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Annual Report 2011 - 2012

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“Face front has again liberated the voice of young people and created an environment for disabled, vulnerable and other disadvantaged young people and adults through their inclusive programme of work. Face Front highlights the individual importance of their participants to take control of their lives, be engaged and to be inspired. In this challenging time of funding Face Front needs all the resources so that it can continue the great work it does.”

Mat Fraser

Face Front Inclusive Theatre creates original, ground-breaking Inclusive Theatre with a company of disabled and non-disabled artists. The company produces professional, entertaining and challenging multi-layered theatre, through its Theatre in Schools, Participation and Theatre programmes.

Performances and workshops are carefully crafted to be accessible to all, including people with physical, sensory and learning impairments, which take place in regional theatres, schools and a variety of venues. Face Front aims to:

Patrons“An invaluable company to the participants it serves. Face Front continues to deliver dynamic and high quality work to drive innovation to its’ participants. The context of the work is important as it is developed from the very grassroots to the professional stage and it requires immense commitment to get it right and to keep on finding new ways in which to exist. Face Front will continue with the drive and passion that it has always set out to do, this company is one to watch.”Josette Bushell-Mingo

Aims and objectives of Face Front

• Use the arts as a tool for social engagement in all aspects of society

• Create pathways to employment in the arts for disabled people and those not traditionally involved in the arts

• Develop productions that explore social issues, raise awareness and enable people to engage in the process of change

• Provide programmes that enable disadvantaged adults and children to participate in the arts

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This year has seen Face Front in consolidation mode, enabling the company to embed the structural staff changes carried out last year.Much has been achieved including a successful application to Enfield Council’s Capacity Fund. ‘Interaction’, our intergenerational project was set up and has seen many positive outcomes for everyone involved. Y360, the youth offending project has gone from strength to strength, as has Act 4 Change Youth Theatre. Y360 is working in partnership with Central School for Speech and Drama as well as building towards a site specific performance.

Act 4 Change, is for 11 to 25 year olds, giving them a real grounding in play-making, from showcasing young acting talent to gaining backstage knowledge of lighting and sound.

Earlier in the year, Face Front’s contribution to the Cultural Olympiad was a fantastic community show ‘Ponderful People’. It wove together history, wonderful stories and contemporary dilemmas, as told by the people of Ponders End, Enfield. It was enthusiastically received by people from all over North East London and raised the profile of the area.

The company was involved in ‘The Challenge’ this year, a project to give 15 young people the opportunity to help us improve the office space, which has benefited from a much deserved ‘sprucing up’.

In partnership with Immediate Theatre in Hackney, Face Front produced a schools brochure, focusing on the curriculum areas best suited to creative process. Over the years the two companys

have built up a respected repertoire of workshops and theatre in education performances. This brochure provides a comprehensive summary of what we can offer schools together.

‘Whisper me Happy Ever After’ is a new play about power in family relationships, aimed at Years 5 - 7 and touring to schools this November. It highlights the effects of witnessing domestic violence and provides signposts to support for those who have seen it happen.

I would like to thank everyone at Face Front for all their dedication, commitment and persistence, to all freelance artists and volunteers, to my colleagues on Face Front’s Board of Directors and finally to the funders without whom we would not be able to continue our work.

Face Front continues to pioneer positive social change through artistic excellence thereby creating an inclusive world. This is the last year for me as Chair, I have enjoyed the time and wish Face Front all the best for its future.

Patricia PlaceChair

Face Front Inclusive Theatre

Chair’s report Contents

2 Patrons

2 Aims and Objectives

3 Chairs Report

4 Directors Report

5 Financial Report

6 Special Projects - Performance

6 Theatre Programme

8 Theatre in Schools Programme

10 Participation Programme

11 Workshop Programme

12 The Future

13 Who is Face Front

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Face Front has had another excellent year reaching over 18,000 people throughout London, none of this would have been possible without the help and support of so many people both inside (staff) and outside the organisation.

We want to continue to work with our partners and empower our staff to continue to develop the vision, the public perception and the identity of Face Front. At the core we want to extend the reach of our work so that we create greater opportunities to inspire young people, develop new work and to become the leaders and innovators of inclusive art.

In order to achieve our goals and the high standard of our work we need the support of external agencies and to continue developing substantial partners, however we are very grateful from the support we have received to date.

