Fairfight Brand Manual
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Transcript of Fairfight Brand Manual
{Story
The Marque
Colour Palette
Correct Usage
Typography
Stationery & Promotional Material
Marque Applications
Contents
{In 1986, Thomas Doherty, a tailor, designer, jeans enthusiast
and avid denim collector from Sheffield was inspired to
produce his own brand of premium denim after finding a rare
pair of vintage jeans. He then set out to replicate the American
classic 1944-style jean with an almost obsessive attention to
detail and strongly influenced by 1950’s Americana. Thomas
used his experience in the vintage clothing import business
and poured it into his love of denim and began collecting the
elements required to produce the vintage inspired jeans he
wanted to create. This involved gathering machinery that had
not been produced for over 40 years. The initial production
allowed just 15 pairs to be made a day but each one had the
hand painted Fairfight marque, now the signature of the
brand, put on by Thomas himself. Nowadays we produce our
products in greater quantity, but keeping the quality the same
as it’s always been.
The name Fairfight is derived from a respectful, structured
way of confronting each other on issues that are causing
open or hidden conflict. It is a method for handling and
resolving the differences of opinion that inevitably occur
between spouses or partners. Fairfight is a brand that can be
enjoyed by fashion-conscious males and females who take pride
in the quality and craftsmanship of the garments they wear.
{The Marque
T he Fairfight logo has been developed as a balanced
whole and at no time may the shape, configuration, or
proportions be altered. The correct proportions are shown here.
Consistent use of the logo helps maintain the integrity of the
brand and ensures greater brand recognition.
Our marque is made from two components, two ‘F’s and
one ‘T’. The two F’s are the abbreviation of our name,
Fairfight. The negative space created by the Fs, and the line
at the top gives the ‘T’ for tailoring, our speciality. We value
the marque’s simplicity, and it’s ability to communicate the
company’s ethos. The marque is strong, bold, unisex, quality
and exclusive.
9x
11x
11x
x
x
x
x
x
x
3x
3x
4x
x
1.
2.{Permitted orientation
variants
T hese images show the accepted variations of the marque and accompanying typography. Under
no circumstances must these two formats be deviated from. The first diagram is our primary format, and the orientation that is most readily used within the brand, the second allows the marque to occupy a less linear space and should be used when space doesn’t permit the primary format. The marque may be used on its own, but the typography must never be used without the marque.
15x
x
3.25x
3.25x
5.25x5.25x
14.5x
x
xT A I L O R I N G
15x
5x
x
3.25x
5.25x
xT A I L O R I N G
3x
3x 3x
3x
{ 3x
3x
3x3x
3.5x
Minimum distance requirements
T o preserve the integrity of the logo and ensure maximum
impact in environments where it appears with other
elements, clear space must be maintained on all sides of the
logo. The minimum clear space required is relative to the size
of the logo. It is equal to the 3 times the length of x, and is a
mandatory requirement.
{Colour Palette
{Fairfight is a uni-sex brand, and where possible we
keep most of our products and marque applications
as such, but to aid our customers in identifying the gender of
the clothing they are looking at, we use two colour variations
of our prime marque. The golden colour variant is for males,
and the silver colour is for females. In printed material and
stationary we used the gold colouring and as such we identify
gold as our primary colour variant, silver as the secondary. Our
alternative colouring and texture is for advertising, television
and other media where the extra decoration is required.
Men’s clothing
Primary Secondary Alternative
Women’s clothing Advertising + TV
Pantone 8960c Pantone DS Process Black
Primary colour scheme
Pantone 8400c Pantone DS Process Black
Secondary colour scheme
Golden Texture Golden Texture Marque
Alternative colour scheme{Pantone colour swatches are used to maintain the
universal standard of colour consistency used within
Fairfight Tailoring’s corporate identity.
The three colours used by the Fairfight brand are as follows;
Pantone 8960 C : Fairfight Tailoring’s primary colour. Used on
our prime marque, and on all stationary and printed material.
This swatch also represents our male clothing line.
Pantone 8400 C : Fairfight Tailoring’s secondary colour. This
swatch is used with our female clothing line, and all associated
material.
Pantone DS Process Black : Fairfight Tailoring’s backing
colour. Used in situations where sufficient contrast isn’t
available. Used on our stationery, clothing labels and on most
of our printed material.
