excersisess

7/30/2019 excersisess

1/39

Clarinet reeds page 2 to 5

Clarinet mouthpieces page 6 to 13

Saxophone reeds page 14 to 19

Saxophone mouthpieces page 20 to 31

Ligatures page 32 to 35Accessories page 36 to 38


2/39

PARIS

1 11

/2 2 21

/2 3 431

/2 5

CR1115

CR1015

CR1015/50

CR1415

CR1215

CR132

CR112

CR102

CR102/50

CR142

CR122

CR152

CR111

CR101

CR141

CR121

CR105

CR125

CR1125

CR1025

CR1025/50

CR1425

CR1225

CR134

CR114

CR104

CR144

CR124

CR154

CR133

CR113

CR103

CR103/50

CR143

CR123

CR153

CR1135

CR1035

CR1035/50

CR1435

CR1235

1 1 2 2 3 3 4 5

2 3 3 3+ 4 4 5 5+

2 3 3 3+ 4 4 5

The most widely played reeds in the world with a superiority proven over theyears, these reeds suit all styles of music.

Traditionals are known for their excellent response in all registers, allowing apianissimo attack in even the highest notes.

They are also extremely flexible, allowing the legato or staccato executionof large intervals while maintaining a richness of tone that gives body andclarity to the sound, which is a hallmark of Vandoren reeds.

Clarinet reeds

Ab X 10

Eb X 10

Bb X 10

Bb X 50

Alto X 10

Bass X 5

Contrabass X 5

Traditional

Reed comparison index

Traditional

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com


3/39

2 1/2 3 3 1/2 3 1/2+ 4 54 1/2 5+CR196CR1935+ CR195

PARIS

1 1 2 2 3 3 4 5

2 3 3 3+ 4 4 5 5+

2 3 3 3+ 4 4 5

CR1925

CR1925/50

CR6125

CR6225

CR193

CR193/50

CR613

CR623

CR1935

CR1935/50

CR6135

CR6235

CR194

CR614

CR624

CR1945

CR6145

CR6245

V12 reeds are manufactured from cane tubes with the same diameter as caneused for alto saxophone reeds. As a result, they have a thicker heel and are cuton a longer palette with a slightly thicker tip than the Traditional. The longerpalette means that more of the reed is vibrating, resulting in a deeper, richersound. The thicker tip gives body to the attack and also increases thelongevity of the reed.

The introduction of the # 3+ strength allows a smaller and more specificgradation, resulting in reeds that are more consistent within the same strength.

The V12 line is expanding with the addition ofEb and Bass clarinet reeds,which offer a warm, rich and powerful sound.

Clarinet reeds


Bb X 10

Bb X 50

Eb X 10

Bass X 5

Traditional

NEW


NEW


4/39


5/39

3 4 1/22 1/2 3 1/21 1/2 542CR163T

CR163T50

CR163

CR163/50

CR1645T

CR1645

CR1625T

CR1625T50

CR1625

CR1625/50

CR1635T

CR1635

CR1615T

CR1615

CR165

CR16

CR164T

CR164

CR162T

CR162T50

CR162

CR162/50

X 10

X 50

X 10

X 50White Master

Clarinet reedsGerman system

White Master


German reed

The White Master are designed for German clarinet playeThey are available in two versions: Traditional version New version: an evolution of the White Master reed, designed to smore specifically the characteristics of the new generation of Germmouthpieces (open mouthpieces with long facing).

Their cut is particularly designed to suit the characteristics the German system (Oehler) clarinet mouthpieces.

White MasterTraditional

WHITE MASTERTRADITIONAL

WHITE MASTERNEW VERSION

UPDATE

D

VERSIO

N


6/39

32 1/2 5++ 6 6+3 1/2 542 5+CR183T

CR183T50

CR183

CR183/50

CR1825T

CR1825T50

CR1825

CR1825/50

CR187T CR18

CR187

CR1835T

CR1835T50

CR1835

CR1835/50

CR185T

CR185

CR184T

CR184CR182

CR186T

CR186

X 10

X 50

X 10

X 50Black Master

Clarinet reedsAustrian system

Black Master


Austrian reed

Their cut is particularly designed to suit the characteristicsthe German system (Oehler) clarinet mouthpieces.

The Black Master reeds have a wider and thicker cut than the WhMaster reeds.They are available in two different models: The Black Master reedIts cut is designed for Austrian mouthpieces. Thanks to its response atone characteristics, this cut can also suit the Boehm system mouthpiec The Black Master Traditional reedThis cut, in the tradition of the Viennese school, is designed for vclosed Austrian mouthpieces, with a long facing.