This year the company has created some great work and we are very proud of all the achievements made including:

• ‘InterACTion’ a series of inter-generational projects culminating in a community show celebrating the values of the Olympics. The show, ‘Ponderful People’ linked our three programmes together with a cast of 50 people from 9 - 90 years in age.

• ‘Riot from Wrong’ a documentary film made with a steering group of 14 young people about the summer riots of 2011. The film was extremely well received and had audiences of 2000+ people over 11 screenings.

• ‘Whisper Me Happy Ever After’ a new Theatre In Schools production for 9 - 13 years about the way domestic violence

affects the mental health of children and young people.

• ‘Act 4 Change’ our new inclusive youth theatre which is going from strength to strength as the young people from 11 - 25 years are developing their performance skills with guest artists.

We would like to say a very special thank-you to Patricia Place our Chair who over the last three years has tirelessly led the company through its transition to a more business like model with a robust structure in order to secure our success in the future. Annie Smol Artistic Director

Natasha GrahamExecutive Director

Director’s Report

Face Front continues to pioneer

social change through artistic

excellence thereby

creating an inclusive world

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Financial Report

As we are a registered charity we can accept donations and any payments made under the Gift Aid scheme, if you are a taxpayer, the government allows us to claim back 25p in every pound you give.

Please do not hesitate to contact us if you can help us in this way and feel assured that you will be investing in a well run company that really makes a difference.

Running Costs (£10,482)Rent & Rates (£7,589)Wages & Salaries (£115,928)Depreciation (£5,205)Marketing (£3,989)Training (£2,307)Access (£9,040)IT Costs (£4,163)Governance (£2,883)Fundraising expenditure (£231)Utilities (£1,601)Transport (£3,304)Professional Fees (£918)Venue Hire (£757)Performance & Workshop Costs (£12,502)Performance & Workshop Staff (£66,912)

Sales (£87,869)Investment Income (£129)Donations (£701)Grants (£175,307)

Breakdown of Income 2011-2012 (Total £264,006)

Breakdown of Costs 2011-2012 (Total £247,820)

Face Front Inclusive Theatre’s financial year now runs from April through to March, so this report covers a full 12 months from April 2011 – March 2012. For this period our turnover was £264,006.

While the challenges we face are real we are confident that we will continue having a robust financial performance next year and to continue our vision and strategic objectives. We will continue to strive for raising funds through Trusts and Foundations, local authorities and donors to ensure that we can continue our hard work.

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Theatre ProgrammeSpecial Projects - PerformanceINTERACTIONIn order to celebrate the values of the Olympics, Face Front organised a unique project linking our three programmes together. After an extensive outreach programme of inter-generational workshops, professional actors from our Performance and Theatre In Schools programmes worked with over fifty disabled and non disabled people from 7 – 90 years old (many of whom had never performed before), to make a play that celebrated the lives and achievements of local people. The play ‘Ponderful People’ was written from true stories and ideas from a volunteer writing group and put together by Leesa Gazi, Jon French and Annie Smol. It was presented in a giant marquee in Ponders End Park to sell out audiences of all ages, abilities and diverse cultures. The play included narration in five different languages, music, dance led by young people, and stories that were acted out that ranged from a bombing in the ‘40’s to a mixed cultural relationship from 2012, from a publican that had wild animals in the ‘70’s to concerns about crime and safety today.

The show was very well received with over 1000 people being involved in the whole process. We are very grateful for the help from all our partners on the project including The Starz dance group, Enfield Women’s Centre, Ponders End Development Trust, Community Aid, MIND in Enfield, Opportunity Centre, Alma, St Matthews, Kingsmead and Nightingale schools, and to our funders including Enfield Council, Fair Share/Community Foundation and BIG Lottery.

“I never thought I could do it, I never did anything like this before, but I did it and my family were so surprised and pleased!”. - Older participant (80+ years)

“Face Front is not afraid to tackle difficult issues and pulled off an amazing show that was thought provoking, sensitive, entertaining and full of community joy and energy.”. - Audience member

HEALTHY LIVING ROADSHOWA legacy group was developed out of the show called’ InterACTion’ The group of 15 participants from 6 – 80 years performed street theatre in Ponders End Park including music and drama. The piece was performed three times to over 250 people and was commissioned to promote the healthy activities going on in the area provided by local community groups. The group thoroughly enjoyed themselves as did the audience. The group will continue to meet weekly to develop their performing skills and create more drama around the heritage of the peoples of the area. “It was incredible – I especially liked the way you used all the different languages”.. - Audience member

“I loved doing the show so much”. - Participant 9 years old

‘We cheer we share we care we mend, yes we are the people, the ponderful people,

Yes - we are the people of Ponders End’

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Face Front is developing a touring programme of high quality inclusive theatre to expand our regional and national profile, increase new audiences, promote disabled artists and develop and share our multi-layered accessible style. This year we have been working towards a new production for children that will tour nationally in 2013/14.

