Fanatika International Theatre documentary Festival Catalogue 2014

Website:

Email:[email protected]

Phone: 079 - 26733800 / 3900Mobile: 0 97 23 45 24 25

Address:French GalleryAlliance Francaise dAhmedabadHimali Tower Lane, Near Kenyug Cross RoadsShyamal-to-Manekbaug RoadSatellite, Ahmedabad 380 015INDIA

Organized by

in association with

3rd Fanatika International Theatre Documentary Festival 2014 TransIndus Foundation

My passion for theatre and my belief in its powers have both been nourished with the overwhelming support this festival received in terms of participation and spectators during the first edition February 2012. The 2nd edition of this festival in February 2013 with a larger participation came as a proof of a developing cross-cultural dialogue.

Theatre has always been a very powerful medium of expression. Many have explored it more as a tool rather than simply a form of art or entertainment. Here, we can also see how people have used it as the best resolution. This festival stands also as an initiative to explore the things behind the curtain! For we always happen to witness the final outcome on the stage, these documentaries also let us acquaint with the unknown parts of the creative process.

I am sure that this festival will not only serve theatre students, amateurs and professionals but will also attract all those sensible and sensitive souls who believe that all the world is a stage!

This is perhaps the only festival of its kind in the world. I welcome you all to explore the theatre practices from the different parts of the world.

Chintan PandyaFestival Director and Curator, Theatre Artist

Directors Note


Explore the Interdisciplinarity of TheatreFITDF is perhaps the only film/documentary festival in the world that is completely dedicated to theatre. Here, we explore theatre beyond our conventional understanding of theatre.

Generate an Intercultural DialogueHow can the world speak a global language unless there is a cross-cultural dialogue and exchange? Replication of life at large, theatre has the strongest socio-cultural appeal and FITDF becomes the platform to initiate an Intercultural Dialogue in any context.

Encourage the Documentation of Vanishing Performing Arts our Intangible HeritageThrough FITDF, we wish to inspire and encourage documentary filmmakers to document vanishing performing arts, especially the folk theatre forms from different corners of the world. It is our Intangible Heritage and if we cannot practise them anymore, we can certainly document them for our future generations to come.

Accessibility and Sharing of KnowledgeFITDF is free and open to all. This festival is created on the philosophy of giving back to the society what it has given to us. The traveling edition of the festival is to reach out to the maximum number of viewers and share as much as possible.

Create a Bank of ResourcesIt is very difficult for many students and artists in countries with limited resources or little grants to have access to inter-regional or international trainings and exchanges. FITDF becomes a window of international exposure to explore different faces of theatre under one roof.

Festivals Five Objectives

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VuMxeLkk Wuku

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Broadway: The Golden Age

Directed by Rick McKay

Language: English

Country: The USA

Synopsis:In their own words, and not a moment too soon - Broadway tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This may be the

television, live theatre exists only in the memories of those who were there watching, or more importantly, creating this magic. Broadway tells the stories of these legendary performers, composers and writers while illustrating their tales with amazing, rare, archival performance footage and these legends own home movies and photos.

the documentarys production, Broadway: The Golden Age is both a celebration of current Broadway stars and a tribute to Broadway legends past. Through a plethora of interviews and vast amounts of archival footage, McKay presents a variety of factoids, anecdotes, and memories from over 100 Broadway actors, writers, and directors. The careers of Laurette Taylor, Kim Hunter, Jessica Tandy, and Marlon Brando are all animatedly retold, as is some of the Broadway lore of olde, such as Angela Lansburys struggle to land a role in Mame and the shocked reaction to West Side Story on its opening night. In addition to footage and discussion regarding highly successful Broadway stars, a variety of

amount of critical recognition. The cast includes Shirley MacLaine, Bea Arthur, Edie Adams, Alec Baldwin, and Kaye Ballard, and many others.


DAY

01

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The Reproduction Crisis (Die Reproduktionskrise)

Directed by Jrg Adolph and Gereon WetzelProduced by

Language: German; English subtitles

Country: GermanyCourtesy: Goethe Zentrum Ahmedabad

Author Mirjam Neidhart interviews people about their desire to have children and director Simone Blattner rehearses with six actors at Hamburgs Thalia Theater in order to make this documentary material come alive on stage. But how much authenticity can a directors theatre take? A twofold documentary look at reproduction in life and on stage.

Synopsis:Today there is a social discourse that oscillates between idyllic notions of family and antipathy towards children, between baby crazes and child phobias; a discussion that puts the personal question regarding the desire to have children at the centre of public debate. Frank Schirrmacher & Co. waste no time making the question of whether to have children tantamount to to be or not to be.