BLACK MASTERTRADITIONAL

BLACK MASTER

Black MasterTraditional

UPDATE

D

VERSIO

N


7/39

PARIS

CM5088

CM317

CM301

CM302

CM3001

CM318

CM305

CM306

CM319

CM309

CM308

CM307

CM312

CM310

CM3178

CM3018

CM3028

CM30018

CM3188

CM3058

CM3068

CM3198

CM3098

CM3088

CM3078

CM3128

CM3108

CM4138

CM4158

CM4178

CM4018

CM4028

CM40018

CM4188

CM4198

CM4088

CM4078

M13

M13

M15

5RV

5RV

M30

M30

11 6

B46

B40

B45

B45

B40B45

5JB

45

The difference between Profile 88 and Traditional mouthpieces is in theexterior angle of the beak.Therefore, the musician is free to choose the model which suits his purpose in

terms of best playing position, easiest sound projection, greatest playingcomfort, and the most controllable and precise articulation.

Vandoren has developed the 13 series mouthpiece specifically for Americanclarinetists using A440 pitch.Four models have been originally developed with specific facings to this series:the M13, M13 Lyre, M15 and M30 mouthpieces.The 13 series range also encompasses other models (traditional facings): 5RV,5RV Lyre, B45, B40, B40 Lyre and M30 Lyre.

Clarinet mouthpiecesBb

Traditional

Break

Traditional

Beak

Rich, colorful sound. Very precise response. Meets every demand.

More open, the same qualities as the M13, easier to play in the upper register.Its facing gives it a particularly pure sound.

Great articulation ease. Offers musicians a colorful spectrum of sound.

The time-proven standard for professional musicians. Quality and tradition.

More open than the 5RV with a longer facing.

Its facing length gives it great flexibility, a good balance between timbre and roundness.

Same sound qualities as the B45 with a smaller tip opening.

The mouthpiece best suited to musicians playing both clarinet and saxophone.

The perfect blend between a round sound and rich tone color.Easy blowing especially in the upper register.

Same technical characteristics as the B45 with a great blowing ease.

The universal mouthpiece. With an intermediate tip opening and a medium-long facing,it is appreciated by most clarinetists.

Same facing as the B45 with a wider tip rail, it produces a compact and centered sound.

Characterized by a particularly large tip opening, it offers a flexible, round soundand remains easy blowing.

COMMENTS

Made from innovative composite materials, this mouthpiece has the same table as the B45with a slightly brighter sound.

THE jazz mouthpiece.

Technical Specifications page 2

SeriesAmerican pitch

Series

NEW

The 5RV Lyre with a larger tip opening and a longer facing guarantees flexibility and roundness.This mouthpiece has an exceptional quality of sound.



8/39


9/39


10/39

PARIS

CL4

CL5

3 4 3 4 3 4

3 43 3 +3 3

The new MASTERS mouthpieces feature a specific bore, a new chamber as well asa new exterior design.Two models have been developed with facings specific to this series: CL4 and CL5.They are very easy blowing and have exceptional sound and tuning characteristics.

The MASTERS mouthpieces require specific ligatures

They can only be used with series M/O metal ligature or with flexible ligatures,like Leather or Klassik Vandoren ligatures.

The CL4 and CL5 are available either separately or in a kit with their M/O ligatureand plastic cap.

Major News for Clarinetists

Kits

The CL4 is characterized by a very radiant, clear sound and exceptionalintonation. It allows precise, easy blowing and flawless articulation.

The CL5 is characterized by a round, full sound, exceptional intonation, and

perfect homogeneity and projection.

COMMENTS

M o u t h p i e c e i n a k i t w i t h M / O l i g a t u r e a n d p l a s t i c c a p

Clarinet MouthpiecesBb


RECOMMENDED REED STRENGTHS

CM60048KB

CM60058KB

CM60048

CM60058

CM60048KP

CM60058KP

CM60048KS

CM60058KS

CM60058KG

CM60058KG

Black

Mouthpiece Only

Pewter Finish Silver Finish Gold-plated

CL4CL5

Series

NEW

NEW


11/39

PARIS

CM321

CM322

CM323

CM331

CM332

CM333

CM342

CM344

CM343

CM345

CM346

CM360

CM370

5RV

B44

B40

5RV

B44

B40

B44

B45

B40

B46

B50

Clarinet mouthpiecesAb-Eb-Alto-Bass-Contrabass

CODE COMMENTS

Easy blowing, very rich timbre.

The time-proven standard for musicians.

With the same technical specifications as the B44, its wider tip rail offers a compact and centered sound.

Very rich timbre.

Its thin tip rail makes it easy blowing.

The same technical characteristics as the B44 with a wider tip rail, it produces a compact and centered sound.

Validated by musicians, indisputably the best.

Same sound qualities as the B44 with a larger tip opening. Very responsive.

With the same technical specifications as the B45, its wider tip rail offers a compact and centered sound.

Produces a powerful sound. A favorite of jazz musicians.

Eb

Alto

Bass


Ab& Contrabass

available upon request.

Produces a rich and velvety sound, even in the upper register.