Below is the alternative method of colouring the fairfight
marque which is typically used in advertising; the golden
texture. It is available by request and should not be replicated
using a different texture. It should also not be used on any
printed material such as stationary, and reserved for media
where the extra decoration is required.
Colour Palette
{Secondary colour combinations{Primary
colour combinations
{Correct usage
T A I L O R I N G
T A I L O R I N G
T A I L O R I N G
T A I L O R I N G
T A I L O R I N G
T A I L O R I N G
T A I L O R I N G
T A I L O R I N G
Never place items that
invade the marques
protected area.
T A I L O R I N G T A I L O R I N G
1. 2.
3. 4.
5. 6.
7. 8.
9. 10.{The Fairfight logo has been carefully designed to reflect
the brand personality of Fairfight and it should always
appear in it’s original form with sufficient clear space
surrounding it. To ensure the impact and preserve the integrity
of the logo, any deviation from the established standard usage
is prohibited. The following examples show improper usage of
the Fairfight Tailoring logo.
1. Never recolour the marque with a colour other than those
specified in this manual.
2. Never place a reverse stroke around the logotype.
3. Never reproduce the marque onto a complex background.
4. Never place the marque over an image that lacks sufficient
contrast.
5. Never rotate the marque.
6. Never place items that invade the marques protected area.
7. Never use the logotype as a marque. It must always be
accompanied with the symbol.
8. Never reproduce the Prime Marque so it cashes with other
brand’s corporate elements.
9. Never stretch the logotype.
10. Never squash the logotype.
Incorrect usage
1.
2.
A U T U M N C O L L E C T I O N{The Fairfight marque is often used in conjunction with
photography and as such, we request that any images
that bare the marque must first be considered by our marketing
team. Here are two examples of correct marque and image use;
1. Here is a piece of our advertising material for our store
launch in Paris. The marque is coloured using the alternative
style, but to create sufficient contrast it has been placed over a
black rectangle at 75% transparency.
2. This image shows the marque used within a brochure
format. The marque is housed within a rectangular box set
to the maximum safe distance. This method ensures that the
marque has high legibility and impact.
Image usage
{Typography
Myriad Pro BoldMyriad Pro Regular
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1 2 3 4 5 6 7 8 9 0
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1 2 3 4 5 6 7 8 9 0
AaAa{Primarycompanytypeface
The Fairfight logo uses Myriad Pro Regular for its
accompanying typography. Under no circumstances
must this typeface be altered. Myriad Pro Bold may be used
in circumstances and documents where the regular typeface
doesn’t provide sufficient legibility. 12 point type should be used
with 14 point leading with both of these typefaces.
Didot ItalicDidot Regular
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1 2 3 4 5 6 7 8 9 0
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1 2 3 4 5 6 7 8 9 0
AaAa{Secondary company typeface
Didot Regular, and Didot Italic are our secondary
typefaces. They are to be used on print and web
material. These are the only two typefaces to be used on our
material and products unless otherwise specified. We prefer the
use of this typeface and it’s family to be loosely leaded, to aid
with legibility on important documents. 12 point type should be
used with 18 point leading.
{Stationery
{C ompany business cards are 85mm x 30mm in size.
These dimensions are to be followed strictly and under no
circumstances should the size of the business card, or its
contents be changed.
The card is duo-tone, making use of the company’s Gold
and Black (Pantone 8960C and Pantone DS Process Black
respectively).
Tom Doherty
Tel: (020) 7493 4820
Fax: (020) 7493 4821
Email: [email protected]
85mm
85mm
30mm
12mm
12mm
30mm
5mm 5mm
6mm
16mm
16mm 8mm 8mm36mm
8mm
7mm
7mm
6mm
6mm
Businesscard
{The standard Letter Head is A4 size.
The following rules must be adhered to when replicating the
company letter head;
• The Fairfight Marque is set in the top left corner in the
company’s golden Pantone swatch, against the black strip.
• The page margins are set at 30mm. All other measurements
are noted in the example to the left.
• Main body text is Myriad Pro regular set at 12 point,
whilst the address section at the bottom is 7 point.
