314

60 | BONHAMS

315Hercules Brabazon Brabazon (British, 1821-1906)Ashburnham: early autumn signed with initials ‘HBB’ (lower right) pencil, watercolour and coloured chalks on buff paper 16.5 x 20.4cm (6 1/2 x 8 1/16in). unframed

£200 - 300

316AR

Vanessa Bell (British, 1879-1961)Two portrait studies of a man (on one sheet) pencil on brown paper 30.4 x 22.7cm (11 15/16 x 8 15/16in). unframed

£200 - 300

317Hercules Brabazon BrabazonA view of the roman countryside signed with initial ‘HBB’ and indistinctly inscribed ‘from the l..arini/Rome’ (lower right) pencil, watercolour and coloured chalks 14.3 x 24.1cm (5 5/8 x 9 1/2in). unframed

£300 - 500

318AR

Vanessa Bell (British, 1879-1961)Still life with flowers in a jug on a window ledge signed ‘Vanessa Bell’ (lower right) pencil and watercolour 27.5 x 19.5cm (10 13/16 x 7 11/16in).

£600 - 800

315

317

318


319walter Greaves (British, 1846-1930)Chelsea Dock signed ‘WGreaves’ (lower right), inscribed ‘”Chelsea Dock”’ (lower left) pencil, pen, ink and wash 31 x 24cm (12 3/16 x 9 7/16in). unframed

£500 - 700

320Charles Conder (1868-1909)Figures on thier way to a masked ball red chalk 20.2 x 25.5cm (7 15/16 x 10 1/16in). unframed together with a study of a girl on a beach, attibuted to the same hand, unframed 13.2 x 9cm

£600 - 800

321Charles Conder (1868-1909)The Gates of Hell pencil and coloured crayons on linen 19.3 x 24.3cm (7 5/8 x 9 9/16in). unframed

£600 - 800

322Charles Conder (1868-1909)Nude ladies at their toilette red conte on linen 24.5 x 19.8cm (9 5/8 x 7 13/16in).

£600 - 800

319

320

322

62 | BONHAMS

323Hercules Brabazon Brabazon (British, 1821-1906)Two Arabs in turbans signed with initials ‘HBB’ (lower left) pencil and watercolour 14 x 24.5cm (5 1/2 x 9 5/8in). unframed

£200 - 300

324Hercules Brabazon Brabazon (British, 1821-1906)A mountain village signed with initials ‘HBB’ (lower right) pencil and coloured chalks 17 x 27.1cm (6 11/16 x 10 11/16in). unframed

£200 - 300

325Hercules Brabazon Brabazon (British, 1821-1906)A harbour scene signed with initials ‘HBB’ (lower left) charcoal and coloured chalks 19 x 24.6cm (7 1/2 x 9 11/16in). unframed

£200 - 300

326Hercules Brabazon Brabazon (British, 1821-1906)Figures in a meadow signed with initials ‘HBB’ twice (lower right) pencil, watercolour and coloured chalks on buff paper 17.7 x 24.3cm (6 15/16 x 9 9/16in). unframed

£200 - 300

327Hercules Brabazon Brabazon (British, 1821-1906)Sailing boats on a river signed with initials ‘HBB’ (lower left) pencil and white chalk 11 x 18.5cm (4 5/16 x 7 5/16in). unframed together with another work, pencil and white chalk by the same artist, a portrait after Velasquez 22 x 19cm (2)

£300 - 400

323

325

324

326


328Hercules Brabazon Brabazon (British, 1821-1906)Cap martin pencil and coloured chalks 16 x 25.5cm (6 5/16 x 10 1/16in). unframed together with a view of a garden by the same hand, signed with initials ‘HBB’ (lower left), coloured chalks, 15 x 19.4 cm (2)

£400 - 600

329Hercules Brabazon Brabazon (British, 1821-1906)View of the church, Castelmare signed with initials ‘HBB’ (lower left) and indistinctly inscribed “...Castelmare” (lower right) pencil and coloured chalks 15.2 x 20cm (6 x 7 7/8in). unframed together with a View of Pilate from Righi, by the same hand, pencil and white chalk, signed with initials (lower left) 15.1 x 22.2 cm (2)

£200 - 300

330AR

Augustus Edwin John O.M. (British, 1878-1961)Head study of a girl with short hair signed and inscribed ‘to Rudolph/from/John’ (lower right) pencil 15.3 x 20.5cm (6 x 8 1/16in). unframed

£600 - 800

331AR

Augustus Edwin John O.M. (British, 1878-1961)Two female nudes in a landscape pen and black ink 22.2 x 17cm (8 3/4 x 6 11/16in). unframed together with a study of a gypsy family; and a study of a seated female nude by the same hand, both pen and ink and unframed, the first 35.6 x 24cm, the second 25 x 18.5cm (3)

£500 - 800

332AR

Augustus Edwin John O.M. (British, 1878-1961)Study of a gypsy family pen and black ink 35.5 x 23.6cm (14 x 9 5/16in). unframed together with another pen and ink drawing also unframed of three women at a well, by the same hand, 23.5 x 31.5cm (2)

£500 - 700

333Hercules Brabazon Brabazon (British, 1821-1906)View of a coastal town signed with initials ‘HBB’ (lower right) pencil, watercolour and bodycolour 17.5 x 25cm (6 7/8 x 9 13/16in).

£400 - 600

328

329

330

64 | BONHAMS

334Hercules Brabazon Brabazon (British, 1821-1906)Costal view signed with initials ‘HBB’ lower right pencil and watercolour 15.6 x 19cm (6 1/8 x 7 1/2in). unframed together with a portrait of an unknown gentleman in watercolour and body colour by the same hand, also in watercolour, 20 x 17.5cm (2)

£300 - 400

335Enslin Hercules Du Plessis (South African, 1894-1978)Boats in a Harbour (pair) each signed ‘du Plessis’ lower right pencil, watercolour and gouache 24.3 x 34.2cm (9 9/16 x 13 7/16in). unframed (2)

£400 - 600

336AR

Augustus Edwin John O.M. (British, 1878-1961)Reclining female nude signed ‘John’ lower right pencil 35.5 x 25.2cm (14 x 9 15/16in). together with two unframed drawings by the same hand, bust length portrait of a female nude; and Standing male nude, 25 x 20cm and 29 x 20 cm respectively (3)

£600 - 800

337AR

Augustus Edwin John O.M. (British, 1878-1961)Studies of putti pen and brown ink on buff paper 29.8 x 22.7cm (11 3/4 x 8 15/16in). unframed together with three further studies by the same hand, one of children, one of a standing female nude and one of a biblical figure, pen and ink, all unframed (smaller) (4)

£600 - 800

334

335

335

337


338AR

Augustus Edwin John O.M. (British, 1878-1961)The Deluge black in on buff paper 24 x 32cm (9 7/16 x 12 5/8in). unframed together with The Last Judgement, same hand, same size, and one other by the same hand, both unframed (3)

£700 - 900

339AR

Augustus Edwin John O.M. (British, 1878-1961)Portrait studies of a male and female head pen, ink and wash 28 x 21.5cm (11 x 8 7/16in). unframed together with three further figurative studies, also unframed, by the same hand, 25 x 34 cm (and slightly smaller) (4)

£600 - 800

340AR

Augustus Edwin John O.M. (British, 1878-1961)Study of a young boy pencil 37.7 x 23.2cm (14 13/16 x 9 1/8in).

£800 - 1,200

Provenance with Christies, London

341AR

Augustus Edwin John O.M. (British, 1878-1961)Portrait of a young man pencil 35.1 x 25cm (13 13/16 x 9 13/16in). unframed

£600 - 800

342AR

Augustus Edwin John O.M. (British, 1878-1961)Adam and Eve pen and ink on buff paper 23.5 x 30cm (9 1/4 x 11 13/16in).

£600 - 800

Provenance Sale, Christie’s, London, 21 September 1990, lot 73

343Hercules Brabazon Brabazon (British, 1821-1906)Homage to Whistler signed with initials ‘HBB’ (lower left) watercolour with scratching out 16.5 x 25cm (6 1/2 x 9 13/16in). unframed

£400 - 600

344Hercules Brabazon Brabazon (British, 1821-1906)Tivoli signed with initials ‘HBB’ (lower right) watercolour and bodycolour 15.5 x 25.5cm (6 1/8 x 10 1/16in).

£200 - 300

341 343

66 | BONHAMS

19TH CENTURy PAINTINGS VARIOUS PROPERTIES

345S. A. Gallon, late 19th CenturyHastings Beach; and View on the South Coast the first signed and dated ‘S.A.Gallon 96’ (lower left), the second signed ‘S.A.Gallon’ (lower right), each titled (on the stretcher) oil on canvas 25.5 x 35cm (10 1/16 x 13 3/4in). (2)

£600 - 800

346Oliver Clare (British, 1853-1927)Apples, gooseberries, a plum and a raspberry; bird’s nest and spring blossom both signed ‘Oliver Clare’ (lower right) oil on canvas, a pair 15.5 x 23cm (6 1/8 x 9 1/16in). (2)

£500 - 800

347Laurits Bernhard Holst (Danish, 1848-1934)‘Funchal, Madeira’ signed ‘L.Holst’ and inscribed with title (lower left), further signed (lower right) oil on canvas laid onto board 41.5 x 64cm (16 5/16 x 25 3/16in).

£500 - 800

345

347

346

346


348English School, 19th CenturyPortrait of a lady, traditionally identified as Mrs Edward Shaw, half-length oil on canvas 67.7 x 63.8cm (26 5/8 x 25 1/8in).

£700 - 1,000

349Richard Gay Somerset (British, 1848-1928)Landscape with cattle signed ‘R.G. Somerset’ (lower left), oil on canvas, 38.5 x 59.5cm (15 3/16 x 23 7/16in).

£400 - 600

350Edward John Gregory (British, 1850-1909)Sheet of studies for ‘Boulter’s Lock’ - seated female and subsidiary head studies pencil heightened with white 28.5 x 21cm (11 1/4 x 8 1/4in).

£300 - 500

Provenance with J.S.Maas & Co. Ltd, London, Exhibition: Theme and Variation: Boulter’s Lock, No.38, July 1970 ‘Boulter’s Lock: Sunday Afternoon’, 1898, is the artist’s most renowned work and sponsored his election to membership of the Royal Academy.

351English School, Mid-19th CenturyPortrait of a lady, three-quarter length, wearing a white lace and silk dress, standing before a balcony; and Portrait of a gentleman, three-quarter length, standing, wearing a dark suit, in an interior (a pair) the first, signed with monogram ‘E.J.’ (lower left); the second, signed with monogram and dated 1854 (lower centre) oil on canvas 167 x 97cm (65 3/4 x 38 3/16in).(shaped top) (2)

£1,000 - 1,500

348

349

350

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352Edward Clifford (British, 1844-1907)Erchless Castle, Beauly signed, inscribed and dated 26.9.89 (lower left) watercolour and bodycolour 22 x 28.5cm (8 11/16 x 11 1/4in). together with a small watercolour coastal scene, initialled H.C. (2)

£500 - 700

353Frederick Edward Joseph Goff (British, 1855-1931)‘Cleopatra’s Needle’ signed and titled ‘FRED E.S. GOFF’ (lower right) watercolour 11.4 x 15.3cm (4 1/2 x 6in).

£500 - 700

354william M. Pratt (British, 1854-1936)A Fisherman signed and dated ‘W Pratt 1896’ (upper right) oil on canvas 40.5 x 31cm (15 15/16 x 12 3/16in).

£500 - 700

355Emily Stannard (British, 1875-1907)Sheep on a track at sunset signed Emily Stannard (lower left) watercolour 31 x 50cm (12 3/16 x 19 11/16in). and another similar watercolour by Henry Stannard: sheep and drover on a windswept common. (2)

£500 - 700

352

354

355

353


356Attributed to David Lucas (British, 1802-1881)The Jetty at Yarmouth pencil on paper 13 x 20cm (5 1/8 x 7 7/8in). unframed

£200 - 300

357Laurits Bernhard Holst (Danish, 1848-1934)Sunlit loch scene; boat and fisherfolk on the shore both signed ‘L.Holst’, latter dated 99 oil on canvas (former), oil on canvas laid onto board (latter) 38.5 x 59cm (15 3/16 x 23 1/4in).(largest, former) (2)

£600 - 800

358Paul Jean Clays (Belgian, 1817-1900)Barges moored before a windmill signed ‘P.J Clays’ (lower right) oil on panel 20.8 x 29.5cm (8 3/16 x 11 5/8in).

£400 - 600

359Frederick williamson (British, 1835-1900)‘Anvil Point near Swanage’ signed ‘Fred Williamson’ (lower left) watercolour, 22 x 34.4cm (8 11/16 x 13 9/16in).

£700 - 1,000

360Paul Jones (British, active 1840-1880)Huntsman and dogs signed and dated ‘P.Jones 1875’ (lower right), oil on board, 16.5 x 12.5cm (6 1/2 x 4 15/16in).

£500 - 700

361Henri Girardet (Swiss, 1848-1917)Unwelcome news signed and dated ‘HENRI GIRARDET 1877’ (lower right), watercolour, 21.5 x 31cm (8 1/2 x 12 1/4in).

£600 - 800

356 357

358 361

70 | BONHAMS

362John Macwhirter (Scottish, 1839-1911)‘Small Market Place D’Aosta, North Italy’ signed ‘MacW’ (lower left), and titled on mount, watercolour, 18 x 25.5cm (7 x 10 in).

£500 - 700

363Elchanon Verveer (Dutch, 1826-1900)Mother and two young children on a coastal path, looking out to sea signed and dated ‘Elchanon Verveer ‘81’ (lower right), watercolour, 23 x 33cm (9 x 13in).

£500 - 700

364John Henry Mole (British, 1814-1886)Portrait of a peasant girl in a country landscape signed dated ‘J.H. Mole/1861’ (lower left), watercolour, 35 x 25.5cm (13 3/4 x 10 in).

£500 - 700

365william Stephen Coleman (British, 1829-1904)A still life with dog roses and a bumblebee signed ‘W Coleman’ (lower left) watercolour and bodycolour 10.5 x 16cm (4 1/8 x 6 5/16in).

£500 - 700

362

364

363

365


366Manner of Edward LearAn Italian landscape with a ruined tower and aqueduct in the distance, possibly a view of the Alexandrine Aqueduct, Campagna di Roma indistinctly inscribed (on the reverse) oil on board 22 x 30cm (8 11/16 x 11 13/16in).

£600 - 800

367Edward Lear (British, 1812-1888)An early botanical study signed and dated ‘E Lear/June 1828’ (lower right) watercolour 28 x 22.5cm (11 x 8 7/8in).

£500 - 700

368*** Gianni (Italian 19th/20th century)Venetian view with gondola signed ‘Gianni’ (lower right) watercolour 18 x 41cm (7 1/16 x 16 1/8in). together with another coastal view by the same hand (2)

£250 - 350

369James Scott Maxwell (British, 1845-1922)‘Nice Regatta 1883’; ‘Nice Regatta 1883’; ‘Villefranche 1884’; ‘French Fleet Before Nice 1887’ each signed ‘J.S.M’ and dated (lower left) and inscribed as titled (lower centre) watercolour 18.5 x 26.2cm (7 5/16 x 10 5/16in). Together with seventeen similar watercolours by the same hand, each signed and dated (lower left) and inscribed with title (lower centre), varying sizes, unframed (21)

£500 - 700

370*

Frederick Tully Lott (British, active 1852-1879)A view across the bay to Mont Orgueil, Jersey signed (lower right) oil on canvas 19 x 29.5cm (7 1/2 x 11 5/8in).

£500 - 700

366

367

369

370

72 | BONHAMS

371william Oliver II (British, 1823-1901)Portrait of a young lady, half length, wearing a pale dress signed ‘W.Oliver’ (lower left) oil on canvas 63 x 51cm (24 13/16 x 20 1/16in).

£600 - 800

372Continental School, late 19th CenturyA dispute oil on canvas 45 x 36.5cm (17 11/16 x 14 3/8in).

£200 - 300

373George Sheridan Knowles, RI, RBA, ROI, RCA (British, 1863-1921)The Belle of the Village signed ‘G. Sheridan Knowles’ (lower right) watercolour 36 x 25.5cm (14 3/16 x 10 1/16in).

£500 - 700

PROVENANCE: with The Reid Gallery, Surrey

374English School, 18th CenturyPortrait of a young girl oil on canvas, oval 44 x 34cm (17 5/16 x 13 3/8in).

£500 - 700

375Henry H. Parker (British, 1858-1930)‘Buttermere’ signed ‘H.H Parker’ (lower left) and inscribed with title oil on canvas 51 x 89cm (20 1/16 x 35 1/16in).

£500 - 700

376Robert watson (British, active 1877-1920)Sheep grazing on a hillside signed and dated ‘R Watson 1912’ (lower right) oil on canvas 41.5 x 62cm (16 5/16 x 24 7/16in).

£500 - 700

371 373372

374

375


377w** Borough (British, 19th Century)Figures and horses on a country road signed ‘W Borough’ (lower left) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in).

£500 - 700

378David James (British, 1853-1904)Coastal view signed and dated ‘D James 81’ (lower right) oil on canvas 30 x 51cm (11 13/16 x 20 1/16in).

£600 - 800

379Charles Leslie (British, circa 1835-1890)Loch Lubnaig; Llyn Graffnant, North Wales both signed and dated ‘Chas Leslie 1881’ oil on canvas, a pair 30.5 x 61cm (12 x 24in). (2)

£800 - 1,200

380Harry Pennell (British, 1879-1934)Harvesting scene by a river signed ‘Harry Pennell ARCA’ oil on canvas 40.5 x 61cm (15 15/16 x 24in).

£600 - 800

377

379

378

379

380

74 | BONHAMS

381385 Barnes (British, ?-died circa 1923)Faggot gatherer on a woodland path signed ‘Jas Barnes’ (lower left) oil on panel 24 x 34cm (9 7/16 x 13 3/8in).

£500 - 700

382Laurits Bernhard Holst (Danish, 1848-1934)‘Afterglow or Moonrise/on the Nile’ signed and dated ‘L.Holst 1917’ (lower left), inscribed with title on stretcher oil on canvas 38.5 x 59cm (15 3/16 x 23 1/4in).

£800 - 1,200

383John wells Smith (British, active 1870-1875)Young girl resting by a tree signed with monogram and dated 1863 (lower right) oil on canvas 51 x 40.5cm (20 1/16 x 15 15/16in).

£500 - 700

384John wells Smith (British, active 1870-1875)Boy resting by a tree signed with monogram (lower left) oil on canvas 50.5 x 40cm (19 7/8 x 15 3/4in).

£500 - 700

385Charles John de Lacy (British, 1856-1936)Pool of London signed ‘CHARLES J DELACY’ (lower left) oil on canvas 35.5 x 61cm (14 x 24in).

£600 - 800

381

383

382

384

385


386Antony Serres (French 1828-1898)A musical gathering signed ‘Anthony Serres’ (lower left) oil on canvas 46.5 x 55.5cm (18 5/16 x 21 7/8in).

£500 - 600

387Theude Grönland (German, 1817-1876)Roses and grapes against a grassy bank signed ‘Th.Gronland’ (lower left) oil on panel 28.5 x 51.5cm (11 1/4 x 20 1/4in).

£1,500 - 2,000

388Charlotte Nasmyth A shepherd with his flock signed lower left, oil on canvas 61 x 73.5cm (24 x 28 7/8in).

£800 - 1,200

389No lot 390Ascan Lutteroth (German, 1842-1923)‘Aumuhle’ signed ‘A.Lutteroth’, indistinctly inscribed and dated 1865, inscribed with title and similarly dated verso oil on board 23.5 x 31cm (9 1/4 x 12 3/16in).

£500 - 700

391Attributed to Hercules Brabazon Brabazon (British, 1821-1906)‘Mahomet Mosque, Cairo’ bears initials, titled on mount bodycolour and pencil 26.5 x 21.5cm (10 7/16 x 8 7/16in).

£400 - 600

392English School, 19th CenturyTravellers on a country path oil on canvas 69.5 x 102.3cm (27 3/8 x 40 1/4in).

£600 - 800

393Emile H. Meyer (French)Coastal scene with beached rowing boats signed ‘Emile Meyer’ (lower right), oil on canvas, 27 x 44.5cm (10 5/8 x 17 1/2in).

£300 - 500

394AR

Edward wesson RI, RBA, RSMA (British, 1910-1983)Pin Mill; Dinton Surrey; and a view from the artist’s garden all signed (lower right) Watercolours 31 x 47cm (12 3/16 x 18 1/2in).(3)

£500 - 700

387

390

393

394

76 | BONHAMS

395English School, 19th centuryA man gathering sticks in a wooded landscape indistinctly signed (lower right) oil on canvas 50 x 66cm (19 11/16 x 26in).

£300 - 500

396Laurits Bernhard Holst (Danish, 1848-1934)‘Haybarges at the mouth of the Thames’; sunlit fjord scene both signed ‘L.Holst’ and dated 1914 and 1924 respectively, former inscribed with title verso oil on canvas 38 x 58.5cm (14 15/16 x 23 1/16in). (2)

£600 - 800

OLD MASTER DRAwINGS & PAINTINGS

397Francis Swain ward (British, 1734-1794)The Palace of the late Nabob of Arcot pencil and watercolour 44 x 56cm (17 5/16 x 22 1/16in). Unframed

£500 - 700

The Nabob of Arcot, Muhammad Ali Khan (1717-1795) was a keen Anglophile and ally to the British East India Company who ruled the Carnatic region of South India. The portrait of the Nabob and his five sons by Tilly Kettle was the first oil painting of an Indian ruler to be shown in London.

398Italian School, 18th CenturyFive Putti on clouds, corners cut black chalk on paper 33.8 x 18.6cm (13 5/16 x 7 5/16in).

£500 - 700

PROVENANCE W. Bates (Frits Lugt 2604)

396

397

398


399Attributed to Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London)Portrait study of a young girl, half-length, in a white dress and blue hat pastel on paper 22.6 x 17.8cm (8 7/8 x 7in).

£600 - 800

400Peter de wint, OwS (British, 1784-1849)Study of game and earthenware vessels watercolour and bodycolour 35.5 x 27cm (14 x 10 5/8in).

£500 - 700

EXHIBITED: London, Appleby Bros. Ltd, Spring Exhibition, 1962.

401Sir James Thornhill (Dorset 1675-1734 Stalbridge)Zephyrus and Flora: Design for a circular ceiling pen, ink and watercolour 19.2 x 19.2cm (7 9/16 x 7 9/16in).

£500 - 700

402Dutch School, 18th CenturyTwo figures dancing in an interior; Figures drinking in an interior a pair, oil on panel 23.2 x 18.2cm (9 1/8 x 7 3/16in). (2)

£500 - 700

399400

401

402

78 | BONHAMS

403*

Dutch School, 18th CenturyDrovers resting with their flocks oil on canvas laid down on board 51.7 x 62.2cm (20 3/8 x 24 1/2in).

£1,000 - 1,500

404Follower of Sir Anthony van Dyck (Antwerp 1599-1641 Blackfriars)Portrait of a gentleman, half-length, in a painted oval oil on canvas 72.1 x 59.5cm (28 3/8 x 23 7/16in).

£500 - 700

405*

Italian School, 17th CenturyThe Penitent Magdalen oil on copper 25 x 21cm (9 13/16 x 8 1/4in). together with a work by another hand (2)

£500 - 700

406George Arthur Fripp, RwS (British, 1813-1896)A view of St. Goar am Rhein, with Schloss Rheinfels and the Tower of Schloss Katz signed ‘George A. /Fripp’ (lower left) watercolour on paper 26.7 x 40.2cm (10 1/2 x 15 13/16in).

£400 - 600

403 404

405

406


407Venetian School, 20th CenturyThe Bacino di San Marco Grand Canal with the Palazzo Ducale, Venice oil on canvas 45.6 x 74.3cm (17 15/16 x 29 1/4in).

£800 - 1,200

408*

After Antonio Allegri, called il Correggio, 19th CenturyCupid oil on canvas 45.2 x 71.2cm (17 13/16 x 28 1/16in).

£300 - 500

The present composition is after a detail in Correggio’s original of Venus with Mercury and Cupid, now in The National Gallery, London.

409Circle of David Teniers the younger (Antwerp 1610-1690 Brussels)Figures making music seated at a table in a humble interior oil on panel 23 x 17.8cm (9 1/16 x 7in).

£1,000 - 2,000

410Flemish School, circa 1700Windblown travellers on a country road oil on panel 9 x 12cm (3 9/16 x 4 3/4in).

£600 - 800

407

409

408

410

80 | BONHAMS

411Dutch School, 18th CenturyA kitchen maid bears signature and date ‘con dusart 16*3 (upper right) oil on panel 25.8 x 21.7cm (10 3/16 x 8 9/16in).26cm x 22cm.

£500 - 700

412Dutch School, 18th CenturyFigures resting on the river bank oil on panel 58.6 x 83cm (23 1/16 x 32 11/16in).

£2,000 - 3,000

413Contiental School, 17th CenturyBiblical scene signed ‘** v Tulden’ (lower left) oil on panel 18 x 23cm (7 1/16 x 9 1/16in).

£400 - 600

414Dutch School, 18th CenturyTravellers on a country path, a walled town beyond oil on canvas 51.2 x 69.2cm (20 3/16 x 27 1/4in). bears inscription ‘J.GOOCH’ (on the reverse)

£500 - 700

433

412

413

414


415Dutch School, 19th CenturyFisherman in a harbour oil on canvas 88.6 x 125.8cm (34 7/8 x 49 1/2in).

