Escuela piano1

Con canciones cristianas el teclado para tocar Mtodo prctico

de los acordes y armonas para crear acompaamientos propios.Al finalizar el curso, el alumno podr tocar canciones, y tendr un entendimiento bsicoLos conceptos musicales se introducen poco a poco, al paso de los ejercicios.Un mtodo para principiantes que desean tocar msica para la gloria de Dios.

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Derechos del autor:Hijos delAltsimo- http://www.altisimo.net

1

este curso de piano usa canciones que alaban a Dios y que nos cuentan de su grandeza y amor.

As, la msica nos hace recordar de muchas maneras a nuestro gran Creador. Por esto,

en una sola armona perfecta.

De la misma forma, los acordes de la msica se forman por tres notas que suenan juntas

Sin embargo, hay una perfecta armona entre los tres, porque es un solo Dios.

Es ms: Dios mismo se muestra en las tres manifestaciones de Padre, Hijo, y Espritu Santo.

una msica armoniosa que los seres celestiales podan escuchar.

de manera que los antiguos griegos pensaban que aun los planetas al moverse deban producir

Aun el sol, la luna y las estrellas describen una perfecta armona en el cielo con sus rbitas;

Un concepto importante de la msica es la armona. Dios puso armona en toda su creacin.

En el 'cancionero de la Biblia', el libro de los Salmos, hay muchas canciones que cant David.

Dios se alegr mucho de l, e hizo cosas grandes con David.

Habrs escuchado de David en la Biblia, que desde nio tocaba el arpa y cantaba para Dios.

es usarla para honrar y alabar a nuestro Creador.

Esto se aplica de especial manera a la msica. Lo mejor que podemos hacer con la msica,

Dios dice que hagamos todo de corazn, como para el Seor y no para los hombres. (Col.3:23)

Introduccin

agarrando una pelota de tenis.

- Los dedos en forma redonda, como si estuvieras

(El teclado debe estar a la altura de los codos.)

sin tener que levantarlos hacia arriba.

- Los antebrazos en posicin horizontal,

paralelos al cuerpo.

- Igualmente los brazos en posicin vertical,

- La espalda recta, vertical, sin inclinarse.

(o sobre una banquita, si la silla es demasiado alta).

- Los pies bien apoyados en el suelo

Acomoda la altura de la silla y del teclado, hasta que puedas sentarte en esta posicin indicada:

As evitas dolores musculares y otros problemas.

Acostmbrate desde el inicio a sentarte al teclado de la manera correcta.

La posicin ideal del cuerpo y de los dedos

2Indica que la nota 'Sol' se ubica en la segunda lnea (desde abajo) del pentagrama.

El smbolo a la izquierda se llama 'Clave de Sol'.

El pentagrama consiste en cinco lneas donde se escriben las notas.

El pentagrama

clefs timesig

Despus de la segunda 'Do', los nombres se repiten, o sea, siguen nuevamente 'Re', 'Mi', etc.

Notars que la primera 'Do' se ubica en una lnea auxiliar, porque no entra en las lneas del pentagrama.

El siguiente diagrama muestra la ubicacin de las notas en el pentagrama, y en las teclas del piano.

Nombresdelasnotas;Notasenelteclado

lneas adicionales o auxiliares.

Cuando las cinco lneas no alcanzan para ubicar una nota muy alta o muy baja, se aumentan

Nota que las lneas y espacios se cuentan desde abajo (1ra lnea) hacia arriba (5ta lnea).

Las notas pueden ubicarse tanto en las lneas como en los espacios del pentagrama.

Lneasyespaciosenelpentagrama

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Re

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noteheads La (nota) redonda dura cuatro tiempos. noteheads + noteheads + noteheads + noteheads - Se llama tambin nota entera.noteheads La (nota) blanca dura dos tiempos. noteheads + noteheads - Se llama tambin nota de

21

.

