Emilio Todescato Architecture Portfolio University of Oregon

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B. ARCH: UNIVERSITY OF OREGON EMILIO TODESCATO

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University of Oregon Architecture Portfolio

Transcript of Emilio Todescato Architecture Portfolio University of Oregon

Page 1: Emilio Todescato Architecture Portfolio University of Oregon

B. ARCH: UNIVERSITY OF OREGONEMILIO TODESCATO

Page 2: Emilio Todescato Architecture Portfolio University of Oregon

Revit

Photoshop

Illustrator

InDesign

Auto-Cad

Sketch-up

Maxwell Render

Office

Hand Drafting

Laser Cutting

Photography

Education:

EMILIO TODESCATOborn Septeber 27th 1990 San Jose CA

Liceo Malpighi (Bologna Italy), South Eugene High SchoolState Honor Diploma, class of 2009, GPA 3.845

University of Oregon, Eugene OregonArchitecture ProgramMinor: Business AdministrationGPA 3.6Languages: Italian, English, Latin

Professional ExperienceGensler - San Jose CAThe Urban Collaborative - Eugene ORRowell Brokaw Architects - Eugene OR

2709 Riverwalk Loop Eugene Oregon [email protected]: 5419134194

Architecture to me is a way of life. It is a way to express my ideas through the work of my hand and the use of my skills. I see it as a way to make beauty and change in a reality that needs it more and more. This is a time when change in the architectural landscape is so important in terms of ending sprawl and creating healthier and more sustainable buildings, I believe that architects can be the seed for that change. I believe in an architecture that is inspired from history and that tries to simplify reality with the creation of an understandable modern design. To me it is very important to create a design that keeps in consideration the surrounding reality and tries to fit and improve everything around it. I hope to expand and try to accomplish designs that are inspired from these ideas and that can make change happen.

- Excellent presentation in 2 & 3 dimensional graphics.- Extensive education and incorporation of environmental design.- Effective problem solver through stressful conditions.- Great work ethic and interpersonal skills.

V-Ray

Revit, Years of experience, Rendering, graphics, Modeling, Grass Hopper, Vray, Maxwell, 3ds max, parametric, design,Multicultural, structures, enclosures.

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CONTENTS

1. Dalston Performing ArtsThesis project 5th year

2. SFFD HQcompetition

3. The MohawkAcademic Project 3rd Year

4. IAAF PavilionAcademic Project 5th Year

5. Qui Nhon, Vietnam Academic Project 4th Year

6. UO Field StationAcademic Project 3rd Year

MEDICAL / RETAIL

MEDICAL / RETAIL

MEDICAL

RESTAURANT

RETAIL

RETAIL

RETAIL

RETAIL

RETAIL

RETAIL / CAFE

GROCERY STORE

RETAIL

EXISTING BANK

EXISTING BANK

RETAIL

RESTAURANT

7. Building EnclosureTechnical Class 4th Year

8. Digital Photography

2. SFFD HQ

3. The Mohawk 4. IAAF Pavilion

1. Dalston Performing Arts

6. UO Field Station

5. Qui Nhon, Vietnam

7. Building Enclosure

8. Digital Photography

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D A L S T O N P E R F O R M I N G A R T S A C A D E M YT H E S I S P R O J E C T | 5 T H Y E A R U N I V E R S I T Y O F O R E G O N P r o f e s s o r : H o w a r d D a v i s | D a l s t o n , L o n d o n , U K

The Dalston Performing Arts Center will be a community music conservatory, dance studio and music production center. The neighborhood is located in one of the most diverse and dense areas in norther London. Dalston is in deep need of a community center that could activate both the immediate spaces around it, such as Gillett Sq. and allow the neighborhood to become a cultural center for the northern London area. The design re-utilizes an existing furniture factory from the 1890’s with the addition of two new structures: a library and a multipurpose performance hall. The main idea behind this development is to create an urban campus or integration of different buildings connected by common spaces that allow interaction and foster creativity and circulation illuminated through the use of a highly glazed enclosure strategy. The idea of a campus is meant to serve as a strategy to break up the building, therefore to avoid creating an impervious monolithic structure that would not allow users to penetrate deep within it and experience all that the academy has to

offer. The program includes dance studios, large and small practice rooms, a large multipurpose performance hall, a music chamber, a library and plenty of student gathering locations that will foster creativity and mixing between the arts to fundamentally merge and work towards the creation of a total work of art.