12/39

PARIS

CM360

CM370

CM321

CM322

CM323

CM331

CM332

CM333

CM342

CM344

CM343

CM345

CM346

106,5

110,5

110,5

126

138

138

184

193

193

205

215

3 4

2 4

2 3

3 4

2 3

2 3

3 4

2 3

2 3

2 3

2 3

3 4

3 4

2 3

3 4

3 4

2 3

2 3

3 4

5RVB44

B405RVB44B40B44B45B40B46B50

Clarinet mouthpiecesAb-Eb-Alto-Bass-Contrabass

Ab& Contrabass

available upon request.

TIP OPENING1 / 100 MM

FACINGLENGTH*

CODERECOMMENDED STRENGTHS

Eb

Alto

Bass

S

M

M

M

ML

ML

M

ML

ML

L

L

Technical Specifications

* L=Long ML=Medium Long M=Medium S= Short



13/39

PARIS

VD2

VD3VD4VD5

VA0VA5

M30DB40D

CM382

CM383

CM384

CM385

CM372

CM373

CM374

CM375

CM390

CM395

CM36188

CM36078

NEW

The D ConceptA Boehm system mouthpiece specially adapted to the German clarinet

and the Reform Boehm, offered in two models: the M30D and B40D. Thelength and diameter of the shank, the bore, the appearance of the tip rail andthe external shape are the components of this new concept, which offers aperfect balance between a very warm sound and great intonation.56 rue Lepic reeds are more particularly recommended for these mouthpieces.

VD Series: The German traditionAvailable in 4 models: VD2, VD3, VD4 and VD5 with 2 different shankexternal diameters (W : 22,40 mm and S : 22,00 mm).

CODE

A good balance between timbre and roundness.

Produces a compact and centered sound.

COMMENTS

NEW

NEW

Austrian clarinet mouthpieces

CODE

A very closed mouthpiece.

Versatile and easy blowing, the standard reference.

COMMENTS

CODE

Provides a rich, centered and compact sound.

This mouthpiece has the sound quality of the VD2 mouthpiece while being a bit more open.

Very easy blowing in all registers, the standard reference.

A compact, full and deep sound.

COMMENTSCODE

NEW

Clarinet mouthpiecesBb german and austrian systems




14/39

PARIS

CM36188

CM36078

115

119,5

2 3

2 3

2 3

2 3

2 3

2 3

M30D

B40D

CM382

CM383

CM384

CM385

CM372

CM373

CM374

CM375

96

100

102

113,5

2 3

2 4

2 3

2 3

VD2VD3

VD4VD5

CM390

CM395

80

85

4 5++

2 4

VA0VA5

The D Concept


FACINGLENGTH*

CODERECOMMENDED STRENGTHS

NEW

L

ML


VD Series: The German tradition

CODERECOMMENDED

STRENGTHSCODE


FACINGLENGTH*

ML

ML

L

MLNEW


Austrian clarinet mouthpieces


FACINGLENGTH*

CODERECOMMENDED

STRENGTHS

VL

L


Clarinet mouthpiecesBb german and austrian systems

* VL= Very Long L=Long ML=Medium Long



15/39

PARIS

1 11

/2 2 21

/2 3 431

/2 5

SR201

SR211

SR221

SR2015

SR2115

SR2115/50

SR2215

SR232

SR202

SR212

SR212/50

SR222

SR242

SR252

SR2025

SR2125

SR2125/50

SR2225

SR2425

SR234

SR204

SR214

SR224

SR244

SR254

SR233

SR203

SR213

SR213/50

SR223

SR243

SR253

SR205

SR215

SR225

SR245

SR2035

SR2135

SR2135/50

SR2235

SR2435

1 1 2 2 3 3 4 5

2 3 3 4 4 5

1 1 2 2 3 3 4

1 1 2 2 3 3 4

1 2 2 3 3 4 5

1 2 2 3 3 4

1 1

This reed is designed to produce a quality of extremely pure sound due to a verythin reed tip (the area of reed with maximum vibration), balanced by a solidvertebral column (more cane in the area which climbs gradually to the heel).

Traditionals feature the thinnest tip with the thickest heart, resulting in crisparticulation with a full, dark sound.

Saxophone reeds

Sopranino X 10

Soprano X 10

Alto X 10

Alto X 50

Tenor X 5

Baritone X 5

Bass X 5


Traditional

Traditional



16/39

PARIS

2 1/2 3 3 1/2 4 4 1/2 5

1 1 2 2 3 3 4 5

2 3 3 4 4 5

1 1 2 2 3 3 4

1 1 2 2 3 3 4

1 2 2 3 3 4 5

1 2 2 3 3 4

SR6025

SR6125

SR6125/50

SR6225

SR603

SR613

SR613/50

SR623

SR6035

SR6135

SR6135/50

SR6235

SR604

SR614

SR624

SR6045

SR6145

SR6245

SR615

The success of V12 reeds in the clarinet world for 25 years has led us totranspose their characteristics and advantages into the saxophone world.

With its very precise attack, homogeneous timbre in every register, controlledhigh notes, warm and velvety sound, this new reed offers exceptional possibilities.