£1,000 - 1,500

416After Carlo Dolci, 19th CenturyMary Magdalene oil on canvas 35 x 28cm (13 3/4 x 11in). in a 18th/19th Century Florentine gilt frame

£600 - 800

The present lot is a copy of the painting held in the collection at the Pitti Palace in Florence.

417After Raffaello Sanzio, called Raphael, 19th CenturyMadonna del Cardellino oil on canvas 50.5 x 39cm (19 7/8 x 15 3/8in). in a mid/late 19th Century Florentine frame

£800 - 1,200

The present lot is a copy of the painting held in the Uffizi gallery, Florence.

418Antwerp School, 17th CenturyAn elegant couple in a landscape oil on canvas 63.7 x 83cm (25 1/16 x 32 11/16in).

£1,500 - 2,000

419Circle of Hendrick Frans Van Lint, called Studio (Antwerp 1684-1763 Rome)Travellers on a country path, a river landscape beyond oil on canvas 35.4 x 48.3cm (13 15/16 x 19in).

£1,500 - 2,000

415

418

419

82 | BONHAMS

420Circle of Antoine Pesne (Paris 1683-1757 Berlin)Portrait of a gentleman, half-length, in armour oil on canvas 81.6 x 63.9cm (32 1/8 x 25 3/16in).

£800 - 1,200

421French School, circa 1790Portrait of a gentleman, bust-length, in a black coat oil on canvas 54.6 x 47.5cm (21 1/2 x 18 11/16in).

£700 - 900

422German School, 18th CenturyShepherds and shepherdesses resting with their flocks beside a river oil on panel 19.4 x 29.9cm (7 5/8 x 11 3/4in).

£500 - 700

423English School, 18th CenturyPortrait of Gentleman, possibly Benjamin Gooch, founder of the Norfolk and Norwich Hospital oil on canvas 76.2 x 65.5cm (30 x 25 13/16in).

£1,000 - 1,500

420

423

421

422


424Circle of Sir Peter Lely (Soest 1618-1680 London)Portrait of James Usher, Archbishop of Armagh, three-quarter-length, seated oil on canvas 123.8 x 102cm (48 3/4 x 40 3/16in).

£1,000 - 1,500

425Flemish School, 18th CenturyThe Holy Family with the Infant Saint John the Baptist and Elizabeth oil on panel, with a painted oval 55 x 46cm (21 5/8 x 18 1/8in).

£1,000 - 1,500

426W

Thomas Hudson (Devon 1701-1779 Twickenham)Portrait of The Rev. John Fursman, three-quarter-length, in clerical robes, holding a book, standing before a window oil on canvas 125.8 x 100.5cm (49 1/2 x 39 9/16in).

£1,000 - 1,500

The sitter, The Rev. John Fursman (1680-1759) of Franklyn House, Exeter, and Hockworthy Court, Devon, married the seventh daughter of Jasper Radcliffe and Jane Andrew in 1727.

427Circle of Alessandro Salucci (Florence 1590-circa 1655 Rome)Two architectural capricci with scenes from the Life of Christ a pair, oil on canvas laid down on board 71 x 126cm (27 15/16 x 49 5/8in). (2) unframed

£2,500 - 3,500

424 425426

427

427

84 | BONHAMS

428Dutch School, 18th CenturyTopers smoking and drinking in an interior oil on panel 31.1 x 31.1cm (12 1/4 x 12 1/4in).

£600 - 800

429English School, 18th CenturyPortrait of a gentleman, full-length, in uniform, bearing a sword oil on canvas 76 x 63.2cm (29 15/16 x 24 7/8in).

£1,000 - 1,500

430*

After Diego Rodriguez de Silva y Velasquez, early 20th CenturyA bacchanale signed and inscribed ‘copia de Velaquez/ C.C**’ (lower right) oil on canvas 50 x 65cm (19 11/16 x 25 9/16in).

£200 - 300

The present composition is after Velasquez’ original, now in the Prado, Madrid.

431Flemish School, 17th CenturyA tavern scene oil on panel 35.6 x 52.5cm (14 x 20 11/16in).

£600 - 800

428 429

430

431


432English School, circa 1820A young child with a cat, before a window oil on panel 43 x 35cm (16 7/8 x 13 3/4in).

£500 - 800

433Follower of John Constable R.A. (Suffolk 1776-1837 Hampstead)A view of the outskirts of a village, possibly Leavenheath, Essex oil on ?panel, laid down on panel 14 x 23.5cm (5 1/2 x 9 1/4in). together with a similar work (2)

£500 - 700

Provenance with Hahn Gallery

434*

After Francesco Furini, 17th CenturyPortrait of a young woman oil on canvas 70 x 59cm (27 9/16 x 23 1/4in).

£600 - 800

435*

After Frans Hals, early 20th CenturyWoman drinking oil on canvas 70 x 59cm (27 9/16 x 23 1/4in).

£500 - 700

The present composition is after Hals’ original, now in the Staatliche Museum, Berlin.

436Manner of Francesco Albani, 19th CenturyThe Sleeping Christ Child oil on canvas 33.8 x 42.5cm (13 5/16 x 16 3/4in).

£700 - 900

433

434

435

436

86 | BONHAMS

437*

Spanish School, 18th CenturyThe Madonna and Child oil on canvas 70 x 52cm (27 9/16 x 20 1/2in).

£400 - 600

438Manner of Antonio Canal, called il Canaletto, 20th CenturyAn architectural capriccio with a pyramid oil on canvas 73.5 x 61cm (28 15/16 x 24in).

£1,000 - 1,500

439*

Jacobus van der Stok (Dutch, 1794-1864)Drovers resting with cattle before a river, a farmhouse in the distance signed ‘J van Stock’ (lower left) oil on panel 53 x 50cm (20 7/8 x 19 11/16in).

£1,000 - 1,500

437

438

439


440Bolognese School, 18th CenturyPortrait of a gentleman, half-length, in black inscribed ‘TPIETRO.DENORES’ (upper centre) oil on canvas 66.4 x 49.8cm (26 1/8 x 19 5/8in).

£1,000 - 1,500

441Dutch School, circa 1630Portrait of a man, half-length, in a black coat and lace collar oil on panel 66.3 x 56.1cm (26 1/8 x 22 1/16in).

£1,800 - 2,500

442Circle of Robert walker (? circa 1607-circa 1658 London)Portrait of Oliver Cromwell, bust-length, in armour, within a painted oval oil on panel 33 x 27cm (13 x 10 5/8in).

£700 - 1,000

443Follower of Robert walker (? circa 1607-circa 1658 London)Portrait of a young man, possibly Richard Cromwell, bust-length, in armour oil on panel 39 x 31cm (15 3/8 x 12 3/16in).

£1,000 - 1,500

PROVENANCE W.S. Taylor, Hathersage, Derbyshire, before 1984 Richard Cromwell (1626-1712) was the son of Oliver Cromwell. He served in the Parliamentary army during the Civil War and in 1654 was elected to the House of Commons.

440

441 442

443

88 | BONHAMS

MINIATURES

444Y Ф

Gervase Spencer (British, circa 1715-1763)A portrait miniature of Anthony Aufrère (1730-1814), wearing sky blue coat, cream waistcoat, white chemise, frilled lace cravat and black stock, his powdered wig worn en queue and tied with black ribbon. Watercolour on ivory, signed on the obverse and dated GS/ 1756, gilt-metal bracelet clasp mount, the reverse engraved Anthony Aufrère/ of Hoveton Hall, Norfolk./ B: 1730, Marr d 1756 Anne d r of J Norris Esq:/ of Wilton, Norfolk/ † 1814. Oval, 33mm (1 5/16in) high

£500 - 700

Anthony Aufrère married Anne, only daughter of John Norris (d.1761) and sister to John Norris (1734-1777), founder of the Norrisian professorship at Cambridge, in 1756. Their eldest son, also called Anthony (1756–1833), was an antiquary and translator known for his edition of the ‘Lockhart Letters’, which included some correspondence between the ancestors of the Lockhart family and the confidential supporters of the Pretender, and his translations of German authors such as Goethe.

445Y Ф

After Andrew Plimer, 19th CenturyA portrait miniature of a lady called Mrs Creevy, wearing white dress with frilled collar, the sash of her bonnet wrapped around her neck, her hair loosely curled and powdered. Watercolour on ivory, gold frame, the reverse glazed to reveal sprays of hair, gilt-wire and seed pearls surrounding gilt-metal monogram MEH on opalescent glass. Oval, 65mm (2 9/16in) high

£300 - 400

446Y Ф

English School, circa 1780A portrait miniature of a Gentleman, wearing black coat, white waistcoat, chemise, stock and tied cravat, his hair powdered. Watercolour on ivory, silver frame, the reverse glazed to reveal a lock of hair set with seed pearls and a circular blue enamel plaque on opalescent glass. Oval, 73mm (2 7/8in) high

£300 - 400

447Y Ф

English School 18th. CenturyA portrait miniature of a Young Child, wearing burgundy dress and holding an apple and fruit basket (cracked). Watercolour on ivory, gilt-metal mount. Oval, 78mm (3 1/16in) high

£250 - 350

448English School, circa 1820A portrait miniature of a Gentleman called David Carruthers. Watercolour on card, gilt-metal frame. Oval, 83mm (3 1/4in) high

£250 - 350

449Y Ф

Andrew Denoon young RMS (Scottish, 1855-1925)A portrait miniature of a Lady, profile to the right and wearing white dress, her blonde hair plaited and upswept. Watercolour on ivory, signed on the obverse and dated A D Young/ 1895, gilt-metal frame; together with two further miniatures on ivory, portraying Ladies (one painted over a photographic base and signed and dated Fred/ Coop/ 1903), gilt-metal frames. Oval, the title miniature: 75mm (2 15/16in) high (3)

£250 - 350

444

447


450Y Ф

J. Smart (active 1900-1905)A portrait miniature of a Lady, wearing purple dress and white lace stole, pearl necklace and black choker, her blonde hair upswept. Watercolour on ivory, signed on the obverse and dated JSmart 1903, gilt-metal frame; together with a further miniature on ivory portraying a Lady wearing pink cloak edged with frilled black lace, her brown hair curled and upswept, (English School, circa 1800), gold frame with pierced suspension loop, the reverse glazed to reveal sprays of brown hair set with gilt-wire and split seed pearls on opalescent glass surrounded by a gold mount. Oval, 87mm (3 7/16in) and 73mm (2 7/8in) high respectively (2)

£250 - 350

451Y Ф

English School, circa 1780A portrait miniature of a Lady, wearing white dress, her natural hair worn à la conseilleur. Watercolour on ivory, silver frame; together with a further miniature on ivory portraying a lady in profile to the left and wearing dress and wig circa 1780, (English School, 19th Century), gold frame. Oval, 65mm (2 9/16in) and 59mm (2 5/16in) high respectively (2)

£250 - 350

452Y Ф

Circle of Nathaniel Plimer (British, 1751-1822)A Lady wearing white dress, her brown hair curled and upswept. Watercolour on ivory, gold frame, the reverse glazed to reveal a lock of brown hair set with gilt-wire and split seed pearls on blue glass; together with a further miniature on ivory, portraying a Lady wearing white dress finished with frilled lace trim and blue ribbon, a matching blue bandeau in her curled and powdered hair, Attributed to Thomas Day (British, c.1732 - c.1807), gold frame, the reverse glazed to reveal brown plaited hair. Oval, 73mm (2 7/8in) and 61mm (2 3/8in) high respectively (2)

£600 - 800

453Y

Attributed to George Saunders (Scottish, 1774-1846)A Lady, wearing white dress and pink stole, her blonde hair curled and upswept. Gilt-metal fausse-montre frame, the reverse of blue glass; together with a further miniature portraying a Lady wearing light brown dress and pale blue stole, gold brooch, necklace and pendent earrings, her brown hair curled and upswept (English School, circa 1820), gold frame with pierced suspension loop, the reverse of blue glass. Oval, 84mm (3 5/16in) and 55mm (2 3/16in) high respectively (2)

£600 - 800

454Y Ф

Mrs. william walker (British, 1800-1876)A portrait miniature of a Lady wearing a pink stole, her blonde hair curled and upswept. Watercolour on ivory, gilt-metal frame, the reverse glazed to reveal pierced gilt-metal initials A and L on two locks of brown hair over a bed of vertical strands of hair beneath a brooch pin attachment; together with a further miniature on ivory by Thomas Bailey (British, active c.1830-1840), portraying a Lady wearing blue dress edged with black fringing, her blonde hair curled in ringlets framing her face, signed on the obverse and dated T. Bailey/ 1/30, gilt-metal frame with scroll leaf decoration to the obverse, the reverse with brooch pin attachment. Oval, 47mm (1 7/8in) and 56mm (2 3/16in) high respectively (2)

£500 - 700

452

453

90 | BONHAMS

455Y Ф

After Andrew Plimer, Late 19th CenturyA Lady, wearing white dress and two bandeaus in her softly curled and blonde hair. Watercolour on ivory, chased gilt-metal frame, the reverse glazed to reveal sprays of brown hair and gilt-wire surrounding an oval blue glass plaque set with the seed pearl monogram LA on opalescent glass; together with five further late 19th century decorative copies including a miniature portraying Jane Digby, Lady Ellenborough (1807-1881) after Joseph Karl Stieler (German, 1781-1858). Oval, the title miniature: 82mm (3 1/4in) high (6)

£400 - 600

456Y Ф

Pierre Hébert (Swiss, 1783-1867)A portrait miniature of an Officer, wearing dark blue uniform with scarlet standing collar, the badges of the Legion d’Honneur and the Order of Saint Esprit at his left together with a silver epaulette and black regimental cross belt, white chemise and black stock. Watercolour on ivory, signed on the obverse and dated Hébert 1822, together with a further portrait miniature of a Gentleman on ivory, signed on the obverse and dated j Godet. 1841.; both gilt-mounted on rectangular turned wood frames. Oval, 65mm (2 9/16in) high (2)

£500 - 700

455

456


457Y

N. Freese (British, active 1794-1814)A Lady, wearing white dress with mauve waistband, her dark blonde hair upswept beneath a white lace veil. Gold frame, the reverse with oval aperture, glazed to reveal dark blonde plaited hair. Oval, 79mm (3 1/8in) high

£300 - 400

458Y Ф

Louis Melignan (French, 1780-circa 1839)A Gentleman, wearing black coat and waistcoat, white chemise and black tied stock, his brown hair curling and parted to one side (cracked). Watercolour on ivory, signed on the obverse Melignan, square gilt-metal frame embossed with an acanthus leaf design; together with a further miniature portraying a Lady, wearing blue décolleté dress over white pleated chemise, her bodice dressed with pearls, her hair powdered and partially upswept, falling over her shoulders and dressed with ribbon (Continental School, circa 1720), watercolour on vellum, gilt-metal frame with suspension loop. Oval, 122mm (4 13/16in) and 53mm (2 1/16in) high respectively (2)

£500 - 700

459Y

French School, circa 1800A Lady, wearing burnt umber dress over white chemise, her raven hair curled and upswept beneath a sheer white veil. Gold frame, the reverse glazed to reveal two sprays of hair set with gilt-wire and split seed pearls on opalescent glass. Oval, 68mm (2 11/16in) high

£400 - 600

458

459

FURNITURE, CLOCKS AND wORKS OF ARTLots 460 - 766

94 | BONHAMS

EUROPEAN & ASIAN CERAMICS & wORKS OF ART

460Two pairs of Japanese cloisonne vases and a bronze slender neck vaseThe smaller pair of ovoid form decorated with an egret amongst irises on a turquoise ground, 18.5cm high; the other pair with oval reserves of birds and foliage on a brownish ground, 31cm high (5).

£500 - 600

461Six various Chinese snuff bottlesIn agate and glass, including one in the form of a fish, 5cm long (6).

£200 - 300

461AA small collection of treenTo include: two late 16th/early 17th century carved figural terms, Flemish, one a caryatid, the other an atlantes, half length and with cut-away pedestals, the larger 20cm high; together with a 19th century mahogany and brass pill-maker, 32cm long; a 19th century ebony bottle coaster 14cm diameter; three lignum vitae bell pushers, of turned form with line decoration, 10.5cm high; a carved treen lidded pot, 23.5cm wide; eight horn beakers of various sizes, and five brass coffee grinders, Turkish, (21)

£200 - 300

462A collection of Chinese and Japanese blue and white ceramicsComprising two large dishes; six blue and white dishes; three blue and white cups, four blue and white jarlets; a small blue and white box and cover; a blue and white kamcheng decorated with floral designs; a pair of underglaze joss-stick holders modelled as domestic fowl; a pair of white glazed cups; a blue and white bitong with Yongzheng six-character mark, with some stands (35)

£600 - 900

463An aubergine glazed pear-shaped vaseRelief decorated with a dragon chasing a flaming pearl, 26.5cm high.

£1,000 - 1,500

461A

469 463


464A late 19th Century bronze Emperor figure and late Ming polychrome wood figure of a house GodThe bronze figure seated in full robes, 30cm high; the wood figure also seated, 25cm high (2).

£300 - 350

465A pair of Chinese cloisonne double gourd vasesEach decorated with panels of flowers, fruit and vegetables against a blue floral ground, both on circular hardwood stands. 25cm high (2).

£300 - 500

466A pair of Chinese famille rose saucer dishesGuangxu six characters marks but 20th Century decorated with shou, dragon and phoenix medallions reserved on a coral ground with insects and flowers (2).

£800 - 1,200

467Y Ф

A collection of Chinese snuff bottles and an Indian carved ivory figure of a snake charmer, with padouk hanging display caseComprising approximately twenty four various Chinese snuff bottles in malachite, carved jade hornbill ceramic and glass; the display case, 63cm high x 46cm wide (parcel).

£1,000 - 1,500

468Y Ф

A Japanese carved ivory parasol handle with carved rat designsAlso another malacca parasol handle with carved ivory Shi-Shi finial 25cm and 22cm high respectively

£300 - 500

469A relief moulded eight immortal vaseWith slender neck and ochre ground, 26cm high.

£800 - 1,000

470A Tibetan white metal plated incense burner and coverOf rectangular form, 38cm long, a modern gilt metal trinket box, a white metal lobed cup and saucer and a quantity of white metal items (qty).

£200 - 300

471A Japanese tantoThe bone scabbard and hilt carved with numerous figures; 39cm over all

£250 - 300

472A 19th/20th Century Chinese large bronze bowlThe sides with two pheonix handles and dragon decoration, on four swept feet, 43cm wide

£200 - 300

473A Chinese hardwood spice cabinetWith carved panelled doors enclosing thirty small drawers above folding drawer front cupboard below, 77cm wide x 92cm high

£300 - 400

468

96 | BONHAMS

474An early 20th Century Chinese hardwood display cabinet on standWith pierced carved gallery, single glazed panel door enclosing two shelves above three tier base on cabriole legs, 66cm wide x 181cm high

£400 - 500

475Y Ф

A Chinese pierced tortoiseshell screen and standCarved with flying cranes and swirling clouds, 26cm high including base, together with another similar screen, 18cm high, and a carved tortoiseshell and ivory pendant. (3)

£200 - 300

476A late 19th Century Chinese rectangular hardwood and mother o’ pearl inlaid urn standWith inset marble slab top with panelled undertier on square section legs, 43 x 33cm

£300 - 400

477A late 19th/early 20th Century Chinese hardwood low opium tableWith recessed panel top and carved bow end panels, pierced carved frieze on scrolled feet, 85cm wide

£250 - 350

478Four Chinese silkwork and gilt thread scroll panelsDecorated with ceremonial elephants and temple dogs (A/F), 150 x 50cm, a rootwood figural carving on stand, 30cm high, a terra-cotta figure group depicting three scholars and a small group of Asian ceramics, to include a delft ware blue and white plate, 39cm diameter (qty).

£200 - 300

479A pair of French ormolu rococco urn stands130cm diameter, a further pair of Louis XVI style gilt metal urn stands, 12cm diameter and a quantity of gilt metal mounts to include a figural clock finial (qty).

£200 - 300

474

477

480


480Y Ф

A late 19th Century Chinese ivory sectional shrineThe pagoda roof above a pair of doors opening to reveal a seated Budhistic figure, on a square stepped base, 42.5cm high

£600 - 800

480AY

A collection of game boards and markersTo include eleven cribbage boards: five Tunbridge Ware inlaid examples, three mahogany and brass-inlaid examples, a rosewood and mother of pearl-inlaid example and two others; a ‘Klik’ bridge marker; a ‘Camden’ Combined Cribbage & Whist Marker; an ebony bridge marker; a triangular inlaid game score board inlaid with chevrons, 42cm wide x 36.5cm deep; two folding travelling chess boards, both with bone and stained bone chessmen; a black-lacquered and gilt-heighted Pope Joan board, swivelling, 29cm diameter; eight lignum vitae boules; and an inlaid boule marked ‘Luzern’, (27)

£300 - 500

A very similar Tunbridge inlaid cribbage board, with the same Masonic symbol to the central bone plaque, is illustrated E. H. Pinto, Treen & Other Wooden Bygones (1985), Plate 233, M. The same illustration shows a Pope Joan board (Plate 233, O).

481A Japanese famille rose baluster vase and coverIn the Chinese taste, decorated with reserves of figures seated in a garden, 47cm high (2).

£200 - 300

482A large pottery tomb figure, Han dynasty and tow pottery dancers, Tang dynastyThe large figure standing, robed, 50cm high; the dancers approximately 19cm high (3).

£150 - 200

Please note these figures haven’t been date tested.

483A large carved wood group of Shoulau and two root carvings of figuresShoulau stands together with a crane, stag and figures of boys, carved in wood and inset with coloured glass beads,85cm high; one root figure holds a peach the other a fish, both on rustic stands, 54cm high (3).

£500 - 600

484Three early 19th Century Bristol blue decanters stoppersInscribed in gilt, ‘Hollands’, ‘Brandy’ and ‘Rum’, within gilt shields, 24.5cm high (6)

£300 - 500

485A Royal worcester dinner service,In the chinoiserie taste, printed and overpainted to the centre with Chinese pheasants, standing or perched on flowering branches, the diaper borders enclosing reserves of flowering plants, comprising:- 11 soup, 36 dinner and 19 dessert plates, soup tureen and stand (lacking cover), 2 sauce tureens, 4 vegetable tureens, a meat dish with drainer, 54.5cm, 8 meat plates, in graduated sizes, 3 x 29.5cm, 34.5cm, 38.5cm, 2 x 43cm, and 1 x 48cm, black printed, painted and impressed marks (87)

£1,000 - 1,500

486A pair of Meissen ‘Onion’ pattern trumpet shaped vasesWith gilt rims, underglaze blue cross swords mark, 24cm high; and a collection of approximately twenty four various wine glasses, 19th and 20th Century, (qty)

£150 - 250

485

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487A Royal Crown Derby vase by R Hague, dated 1904Of urn shape with double loop handles, decorated with a panel of flowers reserved on an apple green ground heightened with gilding, 12cm high, mark in red, shape number 1202, together with a Royal Crown Derby dessert service, dated 1893 Decorated with colourful sprays of flowers within an apple green and gilded border, comprising twelve plates, a pedestal comport and two pairs of dishes, marks in green (18)

£200 - 300

488A pair of late 19th Century Bohemian blue glass table lustresWith elongated droppers, 27cm high

£300 - 400

489A Sevres green glazed stylized polar bearTogether with six pieces of Aldermaston pottery, including two Alan Caiger-Smith pedestal fruit bowls, a Royal Lancastrian shallow bowl, a Mintons floral decorated bowl, a Lustre ware planter, a parcel book, two accounts books, a pair of small wall mirrors, three artists palettes and miscellaneous other items.

£250 - 300

490A mid 19th century Minton cabinet cup and two saucersWith monograms on a turquoise ground with gilded lattice and white-beaded decoration, retailed by Phillips (damage) (3)

£200 - 300

491A Capodimonte-style casket and a pair of Paris porcelain cups and saucersThe casket of rectangular form, moulded with groups of classical figures, 24cm wide, one cup and saucer painted with garlands of blue flowers, the other with renaissance style scrollwork. (5)

£300 - 400

492A pair of Capodimonte-style vases and coversThe domed and pierced covers with crown finials, the vases decorated in relief with battle scenes, on triform platform bases, 37.5cm high. (4)

£300 - 500

493A Dutch engraved glass, late 18th centuryThe funnel bowl elaborately engraved with neoclassical motifs, on a faceted stem and conical foot, 18.5cm

£250 - 300

488

492

493


494A pair of Meissen twin handled baluster shaped vasesDecorated with polychrome sprays of flowers, 18cm high underglaze blue cross swords mark (2)

£120 - 150

495A Goldscheider figure of a dancing girlIn a flowing blue floral dress on an oval base, stamped to base 22cm high

£750 - 850

496A Chinese porcelain vaseIn the Kangxi style, painted in blue and white with lotus blossom and scrolls, double ring mark to base, 17cm (neck reduced)

£500 - 700

497A Beswick figure of an Ayrshire Bull,CH ‘Whitehill Mandate’, gloss, 13.3cm, Beswick Charolais cow, two Highland calf and a cow creamer, a Melba ware figure of a bull, another of a Fresian cow, a Victorian black glazed cow creamer with gilt detail and a moon flask, outside painted with a frog in an water landscape, butterfly and dragonfly amongst cyclamen and foliage, 25cm. (9)

£250 - 350

498A pair of Dresden porcelain urns and coversWith figural twin handles of gentlemen wearing helmets mounted with colourful plumage, each painted with a panel to either side, against a pink ground, 48cm high (2)

£250 - 300

499Six Aldermaston pottery chargersAll with similar decoration, in peaches, purples and yellow glazes, 41cm diameter (6)

£300 - 400

500A collection of 19th Century and later English and Continental creamware and potteryComprising three oval Wedgwood twin handled baskets, another, a French part dessert service etc (25)

£250 - 300

501Four Chinese famille rose platesLate 18th Century Two with lobed rims and painted with flowers; and a pair painted with a small central bouqet, the rim with meandering border of small flowers, 23cm diameter (4)

£150 - 200

502Y Ф

An interesting collection of Asian Minorities style bead necklacesComprising a single strand red glass (simulating coral), ivory, turquoise, metal foil and amber bead necklace, four late 19th century oval ivory bead necklaces, a two-colour amber bead necklace with Buddha’s citron pendant, a three-colour Mandarin style glass (simulating jade) bead necklace, three other multiple strand and mixed material necklaces, and nine other various ethnic bead necklaces (19)

£600 - 900

503A group of five Pre-Columbian Sinú gold ear ornamentsColombia, ca. A.D. 1000-1500 comprising a pair of typical small crescent-shaped ornaments, 22mm wide; another similar but larger and more detailed, 33mm wide; and a pair of spiral ear ornaments, 23mm wide (5)

£1,000 - 1,500

504Attributed to Liberty & Co: An Arts & Crafts brass framed wall mirrorThe oval spot hammered frame with blue green enamel roundels in rivetted mounts, 76 x 57cm.