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Top Left: Existing conditions. Yellow: existing ex-furniture factory to be renovated. Orange: existing housing to be demolished.

Top Right: demo phase.

Mid. Left: new additions: -orange: library-pink: theatre-teal: practice rooms-yellow: recording studios.

Mid. Right:

enclosing and connecting through glazed circulation and assembly areas.

Bottom: the square is now complete on all four sides creating a new and improved social gathering location for Dalston.

MICRO BUSINESSES

MAIN GATHERING SPACEGREEN SITTING AREA

NTS RADIO

COVERED ENTRANCE | OUTDOOR PERFORMANCE SPACE

MUSIC CHAMBER

LIBRARY

DANCE STUDIO

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PROFESSOR’S OFFICE

DANCE STUDIOSCHOOL’S CORE

BACKSTAGE

GATHERING STAIR | INFORMAL PERFORMANCE SPACE

CLASSROOMSCHOOL’S CAFE

TO MUSIC CHAMBER

TO LIBRARY

ADMIN

NTS RADIO

COVERED ENTRANCE | OUTDOOR PERFORMANCE SPACE

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-1: PERFORMANCE SPACES ENTRY

BLUE= MAIN CIRCULATION

GROUND : ENTRY | LARGER SCHOOL PROGRAM

1st : LIBRARY | CAFE | PROF. OFFICES

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MUSIC CHAMBER

STUDY ROOM

MUSIC LIBRARY

TO BACKSTAGE

PRACTICE ROOM TEACHER’S LOUNGECORE

TO CLASSROOMS

PROF. OFFICE

PRACTICE ROOM

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Within the long list of the academy’s assets the music library, music chamber, and the multipurpose performance hall definitely represent the core and life of the program. The library and the music chamber are stacked in the three pitched roof building. Both the performance hall and the library building follow the same construction methodology: concrete base foundations and CLT for the top floors. Both the music chamber and the main performance hall are surrounded by double walls that host all the utilities and passive ventilation strategies and also offer a great acoustic break.The main performance hall is conceptualized to host as many different performances as possible in order to guarantee a limitless amount of possibilities for the performers and once again foster interaction between the arts. [10]

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ALUMINUM LOUVERS SHADING

GLASS ROOF CANOPY STRUCTURE

STRUCTURAL CLT LAYER | WEATHER BARRIERACOUSTIC SEPARATION

GLULAM ROOF JOISTS

CLT LAYER

GLULAM WAFFLE STRUCTURE

SOUND ABSORBING PANELS

LIGHT RIG

HVAC

PODS OPENING TO THE SQUARE

OPERABLE GARAGE DOORS

PV PANELS SHADING LOUVERS

GLULAM STRUCTURE

CATWALKS TO THEATRE LEVELS

SECOND BALCONY ACCESSSOUND DIFFRACTING PANELS

AIR SUPPLY | HVAC

CONCRETE CORE FOUNDATION

STAGE TO BACKSTAGE

DOUBLE WALL | HVAC CAVITY | SOUND BARRIER

RETRACTABLE SEATING

EAST FACADE

OPERABLE WOOD LOUVERS FOR INTERIOR DAYLIGHT CONTROL

STRUCTURAL CLT LAYER | WEATHER B.

GLULAM STRUCTURE

CNC CLT SOUND PANELS

CONFIGURATION 1

CONFIGURATION 2

CONFIGURATION 3

CONFIGURATION 4[11]

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TYPICAL THEATRE STRUCTURAL BAY

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TYPICAL THEATRE STRUCTURAL BAY

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S F F D H QA R C H M E D I U M C O M P E T I T I O N | S A N F R A N S I S C O S U M M E R 2 0 1 3 T e a m : E m i l i o T o d e s c a t o , D a n i e l B e l t r a m o

