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04 Courses 04 Ancient Civilisations 04 Art History 08 Art History and Architecture 09 Art History and History 09 Art History and Literature 09 Art Interpretation 10 Crafts 10 Creative Writing 11 Cryptic Crosswords 11 Drama 12 Drawing and Painting 15 Family History 16 Film Studies 16 Floral Displays 17 Health and Wellbeing 18 History 20 Languages 22 Literature 23 Mindfulness 23 Music 24 Philosophy 24 Photography 25 Public Speaking 25 Science 25 Theatre Studies

There is now the option to view our brochure online with links to book your place on a range of courses, visits and events in a single transaction.

Remember that you do not have to be a member to come along to any of our courses or events – everyone is welcome!

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Golden Autumn by Julia GoodswenBorn in London, Julia has been drawing and painting since childhood. After many years working in finance, Julia began painting seriously in 2010.

Working mainly in watercolour, acrylic and mixed media with a strong emphasis on colour, her favourite subjects are local landscapes and townscapes in all seasons.

Julia is based in Woking and is a member of Woking Art Society, exhibiting regularly at The Lightbox, and Byfleet & Mayford Art Groups.

See more of Julia’s work at www.juliagoodswen.co.uk

THIS term’S COVER

NEW

NEW

26 Talks, events & visits

34 CHRISTMAS AT THE INSTITUTE

36 library AND ARCHIVE

37 IN THE Library

38 Clubs & Societies

40 EXHIbitions

additional information 42 Room Hire 43 Course Enrolment Form 45 V Café at the Institute 46 Join Us

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Welcome to AUTUMN 2019 at the Guildford Institute

Welcome to Autumn Term 2019! We’ve adopted a broader focus this term of Inspiration & Innovation, which aims to brighten up the autumnal months by uncovering some particularly noteworthy advances in the disciplines of Art, Science and Philosophy. Look out for the FOCUS symbol throughout the brochure to identify these events, or you can see the full list of focus activities that will be on offer to the right of this text.

This term, brand-new Coffee, Cake and Colour sessions (page 26) will be available in our delicious vegetarian and vegan restaurant, V Café at the Institute. These sessions will ‘do as they say on the tin’, offering participants the chance to relax by colouring in provided illustrations, alongside coffee and cakes. New Craft courses will also be available this Autumn: see page 10 for further details on our crochet sessions, plus a festive lantern-making workshop. For those feeling Christmassy towards the end of the year, there are a variety of activities offered on pages 34 & 35 which will help us to close the year firmly in the festive spirit! Much-requested multi-disciplinary courses in the areas of Art History & History as well as a session covering Art History & Literature are sure to prove popular on page 09, as is the return of our much-loved Philosophy tutor David Worrall on page 24.

If you’re interested in being a member of the Institute, or enrolling onto one of our courses in person or by post, please find the (newly-located) details and forms at the back of our brochure.

As always, we hope that there’s something available for everyone in our programme and that we’ll see you in the Institute soon.

SARAH GEORGE MARKETING AND

EVENTS ASSISTANT VICKY PURSEY VOLUNTEER AND

PROJECTS ASSISTANT

AMY MASON MEMBERSHIP AND EVENTS ASSISTANT

EMMA SUTCLIFFE PROGRAMME AND DEPUTY MANAGER

AMY RICE INSTITUTE MANAGER

THis TERM’s FOCUS events:

Inspiration and InnovationInspirational and Innovative People, Pursuits and Places

12 September – Special EventArtificial Intelligence and Robotics for Space Page 28

26 September – Drawing & Painting CourseModernist Painting Page 12

02 October – Art History CourseWhat is Abstract Painting? Page 05

07 October – Science CourseAnd the Light Shineth in Darknesse Page 25

09 October – Wednesday TalkUnderstanding Silicon Chips – The Basics Page 29

15 October – VisitSurrey Space Centre, University of Surrey Page 30

31 October – Philosophy CourseThe Philosophical Basis of Science Page 24

06 November – Art History CoursePainting and Photography Page 07

IPUY AND WIFE RECEIVE OFFERINGS FROM THEIR CHILDREN (SUBSTANTIALLY RESTORED), C. 1279–1213 BC. NORMAN DE GARIS DAVIES. THE METROPOLITAN MUSEUM OF ART, NEW YORK (30.4.114).

BAS-RELIEF DEPICTS GUARDS - WARRIORS OF KING. ANCIENT RELIEF ON THE WALL OF THE RUINED CITY OF PERSEPOLIS. IRAN.04

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Ancient Egypt in AmericaClive Barham Carter

The Metropolitan Museum of Art, New York is a great world museum with a sensational Egyptian collection to match. The less famous Brooklyn Museum has enormously significant objects with rather more provenance, and the Museum of Fine Arts, Boston has extraordinary pieces, largely due to excavations carried out by Harvard University. This course aims to look at the objects themselves, their background, and the often-quirky stories behind their discoveries.

The Art of Sir John Lavery and John Singer Sargent Tammy Ellis BA (Hons) (Lon), BA (Hons) (Surrey)

Born in the same year, but from very different backgrounds, Sir John Lavery (1856-1941) and John Singer Sargent (1856-1925) were artists who both made a great contribution to art in the nineteenth and early twentieth centuries. We shall chart the progress of their work, from Lavery’s Irish roots to the Glasgow School and beyond, and from Sargent’s position as an American expatriate artist to society portrait painter and muralist.

Ancient Empires before Alexander the Great – Part 1Rita Jones BA (Hons) DPhil

How do empires rise and how are they ruled? How are they defended and why do they fall? The first empires in human history were created in the Near East in the late 3rd millennium BC, and by 201 BC more than a dozen Near Eastern empires had come and gone—some in glory, others in obscurity. We begin our study by asking what makes a state an empire.

23 September – 02 December · 2pm–4pm£132 (£120 concs; £110 Members) · 10 Mondays (no class 28 October) CODE: GI 19 535

11 October – 08 November · 10am–12pm£66 (£60 concs; £55 Members) · 5 Fridays CODE: GI 19 536

11–25 September · 10am–12.30pm£49.50 (£45 concs; £41.25 Members) · 3 Wednesdays CODE: GI 19 537

Ancient Civilisations Ancient Civilisations Art History

“ More enjoyable than I could have imagined ” COURSE PARTICIPANT

SIR JOHN LAVERY. MRS LAVERY SKETCHING. 1910. OIL ON CANVAS. 203.2 X 99 CM. DUBLIN CITY GALLERY, THE HUGH LANE, DUBLIN.

SAMUEL BUCK. A PROSPECT OF SCARBOROUGH, WITH LATER HAND COLOURING. PRIVATE COLLECTION. SONIA DELAUNAY. TRIPTYCH. 1963. OIL ON CANVAS. 99.7 X 200 CM. TATE COLLECTION. 05

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The Prospect Before Us: Early British Landscape PaintingHilary Underwood BA, MPhil

Landscape painting and printmaking developed slowly in Britain, but even in the seventeenth and early eighteenth centuries there are fascinating artists and works. We start with glimpses of landscapes in Manuscript Illuminations and Tutor Portraits; explore landscapes by foreign-born artists including Wenceslaus Hollar, Anthony van Dyck and Leonard Knyff and end with British artists including the Buck brothers and George Lambert.

What is Abstract Painting?Tammy Ellis BA (Hons) (Lon), BA (Hons) (Surrey)

Abstract art often provokes extreme reactions, largely because it can be difficult to interpret. This course will attempt to aid understanding and appreciation of works by artists such as Wassily Kandinsky, Juan Gris, Piet Mondrian and Sonia Delaunay. From the early 1900s abstract art has been central to the concept of modern art and often reflects a moral dimension, in that it can be seen to represent qualities such as order, simplicity and spirituality.

02–09 October · 10am–12.30pm£33 (£30 concs; £27.50 Members) · 2 Wednesdays CODE: GI 19 539

24 September – 22 October · 2pm–4pm£66 (£60 concs; £55 Members) · 5 Tuesdays CODE: GI 19 538

Art History Art History

FOCUS

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Self-Portraits by Women ArtistsOlive Maggs BA, MA, PGCE

From Artemisia Gentileschi to Judith Leyster, Sofonisba Anguissola to Cindy Sherman, Elisabeth Vigée Le Brun to Sarah Lucas and many more, the unusual freedom offered by the dual role of subject and creator has allowed women artists to represent themselves on their own terms in representational, abstract or symbolic depictions. Image, identity and gender will be considered within social context and the historical period.

The course will run at the same time as the Gauguin Portraits exhibition at the National Gallery, London – 07 October 2019 – 26 January 2020.

art HISTORY

LYNN CHADWICK. WINGED FIGURES. 1955. BRONZE. 559 X 432 X 356MM. TATE COLLECTION.LOUISE ÉLISABETH VIGÉE LE BRUN. 1786. SELF-PORTRAIT WITH HER DAUGHTER, JULIE. LOUVRE MUSEUM, PARIS.

Tuesday 22 October 2pm–5pm£19.80 (£18 concs; £16.50 Members) CODE: GI 19 541

Tuesday 22 October · 10am–1pm£19.80 (£18 concs; £16.50 Members) CODE: GI 19 540

The Geometry of FearRonnie Ireland DA, BA (Hons)

‘The Geometry of Fear’ was coined by Herbert Read to describe the work of young British sculptors exhibiting at The Venice Biennale of 1952. The idea for this exhibition was to show how Henry Moore had influenced a younger generation of sculptors to move away from the direct carving of stone and to embrace a metallic and angular style. The exhibitors included Lynn Chadwick, Reg Butler, Kenneth Armitage and Liz Frink and their work had a common feel and approach, relating to the fears and anxieties of the world in the post-war period.

art HISTORY

“ The course was well paced and extremely enjoyable. I would definitely recommend it to others! ” COURSE PARTICIPANT

EARLY 20TH CENTURY AUTOCHROME PHOTOGRAPH 07

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The Secrets of the Victorian Art WorldHilary Underwood BA, MPhil

When Victorian children said to their parents, ‘I want to be an artist,’ what happened next? This richly illustrated course, full of information and anecdotes, will show how families reacted. The sessions will also explore art education and art exhibitions, including the Royal family, and discuss artists’ homes and studios from the proverbial garrets to the painters’ palaces of Merlbury Road in Kensington.

