Film narrative theory

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What is narrative?

Transcript of Film narrative theory

Page 1: Film narrative theory

What is narrative?

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Narrative Introduction

Discuss the narrative of the opening of

‘The Business’

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Narrative, at its most simplistic, can be

defined as ‘the way in which a story is

told’.

There are differing narrative structures...

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Film Narrative

There are certain guidelines for film-

makers and expectations for audiences

regarding the narrative of a film,

predominantly that the story

progresses logically (chronologically)

through events as they happen.

Most Hollywood films follow this linear

narrative format, as it is the easiest to

follow.

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Film Narrative

However, some films will break these

rules and play around with narrative

aspects (often culminating in a non-

linear narrative).

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Levi-Strauss and Binary Oppositions

Claude Levi-Strauss focused on how meaning is created within a film’s narrative.

He argued that Binary Oppositions create meaning and further the narrative by these oppositions clashing with one another. These oppositions take many different forms and are very genre dependent.

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Levi-Strauss and Binary

Oppositions Examples include:

Man vs. Woman

Human vs. Alien

Young vs. Old

Hero vs. Villain

West vs. East

Science vs. Nature

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Vladimir Propp: seven

spheres of action:

Propp’s study of Russian folk tales has been applied to film to suggest that while narratives may appear very different, there is a shared character structural features.

Hero: Individual(s) who's quest is to restore the equilibrium.

Villain: Individual(s) who's task is to disrupt the equilibrium.

Donor: Individual(s) who gives the hero(s) something, advice, information or an object.

Helper: Individual(s) who aids the hero(s) with their set task.

Princess (Prince): Individual(s) which need help, protecting and saving.

Dispatcher: Individual(s) who send the hero(s) on their quest.

False Hero: Individual(s) who set out to undermine the hero's quest by pretending to aid them. Often unmasked at the end of the film.

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Tzvetan TodorovAs a rule the conventional narrative has five stages, though this can be

rudimentary broken down to three stages:

1. Beginning (State of equilibrium)

3. Middle (State of Disequilibrium))

5. End (State of

New equilibrium)

Equilibrium = a state of balance, normality

in which the characters find themselves at

the beginning.

2. Disruption

4. Resolution

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Tzvetan Todorov conventional

narrative structureStage 1A state of equilibrium is defined.

Stage 2Disruption to the equilibrium by some action or crisis.

Stage3The Character(s) recognition that there has been a disruption, setting goals to resolve problem.

Stage4 The Character(s) attempt to repair the disruption, obstacles need to be overcome to restore order.

Stage5Reinstatement to the equilibrium. Situation is resolved, a conclusion is announced.

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Barthes & Narrative CodesBarthes’ interest in narrative derived from the

concept of the use of visual codes.

Enigma codes are images/sequences that

control how much we know in the story,

engaging and holding audience interest. They

present puzzles which demand to be solved.

Action codes are those images/sequences that

work as a form of visual shorthand making

complex ideas immediately apparent and

carrying the story forward.

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Other Useful Terms

Restricted/Unrestricted Narration-

how much information do you release to

the audience?

Ellipsis-

the compression of time within a film

Causality-

the ‘because’ of the story

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Back to ‘The Business’

Once again, be prepared to discuss the

opening of ‘The Business’ using some of

the theory used.