On April 18, 1906, San Francisco experienced a massive earthquake resulting in nearly 30 fires burning most of the city to the ground. Over the next four days the San Francisco Fire Department tirelessly fought the rage of fire engulfing the city. As a token of appreciation to the heroic fire department that battled this crisis, our design for the SFFD headquarters stands as a symbol of the city raised from the ashes and its fire department that remains an enduring symbol of public safety. The new headquarters, operating as the hub for over 50 of San Francisco’s fire stations, occupies the generously sized Piers 30-32 along the Embarcadero. The design utilizes the separation and partial removal of the main piers to create two distinct parts. The piers distinct form creates a public park alongside station providing unbroken views of the garages and inner spaces of the fire department, as well as spectacular views of the San Francisco Bay. Symbolic of the original piers, the old pilings and supports remain, capped with LED lights to provide dynamic lighting and effects at night. Conceived as a series of timeless masses, the fire station offers a place where firefighters live and work. Between these masses, the garages display the strength and protection given by the San Francisco Fire Department.

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EQUIPMENT

GARAGE

LIVING

OFFICES

POOLTRAINING

AIR

WATER

PUBLICRETAIL

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EQUIPMENT

GARAGE

LIVING

OFFICES

POOLTRAINING

AIR

WATER

PUBLICRETAIL

SHAPE THE EXISTING DOCK.(REMOVE PAVEMENT LEAVE PYLONS)

GENERATE ELEVATION CHANGES FORPUBLIC SPACE.

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DESIGN CREATED TO EASE FIRST RESPONSE PATH

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T H E M O H A W KN O T B I G B O X | S P R I N G F I E L D , O R | F A L L 2 0 1 1 | P R O F . N I C O L A R C OT e a m : E m i l i o T o d e s c a t o , B e n j a m i n B y e , D i j o n J o n e s

R E TA I L : 8 5 , 4 5 0 s q f t

O F F I C E : 1 1 , 7 5 0 - 1 6 , 7 5 0 s q f t

D I N I N G : 1 1 , 9 5 0 s q f t

M E D I C A L : 4 9 , 1 0 0 s q f t

PA R K I N G O N S I T E : 5 4 3

R E Q U I R E D PA R K I N G : 5 4 5

The Mohawk is a commercial district situated in the heart of Springfield Oregon. The design intent was to create a center that could function as a catalyst for the neighborhood. The area is really diverse, incorporating single family housing, small commercial and medicare facilities. The goal was to create a design that could serve all of these functions, therefore connecting the neighborhood and create future development around the project. The site was populated by local retail located in very large footprint buildings. In the proposal my team decided to reuse some of the existing structures and design around them to create a highly sustainable design to compensate for the large amount of parking required. The proposal consisted in a small medical campus, that served as an extension of the existing hospital to the south of the site. In addition we added a commercial area in order to diversify the site functions and maintain a higher level of activity constant through out the day.

MEDICAL / RETAIL

MEDICAL / RETAIL

MEDICAL

RESTAURANT

RETAIL

RETAIL

RETAIL

RETAIL

RETAIL

RETAIL / CAFE

GROCERY STORE

RETAIL

EXISTING BANK

EXISTING BANK

RETAIL

RESTAURANT

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MEDICAL / RETAIL

MEDICAL / RETAIL

MEDICAL

RESTAURANT

RETAIL

RETAIL

RETAIL

RETAIL

RETAIL

RETAIL / CAFE

GROCERY STORE

RETAIL

EXISTING BANK

EXISTING BANK

RETAIL

RESTAURANT

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D i s t r i c t ’ s M a i n H u b

N e w D i s t r i c t ’ s E n t r y M e d i c a l C a m p u s E n t r y

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BIG COMMERCIALSM

ALL

CO

MM

ERC

IAL

SINGLE FAMILY

SITE

HOSPITAL

SINGLE FAMILY

C R E A T E A C E N T E RE D G E C O N D I T I O N S - G R E E N S T R E E T SP A R K I N G W A S T E M E D I C A L , S M A L L - L A R G E