What aspects do we actually discuss? asks author Mirjam Neidhart. We talk about numbers, we talk about accusations, but we dont talk about what occupies peoples minds on a daily basis. This lack of discourse motivates her to conduct interviews with a variety of people, spanning every stratum of consciousness and every age group, about their desire to have children and to present a collection of opinions and stories in her play.

Meanwhile, the theatre carries on its own discourse with the raw material supplied by reality. While working on this piece you cannot help but ask yourself how you yourself feel about children and what the text has to do with your own life. The actors and the director are torn between taking the stories seriously and not getting bored, between necessary intimacy and false concern; for individual fates are not very easily

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translated into a theatrical form and the quest for authenticity proves elusive in the process of staging a play.

The Reproduction Crisis creates a fictitious dialogue between actors and real people, juxtaposes life in the theatre with real-life stories, reveals the documentary-like nature of theatrical productions and the theatrical nature of the documentary. The Reproduction Crisis is the first collaborative effort between award-winning documentarians Jrg Adolph (Kanalschwimmer, Houwelandt) and Gereon Wetzel (Castells). The two filmmakers shared all responsibilities from conception to camera, sound and editing work and completed the film in nine months. The Tied & Tickled Trio composed the music score, Ingo Fliess (if Productions) produced the film in cooperation with Bayerischer Rundfunk (BR) (editor: Petra Felber) and with the support of the Goethe-Institut.

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02

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Afghanistan: Reconstructing through Theatre

Directed by Alexandra ParaboschiProduced by Hasard dHasard

Language: Dari, Pashtu, English, French; English subtitles

Country: France

Synopsis:Afghan artists, both debutant actors and experimented, carry theatrical art within their heart. The terrible consequences of the war, its devastations, womens condition, the Taliban regime, corruption... give matter to plays written and performed by local artists.

Afghan actresses soon understood that theatre could have an important part in the countrys reconstruction process. Indeed, it offers means for the human nature to look deep into itself, allowing certain issues and fundamental questions to be debated.

Proud and engaged, these women defeat societys interdictions. In southern Afghanistan, nearby Kandahar, in a province still controlled by Talibans militias, men and women risk their lives every day acting on stage. To them, theatre is far more than just art. It is a mean of Peace.

This documentary shows a different Afghanistan. Perhaps it offers a better overview of what this country has become. In todays geopolitical context, helping people to better understand what is at stake in this region of the world has become a necessity. We truly hope this documentary will provide better information, and enlighten their judgment.


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02

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Ana

Directed by Antonio VergaminiProduced by Compagnia Finzi Pasca & Atelier Sievi

Language:

Country: Switzerland

Synopsis:At the beginning of the year 2000 Daniele Finzi Pasca suggested that Ana Heredia join his companys new work as an actress. Before then Ana had lived her whole life in La Paz, Mexico, between the desert and the ocean, surrounded by her nine siblings and tons of nephews and nieces; she had attended special school, silently living her experience of Down syndrome. Anas travelling companions know that she will occasionally suffer form a crisis, perhaps she will long to go home, or she mightnt feel like going on stage on opening night. She will board a plane for the first time in her life, she will see the snow, she will live in a foreign metropolis where she cannot understand the language, she will enter a theatre through the artists door. From La Paz to Mexico City, from Lugano to Montral, this film tells the story of her journey.


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02

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fkh: zkuw{uLxherLk{ko ko: 2008

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02

The Arbor

Directed by Clio Barnard

Language: English

Country: The UKCourtesy: British Council

Synopsis:Andrea Dunbar was a British playwright whose work reflected the gritty realities of life in working-class Bradford, West Yorkshire. Dunbar knew of what she wrote -- she grew up in a Bradford housing project, had children by three different men, was a victim of domestic violence, and struggled with alcoholism before she died in 1990 when she was only 29. Andreas daughter Lorraine Dunbar inherited her gift with language, but also her weaknesses; she also dealt with unhappy relationships with men, worked as a prostitute, became addicted to hard drugs, and served time for manslaughter when her two-year-old son died after drinking her methadone. Filmmaker Clio Barnard set out to tell the story of Andrea Dunbars brief, troubled life and the neighborhood where she lived and wrote, and The Arbor is a unique mixture of documentary and narrative filmmaking. In addition to interviews with members of Andrea Dunbars family and residents of Bradfords Buttershaw estates, where Dunbars plays took place (which are lip-synched by actors to create a distancing effect), the film includes passages from Dunbars first play, also called The Arbor, played out against the real-life locations where the story is set. The Arbor received its world premiere at the 2010 Tribeca Film Festival.