£500 - 600

505An Art Deco chrome and glass mantel timepieceBy Garrard Of stylised rectangular form, pierced Arabic dial, marked ‘Garrard British Case Pat No 364296’ 32cm wide, 15.5cm high

£300 - 500

506A J Rowley for the Rowley Galleries 140-2 Church St Kensington: an upright rectangular wall mirrorWith a marquetry panel of Kensington Gardens, in a stepped ebonised frame, 106 x 57cm.

£300 - 400

502

100 | BONHAMS

507A Newlyn style plated copper charger,in the manner of John Pearson, circular with dished rim decorated with fish weed, shells and a crab 57.7cm diameter, drilled for suspension.

£200 - 300

508Herbert Cescinsky, English Furniture of the Eighteenth Century3 vols., George Routledge & Sons, Limited (1911); togetner with Herbert Cescinsky & Malcolm R. Webster, English Domestic Clocks, George Routledge & Sons, Limited (1914), (4)

£200 - 300

509Richard King, Lymington: a cased violin and violaThe viola numbered 190 and inscribed label ‘Lymington 1979’ the violin numbered 198 and inscribed label ‘Lymington 1980’. (2)

£250 - 300

510Y

A musical box playing six airsAttributed to Paillard, late 19th Century, With spring wind motor, single-section comb in gilt cast reeded bedplate in ebonised interior with dustlid, double-column and putti tunesheet, in grained case with rosewood veneered and inlaid lid, triple boxwood strung border, 16in. (41cm) wide, the cylinder 8in. (20cm)

£500 - 700

511Bernard Leach: Sgrafitto potLithograph, signed in pencil, unframed, 48 x 40cm, together with volume ‘Bernard Leach Beyond East & West’, 1st edition 1978, in dust cover, inscribed ‘To Stieve Now Bernard 1978’ felt tip, on the inside flysheet, and a black and white publicity photograph of Bernard Leach in profile. (3)

£300 - 400

512Two pairs of Chinese silk Mandarin coat sleeve panels,Qing Dynasty, 19th Century, embroidered with birds, figures, butterflies, flowering branches, landscape panels, diaper and other designs, 52.5 x 18cm & 47.5 x 17.5cm respectively, later framed and glazed, a pair of cloisonne enamel dishes decorated with butterflies and birds amongst flowering branches on a blue ground, 30.5cm and a pair of cloisonne enamel baluster vases with birds amongst flowering trees on a green ground, 25cm. (6)

£250 - 350

513An early 20th Century cast iron and brass fire basketThe shaped cast back with flowerheads and leaves, the serpentine basket with brass urn finials 66cm.

£250 - 300

514Y Ф

A Turkish Prisoner of war beadwork snakeWorked in green, red, black and white, and inscribed ‘Done by P* W* No 1145’, 150cm, together with a carved ivory figure group, circa 1930, as a graduated troop of elephants on a carved wooden stand 35.5cm. (2)

£300 - 500

515AR

Jean Picart le Doux (French, 1902-1982)French Seaside Resorts offset lithograph in colours, 1947, printed by Gaston Maillet et Cie, Saint-Ouen, 99 x 64cm. and two other French posters; Herve Baille (French 1896-1974), ‘French Riviera’, lithograph printed in colours, 1949, printed by Editions Hubert Baille & Cie, Paris. Albert Salon (French, 1897-1973) ‘Foire de Paris 1934’, France 1934 (3)

£300 - 500

516Y Ф

A collection of navigational instrumentsComprising; A cased German silver rolling rule by Troughton & Sims London, 18ins.(46cm)long, a cased brass circular protractor 9ins.(23cm)diam. by Elliott Brothers London, a cased set of WD drawing instruments by H.Hughes & Son, Mk lV 1931, and a 5ins.(13cm)diam. boxed deck compass by Sestrel. (4)

£400 - 600

The drawing instrument set in this lot contains or is made of ivory and in February 2014 the United States Government announced the intention to ban the import of any ivory into the USA.

516


517A model Chris Craft SpeedboatLaminated timber hull, with a Pittman Panther electric motor. 27ins.(68cm)long.

£200 - 300

518A cased waterline model of HMS Implacablemade by E Matthews, shipwright in charge of her restoration project in 1928 using oak from the vessel. 24x20x10ins. (61x51x25cm)

£300 - 500

HMS Implacable was a French 74, the Duguay-Touin built in 1794 and captured by the British just after Trafalgar in 1805. After a long career, she was decommissioned in 1908 and became a training ship for boys. She underwent several privately funded restorations in the 1920’s. She survived WW2, but was scuttled by the Navy in 1949. Her figurehead and stern galleries are preserved at the National Maritime Museum, Greenwich.

519Y Ф

A 19th century decorated whale’s toothinscribed on one side with a three masted American sailing ship and the legend Atlas 1863 and on the other with a Whale spouting. 5ins.(12.5cm)long.

£500 - 700

520A sailor’s woolwork picture,depicting a Royal Navy sailing warship. 10x14.5ins.(25x37cm)

£300 - 500

521A pair of enamelled opera glassesDecorated with purple violets on a cream enamelled ground, gilt metal and mother of pearl mounts, stamped ‘G.A.S 800’, within a fitted cream velvet case.

£300 - 400

522After Jules Moigniez, French (1835 - 1894): A patinated and later cold painted spelter model of a whippet and hareOn oval naturalistic base with gilt banded border, bearing signature J Moigniez, 20cm high

£200 - 300

519520

522

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523A set of twelve mid 19th century hand coloured plates depicting mothsFrom ‘British Moths and their Transformations’, by H.N. Humphreys & J.O. Westwood, 1857, in later painted frames, 34.5cm high x 27cm wide overall (12)

£200 - 300

524A bronze Corpus Christi31cm high

£200 - 400

525An early 20th century patinated bronzed and gilt metal seven light chandelierIn the Empire taste the three pairs of acanthus foliate scrolling arms interspersed by three drop ring scrolling suspension arms, all issuing from a bowl shaped receiver with applied florette mounts and pineapple terminal and surmounted with a frosted glass flambeaux shaded central light fitting, with suspension chains and corresponding anthemion mounted corona, fitted for electricity, 70cm drop approximately overall

£300 - 500

526A 19th century carved giltwood ‘Federal’ convex wall mirrorThe circular moulded frame with applied ball decoration and eagle and leaf surmount, acanthus leaf moulding below. Later gilt coloured. 135cm (53 inches) high

£500 - 700

527A pair of bronzed metal firedogs mounted with greyhoundsEach modelled with two seated outward facing greyhounds, a stylised central section, mounted on a beaded and gadrooned type rectangular plinth base. 25cm high (2)

£500 - 600

528Y

A 19th century rosewood gallery or library glass, converted to a hand mirrorLater backed and with a later bevelled mirror plate, with moulded rosewood frame and baluster-turned slender handle, 22.5cm diameter x 44cm high

£300 - 500

523

525

527


529Y Ф

A Dieppe carved ivory figure of a dancing girlWearing a frilled and bow detail dress and court shoes, mounted on a carved wood stand on four scroll feet, 17cm high

£500 - 600

530A 19th century Italian tole, wirework and beaded glass tent and waterfall chandelierThe circular girdle set with four oval faceted glass drops and mounted with decorative beaded scrolls interspersed with beaded roundels below a similar smaller corona girdle, the whole strung with strings of graduated faceted beaded droplets and hung with prismatic pendant drops, 90cm drop approximately

£400 - 600

531A mid 19th century French gilt and patinated bronze mounted white marble mantel clockThe dial signed Le Roy A Paris the half fluted dwarf column case surmounted by a figure of Cupid seated on a rustic outcrop, the beaded bezel with ribbon tied floral garland surround, the sides with scrolling angular handles, the bow front plinth base with foliate moulded border on beaded toupie feet, the 3.5” signed enamel dial with Roman numerals, the brass twin train movement with outside countwheel striking on a bell, 42cm high

£300 - 500

532A late Victorian coromandel and brass bound jewellery and work boxOf rectangular form, the hinged lid with floral engraved corner pieces, the sides with inset floral engraved campaign handles, opening to a later lined compartmented lift out tray and inner well, above a fitted frieze drawer, 31cm wide, 23cm deep, 7.5cm high (12in wide, 9in deep, 2 1/2in high)

£400 - 600

533Y Ф

A mid 19th century ebony and gilt sewing boxWith partially fitted silk lined interior, and fitted with mother of pearl and ivory cotton winders, manicure tools etc the lid with gilded embossed classical scene, 31cm wide, 26cm deep, 16cm high (12in wide, 10in deep, 6in high)

£300 - 500

530

531

532

104 | BONHAMS

534After Guillaume Coustou, French (1677-1746): A late 19th century French patinated bronze model of the Marley horseThe rearing horse restrained by a classical male figures, on a naturalistic base, dark brown patination, raised on a later stepped, oval marble plinth, 56cm high overall

£400 - 600

535A small group of various bronze figuresTo include a gilt bronze lion on marble plinth 10cm high, a bronzed and marble light fitting mounted with a kneeling female nude, 28cm high, a gilt figure of a nude boy 17cm high, and three others. (6)

£200 - 400

536A collection of five crocodile skin travel casesEarly 20th Century comprising four various suitcases and another smaller, some bearing travel labels (5)

£300 - 500

537A set of twelve decorative coloured heraldic printsIncluding crests, coats of arms and medals, in later black lacquered glazed moulded rectangular frames, 31cm x 43cm overall (12)

£200 - 300

538After Frederick Sackrider Remington (1867-1909)‘Mountain Rider’, a bronze study of a brave on horseback riding down a steep slope, mid-brown patination, signed ‘Frederick Remington’, no foundry mark, 68cm high.

£400 - 600

534

537

535

538


539A painted dummy board of mother and childIn the 19th Century manner The seated mother wearing a filled cap, the child sat on her knee playing with a doll, with hinged easel support 126cm high

£300 - 500

540An early 20th Century French gilt metal mounted Limoges porcelain bowlThe shaped oval gently tapering porcelain body with banded gilt decoration below an applied ropetwist border flanked by similar applied foliate scrolling handles, on integral scrolling feet, the piece with printed factory marks, 15cm high, 39cm wide,

541A set of four 19th century hand coloured prints of fishFrom ‘Freshwater Fish of the British Isles’ by Couch F.L.S., London, 1836, in silvered and moulded rectangular frames, 64cm wide x 48cm high overall (4)

£200 - 300

542A set of twelve 19th century hand coloured prints of birdsFrom ‘The Earth and Animated Nature’, in later black lacquered rectangular frames, 30cm wide x 21.5cm high (12)

£200 - 300

539

540

541

542

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543Y

A native Coco de Mer (Lodoicea maldivica) basketFashioned from a polished half shell, with central strap handle, serrated rim and incised cross banded border decoration, 12.5cm high, 23cm long overall

£300 - 500

544Four gilt bronze figures of SaintsTo include St Paul and St Simon, all approximately 13cm high (4)

£300 - 500

545A carved oak circular ink standThe circluar base mounted with three dolphins and a central waisted ink well and cover, the cover carved with bulrushes and stylised leaves, 26cm diameter

£200 - 400

546Johannes Dommisse (Belgian, 1878-1955):A patinated terracotta bust of Christ, based on the model by Eugene Marioton (French, 1854-1933), depicted facing to sinister, wearing the crown of thorns, inscribed to the reverse J. Dommisse d’apres G Marioton, and stamped MADE IN BELGIUM 2226, raised on a rectangular marble plinth, 36cm high

£200 - 300

547Y Ф

A pair of Loango carved ivory tusks, circa 1900Carved with a spiral procession of figures and animals, 60cm long. (2)

£250 - 300

548A pair of George III inlaid mahogany knife boxesOf shaped outline, each crossbanded sloping lid with chequer stringing and conch shell inlay, the silver escutcheons engraved with initials, lacking interiors, 22.5cm wide, 33cm deep, 37.5cm high (8 1/2in wide, 12 1/2in deep, 14 1/2in high)

£300 - 500

549A gilt bronze figure of Pandora with her boxSeated on a plinth and draped in a robe, 19cm high

£150 - 250

543

546

544

549


550Germain Demay (French, 1819-1886) A bronze model of a stag together with two further unsigned bronzesOn an oval naturalistic base, signed DEMAY, dark brown patination, together with an unsigned bronze model of a cockerel and a further bronze model of a calf, the stag 16cm high (3)

£200 - 300

Provenance From the private collection of a German family formed in Berlin prior to World War II and thence by descent to the UK.

551A 20th century Danish spelter model of two lambsSigned ‘Just A’ And stamped DENMARK D2328, dark brown patination, 20cm high

£200 - 300

Provenance From the private collection of a German family formed in Berlin prior to World War II and thence by descent to the UK.

552A pair of grey and pink variagated granite pedestalsThe rectangular concave moulded plateau tops above tapering pilaster supports, on moulded rectangular plinth bases, 140cm high (2)

£300 - 500

550

551

552

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553A pair of brass fire dogs in the 17th Century mannerWith large orb knop over a mask bases 59cm high; three Victorian steel and brass handled fire irons; a brass D-shaped fire guard, 108cm wide; a tole type coal bucket and a modern companion set, (parcel)

£200 - 300

554No lot

555A pair of early 20th century wMF copper and brass lidded ewersEach of planished tapering lipped ovoid form with undulating repoussé scrolling and banded brass decoration, the flattened domed lids with flying scroll hinges above applied rounded scrolling handles with stylised twin scrolling strapwork terminals, the bases with various stamped factory marks, one numbered 123, the other 105, 38cm high

£500 - 700

556Y Ф

A 1930s green stained shagreen cigarette boxOf rectangular form with ivory banded decoration, 18cm wide, 10cm deep, 7cm high (7in wide, 3 1/2in deep, 2 1/2in high)

£300 - 500

557A 19th Century gilt light fittingWith suspended floral circular band and swags and four suspended light fittings, 55cm high

£500 - 600

558Y Ф

A Mikaphone pocket phonographserial number 26-0031484, boxed, together with a early 20th Century travelling chess set, a pair of ivory opera glasses, a World War I prismatic compass, two car mascots and two Worlds War I trench art match cases. (8)

£300 - 500

559A late 19th Century French Medieval style gilt bronze figure of the VirginThe seated figure with eyes downcast and wearing a floral decorated mantle, seated on a carved wood arched throne with a dove above, raised on a stepped plinth base, 30cm high

£200 - 300

555

559

556


560Y Ф

A late Victorian walnut and ebony banded inlaid games compendium retailed by Milliship & Harris, westbourne Grove The hinged lid with oval brass escutcheon opening to reveal a folding red and black Moroccan leather chess and backgammon board and lift-out tray holding an inlaid ivory cribbage board with four red stained and natural turned bone peg markers and six bone dice above a set of twenty eight bone and ebony dominoes, the front section containing a part set of thirteen red stained and twelve natural backgammon or counters, the well containing a lift out divided tray with a part pack of Victorian cards, and a divided bottom section containing various red stained and natural small counters, a turned treen dice shaker, a circular bone Bezique ‘hand’ marker, and four various Bezique cards, the hinged front opening to reveal a pegged Staunton style red stained and natural turned bone chess set, the kings 7cm high, the pawns 3.3cm high, the base with embossed diamond registration mark the box, 17cm high, 32cm wide, 21cm deep

£500 - 600

561An early 20th century walnut Black Forest carved bear music boxIn the form of the bear holding a brass bowl, seated on a book base, fitted with the movement, raised on turned feet, 21cm high.

£400 - 600

562Y

A French 19th century rosewood decanter caseThe case with gilt metal and mother of pearl floral inlay, the fitted interior holding four decanter bottles and 16 glasses, with key, 30cm wide

£300 - 400

563An electro-plate and woven strawork oval tea trayWith cast elephant mask handles, raised on four elephant feet 57cm across

£500 - 600

560

563

110 | BONHAMS

564A collection of decorative Chinese and Middle Eastern blue and white decorated porcelain and eathernware itemsThe former comprising a fishbowl, the exterior decorated with a continuous watery landscape; two hexagonal lantern sleeves; a baluster vase decorated with precious objects; a cylindrical umbrella stand decorated with bamboo stems; a pair of tapering square section jardinieres; and three various ginger jars of typical form, two with wooden covers; the Middle Eastern pieces comprising an Isnik style vase of ovoid form; and a large bulbous vase and cover with repetitive stylised trellis decoration and white metal border mounts. The fishbowl, 28cm high; the umbrella stand 61cm high; the Isnik style vase 44cm high; the large vase and cover 70cm high (11)

£400 - 600

565A pair of late 19th century/early 20th century French gilt bronze twin light wall appliquesIn the Louis XVI style The acanthus and reeded scrolling arms with leaf and berried drip pans and campana nozzles, issued from ribbon tied tapering pilaster backplates with fruiting knopped terminals, fitted for electricity, 56cm high (2)

£300 - 500

566A 19th century coromandel decanter boxContaining low cut glass square decanters, side brass handles, 24.5cm wide, 29cm high (9 1/2in wide, 11in high)

£300 - 500

564

565


567A late 19th century French gilt brass mounted, turquoise and gilt heightened glass table casket together with a smaller French gilt brass jewellery casketThe glass casket of canted rectangular form with formalised panelled and foliate decoration, with scrolling handles and corresponding feet; the jewellery casket cast with foliate decoration, later velvet lined, the glass casket 18cm wide; the jewellery casket 17cm wide (2)

£300 - 500

568A pair of oval Regency silkwork pictures, in gilt framesOne of a shepherdess carving the name of her amour on a tree; the other of Moses being discovered on the banks of a river, 29.5 24.5cm (2)

£300 - 500

CLOCKS & BAROMETERS

569A 19th Century French style ormolu timepieceOf a semi-clad male holding a basket of fruit, the enamel circular dial held on an oval base, 28cm high

£400 - 600

570A 19th Century French provincial enamel and brass wall clockWith foliate cresting, circular enamel dial and weight driven movement, 38cm high

£150 - 250

571A French gilt brass carriage timepieceThe movement with lever platform escapement, the chapter ring within an ornate pierced and scrolling foliate mask, in an Anglaise case, 15.5cm high; with a leather travelling case; together with a silver Benson ‘Bank’ pocket watch, hallmarked for London 1916 with silver and leather travelling case and a brass pocket barometer by J. Hicks in leather case.

£400 - 500

572A late 19th Century French carriage clockThe faux bamboo lacquered brass rectangular case with swing handle and inset bevelled glass panels, the indistinctly signed enamelled rectangular dial with black enamelled 2” Roman chapter ring and outer Arabic five minute divisions, the brass twin train movement with silvered platform cylinder escapement with compensated jewelled balance striking on a gong, 18.5cm high

£200 - 300

568

569

572

112 | BONHAMS

573A fine late 19th century French gilt bronze carriage clock, with repeatAnonymous Having a 3” enamel dial with Roman hours, Arabic minutes and spade hands; the two train movement with platform escapement, striking the half hours on a coiled gong; the architectural case with scrolled and reeded handle, Corinthian columns supported on a stepped plinth, raised on squat feet. With winder and related carrying case 14 1/2cm (5 1/2 inches) high excluding handle

£500 - 700

574A late 19th Century French lacquered brass carriage clock with repeaterThe rectangular architectural case flanked with Corinthian reeded column corners, on rectangular platform base and shaped bracket feet, with reeded shaped canted swing handle, the rectangular enamelled dial with 2” black enamelled Roman chapter ring, the brass twin train movement with silvered platform cylinder escapement with jewelled compensated balance, striking on two gongs, 20.5cm high

£200 - 300

575*

An early 20th century French brass five minute repeating carriage clockThe corniche case of characteristic design with hinged handle over the white enamel Roman dial with subsidiary alarm setting dial below VI, the twin train spring barrel movement repeating the hours quarters and five minutes on two gongs, 16.5cm high

£300 - 500

576A French carriage timepieceCirca 1900, the movement signed R & CIE, Paris, the ceramic dial with polychrome flower swags and worn retailers name, the case with fluted columns and fret cresting and apron,

£180 - 220

577A French 19th century Empire style white marble and ormolu portico clock, with candelabra garnituresBackplate signed VCMB Having a 3 1/2” round enamel dial with Arabic hours and hand painted floral swags; the two train movement with outside countwheel and sunburst pendulum, calling the half hours on a bell; the portico with urn surmount above a drum case flanked by pineapple finials and flaming urns, the four plain brass capped columns supported on a shaped and stepped plinth, raised on toupee feet. With a pair of conforming two branch candelabra garnitures. With pendulum and winder. 45cm (18 inches) high

£800 - 1,200

578A late 19th Century French brass carriage clockThe porcelain dial with arabic numerals, the gilt face engraved with scrollwork, the case with bevelled glass and spirally turned columns, on stepped base, 17.5cm high

£300 - 500

577


579A late 19th Century Arts and Crafts carved wooden mantel clockWith French brass drum-head eight day movement, the case with carved ivy and rock designs, the brass hands of serpent form, 27cm high

£300 - 500

580An early Victorian mahogany longcase clock: Alker, wiganThe figured case with swan neck pediment and turned columns flanking the trunk door, the eight-day movement with arched, painted dial incorporating moon phases; 250cm high

£500 - 600

581A French gilt brass carriage clockThe moulded, fluted and beaded cornice above a white enamel dial with Roman numerals, the movement striking on a gong, with repeat button, conforming plinth base, 19.8cm high handle up.

£500 - 700

582A George III Oak longcase clockThe arched hood with moulded dentil cornice above free standing fluted columns, the long moulded shaped trunk door between fluted quarter pilasters, on an altered canted corner base with chanelled frieze, the 13” brass dial with subsidiary seconds and date aperture and signed ‘John Greenall Parr’ in the arch, the twin train movement striking on a bell, 225cm.

£300 - 400

583An early Victorian mahogany longcase clock: John Bloor, Newcastle (under Lyme)The figured case with swan neck pediment and turned columns flanking the trunk door, the eight-day movement with arched, painted dial incorporating moon phases; 232cm high

£500 - 600

584A George III mahogany stick barometer by A Manchita2nd half, 19th Century, with enamelled dial, surmounted by an urn and set with three oval flower-painted panels, on plinth, 38cm high, under dome.

£300 - 400

585A mahogany longcase clock circa 1900The cresting, door and plinth inlaid with scrolling foliage, swags and an urn, the three-train German movement striking and chiming on gongs and with brass arched dial, retailed by Parkinson and Frodsham, 5 Bridge Row, London, 218cm high and a mahogany cased mantel clock of similar age with French movement, gong strike and black chapter ring with gilt numerals, 40cm high. (2)

£300 - 350

586A Bowell Croydon: a 19th Century brass skeleton clock,the 7” Gothic pierced silvered dial and single train fusee movement with steel anchor escapement brass weighted bob pendulum and hatchet shaped hammer striking on a bell engraved presentation plaque dated 1875 oval white mantel oval base, glass dome and ebonised base, pendulum and key, 39cm high.

£500 - 700

579

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587An early 20th century French gilt metal and marble clock garnitureThe portico clock raised on a pair of cylindrical pillars and a pair of rectangular pillars, above a demi-lune plinth, the enamelled dial with Roman numerals, surmounted by a twin handled urn, the twin train movement with outside countwheel striking on a bell, signed Samuel Marti, the garniture urns on tripod bases, 42cm high (3)

£300 - 500

588A late 20th century Jaeger Le Coultre Atmos clock together with an early 20th century lacquered brass carriage timepieceThe Atmos clock with signed movement numbered 329822, the canted polished rectangular case on conforming plinth base, the 4.5” white enamel chapter ring with brass baton and Roman quarter divisions, now lacking front perspex panel, with presentation case, the carriage timepiece of bow-fronted rectangular form with scrolling swing handle, the enamel dial with Roman numerals signed A.V Samuel & Co., now damaged, the drum movement with jewelled platform escapement, the Atmos clock, 23cm high, the carriage timepiece, 15.5cm high including handle (2)

£400 - 600

589A Victorian and later mahogany longcase clock,with arched moulded hood, the trunk enclosed by a long glazed door, above a carved sunk panelled base, the 13” white painted circular dial with subsidiary seconds and Roman numerals, applied with a paper label for ‘Ganter Bros. Watch & Clock Makers, Jewellers & Opticians 63 South Gt George Street & 14 Essex Quay Dublin’, the 8 day movement now striking on a gong, 207cm high.