SMALL MEDICAL

SMALL MEDICAL

SUPERMARKET

SMALL RETAIL

EXISTING BANK

BIKE AND RIDE

EXISTING BANK

RESTAURANT

SMALL RETAIL

SMALL RETAIL

SMALL RETAIL

SMALL RETAIL

RESTAURANT

SMALL RETAIL

MEDICAL RETAIL

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Phase 1

EXISTING STREET CONDITIONS

RE-DESIGN PROVIDING WATER MITIGATION STRATEGIES AND PEDESTRIAN BUFFERS

Phase 2 FULL BUILT OUT

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W A T E R M A N A G E M E N T S Y S T E M

GREY WATER COLLECTION AREA : 145,500 SQ FT (from roof surfaces)

COORDINATED SYSTEM OF BIO-SWALES FILTER RUN-OFF FROM SITE AND SURROUNDINGS

40% OF THE SITE IS ACTIVELY DEDICATED TOWARDS ON-SITE WATER MANAGEMENT

TOTAL PERVIOUS AREA : 72,600 SQ FT (bioswales + pervious pavers)

BIO-SWALE COLLECTS WASTE WATER FROM SURROUNDING STREETS

PERVIOUS PAVERS COLLECT WASTE WATER FORM ON SITE PARKING.

ROOFTOP DESIGNED TO COLLECT STROM WATER AND FILTRATE IT INTO THE CITY’S WATER TABLE

REHABILITATION OF CITY’S WATER TABLE

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I A A F P A V I L I O NP AV I L I O N A N D E V E N T D E S I G N | E U G E N E , O R | F A L L 2 0 1 4 |

S E B A S T I A N G U I V E R N A U

T e a m : E m i l i o T o d e s c a t o , S a m a n t h a Y o u s s e f i .

The IAAF Junior World Championships being held in Eugene in the summer of 2014 mark the first time an international event has been held in Eugene as well as the first time this event has been held in America. Therefore, we wanted to design a pavilion and flag display that would give users a complete feeling of what the Pacific Northwest is like.We decided to centralize our design around designing a master plan for the entire site using a modular pod system so that more or less spaces could easily be added depending on the program. We chose lumber to be the main material for our design because we wanted to use a local material that characterizes Eugene. We focused on finding ways to use lumber so that it wouldn’t have to be significantly altered so that it could easily be resold or reused.The flag display was completely integrated into the pavilion. We designated specific pods to become “flag pods” that would be double the height of the other pods and would have eight flags each. Their height above the rest of the structure combined with the colors of the flags made them become nodes throughout the space. Interactive elements were placed throughout the pavilion to engage users with the space as well as teach them about Eugene and all the competing countries.

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ADDING A STEP TO THE WOOD INDUSTRIES. WE DESIGNED ALL OF OUR PODS IN A WAY THAT WOULD ALLOW US TO NOT ALTER THE WOOD PRODUCTS. THIS MEANT THAT ALMOST 70% OF THE MATERIALS COULD BE RE-SOLD OR RE-USED FOR REGULAR CONSTRUCTION.

EVENT BRANDING

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The Master Plan pavilion wraps around the southern edge of the track, connecting the east and west bleachers. The placements of the pods is based on a variable grid. The pavilion becomes a backdrop for the event displaying the countries flag and Oregon’s essence.

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ENTRANCE

PODIUM

COOLING STATION

COOLING STATION

FOOD

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TOP CONNECTOR

4X4 BEAMS

BRACING

ROPE SCULPTURE

STRUCTURAL RING

6X6 FLAG DISPLAY COLUMN

SOUND CUBE

4X4 BEAMS

COLUMN CONNECTOR

6X6 POD COLUMN

4X8 PLYWOOD SHEET

4X4 FLOOR JOISTS

6X6 FLOOR BEAMS

BASE PLATE

8- 4x8 PLYWOOD SHEETS 11- 4x4 FLOOR JOISTS 8- 6x6 COLUMNS 8- 4x4 BEAMS

4 COLUMN BASES 4 COLUMN CONNECTORS 4 TOP CONNECTORS

THE DESIGN WAS CONCEPTUALIZED AS A KIT OF PARTS THAT WOULD BE ASSEMBLED ON SITE. THE KIT FOR ONE POD INCLUDED 6X6s, 4x4s , 4x8s SHEETS OF PLYWOOD AND A COUPLE METAL CONNECTORS