Painting and PhotographyRonnie Ireland DA, BA (Hons)

From the early development of lenses, to the invention of fixing an image mechanically in the mid-nineteenth century to the digital revolution today, there has always been a complex and fascinating relationship between photography and painting. During these sessions, we will investigate the intriguing influences of one medium upon the other. This is a repeat of the Summer 2019 course, which was run as part of the Guildford Fringe Festival.

05 November – 03 December · 2pm–4pm£66 (£60 concs; £55 Members) · 5 Tuesdays CODE: GI 19 542

06–13 November · 2pm–5pm£39.60 (£36 concs; £33 Members) · 2 Wednesdays CODE: GI 19 544

JAMES TISSOT. 1876. THE GALLERY OF HMS CALCUTTA (PORTSMOUTH). 68.6 CM (27"); WIDTH: 91.8 CM (36.1") TATE BRITAIN, LONDON.

WILLIAM POWELL FRITH. THE SLEEPING MODEL. 1853. OIL ON CANVAS. 632 MM X 728 MM X 20 MM. ROYAL ACADEMY OF ARTS, LONDON.

The Life and Works of James TissotTammy Ellis BA (Hons) (Lon), BA (Hons) (Surrey)

Jacques Joseph Tissot (1836-1902), as he was known before his name was anglicised to James, was a French artist whose works became synonymous with the society and culture of Paris and, subsequently, London. Tissot’s portrayal of elegantly dressed women shown in scenes of fashionable life and of biblical scenes, which reflect his Catholicism, create an eclectic mix of charming, realistic and spiritual images.

06–13 November · 10am–12.30pm£33 (£30 concs; £27.50 Members) · 2 Wednesdays CODE: GI 19 543

art HISTORY art HISTORYart HISTORY

Tuesday 22 October 2pm–5pm£19.80 (£18 concs; £16.50 Members) CODE: GI 19 541

FOCUS

IMAGE BY MIKE SLEIGH08

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Local Victorian ChurchesMichael Sleigh Dip Art & Design, Higher Dip Design

An introduction to some of the local churches built during the Victorian period. We will look at how religious movements and A W N Pugin influenced the design of church buildings and how Neo-Gothic became the only ‘Christian style’ to use. A visit to a church in Guildford will form part of the course to enable participants to fully appreciate the Gothic Revival legacy.

Lies, Damned Lies and ArtRonnie Ireland DA, BA (Hons)

‘We all know that art is not truth. Art is a lie that makes us realise the truth, at least the truth that is given to us to understand’ (Pablo Picasso). What is ‘truth’ in art? What kind of truth can art tell? How can it do it? An investigation of art through the centuries asking these questions and maybe even suggesting some answers to this all-pervasive subject.

Thursday 03 October · 10am–1pm £19.80 (£18 concs; £16.50 Members) CODE: GI 19 547

Art History and Architecture

RENÉ MAGRITTE: THE TREACHERY OF IMAGES. 1928-1929. OIL ON CANVAS. 63.5 X 93.98 CM. LOS ANGELES COUNTY MUSEUM ART, LOS ANGELES.

Tuesday 03 December · 2pm–5pm£19.80 (£18 concs; £16.50 Members) CODE: GI 19 546

art HISTORY

ELIZABETH FORBES. 1903. ON A FINE DAY. OIL ON CANVAS. 99 X 147 CM. GUILDHALL ART GALLERY, LONDON.

27 November – 04 December · 10am–12.30pm£33 (£30 concs; £27.50 Members) · 2 Wednesdays CODE: GI 19 545

art HISTORY

Stanhope and Elizabeth ForbesTammy Ellis BA (Hons) (Lon), BA (Hons) (Surrey)

Stanhope and Elizabeth Forbes both studied separately in Europe and settled in Newlyn, with Stanhope being dubbed ‘the father of the Newlyn School.’ As a husband and wife ‘team’ they helped gain national recognition for the colony of artists in Newlyn with their plein-air inspired paintings and through the founding of their own school of painting. Their marriage was one of equals, where Elizabeth continued to be a professional artist at a time when this was not always deemed acceptable.

WILLIAM HOGARTH GIN LANE. 1750-1751. ETCHING AND LINE DRAWING. 359 X 341 MM. 09

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Wealth and Poverty in Hogarth’s LondonDaphne Jefferis BA (Hons) & Jenny Frendo BA

The eighteenth century was a period of change, bringing both great wealth and poverty to society. The problems which emerged in London, such as drunkenness, gambling and abandoned children, are all addressed in the works of William Hogarth whose use of wit and satire in his paintings draws attention to many of the social issues of the day.

British Painting and Prose in the Second World WarDaphne Jefferis BA (Hons) & Vickie Andrew BA MA

To mark 80 years since the onset of the Second World War we shall look at the rich artistic life that continued throughout this period of conflict. Artists such as Paul Nash, Eric Ravilious, Henry Moore and others produced remarkable and telling works. The literature of the war emerged as an accomplished and challenging body of work produced by writers such as W H Auden, Graham Greene and Ruthen Rudd. These artists and authors, as well as many others, will be studied. Please note this a repeat of the popular Autumn 2015 course.

Get More Out of Your Gallery Visit – Looking At and Seeing Paintings Jane Chapman BA Fine Art

This Study Day is for those who enjoy and have experience of going to galleries and looking at art. We will build on existing skills of observation and interpretation, learn how to spend time looking at and seeing paintings, drawings and sculptures, as well as forming and discussing our own views on them. The Study Day will enable real in-depth understanding through a series of practical workshops, including group discussion on several works of art in detail and doing some simple exercises to discover and understand form, tone and colour.

Tuesday 01 October · 10am–1pm£19.80 (£18 concs; £16.50 Members) CODE: GI 19 548

Art History and History

ERIC RAVILIOUS: SUBMARINES IN DRY DOCK. 1940. WATERCOLOUR ON PAPER. 432 X 571 MM. © TATE, LONDON. SOURCE: WIKIPEDIA COMMONS.

Tuesday 03 September · 10am–1pm£19.80 (£18 concs; £16.50 Members) CODE: GI 19 549

Art History and Literature Art Interpretation

J W M TURNER: THE FIGHTING TEMERAIRE. 1838-39. OIL ON CANVAS. 91 X 122 CM. NATIONAL GALLERY, LONDON. SOURCE: WIKIMEDIA COMMONS.

Wednesday 16 October · 10am–5pm, incl. 1 hr for lunch*£39.60 (£36 concs; £33 Members) *Lunch is not included in the cost. Participants are welcome to join us at V Café at the Institute for a vegetarian or vegan lunch. CODE: GI 19 550

IMAGE BY LUCY DOROTHY NICHOLSPATTERN BY HILARY UNDERWOOD. IMAGE TAKEN BY SARAH GEORGE.10

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17 September – 19 November · 10.30am–1pm£165 (£150 concs; £137.50 Members) · 10 Tuesdays CODE: GI 19 553

IMAGE: PIXABAY.COM

23 September – 21 October · 2pm–4pm£66 (£60 concs; £55 Members) · 5 Mondays CODE: GI 19 551

Wednesday 20 November · 10am–1pm£25 (£23.20 concs; £21.70 Members) CODE: GI 19 552

Creative Writing WorkshopStella Stocker

Are you interested in writing? Enjoy practising your skills in a friendly group. The aim is to develop and channel writing ability, whether you are writing for publication or as a hobby. All forms are included–novels, short stories, poetry, memoirs and features. We will discuss many aspects of the craft of writing. There will be projects, publication guidelines and discussion of students’ work in a constructive and friendly setting. Beginners are welcome. Students should bring paper and a pen or pencil and, if possible, work in progress to read aloud for discussion.

Festive Papercut LanternsLucy Dorothy Nichols

Join Lucy Dorothy Nichols for a festive workshop at the Guildford Institute. Learn the art of papercutting and create your own festive lantern to take home. All materials and templates will be provided.

Lucy Dorothy is a paper and textile artist based in North Hampshire. She devotes her time to creating work, as well as teaching regular workshops. For more information, please visit Lucydorothy.com or email lucy@lucydorothy.com.

Creative WritingCrafts Crafts

Introduction to Creative CrochetHilary Underwood BA, MPhil

Do you know the crochet basics, maybe you have mastered the granny square, but want to be more adventurous? Why not join this friendly, structured course. Learn colour theory to create harmonious or zingy combinations for accessories to build your home and style. Practise modifying blocks and stitch patterns, and try out free-form crochet. Please note a materials list will be provided by the Institute.

NewNew

11

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Cryptic Crossword-Solving Workshop Susan Purcell MA, FCIL

Would you like to complete a cryptic crossword? Can you solve a couple of clues – maybe you recognise an anagram – but are then stumped? Many heads are better than one, so come along to this hands-on workshop, led by long-time crossword compiler and editor Susan Purcell, and we’ll tackle a crossword from one of the broadsheet newspapers together. The crossword and examples in this session are completely new and there will be no repetition from previous workshops.

Storytelling: Telling TalesDavina Robinson BEd Hons

Storytelling is one of the most ancient art forms used all around the world to pass down wisdom, history or mythology, but has storytelling become a dying art? Join Davina Robinson for this one-off workshop exploring the rules, skills and tricks of storytelling and presenting. We will look at short pieces of text and experiment with voice, whilst exploring ‘the hook’ and presentation style.

See page 25 for details of Davina Robinson’s Theatre Studies course.

Cracking the Cryptic Crossword Code Susan Purcell MA, FCIL

If you like wit and wordplay you will enjoy cryptic crosswords – and you will be exercising your ‘little grey cells’ to boot. In this hands-on course, long-time crossword compiler and editor Susan Purcell will introduce you to the specialised language of cryptic crossword clues. We will then tackle a crossword from one of the broadsheet newspapers. Suitable for absolute beginners.

16 & 23 September · 10am–1pm £39.60 (£36 concs; £33 Members) · 2 Mondays CODE: GI 19 554

Monday 04 November · 10am–1pm £19.80 (£18 concs; £16.50 Members) CODE: GI 19 555

Cryptic Crosswords

IMAGE: PIXABAY.COM

Wednesday 18 September · 10am–1pm £19.80 (£18 concs; £16.50 Members) CODE: GI 19 556

Drama

New

VINCENT VAN GOGH. VAN GOGH’S BEDROOM IN ARLES. 1889. OIL ON CANVAS. 570 X 740 MM. MUSÉE D’ORSAY.

