Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr....
-
Upload
francis-howard -
Category
Documents
-
view
220 -
download
0
Transcript of Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr....
![Page 1: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/1.jpg)
Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]
![Page 2: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/2.jpg)
Dan Flavin. Untitled (in honor of Harold Joachim) 3". 1977.Pink, yellow, blue, and green fluorescent light. 8 ft. square across a
corner.© 2012 Stephen Flavin/Artists Rights Society (ARS), New York. Photo: Billy Jim. Courtesy Dia Art Foundation. Collection Dia Art Foundation. [Fig. 6-2]
![Page 3: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/3.jpg)
Leonardo da Vinci. Madonna of the Rocks. c. 1495–1508.Oil on panel. 75 × 47 in.
© National Gallery, London / Art Resource, NY. [Fig. 6-3]
![Page 4: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/4.jpg)
J. M. W. Turner. Rain, Steam, and Speed—The Great Western Railway. 1844.Oil on canvas. 33-3/4 × 48 in.
Erich Lessing/Art Resource, NY. [Fig. 6-4]
![Page 5: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/5.jpg)
Paul Colin. Figure of a Woman. c. 1930.Black and white crayon on light beige paper. 24 × 18-1/2 in.
© 2012 Artists Rights Society (ARS), New York/ADAGP, Paris. Lent by Frederick and Lucy S. Herman Foundation to the University of Virginia Art
Museum. [Fig. 6-5]
![Page 6: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/6.jpg)
A sphere represented by means of modeling. Line art.[Fig. 6-6]
![Page 7: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/7.jpg)
Artemisia Gentileschi. Judith and Maidservant with the Head of Holofernes. c. 1625.
Oil on canvas. 72-1/2 × 55-3/4 in.Detroit Institute of Arts, USA / Gift of Mr Leslie H. Green / The Bridgeman
Art Library. [Fig. 6-7]
![Page 8: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/8.jpg)
Mary Cassatt. The Coiffure. c. 1891.Graphite with traces of green and brown watercolor. approximately 5-7/8 ×
4-3/8 in.Rosenwald Collection. Photograph © Board of Trustees, National Gallery of
Art, Washington, D.C. [Fig. 6-8]
![Page 9: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/9.jpg)
Michelangelo. Head of a Satyr. c. 1620–30.Pen and ink over chalk. 10-5/8 × 7-7/8 in.
Giraudon/Art Resource, NY. [Fig. 6-9]
![Page 10: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/10.jpg)
Shirin Neshat. Fervor. 2000.Gelatin silver print. 66 × 47 in.
Courtesy of the artist and Gladstone Gallery, New York and Brussels. [Fig. 6-10]
![Page 11: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/11.jpg)
Mary Cassatt. Study for the painting In the Loge. 1879.Pencil. 4 × 6 in.
Museum of Fine Arts, Boston. Gift of Dr. Hans Schaeffer. 55.28. Photograph © 2012 Museum of Fine Arts, Boston. [Fig. 6-11]
![Page 12: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/12.jpg)
Mary Cassatt. In the Loge (At the Francais, a Sketch). 1879.Oil on canvas. 32 × 26 in.
Museum of Fine Arts, Boston. The Hayden Collection - Charles Henry Hayden Fund, 10.35. Photograph © 2012 Museum of Fine Arts, Boston. [Fig. 6-12]
![Page 13: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/13.jpg)
Hiroshi Sugimoto. Studio Drive-in, Culver City. 1993.Silver gelatin photograph. dimensions variable by edition.© Hiroshi Sugimoto, courtesy The Pace Gallery. [Fig. 6-13]
![Page 14: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/14.jpg)
Hiroshi Sugimoto. Seascape: Baltic Sea, near Rügen. 1996.Silver gelatin photograph. dimensions variable by edition.© Hiroshi Sugimoto, courtesy The Pace Gallery. [Fig. 6-14]
![Page 15: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/15.jpg)
The gray scale. Line art.[Fig. 6-15]
![Page 16: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/16.jpg)
Blue in a range of values. Line art.[Fig. 6-16]
![Page 17: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/17.jpg)
Pat Steir. Pink Chrysanthemum. 1984.Oil on canvas. 3 panels, 60 × 60 inches each.