Para indicar el comps, esta nota se llama tambin nota de41

.

noteheads La (nota) negra dura un tiempo. Normalmente, esto es como se dan palmas de acuerdo al ritmo.La forma de las notas indica cuanto tiempo duran:

Duracindelasnotas

pero no tan fuerte como el 1er tiempo.)

(Adems, en un comps de 4 tiempos se toca tambin el 3er tiempo un poco ms fuerte,

El comps define el ritmo de una msica. La primera nota de cada comps se toca o canta ms fuerte.

Elcomps

1

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En vez de escribir44

, a veces se escribe una 'C': clefs timesigUna barra doble simple clefs timesig indica que comienza una nueva parte de la msica.

La barra doble gruesa clefs timesig indica el fin de la msica.

La barra vertical clefs timesig indica que comienza un nuevo comps.En esta msica,

44

indica que cada comps tiene 4 tiempos de noteheads .

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noteheads3

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noteheadsclefs 43

En esta msica, cada comps tiene 3 tiempos de noteheads .

Salmo 57:8-9 .

Te alabar entre los pueblos, oh Seor; cantar de ti entre las naciones.Despierta, alma ma; despierta, salterio y arpa; me levantar de maana.

4

Al tocar no mires las teclas; mira la hoja con las notas musicales.

para alcanzar la destreza necesaria.

Importante: Es necesario practicar diariamente por lo menos 15 a 30 minutos,

Cuando un dedo aprieta una tecla, los otros dedos no deben salir de sus posiciones.

1 = Pulgar, 2 = Indice, 3 = Medio, 4 = Anular, 5 = Meique.

Los nmeros pequeos encima de las notas ( 1 2 3 ) indican con qu dedo tocar la nota.

Pulgar - Do, Indice - Re, Medio - Mi, Anular - Fa, Meique - Sol.

Coloca la mano derecha sobre las teclas del piano, de la siguiente forma:

Ejercicios para la mano derecha

1

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Nota: La nota blanca con un punto ( dotsnoteheads ) dura 3 tiempos (noteheads noteheads noteheads ).5noteheads noteheads 2noteheads

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pero vers que los nmeros para los dedos cambiaron.

Son los mismos ejercicios como en la pgina anterior;

Toca as los siguientes ejercicios.

Meique - Do, Anular - Re, Medio - Mi, Indice - Fa, Pulgar - Sol.

Coloca la mano izquierda sobre las teclas del piano, de la siguiente forma:

Ejercicios para la mano izquierda

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Estas dos formas significan exactamente lo mismo. - Toca los siguientes ejercicios:

Las corcheas pueden escribirse de dos formas: noteheadsflags flags

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clefs timesig = noteheads noteheads noteheads noteheadsclefs timesigcomo una negra:

flagsnoteheads flagsnoteheads = noteheadsLas corcheas son notas ms rpidas que las negras. Dos corcheas duran el mismo tiempo

Corcheas

Mano derecha1

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Santiago 5:13 .

Est alguien alegre? Cante alabanzas.Est alguien entre ustedes afligido? Haga oracin.

All, el dedo pulgar tiene que moverse por un instante a la tecla 'Si', y despus de regreso a 'Do'.

Fjate que en los compases No.3 y 9 aparece la nota 'Si' noteheadsclefstimesig

.

Ahora toca la siguiente cancin.

6Maravilloso es el amor de Dios

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13 clefs

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Descubre por ti mismo cuales dedos tienes que usar.

Ahora vuelve a tocar la misma cancin, pero con la mano izquierda.

Ejercicio 2 (Mano izquierda): Comienza con el meique en 'Si'.

Ejercicio 1 (Mano derecha): Comienza con el pulgar en 'Re'.

Dedos en otra posicin

3

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Practica esta cancin primero con la mano derecha, despus con la mano izquierda.

restsclefs timesig Silencio de corchea: estar quieto por el tiempo que dura una corchea (21

tiempo).