GEORGES BRAQUE. THE VIADUCT AT L’ESTAQUE. 1907. OIL ON CANVAS. 65.1 X 80.6CM. © ARTISTS RIGHTS SOCIETY (ARS), NEW YORK / ADAGP, PARIS. IMAGE TAKEN BY: SHARON MOLLERUS.12

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Modernist PaintingClaire Harrison BA (Hons)

Each week Claire will introduce students to a different art movement and painting technique. Learn how to create cityscapes with a palette knife, construct minimalist paintings inspired by Frank Stella, craft expressionist art using works by Edvard Munch, discover Cubism with Georges Braque and learn to be abstract with Wassily Kandinsky. Students can choose the inspiration from which they paint. For all abilities.

Painting InteriorsClaire Harrison BA (Hons)

Taking inspiration from three prominent artists these stand-alone workshops will introduce you to painting interiors. The first session will focus to Mary Fedden’s composition, and introduce students to using strong colours and patterns. During the second session, we will look at how Edward Hopper created atmosphere in nighttime scenes, including how to use strong colours and contrast to capture the fading light. The final session will take inspiration from Van Gogh, focusing on creating a sense of space, using very few colours. Sign up for one, two or all of these workshops. Painting in acrylic for all abilities.

26 September – 24 October · 1.30pm–3.30pm£66 (£60 concs; £55 Members) · 5 Thursdays CODE: GI 19 560

05 Sept · 1pm–4pm: Mary Fedden£19.80 (£18 concs; £16.50 Members) CODE: GI 19 557

12 September · 1pm–4pm: Edward Hopper£19.80 (£18 concs; £16.50 Members) CODE: GI 19 558

19 September · 1pm–4pm: Van Gogh£19.80 (£18 concs; £16.50 Members) CODE: GI 19 559

Drawing and Painting

Drawing and Painting

A materials list for each Drawing & Painting course is available from the Institute

FOCUS

IMAGE BY SONGUL YILMAZ MEIERIMAGE BY SONGUL YILMAZ MEIER IMAGE BY SONGUL YILMAZ MEIER 13

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Watercolour for ImproversSongul Yilmaz Meier

Students will paint landscapes and still life using photographs or by setting up compositions. During this course, Songul will demonstrate watercolour techniques, show students how to tackle problems, give tips about how to catch the right effect and rectify incorrect areas, through one-to-one help. This course is suitable for those who already have some experience of watercolour. Although watercolour is a light medium, students are advised to wear informal clothes or bring an apron in case of spilt paint.

Ink WashesSongul Yilmaz Meier

Join Songul and learn the magical technique of ink wash, which is of Eastern origin. Acknowledge the role of tones, dramatic contrasts and light when painting with ink. Students will produce studies in landscapes, still life or figures, using photographs as inspiration. All levels are welcome. Students are advised to wear informal clothes or bring an apron in case of spilt paint. All materials are included.

23 October – 13 November · 1pm–3.30pm£66 (£60 concs; £55 Members) · 4 Wednesdays CODE: GI 19 562

18–25 October · 1pm-4pm£41.60 (£38 concs; £35 Members) · 2 Fridays CODE: GI 19 561

Thursday 07 November · 10am–12.30pm£19 (£17.50 concs; £16.25 Members) CODE: GI 19 563

Drawing for ImproversSongul Yilmaz Meier

This course is a continuation of Drawing and Painting for Complete Beginners 2, which took place in the Summer 2019 term. Students will continue with observational drawing, as well as learning a basic approach to perspective and composition. During this two-week course, participants will also experiment with other drawing media and tools, such as pen, conté crayon and brush. This course is suitable for those who have attended previous beginner’s courses at the Institute, as well as those with some experience of drawing. All materials will be provided for the first session and then a materials list will be given for the second week.

Drawing and Painting Drawing and Painting Drawing and Painting

IMAGE BY CLAIRE HARRISON IMAGE BY SONGUL YILMAZ MEIER14

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Painting Moonlight and Nighttime ScenesSongul Yilmaz Meier

‘It often seems to me that the night is even more richly colored than the day, colored with the most intense violets, blues and greens. If you look carefully, you’ll see that some stars are lemony, others have a pink, green, forget-me-not blue glow.’ (Vincent Van Gogh, 14 September 1888). Join this course and learn about the best colours to use for nighttime skies or artificial lights, as well as how to create moonlight reflections. Songul will take you through a step-by-step painting process to achieve the best results. Students can choose their medium, either watercolour or oil. This course is suitable for those who have some experience with painting.

Exploring DrawingClaire Harrison BA (Hons)

It’s all about drawing! This course will concentrate purely on charcoal and give students the opportunity to develop their core drawing skills. Students will learn all about contrast, tone, capturing detail and being expressive in this highly versatile medium. Students can choose the inspiration from which they draw. For all abilities and perfect for those who are tentative about drawing.

07 November – 28 November · 1.30pm–3.30pm£52.80 (£48 concs; £44 Members) · 4 Thursdays CODE: GI 19 564

15 & 22 November · 10am–12.30pm£33 (£30 concs; £27.50 Members) · 2 Fridays CODE: GI 19 565

Drawing and Painting

Drawing and Painting

COPY OF LUCIAN FREUD SELF-PORTRAIT IN ACRYLIC, BY AIDAN JONES. IMAGE SOURCE: FLICKR.COM.IMAGE BY SONGUL YILMAZ MEIER 15

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Family History/Genealogy Lorraine Spindler BA (Hons), Dip Euro Hum

These five stand-alone workshops will focus on what is new in family history, religious records, using maps and photographs, how to research like a professional and future developments. Your family trees will provide our case studies. The course will be followed by a make your own way trip to the National Archives at Kew on 22 November 2019 (further details will be given during the course). Suitable for all levels.

Watercolour FlowersSongul Yilmaz Meier

Learn how to paint watercolour flowers in a loose style during this one-off workshop. Come and experiment with this beautiful, spontaneous and delicate technique; learn how to control the paint, where to define the form and where to let go. Either make your own Christmas card or go with the flow. Although some watercolour experience would be helpful, all levels are welcome. Students are advised to wear informal clothes or bring an apron in case of spilt paint. All materials are included.

Painting PortraitsClaire Harrison BA (Hons)

Each week we will study a portrait painter in detail including Frida Kahlo, Lucian Freud and Vincent Van Gogh. Claire will demonstrate how to capture portraits using the three different and unique styles of each painter. This course will be primarily taught in acrylic, but students are able to choose whom they paint. For all abilities.

05–19 December · 1.30pm–4pm£49.50 (£45 concs; £41.25 Members) · 3 Thursdays CODE: GI 19 567

04 October – 15 November · 1pm–4pm £99 (£90 concs; £82.50 Members) · 5 Fridays (no class 18 & 25 October) CODE: GI 19 568

Friday 29 November · 1.30pm–4pm£18.50 (£17 concs; £15.75 Members) CODE: GI 19 566

Drawing and Painting Drawing and Painting Family History

ARRANGEMENT BY JENNIFER THOMPSON16

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Harvest Table Arrangement Jennifer Thompson MDPF, IoPF

Join local florist Jennifer Thompson to create a seasonal Harvest table centre. Learn how to put together a table arrangement to celebrate this time of year, with plenty of autumnal reds, oranges and greens. Both beginners and improvers are welcome to join this one-off workshop. Students are asked to bring their own flowers and foliage using a suggested list of materials, which will be provided prior to the course. This is in order to ensure the designs are unique to the creator.

World CinemaSteven Moonan BA, MA

Drama in film is a major element that makes for compelling viewing. A dramatic film shows us characters at their best, their worst, and everything in between. These films are easy to relate to as they are serious representations of real-life situations and stories. Covering a broad spectrum of critically-acclaimed films, this course will focus on the cinema of Europe, the UK, Asia and South America over the last 50 years. Featuring clips from the films of classic and modern day directors, such as Alfred Hitchcock, Carol Reed, Terence Davies, Mike Leigh, François Truffaut, Céline Sciamma, Ruben Östlund, Thomas Vinterberg, Hirokazu Koreeda and Lee Chang Dong.

04 October – 08 November · 2pm–4pm£79.20 (£72 concs; £66 Members) · 6 Fridays CODE: GI 19 571

Film Studies

STILL FROM ‘A STREETCAR NAMED DESIRE’ 1951. WARNER BROS. IMAGE: WIKIMEDIA COMMONS.

Thursday 26 September · 12.45pm–2.45pm£13.20 (£12 concs; £11 Members) CODE: GI 19 569

Floral Displays

17

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Tai Chi Chi Kung (Qigong)Devdan Sen

Literally ‘Life Energy Cultivation’, Chi Kung has its roots in Chinese medicine, martial arts and philosophy and is a holistic system of coordinated body posture, movement and breathing, beneficial for health and meditation. It is used to help cultivate Chi (Qi), or balance, and the flow of energy. Devdan will also introduce a short form (24 Form) of Tai Chi. Students are advised to wear comfortable clothing to allow stretching, and smooth-soled exercise shoes. If you are unsure of the suitability of the level, please contact the tutor through the Institute.

02–16 September · 2pm–3pm£19.80 (£18 concs; £16.50 Members) · 3 Mondays CODE: GI 19 572

23 September – 09 December£99 (£90 concs; £82.50 Members) · 10 Mondays (no class 18 & 25 November)Beginners (Levels 1 & 2) · 9.45am–11.15am CODE: GI 19 573

Improvers (Levels 3+) · 11.30am–1pm CODE: GI 19 574

Tai ChiDevdan Sen

Tai Chi provides core balance, harmony and wellbeing. Although considered a martial art, Tai Chi is also a meditative and an energising exercise. In these sessions Devdan, who has been practising Tai Chi for 35 years, will guide students through Part 1 of the traditional form of the Yang style. Students are advised to wear comfortable clothing to allow stretching and smooth-soled exercise shoes. If you are unsure of the suitability of the level, please contact the tutor through the Institute.