RESEARCH AND DEVELOPMENT.The new inclusive production is taking sound and story as its starting point in order to make the work fully accessible to visually impaired children. Annie Smol has been working with Blind writer Alex Bulmer and musician/sound designer Jude Christian to research our new production in primary and special schools. We have been working with 850 children predominantly from 5 – 7 years old sharing stories, songs and sounds in our search to find the right piece of literature for our writer to adapt and to immerse our artists in the lives and cultural references of the age-group.

“Thank you for coming to our school the workshops were wonderful the children were completely engaged and there was the added bonus of meeting Alex and Zeus(her dog) and learning about the senses.”

- Teacher

“Please can you include a nice juicy scary bit’ ”

- Pupil

“I’m going to gather all my friends and make a story group and make 2 stories everyday and make them as brilliant as I can.”

- Primary Pupil Age 6

“You have shown me that I can be the boy I have always dreamed of being

- Blind pupil in respons to Alex Bulmer.

We reached 1000 people with our theatre programme this year.

The work has been funded by Enfield Council who continued to fund the project after our London Council funding was over. Schools visited Primary: Houndsfield, Hazelbury, Eldon, Fleecefield, Latymer All Saints. Special schools: Joseph Clarke, West Lea.

Theatre Programme

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The Theatre in Schools Partnership brings together the expertise, resources and touring programmes of Face Front and Immediate Theatre, two highly successful theatre companies based in North and East London. We are able to create accessible issue based theatre closely linked to the needs of schools with the artistic qualities to creatively engage and inspire pupils, supporting their social, educational and creative development and helping them to lead active, healthy and positive lives.

TISP AIMS TO:

• Involve all young people in the creation of theatre for schools.

• Work inclusively, advocating the transformational impact of the arts to the lives of all young people.

• Improve the artistic quality of professional theatre offered to schools through peer mentoring and sharing of expertise.

TiSP worked with 11,000+ young people in primary, secondary and special schools in Enfield, Haringey, Waltham Forest, Redbridge, Newham, Tower Hamlets, Barking and Dagenham, Islington and Hackney.

SEXFMSexFM’ 2012 was the 12th tour of this highly acclaimed Forum Theatre programme for young people of 13 - 15 years it was adapted this year into performance workshops to be more flexible to schools.

Funded by Enfield Council, Enfield’s Curriculum Access and Support for PSHE and healthy schools. WHISPER ME HAPPY EVER AFTER‘Whisper me Happy Ever After’ is a new play for schools written by Julie McNamara. The play explores the way domestic violence affects the mental health of young people and is for audiences of 9 – 12 years. The show was developed with over 300 disabled and non disabled children and young people from a variety of Enfield schools and groups. Research was also undertaken with organisations that support victims of domestic violence, that help children with mental health issues and women and children who have experienced violence in the home. The play aims to:

Develop strategies for dealing with violence in the home to increase resilience, reducing stress, improving general emotional well being and school attendance.

Raise awareness about domestic violence, teaching peer support skills and informing children and young people about how to get help and support. The play is interactive following the successful model of ‘SexFM’. The audience see the children’s story and then help the characters to find ways of making things better, the team compliment this by giving information about where to go to for help and who can support the family. With

the aid of the audience, the play ends with the characters much more settled and ‘happy’.

The show is touring to primary, secondary and special schools late 2012 and 2013. Funded by London Councils, Enfield Council, Tottenham Grammar School Foundation, BIG Lottery and ERPF.

Theatre in Schools Partnership

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TISP Theatre in Schools

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Participation ProgrammeYOUTH PARTICIPATION‘Act 4 Change’ is the name of Face Front’s youth participation programme. It is led by our participation managers Shirley Mason and Christina Sammoutis supported by young people on our steering groups. We also run an adult participation programme and in total this year Face Front has worked with 567 participants and 4901 audience members through workshops, shows and film screenings.