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restsclefs timesig Silencio de redonda: estar quieto por el tiempo que dura una nota redonda (4 tiempos). noteheadsrestsclefs timesig Silencio de blanca: estar quieto por el tiempo que dura una nota blanca (2 tiempos). noteheadsrestsclefs timesig Silencio de negra: estar quieto por el tiempo que dura una nota negra. noteheads

Los signos de silencio indican que no se toca nada durante cierto tiempo:

Silencios

Dios hizo las tortugas

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(no soltar la primera nota hasta el momento en que comienza la segunda.)

Un arco que une dos o ms notas diferentes, indica que deben tocarse 'legato', o sea, muy unidas

El legato

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8Salmo 118:24(Las dos manos alternando)Este es el da que hizo el Seor

Notars que siempre cuando la mano izquierda toca, la derecha est en silencio, y viceversa.

En la siguiente cancin tocan ambas manos.

Tocar con ambas manos alternando

Por ejemplo en la cancin abajo, fjate en la palabra 'go--zo'.

En una cancin, el 'legato' indica que una sola slaba se canta a travs de varias notas.

4

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restsMano derecha

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9

La siguiente cancin es un ejemplo.

La nota ms fuerte es como siempre la primera nota del comps (indicada con el acento >).

En este caso, la msica comienza con unas notas menos fuertes.

Este comps incompleto se llama 'antecomps': noteheadsAntecomps

noteheads scriptsnoteheadsComps completo

noteheads noteheadsclefs timesigAlgunas msicas no comienzan al inicio de un comps; el primer comps est incompleto.

Antecomps

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11 clefs

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Salmo 33:1 .

En los ntegros es hermosa la alabanza.Algrense, oh justos, en el Seor.

10

En los otros ejercicios hay cambios similares.

(Fjate en los nmeros de los dedos indicados.)

Antes del penltimo comps, todos los dedos tienen que volver a su primera posicin.

y sucesivamente todos los dedos siguientes se mueven una posicin hacia la derecha.

No.1: Entre el segundo y el tercer comps, el dedo ndice ( 2 ) tiene que moverse de 'La' a 'Si',

En el siguiente ejercicio, los dedos tienen que cambiar su posicin.

Cambio de la posicin de los dedos

Mano derecha

1

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dotsnoteheads noteheadsclefs timesig = noteheadsclefs timesigSe trata de una 'ligadura de prolongacin', y hace que dos o ms notas se unan en una sola:

Nota: El arco que une dos notas de la misma altura, no es un arco de 'legato'.

1

noteheadsMueve el pulgar por debajo del ndice a la derecha.

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Hijos del Altsimo - http://www.altisimo.net

11

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dotsnoteheads = noteheads + flagsnoteheads dotsnoteheads = noteheads + noteheadsUn puntillo despus de una nota le aumenta la mitad de su duracin:

Notas punteadas

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12

Miqueas 7:19

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Ven conmigo al pas adonde voy

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brackettips

13

5. Jesucristo te espera ... donde voy4. Muchos amigos ya estn ... donde voy3. Nadie tiene que llorar ... donde voy2. Paz y gozo hay all ... donde voy

Toca los siguientes ejercicios con la mano izquierda:

de manera que las siguientes dos notas son idnticas:

Do

noteheadsclefs timesig = noteheadsDo

clefs timesigLa 'Do media' se encuentra en el medio entre el sistema en clave de Sol y en clave de Fa,

Estas notas se anotan en la clave de Fa:

Do

noteheads noteheads noteheadsRe Mi

noteheads noteheadsFa

noteheadsSol La

noteheads noteheadsSi Do

clefs timesigLa mano izquierda normalmente toca notas ms bajas.

