FICÇÕES MARILÁ DARDOT2 · 2020. 7. 2. · FICÇÕES MARILÁ DARDOT Galeria Vermelho rua minas...

FICÇÕES MARILÁ DARDOT

Galeria Vermelho rua minas gerais - 350 01244-010 / são paulo - sp — brazil contacts:: 55.11. 3138-1520 www.galeriavermelho.com.br / [email protected]

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Um grande livro, Vermelho (2008) Chapas de polipropileno sobre parede

15,43 x 7,23 metros

A fachada da galeria é transformada em um imenso livro pelos marcadores coloridos. Ao entrar neste livro gigante encontramos outras ficcões.

/ The façade of the gallery is transformed into an immense book. When entering in this giant book we find other fictions

Um grande livro, Vermelho (2008) Chapas de polipropileno sobre parede

15,43 x 7,23 metros

Ulyisses (2008) políptico / jato de tinta sobre papel de algodão

Páginas de um livro inexistente, o Ulisses de James Joyce bilíngue. Criado a partir de uma edição do original, em inglês, e uma edição da tradução de Antonio Houaiss para o português, as imagens deste livro imaginário mostram anotações em código de cor que apontam frases com a palavra “word”, “palavra”.

/ Pages of an inexistent book, the Ulisses from James Joyce on a bilingual edition (Portuguese-English). Created from the original version in English and the version from Antonio Houaiss for Portuguese, the images of this imaginary book show notations in color code that point phrases with the word “word”.

Ulyisses (2008) políptico / jato de tinta sobre papel de algodão

Movimento das Ilhas (2007) Vídeo-objeto

O video mostra duas pessoas jogando um jogo de palavras cruzadas de tabuleiro (scrable). Eles jogam como se aquele fosse um jogo comum. Acontece que não há letras nas peças. Não podemos enxergar as supostas palavras que os jogadores compõem, comprenetrados em sua língua secreta, ou conformados com seu mútuo desentendimento.

/ The video shows to two people playing scrable a game of crossed tray words. Although they play as if that was a common game, the parts they playing with have no letters. Therefore, we cannot see the supposed words that the players compose, concentrated in their private language, or conformed with the mutual misunderstanding.

Movimento das Ilhas (2007) Vídeo-objeto

Porque as palavras estão por toda parte (2008)

Instalação / letras de MDF e cimento

33 letras de concreto que parecem emergir do chão da galeria formam um caminho labiríntico. Com as letras, acomodadas desordenadamente no espaço, pode-se construir a frase “Porque as palavras estão por toda parte”, que ao mesmo tempo é o título da obra. A frase não se revela de imediato, requer-se um esforço mental para armar-la; um esforço que se acentua ao obrigar o visitante a caminhar sinuosamente entre as letras. A artista conta também com a imaginação do visitante para criar novas palavras. O título da peça sugere que a noção de cultura surge da linguagem; que nossa relação com o outro, com o espaço e com o tempo parte da linguagem. A imagem poética de letras gigantes que surgem do piso é uma fantasia, como se as coisas e paisagens pudessem falar: o piso, o céu, o vento, as cidades, as casas, as paredes etc. A instalação fala da contínua construção e desconstrução que implica relacionar-se com o outro, com o mundo.

/ The 33 letters of concrete that seem to emerge from the floor of the white cube of the gallery form a pathway similar to a maze. Accommodated disorderedly in the space, the letters form the phrase “Because words are everywhere” also the title of the piece. A mental effort is requested from the ones that want to build the phrase. The artist also counts on the imagination of the visitor to create new words. The title of the piece also suggests that the idea of culture appears with the language; that our relation with the other, with the space and time starts with language. The poetical image of giant letters that emerge from the floor is a fantasy, as if things and landscapes could speak: the floor, the sky, the wind, cities, the houses, the walls etc.

Porque as palavras estão por toda parte (2008) Instalação / letras de MDF e cimento

O labirinto — livraria das utopias possíveis (2008) Políptico / fotografia e madeira

Esgueirando-se entre as estantes do sebo mexicano “El Laberinto — Librería de las Utopias Posibles”, a artista fotografou lombadas de livros sobre o universo, o mundo, a natureza, o mar, a terra, a cidade e a humanidade, em diversas línguas. Destas fotos foram escolhidas 108 para compor as 18 “estantes” deste trabalho, que, na parede, formam um novo labirinto. Transportados para uma outra escala, nos vemos entre as paredes do labirinto que é formado por aqueles livros, pelas tentativas de conhecer o mundo, de traçar seus mapas, suas topografias, suas histórias, de entendê-los e de mudá-los.

/ Moving around the bookshelves of the Mexican old Bookstore “El Laberinto - Librería de las Utopias Posibles”, the artist photographed books on different themes, such as the universe, the world, the nature, the sea, the land, the city and the humanity, in many languages. From them, Dardot has chosen 108 to compose the 18 “bookshelves” of THE MAZE creating a new labyrinth. Transported to another scale, the observer can see on this labyrinth formed by books, the humankind attempts to know the world, to trace its maps, its topographies, its histories, to understand and to change them.

O labirinto — livraria das utopias possíveis (2008) Políptico / fotografia e madeira

Com palavras de palavras por palavras, palabras (2008) Instalação / bobina de papel, máquina de escrever e mesa

A escrivã inicia em sua máquina de escrever um arquivo de frases que contêm a palavra “palavra”, que se prevê imenso.

/ Archive of phrases that contain the word “word”.

Com palavras de palavras por palavras, palabras (2008) Instalação / bobina de papel, máquina de escrever e mesa

Correspondência (2008) Fabio Morais e Marilá Dardot

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