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02

ykkohroLk : ku kLkkozo

kkk : ytkuS

rLk{koMk : w. fu.MkkisL : rkxe fkWLMk

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02

Mayabazaar

Written and Directed by K. M. Madhusudhanan

Language:Country: India

Synopsis:Theatre is our life. We have never been able to think about anything other than theatre, nor done anything other than theatre, Babji, as R. Nageshwara Rao is fondly known, said, sitting on an old trunk.

The golden hue of dusk on Babjis dark face made it look almost like a dark-red statue. He said, The times are changing. Today no one needs theatre. If theres a cricket match on TV, there wont be any audience for the play. We have often run shows for no more than 4 spectators.

This family includes the aged as well as women and children. None of these people know anything other than the theatre. No one went in search of other paths either.Inside the makeshift theatre tent, land was dug out a level lower, to demarcate space for the audience. Right at the front of the audience, segregated with bamboo and boards, the orchestra sits in a compartment thats a further level lower... an old harmonium, tabla and a keyboard... thats it. The aalap from Vanarasa Panduranga Raos harmonium rises an hour before the performance. The tabla expresses a taal.

Babji started applying blue colour on his face. The first play for the night was Luva-Kusha. Men, women and children, gathered around the dull bulb hung low and started applying makeup on their faces, becoming new avatars. Originated over a century back, the makeup and costumes of this theatre family is not likely to have undergone any significant change.

The final day... Surabhis most famous play is being performed. Staged on thousands of nights... Mayabazaar. Mayabazaar is technically way ahead of Surabhis other plays. While Abhimanyu sings, the diffused image of Sasirekha drowning in the moonlight was as real for the villagers as the wonders of cinema.


DAY

02

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Mkkhkt :Lkkxf yu y{khwt SLk Au. yLku Lkkxf rMkk keswt fwt r[khe k fkk Lkke. skeh Lkkxf rMkk y{u keswt fwt fwO k Lkke. yk ku Au kkkS khefu ekk ykh. Lkkkuh hkykuLkk, su yuf sqLke Mktqf kh kuXk kkukkLkk Lkkxf Mkkku Lkk uzk Lke kk {ktzu Au.

kkkS fkk [nuhk khLke MkkuLkuhe kt Lke fkhu yu{Lkku [nuhku uhk k htkLke {qk suku kku Au. Mk{ zkke kkR hkku Au. yksu fkuRLku Lkkxf uk{kt hMk Lkke. u xe.e. kh rfux{u[ ykke nku kku fkuR y{khwt Lkkxf uk Lk yku. fuxk u y{u [kh ukfkuLke Mkk{u kuk Au. kuyku W{uhu Au.

kkkSLkk krhkh - f{ - Lkkx{tze{kt ku]ke {ktzeLku eyku yLku kkfkuLkku Mk{ku kk Au. yk k{k{uk{k{ Mkkk Lkkxf{kt s hk kk hnu Au. krhkhLkk fkuR k Mku ykLkk rMkk keswt fwt fhkLkku Lk Mkwk Lkke fkuo. nhkkVhkk ktkq {kt ku kueLku yuf rnMMkku kLkkk{kt yku Au. kt ukfk rkhksu Au. khk{kt ukfku yLku fkfkhku [u kkuzwt w zu ktMk yLku kkxek zu yk fhkuk kzk{kt sqLkwt nk{kuorLk{, kkk yLku fe kkuzoke Mks yuf kf ]t kuMku Au. kLkkhkMkk kktzwhtk hkykuLkkt nk{kuorLk{{ktke rLkk Mk{Lkk yuf fkf knuk ykkk kkku Y kk Au. kkk khke kkLkk kku Mktk Au.

kkkS [nuhk kh qhk htkLkku kkkuzku kkkLkwt Y fhu Au. hkrkLkwt knuwt Lkkxf Au wk fwk. krhkhLkk yL Mkku - kwhwkku eyku yLku kkfku k kkLkk ktk fk Lke[u yufXk kR {uf yk kke Lkk htk Yk{kt Zk kku Au. yuf Mkeke k sqLke yk uqkk{kt yks Mkwe kwt krhkoLk ykwt Lkke.

LkkxfLkwt Lkk{ Au {kk kkkh. {kk kkkh yu fMkkLke eyu MkwhrLkk yL Lkkxfku fhkk usLkku ykk Au. yr{LwLkk Mkqhek kkLk hr{kLk [ktLke{kt Lnkke MkrMkhukLke AkeLkku w yu kk{kMkeyku {kxu fkuR rMkLku{kke Mknusu f{ Lkke.


DAY

02

The Last Days of the Ceausescus

Written by Milo RauDirected by Milo Rau and Marcel BchtigerProduced by IIPM - International Institute of Political Murder

Language: Romanian; English subtitles

Country: SwitzerlandCourtesy: Pro Helvetia Swiss Arts Council, New Delhi

Synopsis:The images of the condemnation and execution of dictator Nicolae Ceausescu and his wife Elena on Christmas Day in 1989 are etched deeply in the collective unconscious of several generations of television viewers. Exactly 20 years after its occurrence, the famous show trial was

the stage production with interviews conducted with eyewitnesses and archive material and takes a look backstage in the Odeon Theater in Bucharest.