MY LIFEAfter our first initial period with young parents that ended up with a documentary about the lives of the young parents we have now moved to a second stage working with and training the existing and new young parents in facilitation skills, helping them to create models to deliver workshops to their peers and professionals working in the sector of young parents. The next phase of ‘My Life’ is to offer an interactive workshops that is led by a professional facilitator and two of the young parents. There will be two workshops on offer one that is aimed at young parents and one that is aimed at professionals working with young parents. The workshops will involve role-play, discussions and group work providing a stimulating and thought provoking learning experience to its audience, it will enable:

• An insight into the lives of young parents for professionals who work with them including health professionals, housing officers, police, youth workers, teachers and early years workers including techniques and tools to be able to support and challenge young parents.

• How to be a good parent - training for young parents around childcare and also a place to open up discussion on challenges and concerns around parenting.

• Parenting and sex education for young people in youth groups or school.

Y360Y360 is a research and development programme which began in January 2012 and will complete in October 2013 focused on challenging and reducing youth offending.

The programme uses multi art forms to work towards reducing offending and rehabilitation through identifying and addressing the causes, effects and consequences of offending behaviour from a diverse range of people whose lives have been affected by the criminal justice system including offenders, ex-offenders, victims, family members, community, the probation service and police. The young people of the programme are often managing multiple issues which can contribute and increase the likely hood of them becoming involved in crime and anti-social behaviour.

Through the entire process there is a focus on enabling all people who come into contact with the programme, from participants to audience the opportunity to gain an understanding and empathy for those effected by crime.

At the end of the research stage a mixed art-form, multi sensory, site specific exhibition will be created and curated at every level by a group of young people. The curation of the site specific exhibition

will bring together young victims and offenders, creating a safe and supportive environment for them to work together, focusing on methods of restorative justice. The piece will incorporate real stories, stories which have been gathered by the participants from those effected by crime. RIOT FROM WRONGFace Front supported Fully Focused in delivering a documentary called Riot From Wrong. It was a documentary around what caused the riots of 2011 and what were the underlying issues that provoked such mass unrest across the UK. Riot From Wrong was produced by 14 passionate young people, it took 4 months of filming, 60 interviews across the UK, 45 hours of footage and 200 hours of editing. The work produced was fantastic and was a credit to the young people involved and also Fully Focused. The work has been shown across the UK and in many film festivals.

ACT 4 CHANGE YOUTH THEATREAct 4 Change Youth Theatre is our flagship youth theatre facilitated by Face Front Inclusive Theatre. It provides a continued and connected programme of up skilling and training for young people between the ages of 11 - 25. The youth theatre concentrates in all areas of theatre production including backstage management, lighting, costumes, directing, writing and performance skills.

The impact of this youth theatre has helped to support young people through a transition of skills from confidence building, using the right communication techniques, gaining respect for their community and self-aspiration.

The youth theatre provides a safe, creative, space where young people

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Participation Programmehave gathered together to create high class quality inclusive theatre. The young people have been trained in various performing arts techniques: movement, vocal techniques, diction, physical theatre, mask and body language. In the future the programme will also look at furthering their knowledge of performing arts. This programme was set up in 2012 and is still in its early inception and we are very proud so far to what the group has achieved.

The project is funded by BIG Lottery, Enfield Council, Awards for All and Children In Need.

PERFORMING ARTS CLUBSFace Front’s Performing Arts Clubs are based in five Enfield Special Schools for young people with disabilities with one club, ‘Xplosion DDM’, taking place at the Face Front venue. ‘DDM’s’ participants primarily come from special schools and they are facilitated by young people who are both disabled and non disabled guided by an experienced arts practitioner.

Outcomes these young people have achieved include a growth in confidence, social and life skills, performing arts skills and the opportunity to make friends. Most groups are also developing their ability to perform in front of an audience and both West lea after school club and Xplosion DDM had successful ’End of Term’ showings as well as performing in the ‘Glee’ events with 16 other special and mainstream schools in 2011.

This year approximately 60 young people with disabilities have benefitted from this programme.

‘Her confidence has really grown and to see her acting is amazing for us’.

- Parent

‘DDM is great - everyone gets on and has a good time, learning drama and about life.’

- Participant

Funded by The Big Lottery, Children in Need and Awards for All and Enfield Council Participation Programme ADULT PARTICIPATIONFace Front works with disabled adults creating drama and theatre in a variety of projects including:

BROKEN SILENCE‘Broken Silence’ is a mixture of about 20 disabled adults with sensory and mobility impairments, mental health issues and learning difficulties.

