Fernando Botero (Born Medellín, 19 April 1932) by Ima Student The following presentation contains...

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Fernando Botero (Born Medellín, 19 April 1932) by Ima Student The following presentation contains copyrighted material used under multimedia guidelines and fair use exemptions of U.S. Copyright law. Further use is prohibited.

Transcript of Fernando Botero (Born Medellín, 19 April 1932) by Ima Student The following presentation contains...

Page 1: Fernando Botero (Born Medellín, 19 April 1932) by Ima Student The following presentation contains copyrighted material used under multimedia guidelines.

Fernando Botero(Born Medellín, 19 April 1932) by Ima Student

The following presentation contains copyrighted material used under multimedia guidelines and fair use exemptions of U.S.

Copyright law. Further use is prohibited.

Page 2: Fernando Botero (Born Medellín, 19 April 1932) by Ima Student The following presentation contains copyrighted material used under multimedia guidelines.

(Image Source: www.nassaumuseum.com/

outdoorscultpure_animals_botero.html)

Colombian-born painter and sculptor, best known for his satirical paintings of oversized, fleshy figures with large limbs and small bodies. Botero began making sculptures in 1971 as a natural evolution from his voluminous, three dimensional paintings, and now spends most of his summers working on sculpture at his home in Tuscany, near a reliable foundry.

Page 3: Fernando Botero (Born Medellín, 19 April 1932) by Ima Student The following presentation contains copyrighted material used under multimedia guidelines.

La Pudeur, 1981

bronze with polished granite base72 x 24 x 21 inches

(Image Source: http://www.kemperart.org/permanent/works/BoteroLaPudeur1980.asp#)

Fernando Botero is known for his obese figures in both his paintings and sculpture. These were intended to ridicule Colombian society.

Page 4: Fernando Botero (Born Medellín, 19 April 1932) by Ima Student The following presentation contains copyrighted material used under multimedia guidelines.

(Image Source: http://www1.lanic.utexas.edu/)

Title: Santa Rosa de Lima según Vásquez, 1966

Page 5: Fernando Botero (Born Medellín, 19 April 1932) by Ima Student The following presentation contains copyrighted material used under multimedia guidelines.

Source: www.galileo.usg.edu

(Encyclopædia Britannica)

When he moved to New York City in 1960, he had developed his trademark style: the depiction of round, corpulent humans and animals.

Page 6: Fernando Botero (Born Medellín, 19 April 1932) by Ima Student The following presentation contains copyrighted material used under multimedia guidelines.

Attribution:

When using images from someone else’s work, students must include at least a shorthand reference to that item next to or below the image in their multimedia presentation (in-text attribution).

The full citation for the image needs to be

in their works cited section.

Page 7: Fernando Botero (Born Medellín, 19 April 1932) by Ima Student The following presentation contains copyrighted material used under multimedia guidelines.

Works Cited

Blanton Museum of Art. (2007). Latin American Collection of the Jack S. Blanton Museum of

Art. Retrieved October 1, 2007, from

http://www1.lanic.utexas.edu/project/huntington/botero_santa/.

Botero, Fernando. ( 2007). In Encyclopædia Britannica. Retrieved September  28,  2007, from

Encyclopædia Britannica Online School Edition: http://www.galileo.usg.edu.

Nassau County Museum of Art. (2007). Outdoor Sculpture Garden. Retrieved October 1,

2007, from http://www.nassaumuseum.com/outdoorsculpture_animals_botero.html.

Page 8: Fernando Botero (Born Medellín, 19 April 1932) by Ima Student The following presentation contains copyrighted material used under multimedia guidelines.

Tanenbaum, B. A. (1999). Art, colonial to modern. Latin America history and

culture (Vol. 1, 68). New York: Charles Scribner’s Sons.

Wayne, Dan. (2007). Kemper Museum of Contemporary Art, Permanent

Collection. Retrieved October 1, 2007, from

http://www.kemperart.org/permanent/works/BoteroLaPudeur1980.asp#

Works Cited continued