February 2020 Newsletter • Any Color. Any Application ... · modern era, cultures have strived to...

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Check out this month’s issue to learn about the following: Does Lightfastness and Weatherfastness Data Accurately Reflect the Performance of Organic Pigments for Outdoor Applications? History of Colour in Plastics American Coatings Show: Visit us at booth 2341 February 2020 Newsletter • Any Color. Any Application. Anywhere. Connect with us! www.dominioncolour.com • www.pigments.com

Transcript of February 2020 Newsletter • Any Color. Any Application ... · modern era, cultures have strived to...

Page 1: February 2020 Newsletter • Any Color. Any Application ... · modern era, cultures have strived to create colour in the objects around them. Early peoples exploited natural resources

Check out this month’s issue to learn about the following:

• Does Lightfastness and Weatherfastness Data Accurately Reflectthe Performance of Organic Pigments for Outdoor Applications?

• History of Colour in Plastics

• American Coatings Show: Visit us at booth 2341

February 2020 Newsletter • Any Color. Any Application. Anywhere.

Connect with us!

www.dominioncolour.com • www.pigments.com

Page 2: February 2020 Newsletter • Any Color. Any Application ... · modern era, cultures have strived to create colour in the objects around them. Early peoples exploited natural resources

Does Lightfastness and Weatherfastness Data Accurately Reflect the Performance of Organic Pigments for Outdoor Applications?

Jadel Baptista (Technical Director, DCC LANSCO)

We are frequently asked about the expected performance of organic pigments for use in outdoor applications. Typically, formulators refer to lightfastness and weatherfastness data and in many cases they are not even sure of the difference between the two.

Does Lightfastness and Weatherfastness Data Accurately Reflect the Performance of Organic Pigments for Outdoor Applications?

The short answer is yes; however, you must be careful. It is important to understand the difference between two concepts - Lightfastness & Weatherfastness.

Lightfastness is the pigmented coating’s resistance to change upon light exposure while being exposed under a glass cover. The glass cover eliminates the potential environmental impact of variables such as moisture, humidity, and acid rain.

Weatherfastness is the pigment’s resistance to change upon exposure to sunlight including outdoor environmental factors such as temperature, rain, humidity, etc. Understanding the differences between lightfastness testing and weatherfastness testing makes it clear as to why weatherfastness data is the appropriate reference for outdoor/exterior pigment selection.

“Most all pigments with a good weatherfastness rating will also have a good lightfastness rating; however,

not all pigments with a good lightfastness rating will have a good weatherfastness rating.”

Page 3: February 2020 Newsletter • Any Color. Any Application ... · modern era, cultures have strived to create colour in the objects around them. Early peoples exploited natural resources

For the most accurate UV Performance testing, DCC LANSCO strongly encourages customers to evaluate the pigment or pigments in their polymeric system, processed under their processing conditions and tested in an environment the most closely duplicates the exposure of the finished product. DCCL is here to help you with the broadest range of pigments available for the most demanding applications.

Understanding why weatherfastness data is the appropriate reference for outdoor/exterior pigment selection, the next question typically is: Can weatherfastness data accurately predict the outdoor/exterior durability of a pigment in a given polymeric system?

The answer is to this question is no. In order to accurately determine the outdoor/exterior durability of a given pigmented system, the actual pigmented system needs to be tested under the actual conditions of use and final application. The reasoning for this is as follows:

• There is no “bullet proof” correlation between acceleratedweathering and natural exposure. A common rule of thumbis 2000 hours of Xenon Arc exposure is equivalent to 2 yearsoutdoor exposure. This is a general reference; however, oneshould also consider additional variables.