Over Christmas 2011 / New Year 2012 the group performed their devised musical Christmas show, “The Most Precious Thing”. It told the story of Uncle Fred who always ruins Christmas, three magic snowmen and an evil hairdresser. It was performed at Park Avenue Disability Resource Centre in Enfield, Skinners Court Residential Home in Palmers Green and an unusual venue, the 24th floor common room of Mendip House tower block in Edmonton Green.

Broken Silence is currently working on a new devised show that will be told completely through movement and songs. The story, involving a time travelling microwave oven will show how very different life is today compared with the hardships of the Second World War. The first sharing of this production will be December 2012.

A wonderful show, the residents loved it - please come back as soon as you can’

- Events Organiser, Mendip House

Funded by Enfield Adult Services through Park Avenue Disability Resource Centre

Disabled and Deaf members of the Broken Silence group also created a site specific historical piece written by disabled artist Phil Setrun and directed by Moe evans. The piece was specifically commissioned by Enfield Council for the launch of the newly renovated Jacobean Forty Hall. The play was set in the 17th Century and the cast wore period costumes and performed a traditional dance as well as creating a wonderful historical play about the Rainton family.

‘An amazing performance by a truly talented and inspirational theatre company’

- Audience member

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Workshop ProgrammeFace Front has been delivering a variety of bespoke workshops for schools, statutory and voluntary organizations working with over 3000 young people and adults including:

CANCER WORKSHOPSWith one in three people affected by cancer, this workshop uses roleplay, improvisation and drama exercises to raise awareness of cancer and its impact.

Commissioned by One-to-One

CONTINUING PROFESSIONAL DEVELOPMENT /TRAINING EXCHANGE DAYS Training for teachers in the performing arts and how to use drama as a learning tool. Training for BA and MA performing arts students in inclusive arts and theatre for young people. Practical workshop/training exchange days for arts practitioners.

DRAMA FOR ADULTS WITH LEARNING DIFFICULTIES/DISABILITIESSupporting workshops with Stratford Circus.

DREAM CATCHERDrama workshops for 10 -11 years old about the steps and obstacles to achieving their dreams of work.

FRIENDSHIPDrama workshops and storytelling for 4 – 11 years around the theme of friendship.

PLAY IN A DAYWorking with a whole school year group to create a show including dance, song, poetry, drama, marketing and art.

PREPARATION FOR WORK EXPERIENCEThis year, ‘Face Front Inclusive Theatre’ has continued to offer schools interactive workshops and a presentation in preparation for work experience. Using real life dilemmas that previous work experience students have found themselves facing, participants use role play to explore work place dilemmas in order to find a favourable outcome. The students have responded with enthusiasm and have said how much they have learnt by being involved in the workshops.

Commissioned by Enfield Education Business Partnership.

SCHOOL ATTENDANCERole plays and presentations for primary and secondary schools on the importance of coming to school.

SEX AND RELATIONSHIPS Using role-plays from ‘Sex FM’ artists have gone into schools to work on sex and relationships issues with young people from 13 - 17 years. Teachers and pupils have commented on how much they have enjoyed the sessions and how it is a good way to learn.

Commissioned by Schools

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The Future

• ‘InterACTion’ - An inter-generational mixed cultural group promoting local heritage – stories of local people from past and present.

• ‘Whisper Me Happy Ever After’ – Development and tour of a play for 9 - 12 years raising awareness around the way violence effects the mental health of young people for 2013 and 2014.

• New touring Children’s Theatre production – working with disabled writer Alex Bulmer to create a new multi accessible piece for 5 – 7 years which will tour to national venues and rural touring circuits in 2013/14.

• A site specific project for young offenders/ young people at risk of offending and victims of crime. The project will work in partnership with Central School of Speech and Drama.

• A new theatre production by ‘Broken Silence’ looking at issues of concern for disabled adults for disabled and non disabled audiences.

• ‘Act 4 Change’ Youth Theatre will present a musical in Enfield in Summer 2013.

• Extensive workshop programme to sell to schools, corporate, voluntary and statutory organisations.

• Create a film to promote and pass on the learning from our 4 year ‘Act 4 Change’ youth participation programme.

• Working with Pilotlight to continue to work more effectively and to ensure we make a significant impact on our clients and to implement further growth, development and sustainability to the organisation.

• Face Front will continue to do extensive fundraising, develop capacity building, looking at ways of growth, to put into place a new marketing strategy and to create a new business plan for new economic times.

