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Elvis Presley By: Sarah Menta & Jon Russo. To what extent did Elvis Presley challenge the status quo...
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Transcript of Elvis Presley By: Sarah Menta & Jon Russo. To what extent did Elvis Presley challenge the status quo...
Elvis Elvis PresleyPresley
By: Sarah Menta & Jon Russo
To what extent did Elvis Presley challenge the status
quo in America?Elvis greatly challenged the status quo in
America to the greatest extent in easing the gap
between blacks and whites, molding the first
generation of teen rebels, turning
television into a great means of entertainment and
turned music into a booming economic industry.
Eased the tensions and social gap between blacks
and whitesBackround:
-Grew up in Memphis, TN.
-Surrounded by black culture.
-Listened to wide range of musical genres.
Sam Phillips:
-Elvis’s first producer.
-”If I could find a white man with a Negro sound, I could make a billion dollars.”
- He found this in Elvis
“The colored folk been singin’ it and playin’ it just the way I’m doin’ now, man, for more years than I know.” -ElvisTotal Package: (Being able to sing, dance, dress black)
-Tied the races together.
-Acceptable for whites to enjoy Rock ‘n’ Roll.
-Copied black artists style of dress and rhythm.
As a Result… -whites began to listen to black
artists; Buddy Holley, Bill Haley
-Less racial mind set amongst teens listening to black artists, since youths
always look up to celebrity figures.
Created the first generation of American Rebels
Lyrics:
-Suggestive toward sexual actions
-Appalling to parents
“'A Little Less Conversation‘A little less conversation, a little more action please
All this aggravation ain't satisfactioning meA little more bite and a little less bark
A little less fight and a little more sparkClose your mouth and open up your heart and baby
satisfy meSatisfy me baby’”
Dress: -Copied the style of urban gangs
Motorcycle jackets, slicked back hair, etc Parents assumed that looking like a part of a gang member made their kids one.
-Girls adored him, guys tried to be like him.
Parents were worried by this.
Dance:-Only showed from waste up on Ed Sullivan show
Sexual hip movement
-”…but many adults found his performances dangerous. It was the way he danced that upset them the most – they’d never seen anything like it.”
-Not that bad, but worse than what parents in the ’50’s were used to Used to traditional ideas of marriage and sex
Turned television into a barometer of what we
considered acceptable in our societyFirst Rejected:
-Concert in Las Vegas canceled
Ed Sullivan:-True mark of his acceptance to society
-85% of television watchers tuned in
-From then on out, he was a legitimate performer
*Hound Dog
Rock ‘n’ Roll: The Phenomenon
-After appearance on TV, r’n’r was more widely showed.
-Elvis was paid $125,000 on a ABC-TV television show airing for six minutes.
Frank Sinatra, the host, once stated rock ‘n’ roll as “the most brutal, ugly, desperate, vicious form of expression.” That all changed when everyone accepted and
adored Elvis’s style.
-10 years later, he was broadcasted via satellites to 40 different countries in a farewell concert in Honolulu
Viewed by about 1 billion
Turned music into a booming economic industry
Products:
-clocks, mugs,
purses, etc
Movies:
-Love Me Tender
-Jailhouse Rock
-Many stars also make appearances in movies in present time
Record Sales:
-Increased from
$182 million to $521 million
from 1954-1960
-The Sun Collection,
Elvis, Elvis Is Back,
From Elvis in Memphis
-Had six hit singles
in one company's hit
list of top 25 best sellers in 1956
Bibliography Vogel, Daniel. "Elvis Presley." Salem History. Pasadena California: Salem Press, Web. Witkoski, Michael. "Elvis Presley." Salem History. Pasadena California: Salem Press, Web. Hakim, Joy. "The King." A History of US. 3rd ed. New York, New York: Oxford University Press,
2003. Print. Cullen, Jim. "Presley Becomes a Rock-an-Roll Sensation." The 20th Century. 3 vols. Pasadena,
California: Salem Press, Inc., 2008. Print. Edelman, Rob, and Tom Pendergast. "Presley, Elvis (1935–1977)." Bowling, Beatniks, and Bell-
Bottoms: Pop Culture of 20th-Century America. Ed. Sara Pendergast and Tom Pendergast. Vol. 3: 1940s-1950s. Detroit: UXL, 2002. 689-690. Gale Virtual Reference Library. Web. 3 June 2010.
"Presley, Elvis 1935-1977." American Decades. Ed. Judith S. Baughman, et al. Vol. 6: 1950-1959.
Detroit: Gale, 2001. 61-62. Gale Virtual Reference Library. Web. 3 June 2010. Tetrault, Lisa M. "Rock and Roll." Dictionary of American History. Ed. Stanley I. Kutler. 3rd ed. Vol.
7. New York: Charles Scribner's Sons, 2003. 185-186. Gale Virtual Reference Library. Web. 3 June 2010.
Helander, Brock. "Presley, Elvis." Baker's Biographical Dictionary of Musicians. Ed. Nicolas
Slonimsky and Laura Kuhn. Vol. 5. New York: Schirmer, 2001. 2859-2861. Gale Virtual Reference Library. Web. 3 June 2010.