£300 - 500

590A French brass carriage clockThe enamelled dial with Roman numerals and outer Arabic seconds dial, the corniche case with bevelled glass and swing handle, 14cm high

£200 - 300

591A mahogany cased Vienna wall mounted regulatorThe moulded shaped pediment with turned urn decoration, above a long glazed door, terminating with a moulded base, set with an enamelled stepped dial with subsidiary seconds dial, brass bezel, complete with two brass weights and pendulum, 121cm high.

£250 - 300

587


592A French late 19th / early 20th century brass carriage clockThe movement with original lever escapement, push repeat and gong strike, the silvered dial with arabic numerals and a surrounding mask applied with giltmetal trailing and flowering foliage, the case with composite column angles and moulded plinth; 17cm high, in leather travelling case

£500 - 700

593Tho. Plowman, Selby; A George IV mahogany and inlaid longcasethe arched signed painted enamelled dial with subsidiary second dial and date aperture, within an inlaid case on shaped plinth base, 237cm high.

£400 - 600

Thomas Plowman is recorded in Baine’s Directory and Gazeteer as working in Market Place, Selby 1822 and in Pigot’s Directory of 1829 in Finkle Street, Selby, he moved to the United States in 1829.

594A French mid-19th Century gilt bronze mantel clockThe waisted case cast with elaborate ‘C & S’ scrolls, trailing flowers and scrolling foliage, the dial with enamel numerals, the movement by Japy Freres (retailed by Bourdin, Paris) with silk suspension, on scroll pierced gilt gesso stand, formerly under glass dome, 45cm high

£500 - 700

595A Cartier desk timepieceWith angled dial and bowed ends fitted with a quartz movement, 14cm wide, engraved Cartier, Paris (7531 05003)

£200 - 300

596Y

A modern inclined plane clockThe bronze-cased drum movement with enamel chapter ring with Arabic numerals, the slope with scroll-pierced rosewood sides, Clock 13cm diameter, total length 55cm

£300 - 500

592

594

595

116 | BONHAMS

597Y

A French boulle mantel clockWith enamel dial, by Gosselin a Paris, and cockerel finial, 47 cm high

£1,200 - 1,400

598A Victorian brass drum cased timepiece,the 3¾” silvered dial with subsidiary seconds and Roman numerals and signed ‘Thwaites & Reed Clerkenwell’, a Victorian gilt metal frame night timepiece, the white opaline dial with Roman numerals, in a fitted velvet lined leather covered travelling case, a French brass drum cased timepiece, second half 19th century, by R & Co, Paris, and a miniature 19th century clock, the white enamel dial with an arched mask painted with birds and flowers, the 8 day movement striking on a bell, 9.5cm. (4)

£250 - 350

599A Regency ebonised bracket clockby Hay, Davies St. Berkeley Square, London with 8” silvered Roman dial, 8 day twin fusee movement striking on a bell, pull repeat, the case of architectural form 28cm wide39cm high, (11in wide15in high)

£500 - 700

600Robert Stone, ThameAn oak longcase clock with thirty hour movement, the signed 12-inch square enamel dial with subsiduary seconds dial and days of the month aperture, 208cm high

£300 - 400

601A fine French gilt bronze architectural portico clockA1 Vincent & Cie Having a 4” enamel dial with Roman hours and Arabic halves; the two train calling the half hours on a bell, backplate stamped ‘Vincent & Cie, Medaille D’Argent 1855’ within a roundel, A1, France, numbered 5307-69, with adjustable cast swan, lyre and rose bob pendulum; the architectural case with acanthus and dentil moulded cornice above four Corinthian columns with laurel bases, raised on a stepped base, the whole with applied laurel and ribbon work motifs. With pendulum. 48cm (19 inches) high

£500 - 700

602A brass carriage timepieceWith twin barrel brass movement, striking on a gong, cased within a brass bound and beveled glass case, enamelled dial painted with Roman numerals and swing handle,13cm high

£250 - 350

603A gentleman’s slim dress watch,stamped ‘14k’ and ‘585’, the white enamel dial with Arabic numerals and subsidiary seconds and signed ‘Elgin’, engraved monogram and an open face pocket watch in electroplate case. (2)

£400 - 500

597 601


604A late 19th Century brass mantel or table regulator with detent escapement The movement stamped 46060 FMG The 6.5” silvered Roman chapter ring with subsidiary seconds dial above VI with open centre revealing the ‘scape wheel and detent escapement, with replaced hands, the four pillar single fusee set on three turned tapering columns, mounted on an oval wooden base, with brass pendulum with applied sunburst mask mount, with glass dome, 34cm high

£400 - 600

605A late 19th century French lacquered brass combination carriage timepiece, barometer and thermometerThe rectangular case with double scroll wing handle and inset bevelled glass panels on footed plinth base, the cream enamel face with 1.75” Roman dial with outer Arabic five minute divisions and pierced foliate gilt brass centre, above an arched barometer dial with corresponding gilt brass centre, the case mounted to the top with a circular compass, the silvered dial with jewelled pointer, the brass single drum movement with vertical jewelled platform cylinder escapement, 14.5cm high overall

£400 - 600

CARPETS & RUGS

606A Kashan rug,2.08 x 1.32m.

£300 - 500

607A Gendje rugThe rust coloured field with a row of six lozenge shaped conjoined medallions, in a main border, 200cm x 113cm

£300 - 400

608A Tabriz carpet, North west Persia, 390cm x 294cmNorth West Persia, 390cm x 294cm

£400 - 600

609A quantity of Tibetan Khaden rugsDecorated with Chinese style motifs, two measuring 130 x 67cm and two others of similar size now cut (6)

£100 - 150

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118 | BONHAMS

610A Bakhtiar carpetWest Persia, Of compartmented design in a main border, 340cm x 220cm

£300 - 500

611A Tabriz carpet,North West Persia, 375cm x 293cm

£400 - 600

612A Heriz runner,North West Persia, 290cm x 130cm

£200 - 300

613A Serabend runner,West Persia, 290cm x 125cm

£200 - 300

614A Chinese carpet317cm x 274cm

£300 - 500

615A Hamadan runner,West Persia, 490cm x 103cm

£250 - 350

616A Shiraz runnerHaving a row of seven quartered guls on a blood red ground within multiple geometric borders, 400 x 100cm.

£300 - 500

617A Tabriz room size carpet,Central panel with lozenge and panels in a rose ground with six guard stripes, 343 x 225cm.

£600 - 800

618A Hamadan runnerWest Persia, 304cm x 104cm

£200 - 300

619A Hamadan runnerWest Persia, 345cm x 110cm

£200 - 300

620A Kashan carpetCentral Persia, 385cm x 274cm

£500 - 700

621A Mahal runner,West Persia, 305cm x 106cm

£150 - 200

622A Tabriz carpet,North West Persia, 385cm x 300cm

£400 - 600

FURNITURE

623A 19th Century mahogany twin pedestal deskleather inset, arrangement of nine drawers, swan neck handles, plinth bases 104cm wide74cm high, (40 1/2in wide29in high)

£300 - 500

624An ornate carved giltwood and gesso mirrorThe cushion type frame with foliate ornament, the mirror plate with bevelled edge,73cm x 94cm

£500 - 700

625A late 19th Century walnut dressing tableHaving a drawer to the shaped frieze, on turned and leaf carved legs with castors,122cm wide

£300 - 500

626A set of twelve Chippendale style mahogany dining chairs20th Century serpentine top-rails, pierced scrollwork splats, overstuffed seats, cabriole front legs to ball and claw feet, includes two carvers (12)

£500 - 700


627A George III mahogany linen pressThe moulded dentil cornice above a pair of panelled doors, that open to reveal five slides, set on a base fitted with two short and two long drawers, raised on bracket feet, 134cm wide.

£250 - 300

628A Victorian style polished steel framed single bedsteadwith turned uprights and supports on castors 115cm wide

£400 - 600

629A pair of Georgian style mahogany writing tablessquare form with leather insets, carved ribbon-fold edges, single frieze drawers, raised on slender cabriole legs to ball and claw feet 55cm wide76cm high, (21 1/2in wide29 1/2in high) (2)

£400 - 600

630A George III mahogany linen pressConverted into a wardrobe, the moulded dentil cornice above two panelled doors that open to reveal hanging space, the front fitted with two short and one long dummy drawer and one long base drawer, all raised on bracket feet, 127cm wide.

£300 - 400

631A Regency mahogany sideboardThe rectangular breakfront top above a long drawer, flanked with two cupboards all with crossbanding and stringing, raised on six square tapered legs with spade feet, 155cm wide.

£250 - 300

632A French tulipwood and amaranth parquetry table à rognonIn the Transitional style The trellis inlaid galleried top on vertical end supports, 67cm wide x 38.5cm deep x 64cm high, (26in wide x 15in deep x 25in high)

£200 - 300

633A late 18th Century mahogany footstoolPossible French With foliate carved ornament, on short cabriole legs with hoof feet, 65cm long

£500 - 700

634A mahogany four poster bed in the 19th Century stylewith urn finials above pleated pale blue silk canopy and turned supports 220cm high x 206cm wide

£800 - 1,200

635A Louis xV beech wood framed fauteuilThe padded back and stuff-over seat in later floral chintz upholstery, raised on slender cabriole legs.

£500 - 600

Stamped twice on the underside of the frame I.LERAS

636A 20th Century mahogany framed ‘S’ roll end settee,in the federal style, the swag carved arms and back with loose cushion and roll bolster on four reeded sabre legs with brass paw feet, 196cm.

£500 - 600

632

633

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637A pair of Victorian mahogany hall chairsWith scroll and shield backs, on cabriole legs, (2)

£200 - 300

638A 19th century mahogany and cast-iron library pole ladderWith eight steps, 255cm high,

£200 - 300

639A French late 19th century ‘Empire revival’ gilt bronze mounted mahogany bedEach bedhead with a quiver of arrows engaged columnar and square section angle, the front of the footboard mounted with two opposing wheat sheaves, a vine leaf wreath and a lyre to the centre, 209cm wide x 138cm deep x 143cm high, (82in wide x 54in deep x 56in high)

£600 - 800

640A Victorian mahogany luggage standOf typical form, on baluster turned legs, 76.5cm wide x 46cm deep x 45cm high, (30in wide x 18in deep x 17 1/2in high)

£300 - 500

641A 19th Century mahogany sofa tableFitted with two frieze drawers and two dummies opposite, on end supports with swept legs and brass paw caps and castors, 165cm x 76.5cm

£250 - 300

642An Empire revival gilt brass mounted mahogany armchairWith a square back and roundel capped arm terminals mounted with paterae, on square section front legs and square splayed back legs, 65cm wide,

£300 - 500

638

639

640


643An unusually small Regency mahogany bow front sideboardFitted with a central drawer flanked by cellarette drawers faced as two drawers outlined in ebony stringing, on ring turned tapered legs, 101cm wide x 50cm deep x 89cm high, (39 1/2in wide x 19 1/2in deep x 35in high)

£800 - 1,000

644A william IV mahogany pembroke extending dining tableof good colour, the rectangular top on turned and lobed tapered legs together with two possibly associated leaves, 229cm wide x 120cm deep x 75cm high, (90in wide x 47in deep x 29 1/2in high)

£500 - 700

645A French provincial walnut and stained beech draw-leaf dining tableIn the Louis XV style The shaped top above a foliate scrolled and rocaille carved frieze, on acanthus and scallop shell clasped cabriole legs, with a shaped X-stretcher, minimum size: 156cm wide x 106cm deep x 75cm high, (61in wide x 41 1/2in deep x 29 1/2in high)

£600 - 800

642

645

645

122 | BONHAMS

646Y

A Regency rosewood tea tableon four S-scroll supports terminating in outswept legs and brass castors, 92.5cm wide x 46cm deep x 74cm high, (36in wide x 18in deep x 29in high)

£500 - 700

647Y

An early 19th century rosewood pembroke work tableThe figured, crossbanded top with chamfered angles, fitted with two drawers, on turned column and quadruped base with shouldered and crossbanded downswept legs

£500 - 600

648Y

A mid-19th Century rosewood veneered pedestal deskWith raised above three frieze drawers with two further small drawer to each side, on tapering reeded legs and brass capped castors, 112cm wide

£250 - 300

649A George III mahogany and calamander crossbanded Pembroke tableWith one frieze drawer, on square tapering legs terminating in brass castors, 51cm wide x 87cm deep x 72cm high, (20in wide x 34in deep x 28in high)

£300 - 500

650A near pair of Edwardian satinwood, mahogany and polychrome decorated two-tier etagèresEach with two graduating oval tiers, with ebonised and boxwood stringing, on flute inlaid square tapering and slightly splaying legs, 89cm wide x 55.5cm deep x 79cm high, (35in wide x 21 1/2in deep x 31in high) (2)

£500 - 700

646

649

647

650


651A Victorian mahogany dwarf breakfront bookcase,with raised centre section, having moulded rectangular tops, fitted with adjustable shelves and enclosed by an arched glazed doors, flanked by foliate scroll carved corbels, a moulded plinth base, 205cm.

£300 - 400

652A set of six Regency stained beech caned dining chairsEach with a twin rosette mounted horizontal splat, on sabre legs, 47cm wide, (6)

£500 - 700

653*

A suite of Louis Philippe mahogany dining furnitureComprising four fauteuils and four chaises, in the Empire style, each with pedimented rectangular padded back and seat, on leaf capped and ring turned plain cylindrical legs. (8)

£500 - 700

654A French oak and chestnut side cabinet,18th Century and later The open central compartments flanked by a drawer and cupboard to either side, on scroll feet, 167cm wide

£250 - 350

655A George III partridgewood and satinwood banded sofa tableThe hinged top with two frieze drawers and false drawers to the reverse, raised on incurved end supports with brass cappings and castors, 148cm wide x 66cm deep x 73cm high.

£250 - 300

Provenance Christies Lot 53 3rd February 1972 Bought for £472.50

656A George III crossbanded and inlaid mahogany sideboard,of bowed outline fitted with central long drawer flanked by two small drawers and dummy fronted door on square tapered legs and spade feet, 173cm.

£500 - 600

657A quartetto of Regency style mahogany occasional tablesOn ring turned legs with sleigh type feet, 50cm wide (4)

£100 - 150

658A Georgian style mahogany dining tableOf D end form with two extra leaves, raised on heavily carved single piece base, cabriole legs to hairy paw feet, shaped stretcher 365cm wide x 124cm deep x 77cm high, (143 1/2in wide x 48 1/2in deep x 30in high)

£500 - 700

652

653

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659A mid Victorian ‘Gothic revival’ teak and padouk dresserAfter a design by C. L. Eastlake, possibly executed by Jackson & Graham, The superstructure comprising one shallow channelled shelf, flanked by palmette carved end supports, above two deep channelled shelves, the upper shelf with pierced trefoil centred and tear drop radiating roundel ends, over four side-facing chamferred arches with ebonised ring turned columnar front supports, the base comprising one long and two short chamferred panelled drawers, above a pair of chamferred twin panelled central doors, flanked by two conforming doors enclosing one deep drawer and one shelf, on stile supports, 172cm wide x 77cm deep x 241cm high, (67.5in wide x 30in deep x 94.5in high)

£400 - 600

A very similar design to the present lot featured in the first 1868 publication of “Hints on Household Taste” which, for the most part, contained engraved illustrations of furniture by Charles Locke Eastlake (“Victorian and Edwardian Furniture and Interiors”, Jeremy Cooper, pl. 241, p. 108). Eastlake’s furniture ethos placed a strong emphasis upon concepts such as solid wood construction and the use of traditional cabinetmaking techniques. These are both aspects evident in the above lot. The cabinet makers, Jackson and Graham, produced a large amount of furniture following Eastlake’s designs. They, like Eastlake, believed in the subordination of all but the most simple forms of aesthetic decoration to the firm structural integrity of the pieces that they executed.

660An Art Deco style Limed Oak Study suite comprising:A pedestal desk with ‘D’ end, 186cm long x 75cm wide, a tub shaped desk chair and a bookcase cupboard, 220cm wide (3)

£500 - 600

661*

A Victorian figured walnut revolving three-tier bookstandRetailed by Edwards & Roberts The circular top above two tiers, on a tripod base, 45cm diameter

£400 - 600

Bears original paper label: Edwards and Roberts Second Hand Furniture Warehouse.....

662An early 19th Century mahogany and satinwood strung kneehole dressing tableThe overhanging top over one long and two short frieze drawers, above two further short drawers flanking a central arched apron, on square tapering legs terminating in brass castors, adapted from a dressing table, previously with hinged sections to the top, 105cm wide

£200 - 250

663Two French fauteuilsOne 18th/19th Century walnut in the Louis XV style with stuff-over seat and upholstered back panel, on cabriole legs; the other with oval back and turned fluted legs, (2)

£200 - 300

664An 18th Century banded walnut and oak chest on stand,the upper section fitted with three short and three long drawers on moulded top base fitted with three short drawers on later turned legs, 101cm.

£500 - 700

665Y

An early Victorian rosewood elbow chair,the rectangular shaped back to outswept arms and upholstered seat on tulip carved turned legs.

£250 - 300

659


666An early 20th century mahogany ‘Carlton House’ deskthe galleried superstructure comprising five drawers, two concave doors and two pigeon holes, above a gilt tooled leather surface and three frieze drawers, on square tapering legs terminating in brass castors, 122.5cm wide x 67.5cm deep x 103.5cm high, (48in wide x 26 1/2in deep x 40 1/2in high)

£600 - 800

667A 19th century gilt brass five light gasolierin the Neo-Grec taste the knopped, reeded, scrolling arms with later frosted shades, issuing from a bulbous knopped receiver, with male winged mask head grotesque brackets above a reeded, knopped column support, later adapted for electricity, 127cm drop

£400 - 600

668A Louis xV style giltwood framed low tableWith inset marble top on cabriole legs, 90 x 40cm

£300 - 400

669A George III mahogany kneehole deskThe overhanging rectangular crossbanded top above a frieze drawer, over six short graduating drawers flanking a central cupboard door to the recess, on shaped bracket feet, 104cm wide x 54.5cm deep x 76.5cm high, (40.5in wide x 21in deep x 30in high)

£250 - 300

666667

669

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670Y Ф

An Anglo Indian early 20th century carved hardwood and ivory octagonal tableThe top carved to the centre with a Hindu god flanked by elephants, encompassed by scrolling foliage, on four elephant mask supports, 66.5cm wide x 66.5cm deep x 62cm high, (26in wide x 26in deep x 24in high)

£500 - 700

This lot contains or is made of ivory and in February 2014 the United States Government announced the intention to ban the import of any ivory into the USA.

671A late Georgian oak and mahogany longcase clock by wilkinson, LeicesterThe painted arch dial with arabic numerals and a painting of a maiden and dog in a landscape in the arch, the movement with false plate stamped Walker Hughes, the case with swan neck pediment, 222cm high.

£300 - 400

672A pair of late 19th century mahogany armchairsEach with a tapering multiple spindle splat, curved arm supports and scroll arm terminals, on ring turned tapering front legs, 61cm wide, (2)

£300 - 500

673A Victorian cast-iron console tableIn the Renaissance revival style, the later Maurin Green serpentine marble top above a scrolling foliage and twin griffin frieze centred with a classical female mask, with a rosette-and-roundel decorated back and inner sides, the reverse punched: ‘Rd., No. 67924’,, 73cm wide x 36cm deep x 99.5cm high, (28.5in wide x 14in deep x 39in high)

£300 - 500

670

673

672


674A mahogany wardrobe with painted decorationCirca 1900, the central mirror door flanked by cupboards above drawers, decorated with 18th century figures, swags and garlands and with scrolling foliage; 244cm high, 183 cm wide

£400 - 500

675A set of six French provincial early 20th century oak side chairsIn the Louis xV style Each with scrolled frames, on cabriole legs, 49cm wide, (6)

£300 - 500

676A Baltic early 19th century brass mounted mahogany and brass inlaid secretaire à abbatantProbably Russian, with one frieze drawer above a fall centred with a mount depicting Apollo riding his chariot, enclosing five drawers, one waved drawer, one lozenge inlaid door and a leatherette surface, over three long drawers, 103cm wide x 47.5cm deep x 156cm high, (40 1/2in wide x 18 1/2in deep x 61in high)

£600 - 800

674

675

676

128 | BONHAMS

677A large George IV mahogany CanterburyWith four divisions above two drawers, on baluster turned supports with brass cappings and castors, 61cm wide x 41cm deep x 73cm high, (24in wide x 16in deep x 28 1/2in high)

£500 - 700

678A George III mahogany kneehole desk or dressing tableThe nine drawers with brass swan neck handles and having a recessed central cupboard; 110cm wide(43in wide 110cm wide

£500 - 600

679A pair of French early 20th century mahogany bedside tablesby Krieger Each with a brecciatic marble top , on slender square tapering cabriole legs, each with a metal plaque reading: ‘KRIEGER, PARIS’ 40.5cm wide x 25.5cm deep x 73cm high, (15 1/2in wide x 10in deep x 28 1/2in high) (2)

£500 - 700

Provenance Sevadjian Collection, thence by descent

680A set of fourteen, early 20th Century, Chippendale style mahogany dining chairsWith pierced vase splats and drop in seats, on square moulded legs, including two elbow chairs (12 + 2)

£500 - 600

Bears ivorine trade label: Manufactured by James Parkinson, 34 Clarence Street, Liverpool

681A Partners light oak kneehole desk,First half 20th Century, retailed by Cooke’s (Finsbury) Ltd, of panelled construction, the moulded rectangular inset top above three frieze and six pedestal drawers opposed by a pair of pedestal cupboards, on plinth bases, 167 x 106cm.

£500 - 600

677

679

680


682A pair of teak columnsPossibly Indian Of baluster form on circular bases, 126cm high

£600 - 800

683A small 19th century satinwood and fruitwood inlaid serpentine sideboardInlaid with a demi-oval fan medallion, husks and chequer banded borders, with one central drawer flanked by two doors, on square tapering legs, elements probably late 18th century, 107cm wide x 49.5cm deep x 86cm high, (42in wide x 19in deep x 33 1/2in high)

£500 - 700

684A George IV mahogany secretaire bookcaseThe upper part with swan neck cornice and pair of glazed doors, the lower part with fitted secretaire drawer above three long drawers on bracket feet, 92cm wide

£800 - 1,200

685An 18th century Louis xV provincial fruitwood bureau platThe rectangular quarter veneered top inset with three leather-lined hinged surfaces, above an inverted breakfront frieze with three short drawers, on square section cabriole legs, 151cm wide x 77cm deep x 78.5cm high, (59in wide x 30in deep x 30.5in high)

£500 - 700

686A stained beech stoolOn ring turned baluster legs terminating in silver plated cappings and castors, with a fire regulation label to the underside and applied with a plaque reading: ‘ANTIQUE 2 CHIC’, 124cm wide,

£300 - 500

Please note the estimate for this lot is £500 - £700

682683

685

686

130 | BONHAMS

687A late 19th Century Continental walnut three seater chair back corner setteeIn Louis XVI style, with upholstered padded backs, arm resets and seat on cabriole legs (possibly Swedish), 160cm wide

£300 - 500

688An Empire gilt and patinated bronze mounted mahogany bedEach bedhead with two Egyptian maiden bust-headed herm tapering columns, with a bed frame later mounted with stars and rams’ masks centred by a Hermes mask mount, some later gilt bronze additions, 205cm wide x 122cm deep x 144cm high, (80 1/2in wide x 48in deep x 56 1/2in high)

£800 - 1,200

689A French 19th century walnut daybedIn the Louis XV style One end with a tub back and the other with a scrolled support, above a shaped seat frame, on seven cabriole legs, 221cm wide,

£500 - 700

690A George III mahogany dumb waiterOf three graduated, dished circular tiers, on pedestal base with pad feet; 113cm high

£500 - 700

687

688

689


691A late George II/early George III mahogany kneehole dressing tableThe rectangular ogee moulded top above one long frieze drawer, over six short graduating drawers flanking a central door to the recess, on shaped bracket feet, 95cm wide x 49cm deep x 83.5cm high, (37in wide x 19in deep x 32 1/2in high)

£500 - 700

692A late Victorian ebonized and gilt decorated four seater setteeBy Gillows of Lancaster, with padded back, arms and seat (lacking upholstery) on turned semi fluted front legs and splayed rear legs and brass castors, stamped Gillow, 200cm long x 60cm deep

£500 - 700

693Y

A George IV rosewood folio tablethe swivel hinged top enclosing a deep baize lined interior, above four ring turned supports, over one drawer, on baluster turned legs terminating in brass cappings and castors, 84cm wide x 58.5cm deep x 85cm high, (33in wide x 23in deep x 33in high)

£500 - 700

694A George III mahogany small chestFitted with a slide above four graduated long drawers, 83cm wide x 43cm deep x 84cm high, (32 1/2in wide x 16 1/2in deep x 33in high)

£500 - 600

695An early Victorian ‘Norman revival’ oak and later ebonised display cabinetPossibly Irish or Scottish, the pair of arched glazed panelled doors enclosing three adjustable shelves, flanked by oak leaf, Maltese cross and lion mask carved angles surmounted by busts of Christ, over two short drawers centred by a carved Norman fort, above a pair of arched gadroon panelled doors centred with thistles, clover leaves and roses, enclosing one shelf, 151.5cm wide x 53cm deep x 257cm high, (59 1/2in wide x 20 1/2in deep x 101in high)

£500 - 700

691693

695

132 | BONHAMS

696Y

A Regency rosewood sofa tableWith two short frieze drawers, on a baluster turned column and quadripartite base, terminating in outswept square section legs with brass claw feet and castors, unextended: 92cm wide x 66cm deep x 72.5cm high, (36in wide x 25.5in deep x 28.5in high)

£300 - 500

697A late 19th century walnut and fruitwood marquetry bureau à cylindreIn the Louis XV style Inlaid with foliage, a halberd and a coat of arms, the roll top (locked), above a writing slide and three short drawers, 71cm wide x 47.5cm deep x 98.5cm high, (27 1/2in wide x 18 1/2in deep x 38 1/2in high)

£400 - 600

698A George III style mahogany wingback armchairOn square moulded legs, with square splayed back legs, 84cm wide,

£250 - 300

699A Neo-Gothic oak Savonarola type armchairlate 19th Century Heavily carved with masks and shield, leather padded back, arms and seat, the X-frame with stretcher and hairy paw feet.