Health and WellbeingFloral Displays

Festive Candle Arrangement Jennifer Thompson MDPF, IoPF

Get into the Christmas spirit and join local florist Jennifer Thompson for a one-off workshop. Jennifer will show you how to make your own beautiful festive floral candle arrangement to take home and enjoy during the Christmas celebrations. This workshop is suitable for both beginners and improvers. Students are asked to bring their own flowers and foliage using a suggested list of materials, which will be provided prior to the course. This is in order to ensure the designs are unique to the creator.

Thursday 05 December · 12.45pm–2.45pm£13.20 (£12 concs; £11 Members) CODE: GI 19 570

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Anthony Eden and the Suez CrisisBill Yearley B.Ed.

Anthony Eden had a privileged upbringing; he developed a passion for art, was a man of fashion and became the Clark Gable of British politics in the 20s and 30s. As well as being a First World War hero, he was Winston Churchill’s lieutenant for 15 years and seen as heir apparent. Eden’s own premiership however, only lasted two years due to the Suez Crisis. Can someone’s whole life be judged by one event?

Yoga for Every ‘Body’ Julie Fastiggi

Yoga is for every 'body' and all abilities. Julie encourages smiles and a 'have a go, you never know' approach in a mindful and safe way, always looking to help you find ease and comfort in your postures. Fancy trying something new today? Please bring a mat and a bottle of water. Students are asked to arrive on time for the warm up. Limited mats can be made available to hire at £1 per class.

18 September – 23 October · 6.30pm–7.30pm£39.60 (£36 concs; £33 Members) · 6 Wednesdays CODE: GI 19 575

13 November – 18 December · 6.30pm–7.30pm£39.60 (£36 concs; £33 Members) · 6 Wednesdays CODE: GI 19 576

19 & 26 September · 10am–12pm £26.40 (£24 concs; £22 Members) · 2 Thursdays CODE: GI 19 577

History

ANTHONY EDEN BY WALTER STONEMAN. IMAGE SOURCE: WIKIMEDIA COMMONS.

Health and Wellbeing

“ We cannot agree that an act of plunder which threatens the livelihood of many nations should be allowed to succeed ” ANTHONY EDEN, 8 AUGUST 1956

HENDRICK AVERCAMP. 1608. WINTER LANDSCAPE WITH ICE SKATERS. OIL ON CANVAS. SOURCE: WIKIMEDIA COMMONS.

HOLY TRINITY CHURCH FROM HIGH STREET, GUILDFORD.17TH CENTURY ENGLISH COUNTRY HOUSE. IMAGE: RADEK STURGOTEWSKI 19

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The History of the English Country House from Reformation to RestorationJenny Frendo BA

The course will explore, not the architecture, but the changing function of the country house and its place in the community. Grand houses were built to show wealth and status while landlords looked for profit from enclosed land and entrepreneurial activities. Country house visiting was, and still is, a fashionable pastime and a deeper understanding of their place in history will enhance our enjoyment of visiting these great houses today.

Uncovering Guildford’s Recent History David Rose

Local historian and writer David Rose will present four fascinating aspects of Guildford’s recent history, with plenty of vintage images and time for discussion. This term’s topics will include the Holy Trinity Church steps – a silent witness to the town’s past, a close look at the Guildford Institute’s remarkable archive, four Guildford personalities with strong links to the Guildford Institute, as well as a history of picture postcards featuring Guildford, repeated and updated by popular demand.

How Our Ancestors Celebrated ChristmasLorraine Spindler BA (Hons), Dip Euro Hum

Christmas was a time when the poor would go to the houses of the rich and demand their best food and drink. If owners failed to comply, their visitors would most likely terrorize them with mischief. The upper classes could repay their real or imagined ‘debt’ to society by entertaining less fortunate citizens. Join Lorraine Spindler for this one-off workshop to look together at how Christmas has differed across the ages.

18 November – 09 December · 10am–12pm £52.80 (£48 concs; £44 Members) · 4 Mondays CODE: GI 19 578

19 November – 10 December · 10am–12.30pm £66 (£60 concs; £55 Members) · 4 Tuesdays CODE: GI 19 579

Friday 29 November · 1pm–4pm£19.80 (£18 concs; £16.50 Members) CODE: GI 19 580

History History History

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Spanish Continuation – Term 2Carmen Pascual BA (Hons), CTLLS

This course is for those students who have completed the Spanish Beginners course at the Guildford Institute, or those with some previous knowledge of basic Spanish. The course has a practical approach, aiming to build confidence in language learning and holiday situations. A course book will be followed and supplemented by a wealth of other resources. A basic English-Spanish dictionary will be useful for lessons and personal study.

Fabulous FrenchTammy Ellis BA (Hons) (Lon), BA (Hons) (Surrey)

Our fabulous and friendly class aims to make language learning fun, challenging and informative using listening, grammar and translation exercises. General conversation and discussion of current affairs is encouraged in a relaxed atmosphere designed to aid self-confidence. We shall also study a literary text: ‘L’élégance du hérisson’ by Muriel Barbery (ISBN-10: 2070464326/ ISBN-13: 978-2070464326. Gallimard 2015 – Folio – please buy the Folio edition where possible). Please note that this class is not suitable for beginners.

French Conversation for Post BeginnersSylvie Lefèvre, Maîtrise d’Anglais & Maîtrise de Français Langue Étrangère

This is a course for post-beginners who want to build on their basic knowledge of the French language in a relaxed atmosphere, in order to communicate better when on holiday in France. As part of this course, you will create your very own group dialogues and discuss your experiences of visiting French-speaking countries. In order to build your confidence, we will listen to varied everyday situations that you might encounter when on holiday.

17 September – 03 December · 2.30pm–4.30pm£145.20 (£132 concs; £121 Members) · 11 Tuesdays (no class 29 October) CODE: GI 19 582

25 September – 13 November · 2pm–4pm£92.40 (£84 concs; £77 Members) · 7 Wednesdays (no class 23 October) CODE: GI 19 583

13 September – 06 December · 10am–12pm£132 (£120 concs; £110 Members) · 10 Fridays (no class on 18 October, 25 October and 01 November) CODE: GI 19 581

LanguagesLanguagesLanguages

“ Tammy is an excellent teacher with a great knowledge of the subject “COURSE PARTICIPANT

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Italian CoursesBrunella Hinchliff MA (Hons), PGCE

Italian 4 (Upper Elementary) Term 1This is an opportunity to learn Italian in a relaxed environment. The course aims to teach students to communicate in everyday situations and exchange information on familiar and routine matters. The emphasis will be on the spoken language in order to build up oral confidence with some reading, writing and grammar. This is a continuation course for students who have completed about 3 years of prior study. 25 September – 04 December · 1.45pm–3.15pm £99 (£90 concs; £82.50 Members) · 10 Wednesdays (no class 30 October) CODE: GI 19 584

Italian 8 (Intermediate Level) Term 1For students with a good working knowledge of Italian (typically about 6 years of previous study) who wish to become more independent users of the language. The emphasis will be on developing listening and conversational skills to improve fluency, range of vocabulary and accuracy. Grammar will continue to be reviewed and extended. 25 September – 04 December · 10am–11.30am£99 (£90 concs; £82.50 Members) · 10 Wednesdays (no class 30 October) CODE: GI 19 585

Italian 9 (Upper Intermediate Level) Term 1For students who are beginning to communicate with a degree of fluency and have a good grasp of many (but not all) aspects of grammar (c.7 years of previous study). We will discuss a wide range of issues and participants will be encouraged to express and justify their views and opinions orally in Italian. The focus will be on speaking and listening with an ongoing review and extension of grammar25 September – 04 December · 12pm–1.30pm£99 (£90 concs; £82.50 Members) · 10 Wednesdays (no class 30 October) CODE: GI 19 586

Le Club Français – French Conversation & Culture (Intermediate to Advanced Level)Lesley Myles MA

Apprendre en s’amusant – Join this friendly class to engage in topical discussion and debate, extend your language skills and keep up-to-date with developments in a changing world. Read articles on current trends as well as local history. Listen to recorded interviews with French people and enjoy short presentations from fellow students on individually chosen subjects. Course magazine: La Vie Outre-Manche www.concordefrench.com

Languages

If you are unsure of the suitability of the level of any of our Language courses, please contact the tutor through the Institute

Languages

Fortnightly 02 October – 27 November · 7.30pm–9.30pm£66 (£60 concs; £55 Members) · 5 Wednesdays 02, 16 & 30 October; 13 & 27 November CODE: GI 19 587

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The Poetry of W.B. YeatsCarol Perrett BA (Hons) MA

W.B. Yeats is renowned for his wide range of topics and diversity of styles that he adopted in a long poetic career. In this session, we will see Yeats’ attempt to create ‘an image of human perfection’, as we read and discuss his poems. The class will be discussion based and copies of poems will be provided.

Music in Jane Austen’s Mansfield Park and PersuasionDanielle Grover PhD

Mansfield Park and Persuasion were two of Jane Austen’s later novels and music features heavily as a theme, plot device and means of characterisation. During this course we will discuss and explore how music shapes Jane Austen’s novels. Keen readers are welcome and this course assumes no former study of music or these novels. If you love reading Austen’s fiction and are now curious about how music relates to her novels, this is the course for you.

IMAGE BY MIZAR_21984 IMAGE BY CHARLOTTA WASTESON W B YEATS BY GEORGE CHARLES BERESFORD. NATIONAL PORTRAIT GALLERY. IMAGE SOURCE: WIKIMEDIA COMMONS.

Thursday 21 November · 10am–12.30pm£16.50 (£15 concs; £13.75 Members) CODE: GI 19 590

01–22 November · 1pm–3pm£52.80 (£48 concs; £44 Members) · 4 Fridays CODE: GI 19 589

Thursday 26 September · 10am–12.30pm£16.50 (£15 concs; £13.75 Members) CODE: GI 19 588

Modern Poetry Carol Perrett BA(Hons) MA

Have you ever wondered what exactly modern poetry is all about? Come along to this workshop where we will read, discuss and enjoy some modern poetry. A selection of poems will be chosen to cover a range of topics and styles. We will look at work by Carol Ann Duffy, Owen Sheers and Simon Armitage, but also some new authors. Copies of the poems will be provided – you just need to bring along an enquiring mind!