Produced from cane selected for its specific proportions, the V12 reeds havea thicker heel and are cut on a longer palette with a slightly thicker tip thanthe Traditional. The longer palette means that more of the reed is vibrating,resulting in a deeper, richer sound. The thicker tip gives body to the attack andalso increases the longevity of the reed.

Saxophone reeds


Soprano X 10

Alto X 10

Alto X 50

Tenor X 5

Traditional

NEW

NEW



17/39

PARIS

1 1 1/2 2 2 1/2 3 43 1/2 5

SR2615

SR2715

SR302

SR262

SR262/50

SR272

SR342

SR261

SR271 SR275

SR3025

SR2625

SR2625/50

SR2725

SR3425

SR304

SR264

SR274

SR344

SR303

SR263

SR263/50

SR273

SR343

SR3035

SR2635

SR2635/50

SR2735

SR3435

1 1 2 2 3 3 4 5

2 3 3 4 4 5

1 1 2 2 3 3 4

1 1 2 2 3 3 4

1 2 2 3 3 4 5

1 2 2 3 3 4

X 10

X 10

X 50

X 5

X 5

Developed in 1983 for jazz and popular music. A thicker tip and a more flexiblepalette* than the Traditional reed allow vibration over a larger surface areawith maximum elasticity.

This type of vertebral column gives the musician much greater playing f lexibility,as the resultant elasticity zone is very large.

JAVA reeds are more flexible than Traditionals and V16s and vibrateon a long palette, creating a bright sound with immediate response.

* Palette: zone where the waves are propagated with the greatest range. Fromthe tip, the waves are absorbed further in theJAVA reed.

Saxophone reeds


SopranoAltoAlto

TenorBaritone

Traditional


NEW


18/39

PARIS

1 1 1/2 2 2 1/2 3 43 1/2 5

SR2615R

SR2715R

SR302R

SR262R

SR262R50

SR272R

SR342R

SR261R

SR271R SR275R

SR3025R

SR2625R

SR2625R50

SR2725R

SR3425R

SR304R

SR264R

SR274R

SR344R

SR303R

SR263R

SR263R50

SR273R

SR343R

SR3035R

SR2635R

SR2635R50

SR2735R

SR3435R

FILED - RED CUT

1 1 2 2 3 3 4 5

2 3 3 4 4 5

1 1 2 2 3 3 4

1 1 2 2 3 3 4

1 2 2 3 3 4 5

1 2 2 3 3 4

X 10

X 10

X 50

X 5

X 5

The driving force behind the JAVA Filed - Red Cut design was to offer moresonic possibilities to musicians while keeping the qualities of the original Java.

More flexible than its elder version, with a little more tonal body, the JAVAFiled - Red Cut offers a full, rich, centered sound and excellent projectionwith an extremely precise attack.

A relative of the JAVA reed family, the JAVA Filed - Red Cut is the first filecut Vandoren reed for jazz and popular music. It also benefits from a completelynew design.

Saxophone reeds


SopranoAltoAlto

TenorBaritone

Traditional

NEW


NEW


19/39

PARIS

1 1/2 2 2 1/2 3 43 1/2 5

SR7015

SR7215

SR712

SR702

SR702/50

SR722

SR7125

SR7025

SR7025/50

SR7225

SR714

SR704

SR724

SR713

SR703

SR703/50

SR723

SR705

SR725

SR7135

SR7035

SR7035/50

SR7235

1 1 2 2 3 3 4 5

2 3 3 4 4 5

1 1 2 2 3 3 4

1 1 2 2 3 3 4

1 2 2 3 3 4 5

1 2 2 3 3 4

Launched in 1993 to answer the demand of some American jazz musicians(a JAVA with even more wood).

The V16 has a thicker tip than the traditional Vandoren reeds and a longerpalette.

Sound: more brilliant, more percussive, particularly well adapted to all the newstyles of music.

V1 6 reeds have a medium-thick heart (more than JAVA but less thanTraditionals), with a profile designed for producing a strong attack witha deep, rich sound.

Saxophone reeds


Soprano X 10

Alto X 10

Alto X 50

Tenor X 5

Traditional



20/39

PARIS

1 1/2 2 2 1/2 3 43 1/2

SR4115

SR4215

SR402

SR412

SR412/50

SR422

SR442

SR4025

SR4125

SR4125/50

SR4225

SR4425

SR404

SR414

SR424

SR444

SR403

SR413

SR413/50

SR423

SR443

SR4035

SR4135

SR4135/50

SR4235

SR4435

1 1 2 2 3 3 4 5

2 3 3 4 4 5

1 1 2 2 3 3 4

1 1 2 2 3 3 4

1 2 2 3 3 4 5

1 2 2 3 3 4

Developed in 2002, the ZZ jazz reed is immediately responsive without sacrificingthe brightness tone quality required for this syle of music.

The unique relationship between the heart and tip provides extraordinary color,great response and a durable life.

ZZ reeds combine the medium-thick heart, spine, and rounded tip of the V16with the flexible palette design of the JAVA, giving the player a rich, colorfulsound with quick response.