The collaborating artists include renowned theatre director Scott Rankin, celebrity actors Kerry Armstrong, Leah Purcell and Lex Marinos, and musician Jackie Orszaczky.

DAY

02


kMx zu ykuV MkkuMkuMfwuLk : r{ku hkWroLk : r{ku hkW yLku {kMkuo kk~kesuhrLk{ko : IIPM -RLxhLkuLk RLMxexwx Vkuh kkuexef {zoh

kkk : hku{krLkLk (ytkuS Mkk xkRxMk)

Vku{uox : fh, kexkMk{kkku : 92 r{Lkex

Mkkhkt :Mkh{wkh rLkfkuMk MkkuMkuMw yLku ku{Lke kLkeLke nkLke kMehku yMkt xuerLk ofkuLke Mkrnkhe M{]rk{kt Zku szkue Au. khkkh 20 ko kk, yirknkrMkf uqkk yLku krhuLke {ke yk xLkkLkwt kwLk: {t[Lk kR hkwt Au. Mkwk rV{{kt yk xLkkLku Lkhe yktu uLkkhk MkkkeykuLke {wkfkkku, sqLke Wk ~-k Mkk{ke yLku ykuukU rkuxh{kt kR hnu se Lku qkekqof e uk{kt ykk Au.

DAY

02


900 Neighbours

Directed by Christopher SaundersProduced by Big Hart

Language: EnglishCountry: Australia

Synopsis:In February 2006 Australias media was rocked by a headline, Skeleton Man Found In Housing Commission Flat. The man had died 6 months before, and all that remained was his skeleton.

Built in the 1950s in the post-war effort to clear slums and create affordable housing for those in need, Northcott was opened with pride and joy in 1961. It was the largest public housing in the Southern Hemisphere, featuring the latest Swedish design and housing a thousand people.

But now the story is very different. As the public housing system comes increasingly under pressure to house the mentally ill, ex-prisoners, recovering addicts and those battling serious drug and alcohol issues, Northcott is becoming a haven for those in crisis. But Northcott is also the home of some incredible Sydney characters...

Sandy, Mark and Dolly are just three of the tenants involved in a show called StickybrickS - a performance piece put on by the tenants in collaboration with Big Hart - an arts organisation which has been working inside Northcott for 3 years, aiming to give a voice to its tenants.

As part of the illustrious Sydney Festival 2006, StickybrickS unveils Northcott to Sydneys elite at 75 bucks a ticket! The tenants voices navigate us through the fascinating history of the place, enmeshed with life there today, as the drama of the StickybrickS show unfolds in the Northcott car park.

The collaborating artists include renowned theatre director Scott Rankin, celebrity actors Kerry Armstrong, Leah Purcell and Lex Marinos, and musician Jackie Orszaczky.

DAY

03


DAY

03

900 roLk : rhfe {uu

kkk : ytkuSu : w. yuMk. yu.

Mkkhkt :Vukwykhe 2006{k yuf Mk{k[khu ykuMxurk{kt MkLkMkLkkxe {[ke ee. Mk{k[kh nkk - nkWMkk f{eLkLkk yuf Vux{kt yuf rfkLkwt nkzksh {e ykk ruLkk. rk kkkMk{kt kR fu rfkLkwt {]w A {rnLkk knuk kR [qwt nkwt.

1950 {kt rw kAe khekku yLku qtkzke{kt hnukk kufku Lku ykuAe f{ku {fkLkku {e fu yu {kxu Lkkukofkux Lkk{Lke MkeLkwt rLk{ko fhk{kt ykwtkw. rk kkukoLke yk Mknwke rk nuh Mke{kt Meze zekRLkLkku Wkkuk kkukku Lku nhku kufkuLkwt yu fk{e hnuXk kLwtkwt.

khtkw nu krhMkrk Mkk s kkR kR Au. Mkhfkhe Mkknku nu qkkqo fueyku, {kLkrMkf eoyku, MkLk{ktke knkh Lkefk {ke hnuk kufku kuhuLkku Mk{ku fhku kzu Au. suLku fkhu Lkkukofkux fxkufxeLkku Mkk{Lkku fhe hnuk yLkuf kufku Lkwt ykMkkLk kLke hkwt Au. khtkw Mkkku s nu kt yLkuf r[k rr[k kyku k e hkk Au.

