Edtc 6340-66 copyright crash course alberto tudon 4th ed

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Get Permission or Pay the Price. Alberto Tudόn

Transcript of Edtc 6340-66 copyright crash course alberto tudon 4th ed

Page 1: Edtc 6340-66 copyright crash course  alberto tudon 4th ed

Get Permission or Pay the Price.Alberto Tudόn

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Training AgendaTraining Expectations:

The Public Domain and Orphan Works Why all works can’t be digitized.

Content on the WebContent and public domain

The Teach ActLaws and their impact

Getting PermissionHow to get it

SourcesSources used to develop this presentation

Fair useAvailable licenses

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• How is an orphan work determined?

The Public Domain and Orphan Works Why all works can’t be digitized.

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• A reasonable search for the author is done and none is found.

The Public Domain and Orphan Works Why all works can’t be digitized.

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The Public Domain and Orphan Works Why all works can’t be digitized.

The owner’s right.

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The Public Domain and Orphan Works Cont.

• What libraries are doing about orphan works

Why all works can’t be digitized.

Searching for authorsMake a calculatedrisk

Post with restriction

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Content on the Web

Copyright notice no longer required

All works are protected whether digital or not

Assume everything is a published printed work

Using materials from the Internet

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Content on the Web Cont.

Might be confusing

Not specific

Misleading to public

Implied license

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Content on the Web Cont.

Very specific

Allowsfor flow of creativity.

Express License

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Content on the Web Cont.

Individuals can be sued

Universities are liable for student infringement

Liability for posting infringing work

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Fair UseThe licenses that are available and sources

Subscription licenses

Transaction licenses

Creative Commonslicenses

LibrariesCopyright Clearance

CenterAuthor

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Fair Use Cont.

• Penalty for use without consent.

$150,000.00

The licenses that are available to the public

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The TEACH Act

TEACH Act of 2002 DVD clips must be

made to an analog recording device only.

Digital clips must be kept in a digital format with technological protection.

The impact copyright laws have had on distance education

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Getting Permission

Academic Image Cooperative

American Society of Media Photographers

Artists Rights Society Aurora Picture

Network International Media Image Resource

Alliance Visual Arts and Gallery

Association

Sources for collections of images

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Getting Permission Cont.

Most colleges and universities do pay a fee to use music but only for a very limited use.

They are not allowed to play music in a dramatic setting like a play or dance without obtaining permission first.

Some misconceptions about using music in education

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Together we can ensure that our students complete the necessary work without placing themselves in a legal predicament..

We can do it.Together

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Sources

• Georgia, H., (2011, Sept. 4 ). Copyright Crash Course. Retrieved from http://copyright.lib.utexas.edu/pdandorphan.html.• Georgia, H., (2011, Sept. 4 ). Obtaining Rights to Produce a Play or Musical or use live music in performance Retrieved from http://copyright.lib.utexas.edu/perform.html.• Georgia, H., (2011, Sept. 4 ). Fair Use of Copyrighted Materials. Retrieved from http://copyright.lib.utexas.edu/copypol2.html.• Georgia, H., (2011, Sept. 4 ). The TEACH Act. Retrieved from http://copyright.lib.utexas.edu/teachact.html.• Georgia, H., (2011, Sept. 4 ). Getting Permission. Retrieved from http://copyright.lib.utexas.edu/permissn.html.

Sources used to develop this presentation