Saxophone reeds


Soprano X 10

Alto X 10

Alto X 50

Tenor X 5

Baritone X 5

Traditional



21/39

PARIS

SM404

SM401

SM402

SM418

SM419

SM414

SM411

SM413

SM412

SM415

SM421

SM425

SM423

SM422

SM424

SM431

SM435

SM432

SM403

SM416

SM417

SM433

SM434

S27S15S25 *A17A28A27A15A25A20A35 *

T15T27T25T20T35B25B27B35

S35A45A55B75B95

Tradition & VersatilityThese mouthpieces are available in a wide variety of models that suit classicaland jazz musicians.

The V5 series is characterized by a traditional round chamber.

* Versatile mouthpiece: suitable for both classical music and Jazz.

Saxophone mouthpiecesSopranino-Soprano-Alto-Tenor-Baritone-Bass

Sopranino (SM550) & Bass (SM560) mouthpieces:available upon request.

COMMENTS

Soprano

Alto

Tenor

Baritone

SopranoAlto

Baritone

Easy to play, homogeneity of sound, beautifully rounded.

The standard soprano mouthpiece.

More open than the S15, greatly appreciated for its register flexibility, suits both classical and jazz.

While maintaining perfect homogeneity in every register, it allies timbre and ease with richness of sound.

The alto saxophone reference in the V5 series. Rich sound, color, brilliance, and dynamic range.

The classic mouthpiece. It produces optimal homogeneity in tone throughout the instruments range.

Very easy blowing.

Similar in conception to the A15 but a little more open.

For those looking for a compact, centered sound.

Open mouthpiece, well-adapted to all styles, both jazz and classical.

Very easy blowing and articulation.

A comfortable mouthpiece, particularly precise in the upper harmonic register.

Same conception as the T15 but slightly more open.

The best sound quality: compact and centered.

An open mouthpiece that works in every style.

Rich in timbre and easy blowing.

Very homogeneous tone throughout the tessitura.

The jazz mouthpiece: ampleness and density of sound.

A warm, velvety sound.

The most open mouthpiece in the V5 range while conserving depth and roundness of sound.

Timbre, brilliance and power.


CODE

The jazz mouthpiece of the V5 baritone range.

Classic open mouthpiece, highly responsive to every need.



22/39


23/39

PARIS

OPTIMUMTM

SM701

SM702

SM711

SM712

SM721

SM722

SM731

SM732

SL3

SL4

AL3

AL4

TL3

TL4

BL3

BL4 *

The favorite of classical saxophonists

The conception of this series was the fruit of research on both external shape(particularly the beak) and sound, in order to meet the needs of todays saxo-phone players.

This series is available for:

soprano saxophone (SL3, SL4), alto saxophone (AL3, AL4), tenor saxophone (TL3, TL4), baritone saxophone (BL3, BL4).

Saxophone mouthpiecesSoprano-Alto-Tenor-Baritone

COMMENTS


Very easy blowing, particularly versatile, meets all needs.

A little more open than the SL3, this mouthpiece rapidly became a standard with saxophonists.

With its exceptional roundness, the ultimate classical mouthpiece.

A little more open than the AL3, while maintaining the sound aesthetic of the OPTIMUM series.

Roundness, depth and precision.

A little more open than the TL3, a richer timbre.

The standard baritone mouthpiece.

Versatile mouthpiece, suits both classical and jazz.

Soprano

Alto

Tenor

Baritone


CODE



24/39

PARIS

OPTIMUMTM

SL3SL4

AL3AL4TL3TL4BL3BL4 *

SM701

SM702

SM711

SM712

SM721

SM722

SM731

SM732

114

123

152

163 +

176

195

185

230

3 4

3 4

2 3

2 3

2 3

2 3

2 3

2 3

3 4

3 4

3 4

3 4

3 4

3 4

3 4

3 4

3 4

3 4

3 4

3 4

3 4

2 3

3 4

3 4

3 4

3 4

3 4

3 4

3 4

2 3

3 4

3 4

3 3

3 3

3 3

3 3

3 4

3 4

3 4

3 4

3 4

3 4

2 3

2 3



Soprano

Alto

Tenor

Baritone

ML

S

ML

MS

MS

M

S

M


** ML=Medium Long M=Medium MS=Medium Short S=Short

The favorite of classical saxophonists

RECOMMENDED REED STRENGTHSFACINGLENGTH**


CODE



25/39

PARIS

SM501B

SM502B

SM503B

SM504B

SM511B

SM512B

SM513B

SM514B

A35

A45

A55

A75

T45

T55

T75

T95

Saxophone mouthpiecesAlto-Tenor

JAVA ebonite mouthpieces are suited to jazz, soul and funk. Similar in soundconcept to a metal mouthpiece, with the comfortable feel of ebonite.

COMMENTS

The jazz mouthpiece, with a rich and colorful sound.