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Q U I N H O N , V I E T N A MC I T Y D E V E L O P M E N T | W I N T E R 2 0 1 3 | P R O F . M A R K G I L L E MT e a m : E m i l i o T o d e s c a t o , S a m K a h l e , S p e n c e r R u s s e l , D a n i e l B e l t r a m o

This is a master planning project sponsored by the government of Vietnam. It proposes a city for one hundred thousand, which is the expected growth for Qui Nhon over the next twenty years. We were asked to consider various social, economic and environmental concerns and conduce extensive research into these topics before starting the design process. The site is a three thousand acre green field development facing the ocean. The only existing infrastructure is a twelve lane highway built in anticipation of possible expansion of the city. Rising sea levels ad flooding are major issues that we addressed through the use of a large bio-swale that became focal point and major driver of the design.Due to the large scale of the project, we worked in four persons teams and collaborated extensively throughout development and production. Various scales and systems were addressed, ranging from city-wide transportation networks to street sections and sidewalk details.

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1 | START WITH THE CENTRAL BIO-SWALE

2 | GENERATE THE GRID AROUND IT

3 | CREATE DISTRICTS

4 | ASSIGN DENSITY BASED ON DISTRICT LOCATION

5 | CREATE URBAN GREEN SPACES

6| DEVELOP MASS TRANSIT NETWORK

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The design creates a flexible yet consistent grid, developed in response to green spaces, public spaces, and pedestrian access. A gradient of development will position higher density in accordance with main development areas. There will be an integrated, multi-nodal transit system that responds to existing features, organized around a central hub. The design uses a hierarchy of streets as well as a variable grid, which is integrated into the fabric of the city. Site specific green spaces will link together variations in density,while adopting to climate and weather changes. These systems aim to make visible the treatment of storm and wastewater as well as the production of clean wind and solar energy.

OVERALL STARTEGIES

FLOOD MITIGATION

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MULTI FAMILYSINGLE FAMILYCOMMERCIAL

FLEX USEMIXED USE

EDUCATIONINDUSTRIAL

CIVICPARKING ALLOWEDSUGGESTED ENTRIES

BUILD TO LINEREQUIRED ENTRY

HOUSING ENERGY STRATEGIES

HOUSING BLOCK TYPE

WASTE WATER MITIGATION

URBAN FARMING

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SHORE LINE STREET SECTION

MEDIUM DENSITY STREETS

HIGH DENSITY STREETS

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U O F I E L D S T A T I O ND e P o e B a y O R | S U M M E R 2 0 1 2 | P r o f . V i r g i n i a C a r t w r i g h t

This studio focused on taking a straightforward approach to organiz-ing the building, and then concentrated on developing the scheme. The issues that were stressed include: the context, the site, the struc-ture and the construction. The program is simple; a small field station that would allow UO classes to spend a short time, a week or so, at Depoe Bay to take advantage of this part of the Oregon coast. The building would include sleeping accommodations for 20 students and two instructors; cooking and eating facilities; a lounge; and, a class-room. The structure will be wood frame, which is typical at the water’s edge in Oregon. The challenge was that the site is quite steep, step-ping down the slope from the road to the harbor. It is south-facing and has views of the major space of the harbor.

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F l o o r - 1 F l o o r - 2 [47]

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B U I L D I N G E N C L O S U R EF A L L 2 0 1 2 | P R O F . D O N C O R N E R & J O H N

Enclosures deals with the design of the building’s envelopes.In the course we designed and detailed a wood structured enclosure, an aluminum curtain wall, steel structural systems and a terracotta tile enclosure. The design and detailing stresses the 4 D’s of enclosures: deflection, drainage, drying and durability. All the designs maintain thorough air and water tightness through the use of barriers in strategic locations in the facades.The process of conceptualizing the facade assemblies is dealt with as a design problem and is carried out just like any other project; from the sketch to the final detailed hard lined drawing. All final details have been accurately draw in Auto-Cad.

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On the Left | Terracotta tile enclosure

Middle | Curtain wall and steel frame enclosure

Right | Window corner detail , wood construction

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Thank you for reading.

2709 Riverwalk Loop Eugene Oregon [email protected]: 541-913-4194