La clave de Fa

5noteheads 3noteheads noteheads 5noteheads 3noteheads noteheads 4noteheads 2noteheads noteheads 4noteheads 2noteheads noteheads 5noteheads 3noteheads noteheads 5noteheads 3noteheads noteheads 4noteheads 3noteheads noteheads noteheadsclefs timesig1.5noteheads 4noteheads 3noteheads 2noteheads 1noteheads 2noteheads 3noteheads noteheads4 5noteheads 3noteheads 1noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheadsclefs timesig2.5noteheads 3noteheads noteheads noteheads noteheads noteheads noteheads 1noteheads noteheads noteheads noteheads noteheads 2noteheads 4noteheads dotsnoteheads noteheads noteheads noteheads dotsnoteheadsclefs

433.

3noteheads noteheads noteheads noteheads noteheads noteheads 4noteheads noteheads 2noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads4. clefs 44 noteheads5

1noteheads

Salmo 150 .

Todo lo que respira alabe al Seor. Aleluya.Albenle con cmbalos resonantes; albenle con cmbalos de jbilo.

Albenle con pandero y danza; albenle con cuerdas y flautas.Albenle al son de bocina; albenle con salterio y arpa.

Albenle por sus hazaas; albenle segn la muchedumbre de su grandeza.Alaben a Dios en su santuario; albenle en la magnificencia de su firmamento.

14

(Las dos manos alternando)Alabar, alabar

dotsdotsnoteheads noteheads noteheads noteheads1.

noteheads noteheads noteheads noteheads noteheadsclefs timesig2.

= noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheadsclefs timesig

la primera vez se toca solamente el final '1', la segunda vez solamente el final '2'.

Las partes indicadas con '1' y '2' indican finales alternativos:

dotsdotsnoteheads noteheads noteheads noteheadsclefs timesig = noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheadsclefs timesigSi la repeticin es desde el inicio, se escribe solamente el segundo signo.

Los signos dotsdots dotsdotsclefs timesig indican que la parte entre los signos debe tocarse dos veces.

El signo de repeticin

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15

Quin es el rey de la selva?

4

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clefs

clefs

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brackettips

ff (fortissimo) = volumen muy alto

f (forte) = volumen alto

mf (mezzoforte) = volumen mediano

p (piano) = volumen bajo

pp (pianissimo) = volumen muy bajo

Nota: El volumen de la msica se indica con estas abreviaturas debajo de las notas:


16

(Las dos manos juntas)Jess me pastorea

Pero para la mano izquierda aumenta la dificultad un poco cada vez.

La siguiente cancin tiene tres versiones. La meloda de la mano derecha es la misma en todas.

Cuando dos notas empiezan juntas, fjate en apretar ambas exactamente al mismo tiempo.

Desde ahora, las dos manos tocarn simultneamente.

Tocar con ambas manos juntas

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17

Ms ejercicios para las dos manos juntas

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noteheadsrestsrestsclefs 444.

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1 Samuel 16:23 .

y Sal tena alivio y estaba mejor, y el espritu malo se apartaba de l.David tomaba el arpa y tocaba con su mano;

Y cuando el espritu malo de parte de Dios vena sobre Sal,

18

Maravilloso es el amor de Dios

Ahora toca con las dos manos juntas estas dos canciones que ya conoces:

a

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13 clefsclefs

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19

Los rboles se mecen

restsLos

4noteheads5noteheads

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Dios.

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Dentro de cada ejercicio, la posicin de los dedos no cambia.

(p.ej. de 'Do' hasta la 'Do' siguiente). Fjate en los nmeros indicados de los dedos.

En los siguientes ejercicios, la mano tiene que estirarse para abarcar el intervalo de una octava

Estirar la mano

Mano derecha

1

noteheads2

noteheads3

noteheads5

noteheads4

noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheads noteheadsclefs 441.

5


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2

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3noteheads1noteheads5noteheads

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20

5noteheads

1noteheads2noteheads 4noteheads noteheads 1noteheads

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3noteheads noteheads4

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4. 44clefs44

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Desde Kenya

Asante sana Yesu

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2. Gracias por la comida, gracias por la comida ... en la mesa.1. Muchas gracias Jess, muchas gracias Jess ... en mi corazn.Traduccin:


21

Demos gracias al Seor

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Apocalipsis 15:2-4 .

por eso vendrn todas las naciones y te adorarn, porque tus juicios se han manifestado.