An intermediary tip opening between the V16 series A8 and A9 mouthpieces with the JAVA sound.

The standard model in this category.

An open mouthpiece, designed to use soft reeds.

A mouthpiece equally suited for jazz and classical playing.

A comfortable mouthpiece with the tip opening of the V16 series T6.

An intermediate tip opening; the most popular JAVA tenor choice.

A generous, rich and centered sound.

Alto

Tenor


CODE



26/39

PARIS

A35A45

A55A75T45T55T75T95

SM501B

SM502B

SM503B

SM504B

SM511B

SM512B

SM513B

SM514B

206

220

247

260

235

250

265

295

2 3

2 3

2 3

1 2

2 3

2 2

2 2

1 2

2 3

2 3

2 3

2

2 3

2 3

2 3

2

2 3

2 3

2 3

2 2

2 3

2 3

2 3

2 2

2 3

2 3

2 3

2 2

2 3

2 3

2 3

2 3

2 3

2 3

2 3

1 2

2 3

2 3

2 3

1 2

2 3

2 3

2 3

2 2

2 3

2 3

2 3

2 3


Alto

Tenor

ML

ML

L

L

M

L

ML

L


* L=Long ML=Medium Long M=Medium

CODETIP OPENING1 / 100 MM

FACINGLENGTH*




27/39

PARIS

SM601B

SM602B

SM603B

SM604B

SM611B

SM612B

SM613B

SM614B

A35

A45

A55

A75

T45

T55

T75

T95

The most hard-hitting mouthpiece of the line. Designed with a small chamber,a very high baffle and a large bore. Produces a tone comparable to certainmetal mouthpieces.


COMMENTS

A bright and incisive sound.

The standard mouthpiece for salsa, rock and modern music.

Its balance between projection and comfort makes it the standard model in this category.

An open mouthpiece with a big, bright sound.

Power and brightness are its principal qualities.

Clear, balanced and rich timbre.

Dynamic and flexible, a particularly versatile mouthpiece.

A very popular mouthpiece for swing, jazz and R&B.

Alto

Tenor


CODE



28/39

PARIS

A35A45

A55A75T45T55T75T95

SM601B

SM602B

SM603B

SM604B

SM611B

SM612B

SM613B

SM614B

206

220

247

260

235

250

265

295

2 3

2 3

2 3

1 2

2 3

2 2

2 2

1 2

2 3

2 3

2 3

2

2 3

2 3

2 3

2

2 3

2 3

2 3

2 2

2 3

2 3

2 3

2 2

2 3

2 3

2 3

2 2

2 3

2 3

2 3

2 3

2 3

2 3

2 3

1 2

2 3

2 3

2 3

1 2

2 3

2 3

2 3

2 2

2 3

2 3

2 3

2 3


Alto

Tenor



CODETIP OPENING1 / 100 MM

FACINGLENGTH*


ML

ML

L

L

M

L

ML

L



29/39

PARIS

SM802

SM803

SM804

SM822E

SM823E

SM824E

SM825E

SM826E

SM827E

SM831

SM833

SM835

SM811S

SM812S

SM813S

SM814S

SM815S

SM811M

SM812M

SM813M

SM814M

SM815M

S6S7S8

A5A6

A7A8A9

T6T7T8T9T10

T11

B5B7B9

The new jazz standard

Mouthpieces inspired by the sound of the greatest jazzmen from the fifties tothe present.JAVA, V16 and ZZ reeds are recommended for these mouthpieces.

The SOPRANO mouthpiece is available in 3 different tip openings and asingle chamber.

The ALTO mouthpiece is available in 5 tip openings and two chambers:

The TENOR mouthpiece is available in 6 tip openings and a single chamber.The perfect Vintage mouthpiece.

The BARITONE mouthpiece is available in 3 tip openings. Inspired by the

grand tradition of baritone mouthpieces.


Small chamber:Particularly focused anddynamic, ideal for lead alto.

Medium chamber:Warm and expressive,ideal for section playing.

COMMENTSCODE

Soprano

Alto

Tenor

Baritone

Very comfortable, easy blowing.

The ideal synthesis between blowing ease and richness of sound.

The tip opening preferred by historys greatest jazz soloists.

The most played mouthpiece, in every style.

The perfect balance in power and dynamic range.

An open mouthpiece with qualities similar to the A5.

Versatile mouthpiece with a long facing and a particularly rich sound.

A good compromise between easy sound production and timbre.

The most popular tip opening for the tenor.

Dynamic, rich and powerful.

A homogeneous, particularly responsive mouthpiece.

Flexible in playing and application.

The qualities of the V5 series B75 with the sound of the V16.


NEW

Brings out the baritones power.

Very open; warm, yet powerful.

Powerful and expressive.

Perfect balance between power and flexibility.

Ebonite



30/39


31/39

PARIS

T45

T55

T75

T77

T95

SM821G

SM822G

SM823G

SM824G

SM825G


For Tenor Saxophone:

The tenor mouthpiece is made with the legendary Bell Metal brass, thenplated with 24-karat gold.This construction yields a warm and expressive sound.