£500 - 800

700A Victorian mahogany extending dining table,The moulded rectangular top with rounded corners and two extra leaves, on turned lobed and fluted legs and castors, 240 x 120cm.

£300 - 400

701A good Edwardian crossbanded inlaid and pen-work mahogany bureau,The galleried top over four small concave fronted drawers, the cylinder front and corresponding slide with pigeon holes, drawers and penwell, the welled base with five drawers on fluted turned legs, 104cm.

£800 - 1,000

696

698

697


702A pair of reproduction mahogany bed steps,Each with staggered two tier treads, open bookshelf and pull-out drawer on bracket feet, 49cm.

£300 - 400

703Y

A mid 19th Century carved rosewood side chair,The pieced and carved frame with flowers, mythical beasts and Gothic moulding on pierced and carved legs

£300 - 400

704Y

A Victorian carved rosewood foldover tea tableOn baluster column and quadruped base,93cm wide

£500 - 700

705A George III mahogany bureau,The fall front revealing a fitted interior, with pigeon holes and drawers, over four long drawers on ogee bracket feet, 107cm.

£250 - 300

706A Victorian brass and oak folio stand,The mounts stamped ‘Bunyard Patent London’, on brass caps and white porcelain castors stamped ‘Copes Patent’, 92cm x 61cm.

£250 - 300

707A Chinese hardwood low seatWith triple slat back set with three tiles, on short cabriole legs (originally designed for a swing suspension, having metal rings to the sides), 155cm wide83cm high, (61in wide32 1/2in high)

£60 - 80

708No lot

709*

A Regency gilt brass mounted mahogany circular centre tableWith later grey marble top, on ring turned column and octagonal base with hipped splayed legs, 76cm diameter.

£800 - 1,200

710An 18th Century walnut side tableFitted with freize drawers and raised on cabriole legs with pad feet, 54cm wide x 44cm deep x (21in wide x 17in deep x

£500 - 700

704709

710

134 | BONHAMS

711A George III mahogany foldover tea tableOf broken D-shaped outline, on tapered legs, 95cm wide

£400 - 600

712A Victorian walnut framed salon chair,the shaped moulded frame on flower carved cabriole legs

£300 - 350

713A 19th Century mahogany bowfront chestOf two short and four long drawers on swept bracket feet, 104cm wide

£300 - 500

714A set of six Regency mahogany dining chairsThe turned and fluted top rails above x splats, upholstered seats and raised on front turned legs with peg feet, 50cm wide. (6)

£250 - 300

715A mid-Victorian walnut centre tableThe rectangular top above slender carved lyre ends, with carved flower heads, raised on outswept legs and scrolling feet, terminating with castors, 138cm wide.

£250 - 300

716A pair of Chinese hardwood and marble jardiniere standsWith pierced frieze and slender tapered legs, 27cm wide91cm high, (10 1/2in wide35 1/2in high)

£500 - 700

717A 19th Century, and later, satinwood oval work tableWith hinged top and pleated silk sewing basket, on tapered legs, 55cm wide

£300 - 500

718An early 19th Century mahogany tea tablesatinwood stringing, fold-over top, single frieze drawer, ivory escutcheon, turned legs 96cm wide73cm high, (37 1/2in wide28 1/2in high)

£250 - 300

719An Edwardian mahogany lady’s writing deskgalleried back with cupboard, opening to reveal pigeon-holes and twin drawers, fold-over writing flap with supports, two drawers beneath, undertier, chamfered legs 57cm wide99cm high, (22in wide38 1/2in high)

£300 - 500

720An unusual George III mahogany dressing chest/cabinetThe hinged rectangular top with deeply canted corners, opening to reveal a compartmentalised interior, over a frieze drawer with turned handles, flanked on each canted corner by a short drawer above a retractable slide, above a pair of central panelled doors with beaded ‘razor blade’ panels and carved paterae, enclosing one shelf, on bracket feet with brass castors, with key (2)

£500 - 600

721A Chinese Qing Dynasty, provincial altar table, 18th/19th centuryThe rectangular top with scroll ends, above a frieze with pierced and carved scroll brackets, on dual end trestle supports, pierced and carved with scrolls, 199cm wide x 34cm deep x 87.5cm high, (78in wide x 13in deep x 34in high)

£500 - 600

722A George III mahogany D-end dining tableWith drop leaf centre section, on square tapered legs, 260cm x 100cm

£500 - 700

723A set of six Regency mahogany dining chairsWith rope twist horizontal splats and bar toprails, stuff-over seats with later needlework upholstery, on ring turned tapered legs. (6)

£300 - 500

711


724An 18th century walnut lowboyFitted with three drawers to the frieze, on cabriole legs with lappet knees and pad feet, 69cm wide x 54cm deep x (27in wide x 21in deep x

£700 - 900

725An early 18th Century oak coffer,With triple panelled front, 115cm wide x 57cm deep x 73cm high, (45in wide x 22in deep x 28 1/2in high)

£200 - 300

726A Regency, and later, mahogany side cabinetThe two oval panel moulded frieze drawers above a pair of panelled brass grill and pleated upholstery inset doors enclosing two shelves, flanked by columns, on scroll front feet and bun back supports, the top later, 98cm wide

£250 - 300

727A Regency mahogany stained chaise longuewith scrolled ends, the seatrail on turned tapered legs headed by gilt metal mounted tablets, 191cm wide

£400 - 600

728A Victorian walnut pedestal deskWith tooled leather top, fitted with three frieze drawers and three to each pedestal, 136cm wide x 71cm deep x 76cm high.

£250 - 300

729A mid Victorian Jennens and Bettridge papier mache and mother of pearl inlaid tea trayOf shaped oval form, with floral gilt border, the underside with stamped manufacturer’s mark, on later faux bamboo metal stand, the tray 78cm wide

£200 - 300

730An Art Deco Garrard Le Coultre mystery mantel clock together with a similar period Mappin & webb mantel timepiece and a later Tiffany & Co. desk timepieceThe first of square form with chromium plated mounts, the dial signed James R Ogden & Sons, the second of demi-lune form with gilt engine turned centre and beaded and red enamelled bezel, the third in gilt brass of swing form, 17cm, 15.5cm and 11.5cm high respectively (3)

£250 - 300

731A George III, and later, mahogany and crossbanded side cabinetEnclosed by a pair of panelled doors on bracket feet, 111cm wide

£200 - 300

732A matched set of ten George III mahogany dining chairsComprising two elbow and six matching chairs, all with carved top rails, above bar splats and upholstered seats, raised on square gouged legs; together with another pair of similar chairs. (10)

£400 - 600

733Y Ф

A 19th century figured walnut table cabinet, in the Gothic mannerThe caddie top inset with oval ivory lozenge, lifting to reveal a compartment, above two Gothic arched panel doors revealing a shelved interior, 15cm wide x 22cm deep x 45cm high, (5 1/2in wide x 8 1/2in deep x 17 1/2in high)

£400 - 600

734After the antique; A 19th century bronze figure of slave boy on pedestalThe figure posed in a toga, balanced on one leg against a decorated column with a ewer in hand; on a domed top column base raised on a square plinth. 48cm high, 18 1/2in high)

£200 - 300

724

734

136 | BONHAMS

735A Victorian walnut framed two seater setteeWith padded buttoned back on turned spindle supports and turned legs, 165cm long; a matching nursing chair and an open armchair, (3)

£500 - 800

736A pair of early 19th Century French gesso two branch wall lightsWith oval mirrors and gesso wirework embellishments, 50cm wide103cm high, (19 1/2in wide40 1/2in high)

£500 - 700

737Y

A Victorian rosewood framed setteeWith upholstered buttoned back and serpentine seat rail on cabriole legs and brass castors, 170cm

£300 - 500

735

735

736


738A william and Mary style walnut side tableWith quarter veneered top above a frieze drawer on barley-twist legs tied by a cross stretcher, on bun feet, 86cm wide

£600 - 800

739A reproduction oyster veneered bureauWith stepped interior above three small and three long drawers on bracket feet, 82cm wide

£300 - 500

740A Victorian walnut veneered octagonal work tableWith Tumbridge ware inlaid border on scratch carved tripod support, 44cm wide

£100 - 150

741A william and Mary style walnut cabinet on standWith floral marquetry inlaid doors enclosing a canted small cupboard surrounded by an arrangement of nine small drawers on barley-twist legs tied by a shaped stretcher on turned feet, 142cm high x 73cm wide

£700 - 900

742A George III mahogany serpentine sidetableThe frieze fitted with three drawers, on square tapered legs headed by fretwork brackets, 91cm wide x 57cm deep x 73cm high, (35 1/2in wide x 22in deep x 28 1/2in high)

£500 - 700

743A Georgian serpentine sideboard,With two frieze drawers flanked by two cellarette drawers, crossbanded line inlady and tapered square legs ending in spade feet, 201cm wide x 66cm deep x 95cm high, (79in wide x 25 1/2in deep x 37in high)

£300 - 400

744A giltwood display cabinet on stand20th Century The four glass upper section with single shelved interior, carved foliate and shell border, the heavily carved base with twin putti and foliate scroll detail, raised on scrolling cabriole legs, later repainted 72cm wide146cm high, (28in wide57in high)

£500 - 700

745Y

A pair of Regency rosewood dwarf breakfront bookcasesWith mirrored pilasters, fitted with adjustable shelves, (originally with marble tops) 84cm wide. (2)

£2,500 - 3,000

746*

A Victorian gentleman’s mahogany armchair and matching lady’s chairWith leaf and flower cresting, floral brocade upholstery and cabriole legs with scroll feet, (2)

£300 - 500

747An American roll-top deskEarly 20th Century Bearing plaque ‘M.W. Edgley Made in America’, with tambour shutter top opening to reveal a fitted interior, above an arrangement of drawers around the kneehole, 125cm wide

£150 - 200

748A pair of Regency style rectangular wall mirrorsWith acanthus moulded designs to each corner 106cm wide157cm high, (41 1/2in wide61 1/2in high) (2)

£200 - 300

738

741

138 | BONHAMS

749Y

An unusual pair of Victorian rosewood stoolsThe square crossstitch seats with ovoid moulded rails, on four similarly turned legs crossing at the centre, 38cm wide x 38cm deep x 46cm high, (14 1/2in wide x 14 1/2in deep x 18in high) (2)

£500 - 800

750An Irish George III mahogany tripod tableThe associated pie-crust top above a turned stem and acanthus carved tripod support with hairy paw feet, the top fixed to the stem with a later block, 81cm in diameter, 71cm high (31.5in in diameter, 27.5in high).

£500 - 700

751A George III sycamore and inlaid drum top tableThe segmented top with a central roundel of cherubs in a wood, the frieze with four real and four dummy drawers, on a fluted turned stem and tripod supports, inlaid throughout with stringing and banding, the inlaid roundel possibly later, 62cm wide, 62cm deep, 77cm high (24in wide, 24in deep, 30in high).

£500 - 700

Provenance Purchased: Philip & Richard Parker, 98 Fulham Road, SW3, 13 November 1959, £48-0-0.

752An early 19th century bowfront mahogany chestThe crossbanded and top above four long graduated drawers, with banding and stringing, shaped apron and curved bracket feet,, 91.5cm wide, 54cm deep, 87.5cm high (36in wide, 21in deep, 34in high).

£500 - 800

753Y

A French mid-20th Century gilt metal mounted rosewood vitrineTulipwood crossbanded and inlaid with green-stained fruitwood lines, the sides inlaid with simulated fluting, the glazed doors enclosing four shelves,, 113cm wide, 54cm deep, 201cm high (44in wide, 21in deep, 79in high).

£200 - 300

754A North Italian marquetry inlaid walnut small cabinetThe serpentine front with a small drawer above a cupboard door, on short shaped legs,56cm wide.

£300 - 400

750 751

753


755A French early 20th century stained beech pouffeIn the Louis XV style Of circular form, the shaped apron carved with acanthus leaves and scrolls centred by scallop shells, on cabriole supports terminating in scroll feet,, 77cm wide, 77cm deep, 42cm high (30in wide, 30in deep, 16.5in high).

£150 - 250

756A Regency mahogany cheval mirrorThe baluster and ring turned columnar frame fitted with adjustable brass candleholders, having a rectangular bevel edge plate, on reeded downswept legs and castors, 176cm high.

£600 - 800

757A French 19th century marquetry inlaid three tier side tableThe top with three quarter pierced gilt gallery and ormolu finials (one missing), the whole inlaid with floral and leafwork marquetry and applied ormolu edge moulding, raised on shaped supports. 38cm wide x 29cm deep x 81cm high, (14 1/2in wide x 11in deep x 31 1/2in high)

£400 - 600

758A late Victorian satinwood Sutherland tableOn turned end supports, 81cm x 66cm

£100 - 150

759No lot

760A Victorian mahogany inverted breakfront dwarf side cabinetWith three frieze drawers above panelled cupboard doors, on a plinth base, 152cm wide

£100 - 150

761A Damascus parquetry wood octagonal occasional tableDecorated in mother of pearl and various woods with floral and geometric motifs, 44cm diameter

£100 - 150

762A large Victorian Aesthetic Movement mahogany deskThe baluster galleried top above an arrangement of shelves, over a moulded top and two frieze drawers, on channelled square section legs, the channelled and multiple panelled back centred with two leather panels, with three graduating drawers to each side 138cm wide x 76cm deep x 155.5cm high, (54in wide x 29 1/2in deep x 61in high)

£500 - 700

Provenance Sotheby’s, Olympia, Fine Decorative Arts and Design from 1870, 9th September 2003, lot 113.

763No lot

757 762

140 | BONHAMS

Alexis Preller (1911-1975)‘Pirogues, Beau Vallon’, 1948 £100,000 - 150,000$167,000 - 250,000

contAct+44 (0) 20 7468 [email protected]

closing dAte for entriesFriday 25 July 2014

the south AfricAn sAleNew Bond Street

Wednesday 1 October 2014

bonhams.com/southafricanart

764A Victorian gilt metal and ceramic mounted walnut pier cabinetThe glazed panelled door enclosing two shelves, 81.5cm wide x 33.5cm deep x 108cm high, (32in wide x 13in deep x 42 1/2in high)

£300 - 500

765A George IV mahogany ‘Daws Patent’ reclining armchairBy Robert Daws The curved rectangular back joined with adjustable scrolling padded arm supports, on brass ratchet grooves, above a retractable slide inset with an adjustable leather footrest, on ring turned baluster front legs terminating in brass cappings and castors, with splayed back legs terminating in brass castors, stamped twice to the front legs: ‘R. DAWS, B.P.F., GR PATENT’, unextended: 69.5cm wide,

£500 - 700

Robert Daws is recorded as being active between 1820-39 at 17 Margaret Street, Cavendish Square, London, and patented his improved recumbent chair in 1827, C. Gilbert and G. Beard, “Dictionary of English Furniture Makers 1660-1840”, Leeds, 1986, p.282.

766A william IV mahogany library tableThe rectangular top above two pairs of short end drawers, raised on turned and gadrooned legs, with castors, 153cm wide.

£800 - 1,200

END OF SALE

764765

766

Alexis Preller (1911-1975)‘Pirogues, Beau Vallon’, 1948 £100,000 - 150,000$167,000 - 250,000

contAct+44 (0) 20 7468 [email protected]

closing dAte for entriesFriday 25 July 2014

the south AfricAn sAleNew Bond Street

Wednesday 1 October 2014

bonhams.com/southafricanart

International Auctioneers and Valuers - bonhams.com/scottishart

Scottish Art

Closing date for entriesFriday 27 June 2014

Enquiries +44 (0) 131 240 2292 [email protected]

Samuel John Peploe, RSA(British, 1871-1935)Still Life (detail)£25,000 - 35,000

Thursday 25 SeptemberEdinburgh

International Auctioneers and Valuers - bonhams.com/scottishart

Scottish Art

Closing date for entriesFriday 27 June 2014

Enquiries +44 (0) 131 240 2292 [email protected]

Samuel John Peploe, RSA(British, 1871-1935)Still Life (detail)£25,000 - 35,000

Thursday 25 SeptemberEdinburgh

A rAre AritA blue And white model of A dutchmAn Astride A bArrelEarly/Mid 18th century£50,000 - 60,000

JApAn for the west: ‘the clove’ 1614 AnniversAry Auction

New Bond StreetWednesday 17 December 2014

bonhams.com/japanese

contActLondon+44 (0) 20 7468 [email protected]

NTB/MAIN/03.14/V2

Bidding in personYou should come to our Bidder registration desk at the Sale venue and fill out a Bidder Registration Form on (or, if possible, before) the day of the Sale. The bidding number system is sometimes referred to as “paddle bidding”. You will be issued with a large card (a “paddle”) with a printed number on it. This will be attributed to you for the purposes of the Sale. Should you be a successful Bidder you will need to ensure that your number can be clearly seen by the Auctioneer and that it is your number which is identified as the Buyer’s. You should not let anyone else use your paddle as all Lots will be invoiced to the name and address given on your Bidder Registration Form. Once an invoice is issued it will not be changed. If there is any doubt as to the Hammer Price of, or whether you are the successful Bidder of, a particular Lot, you must draw this to the attention of the Auctioneer before the next Lot is offered for Sale. At the end of the Sale, or when you have finished bidding please return your paddle to the Bidder registration desk.

Bidding by telephone (only available on lots with a low estimate greater than £400)If you wish to bid at the Sale by telephone, please complete a Telephone Bidding Form, which is available from our offices or in the Catalogue. Please then return it to the office responsible for the Sale at least 24 hours in advance of the Sale. It is your responsibility to check with our Bids Office that your bid has been received. Telephone calls will be recorded. The telephone bidding facility is a discretionary service and may not be available in relation to all Lots. We will not be responsible for bidding on your behalf if you are unavailable at the time of the Sale or if the telephone connection is interrupted during bidding. Please contact us for further details.

Bidding by post or faxAbsentee Bidding Forms can be found in the back of this Catalogue and should be completed and sent to the office responsible for the Sale. It is in your interests to return your form as soon as possible, as if two or more Bidders submit identical bids for a Lot, the first bid received takes preference. In any event, all bids should be received at least 24 hours before the start of the Sale. Please check your Absentee Bidding Form carefully before returning it to us, fully completed and signed by you. It is your responsibility to check with our Bids Office that your bid has been received. This additional service is complimentary and is confidential. Such bids are made at your own risk and we cannot accept liability for our failure to receive and/or place any such bids. All bids made on your behalf will be made at the lowest level possible subject to Reserves and other bids made for the Lot. Where appropriate your bids will be rounded down to the nearest amount consistent with the Auctioneer’s bidding increments. New Bidders must also provide proof of identity and address when submitting bids. Failure to do this will result in your bid not being placed.

Bidding via the internetPlease visit our Website at http://www.bonhams.com for details of how to bid via the internet.

Bidding through an agentBids will be accepted as placed on behalf of the person named as the principal on the Bidding Form although we may refuse to accept bids from an agent on behalf of a principal and will require written confirmation from the principal confirming the agent’s authority to bid. Nevertheless, as the Bidding Form explains, any person placing a bid as agent on behalf of another (whether or not he has disclosed that fact or the identity of his principal) will be jointly and severally liable with the principal to the Seller and to Bonhams under any contract resulting from the acceptance of a bid. Subject to the above, please let us know if you are acting on behalf of another person when bidding for Lots at the Sale.

Equally, please let us know if you intend to nominate another person to bid on your behalf at the Sale unless this is to be carried out by us pursuant to a Telephone or Absentee Bidding Form that you have completed. If we do not approve the agency arrangements in writing before the Sale, we are entitled to assume that the person bidding at the Sale is bidding on his own behalf. Accordingly, the person bidding at the Sale will be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the

identity of your client in advance, we will be in a position to address the invoice to your principal rather than you. We will require proof of the agent’s client’s identity and residence in advance of any bids made by the agent on his behalf. Please refer to our Conditions of Business and contact our Customer Services Department for further details.

6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE BUYER AND BONHAMS

On the Lot being knocked down to the Buyer, a Contract for Sale of the Lot will be entered into between the Seller and the Buyer on the terms of the Contract for Sale set out in Appendix 1 at the back of the Catalogue. You will be liable to pay the Purchase Price, which is the Hammer Price plus any applicable VAT. At the same time, a separate contract is also entered into between us as Auctioneers and the Buyer. This is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms of the Contract for Sale and our Buyer’s Agreement contained in the Catalogue in case you are the successful Bidder. We may change the terms of either or both of these agreements in advance of their being entered into, by setting out different terms in the Catalogue and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale. You should be alert to this possibility of changes and ask if there have been any.

7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY THE BUYER

Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payable to us by the Buyer in accordance with the terms of the Buyer’s Agreement and at rates set out below, calculated by reference to the Hammer Price and payable in addition to it. Storage charges and Expenses are also payable by the Buyer as set out in the Buyer’s Agreement. All the sums payable to us by the Buyer are subject to VAT. For this Sale the following rates of Buyer’s Premium will be payable by Buyers of Lots:

25% up to £50,000 of the Hammer Price20% from £50,001 to £1,000,000 of the Hammer Price12% from £1,000,001 of the Hammer Price

On certain Lots, which will be marked “AR” in the Catalogue and which are sold for a Hammer Price of €1,000 or greater (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale), the Additional Premium will be payable to us by the Buyer to cover our Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006. The Additional Premium will be a percentage of the amount of the Hammer Price calculated in accordance with the table below, and shall not exceed €12,500 (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).

Hammer Price Percentage amount From €0 to €50,000 4%From €50,000.01 to €200,000 3%From €200,000.01 to €350,000 1%From €350,000.01 to €500,000 0.5%Exceeding €500,000 0.25%

8. VAT

The prevailing rate of VAT at the time of going to press is 20%, but this is subject to government change and the rate payable will be the rate in force on the date of the Sale.

The following symbols are used to denote that VAT is due on the Hammer Price and Buyer’s Premium:† VAT at the prevailing rate on Hammer Price and Buyer’s

PremiumΩ VAT on imported items at the prevailing rate on Hammer

Price and Buyer’s Premium* VAT on imported items at a preferential rate of 5% on

Hammer Price and the prevailing rate on Buyer’s Premium

G Gold bullion exempt from VAT on the Hammer Price and subject to VAT at the prevailing rate on the Buyer’s Premium

• ZeroratedforVAT, no VAT will be added to the Hammer Price or the Buyer’s Premium

a Buyers from within the EU: VAT is payable at the prevailing rate on just the Buyer’s Premium (NOT the Hammer Price). Buyers from outside the EU: VAT is payable at the prevailing rate on both Hammer Price and Buyer’s Premium. If a Buyer, having registered under a non-EU address, decides that the item is not to be exported from the EU, then he should advise Bonhams immediately.

In all other instances no VAT will be charged on the Hammer Price, but VAT at the prevailing rate will be added to Buyer’s Premium which will be invoiced on a VAT inclusive basis.

9. PAYMENT

It is of critical importance that you ensure that you have readily available funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and any other charges and Expenses to us) in full before making a bid for the Lot. If you are a successful Bidder, payment will be due to us by 4.30 pm on the second working day after the Sale so that all sums are cleared by the eighth working day after the Sale. Unless agreed by us in advance payments made by anyone other than the registered Buyer will not be accepted. Payment will have to be by one of the following methods (all cheques should be made payable to Bonhams 1793 Limited). Bonhams reserves the right to vary the terms of payment at any time.

Sterling personal cheque drawn on a UK branch of a bank or building society: all cheques must be cleared before you can collect your purchases;

Bankers draft/building society cheque: if you can provide suitable proof of identity and we are satisfied as to the genuineness of the draft or cheque, we will allow you to collect your purchases immediately;

Cash: you may pay for Lots purchased by you at this Sale with notes, coins or travellers cheques in the currency in which the Sale is conducted (but not any other currency) provided that the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000, or the equivalent in the currency in which the Sale is conducted, at the time when payment is made. If the amount payable by you for Lots exceeds that sum, the balance must be paid otherwise than in coins, notes or travellers cheques;

Sterling travellers cheques: you may pay for Lots purchased by you at this Sale with travellers cheques, provided the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000. We will need to see your passport if you wish to pay using travellers cheques;

Bank transfer: you may electronically transfer funds to our Trust Account. If you do so, please quote your paddle number and invoice number as the reference. Our Trust Account details are as follows:

Bank: National Westminster Bank PlcAddress: PO Box 4RY250 Regent StreetLondon W1A 4RYAccount Name: Bonhams 1793 Limited Trust AccountAccount Number: 25563009Sort Code: 56-00-27IBAN Number: GB 33 NWBK 560027 25563009

If paying by bank transfer, the amount received after the deduction of any bank fees and/or conversion of the currency of payment to pounds sterling must not be less than the sterling amount payable, as set out on the invoice.