• A pigment’s weatherfastness is not a constant, it can beinfluenced by the processing/dispersing conditions, thepolymer chemistry, additives and extenders, and the Ti02/pigment concentration levels. Other things to consider:

a. Application elevation (higher means more UV)

b. Application location (nearer to the equator meansmore UV)

c. Application exposure to natural element levels,such as wind, moisture, and temperature.

d. Application weather variations can cause varyingdegrees of degradation for the same time periodat the same location.

e. Application seasonal periods. There is significantlyless short-wave UV-radiation during winter.

f. Application angle of exposure (angle of incidence,cardinal direction)

g. Application insulation (outdoor samples withinsulated backing can degrade up to 50% fasterthan uninsulated samples)

h. Equipment Program Cycle variations with respect totime, light, and moisture.

i. The Spectral Power Distribution (SPD) of the artificiallight source

j. Cycle temperatures (increased temperature equalsincreased degradation)

k. Substrate selection can influence heat and moistureretention

Page 4: February 2020 Newsletter • Any Color. Any Application ... · modern era, cultures have strived to create colour in the objects around them. Early peoples exploited natural resources

Colour is essential to human experience. From

pre-history, through ancient civilization into the

modern era, cultures have strived to create colour

in the objects around them. Early peoples exploited

natural resources to create images from their

surroundings, such as red earth, black soot and

white chalk. With time people developed more

sophisticated techniques to refine minerals to

generate a wider palette with blue, green, bright

red and yellow. Often toxic in nature, these early

inorganic pigments formed the skeleton of the

pigment manufacturing industry. With the discovery

of coal tar in the 1800s, and the ensuing rapid

industrialization of synthetic chemistry, an explosion

of colour transpired, leading to the modern chemical

industry. The historic generation of plastics followed

a parallel path, beginning with use of natural

materials such as ivory and tortoiseshell. Progression

to processing of natural materials such as rubber,

cellulose and shellac to generate more functional

plastics, evolved to a place where coal tar chemistry

provided a natural next step. This culminated in the

discovery of Bakelite, the first fully synthetic plastic

in 1907, which ignited the imagination for plastic

materials, and the widespread production of

consumer and industrial items accelerated. Colour

and plastic developments went hand in hand, as

by the 1950s the desire for brightly coloured,

functional items sky-rocketed. Pigment chemistries

were re-imagined with this new era in mind and

from this point colour effects were generated

specifically for plastic functionality. Textile fibers,

automotive parts, plastic bottles, packaging and film;

all un-thinkable now, without the effect of colour.

History of Colour in PlasticsLucy Gibbons and Helen Skelton, DCC LANSCO, Toronto, Canada

Click here to read the whole article!

Page 5: February 2020 Newsletter • Any Color. Any Application ... · modern era, cultures have strived to create colour in the objects around them. Early peoples exploited natural resources

DCL Orange 7065Benzimidazolone Pigment

Clean, bright yellow shade orange pigment

Used in high-end plastic applications

Very good weatherfastness and heat stable to 300°C

FDA & AP(89)1 compliant for non-direct food contact applications

• Blow Molding• Fibres Polypropylene• Film • Injection Molding • PVC • Engineering Resins (ABS, Polystyrene, Polycarbonate, PMMA, HIPS, PUR)

Applications

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Pigments for Plastics

[email protected]

RECOMMENDATIONS: Frequently Used Limited Use Not Normally Used

DOM1145 PFS_Yellow 7065_FNL.indd 1DOM1145 PFS_Yellow 7065_FNL.indd 1 2020-02-18 9:25 AM2020-02-18 9:25 AM

Pigments for Coatings

DCL Orange 7336Pigment Orange 36

Blue shade orange

Used for high-end coatings applications

Outstanding durability

Heavy metal and Diarylide free

Excellent alternative for Molybdate Orange pigments

Applications

RECOMMENDATIONS: Frequently Used Limited Use Not Normally Used

[email protected]

• Architectural Water & Universal • Architectural Solvent• Industrial Fast Air Drying • Industrial Oven Cured • Coil Coatings • Automotive Coatings • Powder Coatings

DCL Orange 7336

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Pigments for Coatings

DCL Orange 7067Pigment Orange 67

Bright Yellow Shade Orange

Used in Baking Finishes and Waterborne Paint Applications

High Opacity

Economic Lead-free Alternative to Molybdate Orange

High-Performance Alternative to Diarylide Oranges

Applications

RECOMMENDATIONS: Frequently Used Limited Use Not Normally Used

[email protected]