Metal

Saxophone mouthpiecesTenor

COMMENTS

Tenor A focused, very precise sound.

A mouthpiece for every style, versatile and comfortable.

The best of its kind.

Long facing. This well balanced mouthpiece has a particularly rich dynamic range.


CODE

The perfect mouthpiece for soloists.



32/39

PARIS

T45T55T75T77T95

SM821G

SM822G

SM823G

SM824G

SM825G

235

250

265

277

295

2 3

2 3

2 3

2 3

2 2

2 3

2 2

2 2

2 2

1 2

2 3

2 3

2 3

2 3

1 2

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2


Tenor ML

ML

L

L


Saxophone mouthpiecesTenor

Metal


RECOMMENDED REED STRENGTHSFACINGLENGTH*


CODE



33/39

PARIS

LC51BP

LC52BP

LC53BP

LC54BP

LC51PP

LC52PP

LC53PP

LC54PP

LC51SP

LC52SP

LC53SP

LC54SP

LC51GP

LC56DP

LC57DP

LC58DP

LC59DP

LC590DP

LC56AP

LC57AP

LC58AP

LC59AP

LC590AP

LC56GP

LC57GP

LC58GP

LC61BP LC61PP LC61SP LC61GP

**

**

**

Ligatures


Clarinet

Saxophone

Bb

EbAlto

Bass

LIGATURE AND PLASTIC CAP

BLACKPEWTERFINISH

SILVER-PLATED GOLD-PLATED

SopranoAlto

(except V16 metal)TenorBaritone

(V16 Ebonite) Baritone

GOLD FINISHAGED GOLD

FINISHGOLD-PLATED


ligatures for MASTERS mouthpieces

The new M/O ligature combines the lightweight construction of the legendaryMasters ligature with the highly efficient tightening of the OPTIMUM ligature.

Lightweight Easy to set up Quick and symmetrical tightening with a unique double-track screw mechanism Two small contact points only on the reed with an inverted tightening

Thus, the M/O ligature allows an optimum vibration of the reed and a crisp articulation.

Clarinet

Bb


BLACKPEWTERFINISH

SILVER-PLATED GOLD-PLATED

NEW

NEW

NEW

BlackPewter finish

Silver-plated Gold-plated

Gold finish

Aged gold finish

Gold-plated

* Gold and silver plated ligatures are clearly distinguishedby a logo, engraved on one of the tigh tening cylinders.

** Replacement plastic cap upon request.

* Gold and silver plated ligatures are clearly distinguishedby a logo, engraved on one of the tigh tening cylinders.


These series M/O ligatures are designed to fit the specific shape of the MASTERS mouthpieces.Both ligatures and caps are differentiated by the logo.


34/39

PARIS

OPTIMUMTM

LC01P

LC02P

LC03P

LC04P

LC05P

LC06P

LC07P

LC08P

LC080P

LC09P

LC090P

PP01

PP01

PP01

PP04

PP01

PP06

PP06

PP08

PP08

PP09

PP08

**

**

Ligatures


Clarinet*

Saxophone*

BbEb

AltoBass

Bb German system

SopranoAlto

(except V16 metal) Tenor(V16 metal) Tenor

Baritone(V16 ebonite) Baritone

LIGATUREAND

PLASTIC CAP

LIGATUREAND

PLASTIC CAP

SET OF 3PRESSURE

PLATES

SET OF 3PRESSURE

PLATES

SILVERPLATED

GOLD FINISH

SILVERPLATED

GOLD FINISH

* Ligatures for left handed musicians upon request.


Quick and precise tightening. 3 interchangeable pressure plates to adjust the sound.

Expression with freedom.

A rich, colorful sonority which produces greatresonance. Pressure along the fiber of thereed facilitates an unbelievable blowing ease. Incredible ease of articulation.

Three different pressure plates.

Whether playing classical or jazz, the Optimum Ligatures three pressure plates accommodate your style.

A more compact , cente redsonority, smooth even soundand extraord inary b lowingease.

The reed vibrates in totalf reedom, produc ing a ve ryf lexible sound. Greater ease of expression.

1 2 3


35/39

PARIS

LC21L

LC22L

LC23L

LC24L

LC25L

LC26L

LC27L

LC28L

LC29L

LC290L

C21L

C22L

C23L

C24L

C25L

C26L

C27L

C28L

C29L

C290L

LC21P

LC22P

LC23P

LC24P

LC25P

LC26P

LC27P

LC28P

LC29P

LC290P

PP26

PP27

PP28

PP29

PP28

*

*

PP21

PP22

PP23

PP24

PP25

Genuine leather - handcrafted finish. Quick and precise tightening.

3 interchangeable pressure plates to adjust the sound. Round and warm sound.

Metal plate - a more colorful and compact sound.The combination of a metal plate and a flexibleligature offers the player the best sonic qualitiesof both materials.

