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Erose Sthapit Visuality in Marketing
Transcript of Erose Sthapit Visuality in Marketing
Change in visuality in
classic and
new social media
Visuality in Marketing
06.03.2012
Erose Sthapit
Chrysler Imperial
1958
SEMIOTIC CAR ADS.
Volkswagen “Beetle”
1978
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Use of Women in Car Advertisements
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Early car ads. (1910 )
Car an extension of
masculinity to attract
women
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1950 -2011
Car an extension of
masculinity to attract
women
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Womens
intellectual and personal appeal
is reflected in the car ads. - 1916-1939
Print media was the most
popular form of advertising
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1940 – 1950
Car Advertisements
contained
information about
how the new car
would add to the
lifestyle
of women
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1917: women as intellectual and an influence in buying a car
1980: women known as bad drivers
Today : Smart
Stereotype
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mid1900s - From intellectual and personal appeal, to sexual in Car Advertising
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Imagery used to
attract attention,
draw interest of potential users
for the purpose of sale
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Spread Your Legs
- Pontiac Star Chief
Imagery used in car ads. is very broad
The Ford Model T would never have been
so popular if it weren't for the sex appeal
1954 1908 1961
85% of MD Midget owners are men
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Imagery in car ads. are
often suggestively sexual 12 Erose Sthapit, Visuality in Marketing
contain
nudity
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Traditional
today
Similarities
in the imagery of a car ad. from1924 and 2011
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Mercedes Benz Car
Birthmark
Marilyn Monroe (1997)
Use of Celebrities
Kylie Minogue Lexus
Campaign (2011)
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Jennifer Lopez in Fiat 500 car
campaign (2011)
2012
marketing methods
used by car
manufacturers back
then are still being
used today
1960 Car Advertisements
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AIDA formula
Attracts Attention
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Lacks Interest
Does not cause the customer
to say
“Oh! I didn’t think of that!”
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Lacks
Desire and
Action
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Conclusion -
in today’s world,
the imagery used, such as
that of a pretty
woman, typically has
no connection
to the product - car being advertised
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