Debit cards: there is no additional charge for purchases made with personal debit cards, issued by a UK bank. Debit cards issued by an overseas bank, deferred and company debit cards and all credit cards will be subject to a 2% surcharge;

NTB/MAIN/03.14/V2

This notice is addressed by Bonhams to any person who may be interested in a Lot, including Bidders and potential Bidders (including any eventual Buyer of the Lot). For ease of reference we refer to such persons as “Bidders” or “you”. Our List of Definitions and Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 at the back of the Catalogue. Where words and phrases are used in this notice which are in the List of Definitions, they are printed in italics.

IMPORTANT: Additional information applicable to the Sale may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue and you should read them as well. Announcements affecting the Sale may also be given out orally before and during the Sale without prior written notice. You should be alert to the possibility of changes and ask in advance of bidding if there have been any.

1. OUR ROLE

In its role as Auctioneer of Lots, Bonhams acts solely for and in the interests of the Seller. Bonhams’ job is to sell the Lot at the highest price obtainable at the Sale to a Bidder. Bonhams does not act for Buyers or Bidders in this role and does not give advice to Buyers or Bidders. When it or its staff make statements about a Lot or, if Bonhams provides a Condition Report on a Lot it is doing that on behalf of the Seller of the Lot. Bidders and Buyers who are themselves not expert in the Lots are strongly advised to seek and obtain independent advice on the Lots and their value before bidding for them. The Seller has authorised Bonhams to sell the Lot as its agent on its behalf and, save where we expressly make it clear to the contrary, Bonhams acts only as agent for the Seller. Any statement or representation we make in respect of a Lot is made on the Seller’s behalf and, unless Bonhams sells a Lot as principal, not on our behalf and any Contract for Sale is between the Buyer and the Seller and not with us. If Bonhams sells a Lot as principal this will either be stated in the Catalogue or an announcement to that effect will be made by the Auctioneer, or it will be stated in a notice at the Sale or an insert in the Catalogue.

Bonhams does not owe or undertake or agree to any duty or responsibility to you in contract or tort (whether direct, collateral, express, implied or otherwise). If you successfully bid for a Lot and buy it, at that stage Bonhams does enter into an agreement with the Buyer. The terms of that contract are set out in our Buyer’s Agreement, which you will find at Appendix 2 at the back of the Catalogue. This will govern Bonhams’ relationship with the Buyer.

2. LOTS

Subject to the Contractual Description printed in bold letters in the Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are sold to the Buyer on an “as is” basis, with all faults and imperfections. Illustrations and photographs contained in the Catalogue (other than photographs forming part of the Contractual Description) or elsewhere of any Lots are for identification purposes only. They may not reveal the true condition of the Lot. A photograph or illustration may not reflect an accurate reproduction of the colour(s) of the Lot. Lots are available for inspection prior to the Sale and it is for you to satisfy yourself as to each and every aspect of a Lot, including its authorship, attribution, condition, provenance, history, background, authenticity, style, period, age, suitability, quality, roadworthiness (if relevant), origin, value and estimated selling price (including the Hammer Price). It is your responsibility to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as good as that indicated by its outward appearance. In particular, parts may have been replaced or renewed and Lots may not be authentic or of satisfactory quality; the inside of a Lot may not be visible and may not be original or may be damaged, as for example where it is covered by upholstery or material. Given the age of many Lots they may have been damaged and/or repaired and you should not assume that a Lot is in good condition. Electronic or mechanical parts may not operate or may not comply with current statutory requirements. You should not assume that electrical items designed to operate on mains electricity will be suitable for connection to the mains electricity supply and you should obtain a report from

a qualified electrician on their status before doing so. Such items which are unsuitable for connection are sold as items of interest for display purposes only. If you yourself do not have expertise regarding a Lot, you should consult someone who does to advise you. We can assist in arranging facilities for you to carry out or have carried out more detailed inspections and tests. Please ask our staff for details.

Any person who damages a Lot will be held liable for the loss caused.

3. DESCRIPTIONS OF LOTS AND ESTIMATES

Contractual Description of a LotThe Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Bonhams’ opinion (given on behalf of the Seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

EstimatesIn most cases, an Estimate is printed beside the Entry. Estimates are only an expression of Bonhams’ opinion made on behalf of the Seller of the range where Bonhams thinks the Hammer Price for the Lot is likely to fall; it is not an Estimate of value. It does not take into account any VAT or Buyer’s Premium payable. Lots can in fact sell for Hammer Prices below and above the Estimate. Any Estimate should not be relied on as an indication of the actual selling price or value of a Lot. Estimates are in the currency of the Sale.

Condition ReportsIn respect of most Lots, you may ask for a Condition Report on its physical condition from Bonhams. If you do so, this will be provided by Bonhams on behalf of the Seller free of charge. Bonhams is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. Nor does the Seller owe or agree to owe you as a Bidder any obligation or duty in respect of this free report about a Lot, which is available for your own inspection or for inspection by an expert instructed by you. However, any written Description of the physical condition of the Lot contained in a Condition Report will form part of the Contractual Description of the Lot under which it is sold to any Buyer.

The Seller’s responsibility to youThe Seller does not make or agree to make any representation of fact or contractual promise, Guarantee or warranty and undertakes no obligation or duty, whether in contract or in tort (other than to the eventual Buyer as set out above), in respect of the accuracy or completeness of any statement or representation made by him or on his behalf, which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. Other than as set out above, no statement or representation in any way descriptive of a Lot or any Estimate is incorporated into any Contract for Sale between a Seller and a Buyer.

Bonhams’ responsibility to youYou have the opportunity of examining the Lot if you want to and the Contract for Sale for a Lot is with the Seller and not with Bonhams; Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot as principal).

Bonhams undertakes no obligation to you to examine, investigate or carry out any tests, either in sufficient depth or at all, on each Lot to establish the accuracy or otherwise of any Descriptions or opinions given by Bonhams, or by any person on Bonhams’ behalf, whether in the Catalogue or elsewhere.

You should not suppose that such examinations, investigations or tests have occurred.

Bonhams does not make or agree to make any representation of fact, and undertakes no obligation or duty (whether in contract or tort) in respect of the accuracy or completeness of any statement or representation made by Bonhams or on

Bonhams’ behalf which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. No statement or representation by Bonhams or on its behalf in any way descriptive of any Lot or any Estimate is incorporated into our Buyer’s Agreement.

AlterationsDescriptions and Estimates may be amended at Bonhams’ discretion from time to time by notice given orally or in writing before or during a Sale.

THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR BEHALF BEFORE THE SALE.

4. CONDUCT OF THE SALE

Our Sales are public auctions which persons may attend and you should take the opportunity to do so. We do reserve the right at our sole discretion to refuse admission to our premises or to any Sale without stating a reason. We have complete discretion as to whether the Sale proceeds, whether any Lot is included in the Sale, the manner in which the Sale is conducted and we may offer Lots for Sale in any order we choose notwithstanding the numbers given to Lots in the Catalogue. You should therefore check the date and starting time of the Sale, whether there have been any withdrawals or late entries. Remember that withdrawals and late entries may affect the time at which a Lot you are interested in is put up for Sale. We have complete discretion to refuse any bid, to nominate any bidding increment we consider appropriate, to divide any Lot, to combine two or more Lots, to withdraw any Lot from a Sale and, before the Sale has been closed, to put up any Lot for auction again. Auction speeds can exceed 100 Lots to the hour and bidding increments are generally about 10%. However these do vary from Sale to Sale and from Auctioneer to Auctioneer. Please check with the department organising the Sale for advice on this. Where a Reserve has been applied to a Lot, the Auctioneer may, in his absolute discretion, place bids (up to an amount not equalling or exceeding such Reserve) on behalf of the Seller. We are not responsible to you in respect of the presence or absence of any Reserve in respect of any Lot. If there is a Reserve it will normally be no higher than the lower figure for any Estimate in the Catalogue, assuming that the currency of the Reserve has not fluctuated adversely against the currency of the Estimate. The Buyer will be the Bidder who makes the highest bid acceptable to the Auctioneer for any Lot (subject to any applicable Reserve) to whom the Lot is knocked down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by the Auctioneer in his absolute discretion. All bids tendered will relate to the actual Lot number announced by the Auctioneer. An electronic currency converter may be used at the Sale. This equipment is provided as a general guide as to the equivalent amount in certain currencies of a given bid. We do not accept any responsibility for any errors which may occur in the use of the currency converter. We may use video cameras to record the Sale and may record telephone calls for reasons of security and to assist in solving any disputes which may arise in relation to bids made at the Sale. At some Sales, for example, jewellery Sales, we may use screens on which images of the Lots will be projected. This service is provided to assist viewing at the Sale. The image on the screen should be treated as an indication only of the current Lot. It should be noted that all bids tendered will relate to the actual Lot number announced by the Auctioneer. We do not accept any responsibility for any errors which may occur in the use of the screen.

5. BIDDING

We do not accept bids from any person who has not completed and delivered to us one of our Bidding Forms, either our Bidder Registration Form, Absentee Bidding Form or Telephone Bidding Form. You will be asked for proof of identity, residence and references, which, when asked for, you must supply if your bids are to be accepted by us. Please bring your passport, driving licence (or similar photographic proof of identity) and proof of address. We may request a deposit from you before allowing you to bid. We may refuse entry to a Sale to any person even if that person has completed a Bidding Form.

NOTICE TO BIDDERS

NTB/MAIN/03.14/V2

19. JEWELLERY

˜ Ruby and JadeiteRuby and jadeite gemstones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non–Burmese origin require certification before import into the US and it is the Buyer’s responsibility to obtain all relevant and required export/import licences, certificates and documentation before shipping. Failure by the Buyer to successfully import goods into the US does not constitute grounds for non payment or cancellation of Sale. Bonhams will not be responsible for any additional costs in this regard howsoever incurred.

GemstonesHistorically many gemstones have been subjected to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or resin for the same purpose. Other treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment over the years to retain their appearance. Bidders should be aware that Estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed Descriptions of gemstones. However there may not be consensus between different laboratories on the degrees, or types of treatment for any particular gemstone. In the event that Bonhams has been given or has obtained certificates for any Lot in the Sale these certificates will be disclosed in the Catalogue. Although, as a matter of policy, Bonhams endeavours to provide certificates from recognised laboratories for certain gemstones, it is not feasible to obtain certificates for each Lot. In the event that no certificate is published in the Catalogue, Bidders should assume that the gemstones may have been treated. Neither Bonhams nor the Seller accepts any liability for contradictions or differing certificates obtained by Buyers on any Lots subsequent to the Sale.

Estimated WeightsIf a stone(s) weight appears within the body of the Description in capital letters, the stone(s) has been unmounted and weighed by Bonhams. If the weight of the stone(s) is stated to be approximate and does not appear in capital letters, the stone(s) has been assessed by us within its/their settings, and the stated weight is a statement of our opinion only. This information is given as a guide and Bidders should satisfy themselves with regard to this information as to its accuracy.

Signatures 1. A diamond brooch, by KutchinskyWhen the maker’s name appears in the title, in Bonhams’ opinion the piece is by that maker.

2. A diamond brooch, signed Kutchinsky Has a signature that, in Bonhams’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

3. A diamond brooch, mounted by KutchinskyHas been created by the jeweller, in Bonhams’ opinion, but using stones or designs supplied by the client.

20. PHOTOGRAPHS

Explanation of Catalogue Terms• “BillBrandt”:inouropinionaworkbytheartist.• “AttributedtoBillBrandt”:inouropinionprobablyawork

by the artist, but less certainty to authorship is expressed than in the preceding category.

• “Signedand/ortitledand/ordatedand/orinscribed”:inour opinion the signature and/or title and/or date and/or inscription are in the artist’s hand.

• “Signedand/ortitledand/ordatedand/orinscribedinanother hand”: in our opinion the signature and/or title and/or date and/or inscription have been added by another hand.

• Thedategivenisthatoftheimage(negative).Wherenofurther date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot Description). A vintage photograph is one which was made within approximately 5-10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be later, “printed later” will appear in the Lot Description.

• Unlessotherwisespecified,dimensionsgivenarethoseofthe piece of paper on which the image is printed, including any margins. Some photographs may appear in the Catalogue without margins illustrated.

• AllphotographsaresoldunframedunlessstatedintheLot Description.

21. PICTURES

Explanation of Catalogue TermsThe following terms used in the Catalogue have the following meanings but are subject to the general provisions relating to Descriptions contained in the Contract for Sale:• “JacopoBassano”:inouropinionaworkbytheartist.

When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named;

• “AttributedtoJacopoBassano”:inouropinionprobablya work by the artist but less certainty as to authorship is expressed than in the preceding category;

• “Studio/WorkshopofJacopoBassano”:inouropinionawork by an unknown hand in a studio of the artist which may or may not have been executed under the artist’s direction;

• “CircleofJacopoBassano”:inouropinionaworkbya hand closely associated with a named artist but not necessarily his pupil;

• “FollowerofJacopoBassano”:inouropinionaworkbyapainter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil;

• “MannerofJacopoBassano”:inouropinionaworkinthestyle of the artist and of a later date;

• “AfterJacopoBassano”:inouropinion,acopyofaknownwork of the artist;

• “Signedand/ordatedand/orinscribed”:inouropinionthesignature and/or date and/or inscription are from the hand of the artist;

• “Bearsasignatureand/ordateand/orinscription”:inouropinion the signature and/or date and/or inscription have been added by another hand.

22. PORCELAIN AND GLASS

Damage and RestorationFor your guidance, in our Catalogues we detail, as far as practicable, recorded all significant defects, cracks and restoration. Such practicable Descriptions of damage cannot be definitive, and in providing Condition Reports, we cannot Guarantee that there are no other defects present which have not been mentioned. Bidders should satisfy themselves by inspection, as to the condition of each Lot. Please see the Contract for Sale printed in this Catalogue. Because of the difficulty in determining whether an item of glass has been repolished, in our Catalogues reference is only made to visible chips and cracks. No mention is made of repolishing, severe or otherwise.

23. VEHICLES

The Veteran Car Club of Great Britain Dating Plates and Certificates When mention is made of a Veteran Car Club Dating Plate or Dating Certificate in this Catalogue, it should be borne in mind that the Veteran Car Club of Great Britain using the services of Veteran Car Company Ltd, does from time to time, review cars already dated and, in some instances, where fresh evidence becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

24. WINE

Lots which are lying under Bond and those liable to VAT may not be available for immediate collection.

Examining the winesIt is occasionally possible to provide a pre-Sale tasting for larger parcels (as defined below). This is generally limited to more recent and everyday drinking wines. Please contact the department for details.

It is not our policy to inspect every unopened case. In the case of wines older than 20 years the boxes will usually have been opened and levels and appearance noted in the Catalogue where necessary. You should make proper allowance for variations in ullage levels and conditions of corks, capsules and labels.

Corks and UllagesUllage refers to the space between the base of the cork and the wine. Ullage levels for Bordeaux shaped bottles are only normally noted when below the neck and for Burgundy, Alsace, German and Cognac shaped bottles when greater than 4 centimetres (cm). Acceptable ullage levels increase with age; generally acceptable levels are as follows:

Under 15 years old – into neck or less than 4cm15 to 30 years old – top shoulder (ts) or up to 5cmOver 30 years old – high shoulder (hs) or up to 6cm

It should be noted that ullages may change between publication of the Catalogue and the Sale and that corks may fail as a result of transporting the wine. We will only accept responsibility for Descriptions of condition at the time of publication of the Catalogue and cannot accept responsibility for any loss resulting from failure of corks either before or after this point.

Options to buy parcelsA parcel is a number of Lots of identical size of the same wine, bottle size and Description. The Buyer of any of these Lots has the option to accept some or all of the remaining Lots in the parcel at the same price, although such options will be at the Auctioneer’s sole discretion. Absentee Bidders are, therefore, advised to bid on the first Lot in a parcel.

Wines in BondWines lying in Bond are marked Δ and VAT is payable by the purchaser, at the standard rate, on the Hammer Price, unless the wines are to remain under Bond. Buyers requiring their wine to remain in Bond must notify Bonhams at the time of the Sale. The Buyer is then himself responsible for all duty, clearance VAT and other charges that may be payable thereon. All such Lots must be transferred or collected within two weeks of the Sale.

Buyers outside the UK must be aware that any forwarding agent appointed to export their purchases must have a movement certificate for Lots to be released under Bond.

Bottling Details and Case TermsThe following terms used in the Catalogue have the following meanings:CB – Château bottled DB – Domaine bottledEstB – Estate bottled BB – Bordeaux bottledBE – Belgian bottledFB – French bottledGB – German bottledOB – Oporto bottledUK – United Kingdom bottledowc – original wooden caseiwc – individual wooden caseoc – original carton

NTB/MAIN/03.14/V2

Union Pay cards: these are now accepted at our Knightsbridge and New Bond Street offices, when presented in person by the card holder. These cards are subject to a 2% surcharge.

Credit cards: Visa and Mastercard only. Please note there is a 2% surcharge on the total invoice value when payments are made using credit cards. It may be advisable to notify your card provider of your intended purchase in advance to reduce delays caused by us having to seek authority when you come to pay. If you have any questions with regard to payment, please contact our Customer Services Department.

10. COLLECTION AND STORAGE

The Buyer of a Lot will not be allowed to collect it until payment in full and in cleared funds has been made (unless we have made a special arrangement with the Buyer). For collection and removal of purchased Lots, please refer to Sale Information at the front of the Catalogue. Our offices are open 9.00am – 5pm Monday to Friday. Details relating to the collection of a Lot, the storage of a Lot and our Storage Contractor after the Sale are set out in the Catalogue.

11. SHIPPING

Please refer all enquiries to our shipping department on:Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 Email: [email protected]

12. EXPORT/TRADE RESTRICTIONS

It is your sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licence(s). Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. The detailed provisions of the export licencing arrangements can be found on the ACE website http://www.artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/export-controls/export-licensing/ or by phoning ACE on +44 (0)20 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions. The refusal of any import or export licence(s) or any delay in obtaining such licence(s) shall not permit the rescission of any Sale nor allow any delay in making full payment for the Lot. Generally, please contact our shipping department before the Sale if you require assistance in relation to export regulations.

13. CITES REGULATIONS

Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be requested from:

Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife LicencingFloor1,Zone17,TempleQuayHouse2TheSquare,TempleQuayBRISTOL BS1 6EBTel: +44 (0) 117 372 8774

14. THE SELLERS AND/OR BONHAMS’ LIABILITY

Other than any liability of the Seller to the Buyer of a Lot under the Contract for Sale, neither we nor the Seller are liable (whether in negligence or otherwise) for any error or misdescription or omission in any Description of a Lot or any Estimate in respect of it, whether contained in the Catalogue or otherwise, whether given orally or in writing and whether given before or during the Sale. Neither we nor the Seller will be liable for any loss of Business, profits, revenue or income, or for loss of reputation, or for disruption to Business or wasted time on the part of management or staff, or for indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract (if any) or statutory duty, restitutionary claim or otherwise. In any circumstances where we and/or the Seller are liable in relation to any Lot or

any Description or Estimate made of any Lot, or the conduct of any Sale in relation to any Lot, whether in damages, for an indemnity or contribution, or for a restitutionary remedy or otherwise, our and/or the Seller’s liability (combined, if both we and the Seller are liable) will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) our liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or by the negligence of any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law or (v) our undertakings under paragraphs 9 (in relation to specialist Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same applies in respect of the Seller, as if references to us in this paragraph were substituted with references to the Seller.

15. BOOKS

As stated above, all Lots are sold on an “as is” basis, subject to all faults, imperfections and errors of Description save as set out below. However, you will be entitled to reject a Book in the circumstances set out in paragraph 11 of the Buyers Agreement. Please note that Lots comprising printed Books, unframed maps and bound manuscripts are not liable to VAT on the Buyer’s Premium.

16. CLOCKS AND WATCHES

All Lots are sold “as is”, and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, Bonhams makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Bidders should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

17. FIREARMS – PROOF, CONDITION AND CERTIFICATION

Proof of FirearmsThe term “proof exemption” indicates that a firearm has been examined at a Proof House, but not proved, as either (a) it was deemed of interest and not intended for use, or (b) ammunition was not available. In either case, the firearm must be regarded as unsafe to fire unless subsequently proved. Firearms proved for Black Powder should not be used with smokeless ammunition.

The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both unsuitable for proof and use. Reproof is required before any such firearm is to be used.

Guns Sold as PartsBarrels of guns sold as parts will only be made available for sleeving and measurements once rendered unserviceable according to the Gun Barrel Proof Act of 1968 to 1978 and the Rules of Proof.

Condition of FirearmsComment in this Catalogue is restricted, in general, to exceptional condition and to those defects that might affect the immediate safety of a firearm in normal use. An intending Bidder unable to make technical examinations and assessments is recommended to seek advice from a gunmaker or from a

modern firearms specialist. All prospective Bidders are advised to consult the ˚ of bore and wall-thickness measurements posted in the saleroom and available from the department. Bidders should note that guns are stripped only where there is a strong indication of a mechanical malfunction. Stripping is not, otherwise, undertaken. Guns intended for use should be stripped and cleaned beforehand. Hammer guns should have their rebound mechanisms checked before use. The safety mechanisms of all guns must be tested before use. All measurements are approximate.

Original Gun Specifications Derived from GunmakersThe Sporting Gun Department endeavours to confirm a gun’s original specification and date of manufacture with makers who hold their original records.

Licensing Requirements Firearms Act 1968 as amendedBonhams is constantly reviewing its procedures and would remind you that, in the case of firearms or shotguns subject to certification, to conform with current legislation, Bonhams is required to see, as appropriate, your original registered firearms dealer’s certificate / shot gun certificate / firearm certificate / museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for instance Crown servant status) for the firearm(s) you have purchased prior to taking full payment of the amount shown on your invoice. Should you not already be in possession of such an authority or exemption, you are required to initially pay a deposit of 95% of the total invoice with the balance of 5% payable on presentation of your valid certificate or licence showing your authority to hold the firearm(s) concerned.

Please be advised that if a successful Bidder is then unable to produce the correct paperwork, the Lot(s) will be reoffered by Bonhams in the next appropriate Sale, on standard terms for Sellers, and you will be responsible for any loss incurred by Bonhams on the original Sale to you.

In the case of RFD certificates and Section 5 authorities, we wish to keep an up-to-date copy on file. Please supply us with a Fax or photocopy. It would be helpful if you could send us an updated copy whenever your certificate or authority is renewed or changed.

Lots marked ‘S1´ and bearing red labels are Section 1 firearms and require a valid British Firearms certificate, RFD Licence or import licence.

Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and require a valid British Shotgun certificate, RFD licence or import licence.

Lots marked ‘S5´ and bearing specially marked red labels are Section 5 prohibited firearms and require a valid Section 5 Authority or import licence.

Lots marked with a ‘S58´ and bearing yellow labels are for obsolete calibres and no licence is required unless ammunition is held.

Unmarked Lots require no licence.

Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries.

Taxidermy and Related ItemsAs a Seller of these articles, Bonhams undertakes to comply fully with Cites and DEFRA regulations. Buyers are advised to inform themselves of all such regulations and should expect the exportation of items to take some time to arrange.

18. FURNITURE

Upholstered FurnitureWhilst we take every care in cataloguing furniture which has been upholstered we offer no Guarantee as to the originality of the wood covered by fabric or upholstery.

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8 FAILURE TO PAY FOR THE LOT

8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in accordance with the Contract for Sale the Seller will be entitled, with the prior written agreement of Bonhams but without further notice to you, to exercise one or more of the following rights (whether through Bonhams or otherwise):

8.1.1 to terminate immediately the Contract for Sale of the Lot for your breach of contract;

8.1.2 to resell the Lot by auction, private treaty or any other means on giving seven days’ written notice to you of the intention to resell;

8.1.3 to retain possession of the Lot;

8.1.4 to remove and store the Lot at your expense;

8.1.5 to take legal proceedings against you for any sum due under the Contract for Sale and/or damages for breach of contract;

8.1.6 to be paid interest on any monies due (after as well as before judgement or order) at the annual rate of 5% per annum above the base rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

8.1.7 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless the Buyer buys the Lot as a Consumer from the Seller selling in the course of a Business) you hereby grant an irrevocable licence to the Seller by himself and to his servants or agents to enter upon all or any of your premises (with or without vehicles) during normal Business hours to take possession of the Lot or part thereof;

8.1.8 to retain possession of any other property sold to you by the Seller at the Sale or any other auction or by private treaty until all sums due under the Contract for Sale shall have been paid in full in cleared funds;

8.1.9 to retain possession of, and on three months’ written notice to sell, Without Reserve, any of your other property in the possession of the Seller and/or of Bonhams (as bailee for the Seller) for any purpose (including, without limitation, other goods sold to you) and to apply any monies due to you as a result of such Sale in satisfaction or part satisfaction of any amounts owed to the Seller or to Bonhams; and

8.1.10 so long as such goods remain in the possession of the Seller or Bonhams as its bailee, to rescind the contract for the Sale of any other goods sold to you by the Seller at the Sale or at any other auction or by private treaty and apply any monies received from you in respect of such goods in part or full satisfaction of any amounts owed to the Seller or to Bonhams by you.

8.2 You agree to indemnify the Seller against all legal and other costs of enforcement, all losses and other Expenses and costs (including any monies payable to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 8.1.6 from the date upon which the Seller becomes liable to pay the same until payment by you.

8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will account to you in respect of any balance remaining from any monies received by him or on his behalf in respect of the Lot, after the payment of all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

9 THE SELLER’S LIABILITY

9.1 The Seller will not be liable for any injury, loss or damage caused by the Lot after the fall of the Auctioneer’s hammer in respect of the Lot.

9.2 Subject to paragraph 9.3 below, except for breach of the express undertaking provided in paragraph 2.1.5, the Seller will not be liable for any breach of any term that the Lot will correspond with any Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or otherwise.