Face Front has plans for the short and mid-term future building on the success of the work achieved so far to create innovative inclusive theatre projects for schools, national touring and participation. Face Front aims to extend its reach and profile both regionally and nationally in the next three years.

Projects planned include:

Funders

Abel Charitable Trust

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PATRONS Mat Fraser and Josette Bushell-Mingo. BOARD OF DIRECTORSAndrew Bradford, Geoff Folkes (Treasurer), Claire Fossey, Jackie Kohnstamm, Patricia Place (Chair), Jacquelyn Shreeves, Annie Smol (Company Secretary), Alan Spence. STAFF Annie Smol (Artistic Director), Natasha Graham (Executive Director), Tracey Viechweg (General Manager), Shirley Mason (Participation Manager), Christina Sammoutis (Participation Manager). VOLUNTEERSDavid Ambersley, Andrew Bradford, Danny Charalambous, Jon French, Candice Harris, Joseph Hynes, Roweena Mason, Jessica O’Hare, Rebecca Seabrook, Joanna McCarthy, Mo Cross, Anthony Kralik, Peter Faventi, Anthony James, Casey Enkel, Rima Chowdhury, Greg Williams, Donna Sam, Suvi Eskola, Jodie Wilson, Antonia Vasiliou, Amber Dengel. Jade Dengel, Anne McGilChrist, Terry Green, Kamal Karimullah, Edagul Ulucay, Berxwedan Kockaya, Naveed Hassan, Isadora Edwards, Ryan Dengel, Mo Cross. ADVISORSKate O’Reilly, Jean St Clair, Jeni Draper FREELANCE / PROJECT STAFFRay Downing, Julie McNamara, Francessca Newham, Rachel Denning, Teddy Nygh, Leon Wander, Emma Akwafo, Michael Efthymiou, Pete Faventi, Ellen Goodey, Phil Setren, Alicia McKensie, Rachel Hickson, Terry Sweeny, Jo Melville, Moe Evans, Steve Ball, Greg Williams, Zenah Leigh, Jo Bakhurst, Danny Thompson, Lyndsey Fouracre, Siobhan Kerry, Joe Hornsby, Vicki Hambley, Jean St.Clair, Nigel Kellaway, Natasha Walsh, Joe Conteh, Everton Dolphy, Julie Parker, Leesa Gazi, Debbie Dean, Caner Sahin, Chiara Canal, Sam Dean, Laura Davitt, Sheun Sewell, Nick Lacey, Caner Sahin, Sohini Alam, Lyndsey Fouracre, Alex Bulmer, Jude Christian. INTERPRETERS/SUPPORT WORKERSCatrin Thomas, Valerie Harnet, Angel Gordon White, Trish Smith, Shahin Hoque, Anne Molloy, Laura Rouse, Liz Scott. PHOTOGRAPHERSRobert Workman, Andrew Bradford, Mo Evans, Annie Smol. GRAPHIC DESIGNERSSiaeed Alam, Nigel Kellaway.

PARTNERS Face Front Inclusive Theatre is an associate theatre company of Millfield Arts Centre.

Immediate Theatre, Stratford Circus, Enfield Education/Healthy schools, Haringey Council Education, Enfield and Haringey Teenage Pregnancy Units, Enfield Joint Services for Disabled Children and Young People, Enfield Adult Services, Enfield Youth Support Service, Park Avenue Disability Resource Centre, Enfield Education and Business Partnership, Enfield Disability Action, CancerLife, One to One, Nightingale Academy, Fleecefield school, Edmonton County School, West Lea School, Eldon Tuition Centre, Enfield Extended Schools Team, Enfield Young Parents Project, Barnados Children’s Rights, Newham Community Engagement Team, Ponder’s End Community Trust, Enfield Women’s Centre, Community Aid, MIND, Enfield Age UK, Rosehill Press, Alma School, Brettenham School, United Reform Church, The Artzone.

Who is Face Front

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IT’S ABOUT BELONGING

52 Market Square, Edmonton Green, London N9 0TZTelephone - 020 8350 3461 | Fax - 020 8350 3461

Emai l - admin@facefront.org | Websi te - www.facefront.org

Patrons: Mat Fraser and Josette Bushel l Mingo

Face Front Inclusive Theatre is a company l imi ted by guaranteeRegistered Off ice: 52 Market Square, Edmonton, London N9 0TZ

Registered in England and Wales No. 05154096 Registered Chari ty No. 1116506