LiteratureLiteratureLiterature

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Guided Mindfulness: Breath and Inner CommunicationNadege B-Lovett

In this course, we will focus on breath as a step into an exploration of how our inner language and communication determines the quality of our life. Each week, we will explore an inner quality chosen by the students through various exercises and meditations. Nadege has been working with various therapeutic approaches, including mindfulness and meditation for over 30 years.

The Evolution and Influence of Miles Davis’ Music – Part IINicolas Meier, accompanied by Pete Roth

Nicolas and Pete will discuss and perform the music of trompettist Miles Davis. The evolution of his style and choices of crossing genres, plus his influences and impact on jazz will be explored. This will include New Orleans, swing, cool jazz, bebop, funk, fusion, as well as Spanish influences. This workshop, which carries on from Part I, will begin from Miles Davis’ first great quintet in the mid-1950s. This is the second part of two workshops about Miles Davis. It stands alone, so there is no need to have attended Part I.

Conversation and Interactions in a Jazz EnsembleNicolas Meier, with Richard Jones, Kevin Glasgow and Demi Garcia

Guitarist Nicolas Meier invites you to listen and be part of his group during this workshop about common interactions in a jazz ensemble. Together, Nicolas and the group will show how musicians communicate and create conversation, after playing a melody. Nicolas will also talk about leading a group and will then navigate over different styles of music.

MILES DAVIS PERFORMING IN ANTIBES, FRANCE IN JULY 1963. SOURCE: WIKIPEDIA COMMONS.

Monday 09 September · 2pm–4pm£13.20 (£12 concs; £11 Members) CODE: GI 19 592

Music

IMAGE: PIXABAY.COM

03 October – 14 November · 10am–12pm£79.20 (£72 concs; £66 Members) · 6 Thursdays (no class 31 October) CODE: GI 19 591

Mindfulness

© LUZ SOSA/WWW.CANARIASJAZZ.COM

Thursday 07 November · 2pm–4pm£15.20 (£14 concs; £13 Members) CODE: GI 19 593

Music

© PETER MERRYARISTOTLE (384-322 BC), STATUE AT THE ARISTOTLE UNIVERSITY OF THESSALONIKI, GREECE. IMAGE BY THEDEFTY.24

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31 October – 21 November · 10.30am–12.30pm£52.80 (£48 concs; £44 Members) · 4 Thursdays CODE: GI 19 594

Tuesday 05 November · 10am–1pm£19.80 (£18 concs; £16.50 Members) CODE: GI 19 595

An Introduction to Street PhotographyPeter Merry

This introductory workshop will look at street photography from its early days in Paris, to the glory days of New York and today’s vibrant London scene. We will consider the legal and ethical issues involved in street photography. As part of the course, there will be an opportunity to practice taking good street photographs, so do not forget your camera/camera-phone. Peter Merry is a UK-based photographer working in London, Surrey and further afield. He gained his Royal Photographic Society LRPS in 2012 and is currently working on a number of photographic projects in the South East of England.

See page 29 for details of Peter Merry’s Wednesday Talk and page 40 for his exhibition.

PhilosophyFOCUS

The Philosophical Basis of ScienceDavid Worrall BA, MA

Science aims to get ever closer to the ‘truth’, but are there areas where this subject will always be incomplete? How do we differentiate between science, non-science and pseudo-science? This course will examine the philosophical theories that attempt to provide the guiding principles of scientific practice.

Photography

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“A mind-stretching course, excellent knowledge of the subject on David’s part ”COURSE PARTICIPANT

GODFREY KNELLER. 1689. PORTRAIT OF ISAAC NEWTON (1642-1727). IMAGE SOURCE: WIKIMEDIA COMMONS. 25

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07–28 October · 10am–12.30pm £66 (£60 concs; £55 Members) · 4 Mondays CODE: GI 19 598

15 & 22 October · 10am–1pm £39.60 (£36 concs; £33 Members) · 2 Tuesdays CODE: GI 19 599

Thursday 26 September · 12.30pm–2.30pm£13.20 (£12 concs; £11 Members) CODE: GI 19 596

07 & 14 November · 7.15pm–9.15pm£26.40 (£24 concs; £22 Members) · 2 Thursdays CODE: GI 19 597

Winning with Words – The Secrets of Successful Public Speaking Steve Markwell BA

Many of us find public speaking stressful, making active attempts to try to avoid it. The first of these workshops explores the impact of what you say in public and how good communication can have a positive impact in everyday life, introducing the key methods of formulating persuasive communication. The follow up masterclass will take you through the full construction of a powerful speech. Sessions all use practical exercises, video examples and plenty of discussion.

And the Light Shineth in DarknesseRoger Price MA, MSc

Nearly everything we know comes from observing the world around us; without light we would see nothing and observe little. Moreover, three discoveries in optics, the telescope/microscope, the interferometer, and the spectroscope, have profoundly changed our understanding of the physical world, from atoms to the whole universe. Yet, where light came from was poorly understood until the stunning experiments of a little known eleventh century Arab philosopher. Since then, Newton and Huygens held competing theories of the nature of light (in fact both were right). A chance discovery by a meteorologist in 1895 played a critical role in the development of most modern technology. We will conclude this history of light with the ‘discovery’ of dark matter.

Romeo & JulietDavina Robinson BEd Hons

Dividing the play into two halves, with a week’s interval, we will explore Romeo & Juliet, one of Shakespeare’s most popular and frequently performed texts. A compelling and gripping story, which resonates across cultures and time and as relevant today as it ever was. In a supportive atmosphere, we will read the play together, as Shakespeare was written to be heard. This will open up opportunities for discussion and sharing ideas. Please bring a copy of the text with you.

Please see page 11 for details of Davina Robinson’s Drama course.

science Theatre StudiesPublic Speaking

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Pre-booking for courses, talks, events and visits is essential, so please contact us early to avoid disappointment. To make a booking you can either:

· Pay by card or PayPal through the website: www.guildford-institute.org.uk (all except Talks).

· Call 01483 562142 to pay by card over the telephone.

· Visit the Guildford Institute Reception where we can take cash, card or cheque. Please note reception is open 9am–5pm, Monday – Friday.

Please note that refunds are only given if we cancel a talk, event or visit. Bookings for events and visits can only be made on receipt of payment.

Coffee, Cake and ColourSarah Jane Vickery

Did you enjoy colouring as a child? Would you like an excuse to pick up your pencils again? Join Godalming author, illustrator & creativity coach, Sarah Jane Vickery, at the Institute’s V Café for Coffee, Cake & Colour.

Each week Sarah will bring along one of her beautiful illustrations for you to colour. These are drawings from her Art of Wellbeing Workbook, designed to inspire curiosity, creativity and a growth mindset. The perfect break from the everyday hustle. Enjoy your choice of coffee or tea, a slice of cake or vegan treat and a colouring illustration. Just bring your favourite set of pencil crayons or markers to use. Suitable for all levels. Book via The Guildford Institute or drop in on the day.

© SARAH JANE VICKERY

Fridays: 20 & 27 September, 11 & 18 October, 15 & 22 November · 10.30am–12pm£12 per session CODE: EO49

EVENT

Look out for our FOCUS talks, events and visits on the theme of Inspiration and Innovation

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IMAGE: LORIMERBURN.COM IMAGE: WIKIMEDIA 27

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Brookwood Cemetery, SurreyBrookwood Cemetery was created in the 1850s as a solution to the overcrowded cemeteries of London. It is situated in a 220-acre park and is a Grade I listed site in the Register of Historic Parks and Gardens. The cemetery is currently the largest in Western Europe.

The visit will begin with a short historical talk, after which a volunteer from the Brookwood Cemetery Society will lead us on a tour lasting approximately 2 hours. The cemetery includes a remarkably rich range of burials reflecting all levels of society. A number of prominent memorials will be visited and notable graves include those of John Singer Sargent, Gottlieb Wilhelm Leitner and Dr Robert Knox.

Please note: this visit is not suitable for those with impaired mobility as a result of the uneven ground and duration of the tour.Meet at the Glades of Remembrance car park at 1.45pm

A Calamity and A TriumphCaptain Lorimer Burn

After delivering a well-received talk at the Institute in 2018, we are pleased to welcome back Captain Lorimer Burn. Lorimer’s career began in 1967 and included time spent flying for the Royal Navy, British Airways and BMI. He retired in 2006 and after 40-plus years of flying with only one crash, he was pleased to do so!

In this talk, Lorimer will look in some detail at the disastrous crash of Air France 447 into the Atlantic in June 2009. He will then examine the skilful avoidance of disaster, with the landing of US Airways 1549 on the Hudson River in January 2009.

Wednesday 18 September · 2.45pm–3.45pmFree for members & non-members. Booking essential. CODE: T229

Thursday 19 September · 2pm–4pm Members £10.50, non-members £12.50 CODE: V079

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VISIT – Make Your Own Way

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Wednesday 25 September · 2.45pm–3.45pm Free for members & non-members. Booking essential. CODE: T230

Thursday 12 September · 3pm–4.15pmMembers £5 & non-members £6 (incl. glass of wine) CODE: E045

The British Empire – Was it Different?Gordon Bridger

‘Every empire, however, tells itself and the world that it is unlike all other empires, that its mission is not to plunder and control but to educate and liberate.’ Edward W. Said.

Britain began to establish overseas colonies in the 16th Century. At its pinnacle the empire was the largest in the world and spanned approximately 25% of the world’s land surface. Although the empire bought vast change and innovations to many countries, can it ever be truly considered as a force for good?

In this talk, Gordon Bridger will consider the legacy left by Britain and whether it had a positive or negative impact upon the colonised country.

Future Artificial Intelligence and Robotics for SpaceProfessor Yang Gao

FAIR-SPACE is the UK’s first national hub of research excellence for Future Artificial Intelligence & Robotics for Space. The organisation integrates world-class academic and industrial capabilities to enable future space robots to repair satellites, assemble large space telescopes, manufacture products in space and remove space debris.

Prof Gao is a Professor of Space Autonomous Systems and Hub Director at the Surrey Space Centre at the University of Surrey. She is an internationally renowned space roboticist, specializing in sensing, perception, navigation, control, autonomy and real-world space mission development.

Join her to learn more about future plans and their impact for space missions in years to come.