9.3 Unless the Seller sells the Lot in the course of a Business and the Buyer buys it as a Consumer,

9.3.1 the Seller will not be liable (whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967, or in any other way) for any lack of conformity with, or inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in relation to the Lot made by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale;

9.3.2 the Seller will not be liable for any loss of Business, Business profits or revenue or income or for loss of reputation or for disruption to Business or wasted time on the part of the Buyer or of the Buyer’s management or staff or, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, restitutionary claim or otherwise;

9.3.3 in any circumstances where the Seller is liable to you in respect of the Lot, or any act, omission, statement, or representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, the Seller’s liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract, statutory duty, bailee’s duty, restitutionary claim or otherwise.

9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by the Seller’s negligence (or any person under the Seller’s control or for whom the Seller is legally responsible), or (iii) acts or omissions for which the Seller is liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law.

10 MISCELLANEOUS

10.1 You may not assign either the benefit or burden of the Contract for Sale.

10.2 The Seller’s failure or delay in enforcing or exercising any power or right under the Contract for Sale will not operate or be deemed to operate as a waiver of his rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect the Seller’s ability subsequently to enforce any right arising under the Contract for Sale.

10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations under the Contract for Sale by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 6.

10.4 Any notice or other communication to be given under the Contract for Sale must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission, if to the Seller, addressed c/o Bonhams at its address or fax number in the Catalogue (marked for the attention of the Company Secretary), and if to you to the address or fax number of the Buyer given in the Bidding Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

10.5 If any term or any part of any term of the Contract for Sale is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

10.6 References in the Contract for Sale to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

10.7 The headings used in the Contract for Sale are for convenience only and will not affect its interpretation.

10.8 In the Contract for Sale “including” means “including, without limitation”.

10.9 References to the singular will include reference to the plural (and vice versa) and reference to any one gender will include reference to the other genders.

10.10 Reference to a numbered paragraph is to a paragraph of the Contract for Sale.

10.11 Save as expressly provided in paragraph 10.12 nothing in the Contract for Sale confers (or purports to confer) on any person who is not a party to the Contract for Sale any benefit conferred by, or the right to enforce any term of, the Contract for Sale.

10.12 Where the Contract for Sale confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of the Seller, it will also operate in favour and for the benefit of Bonhams, Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

11 GOVERNING LAW

All transactions to which the Contract for Sale applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes place and the Seller and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that the Seller may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.

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SYMBOLS

THE FOLLOWING SYMBOLS ARE USED TO DENOTE

Y Subject to CITES regulations when exporting these items outside the EU, see clause 13.

W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for collection from this location.

≈ Please note that as a result of recent legislation ruby and jadeite gem stones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non-Burmese origin require certification before import into the US.

Δ Wines lying in Bond.AR An Additional Premium will be payable to us by the Buyer

to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See clause 7 for details.

The Seller has been guaranteed a minimum price for the Lot, either by Bonhams or a third party. This may take the form of an irrevocable bid by a third party, who may make a financial gain on a successful Sale or a financial loss if unsuccessful.

Bonhams owns the Lot either wholly or partially or may otherwise have an economic interest.

Ф This lot contains or is made of ivory the United States Government has banned the import of any ivory into

the USA.

•, †, *, G, Ω, a see clause 8, VAT, for details.

DATA PROTECTION – USE OF YOUR INFORMATION

Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London, W1S 1SR or by email from [email protected]

APPENDIX 1

CONTRACT FOR SALE

IMPORTANT: These terms may be changed in advance of the Sale of the Lot to you, by the setting out of different terms in the Catalogue for the Sale and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale at the Sale venue. You should be alert to this possibility of changes and ask in advance of bidding if there have been any.

Under this contract the Seller’s liability in respect of the quality of the Lot, it’s fitness for any purpose and its conformity with any Description is limited. You are strongly advised to examine the Lot for yourself and/or obtain an independent examination of it before you buy it.

1 THE CONTRACT

1.1 These terms govern the Contract for Sale of the Lot by the Seller to the Buyer.

1.2 The Definitions and Glossary contained in Appendix 3 in the Catalogue are incorporated into this Contract for Sale and a separate copy can also be provided by Bonhams on request. Where words and phrases are used which are in the List of Definitions, they are printed in italics.

1.3 The Seller sells the Lot as the principal to the Contract for Sale, such contract being made between the Seller and you through Bonhams which acts in the sole capacity as the Seller’s agent and not as an additional principal. However, if the Catalogue states that Bonhams sells the Lot as principal, or such a statement is made by an announcement by the Auctioneer, or by a notice at the Sale, or an insert in the Catalogue, then Bonhams is the Seller for the purposes of this agreement.

1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you.

2 SELLER’S UNDERTAKINGS

2.1 The Seller undertakes to you that:

2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the Lot by the owner;

2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the Seller sells the Lot with full title guarantee or, where the Seller is an executor, trustee, liquidator, receiver or administrator, with whatever right, title or interest he may have in the Lot;

2.1.3 except where the Sale is by an executor, trustee, liquidator, receiver or administrator the Seller is both legally entitled to sell the Lot, and legally capable of conferring on you quiet possession of the Lot and that the Sale conforms in every respect with the terms implied by the Sale of Goods Act 1979, Sections 12(1) and 12(2) (see the Definitions and Glossary);

2.1.4 the Seller has complied with all requirements, legal or otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) been paid and, so far as the Seller is aware, all third parties have complied with such requirements in the past;

2.1.5 subject to any alterations expressly identified as such made by announcement or notice at the Sale venue or by the Notice to Bidders or by an insert in the Catalogue, the Lot corresponds with the Contractual Description of the Lot, being that part of the Entry about the Lot in the Catalogue which is in bold letters and (except for colour) with any photograph of the Lot in the Catalogue and the contents of any Condition Report which has been provided to the Buyer.

3 DESCRIPTIONS OF THE LOT

3.1 Paragraph 2.1.5 sets out what is the Contractual Description of the Lot. In particular, the Lot is not sold as corresponding with that part of the Entry in the Catalogue which is not printed in bold letters, which merely sets out (on the Seller’s behalf) Bonhams’ opinion about the Lot and which is not part of the Contractual Description upon which the Lot is sold. Any statement or representation other than that part of the Entry referred to in paragraph 2.1.5 (together with any express alteration to it as referred to in paragraph 2.1.5), including any Description or Estimate, whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether by or on behalf of the Seller or Bonhams and whether made prior to or during the Sale, is not part of the Contractual Description upon which the Lot is sold.

3.2 Except as provided in paragraph 2.1.5, the Seller does not make or give and does not agree to make or give any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact, or undertake any duty of care, in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by or on behalf of the Seller including by Bonhams. No such Description or Estimate is incorporated into this Contract for Sale.

4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY

4.1 The Seller does not make and does not agree to make any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact in relation to the satisfactory quality of the Lot or its fitness for any purpose.

4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose.

5 RISK, PROPERTY AND TITLE

5.1 Risk in the Lot passes to you when it is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. The Seller will not be responsible thereafter for the Lot prior to you collecting it from Bonhams or the Storage Contractor, with whom you have separate contract(s) as Buyer. You will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the Auctioneer’s hammer until you obtain full title to it.

5.2 Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by you to Bonhams in relation to the Lot have been paid in full to, and received in cleared funds by, Bonhams.

6 PAYMENT

6.1 Your obligation to pay the Purchase Price arises when the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot.

6.2 Time will be of the essence in relation to payment of the Purchase Price and all other sums payable by you to Bonhams. Unless agreed in writing with you by Bonhams on the Seller’s behalf (in which case you must comply with the terms of that agreement), all such sums must be paid to Bonhams by you in the currency in which the Sale was conducted by not later than 4.30pm on the second working day following the Sale and you must ensure that the funds are cleared by the seventh working day after the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in accordance with this paragraph, the Seller will have the rights set out in paragraph 8 below.

7 COLLECTION OF THE LOT

7.1 Unless otherwise agreed in writing with you by Bonhams, the Lot will be released to you or to your order only when Bonhams has received cleared funds to the amount of the full Purchase Price and all other sums owed by you to the Seller and to Bonhams.

7.2 The Seller is entitled to withhold possession from you of any other Lot he has sold to you at the same or at any other Sale and whether currently in Bonhams’ possession or not until payment in full and in cleared funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot.

7.3 You will collect and remove the Lot at your own expense from Bonhams’ custody and/ or control or from the Storage Contractor’s custody in accordance with Bonhams’ instructions or requirements.

7.4 You will be wholly responsible for packing, handling and transport of the Lot on collection and for complying with all import or export regulations in connection with the Lot.

7.5 You will be wholly responsible for any removal, storage or other charges or Expenses incurred by the Seller if you do not remove the Lot in accordance with this paragraph 7 and will indemnify the Seller against all charges, costs, including any legal costs and fees, Expenses and losses suffered by the Seller by reason of your failure to remove the Lot including any charges due under any Storage Contract. All such sums due to the Seller will be payable on demand.

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7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART PAYMENTS

7.1 If all sums payable to us are not so paid in full at the time they are due and/or the Lot is not removed in accordance with this agreement, we will without further notice to you be entitled to exercise one or more of the following rights (without prejudice to any rights we may exercise on behalf of the Seller):

7.1.1 to terminate this agreement immediately for your breach of contract;

7.1.2 to retain possession of the Lot;

7.1.3 to remove, and/or store the Lot at your expense;

7.1.4 to take legal proceedings against you for payment of any sums payable to us by you (including the Purchase Price) and/or damages for breach of contract;

7.1.5 to be paid interest on any monies due to us (after as well as before judgement or order) at the annual rate of 5% per annum above the base lending rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

7.1.6 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless you buy the Lot as a Consumer) you hereby grant an irrevocable licence to us, by ourselves, our servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal business hours to take possession of any Lot or part thereof;

7.1.7 to sell the Lot Without Reserve by auction, private treaty or any other means on giving you three months’ written notice of our intention to do so;

7.1.8 to retain possession of any of your other property in our possession for any purpose (including, without limitation, other goods sold to you or with us for Sale) until all sums due to us have been paid in full;

7.1.9 to apply any monies received from you for any purpose whether at the time of your default or at any time thereafter in payment or part payment of any sums due to us by you under this agreement;

7.1.10 on three months’ written notice to sell, Without Reserve, any of your other property in our possession or under our control for any purpose (including other goods sold to you or with us for Sale) and to apply any monies due to you as a result of such Sale in payment or part payment of any amounts owed to us;

7.1.11 refuse to allow you to register for a future Sale or to reject a bid from you at any future Sale or to require you to pay a deposit before any bid is accepted by us at any future Sale in which case we will be entitled to apply such deposit in payment or part payment, as the case may be, of the Purchase Price of any Lot of which you are the Buyer.

7.2 You agree to indemnify us against all legal and other costs, all losses and all other Expenses (whether or not court proceedings will have been issued) incurred by us as a result of our taking steps under this paragraph 7 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 7.1.5 from the date upon which we become liable to pay the same until payment by you.

7.3 If you pay us only part of the sums due to us such payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than one Lot pro-rata towards the Purchase Price of each Lot) and secondly to the Buyer’s Premium (or where you have purchased more than one Lot pro-rata to the Buyer’s Premium on each Lot) and thirdly to any other sums due to us.

7.4 We will account to you in respect of any balance we hold remaining from any monies received by us in respect of any Sale of the Lot under our rights under this paragraph 7 after the payment of all sums due to us and/or the Seller within 28 days of receipt by us of all such sums paid to us.

8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT

8.1 Whenever it becomes apparent to us that the Lot is the subject of a claim by someone other than you and other than the Seller (or that such a claim can reasonably be expected to be made), we may, at our absolute discretion, deal with the Lot in any manner which appears to us to recognise the legitimate interests of ourselves and the other parties involved and lawfully to protect our position and our legitimate interests. Without prejudice to the generality of the discretion and by way of example, we may:

8.1.1 retain the Lot to investigate any question raised or reasonably expected by us to be raised in relation to the Lot; and/or

8.1.2 deliver the Lot to a person other than you; and/or

8.1.3 commence interpleader proceedings or seek any other order of any court, mediator, arbitrator or government body; and/or

8.1.4 require an indemnity and/or security from you in return for pursuing a course of action agreed to by you.

8.2 The discretion referred to in paragraph 8.1:

8.2.1 may be exercised at any time during which we have actual or constructive possession of the Lot, or at any time after such possession, where the cessation of such possession has occurred by reason of any decision, order or ruling of any court, mediator, arbitrator or government body; and

8.2.2 will not be exercised unless we believe that there exists a serious prospect of a good arguable case in favour of the claim.

9 FORGERIES

9.1 We undertake a personal responsibility for any Forgery in accordance with the terms of this paragraph 9.

9.2 Paragraph 9 applies only if:

9.2.1 your name appears as the named person to whom the original invoice was made out by us in respect of the Lot and that invoice has been paid; and

9.2.2 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a Forgery, and in any event within one year after the Sale, that the Lot is a Forgery; and

9.2.3 within one month after such notification has been given, you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a Forgery and details of the Sale and Lot number sufficient to identify the Lot.

9.3 Paragraph 9 will not apply in respect of a Forgery if:

9.3.1 the Entry in relation to the Lot contained in the Catalogue reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion or reflected the then current opinion of an expert acknowledged to be a leading expert in the relevant field; or

9.3.2 it can be established that the Lot is a Forgery only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed.

9.4 You authorise us to carry out such processes and tests on the Lot as we in our absolute discretion consider necessary to satisfy ourselves that the Lot is or is not a Forgery.

9.5 If we are satisfied that a Lot is a Forgery we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims, in accordance with the provisions of Sections 12(1) and 12(2) of the Sale of Goods Act 1979 and we will pay to you an amount equal to the sum of the Purchase Price, Buyer’s Premium, VAT and Expenses paid by you in respect of the Lot.

9.6 The benefit of paragraph 9 is personal to, and incapable of assignment by, you.

9.7 If you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

9.8 Paragraph 9 does not apply to a Lot made up of or including a Chinese painting or Chinese paintings, a motor vehicle or motor vehicles, a Stamp or Stamps or a Book or Books.

10 OUR LIABILITY

10.1 We will not be liable whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967 or in any other way for lack of conformity with or any inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in respect of it, made by us or on our behalf or by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Bonhams’ Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale.

10.2 Our duty to you while the Lot is at your risk and/or your property and in our custody and/or control is to exercise reasonable care in relation to it, but we will not be responsible for damage to the Lot or to other persons or things caused by:

10.2.1 handling the Lot if it was affected at the time of Sale to you by woodworm and any damage is caused as a result of it being affected by woodworm; or

10.2.2 changes in atmospheric pressure; nor will we be liable for:

10.2.3 damage to tension stringed musical instruments; or

10.2.4 damage to gilded picture frames, plaster picture frames or picture frame glass; and if the Lot is or becomes dangerous, we may dispose of it without notice to you in advance in any manner we think fit and we will be under no liability to you for doing so.

NTB/MAIN/03.14/V2

APPENDIX 2

BUYER’S AGREEMENT

IMPORTANT: These terms may be changed in advance of the Sale of the Lot to you, by the setting out of different terms in the Catalogue for the Sale and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale at the Sale venue. You should be alert to this possibility of changes and ask in advance of bidding if there have been any.

1 THE CONTRACT

1.1 These terms govern the contract between Bonhams personally and the Buyer, being the person to whom a Lot has been knocked down by the Auctioneer.

1.2 The Definitions and Glossary contained in Appendix 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also be provided by us on request. Where words and phrases which are defined in the List of Definitions are used in this agreement, they are printed in italics. Reference is made in this agreement to information printed in the Notice to Bidders, printed in the Catalogue for the Sale, and where such information is referred to it is incorporated into this agreement.

1.3 Except as specified in paragraph 4 of the Notice to Bidders the Contract for Sale of the Lot between you and the Seller is made on the fall of the Auctioneer’s hammer in respect of the Lot, when it is knocked down to you. At that moment a separate contract is also made between you and Bonhams on the terms in this Buyer’s Agreement.

1.4 We act as agents for the Seller and are not answerable or personally responsible to you for any breach of contract or other default by the Seller, unless Bonhams sells the Lot as principal.

1.5 Our personal obligations to you are governed by this agreement and we agree, subject to the terms below, to the following obligations:

1.5.1 we will, until the date and time specified in the Notice to Bidders or otherwise notified to you, store the Lot in accordance with paragraph 5;

1.5.2 subject to any power of the Seller or us to refuse to release the Lot to you, we will release the Lot to you in accordance with paragraph 4 once you have paid to us, in cleared funds, everything due to us and the Seller;

1.5.3 we will provide guarantees in the terms set out in paragraphs 9 and 10.

1.6 We do not make or give and do not agree to make or give any contractual promise, undertaking, obligation, Guarantee, warranty, representation of fact in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by us or on our behalf or by or on behalf of the Seller (whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and whether made before or after this agreement or prior to or during the Sale. No such Description or Estimate is incorporated into this agreement between you and us. Any such Description or Estimate, if made by us or on our behalf, was (unless Bonhams itself sells the Lot as principal) made as agent on behalf of the Seller.

2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

3 PAYMENT

3.1 Unless agreed in writing between you and us or as otherwise set out in the Notice to Bidders, you must pay to us by not later than 4.30pm on the second working day following the Sale:

3.1.1 the Purchase Price for the Lot;

3.1.2 a Buyer’s Premium in accordance with the rates set out in the Notice to Bidders, and

3.1.3 if the Lot is marked [AR], an Additional Premium which is calculated and payable in accordance with the Notice to Bidders together with VAT on that sum if applicable so that all sums due to us are cleared funds by the seventh working day after the Sale.

3.2 You must also pay us on demand any Expenses payable pursuant to this agreement.

3.3 All payments to us must be made in the currency in which the Sale was conducted, using, unless otherwise agreed by us in writing, one of the methods of payment set out in the Notice to Bidders. Our invoices will only be addressed to the registered Bidder unless the Bidder is acting as an agent for a named principal and we have approved that arrangement, in which case we will address the invoice to the principal.

3.4 Unless otherwise stated in this agreement all sums payable to us will be subject to VAT at the appropriate rate and VAT will be payable by you on all such sums.

3.5 We may deduct and retain for our own benefit from the monies paid by you to us the Buyer’s Premium, the Commission payable by the Seller in respect of the Lot, any Expenses and VAT and any interest earned and/or incurred until payment to the Seller.

3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the Purchase Price, or any other sum due to us in accordance with this paragraph 3, we will have the rights set out in paragraph 7 below.

3.7 Where a number of Lots have been knocked down to you, any monies we receive from you will be applied firstly pro-rata to pay the Purchase Price of each Lot and secondly pro-rata to pay all amounts due to Bonhams.

4 COLLECTION OF THE LOT

4.1 Subject to any power of the Seller or us to refuse to release the Lot to you, once you have paid to us, in cleared funds, everything due to the Seller and to us, we will release the Lot to you or as you may direct us in writing. The Lot will only be released on production of a buyer collection document, obtained from our cashier’s office.

4.2 You must collect and remove the Lot at your own expense by the date and time specified in the Notice to Bidders, or if no date is specified, by 4.30pm on the seventh day after the Sale.

4.3 For the period referred to in paragraph 4.2, the Lot can be collected from the address referred to in the Notice to Bidders for collection on the days and times specified in the Notice to Bidders. Thereafter, the Lot may be removed elsewhere for storage and you must enquire from us as to when and where you can collect it, although this information will usually be set out in the Notice to Bidders.

4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then current standard terms and conditions agreed between Bonhams and the Storage Contractor (copies of which are available on request). If the Lot is stored at our premises storage fees at our current daily rates (currently a minimum of £3 plus VAT per Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage fees form part of our Expenses.

4.5 Until you have paid the Purchase Price and any Expenses in full the Lot will either be held by us as agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and ourselves on the terms contained in the Storage Contract.

4.6 You undertake to comply with the terms of any Storage Contract and in particular to pay the charges (and all costs of moving the Lot into storage) due under any Storage Contract. You acknowledge and agree that you will not be able to collect the Lot from the Storage Contractor’s premises until you have paid the Purchase Price, any Expenses and all charges due under the Storage Contract.

4.7 You will be wholly responsible for packing, handling and transport of the Lot on collection and for complying with all import or export regulations in connection with the Lot.

4.8 You will be wholly responsible for any removal, storage, or other charges for any Lot not removed in accordance with paragraph 4.2, payable at our current rates, and any Expenses we incur (including any charges due under the Storage Contract), all of which must be paid by you on demand and in any event before any collection of the Lot by you or on your behalf.

5 STORING THE LOT

We agree to store the Lot until the earlier of your removal of the Lot or until the time and date set out in the Notice to Bidders, on the Sale Information Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the Sale) and, subject to paragraphs 6 and 10, to be responsible as bailee to you for damage to or the loss or destruction of the Lot (notwithstanding that it is not your property before payment of the Purchase Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no date is specified, by 4.30pm on the seventh day after the Sale) we may remove the Lot to another location, the details of which will usually be set out in the relevant section of the Catalogue. If you have not paid for the Lot in accordance with paragraph 3, and the Lot is moved to any third party’s premises, the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien over the Lot until we have been paid in full in accordance with paragraph 3.

6 RESPONSIBILITY FOR THE LOT

6.1 Only on the payment of the Purchase Price to us will title in the Lot pass to you. However under the Contract for Sale, the risk in the Lot passed to you when it was knocked down to you.

6.2 You are advised to obtain insurance in respect of the Lot as soon as possible after the Sale.

NTB/MAIN/03.14/V2

“Bidder” a person who has completed a Bidding Form. “Bidding Form” our Bidding Registration Form, our Absentee Bidding Form or our Telephone Bidding Form. “Bonhams” Bonhams 1793 Limited or its successors or assigns. Bonhams is also referred to in the Buyer’s Agreement, the Conditions of Business and the Notice to Bidders by the words “we”, “us” and “our”.“Book” a printed Book offered for Sale at a specialist Book Sale.“Business” includes any trade, Business and profession.“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to in the Contract for Sale and the Buyer’s Agreement by the words “you” and “your”.“Buyer’s Agreement” the contract entered into by Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in the Notice to Bidders. “Catalogue” the Catalogue relating to the relevant Sale, including any representation of the Catalogue published on our Website.“Commission” the Commission payable by the Seller to Bonhams calculated at the rates stated in the Contract Form.“Condition Report” a report on the physical condition of a Lot provided to a Bidder or potential Bidder by Bonhams on behalf of the Seller.“Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s Agreement and Definitions and Glossary. “Consignment Fee” a fee payable to Bonhams by the Seller calculated at rates set out in the Conditions of Business.“Consumer” a natural person who is acting for the relevant purpose outside his trade, Business or profession. “Contract Form” the Contract Form, or vehicle Entry form, as applicable, signed by or on behalf of the Seller listing the Lots to be offered for Sale by Bonhams. “Contract for Sale” the Sale contract entered into by the Seller with the Buyer (see Appendix 1 in the Catalogue). “Contractual Description” the only Description of the Lot (being that part of the Entry about the Lot in the Catalogue which is in bold letters, any photograph (except for the colour) and the contents of any Condition Report) to which the Seller undertakes in the Contract of Sale the Lot corresponds.“Description” any statement or representation in any way descriptive of the Lot, including any statement or representation relating to its authorship, attribution, condition, provenance, authenticity, style, period, age, suitability, quality, origin, value, estimated selling price (including the Hammer Price).“Entry” a written statement in the Catalogue identifying the Lot and its Lot number which may contain a Description and illustration(s) relating to the Lot.“Estimate” a statement of our opinion of the range within which the hammer is likely to fall.“Expenses” charges and Expenses paid or payable by Bonhams in respect of the Lot including legal Expenses, banking charges and Expenses incurred as a result of an electronic transfer of money, charges and Expenses for loss and damage cover, insurance, Catalogue and other reproductions and illustrations, any customs duties, advertising, packing or shipping costs, reproductions rights’ fees, taxes, levies, costs of testing, searches or enquiries, preparation of the Lot for Sale, storage charges, removal charges, removal charges or costs of collection from the Seller as the Seller’s agents or from a defaulting Buyer, plus VAT if applicable.“Forgery” an imitation intended by the maker or any other person to deceive as to authorship, attribution, origin, authenticity, style, date, age, period, provenance, culture, source or composition, which at the date of the Sale had a value materially less than it would have had if the Lot had not been such an imitation, and which is not stated to be such an imitation in any description of the Lot. A Lot will not be a Forgery by reason of any damage to, and/or restoration and/ or modification work (including repainting or over painting) having been carried out on the Lot, where that damage,restoration or modification work (as the case may be) does not substantially affect the identity of the Lot as one conforming to the Description of the Lot.“Guarantee” the obligation undertaken personally by Bonhams to the Buyer in respect of any Forgery and, in the case of specialist Stamp Sales and/or specialist Book Sales, a Lot made up of a Stamp or Stamps or a Book or Books as set out in the Buyer’s Agreement.“Hammer Price” the price in the currency in which the Sale is conducted at which a Lot is knocked down by the Auctioneer.