MkuLze, {kfo yLku zkue yu ykk s k Mkknkeyku Au su kek nkxo MktMkk khk kukk MxefekeMk Lkk{Lkk kwk ku{kt uzkuk Au. rkk nkxo yu yuf fkMktMkk Au su LkkukofkuxLkk MkknkeykuLkku yks Mkki Mkwe knkU[u yu {kxu k koke fkohk Au.

rkrck ,rzLke VuMxe{kt Mxefe rkfMk yuf kMk fko{ hsq fhu Au- su{kt MkknkLkku RrknkMk, kfkeLk SLk, kuhu yuf Lkkxf{kt e uk{kt ykk Au. yk fko{Lke rxrfxLke f{k Au- keX 75 zkuh !!!!

MkknkLkk fkfkhkuLku Mkkk ykku Au - rof Mfkux huLfeLk, rMk fkfkhku suk fu fuheo yk{oMxkUk, ekn kwMkuo yLku u {kheLkku kkk Mktkekfkh sufe ykuuoffe.


Thespians

Directed by Warren Skeels

Language: English

Country: The USA

Synopsis:Every performer starts somewhere and many of them started in their high school thespian troupe. For kids in Florida- that means possibly ending up performing on a stage for over 7,000 other students who share their passion. Thespians is the story of 4 of those troupes as they embark on the incredible journey of preparing for the largest high school theatre festival in the world. Thespians explores the wins, the losses and the lessons which lead us to understand that the superior ratings and accolades are not actually the goal- but it is the journey itself one which begins as all theatre does- in a rehearsal room somewhere with two boards and a passion. It is not ultimately the competition that motivates the students and wins our hearts. It is the recognition that this is every performers story- transcending time and place to resonate with that initial spark- that calling and passion which compels all performers to forge through endless auditions and continuous rehearsals just for the chance to stand on a stage and connect; to one another, to the audience, and ultimately to themselves. Or perhaps it is what Michael Higgins, the State Director aptly notes, the kids who are outsiders everywhere else are insiders here. And isnt that what life is finally about? Finding your place. Trusting your gut. Deep breaths and then taking the risk of a lifetime...


DAY

03

kuMkeLMkrof : kuhuLk MfeMk

kkk : ytkuS

u : w. yuMk. yu

Mkkhkt :fkuR k LkxLke kkkLke Yykk ktf kku kke s nku Au, yLku k hk kku nkR-MfqLke Lkkxf-{tze{kt uzkRLku s Yykk fhe ukk nku Au. ^kuhezkLkkt Akufhkyku {kxu ykLkku yko- kkukkLkkt sue s k hkkk ke 7000 kufku {kxuLkkt Mxus kh kkukkLke fkLkwt oLk fhwt- ykku kkku nkku. kuMkeLMk yu ykk [kh fkfkhkuLke kkko Au su wrLkkLkk Mkkike {kuxk nkR-Mfq rkuxh VuMxe {kxuLke kikhe fhkLke yqkkqo kkk Y fhk sR hkk Au. kuMkeLMk yuu nkh-Sk ku{ s SLkLkk yu kkX [u Au su ykkLku yu Mk{s Mkwe R Au fu fek yLku Mk yu ytrk{ {te Lkke k kkkLkku s kk Au, yuf yue kkk suLke Yykk huf rkuxhLke YykkLke su{ s kk Au- kwf Mkwyku Mkkku yuf LkkLkk henMko Y{{kt. yu Mkko Lkke su rkkeoyku Lku kuMkkrnk fhu Au yLku ykkk n Ske u Au. k yu kk, fu yk kkko huf fkfkhLke Au. Mk{-Mk Lkkt ktLkkuLku ykutke kkukkLke ythLkk kkLku Wkh fhku. yu ythLkku yks yLku swMMkku, su khtkhLkk ykurzLk yLku ykrk henMkoMk fhku Au, {kk yuf kh Mxus kh Wk hneLku uzkkLke kf {kxu- yufke Mkkku, ukfku Mkkku, Lku Auxu kkukkLke Mkkku. ykk kku {kRf rnrkLMkLkkt fnuk {ku- yu kkfku su kesu ku knkhLkk {kMk suwt yLkwu Au yu ynk ythLkk {kMk nkukLkku yLkw fhu Au. yLku yk{ k, SLk Au uLkk {kxu? k{khe sk kue. k{khe kyku kh k hke. zk kMk RLku SLk{kt u{ku uzk...