Quin no te temer, oh Seor, y glorificar tu nombre? pues solo t eres santo;

justos y verdaderos son tus caminos, Rey de los santos.

Grandes y maravillosas son tus obras, Seor Dios Todopoderoso;

Y cantan el cntico de Moiss siervo de Dios, y el cntico del Cordero, diciendo:Estaban parados sobre el mar de vidrio, con las arpas de Dios.

sobre la bestia y su imagen, y su marca y el nmero de su nombre.Vi tambin como un mar de vidrio mezclado con fuego; y a los que haban alcanzado la victoria

22

Toca el siguiente ejercicio y fjate en los sostenidos:

noteheads noteheads noteheads noteheadsFa accidentals noteheads

noteheads noteheads noteheads noteheadsFa accidentals noteheadsFa accidentals noteheads

noteheadsclefs accidentals timesigUn sostenido al inicio de la lnea vale para la lnea entera:

noteheads noteheadsFa accidentalsaccidentals noteheads noteheads noteheadsFa accidentals noteheads noteheadsFa noteheadsclefs

timesigUn sostenido antes de una nota vale hasta el fin del comps:

Puesto que no hay tecla negra entre Mi y Fa, Miaccidentals

equivale a Fa. Igualmente, Siaccidentals

equivale a Do.

noteheadsaccidentals noteheadsaccidentals noteheads noteheadsaccidentals accidentals noteheadsaccidentalsclefs timesigPor ejemplo Do

accidentals (Do sostenido) es la tecla negra entre Do y Re.

El sostenidoaccidentals

eleva la nota por medio tono.

El sostenido accidentals , teclas negras

1

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2

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9 clefs accidentalsclefs accidentals

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23

Hay tormentas

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Nota: "D.C. al Fine"= "Da Capo al Fine" = repetir desde el inicio hasta donde dice "Fine".


1 Samuel 16:23 .

y Sal tena alivio y estaba mejor, y el espritu malo se apartaba de l.David tomaba el arpa y tocaba con su mano;

Y cuando el espritu malo de parte de Dios vena sobre Sal,

24

- Toca esta escala con los dedos indicados.

Normalmente, una msica en Do Mayor termina con la nota Do.

Casi todas las msicas que tocaste hasta ahora, son en Do Mayor.

Cuando una msica usa las notas de esta escala, se dice que la tonalidad de la msica es Do Mayor.

La escala Do Mayor es la secuencia de las teclas blancas, desde 'Do' hasta la 'Do' siguiente.

La escala Do Mayor

1

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El siguiente grfico muestra los intervalos de la escala Do Mayor:

El intervalo es ms pequeo. De 'Mi' a 'Fa' es un semitono (medio tono).

Si escuchas bien, te das cuenta de que las notas 'Mi' y 'Fa' son ms parecidas que 'Re' y 'Mi'.

De 'Re' a 'Mi' es tambin un tono entero. Pero entre 'Mi' y 'Fa' no hay tecla negra.

Entre 'Do' y 'Re' hay una tecla negra. Se dice que el intervalo entre 'Do' y 'Re' es un tono entero.

Observamos ahora los intervalos (espacios) entre una nota y la nota siguiente.

Salmo 33:2-3 .

Cntenle un cntico nuevo; hganlo bien, toquen msica con jbilo.Aclamen al Seor con arpa; cntenle con salterio y decacordio.

Si escuchas bien, notars que hay una nota que suena 'equivocada'.

Toca la siguiente escala y escucha bien: suena igual como la primera escala?

Ahora queremos tocar una escala igual, pero empezando con 'Sol'.

La escala Sol Mayor

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25


Para que sea igual, tenemos que cambiar la 'Fa' por 'Faaccidentals

'. Toca y fjate si ahora suena bien:

Pero en la escala que comienza con Sol, el ltimo intervalo es diferente.

1 - 1 - 21

- 1 - 1 - 1 - 21

.