30mm180mm
18mm 80mm
10mm
23mm
40mm
60mm
90mm
110mm
284mm
255mm
30mm 58mm 89mm 120mm 155mm 180mm
301-309 Oxford Street, London, W1C 2DN Tel: (020) 7493 4820 Email: [email protected] www.fairfight.co.ukFax: (020) 7493 4821
Dear Fairfight Tailoring,
Dus. Soluptaquis eum sedigniam, tem verest, odia dunt, offici quis dolor molorpores sant accus, et quam aut et quam ut que peditaspis ea nonsere, cuptis ea volore rem. Eni nullabo ruptatur ma volorem. Nam quasperore nemquidusam samus moditat apis iniae prat ut od ex es dendenienis esed qui unt, nissequate nullaciis dendit estia con earunto dolupta ereseque que omniet et il ipictur abo.
Ut explauda voluptiatur am vent es et aut estibereptam ut faccus, odis min est, sequia sumquam velent, que peligendam sentibusti nos rescilit adis volore delita preptas aut doluptur sus, et quides eatatqui repudia sollaut quiam quiatet et exerroriam, sin necum laudipis mod qui aut ommolup tatiur, inis con por receatecum faccuptati ommolup taepel endest, consequiam voleseq uisquis molorunt, voles archici psaerro optatat ma volorerum qui cum quam, totae estion nimolento moluptiur si doluptatiur? Ed qui cuptatur mil eicto venditis qui cus alis arum labo. Nequi dolupti ossitempor ratium eossuntis eatem dolorum corepuditat.
Yours sincerely,
Fairfight Tailoring
Fairfight Tailoring301-309 Oxford Street, London, W1C 2DN
5th February 2012
Letter Head
{ 30mm
10mm
23mm
40mm
60mm
93mm
100mm
With Compliments
301-309 Oxford Street, London, W1C 2DN
Tel: (020) 7493 4820 Email: [email protected] www.fairfight.co.ukFax: (020) 7493 4821
30mm 58mm 89mm 120mm 155mm 180mm
180mm
23mm
40mm
65mm
85mm
10mm
30mm
18mm 80mm
The company Compliments Slip is of the standard size.
(210mm x 99mm).
The following rules must be adhered to when replicating the
company compliments slip;
• The Fairfight Marque is set in the top left corner in the
company’s golden Pantone swatch, against the black strip.
• The page margins are set at 30mm. All other measurements
are noted in the example to the left.
• Main body text is Myriad Pro regular set at 12 point,
whilst the address section at the bottom is 7 point.
Compliments slip
S U M M E R C O L L E C T I O N A U T U M N C O L L E C T I O N
A U T U M N C O L L E C T I O NA U T U M N C O L L E C T I O N
A U T U M N C O L L E C T I O N{To the right are examples of some of Fairfight’s launch
catalogues, at the standard A4 size.
The Fairfight Marque may be set in one of four places, as
demonstrated by the images. The margins and columns dictate
the placement of the marque, and must be followed precisely.
For ease of placement the marque should be applied with
it’s maximum distance requirements met. This constrains
the marque to a rectangular box that fits the constraints of
the columns. The following must also be adhered to when
replicating/creating these catalogues;
• The page margins are set at 12.7mm.
• There are five columns, each with a 4mm gutter in between.
• The imagery should be duo-tone, in one of the company’s
colours and white.
• The images must also have prior approval from the
Fairfight marketing team.
A4 calalogue
S U M M E R C O L L E C T I O N S U M M E R C O L L E C T I O N
{To the right are two examples of some of Fairfight’s launch
brochures, at one third of A4 size.
The Fairfight Marque may be set in one of two places, as
demonstrated in the images. The margins and columns dictate
the placement of the marque, and must be followed precisely.
For ease of placement the marque should be applied with
it’s maximum distance requirements met. This constrains
the marque to a rectangular box that fits the constraints of
the columns. The following must also be adhered to when
replicating/creating these catalogues;
• The page margins are set at 12.7mm.
• There are three columns, each with a 4mm gutter in
between.
• The imagery should be duo-tone, in one of the company’s
colours and white.
• The images must also have prior approval from the
Fairfight marketing team.
Brochure
{Applications
Merchandise{ Flagship Store in London
Merchandise
Store Launch Images
{Merchandise
Here are some examples from Fairfight’s launch stock,
which indicates the manor in which we use the brand’s
marque on products. We like the marque to be prominent on
all our garments. There are exceptions but as a general rule
we only use the marque on the garments and accessories, the
accompanying typography is on the inside label, or on the tag.