DAY

03

Sundari

Directed by Nihar DesaiA National Institute of Design (NID) student film

Language: Gujarati; English subtitles

Country: IndiaCourtesy: NID

Synopsis:Jaishankar Bhudardas Bhojak is a very well-known, yet lost name in rich history of Indian theatre. More importantly, gujarati rangbhoomi [theatrics]. A pioneer of proscenium theatre in India, Jaishankar Bhojak acquired the title Sundari when he first played the role of a beautiful young woman on stage in a play called Saubhagya Sundari. Since then, most of his roles were that of a woman; and his female impersonations received many applauses. Spanning a career of over four decades, Sundaris directorial stage productions were inspired from Bhavai [a folk dance-drama from Gujarat, India] and the Beijing Opera. He was also deeply interested in literature, and brought to the commercial Gujarati theatre scene highly acclaimed works of respected writers. The list includes Saraswatichandra by Govardhanam Tripathi & many Shakespeare adaptations.

This film looks into his life through the eyes and experiences of his family, while gives a reverential take on Sundari through present day writers and stage directors. It also looks at how Sundari was a professional, and a householder, through the tales of his contemporaries. One of the rarest and well-known jewels of the Gujarati Theatre Industry, Sundari is now a name very few know about.


DAY

03

MkwtheroLk : rLknkh uMkkRyuLk. ykR.ze. MxwzLx rV{

kkk : kwshkke MkkxkRxMk : ytkuS

u : khkMkkisL : yuLk.ykR.ze

Mkkhkt :stfh whkMk kusf yu khke htkqr{Lkk RrknkMkLkwt ytk ekwt khtkw qkR kuwt Lkk{ Au. ruk kku kwshkke htkqr{ kh. stfh khk{kt kuMkeLke{ htk{t[ {kt khtfkko nkk. ku{Lku Mkwthe Lkk{ {wt ku{u Mkkik Mkwthe Lkkxf{kt sue MkwtheLke qr{fk khke. yk Lkkxf kk ku{ Lke {kuxk kkLke qr{fkyku eLke s hne, suLkk {kxu ku{Lku qk tMkk Mkktkze. [keMk koke k w Lke Me Lkkx fkhrfeo hr{kLk ku{u kR yLku kesk ykukuhk kh ykkrhk yLkuf LkkxfkuLkwt rLk{ko fwO kwt. kuyku Mkkrn{kt k zku hMk hkkk nkk. tkkhe htkqr{ kh Lkezue Mkkrn f]rkykuLku R ykLkkhk ku s Mkok{ nkk. su{kt kkuoLkhk{ rkkkXeLke MkhMke[t rMkk uMkrkhLkk yLkuf LkkxfkuLkku Mk{ku kk Au.

Mkwk rV{ ku{Lkk SLk{kt swyu Au yLku ku{Lkk fwxwtkesLkkuLkk yLkwku, yksLke kuZeLkk htkf{eoykuLkku Mkwthe uLkku ykhk ofku Mk{k {qfe ykku Au. Wkhktk, Mkwthe Lke rMk, ku{Lke k yLku hhw k kuhu k yk rV{{kt Mkwth heku ykuk{kt ykk Au. yuf Mk{Lkk ytk ekk yLku wo hLk yuk Mkwthe Lkwt Lkk{ yksu knw ykuAk u Au yu yuf w xLkk Au.


DAY

03

Red Nose

Directed by Eldad Prives and Asaf Oren

Language: Hebrew; English subtitles

Country: Israel

Synopsis:Abstract During 2008, under the barrage of Kassam rockets, a clown was wandering around the streets of the city of Shderot. During that year he nurtured special relationships with an Ethiopian kid named Yaakov, who because of the encounter with the clown, dreamt to study his art, hoping it will help him to leave the city. The movie escorts the clowns attempts to teach Yaakov to become a street theatre artist, in spite of the antagonism Yaakovs friends developed towards him because of his new hobby, until the street theatre show they crated together.

The movie deals with the struggle between laughter and sorrow, the friendship between a kid with a dream and a street theatre artist who was hanging onto hope, and with a man who did not remove his makeup and remained the last one to smile.


DAY

03

huz Lkku rof: yuk ru yLku yMkkV ykuhuLkrLk{kokk: yuk ru

fkh: zkuw{uLxherLk{ko ko: 2011 rLk{ko Mk: RMkhku

Mkkhkt :2008 Lkwt ko Au. Lku fkMk{ hkufuxMk Lkk Mkkk {khk nuX yuf ufh uuhkuk nuhLke keyku{kt q{e hkku Au. kt kuLke kuMke kk Au kfku Lkk{Lkk RkekurkLk kkf Mkkku... kfku Lke {nkfktkk Au ufh Lke fk ekLke suke yu nuh {ktke Lkefe yL fkuR Mku sR fu. Mk{k rV{Lke kqtke kfkuLkk uhe fkfkh kLkkLkk Lkku, yuLkk fkhu kfkuLkk sqLkk r{kku{kt We kke Lkkhkske Lku Auxu yu{Lkk s Tkhk kkk Mkw Mefkh Lke ykMkkkMk kR Au.M{k yLku yktMkw [u kuk kke yk rV{, yuf MLke kkf Lku ykkke uhe fkfkh [uLke {ike kkk [nuhk kh {uf yk kke Auf Mkwe nMkkk hnukk yuf {kMkLke kk yMkhfkhf heku ykuu Au.