Also see our visit to Surrey Space Centre on page 30

SPECIAL EVENTFOCUS

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Wednesday 09 October · 2.45pm–3.45pmFree for members & non-members. Booking essential. CODE: T232

Friday 11 October · 6.30pm–8pmMembers £5 & non-members £6 (incl. glass of wine) CODE: E046

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London Streets – Photography from the Monopoly LocationsPeter Merry

Peter Merry is a Guildford-based photographer and runs training for small groups and individuals providing help with both the technical and artistic aspects of photography. He is also a judge for the Surrey Photographic Association.

Peter’s photographic project comprises of over 100 images from the London Monopoly board locations, taken over a one-year period.

Peter will give an overview of the project, highlighting some of the people he met, the unexpected sights and the images he captured along the way.

See page 40 for details about Peter’s exhibition and page 24 for his course.

Understanding Silicon Chips – The BasicsKenelm Murray

Silicon, a chemical element that is only second to oxygen in being the most abundant substance on earth. In this talk, Kenelm Murray will present the basics behind silicon chip technology. He will focus on how miniaturisation is accomplished, the fundamentals of circuit design and how a circuit is built.

Kenelm spent over 20 years as a Senior Design Engineer working all over Europe. He ran a company on the Surrey Research Park for five years, and then spent eight years as a Design Engineering Manager in Silicon Valley, California.

Guildford History Question Time: Ask the Experts!Local panel of experts

Guildford History Question Time, previously held at The Keep Pub, is now coming to the Guildford Institute! In a style similar to BBC TV’s Question Time, we invite you to come along, enjoy a glass of wine and pose questions to our panel of local experts about Guildford’s long and rich history.

Guildford Dragon News Editor, Martin Giles, will chair the evening with the panel comprised of Matthew Alexander (former Curator of Guildford Museum), David Calow (long standing member of The Surrey Archaeological Society), Mary Alexander (former Collections Officer at Guildford Museum) and David Rose (local historian and author).

FENCHURCH STREET BY PETER MERRY

Wednesday 02 October · 2.45pm–3.45pmFree for members & non-members. Booking essential. CODE: T231

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The Surrey Archaeological Sustainable Impact ProjectAnne Sassin Allen

Founded in 1854, the Surrey Archaeological Society has long led in research of the county’s history and archaeology. The Society’s Projects and Outreach Officer, Anne Sassin Allen will discuss the multi-faceted project developed to enhance the various skills needed for the Society to increase its activities and services.

Anne is a local archaeologist and has managed several heritage and community archaeology projects in the South East. She is currently Honorary Research Fellow at Canterbury Christchurch University.

The Ramblings of a RailwaymanGeoff Burch

During The Ramblings of a Railwayman, Geoff Burch talks about his first interest in railways as a train spotter and as a 15 year-old straight from school. He began his career with British Railways as an engine cleaner, working in the boilersmith’s shop and eventually becoming a top-link fireman based at Guildford Motive Power Depot.

Join Geoff for a fascinating insight into his varied railway career, where he will share stories alongside exclusive photographs.

Please note this is a repeat of the popular Autumn 2012 talk.

Wednesday 16 October · 2.45pm–3.45pmFree for members & non-members. Booking essential. CODE: T233

Wednesday 23 October · 2.45pm–3.45pmFree for members & non-members. Booking essential. CODE: T234

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Surrey Space Centre, University of SurreyTThe University of Surrey and Surrey Satellite Technology Ltd (SSTL), are world leaders in the design, construction and operation of micro-satellites. These ‘nano-satellites’ open up many new possibilities for space exploration. Soon, such spacecraft will be exploring the Moon and the solar system, beyond.

Our visit will begin with a talk entitled From the Earth to the Moon – The Work of the Surrey Space Centre, which will be delivered by Professor Craig Underwood, the Centre’s Deputy Director. Craig will discuss Surrey’s pioneering role in the development of these state of the art highly miniaturised spacecraft. The talk will be followed by a private tour of the Space Centre.

Meet at 1.45pm outside the Surrey Space Centre, Arthur C. Clark Building

Tuesday 15 October · 2pm–5pm Members £7, non-members £9 CODE: V080

VISIT – Make Your Own Way

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Dulwich Picture Gallery and The Horniman Museum, LondonDesigned and built by leading architect Sir John Soane, Dulwich Picture Gallery houses over 600 paintings. The collection includes masterpieces by artists such as Canaletto, Rubens and Gainsborough. Our visit will begin with a 45-minute guided tour, which will provide you with a general overview of the Gallery’s permanent collection.

Your ticket also includes admission to the temporary exhibition, Rembrandt’s Light, which marks 350 years since Rembrandt’s death. Should you choose to eat on-site, the Gallery’s contemporary café offers a wide range of food and drink options.

At 1.30pm we will make the short journey (by coach) to The Horniman Museum. Here you will have the opportunity to view some of the 350,000 objects and artefacts collected by Victorian tea trader, Frederick John Horniman. After exploring the collections, you may wish to sample some of the delectable treats on offer at the Museum’s café.

Coach departs Guildford North Street at 9.30am and The Horniman Museum at 4pm.

DULWICH PICTURE GALLERY, LONDONIST.COM

Wednesday 30 October · 2.45pm–3.45pmFree for members & non-members. Booking essential. CODE: T235

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Verdi’s NabuccoLewis Gaston and Peter Melville, Guildford Opera Company

Nabucco (Nebuchadnezzar) was Giuseppe Verdi’s third opera and his first triumphant success. It includes ‘Va pensiero’, the chorus of the Hebrew slaves as they lament their exile in Babylon, the most popular of all Verdi's choruses. The première was at La Scala, Milan in 1842.

Join Guildford Opera Company’s Music Director Lewis Gaston and Stage Director Peter Melville, as they explore, with musical illustrations, Verdi’s fascinating early masterpiece and its place in history.

visit – COACH

Tuesday 05 November · 9.30am–4pmMembers £35, non-members £37 CODE: V081

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Sandhurst – The Early History of the RMA and its BuildingsDr Anthony Morton

Dr Anthony Morton has been curator of the Sandhurst Collection since 2009. The Collection was established in 1970 to preserve items of historical interest that relate directly to the Royal Military Academy (RMA). The collection houses numerous objects and memorabilia, including: pictures, silver, decorative art and weaponry.

Anthony’s illustrated presentation will focus on the origins and development of the Royal Military Academy Sandhurst.

The Olive Matthews Collection of Fashionable DressGrace Evans

The Olive Matthews Collection, which is housed and exhibited in Chertsey Museum, includes over 4,000 items of men’s, women’s and children’s dress and accessories. Pieces date from c.1600 to the present day, with particular strengths in the 18th and early 19th centuries. Grace Evans, who is tasked with caring for and interpreting the collection, will explore its history and its collector; Olive Matthews.

Grace was educated at York and Manchester Universities and then went on to work at the Museum of London; joining the team as Keeper of Costume at Chertsey Museum in 2001.

Is Sugar Stressing You Out?Georgia Boston

Have you ever considered that what goes into your body could be affecting who you are being? Are you putting your best self forward? Georgia Boston is a certified health coach and as part of Sugar Awareness Week (12–18 November), will discuss the ways in which sugar affects us both physically and emotionally.

Georgia works with stressed professionals looking to experience lasting sustainable success at work and at home. She uses an innovative approach with her clients to manage stress in a new way. Since launching her health coaching business in 2017, Georgia has been coaching privately and supporting businesses in their corporate wellbeing programmes.

PHOTO: SANDHURSTCOLLECTION.CO.UK

Wednesday 06 November · 2.45pm–3.45pmFree for members & non-members. Booking essential. CODE: T236

SACK BACK GOWN. IMAGE COPYRIGHT THE OLIVE MATTHEWS COLLECTION, CHERTSEY MUSEUM. PHOTO BY JOHN CHASE PHOTOGRAPHY

Thursday 14 November · 7pm–8pmMembers £5, non-members £6 CODE: ET05

Wednesday 13 November · 2.45pm–3.45pmFree for members & non-members. Booking essential. CODE: T237

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An Introduction to Book ConservationIan Watson

Ian Watson is a book conservator and accredited member of the Institute of Conservation. He worked as the Preservation Manager at Lambeth Palace Library for 5 years, and set up The Sussex Conservation Consortium with his business partner Ruth Stevens in 2013.

Ian’s talk will begin with an introduction to the ethics, techniques, equipment and materials behind modern book conservation. He will then discuss the project of conserving the Institute Library’s annotated copy of The Art of Glass. Ian will outline the challenge of preserving the originality and historically important aspects of the object, whilst also treating the binding and textblock in order to re-create a mechanically robust book, capable of allowing safe access to the text and marginalia.

Never Knowingly Undersold: John Lewis 1864 to the Present DayMargaret Westwood

This year marks 155 years since the first John Lewis store opened on Oxford Street, London. The business was a true family affair and Lewis’ son, John Spedan Lewis, dramatically transformed the face of retail.

Margaret’s talk will chart the successful rise of the retailer, from the peak of Victorian consumerism through to the 20th century and the revolutionary creation of the John Lewis Partnership.

Margaret’s career began at The Economist Intelligence Unit, where she specialised in consumer economics and she joined the University of Surrey in 1971.

PHOTO: THE ART OF GLASS BY H. BLANCOURT (LONDON, 1699) JOHN LEWIS ON OXFORD STREET, RETAIL-WEEK.COM

Wednesday 20 November · 2.45pm–3.45pmFree for members & non-members. Booking essential. CODE: T238

talk

Wednesday 27 November · 2.45pm–3.45pmFree for members & non-members. Booking essential. CODE: T239

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Young Musicians’ RecitalsShowcasing up and coming talent, this series gives you the opportunity to hear accomplished musicians play in a relaxed, informal setting. Come along and enjoy a variety of performances.

· Tuesday 24 September: Players from Tormead School· Tuesday 22 October: To be announced· Tuesday 12 November: Pupils of Elena Krivenko (piano)· Tuesday 26 November: Players from Prior’s Field School· Tuesday 10 December: Madeline Rodzianko and Yasmin Dinenage (piano)

Full performer and programme details will be available nearer the time and will be publicised throughout the Institute and on our website: www.guildford-institute.org.uk

6.30pm–7.20pmAdmission is free, no booking required.