“Loss and Damage Warranty” means the warranty described in paragraph 8.2 of the Conditions of Business. “Loss and Damage Warranty Fee” means the fee described in paragraph 8.2.3 of the Conditions of Business.“Lot” any item consigned to Bonhams with a view to its Sale at auction or by private treaty (and reference to any Lot will include, unless the context otherwise requires, reference to individual items comprised in a group of two or more items offered for Sale as one Lot).“Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in consideration of the additional work undertaken by Bonhams in respect of the cataloguing of motor vehicles and in respect of the promotion of Sales of motor vehicles.“New Bond Street” means Bonhams’ saleroom at 101 New Bond Street, London W1S 1SR.“Notional Charges” the amount of Commission and VAT which would have been payable if the Lot had been sold at the Notional Price.“Notional Fee” the sum on which the Consignment Fee payable to Bonhams by the Seller is based and which is calculated according to the formula set out in the Conditions of Business.“Notional Price” the latest in time of the average of the high and low Estimates given by us to you or stated in the Catalogue or, if no such Estimates have been given or stated, the Reserve applicable to the Lot.“Notice to Bidders” the notice printed at the back or front of our Catalogues.“Purchase Price” the aggregate of the Hammer Price and VAT on the Hammer Price (where applicable), the Buyer’s Premium and VAT on the Buyer’s Premium and any Expenses.“Reserve” the minimum price at which a Lot may be sold (whether at auction or by private treaty).“Sale” the auction Sale at which a Lot is to be offered for Sale by Bonhams.“Sale Proceeds” the net amount due to the Seller from the Sale of a Lot, being the Hammer Price less the Commission, any VAT chargeable thereon, Expenses and any other amount due to us in whatever capacity and howsoever arising.“Seller” the person who offers the Lot for Sale named on the Contract Form. Where the person so named identifies on the form another person as acting as his agent, or where the person named on the Contract Form acts as an agent for a principal (whether such agency is disclosed to Bonhams or not), “Seller” includes both the agent and the principal who shall be jointly and severally liable as such. The Seller is also referred to in the Conditions of Business by the words “you” and “your”.“Specialist Examination” a visual examination of a Lot by a specialist on the Lot.“Stamp” means a postage Stamp offered for Sale at a Specialist Stamp Sale.“Standard Examination” a visual examination of a Lot by a non-specialist member of Bonhams’ staff. “Storage Contract” means the contract described in paragraph 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Agreement (as appropriate). “Storage Contractor” means the company identified as such in the Catalogue.“Terrorism” means any act or threatened act of terrorism, whether any person is acting alone or on behalf of or in connection with any organisation(s) and/or government(s), committed for political, religious or ideological or similar purposes including, but not limited to, the intention to influence any government and/or put the public or any section of the public into fear.“Trust Account” the bank account of Bonhams into which all sums received in respect of the Purchase Price of anyLot will be paid, such account to be a distinct and separate account to Bonhams’ normal business bank account. “VAT” value added tax at the prevailing rate at the date of the Sale in the United Kingdom.“Website” Bonhams Website at www.bonhams.com “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Bonhams’ instructions to sell a Lot. “Without Reserve” where there is no minimum price at which a Lot may be sold (whether at auction or by private treaty).

GLOSSARY

The following expressions have specific legal meanings with which you may not be familiar. The following glossary is intended to give you an understanding of those expressions but is not intended to limit their legal meanings:

“artist’s resale right”: the right of the creator of a work of art to receive a payment on Sales of that work subsequent to the original Sale of that work by the creator of it as set out in the Artists Resale Right Regulations 2006. “bailee”: a person to whom goods are entrusted. “indemnity”: an obligation to put the person who has the benefit of the indemnity in the same position in which he would have been, had the circumstances giving rise to the indemnity not arisen and the expression “indemnify” is construed accordingly.“interpleader proceedings”: proceedings in the Courts to determine ownership or rights over a Lot.“knocked down”: when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.“lien”: a right for the person who has possession of the Lot to retain possession of it.“risk”: the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “title”: the legal and equitable right to the ownership of a Lot.“tort”: a legal wrong done to someone to whom the wrong doer has a duty of care.

SALE OF GOODS ACT 1979

The following is an extract from the Sale of Goods Act 1979:

“Section 12 Implied terms about title, etc

(1) In a contract of sale, other than one to which subsection (3) below applies, there is an implied term on the part of the seller that in the case of a sale he has a right to sell the goods, and in the case of an agreement to sell he will have such a right at the time when the property is to pass.

(2) In a contract of sale, other than one to which subsection (3) below applies, there is also an implied term that-

(a) the goods are free, and will remain free until the time when the property is to pass, from any charge or encumbrance not disclosed or known to the buyer before the contract is made, and

(b) the buyer will enjoy quiet possession of the goods except in so far as it may be disturbed by the owner or other person entitled to the benefit of any charge or encumbrance so disclosed or known.

(3) This subsection applies to a contract of sale in the case of which there appears from the contract or is to be inferred from its circumstances an intention that the seller should transfer only such title as he or a third person may have.

(4) In a contract to which subsection (3) above applies there is an implied term that all charges or encumbrances known to the seller and not known to the buyer have been disclosed to the buyer before the contract is made.

(5) In a contract to which subsection (3) above applies there is also an implied term that none of the following will disturb the buyer’s quiet possession of the goods, namely:

(a) the seller;

(b) in a case where the parties to the contract intend that the seller should transfer only such title as a third person may have, that person;

(c) anyone claiming through or under the seller or that third person otherwise than under a charge or encumbrance disclosed or known to the buyer before the contract is made.

(5A) As regards England and Wales and Northern Ireland, the term implied by subsection (1) above is a condition and the terms implied by subsections (2), (4) and (5) above are warranties.”

NTB/MAIN/03.14/V2

10.3.1 We will not be liable to you for any loss of Business, Business profits, revenue or income or for loss of Business reputation or for disruption to Business or wasted time on the part of the Buyer’s management or staff or, if you are buying the Lot in the course of a Business, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

10.3.2 Unless you buy the Lot as a Consumer, in any circumstances where we are liable to you in respect of a Lot, or any act, omission, statement, representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, our liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot plus Buyer’s Premium (less any sum you may be entitled to recover from the Seller) irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

You may wish to protect yourself against loss by obtaining insurance.

10.4 Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law, or (v) under our undertaking in paragraph 9 of these conditions.

11 BOOKS MISSING TEXT OR ILLUSTRATIONS

Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in either case referred to as a “non-conforming Lot”), we undertake a personal responsibility for such a non-conforming Lot in accordance with the terms of this paragraph, if:

the original invoice was made out by us to you in respect of the Lot and that invoice has been paid; and

you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a non-conforming Lot, and in any event within 20 days after the Sale (or such longer period as we may agree in writing) that the Lot is a non-conforming Lot; and

within 20 days of the date of the relevant Sale (or such longer period as we may agree in writing) you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a non-conforming Lot and details of the Sale and Lot number sufficient to identify the Lot.

but not if:

the Entry in the Catalogue in respect of the Lot indicates that the rights given by this paragraph do not apply to it; or

the Entry in the Catalogue in respect of the Lot reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion; or

it can be established that the Lot is a non-conforming Lot only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed; or

the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or periodical publications; or

the Lot was listed in the Catalogue under “collections” or “collections and various” or the Lot was stated in the Catalogue to comprise or contain a collection, issue or Books which are undescribed or the missing text or illustrations are referred to or the relevant parts of the Book contain blanks, half titles or advertisements.

If we are reasonably satisfied that a Lot is a non- conforming Lot, we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims and we will pay to you an amount equal to the sum of the Purchase Price and Buyer’s Premium paid by you in respect of the Lot.

The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

12 MISCELLANEOUS

12.1 You may not assign either the benefit or burden of this agreement.

12.2 Our failure or delay in enforcing or exercising any power or right under this agreement will not operate or be deemed to operate as a waiver of our rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect our ability subsequently to enforce any right arising under this agreement.

12.3 If either party to this agreement is prevented from performing that party’s respective obligations under this agreement by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3.

12.4 Any notice or other communication to be given under this agreement must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the address or fax number of the relevant party given in the Contract Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

12.5 If any term or any part of any term of this agreement is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

12.6 References in this agreement to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

12.7 The headings used in this agreement are for convenience only and will not affect its interpretation.

12.8 In this agreement “including” means “including, without limitation”.

12.9 References to the singular will include reference to the plural (and vice versa) and reference to any one gender will include reference to the other genders.

12.10 Reference to a numbered paragraph is to a paragraph of this agreement.

12.11 Save as expressly provided in paragraph 12.12 nothing in this agreement confers (or purports to confer) on any person who is not a party to this agreement any benefit conferred by, or the right to enforce any term of, this agreement.

12.12 Where this agreement confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of Bonhams, it will also operate in favour and for the benefit of Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

13 GOVERNING LAW

All transactions to which this agreement applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes (or is to take) place and we and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that we may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.

DATA PROTECTION – USE OF YOUR INFORMATION

Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR, United Kingdom or by email from [email protected].

APPENDIX 3

DEFINITIONS AND GLOSSARY

Where these Definitions and Glossary are incorporated, the following words and phrases used have (unless the context otherwise requires) the meanings given to them below. The Glossary is to assist you to understand words and phrases which have a specific legal meaning with which you may not be familiar.

LIST OF DEFINITIONS

“Additional Premium” a premium, calculated in accordance with the Notice to Bidders, to cover Bonhams’ Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 which is payable by the Buyer to Bonhams on any Lot marked [AR] which sells for a Hammer Price which together with the Buyer’s Premium (but excluding any VAT) equals or exceeds 1000 euros (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).“Auctioneer” the representative of Bonhams conducting the Sale.

UNITED KINGDOM

London101 New Bond Street •London W1S 1SR+44 20 7447 7447+44 20 7447 7400 fax

Montpelier Street •London SW7 1HH+44 20 7393 3900+44 20 7393 3905 fax

South East England

Brighton & Hove19 Palmeira SquareHove, East SussexBN3 2JN+44 1273 220 000+44 1273 220 335 fax

Guildford Millmead,Guildford,Surrey GU2 4BE+44 1483 504 030+44 1483 450 205 fax

Isle of Wight+44 1273 220 000

Representative:KentGeorge Dawes+44 1483 504 030

West SussexJeff Burfield+44 1243 787 548

South WestEngland

Bath Queen Square HouseCharlotte StreetBath BA1 2LL+44 1225 788 988+44 1225 446 675 fax

Cornwall – Truro 36 Lemon StreetTruroCornwallTR1 2NR+44 1872 250 170+44 1872 250 179 fax

ExeterThe LodgeSouthernhay West Exeter, DevonEX1 1JG+44 1392 425 264 +44 1392 494 561 fax

WinchesterThe Red HouseHyde StreetWinchesterHants SO23 7DX+44 1962 862 515+44 1962 865 166 fax

Tetbury22a Long StreetTetburyGloucestershireGL8 8AQ+44 1666 502 200+44 1666 505 107 fax

Representatives:DorsetBill Allan+44 1935 815 271

East Anglia

Bury St. Edmunds21 Churchgate StreetBury St EdmundsSuffolk IP33 1RG+44 1284 716 190+44 1284 755 844 fax

NorfolkThe Market PlaceReephamNorfolk NR10 4JJ+44 1603 871 443+44 1603 872 973 fax

Midlands

Knowle The Old HouseStation RoadKnowle, SolihullWest MidlandsB93 0HT+44 1564 776 151+44 1564 778 069 fax

Oxford •Banbury RoadShipton on CherwellKidlington OX5 1JH+44 1865 853 640+44 1865 372 722 fax

Yorkshire & North East England

Leeds 30 Park Square West Leeds LS1 2PF+44 113 234 5755+44 113 244 3910 fax

North West England

Chester New House150 Christleton RoadChester, CheshireCH3 5TD+44 1244 313 936+44 1244 340 028 fax

Carlisle48 Cecil StreetCarlisle, CumbriaCA1 1NT+44 1228 542 422+44 1228 590 106 fax

ManchesterThe Stables213 Ashley RoadHale WA15 9TB+44 161 927 3822+44 161 927 3824 fax

Channel Islands

Jersey39 Don StreetSt.HelierJE2 4TR+44 1534 722 441+44 1534 759 354 fax

Representative:Guernsey+44 1481 722 448

Scotland

Edinburgh •22 Queen StreetEdinburghEH2 1JX+44 131 225 2266+44 131 220 2547 fax

Glasgow176 St. Vincent Street,GlasgowG2 5SG+44 141 223 8866+44 141 223 8868 fax

Representatives:Wine & SpiritsTom Gilbey+44 1382 330 256

Wales

Cardiff7-8 Park Place,Cardiff CF10 3DP+44 2920 727 980+44 2920 727 989 fax

EUrOpE

Austria - ViennaTuchlauben 81010 ViennaAustria+43 (0)1 403 00 [email protected]

Belgium - BrusselsBoulevard Saint-Michel 1011040 Brussels+32 (0)2 736 5076+32 (0)2 732 5501 [email protected]

France - paris4 rue de la Paix 75002 Paris +33 (0)1 42 61 1010 +33 (0)1 42 61 1015 [email protected]

Germany - CologneAlbertusstrasse 2650667 Cologne+49 (0)221 2779 9650+49 (0)221 2779 9652 [email protected]

Germany - MunichMaximilianstrasse 5280538 Munich+49 (0) 89 2420 5812+49 (0) 89 2420 7523 [email protected]

Greece - Athens7 Neofytou Vamva Street10674 Athens+30 (0) 210 3636 [email protected]

Ireland - Dublin31 Molesworth StreetDublin 2+353 (0)1 602 0990+353 (0)1 4004 140 [email protected]

Italy - MilanVia Boccaccio 2220123 Milano+39 (0)2 4953 9020+39 (0)2 4953 9021 [email protected]

Italy - romeVia Sicilia 5000187 Rome+39 (0)6 48 5900+39 (0)6 482 0479 [email protected]

Netherlands - AmsterdamDe Lairessestraat 1541075 HL Amsterdam+31 20 67 09 701+31 20 67 09 702 [email protected]

Spain - MadridNuñez de Balboa no.4 - 1AMadrid28001+34 91 578 17 [email protected]

Switzerland - GenevaRue Etienne-Dumont 101204 GenevaSwitzerland +41 76 379 [email protected]

Representatives: DenmarkHenning Thomsen+45 4178 [email protected]

Spain - MarbellaJames Roberts+34 952 90 62 [email protected]

portugalFilipa Rebelo de Andrade+351 91 921 [email protected]

russia - Moscow Anastasia Vinokurova+7 964 562 [email protected]

russia - St petersburgMarina Jacobson+7 921 555 [email protected]

MIDDLE EAST

IsraelJoslynne Halibard+972 (0)54 553 [email protected]

NOrTH AMErICA

USA

San Francisco •220 San Bruno AvenueSan FranciscoCA 94103+1 (415) 861 7500+1 (415) 861 8951 fax

Los Angeles •7601 W. Sunset BoulevardLos AngelesCA 90046+1 (323) 850 7500+1 (323) 850 6090 fax

New York •580 Madison AvenueNew York, NY10022+1 (212) 644 9001+1 (212) 644 9007 fax

Representatives: Arizona Terri Adrian-Hardy+1 (480) 994 5362

CaliforniaCentral ValleyDavid Daniel+1 (916) 364 1645

District of Columbia/Mid-AtlanticMartin Gammon+1 (202) 333 1696

Southern CaliforniaChristine Eisenberg+1 (949) 646 6560

Florida+1 (305) 228 6600

GeorgiaMary Moore Bethea+1 (404) 842 1500

IllinoisRicki Blumberg Harris+1 (312) 475 3922+1 (773) 267 3300

MassachusettsBoston/New EnglandAmy Corcoran+1 (617) 742 0909

NevadaDavid Daniel+1 (775) 831 0330

New MexicoLeslie Trilling+1 (505) 820 0701

OregonSheryl Acheson+1(503) 312 6023

TexasAmy Lawch+1 (713) 621 5988

Washington Heather O’Mahony+1 (206) 218 5011

CANADA

Toronto, Ontario • Jack Kerr-Wilson20 Hazelton AvenueToronto, ONTM5R 2E2+1 (416) 462 [email protected]

Montreal, QuebecDavid Kelsey+1 (514) 341 [email protected]

SOUTH AMErICA

ArgentinaDaniel Claramunt+54 11 479 37600

BrazilThomaz Oscar Saavedra+55 11 3031 4444+55 11 3031 4444 fax

ASIA

Hong Kong • Suite 2001One Pacific Place88 QueenswayAdmiraltyHong Kong+852 2918 4321+852 2918 4320 [email protected]

BeijingHongyu YuSuite 511Chang An Club10 East Chang An AvenueBeijing 100006+86(0) 10 6528 0922+86(0) 10 6528 0933 [email protected]

JapanAkiko TsuchidaLevel 14 Hibiya Central Building1-2-9 Nishi-ShimbashiMinato-kuTokyo 105-0003+81 (0) 3 5532 8636+81 (0) 3 5532 8637 [email protected]

SingaporeBernadette Rankine11th Floor, Wisma Atria435 Orchard RoadSingapore 238877+65 (0) 6701 8038+65 (0) 6701 8001 [email protected]

TaiwanSummer Fang37th Floor, Taipei 101 TowerNor 7 Xinyi Road, Section 5Taipei, 100+886 2 8758 2898+886 2 8757 2897 [email protected]

AUSTrALIA

Sydney76 Paddington StreetPaddington NSW 2021Australia+61 (0) 2 8412 2222+61 (0) 2 9475 4110 [email protected]

MelbourneComo HouseCnr Williams Road& Lechlade AvenueSouth Yarra VIC 3141

AFrICA

NigeriaNeil Coventry+234 (0)7065 888 [email protected]

South Africa - JohannesburgPenny Culverwell+27 (0)71 342 [email protected]

International Salerooms, Offices and Associated Companies (• Indicates Saleroom)

G-NET/5/14

Bonhams Specialist Departments 19th Century PaintingsUKCharles O’ Brien+44 20 7468 8360U.S.AMadalina Lazen+1 212 644 9108

20th Century British ArtMatthew Bradbury+44 20 7468 8295

Aboriginal ArtFrancesca Cavazzini+61 2 8412 2222

African, Oceanic & Pre-Columbian Art UKPhilip Keith+44 2920 727 980U.S.AFredric Backlar+1 323 436 5416

American PaintingsAlan Fausel+1 212 644 9039

AntiquitiesMadeleine Perridge+44 20 7468 8226

Antique Arms & Armour UKDavid Williams+44 20 7393 3807U.S.APaul Carella+1 415 503 3360

Art Collections, Estates & ValuationsHarvey Cammell+44 (0) 20 7468 8340

Art Nouveau & Decorative Art & DesignUKMark Oliver+44 20 7393 3856U.S.AFrank Maraschiello+1 212 644 9059

Australian ArtMerryn Schriever+61 2 8412 2222Alex Clark+61 3 8640 4088

Australian Colonial Furniture and Australiana+1 415 861 7500

Books, Maps & Manuscripts UKMatthew Haley+44 20 7393 3817U.S.AChristina Geiger+1 212 644 9094

British & European GlassUKSimon Cottle+44 20 7468 8383U.S.A.Suzy Pai+1 415 503 3343

British & European Porcelain & Pottery UKJohn Sandon+44 20 7468 8244U.S.APeter Scott+1 415 503 3326

California & American PaintingsScot Levitt+1 323 436 5425

CarpetsUKMark Dance+44 8700 27361U.S.A.Hadji Rahimipour+1 415 503 3392

Chinese & Asian ArtUKAsaph Hyman+44 20 7468 5888U.S.ADessa Goddard+1 415 503 3333HONG KONG +852 3607 0010AUSTRALIAYvett Klein+61 2 8412 2222

ClocksUKJames Stratton+44 20 7468 8364U.S.AJonathan Snellenburg+1 212 461 6530

Coins & MedalsUKJohn Millensted+44 20 7393 3914U.S.APaul Song+1 323 436 5455

Contemporary Art UKGareth Williams+44 20 7468 5879U.S.AJeremy Goldsmith+1 917 206 1656

Costume & TextilesClaire Browne+44 1564 732969

Entertainment MemorabiliaUKStephanie Connell+44 20 7393 3844U.S.A Catherine Williamson+1 323 436 5442

Furniture & Works of ArtUKFergus Lyons+44 20 7468 8221U.S.AJeffrey Smith+1 415 503 3413

Greek ArtOlympia Pappa+44 20 7468 8314

Golf Sporting MemorabiliaKevin Mcgimpsey+44 1244 353123

Irish ArtPenny Day+44 20 7468 8366

Impressionist & Modern ArtUKDeborah Allan+44 20 7468 8276U.S.ATanya Wells+1 917 206 1685

Islamic & Indian ArtAlice Bailey+44 20 7468 8268

Japanese ArtUKSuzannah Yip+44 20 7468 8368U.S.AJeff Olson+1 212 461 6516

JewelleryUKJean Ghika+44 20 7468 8282U.S.ASusan Abeles+1 212 461 6525AUSTRALIAAnellie Manolas+61 2 8412 2222HONG KONGGraeme Thompson+852 3607 0006

Marine ArtUKVeronique Scorer+44 20 7393 3962U.S.AGregg Dietrich+1 917 206 1697

Mechanical MusicJon Baddeley+44 20 7393 3872

Modern, Contemporary & Latin American ArtU.S.AAlexis Chompaisal+1 323 436 5469

Modern DesignGareth Williams+44 20 7468 5879

Motor CarsUKTim Schofield+44 20 7468 5804U.S.AMark Osborne+1 415 503 3353EUROPEPhilip Kantor+32 476 879 471

AutomobiliaUKToby Wilson+44 8700 273 619U.S.AKurt Forry+1 415 391 4000

MotorcyclesBen Walker+44 8700 273616AutomobiliaAdrian Pipiros+44 8700 273621

Musical InstrumentsPhilip Scott+44 20 7393 3855

Native American ArtJim Haas+1 415 503 3294

Natural HistoryU.S.AClaudia Florian+1 323 436 5437

Old Master PicturesUKAndrew Mckenzie+44 20 7468 8261U.S.AMark Fisher+1 323 436 5488

Orientalist ArtCharles O’Brien+44 20 7468 8360

PhotographyU.S.AJudith Eurich+1 415 503 3259

Portrait MiniaturesJennifer Tonkin+44 20 7393 3986

PrintsUKRupert Worrall+44 20 7468 8262U.S.AJudith Eurich+1 415 503 3259

Russian ArtUKSophie Law+44 20 7468 8334U.S.AYelena Harbick+1 212 644 9136

Scientific InstrumentsJon Baddeley+44 20 7393 3872U.S.A.Jonathan Snellenburg+1 212 461 6530

Scottish PicturesChris Brickley+44 131 240 2297

Silver & Gold BoxesUKMichael Moorcroft+44 20 7468 8241U.S.AAileen Ward+1 800 223 5463

South African ArtGiles Peppiatt+44 20 7468 8355

Sporting GunsPatrick Hawes+44 20 7393 3815

Toys & DollsLeigh Gotch+44 20 8963 2839

Travel PicturesVeronique Scorer+44 20 7393 3962

Urban ArtGareth Williams+44 20 7468 5879

Watches & WristwatchesUKPaul Maudsley+44 20 7447 7412U.S.A.Jonathan Snellenburg+1 212 461 6530HONG KONGNick Biebuyck+852 2918 4321

WhiskyUKMartin Green+44 1292 520000U.S.AJoseph Hyman+1 917 206 1661HONG KONGDaniel Lam+852 3607 0004

WineUKRichard Harvey+44 (0) 20 7468 5811U.S.ADoug Davidson+1 415 503 3363HONG KONGDaniel Lam+852 3607 0004

To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected]

SD07/05/14

Sale title: Sale date:

Sale no. Sale venue:

Customer Number Title

First Name Last Name

Company name (to be invoiced if applicable)

Address

City County / State

Post / Zip code Country

Telephone mobile Telephone daytime

Telephone evening Fax

Preferred number(s) in order for Telephone Bidding (inc. country code)

E-mail (in capitals)

I am registering to bid as a private client I am registering to bid as a trade client

If registered for VAT in the EU please enter your registration here:

/ - -

This sale will be conducted in accordance with Bonhams’ Conditions of Sale and bidding and buying at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make and other terms relating to bidding and buying at the Sale. You should ask any questions you have about the Conditions before signing this form. These Conditions also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers.

Data protection – use of your informationWhere we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected].

Credit and Debit Card Payments There is no surcharge for payments made by debit cards issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price.

Notice to Bidders.Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference.

If successful

I will collect the purchases myself

Please contact me with a shipping quote (if applicable)

Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding)Please circle your bidding method above.

Paddle number (for office use only)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Please indicate Telephone or Absentee (T / A)

NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form.Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids.

General Bid Increments:£10 - 200 .....................by 10s£200 - 500 ...................by 20 / 50 / 80s£500 - 1,000 ................by 50s£1,000 - 2,000 .............by 100s£2,000 - 5,000 .............by 200 / 500 / 800s£5,000 - 10,000 ...........by 500s

£10,000 - 20,000 .........by 1,000s£20,000 - 50,000 .........by 2,000 / 5,000 / 8,000s£50,000 - 100,000 .......by 5,000s£100,000 - 200,000 .....by 10,000sabove £200,000 ...........at the auctioneer’s discretion

Telephone or Absentee (T / A) Lot no. Brief description

MAX bid in GBP (excluding premium & VAT)

Covering bid*

The auctioneer has discretion to split any bid at any time.

Please note that all telephone calls are recorded.

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding.

UK/05/14

Please tick if you have registered with us before

By providing your email address above, you authorise Bonhams to send you marketing material and news concerning Bonhams and partner organisations. Bonhams does not sell or trade email addresses.

Fine Art and Antiques including SilverTuesday 17 June 2014Wednesday 18 June 2014

21750 Oxford

International Auctioneers and Valuers – bonhams.com

BonhamsBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JH +44 (0) 1865 853 640 +44 (0) 1865 372 722 (fax)

FINE ART AND ANTIQUES INCLUDING SILVER

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Transcript of FINE ART AND ANTIQUES INCLUDING SILVER