Courtesy of the artist and Cheim & Read, New York. [Fig. 6-17]
![Page 18: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/18.jpg)
Pat Steir. Night Chrysanthemum. 1984.Oil on canvas. 4 panels, 60 × 60 inches each.
Courtesy of the artist and Cheim & Read, New York. [Fig. 6-18]
![Page 19: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/19.jpg)
Nikolai Buglaj. "Race"ing Sideways. 1991.Graphite and ink. 3 in. high × 40 in. wide.
Courtesy of the artist. [Fig. 6-19]
![Page 20: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/20.jpg)
Ben Jones. Black Face and Arm Unit. 1971.Acrylic on plaster and paint. life-size plaster casts.
Courtesy of the artist. [Fig. 6-20]
![Page 21: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/21.jpg)
Okun Akpan Abuje. Nigerian funerary shrine cloth. commissioned in the late 1970s.
Cotton, dye. 135-3/4 × 60-1/4 in.National Museum of African Art/Smithsonian Institution Museum Purchase 84-
6-9. Photo: Frank Khoury. [Fig. 6-21]
![Page 22: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/22.jpg)
Cai Guo-Qiang. Transient Rainbow. 2002.1,000 3-inch multicolor peonies fitted with computer chips. 300 × 600 feet,
duration 15 seconds.Commissioned by Museum of Modern Art, New York. Photo: Hiro Ihara. Courtesy
of the Artist. Cai Studio. [Fig. 6-22]
![Page 23: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/23.jpg)
Colors separated by a prism. Line art.[Fig. 6-23]
![Page 24: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/24.jpg)
Conventional color wheel. Line art.[Fig. 6-24]
![Page 25: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/25.jpg)
Color mixtures of reflected pigment— subtractive process. Line art.[Fig. 6-25]
![Page 26: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/26.jpg)
Color mixtures of refracted light—additive process. Line art.[Fig. 6-26]
![Page 27: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/27.jpg)
Michelangelo. The Creation of Adam (unrestored), ceiling of the Sistine Chapel. 1508-1512.
Fresco. The Vatican, Rome. 280 × 570 cm.AKG-Images. [Fig. 6-27]
![Page 28: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/28.jpg)
Michelangelo. The Creation of Adam (restored), ceiling of the Sistine Chapel. 1508-1513.
Fresco. The Vatican, Rome.Canali Photobank, Milan, Italy. [Fig. 6-28]
![Page 29: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/29.jpg)
Jane Hammond. Fallen. 2004–2011.Archival digital inkjet prints on archival paper with acrylic, gouache,
matte medium, Jade glue, fiberglass strands, and Sumi ink on a pedestal of high-density foam, cotton, muslin, cotton thread, foam core, and handmade
cotton rag paper. 11 × 154 × 89 in.Whitney Museum of American Art, New York. 2007.6. Photo: Peter Muscato.
© Jane Hammond, Courtesy Galerie Lelong, New York. [Fig. 6-29]
![Page 30: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/30.jpg)
Romare Bearden. She-ba. 1970.Collage on paper cloth and synthetic polymer paint on composition board.
48 × 35-7/8 in.Giraudon/Art Resource, NY. Wadsworth Atheneum, Hartford. The Ella Gallup
Sumner and Mary Catlin Sumner Collection Fund. Art © Romare Bearden Foundation/Licensed by VAGA, New York, NY. [Fig. 6-30]
![Page 31: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/31.jpg)
Cara Grande. c. 1960.Feather mask, Tapirapé, Rio Tapirapé, Brazil. height 31 in.
Courtesy, National Museum of the American Indian, Smithsonian Institution, S03834. Photo by Carmelo Guadagno, 23/3299. [Fig. 6-31]
![Page 32: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/32.jpg)
Gerhard Richter. 256 Farben (256 Colors). 1974–84.Enamel on canvas. 7 ft. 3 in. × 14 ft. 5 in.
Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy. Long-term loan-private collection. © Gerhard Richter. [Fig. 6-32]
![Page 33: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/33.jpg)
Georges Seurat. Le Chahut (The Can-Can). 1889–90.Oil on canvas. 66-1/8 × 55-1/2 in.
Erich Lessing/Art Resource, NY. [Fig. 6-33]
![Page 34: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/34.jpg)
Georges Seurat. Le Chahut (The Can-Can), detail. 1889–91.Oil on canvas. 66-1/8 × 55-1/2 in.