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Tuesday 26 November · 3pm–4.15pmMembers £6; non-members £7 (incl. tea/coffee & mince pies) CODE: E047

‘Oh No It Isn’t’: A History of PantomimePete Allen

What is it about pantomime that attracts us to this strange concoction of fairy tales, dance, jokes, songs and cross-dressing? And what is it really like to play the back end of a pantomime cow? All this, and the answer to whether something really is behind you will be answered in this festive talk about what has become one of the great British Christmas traditions.

Pete has worked extensively as a professional theatre director and film-maker, including six years as Assistant Head Flyman at The Theatre Royal, Drury Lane. He is currently the Director of The R.C. Sherriff Trust.

PHOTO: HRPFOODFESTIVALS.COM/FESTIVE-FAYRE

SPECIAL EVENT

Christmas Events at the Institute

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Hampton Court Palace, SurreyExperience 500 years of history and explore the home of King Henry VIII, on this festive day trip. We will begin our visit with a 90-minute private tour, where our guide will focus on the history of Christmas at the Palace. Discover the magnificence of the Great Hall, take a chilling stroll through the infamous Haunted Gallery and marvel at the extensive Tudor kitchens.

After the tour, you will have free time to enjoy lunch at one of the Palace’s two cafés. Your ticket will include admission to the Palace’s Festive Fayre (in partnership with BBC Good Food), where you can peruse the many stalls selling delicious artisan food and drink, as the voices of local choirs fill the air.

Coach departs Guildford North Street at 9.30am and Hampton Court at 4pm.

visit – COACH

Friday 06 December Members £38, non-members £40 CODE: V082

SPECIAL EVENT

Christmas Lunches Kick off the festive season at the Institute’s very own Christmas lunches.

This special event is a popular annual tradition for many and this year will benefit from a fresh menu offering by our talented new caterers in the V Café.

You will enjoy a tasty two-course meal accompanied by seasonal tunes and a light-hearted quiz.

You can select from two vegetarian main courses with a festive twist and two delicious puddings, then complete your meal with coffee/tea and mince pies. The full menu is available online or ask at reception.

Please book early to avoid disappointment.

Thursday 19 and Friday 20 December · 12.30pmOpen to all: £16 (incl. 2 course lunch & tea/coffee/mince pie) CODE: E048

Christmas Events at the Institute

LIBRARY VOLUNTEERSLAST CATTLE MARKET 9 JUNE 1896 THE LIBRARY, 1934

Our HistoryIn 1890, the opportunity arose to purchase a failing Temperance Hotel in Guildford town centre. The Mechanics Institute, founded by local tradesmen eager to learn, united with other local groups to form a building fund and eventually buy the hotel. By 1892 they had created teaching rooms and a home for the Institute’s fledgling Library.

The Guildford Institute are proud to have continued the tradition of social, cultural and educational activities from that day to the present time.

In 2017 the Institute celebrated 125 years at their current location. Special events were held throughout the year and an anniversary time capsule was created and has been stored in the archives to be discovered in the future.

The LibrarySince the Guildford Institute was founded in 1834, to foster the concept of ‘self-improvement’ among the working men of Guildford, the Library has been at the heart of the organisation. Now run by a dedicated team of volunteers, its original collection of 200 volumes has grown to around 14,000 ranging from 19th century first editions to the latest in modern fiction, travel, philosophy, popular science and art history.

Everyone is welcome but you do need to join the Guildford Institute in order to borrow books. Two quality daily newspapers are provided plus other weekly and monthly periodicals. Come and experience for yourself this oasis of calm amid the bustle of Guildford’s busy streets.

Archive CollectionOur eclectic Archive Collection is used by researchers in Guildford and across the world, helping investigations into family history, local events, changes in the environment and much more. Now almost fully digitised, these records are available to search online, making this an exceptional local history resource.

Search our Library and Archive Collection online, or call in and visit us to spend some time with our extraordinary collections.

Library opening timesTuesday–Friday 10am–3pm Saturday 10am–2pm

ClosureThe Library will close at 3pm on Friday 26 July and will reopen at 10am on Tuesday 03 September.

e: library@guildford-institute.org.uk www.guildford-institute.org.uk/library-archive

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Heritage Open DayThe Heritage Open Days programme is England’s largest festival of history and culture, where venues across the country throw open their doors to celebrate their heritage, community and history. The Institute’s historic Library and Archive will be open for visitors to explore, as part of this national event.

This year’s theme is ‘People Power’ and the Library’s display will focus on local people’s protests against despoiling local landscapes and favourite beauty spots. There will also be a display of material from the archive relating to the power of the ballot box in the 19th and 20th centuries.

Guildford Writers ClubGuildford Writers is a writers’ circle, meeting every other Tuesday at 7.30pm, in the Guildford Institute’s historic Library. New members are always welcomed because we value writing variety, different views and additional comments. We try to attain a high standard. Many of us are writing novels but we also have keen short story writers and poets. Each meeting we bring work to read aloud to the group. Advice, constructive criticism and general comments are given. The group is growing and sometimes not all attendees can read, yet they get insight into writing by listening to others’ comments.

For more information please contact Jennifer Margrave: t: 01483 562722 www.guildfordwriters.net

Book Club The Guildford Institute’s Library provides a cosy spot for our book club to gather together and discuss each month’s selected title. You don’t need to be a member of the Institute to join us on a Thursday afternoon. Books are randomly selected from members’ suggestions and are published each term. Readers put forward an extensive variety of titles in a wide range of genres and can be surprised to find enjoyment in books that they might never have thought of trying. New faces are always welcome so come along and meet us!

For more information please contact Monica Turnbull or John Myles via the Institute: t: 01483 562142

26 September: New Boy – Tracy Chevalier24 October: Reading in the Dark – Seamus Deane28 November: Secret History – Donna Tartt

For future term book titles please go to: www.guildford-institute.org.uk

Saturday 14 September 10am–4pmAll welcome; free of charge

17 September; 01, 15 & 29 October; 12 & 26 November; 10 December · 7.30pm–9.30pm £1 per session for GI Members

Thursdays 3.15pm

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Guildford Games with Sevy Singh

An informal, friendly group playing a mix of established classics and new games. Game requests/suggestions and

newcomers welcome! For more information please contact Sevy Singh via the Institute: t: 01483 562142 Tuesdays · 6.30pm & usually on the 2nd Saturday of every month 10am–6pm

Chess ClubGuildford Chess Club is a lively local club and caters for players of all standards for friendly games or matches in local or

national competitions. It has a thriving junior section. e: nigel.white60@ntlworld.com www.guildfordchess.co.ukMondays · 7pm–10.30pm Junior section (under 18 years) · 6pm–7pm

Guildford Mahjong Club Join this group of enthusiasts of all ages who welcome new as well as experienced players. Enjoy regular play, competitions

and training sessions.

Visit our club website for more details: www.guildfordmahjong.co.ukAlternate Mondays · 7pm–10.30pm £3.50 per session

Guildford Speakers ClubA safe and supportive atmosphere to practise public speaking. Welcoming all levels of experience and providing

individual improvement without fear of harsh criticism. For more details contact Charles Cornew m: 07922 612610 e: charlescornew@gmail.com http://9834.toastmastersclubs.org

1st, 3rd & 5th Tuesday of each month · 7.15pm

The Guildford Institute Quilting & Stitching ClubA small friendly group, of mixed experience, gathering monthly to share and enjoy the craft of patchwork quilting and

needlework. Bring a current project, future plan or completed piece. For more information: t: 01483 562142 e: info@guildford-institute.org.ukMonday evenings · 6.30pm–9.30pm 02 September, 07 October, 04 November, 02 DecemberMembers & non-members £10 per term

The Music Institute Folk ClubA chance to hear the finest established artistes on the national folk scene and also some exciting newcomers, in a warm and friendly

atmosphere. For more information and bookings: www.musici.club e: info@musici.club27 September; 11, 18, 25 October; 08, 15, 22 November; 06, 13, 20 December

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Modern History Talks· 08 October: The Battle of Guildford Gap 1940 by Matthew Alexander German plans and British countermeasures for what might have been a significant battle. Fortunately, it never happened.

· 22 October: Peterloo and Amritsar: Two very British Massacres by Charmian Skelton This talk marks two centenaries this year: Peterloo (Manchester) 1819 and Amritsar (Punjab) 1919.Tuesdays · 2.30pmInstitute Members £1.50, non-members £3 per talk

German Conversation with Sylvia Potter

A Saturday coffee-morning group. Sylvia invites participants to join informal sessions aimed at German speakers who would enjoy

talking about either preset topics or any spontaneous issues they would like to suggest. These sessions are aimed at those with a good understanding of spoken German and an ability to converse in straightforward conversation. For more information contact Sylvia: sylvia.potter@outlook.comSaturdays once a month · 10.30am–12pm 07 September, 05 October, 02 November, 07 December Members free, non-members £3

Spanish Saturday with Gachoucha Pletts & Bill Jackson

Come, practise and improve your Spanish language skills within a group. We meet for coffee at 10.30am, begin at

11am and finish at 12.30pm. Regular Saturdays · 10.30am–12.30pm 28 September, 26 October, 23 NovemberMembers free, non-members £3 Guildford Natural History Society

Guildford Natural History Society meets for talks covering all aspects of wildlife from insects and badgers to elephants, flowers and birds, plus one or two traveller’s tales from around the world. For further details contact Bridget Hopkins t: 01483 275826 See more about the talks: guildford-institute.org.uk

· 19 October: The World of Wild Orchids by Dr Robert Edmondson

· 24 October: The Trials and Tribulations of Dormouse Conservation by Ian White

· 07 November: Wildflower Landscapes of Washington State by Sue Raikes

· 21 November: Birdwatching in Trinidad and Tobago by Brian NobbsTuesdays · 2.30pmInstitute Members £1.50, non-members £3 per talk

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Pattern ImageryMartyn Wyndham-Read

Martyn is a well-known folk singer and a little-known artist. His skills as a singer, guitarist and performer spill over into his artistic thoughts and mirror feelings of traditional life in his native UK and in his adopted Australia.

Traditions are seen and heard as being both historical and contemporary. This is shown in the choice of songs and his attitude to life. Martyn’s pattern imagery is rooted in a variety of cultural styles. They are evidently of their own time and place and exist as self-sufficient images as well as being a starting point for new journeys. www.dandadesign.co.uk

London Streets: Photography from the Monopoly LocationsPeter Merry

Peter Merry is a Guildford-based photographer and judge for the Surrey Photographic Association. He also runs photography training courses.