• Architectural Water & Universal• Architectural Solvent• Industrial Fast Air Drying • Industrial Oven Cured • Coil Coatings • Automotive Coatings • Powder Coatings

DCL Red 7422

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

DCL Red 7422Pigment Red 122

Highly transparent magenta organic pigment

Excellent fastness & durability properties

Intense visual appearance in special effect coatings due to exceptional transparency & chroma

Specifically designed for automotive applications

Applications

[email protected]

• Architectural Water & Universal• Architectural Solvent• Industrial Fast Air Drying • Industrial Oven Cured • Coil Coatings • Automotive Coatings • Powder Coatings

DCL Red 7422

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

Automotive Architectural Coil Industrial Inks PowderCoatings

EngineeringResins

InjectionMolding

BlowMolding

Plastic Film PolypropyleneFibres

PVC

RECOMMENDATIONS: Frequently Used Limited Use Not Normally Used

Pigments for Coatings

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Page 6: February 2020 Newsletter • Any Color. Any Application ... · modern era, cultures have strived to create colour in the objects around them. Early peoples exploited natural resources

YOUR SALES REPRESENTATIVESPlease contact your regional sales representative for more information on the products advertised here and any others in our product range. Please contact your regional sales representative for any product related questions!

NORTH AMERICA:Jeff Babich, Sales Manager ([email protected])Michele Claeson, Sales Manager ([email protected])Rick Devore, Sales Manager ([email protected])Larry Frank, VP Sales & Marketing Inorganic Pigments ([email protected])Mark Freshwater, VP Sales & Marketing Organic Pigments ([email protected])Paul Holder, Sales Manager, Canada ([email protected]) Suzanne Letrondo, Technical Sales Representative Specialty Coatings DCC Monteith ([email protected]) Jon Morrison, Sales Manager ([email protected]) Bob Neu, Business Development Manager ([email protected]) Hani Sarhan, General Sales Manager (Canada) ([email protected])

EUROPEPeter Baggen, Vice President Sales ([email protected]) Jon Rymer, Vice-President Strategic Business Development ([email protected]) Andy Fenlon, General Sales Manager EMEA (Europe, Middle East & Africa) ([email protected]) Dominique Galy, Sales Manager, France, Spain & Portugal ([email protected]) Bruno Krato, Sales Manager, DACH Region ([email protected]) Lieven Vandenberghe, European Coatings Industry, Coordination Manager ([email protected])Raimund Wilhelm, Sales Manager, DACH Region ([email protected])Prakash Naik, DCC UK, Global Procurement & Business Development ([email protected]) Julian Ling, DCC UK, Product Manager – Digital Inks ([email protected]) Laura Kenny Business Development Representative, UK ([email protected])Phil Conway, Sales Manager, UK ([email protected]) Cosimo Azzarito, Sales Manager, Italy ([email protected])

ASIA PACIFICPatrick Chan, Regional Sales Director, Asia Pacific & LATAM ([email protected]) Effendi Wijaya, Technical Sales Manager, Asia ([email protected])Yvonne Chang, Technical Sales Manager, Asia ([email protected])

MEA:Haytham Sayed, Business Development - Middle East & Africa ([email protected])

LATIN AMERICA:Michele Claeson, Sales Manager, Puerto Rico ([email protected])Denis Rojas, Regional Sales Manager, North Latin America & Caribbean ([email protected]) Zully Villalobos, Technical Sales Manager, Latin America ([email protected])

Connect with us DCC LANSCO®

About DCC LANSCO®

DCC LANSCO® is a manufacturer and supplier of pigments for our customers in the coatings, plastics, printing ink and paper industries worldwide. Our extensive range of pigments is backed by technical expertise, our commitment

to service excellence, continuous improvement, environmental, health, safety and social responsibility. Please visit www.dominioncolour.com or www.pigments.com for more information on our product range.