DAY

03

Tambours sur la Digue

Directed by Ariane MnouchkineProduced by Le Theatre du Soleil, Bel Air Media, ARTE France, ZDF Thatrekanal

Language: French

Country: FranceCourtesy: The Embassy of France in India, Institut Franais, Alliance Franaise dAhmedabad

Synopsis:Human puppets bring to life legendary ancient China in a poetic and philosophical epic that is disturbingly modern-day. Ariane Mnouchkine, Hlne Cixous and the Thatre du Soleil troupe lead the spectator into a waking dream where scenography, acting and puppetry join forces in awe-inspiring harmony.


DAY

03

kuBkqh Mkwh k rkroLk : yuheykLk Lkw[rfLkrLk{ko : u kukk w Mkkue, ku yuh {erzk, ykkuo kLMk, ZDF kkkufkLkk

kkk : uL[

rLk{ko Mk : kLMkMkkisL : kLMk yu[e f[uhe, RLMkewk kLMk, ykeykuL kuLMku y{kk

Mkkhkt :{kLke fXkqkeyku yu k[eLk [eLkLke Mk{Mkyku ruLkwt korLkfkkke hkqh {nkfk Au, su yksLkk Mk{{kt k yuxw s Mkwk Au. yurhkLk Lkw[rfLk, nuuLku MkeMkw yLku u kukk zu Mkkue Lke yk Mkrnkhe Mkwrk ofLku Mkrku, yrLk yLku fXkqkefkLkk Mktk{ke h[kke yqk Mk]r{kt R Au.


DAY

03

Augusto Boal

Written by Anita Blumer and Simone KriesemerDirected by Anita BlumerProduced by Dschoint Ventschr Filmproduktion AG

Language: English/French/German; English subtitles

Country: Switzerland

Synopsis:The Brazilian theatre director Augusto Boal is one of the most prominent represen- tatives of political intervention theatre in the 20th century. In the 1960s he developed a theatre method which he called the Theatre of the Oppressed, which results in a socially liberating experience. His method redefined the relationship between the actors and spectators in that spectators are urged to emancipate and liberate themselves from their passive role. The film illustrates what this means in practice using various theatre groups from all over the world, including Switzerland, as an example.


DAY

03

ykukMkku kkuykuLk : yrLkkk w{h yLku rMk{kuLk eMke{hroLk : yrLkkk w{hrLk{ko : Dschoint Ventschr Filmproduktion AG

kkk : ytkuS, U[, s{oLk (MkkxkRxMk - ytkuS)

u : MehuLz

Mkkhkt :kkrLkkt Lkkxrof ykukMkku kkuyk Lkkxf{kt hksfkhLkkt &ku kLkkhk khk 20{e MkeLkkt rkrLkryku{ktLkk yuf nkkt. 1960{kt ku{u LkkxfLke yuf krk kue suLku rkuxh ykuV e ykuuMMz (kerzkku {kxuLkwt Lkkxf) uLkkke Mkk{krsf MkktLkku yLkw kk Au. ku{Lke krkykuLkkt eu fkfkhu yLku ofkuLkk MktktLke Lke s kk Qe kR, su{kt ofku yu {kk Mkwkw heku uk fhkLke ku Lkkxf{kt nk - kLkwt k ykwt. ykk wrLkkLkkt rr rkuxh {tzku (su{ fu, MehuLz) Lke { ke ykk LkkxfLke Mke krkyku hh fue heku kk Au yu yk rV{{kt kowt Au.


DAY

03

Ghumantu

Directed by Ajay KannaujiyaProduced by Musafir Productions

Language:

Country: India

Synopsis:Aptly named Kathputli, the slum area of Shadipur depot in New Delhi, is home to a myriad of third-generation performing artists puppeteers, dancers, acrobats, snake charmers, monkey and bear handlers, jugglers, folk singers and magicians, to say the least.

At the mercy of rapidly-spreading urbanization and modern legalities, the residents will be resettled in the near future. This has spread much skepticism and anxiety among the slum- dwellers. Will they be given that which they have been promised? Will the change be for the better or worse? Today, these itinerant artists face the imminent threat of becoming obsolete from our cultural heritage. This promotional film tries to capture their lives in the face of a rising identity Crisis.