Para que la escala suene bien, todos los intervalos deben ser los mismos como en la escala Do Mayor:

Comparamos los intervalos y veremos por qu suena mal.

Escuchaste bien? - La nota 'Fa' suena 'equivocada', no cierto?

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Entonces, la forma correcta de escribir la escala Sol Mayor, es esta:

Por esto, se pone el sostenido al inicio de la lnea, y as se aplica a la lnea entera.

En esta tonalidad, todas las 'Fa' se convierten en 'Faaccidentals

'.

La cancin anterior, 'Hay tormentas', es en Sol Mayor.

Una msica en Sol Mayor usa esta escala, y normalmente termina con 'Sol'.

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Tcala tambin con la mano izquierda:

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Las semicorcheas

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26

Cristo no est muerto

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27

Te dars cuenta de que una escala 'Menor' suena diferente de una escala 'Mayor'.

Cuando una msica usa las notas de esta escala, se dice que la tonalidad de la msica es La Menor.

La escala La Menor es la secuencia de las teclas blancas, desde 'La' hasta la 'La' siguiente.

La escala La Menor

1

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Para que la escala menor suene 'concluda', a veces se eleva la 7ma

nota con unaccidentals

(Sol en este caso):

se dice que la tonalidad La Menor es paralela a Do Mayor.

Puesto que la escala La Menor usa las mismas notas como la escala Do Mayor,

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como un tiempo, entonces la negra vale medio tiempo y la corchea 1/4 tiempo.

La seal clefs timesig indica un comps de 'Alla Breve' (22

). En este comps, la nota blanca se cuenta

D.C. ad lib. (Da Capo ad libidum) = repetir toda la cancin a voluntad.

rit. (ritardando) = volverse ms lento.

Presto = rpido.

Piu mosso = ms rpido.

acc. (sempre) = acelerando (siempre).

Largo = lento.

(A menudo se usan palabras italianas para indicar la velocidad, la expresin de la msica, etc.)

Explicaciones de trminos musicales en la cancin de la pgina siguiente:

Fjate en estas indicaciones al tocar la cancin en la pgina siguiente.

Un acento > por encima o debajo de una nota indica que la nota debe tocarse ms fuerte de lo normal.

mantenindola presionada por bastante tiempo, pero no unindola a la siguiente como en el legato.

Un guin - por encima o debajo de una nota indica que la nota debe tocarse portato , o sea,

muy corta.

Un puntito . por encima o debajo de una nota indica que la nota debe tocarse staccato , o sea,

Staccato y Portato


28

Levntense, hermanos, con corazn gozoso.

Traduccin: Vengan, alegrmonos y gocmonos. Vengan, demos gritos de alegra y gocmonos.

Desde Israel

Hava Nagila

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Toca tambin con la mano izquierda:

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O con la 7ma nota elevada:

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Como la escala La Menor es paralela a Do Mayor, Mi Menor es paralelo a Sol Mayor.

La escala Mi Menor

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(Cuando solamente dice 'D.C.', las partes con seas de repeticin se tocan una sola vez.)

D.C. con rip. = repetir desde el inicio y con todas las repeticiones.

Allegro ('alegre') = bastante rpido. Andante ('andando') = velocidad mediana.

no ocurre este cambio.

Nota que en esta cancin Re fue elevado a Reaccidentals

, mientras en la siguiente cancin

30

Deuteronomio 5:6-21, 6:5-6

Los diez mandamientos

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sino segn negras punteadas dotsnoteheads (que equivalen 3 corcheas).En la prctica, a menudo se indica la velocidad de este comps no segn corcheas,

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El comps de 6/8

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32

exactamente en el medio entre dos notas negras de la mano izquierda.

En el siguiente ejercicio, fjate bien en el ritmo. Las corcheas en la mano derecha deben caer

Ritmos diferentes en la mano izquierda y derecha

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Escuela piano1

Spiritual

Transcript of Escuela piano1