Collection Kröller-Müller Museum, Otterlo, The Netherlands. [Fig. 6-34]
![Page 35: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/35.jpg)
Chuck Close. Stanley (large version), detail. 1980–81.Oil on canvas. 108 × 84 in.
©The Solomon R. Guggenheim Foundation, New York. Purchased with funds contributed by Mr. and Mrs. Barrie M. Damson, 1981. 81.2839. Photograph by
David Heald. (FN 2839). Courtesy The Pace Gallery. [Fig. 6-35]
![Page 36: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/36.jpg)
Chuck Close. Stanley (large version). 1980–82.Oil on canvas. 109 × 84 in.
©The Solomon R. Guggenheim Foundation, New York. Purchased with funds contributed by Mr. and Mrs. Barrie M. Damson, 1981. 81.2839. Photograph by
David Heald. (FN 2839). Courtesy The Pace Gallery. [Fig. 6-36]
![Page 37: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/37.jpg)
Robert Delaunay. Premier Disque. 1912.Oil on canvas. 53 in. diameter.
© Christie's Images Ltd - ARTOTHEK 1999. © VG Bild-Kunst Bonn © L & M Services B.V. Amsterdam. [Fig. 6-37]
![Page 38: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/38.jpg)
Sonia Delaunay. Prismes Electriques. 1914.Oil on canvas. 98-3/8 × 98-3/8 in.
Scala / Art Resource, NY. © L & M Services B.V. Amsterdam. [Fig. 6-38]
![Page 39: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/39.jpg)
Charles Searles. Filàs for Sale (from the Nigerian Impressions series). 1972.
Acrylic on canvas. 72 × 50 in.Lent by the Museum of the National Center of Afro-American Artists, Boston.
[Fig. 6-39]
![Page 40: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/40.jpg)
Brice Marden. The Dylan Painting. 1966/1986.Oil and beeswax on canvas. 60-3/8 × 120-1/2 in.
© 2012 Brice Marden / Artists Rights Society (ARS), New York/. San Francisco Museum of Modern Art, Helen Crocker Russell Fund purchase and
gift of Mrs. Helen Portugal. [Fig. 6-40]
![Page 41: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/41.jpg)
Claude Monet. Grainstack (Sunset). 1891.Oil on canvas. 28-7/8 × 36-1/2 in.
Museum of Fine Arts, Boston. Juliana Cheney Edwards Collection. 25.112. Photograph © 2012 Museum of Fine Arts, Boston. [Fig. 6-41]
![Page 42: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/42.jpg)
Pierre Bonnard. The Terrace at Vernon. c. 1920–39.Oil on canvas. 57-11/16 × 76-1/2 in.
Image copyright © The Metropolitan Museum of Art. Image source: Art Resource, NY. © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris. The Metropolitan Museum of Art, Gift of Mrs. Frank Jay Gould, 1968 (68.1).
[Fig. 6-42]
![Page 43: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/43.jpg)
Vincent van Gogh. The Night Café. 1888.Oil on canvas. 28-1/2 × 36-1/4 in.
1961.18.34. Yale University Art Gallery, New Haven, Connecticut, U.S.A. Yale University Art Gallery/Art Resource, NY. [Fig. 6-43]
![Page 44: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/44.jpg)
Wassily Kandinsky. Black Lines (Schwarze Linien). 12/1/1913.Oil on canvas. 51 × 51-5/8 in.
Solomon R. Guggenheim Museum, New York. Gift, Solomon R. Guggenheim, 1937. 37.241. Photograph by David Heald, ©The Solomon R. Guggenheim Foundation, New York. © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris. [Fig.
6-44]
![Page 45: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/45.jpg)
Don Gray. Nine Stones. 2009.Oil on panels. nine panels, 23 × 23 in. each.
©2009, Don Gray. [Fig. 6-45]
![Page 46: Exterior view, The Dan Flavin Art Institute, Bridgehampton, New York. Photo: Florian Holzherr. Courtesy Dia Art Foundation. [Fig. 6-1]](https://reader036.fdocuments.net/reader036/viewer/2022062407/56649cf65503460f949c59b6/html5/thumbnails/46.jpg)
Don Gray. detail from Nine Stones, Stone #2. 2009.Oil on panel. 23 × 23 in.
©2009, Don Gray. [Fig. 6-46]