DAY

03

w{tkwroLk : ys fLkkiSkrLk{ko : {wMkkrVh kuzLk

kkk :

u : khk

Mkkhkt :Lke rneLkkt kekwh{kt yku wtkzkekMk, suLku fXkqke fnu Au, yu k kkt keS kuZeLkk fkfkhku- fXkqkekk, Lkk[Lkkhk, krk, {khe, kLkh ku{s hA MktkLkkhk, sh, kufkkfku ku{s wkhku- Lkwt h Au.

ykwrLkf Wkfhku yLku zkke e hnuk nuhefhLke k kh SLkkhk yk kufku yu LkSfLkk r{kt s Vhekh Mkh kwt kzu. yk kku wtkzke{kt hnuLkkhkyku{kt e s tfk yLku [kk skke Au. su {kLkku yu{Lku kku fhkku nkku yu yu{Lku {u hwt? su kk yku yu Mkkhku nu fu hkk? yksu XufXufku VheLku fk kkkLkkh yk fkfkhku kh ykkk MkktMf]rkf khMkk{ktke qtMkkR skLkku kkukR hkku Au. yk rV{ yu MkkiLke ykuLke fxkufxe hr{kLkLkwt ku{Lkwt SLk ekLkku yuf Lk Au.


DAY

03

Verdis Macbeth (Documentation of the performance)

Opera by Giuseppe Verde Libretto by Francesco Maria PiaveConductor Giuseppe Sinopoli

Language: Italian; English subtitles

Country: ItalyCourtesy: Istituto Italiano di Cultura, New Delhi

Synopsis:Macbeth was Giuseppe Verdis first attempt at music drama and also the first manifestation of his profound love for Shakespeares work. Verdi took great pains with this opera, displaying special enthusiasm for it as he concentrated on the main characters of Lady Macbeth, Macbeth and the witches. This recording of Luca Ronconis production is conducted by Giuseppe Sinopoli, who brings fresh color to Verdis score. The cast, headed by Renato Bruson and Mara Zampieri, are strongly supported by a fine-toned and adaptable chorus who ably meet the demands of Verdis great chorus opera.


04

DAY

03


05

zeo {ufkukykukhk : keMkuk zeoekukku : kLMkuMfku {krhk keykuftzfxh : keMkuke MkeLkkukkue

kkk : RxkrLk (ytkuS MkkxkRx)

u : RxeMkkisL : RMkekwkku RkkekLkku e f[h, Lke rne

Mkkhkt :{ufkuk yu keMkuk zeoLkwt k{ Mktkek Lkkxf nkwt ku{ s uMkrkhLkkt fk{ {kxuLkk kkukkLkk kk u{Lkwt k{ ktk nkwt. zeoyu yk ykukhk {kxu e kfeV Wkkze su{kt ku{u uze {ufkuk, {ufkuk ku{ s zkfkkuLkkt {w kkkku kh kh ykke yuf yk s swMMkku kkkku. wfk hkuLfkuLke kuzLkLkkt hufkuzeOkLkwt Mkt[kLk keMkuke MkeLkkukkue yu fwo Au, su zeoLkkt Mktkek Lku yuf Lke [kR ykku Au. {w fkfkhku heLkkkku kwMkku yLku {khk uBkeyuhe ku{s ke fkfkhkuLku MkhMk rLk hkkk yLku yLkwfw yuk fkuhMkLkku {skqk xufku Au, yuwt fkuhMk su zeoLkkt {nkLk fkuhMk ykukhkLke sYhekkku kqhe fhu Au.

DAY

03

CREDITS

Festival Director and Curator:Chintan Pandya

Festival Team:Mat Courgeon, Mruga Thakkar, Hemang Dave, Bharat Molker, Rupesh Bavisker,

Aman Agrawalng Dave, Raunaq Kamdar, Mruga Thakkar

Translations in Gujarati:Sagar Shah, +91-9824061109, [email protected]

Abhimanyu Acharya, +91- 9033000917, [email protected]

Design:Anuja Khokhani, +91-9925051007, [email protected]

OFFICIAL ENTRIES

Alliance Franaise dAhmedabadBritish Council

Embassy of France in IndiaGoethe Zentrum Ahmedabad

Gujarati Sahitya ParishadInstitut Franais

Istituto Italiano di Cultura, New DelhiNational Institute of Design (NID)

Pro Helvetia - Swiss Arts Council, New Delhi

CURATED or INDEPENDENT ENTRIES

BIG hARTBroadway

Compania Finzi Pasca & Atelier SieviDschoint Ventschr Filmproduktion, Schweizer Radia und Fernsehen,

Georg und Bertha Schwyzer-Winker StiftungKarius and Bartus Productions

TigerLily Media

Fanatika International Theatre documentary Festival Catalogue 2014

Documents

Transcript of Fanatika International Theatre documentary Festival Catalogue 2014