Peter conducted a photographic project of images taken from the locations on the London Monopoly board over a one-year period, and this exhibition is a selection of those images. From a Czech army tank in south London to a drugs deal in the West End, Peter captured many unexpected sights.

Meet Peter and hear more about the project at a free Wednesday talk (see page 29) and a course on street photography (see page 24).

www.petermerry.co.uk www.guildfordphotography.co.uk

02–21 September 23 September – 12 October

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04–23 November 25 November – 20 December

Woodland, Coast and SeaBecca Clegg

Becca is back at the Institute with her impressive colourful, impressionistic landscapes.

After her large Frimley Hospital commissions last year, this year she has focussed on local Woodland and English Coasts, mainly based on photos she has taken of places that mean a lot to her: local Woodlands, including the Chantries, and Cornish Seascapes from family holidays. The resultant dramatic, acrylic paintings are joyful panoramas to escape to.

Becca's paintings are in collections all over the world, including the US and Australia. Galleries stocking her work include the Lightbox, Woking, and Corte Real, Portugal. She lives in Guildford with her family.

www.beccaclegg.co.uk

Secrets of NatureClaire Harrison

Claire’s unique artistic style is inspired by the wonder of the hidden world of flowers and insects within her own garden. So imaginative and detailed is her work that she can only create 8-10 beautiful originals a year!

All Claire’s works of art are painstakingly created with a small detailed brush and several layers of translucent oil paint, created from hours of sketchbook drawings and photography. This is a rare opportunity to see her work together as it is unsurprisingly, much in demand.

www.claire-harrison.co.uk https://www.facebook.com/ClaireHarrisonArtist https://www.instagram.com/claireharrisonartist/ https://twitter.com/ArtatClaire www.linkedin.com/in/claireharrison

Also see Claire’s courses at the Institute on pages 12, 14 & 15.

The Secret Colour of TreesJo Shepherd

Jo is a painter working mostly in oil on canvas. Having attained a degree in Fine Art at Kingston University in the 80s, Jo has gone on to paint and exhibit her work both locally and in London, having been selected for the 2017 Royal Academy Summer Exhibition and the prestigious Columbia Threadneedle Prize 2018 at the Mall Galleries.

She has two great loves in terms of subject – portraits and trees. This exhibition will be a celebration of her love of trees with her inspiration taken from the stunning woodland landscapes around her home in Haslemere.

www.joshepherdfineart.weebly.com facebook: https://www.facebook.com/Jo-Shepherd-ART Instagram - jo_shepherd_fine_art

14 October – 2 November

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room hireThe Guildford Institute’s Grade II listed Victorian building is conveniently located in the heart of Guildford, within easy walking distance of the bus station and both Guildford and London Road railway stations. There are a number of town centre car parks nearby.

The Guildford Institute offers:

· full disabled access · a convenient town centre location· reasonable rates· four main meeting rooms and one small meeting room· refreshments in your room· a vegetarian restaurant serving home-cooked lunches, or sandwich lunch in your room

· AV equipment· a licensed bar· a steward present at evening and weekend functions.

Please contact the Institute for more information on 01483 562142.

Each of our meeting rooms has its own unique style, reflecting the development of the organisation from its origin as a nineteenth century Mechanics Institute.

Assembly Room A bright and comfortable first-floor room which seats 70 lecture-style, or 40 boardroom or cabaret-style.

Old Billiard RoomAn elegant first-floor room, decorated with prints of old Guildford, seats 40 lecture-style, 25 boardroom or cabaret-style.

Lecture RoomA comfortable second-floor room with views over the town holding up to 30 people depending on layout.

StudioA characterful second-floor room with vaulted ceiling, seats 40 lecture-style or 25 boardroom or classroom-style.

Conference RoomOur small second-floor meeting room, which looks out over North and Ward Streets, seats 12 people, boardroom-style only.

For details of equipment and catering facilities available, please see our website.

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course enrolment

We recommend enrolling online at www.guildford-institute.org.uk and using PayPal. It’s quick, efficient and free. You do not need to have a PayPal account. You will receive a confirmatory email.

Other ways to enrol· In person at the Institute

· By post: complete this form and send it with payment, to The Guildford Institute, Ward Street, Guildford GU1 4LH. If you would like a receipt to confirm your enrolment, please include a small SAE.

· By phone: 01483 562142

You will be advised if a course is full and placed on a waiting list but unless you hear to the contrary your application has been successful.

Please enrol at least two weeks before a course begins; it is at this stage that course numbers are reviewed and courses may be cancelled if they are not viable.

It would help us considerably if multiple bookings could be made via a single payment. The easiest ways to do this are online using the shopping basket facility, or by debit/credit card over the telephone or in person.

Refunds will not be issued unless a course is cancelled. Please refer to our Refund Policy, available on our website or in Reception.

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Data Protection: We will store the information you provide on this form electronically and hard copies will be retained in a locked, secure environment. Be assured that we never release students’ personal details. Following the completion of this form, we will sign you up to our mailing list. If you would rather opt-out of this, please highlight your preference overleaf, at the bottom of page 44. If you would like any further information or would like to view our privacy policy, please contact Amy Rice via amy@guildford-institute.org.uk

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ConcessionsNote that proof of eligibility may be required. I am claiming a concession because:

I am a Member of the Guildford Institute

I am over 65

I am a full time student

I am in receipt of benefit payments

PaymentPlaces cannot be held until payment is received.

I am enrolling in person by debit card

I am enrolling in person by credit card

I am enrolling in person and paying cash

I enclose a cheque for the amount shown above, payable to ‘The Guildford Institute’ (crossed A/C payee)

I agree to be added onto the mailing list, so that I receive upcoming Guildford Institute brochures

I agree to receive targeted marketing from the Institute in the future by post or by email

I would like to opt out of receiving further marketing, including upcoming brochures

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OPEN EVERY WEEKDAY

9am–3pm Tea | Coffee | Cake

Homemade vegetarian and vegan dishes served daily

between 12pm–2pm

“The food is delightful and feels healthy and clean” Shirlee Posner, Eat Surrey“Offering great options for vegans as well as catering for vegetarians” Surrey Vegan

We would like to introduce ourselves as Nick and Ian, from Not Just Hummus! As the new chefs at V Café, our aim is to carry on the long legacy of providing freshly cooked vegetarian and vegan food

in the Guildford Institute’s historic Assembly Room, a tradition stretching back over 30 years.

We met at school, have been best friends ever since and both have an extensive background in catering, which includes roles at KPMG, The Savoy and Claridge’s. Together we bring

a wealth of knowledge and expertise to the table (see what we did there!).

Embarking on this new challenge is very exciting for us and we are looking forward to building a great relationship with both the Guildford Institute, its Members and the public.

We look forward to serving you soon

Nick and Ian

Welcome to V Café at the Institute

@vcafeguildford

To book a table, please call us on: 01483 562142Sample menu available at: www.guildford-institute.org.uk

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Gift Aid allows us to claim tax back from the Government on your membership subscription. Please read the following statement to confirm that you qualify:

I am a UK taxpayer and understand that if I pay less Income Tax and/or Capital Gains Tax than the amount of Gift Aid claimed on all my donations in that tax year it is my responsibility to pay any difference.

To Gift Aid your donation to The Guildford Institute, you must tick at least one of the boxes below:

I want to Gift Aid this donation of £_______

I want to Gift Aid my donation of £_______

and any donations that I make in the future or have made in the past four years.

SIGNED

DATE

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I agree to be added onto the mailing list, so that I receive upcoming Guildford Institute brochures

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Please be assured that we never divulge members’ personal details to any other organisation or individual.

Join usYou can become a Member of the Guildford Institute by following the link on our website: www.guildford-institute.org.uk

Other ways to join· in person at the Institute (cash, cheque or card)

· by post: complete this form and send it with a cheque to: The Guildford Institute, Ward Street, Guildford GU1 4LH

· by phone: 01483 562142 (debit or credit card)

I, (TITLE & FIRST NAME/S)

LAST NAME

hereby apply to become a member of The Guildford Institute, a company limited by guarantee, company number 6571640, charity no 1125031.

£35 individual annual subscription fee

£60 joint annual subscription fee Annual membership runs for a calendar year from the date joined.

£580 individual life membership

£900 joint life membership

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Join usBecome a member of the Guildford Institute and enjoy a number of benefits:

· brochures and email newsletters

· bi-annual member magazine

· discount on courses, visits and special events

· priority booking for Wednesday Talks

· 10% discount at the V Café on Mondays

· 10% discount on room hire

· borrowing rights to the Institute Library

· discounted archive research fees

· free or reduced entry to conversation groups, clubs and societies

· member-only events including member coffee mornings

Support usHelp us to continue our work by supporting us in a number of ways:

· volunteer your time as a Trustee, in the Library or on Reception

· donate funds to maintain our Grade II listed building and fulfil our charitable objectives

· if you are a UK tax payer we can maximise your contribution by making a Gift Aid claim

· leave a legacy in your will enabling us to continue to contribute to the educational, cultural and social life of Guildford, and surrounding areas, for years to come.

Follow usLike The Guildford Institute on Facebook

Follow @GuildfordInst on Twitter Follow guildfordinstitute on Instagram

MEMBERS’ COFFEE MORNING

Friday 4 October

Catch up with fellow members over free coffee/tea and cake

in our historic library

Design: www.emspace.co.ukEdited by Amy Rice, Emma Sutcliffe, Amy Mason, Sarah George and Vicky Pursey

The Guildford InstituteWard Street Guildford GU1 4LH

t: 01483 562142 e: info@guildford-institute.org.uk www.guildford-institute.org.uk

Company no. 06571640 The Guildford Institute is a Registered Charity: no. 1125031

Booking informationCourses, events, visits and membership fees can be paid for by card on our website: www.guildford-institute.org.uk All of our activities can be booked through the Guildford Institute Reception by cash, cheque or card or paid for by card over the telephone.Reception is open 9am–5pm, Monday to Friday.

Parking & accessOn-street short-term parking is available, in addition to the town centre car parks. The Institute is located on the ground, first and second-floors of a Victorian building with the entrance on Ward Street. We offer full disabled access.

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