Three interchangeable pressure plates to subtly modify your sound.

An easy-fit Velcro system makes changing the plates easy while contributing to the flexibility of the entire ligature.

Smooth leather plate - made fromthe same leather as the ligature, itcreates a focused, compact soundthat is slightly darker.

Supple smooth leather plate- made from a more suppleleather, it gives a rounder, moreample sound.

Ligatures


Clarinet

Saxophone

Bb

EbAlto

BassBb German system

SopranoAlto

(except V16 metal) TenorBaritone

(V16 ebonite) Baritone

LIGATUREAND

LEATHER CAP

LIGATURE

ANDLEATHER CAP

LEATHER CAPONLY

LEATHER CAP

ONLY

LEATHERLIGATURE

ANDPLASTIC CAP

LEATHERLIGATURE

ANDPLASTIC CAP

SET OF 3PRESSURE

PLATES

SET OF 3

PRESSUREPLATES

* Replacement plastic cap upon request.

1 2 3

LEATHER


36/39

PARIS

LC31L

LC35L

C31L

C35L

LC31P

LC35P

*

*

LC36L

LC37L

C36L

C37L

LC36P

LC37P


Clarinet

Saxophone

Bb

Bb German system

Ligature

and

Leather cap

Ligature

and

Leather cap

Leather cap

OnLY

Leather cap

OnLY

Ligature

and

pLastic cap

Ligature

and

pLastic cap

* Replacement plastic cap upon request.

LigaturesKLASSIK

Adjustable and easy to fit woven ligature. Precisely fits the reed to the mouthpiece.

Perfectly centered sound.

Soprano

Alto


37/39

PARIS

HRC10

HRC20

HRCK

VRC810

VRC620

HC200

RR200

RR202

VRC810

C 620

HRCK

HRC10

Reed cases

Hygro reed case (6 reeds) HRC10 / HRC20

This reed case is designed to maintain your reeds in optimal humidity conditions to avoid any

deterioration. It is based on: A regulated humidification by air circulation,

A hygrometry level controlled by a humidity indicator disc.

Replacement kit HRCK

For hygro reed cases HRC10 and HRC20.

Reed case (8 reeds) VRC810

An elegant blue case designed to hold 8 reeds.

Numbered compartments keep reeds organized.

Grooved support provides air circulation.

Convenient size easily fits in a pocket or clarinet case.

Reed case (6 reeds) VRC620

It shares the same design as our 8-Clarinet reed case.

HygrocaseThe new Vandoren Hygrocase is a state-of-the-art digital case that allows you to manage the

specific humidity of the case, insuring your reeds perform perfectly wherever you are.

Reed resurfacerGlass reed resurfacer and reed stick

The reed resurfacer is made of a washable tempered glass and features an etched surface that is

nearly impossible to wear out. The reed stick, inspired by a reed rush, is also made of etched glass

and enables the player to precisely customize and personalize their reeds.

CODE COMMENTS

CODE COMMENTS

CODE COMMENTS

Accessories

Page 1/3


Contains two replacement humidity indicator discs and a sponge.

Holds 6 of any Bb, Eb or alto clarinet and soprano or alto sax reeds.

It can store up to 20 Bb clarinet or alto sax reeds and 12 tenor,

baritone saxophone or bass clarinet reeds.

Reed resurfacer and reed stick.

Reed stick only.

Holds 6 of any bass clarinet and tenor or baritone sax reeds.

Holds 8 of any Bb, Eb clarinet, or soprano saxophone reeds.

Holds 6 alto saxophone reeds or alto clarinet reeds.

NEW

NEW


38/39

PARIS

VMC6

VMCX6

P100

P200

P201

VTR100

CG100

P100

P200


Mouthpiece cushions

The mouthpiece cushions protect the mouthpiece from teethmarks.

Available in two thicknesses.

Page 2/3

CODE COMMENTS

Pack of 6 cushions (transparent) (Thickness: 0,35mm - .014).

Pack of 6 cushions (black) (Thickness: 0,80mm - .032).

CODE COMMENTS

For bass clarinet or tenor and baritone saxophone.

Accessories

Cork grease

Pleasantly scented with appleblossom fragrance, this grease lubricates and protects instrument

cork, keeping it supple and perfectly airtight. Vandoren cork grease has long been a favorite amongstudents and professionals.

CODE COMMENTS

Cork grease by the tube.

NEW

NEW

In navy blue suede.

For Bb, Eb, and alto clarinet or alto and soprano saxophone.

PouchesBlue suede pouch P100

Designed to protect mouthpieces, caps, or ligatures.

Black neoprene pouch P200 / P201

This protective neoprene pouch is designed to store your valuable Vandoren mouthpiece in the

best conditions.

Tuning Ringsfor MASTERS Bb clarinet mouthpieces

The Masters tuning rings allow you to play your Vandoren MASTERS mouthpiece at 440 Hz.

CODE COMMENTS

They are available in two thicknesses: 1.5 and 1.75 mm.


39/39

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